• About AMR
  • Festivals & Associations
  • Services (Hire Us!)
  • Subscribe To AMR Artist News & Album Promo

Category: Music News

0 SHROUD Announces Canadian Tour Dates w/ HELLRIPPER “Goatkraft & Granite Canada 2026”

  • September 9, 2026
  • by Asher
  • · Music News · Shroud

NEWS RELEASE

Montreal, QC – September 9, 2026

Montreal Blackened Thrash SHROUD Announces Canadian Tour Dates w/ HELLRIPPER

Debut Album “Pax Nocturna” Out Now!

L-R – Justin Cournoyer – Bass, Matteo Conti – Guitar and Vocals, Zack Osiris – Drums, Jordan Barillaro – Guitar

Rising from the shadows of Montreal’s extreme‑metal underground, SHROUD proudly announces a run of Canadian tour dates supporting Scotland’s speed‑metal powerhouse HELLRIPPER this November (dates listed below). The announcement follows the release of SHROUD’s debut full‑length album “Pax Nocturna”.​
​
A blistering fusion of blackened thrash sharpened by death‑metal aggression and melodic‑metal atmosphere, “Pax Nocturna” marks a defining first chapter for one of Montreal’s most intense and uncompromising new acts. Lyrically, “Pax Nocturna” explores philosophy, anti‑religion, the abyss, and the darkest corners of human existence. Its overarching concept, Satanic Gnosticism, rejects imposed order and corrupt leadership in favour of embracing the chaos from which humanity originates.

“It’s the acknowledgement that we are our own gods and masters. It is peace within the night. It is Pax Nocturna,” says Conti.

The album’s artwork draws from the dark fantasy of Yoshitaka Amano, the surreal horror of Zdzisław Beksiński, and the mythic grandeur of The Lord of the Rings, depicting the four members in ritualistic worship of Murmur, Archduke and Lord of Hell.
​
​SHROUD began when guitarist/vocalist Matteo Conti approached drummer Zack Osiris (Warsenal) during the height of the COVID‑19 lockdowns. With their previous projects stalled and the music scene frozen, the pair began writing in secret, week after week; riffs and ideas evolved into the earliest form of what would become “Pax Nocturna”. As the world reopened in 2022, the lineup solidified with Justin Cournoyer on bass and Jordan Barillaro joining after filling in for the band’s first show in November 2022. The chemistry was immediate. SHROUD was born, united, focused, and driven.
​
On stage, SHROUD delivers intensity, tightness, and emotional ferocity, already earning them slots alongside Exciter, Midnight, Wraith, Goatwhore, Vitriol, Necrofier, Wormwitch, Spiter, Gudsforladt, Tomarumvoid, Angelus Apatrida, Sorguinazia, and more.

Recommended for fans of Watain, Dissection, Hellripper, Skeletonwitch, and Necrophobic, “Pax Nocturna”, released on June 4th, 2026, is available now on all digital platforms, CD, and vinyl.

CD / Vinyl – https://shroudmtl.bandcamp.com/album/pax-nocturna​

Add to your Spotify playlist – https://open.spotify.com/album/5dfAWpVKaWlsdSBYNZ8L1H

​All Creation – https://www.youtube.com/watch?v=m4okttHfnlg​

The Eternal Void – https://www.youtube.com/watch?v=JJ56_laldDc

​

Tour Dates: Hellripper w/ Shroud​
Nov 25 – Montreal, QC – Piranha Bar
Nov 26 – Quebec City, QC – La Source De La Martiniere
Nov 27 – Ottawa, ON – Dominion Tavern (Capital Punishment Festival)
Nov 28 – Toronto, ON – Supermarket Bar & Variety

Track Listing:​
1. Pax Nocturna (0:43)
2. The Eternal Void (5:09)
3. The Zealot (5:15)
4. Merciless Tyrants (5:59)
5. Darkest Night (4:45)
6. Diablivion (5:28)
7. Death Blows Over (4:18)
8. All Creation (5:29)
9. Abaddon (7:55)
Album Length: 45:05

Album and Live Band lineup:​
Matteo Conti – Guitar and Vocals
Jordan Barillaro – Guitar
Zack Osiris – Drums
Justin Cournoyer – Bass

More info:

​https://www.facebook.com/profile.php?id=100086688022343​

​https://www.instagram.com/shroud.mtl​

About: Emerging from the depths below, Shroud formed in 2022 when Conti and Osiris began writing together during the pandemic. With the later addition of Barillaro and Cournoyer, the band’s lineup solidified into a unit defined by technical skill, raw aggression, and a shared vision of darkness. Their sound of blistering riffs, thunderous drums, and vocals echoing through the void has quickly earned them recognition as one of Montreal’s most promising extreme‑metal acts. Now, with Pax Nocturna, Shroud is ready to unleash its full power.

Album Recording Credits:​
– All songs performed by: Matteo Conti, Zack Osiris, Jordan Barillaro, Justin Cournoyer
– All songs written by: Matteo Conti and Zack Osiris
– Produced by: Shroud and Jordan Barillaro
– Mixed by: Jordan Barillaro
– Album Art by: Justin Cournoyer
– Mastered by: Tore Stjerna

-30-

“Imagine the ferocity, the grit and attitude of ‘Power n Pain’ era Whiplash, add the nocturnal melodic majesty of Necrophobic, and then a heaping helping of D-beat (always appreciated). Vicious, limb twitchin’ and about as infectious as something you believe you might have picked up on a recent European vacation, but wish you hadn’t. Recc for fans of SkeletonWitch, Necrophobic, Hellripper and others who successfully manage to imbue ragin’ Thrash insanity with an exquisite sense of darkness. This scatches the itch, then successfully obliterates it!” 94/100 – Cult Metal Flix​
​
​“the Canadians are beyond any doubt and have put together a debut album that not only packs a serious punch in terms of aggression but also delivers enough memorable moments to perfectly balance frenzy, speed, and punchiness.” – PowerMetal.de ​
​
​“There’s almost a black ‘n’ roll thing going on here, with some cool rocking solos that snap you out of the blackened onslaught here and there. There’s no shortage of heaviness here, and I love how Shroud have mixed the old and the new throughout the album; you never really know what’s going to hit you next. Lots of energy, not many parts to give you rest, Pax Nocturna is one of those albums that tortures your speakers and makes the house shake. Good stuff (duh).” – The Metal Crypt​
​
​“A definite early AOTY candidate with strong claims, 5 star Black/Thrash!… There’s a high amount of crushing chugging riffs across this full length and the leadwork is absolutely scorching across the board, shreddy solos with that classic heavy metal, Thrash phrasing with a few mid-paced ones thrown in that are topped off with a couple of whammy bar accents and tremolos in them. Some of these riffs just will absolutely pummel you, as they’re fast and unrelenting as hell; also, there’s one or two solos that appear in a single track too. The vocals on this aren’t just high black metal screams, but there’s creepy deep spoken word vocals, chants and a few death growls also; if you’re into absolutely groove filled Blackened Thrash then absolutely look no further than this masterpiece, absolutely don’t sleep on it, a definite AOTY contender personally. Rating: 10/10!” – Drako’s Metal Reviews​
​
​“With Pax Nocturna , SHROUD makes a striking statement that will allow them to carve out a prime spot among the new Canadian bands to watch.” – Ondes Chocs​
​
​“Some nice thrash with plenty of fury and speed beyond it. Rip-roaring riffs that will have your neck moving, I assure you. Vicious vocals also work here as they fit the music rather well. Production is good and solid, and those thrashy riffs just ripped my soul apart and in two. With thrash, for me it is the riffs, the speed and intensity, and this had it all. This will just pound you into the ground, showing little or no mercy. Thrash crushes.” – Chris Forbes – Extreminal​
​
​“Shroud’s debut is a vicious blackened thrash release with scorching guitar work, relentless percussion and a grim philosophical core.” – Heavy Metal Darkness​
​
​““Pax Nocturna” is a solid album of high-energy thrash packed with razor-sharp riffs. The guitars cut right to the bone, the drums pound relentlessly, and the bass rumbles like never before. This honest, sincere, and effective record, with its raw and brutal energy, is well worth discovering. ” – Music Waves​
​
​“Shroud’s debut is thus a classic representative of the product DIY (Do It Yourself), when the band’s actors are talented enough to provide for themselves… The debut work “Pax Nocturna” is an impressive example of modern blackened thrash.” – MetalForever​
​
​“The debut album from the thrash/death newcomers goes hard from start to finish! Right from the opener ‘The Eternal Void’ this thing is heavy, urgent and awesome, and it keeps its momentum for its full 45-minute runtime. The fact that it’s only nine songs in that time as well means that everything gets time to breathe, and everyone in the band gets time to shine. Highlights include ‘Merciless Tyrants’, ‘Diablivion’ and the epic closer, but the whole album is great from start to finish! It certainly won’t be everyone’s cup of tea, but if you are into the heavier end of metal, this is absolutely worth a spin. The band have a bright future ahead of them, and in years to come people will look at this release as their big launching pad. 8.5/10” – Overtone Magazine​
​
​“Shroud’s latest offering, ‘Pax Nocturna’, is a relentless onslaught of blackened thrash metal that will leave listeners in awe of its sheer intensity. The album exudes a dark and foreboding atmosphere, with haunting melodies and aggressive riffs that create a sense of impending doom. Standout tracks such as ‘The Zealot’ and ‘Merciless Tyrants’ showcase the band’s ability to seamlessly blend black metal fury with thrash metal aggression. The production quality on ‘Pax Nocturna’ is top-notch, with every instrument cutting through the mix with clarity and power. This album marks a significant progression in Shroud’s career, solidifying their position as one of the leading forces in the extreme metal scene.” – MetalStorm.com.au​
​
​““Fans of extreme metal will find a record crafted for them. It’s intense, tightly executed, and overflowing with raw energy. Its lyrical depth explores philosophy, anti‑religion, the abyss and the darkest corners of human existence. The overarching concept is Satanic Gnosticism, a rejection of imposed order and corrupt leadership, and an embrace of the chaos from which humanity originates.” – The Black Metal Archive​
​
​“Shroud have delivered a lean, mean, and deliciously dark debut that proves traditional, blackened speed insanity is alive and thriving.” – VM Underground​
​
​“Montréal, Québec’s Shroud have released a perfect blending of two extreme genres. Black metal elements of demonic, screechy vocals, tremolo picking, and black and roll beats. Then you have the Thrash tempo changes, galloping riffs, and break-neck speed sections. This album grabbed me by the back of the head and slammed my face into the concrete a dozen times during the first track. It’s not all sound barrier breaking speeds though. There are sections of clear black metal. Down tempo sections. Pure thrash. And every combination of the two sub-genres.” – Mike On Metal​
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 Ottawa’s CAPITAL PUNISHMENT Festival Announces First Wave of Bands for 2026 Lineup! w/ The Creepshow, The Damn Truth, Beyond Creation and lots more!

  • September 9, 2026
  • by Asher
  • · Capital Punishment Festival (Ottawa) · Music News

NEWS RELEASE

Montreal, QC – Sept 9, 2026

Ottawa’s CAPITAL PUNISHMENT Festival (Nov 26-29) Announces First Wave of Bands for 2026 Lineup!

w/ The Creepshow, The Damn Truth, Beyond Creation and lots more!

Capital Punishment Festival unleashes its first wave of Canadian bands for the 2026 edition, returning to Ottawa, ON, November 26th to 29th across four cornerstone ByWard Market venues: 27 Club, Dominion Tavern, Rainbow Bistro, and Avant‑Garde Bar. Presented by Chord Productions and supported by Ottawa Tourism, the festival continues its mission to amplify Canada’s underground heavy‑music community with four nights of multi‑genre chaos.
​
This year’s edition marks the festival’s biggest expansion yet, with more venues, more artists, and more Canadian talent from across the country. Full festival passes are only $50, granting access to every show across all participating venues.

“Events such as Capital Punishment play an important role in strengthening Ottawa’s profile as a dynamic cultural destination,” says Michael Crockatt, President & CEO of Ottawa Tourism.

“Ottawa Tourism supports this unique music experience through its Nightlife Tourism Development Fund for its efforts in attracting visitors, animating our ACE District, and drawing music enthusiasts from across the region and beyond to enjoy our diverse music ecosystem. By bringing together acclaimed underground artists and local talent, the festival creates opportunities for visitors to explore the city, discover local businesses and venues, and contribute to the economic activity that helps sustain a vibrant and welcoming downtown experience,” adds festival organizer Christina Kasper of Chord Productions.

The 2026 lineup launches with a massive cross‑country roster spanning metal, punk, hardcore, rock, rap, and extreme underground acts with The Creepshow, Lost, The Damn Truth, Beyond Creation, Hellripper, Insurrection, DBC, Barf, Ghoulunatics, Global Holocaust, Entropy, Reanimator, Thunderkok, Guhn Twei, Gland, Scaffold, Peer Pressure, A Scar for the Wicked, Catastrophic Hemorrhage, Soulthief, Northwalk, This Hell With You, This Disaster, Dissentient, Last Retch, Hatred Reigns, Raider, Bitter, Stregoneria, Noor, Human Compost, Mortuary Slab, Duskwalker, Dr. Bob Wrestling, The Divetones, Drowning in Blood, Feral Union, Rising Flame, Refuse, The Space Between, Ratpiss, Jetsam, The Vanishing Act, Acid Rot, Mindreader, Shroud, Warsenal, The Scepter, Dismal Aura, Touched Fables, Sociably High, Glom, BornBroken, Pop Culture Icons, Goat!, Insanity of Sorrow, Bury the Past, Rotual, Hempress, Drofnosura, Backyard Witchcraft, Nature Pleads Revenge, Ghost of a King and Dethrone.

More bands will be announced as the festival approaches.

Festival Passes are available as of September 9th at https://ottawacapitalpunishment.eventbrite.ca​

Facebook Event – https://www.facebook.com/events/2032256174123331​

Capital Punishment Festival 2026​
Presented by Chord Productions
Supported by Ottawa Tourism
November 26–29, 2026
Ottawa, ON – ByWard Market
Venues:
Rainbow Bistro (76 Murray St.)
Dominion Tavern (33 York St.)
27 Club (27 York St.)
Avant‑Garde Bar (135 Besserer St.)

More info: https://ottawacapitalpunishment.com​

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 Montreal Thrash OMBRA’s “Blue Dream” Blurs Reality, Addiction, and the Supernatural From Debut EP “Night Terror” Out Sept 2026

  • September 8, 2026
  • by Asher
  • · Music News · Ombra

NEWS RELEASE

Montreal, QC – September 8, 2026

Montreal Thrash OMBRA’s “Blue Dream” Blurs Reality, Addiction, and the Supernatural From Debut EP “Night Terror” Out Sept 2026

Montreal metal trio OMBRA will release their debut EP, “Night Terror,” on September 14th, 2026, delivering a visceral, front‑to‑back conceptual experience built on fear, obsession, chemical collapse, and the psychological weight of modern life. The band has now unveiled the EP’s third single, “Blue Dream,” a suffocating descent into chemical escapism and slow‑motion psychological freefall.

The song drags listeners into a world where fleeting highs mutate into permanent hauntings, exploring chemical escapism dissolving into paranoia, dependency blurring into possession, waking nightmares unfolding in abandoned homes, and the overwhelming sensation of losing control in slow motion.

Musically, “Blue Dream” spirals through a suffocating atmosphere, crushing riffs, and psychedelic tension, serving as the perfect midpoint in the EP’s descent from societal panic to full psychological seizure.

Listen to “Blue Dream”:

Visualizer – https://www.youtube.com/watch?v=R5UmQA60mlM

​Add to your Spotify playlist – https://open.spotify.com/track/2ovp4p1wbXmFjSwlT6ges0

​

OMBRA formed when Giuseppe “G” Criniti and Marco Sisti left their hard‑rock/progressive project NRTH in late 2020 to pursue a heavier, more aggressive direction. Soon after, Marco’s cousin Nico‑Angelo Sisti, a well‑known drummer in the Montreal scene and former member of Hidden Pride, joined the project.
​
All three members grew up together in Lachine, the same schools, the same neighbourhood, families who immigrated from Italy together. OMBRA wasn’t a calculated formation; it was inevitable. Their sound is loud, energetic, and groovy
​
Written between 2021 and 2026, OMBRA’s debut EP “Night Terror” reflects the band’s lived experiences and observations of a decade marked by upheaval, media distortion, obsession, war, and emotional collapse. Designed as a continuous front‑to‑back journey, the EP moves from the societal panic, media manipulation, and government control explored in “Hysteria,” through the obsessive pursuit of beauty and identity fracturing in “Stitches,” into the chemical escapism, paranoia, possession, and psychological collapse at the core of “Blue Dream.” The descent reaches its peak in the title track “Night Terror,” where Murphy’s Law is applied directly to the psyche, and total loss of control becomes inevitable, before resolving with “So It Goes,” an instrumental moment of reflection, acceptance, and emotional release. As a whole, “Night Terror” serves as OMBRA’s commentary on the turmoil of the last decade, encouraging listeners to think freely, explore their own minds, and express themselves without compromise.

Recommended for fans of Power Trip, High On Fire, Motörhead, Mastodon, Testament, and Rammstein, “Night Terror” will be available on all digital platforms on September 14, 2026, at https://too.fm/eab92od.

Second Single – “Stitches” – https://www.youtube.com/watch?v=FimmvegfZ_M​

First Single – “Hysteria” – https://www.youtube.com/watch?v=O7mDZ-4uXrY​

Track Listing:​
1. Hysteria (4:15)
2. Stitches (4:43)
3. Blue Dream (3:46)
4. Night Terror (5:44)
5. So It Goes (3:06)
​
​Album and Live Band Lineup:​
Giuseppe Criniti – Vocals / Lead Guitar
Marco Sisti – Rhythm Guitar / Bass
Nico-Angelo Sisti – Drums

More info:

​https://ombra.band/​

​https://www.instagram.com/@abandcalledombra​

​https://www.facebook.com/people/OMBRA/61582909783052/​

About: ​
​
OMBRA is a Montreal metal trio formed by lifelong friends Giuseppe “G” Criniti, Marco Sisti, and Nico‑Angelo Sisti. Rooted in old‑school thrash, sludge, groove metal, and psychedelic rock, the band blends heavy riffs with emotional honesty and modern storytelling. Their mission is to encourage listeners to think freely, explore their own minds, and express themselves without compromise.

-30-​

“Night Terror is a debut EP that knows exactly what it wants to do. OMBRA take Thrash Metal, pass it through Groove, Sludge and psychedelic rock and use it to tell a story that begins with social unrest and ends deep within the human mind. It’s not an album that tries to impress you with technique. It wins you over with intensity, riffs, groove and atmosphere. And most importantly: It’s not five random songs. It’s a journey. From Hysteria to Night Terror. From the outside world to the inside. From control to loss of control. And finally, to acceptance. OMBRA are just taking their first step. But it’s a step that sounds heavy, mature and determined. Darkness doesn’t reside outside the mind. Sometimes it resides within it. And OMBRA have just given it a soundtrack.” – Rock N Roll Town

“OMBRA emerges in ‘Hysteria’ as a force that transforms social chaos into high-impact art. Advancing with the brutality of thrash metal and the structure of hard rock, the track shapes a sound that feels like both a siren and a sentence at the same time. Sharp and relentless, the riffs dialogue with drums that tear through the silence, while the vocals echo indignation and lucidity, a manifesto in the form of distortion. The band builds tension with precision: there is weight, but also clarity; fury, but control.” – Roadie Metal

“Delivering high-quality extreme metal that blends elements of thrash metal with other influences full of raw aggressiveness, a cinematic atmosphere with no soft edges, like a punch to the gut!” – Metal Junkbox

“From the moment we hear the sound of sirens, gunshots, and helicopters flying overhead, we know we’re going to encounter a strong track both in sound and lyrics, because the soundscape they create from the very first seconds already feels dense… the drums and guitar move between agility and the creation of a track full of suspense and tension.” – Poppunkers

‘STITCHES’, the new single from the Canadian trio OMBRA, arrives like an open cut: direct, intense, and impossible to ignore. The song crosses the border between hard rock and thrash metal with aggressiveness, transforming psychological tension into dense and precise sound.” – Roadie Music

“OMBRA is an incredible discovery! A band that shows us metal is more alive than ever… it is the perfect soundtrack to start a mosh and let out all our anger. It maintains brutal riffs worthy of any Metallica fan, an imposing guttural voice… it is 100% recommended!” – End Sessions

“I really felt it wasn’t a song made to sound pretty. It’s dark, heavy, and direct… The story it tells ,a woman who keeps reconstructing herself to fit in, hit me hard… It’s not a song that accompanies you in the background; it’s one that confronts you. It ends and leaves you with that knot in your chest.” – Rockola Indie

“Stitches’ hits hard with a dark and visceral vision of the oversexualization of women and the price of chasing perfection… It is raw, uncomfortable, and impossible to ignore.” – Poppunkers

“Stitches’ explores the limits between obsession, beauty, and self-destruction. The track dives into the mind of someone who seeks perfection at any cost… Musically, it combines aggressiveness and atmosphere, with a fast, dense, and confrontational sound… a sharp and suffocating sonority that amplifies the emotional tension. ‘Stitches’ transforms psychological horror into sonic impact.” – Metal Never Die

“The band delivers one of their darkest and most intense compositions to date. The last single before the release of the EP Night Terror, the track dives deeply into themes such as dependency, paranoia, and the destructive consequences of escaping reality. Combining dense and melodic passages with explosions of weight and aggressiveness, creating a sound experience that is as engaging as it is disturbing.” – Metal Junkbox

‘Blue Dream’ delivers suffocating, volatile metal with heavy riffs depicting psychological terror, chemical dependency, and mental collapse in a dense, cinematic sound.” – Whiplash

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 A Journey Through Reincarnation ESHTADUR Summons New Video “Omen Of Millennia” From New Album “In Darkness All Shadows Gone” Out Oct 2026

  • September 4, 2026
  • by Asher
  • · Eshtadur · Music News

NEWS RELEASE

Montreal, QC – September 4, 2026

A Journey Through Reincarnation ESHTADUR Summons New Video “Omen Of Millennia” From New Album “In Darkness All Shadows Gone” Out Oct 2026

Colombian melodic death metal band ESHTADUR has released a live video for “Omen Of Millennia”, offering another glimpse into their forthcoming album, “In Darkness All Shadows Gone“, due October 2nd, 2026.

“Omen Of Millennia” brings together the melodic, symphonic and modern dimensions of ESHTADUR’s sound. The song explores cycles of existence, reincarnation, and spiritual inheritance, reflecting on how unresolved wounds, debts, and lessons may continue across lifetimes, while what has already been learned becomes something carried forward.

Jorg comments:

“This track is the omen for what’s coming next with ESHTADUR. It also represents a collaboration between Camilo and me: we created the song by approaching a more modern side of the band’s sound – something easy to listen to, easy to catch, and easy to remember.”

At its core, the omen represents both a warning and a promise: the announcement of an approaching transformation. This idea connects the song to the broader concept behind “In Darkness All Shadows Gone“, where the figure of The Crow acts as a guide through existence, death, the void and the unknown.

The collaboration between Jorg August and guitarist Camilo Barbosa gives “Omen Of Millennia” a distinctive place within the album, with Barbosa also contributing the track’s guitar solo. Its more immediate approach offers another perspective on ESHTADUR’s sound while remaining connected to the darker and symphonic character of the upcoming record.

The accompanying live video brings the track into ESHTADUR’s performance environment, reflecting the band’s direct approach to the stage and its focus on musicianship, the songs themselves, and the connection with the audience.

“Omen Of Millennia” is taken from ESHTADUR’s forthcoming twelve-track album, “In Darkness All Shadows Gone“. Four years in the making, the record expands the band’s melodic death metal foundations through extensive symphonic arrangements, layered vocals, and Tuvan voices, building its musical and conceptual identity around mysticism, transformation, and inner transmutation.

The album features the Caldas Symphonic Orchestra in Colombia, adding an orchestral dimension to its darker and more cinematic material. Produced by Jorg August, the record also features drums recorded in Poland by Michal Lysejko (Dieth) and was mixed and mastered by Tomasz Zed Zalewski.

Throughout “In Darkness All Shadows Gone“, The Crow serves as a recurring shamanic figure moving between existence, death, the void, and the unknown. Rather than presenting darkness simply as an oppressive force, the album approaches it as part of a broader journey toward transformation and self-discovery.
​
Listen to “Omen Of Millennia“: https://lnk.to/w9iFfH​
​Watch the video: https://www.youtube.com/watch?v=QKik4Z03Mcc

​

For fans of: Septicflesh, Dissection, At The Gates

​Pre-order “In Darkness All Shadows Gone“: https://rockshots.eu/products/eshtadur-in-darkness-all-shadows-gone-cd​

Previous Videos:

Into The Woods – https://www.youtube.com/watch?v=ewIYMme4L1c​

August’s Burdens – https://www.youtube.com/watch?v=7pSRUm_mjvE​

Track Listing:​
1. Age of Antumbra – 2:00
2. Into The Woods – 4:41
3. Umbra – 6:22
4. August’s Burdens – 4:59
5. Fire Above Mountain Below – 5:08
6. Old Shaman Blind – 5:08
7. Thunderground – 3:40
8. Ruler of the Lake – 5:14
9. A Black Winged Waltz – 9:23
10. Nebulae (Virgo) – 5:09
11. Omen of Millennia – 3:56
12. Soy Real – 5:11
​
​ESHTADUR are:
Jorg August – Vocals, guitars
Camilo Barbosa – Lead guitars
Andres Gonzalez – Bass
David Lopez – Drums

More info:

​https://rockshots.eu/​

​https://www.facebook.com/EshtadurOfficial/​

​https://www.instagram.com/eshtadur/​

BIOGRAPHY:

Founded in Colombia and active since 2007, ESHTADUR combines Gothenburg-influenced death metal, black metal, and classical composition with an interest in poetry, mysticism, existence, and cosmogony. The band has toured extensively across Europe and North America, sharing stages with artists including Behemoth, Deicide, Vader, Hate, and Exodus, and appearing at events such as 70000 Tons of Metal, Rock al Parque, and Grita Fest.

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 France’s HIGHWAY Shares Music Video For Electrifying Anthem “Last Call for Rock’N’Roll”

  • September 4, 2026
  • by Asher
  • · HighWay · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – September 4, 2026

France’s HIGHWAY Shares Music Video For Electrifying Anthem “Last Call for Rock’N’Roll”

L-R – Ben Chambert – Lead Guitar, Backing Vocals, Florian Arnaud – Rhythm Guitar, Backing Vocals, Benjamin Folch – Lead Vocals, Cerise Pouillart – Bass, Backing Vocals, Romain Chambert – Drums

Photo Credit – Mr. Cana Photography

​France’s electrifying hard rockers HighWay have raised the stakes and unveiled their latest music video for “Last Call for Rock N Roll,” the explosive title track from their new album released this past April.
​
Filmed live during their packed release party at the Rockstore in Montpellier, France, the video, shot by Cana Prod (Loudblast, Heart Attack, Akiavel, Les Tambours du Bronx), throws fans straight into the sweat, electricity, and chaos of a HighWay show. It’s raw, loud, unfiltered, and the perfect showcase for the band’s revitalized line‑up and their massive new twin‑guitar attack.
​
The title track, “Last Call for Rock N Roll,” is a fast, melodic, high‑voltage anthem built for the stage. The lyrics draw a parallel between the love of Rock ’N’ Roll and the love of a woman. Tested live long before recording, the track instantly became a fan favourite and the obvious opener for the album.
​
Watch and listen to “Last Call for Rock N Roll” – https://www.youtube.com/watch?v=q_UHGQizcHU

​

After the acoustic detour of “The Journey” (2022), HighWay returned in 2026 louder, bolder, and fully electric with their sixth studio album. Produced and mixed by Brett Caldas‑Lima (Ayreon, Devin Townsend, Megadeth), “Last Call for Rock N Roll” delivers 12 brand‑new tracks blending power, melody, emotion, and timeless hard‑rock spirit that explore themes of love, loss, resilience, nostalgia, and self‑determination.
​
​The album also marks a turning point for HIGHWAY with the arrival of two new members, Cerise Pouillard (bass), known from the acclaimed AC/DC tribute Ladies Ballbreaker, and Florian Arnaud (guitar), a powerhouse musician who completes the long‑awaited return of twin guitars. Both contribute backing vocals, elevating the band’s signature harmonies to new heights.
​
Formed in 1999 by brothers Ben and Romain Chambert after being “thunderstruck” by AC/DC’s Live at Donington, HIGHWAY have spent more than two decades refining their craft. With over 500 shows across Europe, support slots for Michael Schenker Group, Gotthard, Jeff Scott Soto, Kissin’ Dynamite, Nashville Pussy, and more, and a growing reputation, the band has become a defining force in Europe’s modern classic hard rock revival.
​
​“This is our most personal, emotional, and mature record. We took the time we never had before, and we’re incredibly proud of every detail,” adds guitarist Ben Chambert.
​
Recommended for fans of AC/DC, Queen, Aerosmith, and Guns N’ Roses, “Last Call for Rock’N’Roll” (released April 24, 2026) is now available via the label Rock City Music, with physical distribution by FTF-Music and digitally from Virgin Music.

CD Digipack and exclusive collector Vinyl at https://highwayshop.sumupstore.com/​

Add to your Spotify playlist – https://open.spotify.com/album/1njIM62jUDeg4Td3iGSBHq​

Previous Videos:

“D.K/D.C” – https://www.youtube.com/watch?v=8FUFvVMWXQ4​

“Hi-Way” – https://www.youtube.com/watch?v=qPYb7fBvNAU​

“¡BANG BANG!” – https://www.youtube.com/watch?v=kGpYOR4Xx20​

“Mayday” – https://www.youtube.com/watch?v=rx_PkXTqyIA​

Track Listing:​
1. Last Call (For Rock N’ Roll) – 5:13
2. Hi-Way – 4:40
3. ¡Bang Bang! – 3:47
4. Nineties Action Movie – 5:16
5. Peace Out – 5:44
6. Mayday – 4:25
7. Go! Go! Go! – 5:48
8. Let Me – 4:54
9. D.K/D.C – 3:16
10. Rat Race – 6:00
11. Action – 4:32
12. (Don’t) Look Back – 5:09
Album Length: 58:48

Album Band Line Up:​
Ben Chambert: Lead guitar, Backing vocals
Benjamin Folch: Vocals
Sam Marshal: Bass Guitar, Backing vocals
Romain Chambert: Drums

Live Band Line Up:​
Ben Chambert: Lead guitar, Backing vocals
Florian Arnaud: Rhythm guitar, Backing vocals
Benjamin Folch: Vocals
Cerise Pouillart: Bass Guitar, Backing vocals
Romain Chambert: Drums

More info: https://linktr.ee/highway_the_band​

– 30 –

“THANK YOU TO HIGHWAY WHO SUPPORTED US ON OUR MISSION EUROPEAN TOUR. A GREAT BAND WHO RECEIVED A SUPERB REACTION FROM OUR FANS.” – Michael Schenker

“IT WAS A PLEASURE HAVING YOU GUYS! YOU TRULY LIVE THE ESSENCE OF ROCK N ROLL” – Jeff Scott Soto

“Last Call for Rock ‘N’ Roll’ sees HighWay delivering a straight-up hard rock record that doesn’t try to hide what it is. Built on big riffs, strong hooks, and a clear focus on melody, the album moves confidently between high-energy tracks and more reflective moments. It keeps a steady focus throughout, balancing its heavier moments with more melodic ones. Things kick off with the title track, a real earworm of a chorus leading the way, while the percussion drives things on without overwhelming the mix. It ends with an impressively sustained vocal note, showing real control and adding a strong finish to the track. ‘iBang Bang!’ stands out as one of the more lighthearted tracks on the album, opening with a distinctly funky groove that sets it apart, though it doesn’t quite leave the same lasting impression as some of the heavier songs. ‘Mayday’ sits at the halfway point of the album, with gentle, melodic guitar plucking and harmonised vocals that give it a more intimate feel. I’m always a sucker for a heartfelt moment, and this doesn’t disappoint. The album quickly regains its energy though with ‘Go! Go! Go!’ and the aptly named ‘Action’. Overall, ‘Last Call For Rock ‘N’ Roll’ is a confident and energetic release for fans of Aerosmith and Airbourne. POWERPOINTS: 9/10 – RHIANNON LANE” – Powerplay Magazine​
​
​“Entertaining rock music that’s fun and appeals to a wide range of musical tastes. Party music for fans of everything from Queen to the Beatles!” – MyRevelations ​
​
​“Rare représentant digne de ce nom de la scène hard rock française, High Way nous revient totalement électrifié après une pause “unplugged” sur The Journey, et ce sixième sent bon la poudre! Fort de l’arrivée de l’excellente bassis- te, Cerise Pouillard, et de Florian Arnaud en second guitariste, Last Call For Rock’N’Roll est aussi explo- sif que fédérateur. Festif et solide, le quintet évolue tout en maîtrise sur des titres entêtants et musclés, distillant malicieusement une folle envie de liberté. >> François Alaouret” – Metallian​
​
​“I really love this album; it really does have everything that your rock ‘n’ roll heart desires. Last Call For Rock ‘n’ Roll represents the past, present and future of rock ‘n’ roll. We are all in safe hands with HighWay.” – CGCM Rock Radio ​
​
​“Across twelve tracks, “Last Call For Rock’n’Roll” ticks all the boxes of the genre and does so with such heart, good humor, and authenticity that it wins you over without reservation. While Highway doesn’t revolutionize 1980s-style hard rock, it simply reminds us why we love it and brings enough personality to remember us that it desires its place in the pantheon of French bands of the genre. That’s already a lot, and we can only hope that this isn’t the last call for this band, which is as talented as it is ending. ” – Music Waves
​
​
​“With this Last Call For Rock’n Roll, HighWay is strong. Throughout the 12 tracks, we feel the hard work put in by the musicians. The production really honors it. The 9/10 is easily imposed because this album is extremely enjoyable. Only one thing to hope for, that this is not their last call for rock’n roll, and that they continue to spread the good word in this way!” – Rock Meeting​
​
​““Last Call For Rock’ Roll” is the album that made me stop and pay attention to a band I should have discovered long before. For those who have been following them for years, it will probably be confirmation that the band has never been so sharp. For those who arrive now, like me, it is a magnificent gateway to 25 years of history that has suddenly become impossible to ignore. Let it not be the last call. Honest, urgent and without complexes. A great HighWay record!” – World of Metal Mag​
​
​“My preferences are « Go Go Go», more than addictive and designed to be covered live by the public, « Let Me», epic as can be and endowed in my opinion with the best solo of the album, as well as the hit « Hi-Way », wickedly groovy and powerful, notably thanks to Sam’s bass. Excellent feedback for Highway, which shows us that even more than 20 years after their debut, the Sétois still have something under their belt. Lovers of rich and varied hard rock, go for it: it’s a safe bet.” Pavillon 666 Webzine
​
“As they say in wild west saloons soaked in rock, sweat, smoke and beer, with HighWay it plays serious!! With this Last Call For Rock’n Roll, HighWay is strong. Throughout the 12 tracks we feel the great work put in by the musicians. The production really honors it.” – Vinyl Times
​
​
​“a lot of catchy material, which I enjoyed listening to and also goes great with the summer temperatures.” – PowerMetal.de​
​

—-

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 Out Now! France’s KINGCROWN New Album “Moonfall” + Music Video “We Are Kingcrown”

  • September 4, 2026
  • by Asher
  • · KINGCROWN (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – September 4, 2026

Out Now! France’s KINGCROWN New Album “Moonfall” + Music Video “We Are Kingcrown”

French melodic heavy/power metal band KINGCROWN releases their new album “Moonfall” today, September 4th, 2026, via Rockshots Records, accompanied by the official video for “We Are Kingcrown”.

For fans of Iron Maiden, Helloween, Gamma Ray, Masterplan, Symphony X and Powerwolf, “Moonfall” follows 2024’s “Nova Atlantis” and develops the band’s melodic heavy/power metal sound across ten tracks exploring technological evolution, artificial intelligence, temporal displacement, apocalypse and the uncertain future of humanity.

While these themes shape much of the album, “We Are Kingcrown” shifts the focus directly onto the band. Driven by a straightforward heavy/power metal approach, melodic guitars, and an immediate chorus, the song reflects KINGCROWN’s identity and their connection with the audience.

As the band explains:

“It’s simply about us, who we are, what we exude, what we want to give you. We are Kingcrown!”

“Moonfall” expands on the conceptual direction established in “Nova Atlantis”, using science fiction and dystopian scenarios to examine possible futures. The title track imagines a final encounter between the Moon and Earth as a lunar apocalypse approaches.

The technological theme takes a darker turn on “Rise Of Machines”, where artificial intelligence turns against humanity, while “All United” focuses on resistance and collective survival. Elsewhere, “A Thousand Years” draws on relativity and space travel, and “Lost Horizon” follows a World War II B-17 pilot caught in a temporal vortex and transported from 1945 to 2045.

The album also reconnects with the musical roots behind KINGCROWN through “Back To The 80’s”, a tribute to a decade that left a defining mark on heavy metal. The closing track, “Beyond The Stars,” brings the record’s futuristic narrative to its conclusion, looking beyond Earth’s destruction towards what might exist elsewhere in the universe.

Produced by KINGCROWN, “Moonfall” was mixed and mastered by Simone Mularoni at Domination Studio, bringing together the band’s European melodic heavy and power metal roots with a contemporary production.

Watch the official video for “We Are Kingcrown”: https://www.youtube.com/watch?v=gSo7JncnKCQ

​Listen to the album “Moonfall“: https://lnk.to/ymQgrYYE​
​
​Order “Moonfall” CD:
​https://rockshots.eu/products/kingcrown-moonfall-cd​

Video – Nothing – https://www.youtube.com/watch?v=_-EbQJn32Mo

​Video – Lost Horizon – https://www.youtube.com/watch?v=hJjlw2AZuPs

​

Kingcrown Line-up:

Joe Amore: Vocals
​Ced Legger: Guitars
​Bob Saliba: Guitars
​Seb Chabot: Bass, Guitars
​David Amore: Drums
​
​More info:

​https://rockshots.eu/​

​https://linktr.ee/kingcrown_off​

About:

Kingcrown is a French melodic heavy/power metal band founded by brothers Jo Amore (vocals) and David Amore (drums), both former members of Nightmare.

The project traces its origins back to 2015 with the band Öblivïon, formed following their departure from Nightmare. After the release of Resilience, the group adopted the name Kingcrown in 2018, marking the beginning of a more defined artistic direction rooted in the European heavy/power metal tradition.

From the outset, Kingcrown established a sound built on strong melodic structures, dynamic riffing, and a clear emphasis on songwriting effectiveness. Drawing from the legacy of bands such as Iron Maiden, Helloween, and Gamma Ray, the band combines classic influences with a modern production approach, resulting in a sound that is both accessible and structurally solid.

Following the release of “A Perfect World” (2019) and “Wake Up Call” (2022), Kingcrown entered a new phase with “Nova Atlantis” (2024), released via Rockshots Records. The album marked a clear step forward in terms of cohesion, production quality, and conceptual direction, receiving strong feedback from both audiences and specialized media.

Building on this momentum, the band continues its collaboration with Rockshots Records for “Moonfall“, scheduled for release in 2026. The new album further develops Kingcrown’s identity through a more focused songwriting approach and a broader conceptual framework centered on dystopian themes, technological evolution, and temporal dislocation.

The first single, “Lost Horizon“, expands the narrative universe introduced in “Nova Atlantis“, acting as a direct sequel to “Endless Journey” and introducing a time-travel storyline in which a WWII B-17 pilot is propelled into the year 2045. This approach reflects the band’s growing interest in combining structured songwriting with narrative continuity.

Kingcrown’s current lineup – Jo Amore (vocals), David Amore (drums), Sébastien Chabot (bass), Bob Saliba (guitars), and Ced Legger (guitars) – has remained stable across recent releases, contributing to a consistent and cohesive musical direction.

With a steadily evolving discography and a clear artistic vision, Kingcrown has established itself as a credible presence within the European metal scene, balancing melodic immediacy, conceptual depth, and production precision.

-30-

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
rockshots[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Brutal Minimalist Noise Rock BAT LEATHER’s New Album “Dark Arts” Now Available on Vinyl From NO LIST RECORDS + New Video “Technical Aggression” + Alberta Tour Dates

  • September 4, 2026
  • by Asher
  • · Music News · No List Records - Bat Leather

NEWS RELEASE

Montreal, QC – September 4, 2026

Brutal Minimalist Noise Rock BAT LEATHER’s New Album “Dark Arts” Now Available on Vinyl From NO LIST RECORDS

+ New Video “Technical Aggression”

+ Alberta Tour Dates

No List Records announces that brutal minimalist noise rock duo Bat Leather’s new album “Dark Arts” is officially available today on limited‑edition vinyl (150 white vinyl copies, 50 rare black editions). These runs capture the band’s confrontational, genre‑breaking sound, a collision of punk abrasion, noisy garage chaos, and sludgy heaviness that refuses to sit still or fit neatly into any box.
​
​Bat Leather marks release day with a brand‑new video for “Technical Aggression”, a track that twists feedback into structure and pushes their hyper‑distorted aesthetic to its breaking point.
​
​Video – https://www.youtube.com/watch?v=KNwRKswfI94

​
Hailing from Calgary, AB, and Vancouver, BC, the duo known as Bat Leather’s music hits in short blasts, overdriven vocals, feedback woven directly into the songwriting, guitars pushed past the red, and a heaviness that somehow keeps getting heavier.
​
Tracks like “Technical Aggression” showcase the band’s ability to weaponize noise, while “Dance Craze” drags listeners through a slow‑burn haze of pounding drums and smoke‑thick atmosphere. It’s punk, but not. It’s garage rock, but not. It’s sludgy, but not entirely. It’s all of it at once, and then noisier.
​
​Bat Leather resists comparisons, scenes, and tidy genre labels. Their music is complicated, confrontational, and strangely addictive. If “heavy rotation” counts as a genre, Bat Leather owns it. Drop the needle, and you’re immediately confronted with something puzzling, uneasy, and addictive. ​
​​
No List Records
 continues its tradition of supporting uncompromising, boundary‑pushing artists. The “Dark Arts” vinyl release reinforces the label’s commitment to music that challenges, confronts, and refuses to be simplified.

Vinyl Order – https://nolistrecords.bandcamp.com/album/dark-arts

​

Spotify – https://open.spotify.com/album/2P4ILZIWkuI5cfd2bJP13y

​

Listen to “Dance Craze” at https://www.youtube.com/watch?v=iXr23p8FBI8​

Bat Leather will support “Dark Arts” with a run of Alberta shows this September, bringing their confrontational, genre‑breaking sound directly to Western Canada. Tour dates listed below.

Tour Dates:​
Sept 21 – Drumheller, AB – Heller Good w/ The Polite Stripes
Sept 22 – Calgary, AB – Palomino Smokehouse w/ Unsane
Sept 23 – Lethbridge, AB – Theoretically Brewing AA
Sept 24 – Calgary, AB – Blox Arts Centre R4$ AA

Track Listing:​
1. Dance Craze – 2:00
2. Thursday Inn Sylvan – 1:42
3. Misguided Projects – 1:51
4. Then He Was Pulled Into A Machine – 2:26
5. Technical Aggression – 2:39

Credits:​
Cory – Guitar, Bass, Drums, Noise
Luke – Vocals, Noise

Recorded January 2026 at Red Volume Audio in the Badlands, ab by Cory. Vocals recorded in Vancouver, bc by Luke.
Mixed by Cory. No master, no god.
Cover photograph and layout by Cory.

More info: https://www.instagram.com/batleathernoise/​

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 Northern Irish Pagan Metal Pioneers WAYLANDER Unveils Video “Macha” From New Album “Mac Tíre – Son of the Land” Out Nov 2026

  • September 3, 2026
  • by Asher
  • · Music News · Uncategorized · Waylander (Rockshots Records)

NEWS RELEASE

Montreal, QC – September 3, 2026

Northern Irish Pagan Metal Pioneers WAYLANDER Unveils Video “Macha” From New Album “Mac Tíre – Son of the Land” Out Nov 2026

Northern Irish Pagan Metal pioneers WAYLANDER will release their new album, “Mac Tíre – Son of the Land“, on November 6th, 2026 via Rockshots Records. The band introduces the record with its first single, “Macha”, accompanied by an official music video. For fans of Skyclad, Eluveitie and Korpiklaani.

More than three decades after their formation in Northern Ireland, WAYLANDER return with “Mac Tíre – Son of the Land“, a nine-track album rooted in the landscapes, mythology and cultural heritage of Ireland. The record continues the path the band has followed since the early 1990s, combining extreme metal with traditional Irish instrumentation and Pagan themes.

While “Mac Tíre – Son of the Land” is not a concept album in the same way as its predecessor, “Ériú’s Wheel“, its songs share a strong connection with the land and the stories embedded within it. The title itself reflects this relationship: Mac Tíre, literally “son of the land”, is the Irish term for the wolf, an animal closely connected with Ireland’s natural past.

Musically, the album represents a natural evolution of WAYLANDER’s established sound, retaining the balance between metal aggression and traditional Irish elements that has defined the band throughout its career.

The first single, “Macha”, is dedicated to the ancient Goddess whose connection to WAYLANDER is both mythological and deeply personal. “Macha” is associated with the area the band calls home: both Ard Chieftain O’Hagan’s hometown and the county from which WAYLANDER originates bear her name.

“Macha is the Goddess of the area where we live. My hometown and the county where we’re from are both named after Macha. The time felt right to celebrate her in song, and we believe we have written a song worthy of her,” says Ard Chieftain O’Hagan

For WAYLANDER, mythology is not simply material drawn from a distant past but something that remains present in the landscapes, place names, and traditions surrounding them. “Macha” reflects that relationship while providing the first introduction to the themes running through “Mac Tíre – Son of the Land“.

Listen to “Matcha” here: https://lnk.to/mxjegEpC

​
​Watch the video: https://www.youtube.com/watch?v=aVDRXRnfJ48

​

Formed in Northern Ireland in 1993, WAYLANDER were among the early bands to combine extreme metal with traditional Irish music and Pagan themes, developing their approach before Folk and Pagan Metal became established movements within the international metal scene. Whistles, Irish bouzouki, bodhrán, and Uilleann pipes remain integral elements of the band’s musical identity.

Pre-order “Mac Tíre – Son of the Land” (release date Nov 6th, 2026):
​https://rockshots.eu/products/waylander-mac-tire-son-of-the-land-cd​

Track Listing:​
1. When The Land Speaks – 4:12
2. Macha – 5:28
3. Ages of Éireann – 5:50
4. Hy Brasil (Isle of Mists) – 5:47
5. Sliabh Gullion – 6:16
6. Our Once Wooded Isle – 6:44
7. Mallachtaí – 4:52
8. Signs and Symbols – 6:22
9. She of the Sorrows – 7:58
Album Length: 51:29

WAYLANDER is:
Ard Chieftain O’Hagan: Vocals
Tor Dennison: Electric Guitars
Connor Murray: Bass Guitar, Backing Vocals
Lee McCartney: Drums and Percussion
Dave Briggs: Whistles, Irish Bouzouki, Bodhran, Uilleann Pipes, Backing Vocals
Saul McMichael: Electric and Acoustic Guitars, Backing Vocals
​​
Guest Musicians
​
John Ryan: Fiddle, Cello
Lily Maria: Voice of Deirdre
Nicole Quinn: Additional Voicing

For more info:

​https://rockshots.eu/​

​https://www.instagram.com/waylander.official/​

​https://www.facebook.com/clanwaylander/​

About:

Northern Irish Pagan Metal pioneers Waylander have spent more than three decades forging their own path through the worlds of Celtic, Folk and Extreme Metal. Since forming in 1993, the band has become renowned for blending crushing metal aggression with authentic Irish folk instrumentation, mythology and pagan themes, helping shape the foundations of the modern Pagan Metal movement.

With acclaimed releases including “Reawakening Pride Once Lost“, “The Light, the Dark and the Endless Knot“, “Honour Amongst Chaos“, “Kindred Spirits” and the epic concept album “Ériú’s Wheel“, Waylander have earned a loyal international following and shared stages with some of the biggest names in Folk and Pagan Metal.

Now the band returns with their forthcoming album “Mac Tíre – Son of the Land” – a powerful new chapter that captures the spirit of Waylander at its most fierce, atmospheric and authentic. Combining savage riffs, soaring Irish melodies, ancient mythology and cinematic storytelling, the album stands as both a tribute to their roots and a bold evolution of their sound.

After more than 30 years, Waylander continues to fly the banner for Pagan Celtic Metal with the same fire and conviction that started it all.

-30-

​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | rockshots[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Thrashers QUEMASANTOS Unleashes New Video “One Foot In Hell” From Concept Album “Stranded In Hell” Out Oct 2026 + Launch Pre-Order

  • September 3, 2026
  • by Asher
  • · Music News · QUEMASANTOS

NEWS RELEASE

Montreal, QC – September 3, 2026

QUEMASANTOS Unleashes New Video “One Foot In Hell”

Concept Album “Stranded In Hell” Out Oct 2026 + Launch Pre-Order

New York-based metal project QUEMASANTOS has officially opened digital pre-orders for its forthcoming second album, “Stranded In Hell,” and has simultaneously released the album’s opening track, “One Foot In Hell,” accompanied by its official lyric video.

WATCH THE OFFICIAL “ONE FOOT IN HELL” LYRIC VIDEO:​
​https://www.youtube.com/watch?v=03U1aPIF5Ls

​DIGITAL PRE-ORDER STRANDED IN HELL:​
​https://quemasantos.bandcamp.com/album/stranded-in-hell​

Fans who pre-order the album digitally can immediately hear “One Foot In Hell,” the first chapter of the eleven-song descent that makes up Stranded In Hell.

Musically, “One Foot In Hell” draws heavily from the aggressive character of late-’80s and early-’90s thrash and death metal. The song began with the memory of the type of fast, old-school, Pestilence-influenced drumming that QUEMASANTOS founder Ignacio Orellana had always been drawn to, but it developed into something broader as the composition took shape.

The track combines fast thrash-driven sections with a contrasting middle passage that became the foundation for its guitar solo section, carrying influences that Orellana associates with bands including Anthrax, Metallica, and elements of his own musical history.

Joining QUEMASANTOS on “One Foot In Hell” is Colombian guitarist Juancho Gómez of Masacre, whose performance brings another direct connection to the South American death metal tradition that has influenced Orellana throughout his career.

Ignacio Orellana

Orellana comments:

“One Foot In Hell was actually one of the last songs that came together for the album, but once it was finished, I knew it was the right place to begin. It has that old-school aggression I grew up loving, but it also contains several different pieces of my own musical history. For me, it became the perfect first step into Stranded In Hell.”

Nelson Diaz

Vocalist and lyricist Nelson “Sr. Díaz” describes the track:

“One Foot In Hell is one of the most intense songs I’ve recorded in recent years. Many different styles coexist harmoniously within it, along with a high level of vocal demand. I believe the infernal horror it presents is captured faithfully through a demonically powerful yet technical performance that will take us into a paroxysm of metal.”

“Stranded In Hell” marks the second QUEMASANTOS album featuring Sr. Díaz on vocals and lyrics, and the first album by the project performed entirely in English.

The record was constructed differently from a traditional band recording process. Orellana composed the majority of the material beginning with the bass, followed by drums and guitars, allowing the bass to function as an independent compositional voice rather than simply following the guitar arrangements.

“One Foot In Hell” was the notable exception: its composition began with the guitars.

The finished album features 11 songs and 11 guest guitarists, with musicians from across the international metal scene contributing to individual tracks.

Track Listing:​
1. One Foot In Hell (Juancho Gómez – Masacre, Colombia)
2. Burning The Black (Felipe Roa – Acaro, USA)
3. Succubus (Héctor Guzmán – Distraught, Chile)
4. Stalking Sharks (Marco Cusato, Chile)
5. Nameless (Joe Sims – Axemaster, USA)
6. Red Planet (Regisson Silva – Masterpiece, Brazil)
7. Vampire (Richard Pilnik, Chile)
8. The Oneironaut (Cristian Ira – Nimrod, Chile)
9. Under The Moonlight (Sebastián Osorio – Reigning, Chile)
10. Before The Law (Yanko Tolić – Massakre, Chile)
11. Lex Talionis (Enrique Zúñiga – Atomic Aggressor, Chile)

QUEMASANTOS

Ignacio Orellana — Drums, Bass, Music, Production, Mixing & Mastering
​Nelson “Sr. Díaz” — Vocals & Lyrics

Guest Solo Guitarists

Juancho Gómez — Masacre
Felipe Roa — Acaro
Héctor Guzmán — Distraught
Marco Cusato
Joe Sims — Axemaster
Regisson Silva — Masterpiece
Richard Pilnik
Cristian Ira — Nimrod
Sebastián Osorio — Reigning
Yanko Tolić — Massakre
Enrique Zúñiga — Atomic Aggressor

Vocals were recorded at Estudios Ultrasónico with Arturo Contreras and Estudios Attic with Marco Cusato.

The album was produced, mixed, and mastered by Ignacio Orellana at Oily Sound Studios in New York.

LISTENING PARTY:​
​https://quemasantos.bandcamp.com/live/quemasantos-stranded-in-hell-listening-party​

DIGMETALWORLD:​
​https://www.digmetalworld.com​

More info:

​https://quemasantos.com

​https://instagram.com/quemasantos1

​https://www.facebook.com/quemasantos

​https://x.com/quemasantos1​

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram -AsherMedia
Tweet – AsherMedia

0 Teenage Modern Prog Metal BABY ON A RAMPAGE Assert Its Identity w/ “Reclaim” From New EP “Forgive My Figure” Out Nov 2026

  • September 3, 2026
  • by Asher
  • · Baby On A Rampage · Music News

NEWS RELEASE

Montreal, QC – September 3, 2026

Teenage Modern Prog Metal BABY ON A RAMPAGE Assert Its Identity w/ “Reclaim” From New EP “Forgive My Figure” Out Nov 2026

Co‑produced with Scott Proctor (Five Finger Death Punch touring member; Machine Head/Testament tech; Amongst Thieves; State Line Empire)

Bay Area progressive modern‑metal band Baby On A Rampage announces the upcoming release of its new EP “Forgive My Figure,” due out on November 12, 2026. Co‑produced with Scott Proctor (Five Finger Death Punch touring member; Machine Head/Testament tech; Amongst Thieves; State Line Empire), the EP marks the band’s most expansive and mature sound to date. It follows the BOAR’s 2025 debut album “Fall With Disgrace” produced by Michael Rosen (Testament, AFI, Less Than Jake).

The lead single “Reclaim”, accompanied by the band’s first official music video, will debut ahead of the band’s performance at the End of the Summer Blowout Fest on September 6 at Field of Dreams Lincoln Theater Garden in Oakland, CA.

“Reclaim” stands as one of Baby On A Rampage’s most powerful compositions. Written entirely by Ash Lee (Guitars, Vocals), the track confronts political violence, colonization, and environmental devastation.

“When I wrote the song, I was definitely bothered by the genocide in Palestine, and it’s very much a song about standing up and taking back, or kind of a call for some sort of revolution, like metaphorically, to take back a government position. Talking about the colonization history of the United States government, and how they’re constantly funding other governments before putting their own people at the forefront of their concerns. I mean, it’s about a lot of different kinds of government overreach, and the later sections are about the genocide of native people and taking their land, and it’s definitely an environmental song.”​
​
Musically, “Reclaim” represents a clear step forward for the band, built as a multi‑section journey rather than a straightforward heavy track. Its verses hit with a dark, commanding intensity, while the clean passage opens into a big, emotional, hopeful swell. The contrast gives the song an almost spiritual lift and an anthemic feel, and it’s become a standout live moment as audiences who have heard it have connected with it immediately.
​
Watch and listen to the music video for “Reclaim” at https://www.youtube.com/watch?v=NDvwwrxoU6U

​Add to your Spotify playlist – https://open.spotify.com/album/7H7cyrVSDYGz6psA7SWWWa

​Bandcamp – https://babyonarampage.bandcamp.com

​

The band’s second offering since recording their original material, “Forgive My Figure,” represents a major leap in their evolution. The band’s writing has matured significantly, resulting in a cohesive sonic identity.

“This is our most musically and melodically complex release so far… a big wall of sound… a lot of ear candy. I think those who have been following us will hear how much we have matured since our first album and are still evolving, particularly since we’re still all teenagers,” adds Lee.

Co‑producer and engineer Scott Proctor helped shape the EP’s broader, more modern metal direction, using his skill in vocal harmonies and layered arrangements to sharpen its impact. His work brought greater focus and emotional definition to the record, while mastering engineer Matt Boudreau added the final depth and clarity.

“Scott has an incredible ear for harmonies and layering, and he pushed the songs to hit harder by stripping away anything unnecessary. His guidance on tracks like ‘Reclaim’ and ‘Failure of One’s Name’ made the arrangements clearer, stronger, and far more impactful,” adds Lee.
​
The EP brings together four thematically heavy tracks, each tackling personal or political conflict. “Immaculate Teeth” confronts the performative nature of American politics and the harm it masks. “My Tragedy” dives into cycles of self‑destruction and the struggle to break free. “Failure of One’s Name” explores identity, grief, and healing, rooted in drummer Lyra Renninger’s experience as a trans woman and Ash Lee’s reflections on loss. “Reclaim” serves as the EP’s centerpiece, merging political urgency with emotional release to create one of the band’s most resonant anthems.

As a teenage modern‑metal band from the East Bay, Baby On A Rampage is known for its dense, melodic, emotionally charged sound. Formed at Bandworks, the group has grown from child prodigies into one of the Bay Area’s most promising young heavy acts. They’ve been compared to Strapping Young Lad, Baroness, Gojira, and Mastodon, while forging a distinct identity rooted in progressive songwriting, theatrical energy, and community‑driven live shows.

The band’s pandemic‑era demo, recorded in Ash’s living room, earned praise from members of Forbidden, Slayer, and other industry veterans. They’ve since toured the Pacific Northwest, Canada, the West Coast, Texas, and the Midwest, surpassing 100 shows by the end of 2025 and continuing to forge on the live front across the USA in 2026.

“Forgive My Figure” will be available on all digital platforms as of November 12, 2026.

Track Listing:​
1. Intro (0:56)
2. Immaculate Teeth (4:32)
3. My Tragedy (3:21
4. Reclaim (5:48)
5. Failure of One’s Name (4:29)

EP Band Lineup:​
Ash Lee: Guitars, Vocals
John Muir: Bass, Vocals
Lyra Renninger: Drums

Live Band Lineup:​
Ash Lee: Lead guitar, Vocals
John Muir: Bass, Vocals
Lucas Garske: Rhythm guitar
Mona Iris: Drums

More info:

​http://www.babyonarampage.com/​

​https://www.facebook.com/profile.php?id=61577134441189​

​https://www.instagram.com/baby_on_a_rampage​

-30-​

​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

Page 8 of 539
  • 1
  • …
  • 6
  • 7
  • 8
  • 9
  • 10
  • …
  • 539

Asher Media Relations Tweets

Tweets by AsherMedia

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 2,161 other subscribers

Blog at WordPress.com.

  • Bandcamp
  • Twitter
  • Facebook
  • YouTube
  • Subscribe Subscribed
    ashermediarelations.com
    Join 640 other subscribers

    Have a WordPress.com account? Log in now.

  • ashermediarelations.com
    View site in Reader
    Manage subscriptionsSign upLog in
    Report this content
    Collapse this bar