NEWS RELEASE
Montreal, QC – October 9, 2026
Out Now! CORDYCEPS CORPSE Unleashes New Album “Perverse Craving For Rotting Corpses” via Gore House Productions
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Ohio’s one-woman brutal death metal nightmare Cordyceps Corpse returns with her most chaotic, grotesque, and ambitious release, “Perverse Craving For Rotting Corpses”, a crushing sophomore album available now through Gore House Productions.
The brainchild of multi-instrumentalist Nani Porter, Cordyceps Corpse was born from a simple decision: stop waiting for the perfect band and create something entirely her own. After years of making music for other artists, Porter sought a more visceral outlet for her obsession with brutal death metal, slam, and goregrind. What began as bedroom recordings in late 2023 has rapidly evolved into one of the underground’s most uniquely uncompromising new acts.
With “Perverse Craving For Rotting Corpses,” Porter pushes the project further into the depths of old-school brutality while expanding her songwriting with greater technicality, contrast, and atmosphere. Inspired heavily by the golden era of 1990s and early 2000s brutal death metal, the album combines blistering speed, punishing slams, odd time signatures, and groove-driven heaviness into a listening experience designed to feel like “watching a really f*cked-up horror movie.”
“I wanted to dive deeper into that classic brutal death metal sound. Fast, chaotic riffs are what make slams hit harder. If every riff is a slam, nothing stands out. This album is all about contrast between chaos and groove,” adds Porter
The record emerged from an intense creative surge that saw Porter write 26 songs over the course of only a few months before narrowing the material down to the album’s final 11 tracks. The result is a focused barrage of brutality that showcases a more refined and structured approach without sacrificing the feral energy that has become a hallmark of the project.
Lyrically, “Perverse Craving For Rotting Corpses” follows the twisted narrative of a supernatural serial killer whose power grows through consuming her victims. Influenced by true crime media, horror films, and the notorious legacy of Aileen Wuornos, the album presents a disturbing fictional world that intentionally flips many of the traditional power dynamics commonly found within extreme metal’s lyrical themes.
Musically, tracks such as the title cut, “Thoracic Bifurcation,” “Fermented Remains,” and “Penetrating Ocular Trauma” showcase Cordyceps Corpse‘s ability to move effortlessly between blast-beat-driven chaos and cavernous slam sections. For fans of brutal death metal, slam, goregrind, and the raw spirit of underground DIY extremity, “Perverse Craving For Rotting Corpses” stands as Cordyceps Corpse‘s most complete statement to date.
Recommended for fans of Devourment, .357 Homicide, Cephalotripsy, Kraanium, and Corpse Pile, “Perverse Craving For Rotting Corpses” is available digitally and on cassette from Gore House Productions as of October 9th, 2026.
Digital, CD, and Cassette – https://orcd.co/perverse-craving-for-rotting-corpses
Spotify – https://open.spotify.com/album/0YG2Yvo6z8Wl9ZbeU9Xuey
YouTube Album Stream – https://www.youtube.com/playlist?list=OLAK5uy_m0jdgCJr_Re188gRK0TKAvrP9AQH7aMAo
Music Video – “Forced Out of Existence” – https://www.youtube.com/watch?v=qs6xYfN2YLY
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More info:
https://gorehouseproductions.com/
https://www.facebook.com/profile.php?id=61580310663974
https://www.instagram.com/cordycepscorpse
https://www.tiktok.com/@cordycepscorpse
About Cordyceps Corpse:
Cordyceps Corpse is the solo sonic nightmare of Ohio‑based multi‑instrumentalist Nani Porter, mutating brutal death metal, slam, and goregrind into something feral, chaotic, and unmistakably her own. Everything from writing, recording, mixing, artwork, and performance is done entirely by her. Cordyceps Corpse isn’t a band. It’s a one‑woman horror machine.
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CORDYCEPS CORPSE REVIEWS & MENTIONS:
“USA’s Cordyceps Corpse and ‘Forced Out Of Existence,’ a low and brutal piece of savage gore-grind; down-tuned chugging guitars, low growled vocals, and an 80s video nasty horror vibe!” – Loud Enough? Magazine
“The solo project of multi-instrumentalist and deathgrind visionary Nani, Cordyceps Corpse delivers a grotesque cocktail of guttural slam, sludged-out goregrind, and DIY fury” – Necrozine
“a one-woman slam/goregrind wrecking ball spilling over with disgusting grooves, guttural violence, and Nani’s fully unhinged DIY vision. It’s her rawest, most chaotic statement yet, now upgraded with live drums, sharper production, and a brand new video for the title track that leans hard into the project’s anti-authority, horror-splattered energy. If you’re into thick Devourment-style slam filtered through a solo creator who writes, records, mixes, masters, designs, and performs everything herself, this reissue is worth diving into — chaotic, filthy, and completely owned from the ground up.” – IDIOTEQ
“In Slam / Brutal Death it is often the case that there is only one man behind it, but this is Nani Porter, a woman who takes care of everything. After a few singles and EPs, the lady presents her debut and a sample part gets tough, but not so quickly. The snare is set just right for me on the drum machine and you can hear it stapling wonderfully. I also think it’s great that the woman gets so deep with her voice and in the end there’s a lot of shooting. „From Flesh to Fluids“ starts at a crisp up pace and then bludgeons like crazy and Nani’s gargling is so intense that it almost ends in squeals. „Decapitation“ pushes forward properly before continuing at a pressing mid/slam pace and then sprinkling in a few shooting parts. „Slowly Poisoned“ lives up to its name because it is a tough and crawling track, after which „Battery Acid Enema“ is also played rather clumsily, But here and there it also goes up a gear. „Stomach Bile for Miles“ starts like a battlefield, but then drops more and more with clever breaks. We find rich stomping and robust riffs in „Family Photo with Hella Cadavers“, which then arrives at a crawling pace and rough squeals. „Left Over Limbs for Later“ is pure slam death, there’s a lot of crawling going on here, the coarse vocals have power and power that it gets through your bones. „Tools for Torture“ also holds back when it comes to tempo, but when it comes to brutality the track is high up and in the end „“Skin Tortilla“ is a really crushing song. For me, what the lady is pulling out of the hat is strong” – FFM-Rock
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