Category: Music News

0 Forged Through Loss, Reborn Through Metal ALTERSOUL Unveils Video “End of Days” From New EP “Origins” In Tribute To Fallen Bandmate

November 13, 2026
by Asher
· Altersoul · Music News

NEWS RELEASE

Montreal, QC – November 13, 2026

Forged Through Loss, Reborn Through Metal ALTERSOUL Unveils Video “End of Days”

New EP “Origins” In Tribute To Fallen Bandmate

L-R: Theo Konrad (drums), James Close (guitar & vocals), Graham Murphy (guitar & vocals), Evan Ferguson (bass)

Progressive death metal quartet Altersoul continues its journey of honouring legacy, friendship, and renewal following the loss of a beloved bandmate. Formerly known as Ominous Eclipse, the Brockville, ON-based outfit is forging a new path with the release of its debut EP, “Origins”, due out on November 27, 2026.

Following the release of the first single “Abandoned,” which introduced listeners to the band’s renewed artistic vision and commitment to honouring their past, their next preview, “End of Days,” dives deeper into the foundations upon which Altersoul was built. Originally the title track of Ominous Eclipse‘s debut album, the song has been completely reimagined with modern production, live drums, expanded orchestral arrangements, and the benefit of more than a decade of growth as songwriters, musicians, and producers.

“End of Days was the first song I wrote for Ominous Eclipse. As a teenager, I didn’t have a computer at my disposal, and there was one occasion Graham went to play some pick-up hockey with Ryan, leaving his computer unattended. When he returned, there was a composition on his computer titled ‘Song JD wrote in an hour that’s better than anything Graham’s written in his life.’ Considering this track became the title track of our debut album, I think the title was justified. It was written in a stream-of-consciousness style in a moment of heavy inspiration, and I feel the new recording of it is true to that emotion,” says guitarist and vocalist James Close.

One of the more legendary stories in the band’s catalog, the majority of “End of Days” was reportedly written in little more than an hour while James had temporary access to his bandmate’s unattended laptop. The song would go on to become the centerpiece of the band’s earliest era and now returns as one of the defining tracks on “Origins”.

More than simply a re-recording project, “Origins” serves as both a tribute and a mission statement. The three-song EP revisits the earliest compositions written by the band’s principal songwriters and late bassist Ryan Clements, whose passing in 2024 profoundly shaped the transition from Ominous Eclipse into Altersoul. The release stands as a celebration of friendship, perseverance, and the enduring creative bond shared by the musicians who helped build the band’s legacy.

Recorded entirely under Altersoul’s fiercely independent philosophy, “Origins” was self-produced by the band, with members handling recording, editing, mixing, mastering, orchestral arrangements, artwork, and video production. The EP also features a special guest appearance from original Ominous Eclipse drummer Andrew Poskus, marking the first official release to feature his performance despite his involvement with the band dating back over a decade.

Blending death metal, progressive metal, black metal, thrash, orchestral arrangements, and cinematic atmosphere, Altersoul continues to expand beyond genre boundaries while remaining rooted in the authenticity and creative independence that have defined the group since its earliest days.

With “Origins,” the band revisits the songs that helped shape their journey while looking firmly toward the future. For longtime followers of Ominous Eclipse and newcomers discovering Altersoul for the first time, “End of Days” offers a powerful bridge between the band’s past and the ambitious chapter that lies ahead.

Watch and listen to “End of Days” via its premiere on Metal-Rules HERE.

Recommended for fans of Death, Revocation, Gojira, Children of Bodom, and Opeth, “Origins” is due out on November 27th, 2026.

EP pre-save – https://altersoul1.bandcamp.com/

Video – “Abandoned” – https://www.youtube.com/watch?v=HBWhsc7uRWA

Spotify – https://open.spotify.com/track/0EaBnR0ukoISeGnnf2ymJT

Track Listing:
1. Abandoned – (5:20)
2. End of Days – (4:09)
3. Beyond the Apocalypse – (5:14)
EP Length: 14:43

EP Band Lineup:
Graham Murphy – Guitar/Vocals
James Close – Guitar/Vocals/Additional Instruments
Evan Ferguson – Bass
Andrew Poskus – Drums
Additional Guest Recording:
Wenhao Zhou – Piano
Heather Istead – Oboe

Live Band Lineup:
Graham Murphy – Guitar/Vocals
James Close – Guitar/Vocals
Evan Ferguson – Bass
Theo Konrad – Drums

More info:

https://www.altersoulband.com/

https://www.facebook.com/altersoulband

https://www.instagram.com/altersoul.band

About: Altersoul is a four‑piece metal band from Brockville, Ontario, formed by James Close (Guitar/Vocals) and Graham Murphy (Guitar/Vocals) after more than a decade performing as Ominous Eclipse. Joined by Evan Ferguson (Bass) and Theo Konrad (Drums), the band blends death metal, progressive elements, orchestral arrangements, and diverse influences into a sound that is both volatile and deeply atmospheric. Altersoul is a spiritual continuation of Ominous Eclipse, reborn with a new name, a new vision, and a renewed dedication to creating meaningful, meticulously crafted music.

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0 MOONLIGHT DESIRES Blast Off With New Video “Major Tom (Coming Home)” From Upcoming EP “Totally Tubular 80’s Party Machine” Out Nov 2026

November 12, 2026
by Asher
· Moonlight Desires · Music News

NEWS RELEASE

Montreal, QC – November 12, 2026

MOONLIGHT DESIRES Blast Off With New Video “Major Tom (Coming Home)”

New EP “Totally Tubular 80’s Party Machine” Out Nov 27th, 2026

L-R: Joey DeLeo (Guitar) / Crissy Stixx (Drums) / Trevor Ziebarth (Vocals, Guitar) / Jay Ziebarth (Vocals) / Mitch Thompson (Lead Guitar) / Tyler Siroky (Bass)
Photo Credit – Randy Gilbert

Hamilton, ON’s masters of nostalgia-fueled hard rock, Moonlight Desires return with another high-octane reimagining of a massive ’80s anthem with the release of their forthcoming EP “Totally Tubular 80’s Party Machine,” due out November 27, 2026 via Infamous Butcher Records.

Following the successful launch of their first single and video for A-ha’s immortal classic “Take On Me,” Moonlight Desires are turning their attention toward the stars with the release of their latest music video and second preview, “Major Tom (Coming Home)”.

Known for transforming beloved synth-driven pop hits into loud, guitar-heavy rock anthems, Moonlight Desires continues its mission of injecting nostalgia with a shot of adrenaline. This time, the band tackles Peter Schilling’s cult classic “Major Tom (Coming Home),” delivering a soaring hard rock interpretation that stays true to the song’s space-bound atmosphere while amplifying its power through thunderous drums, chunky riffs, and arena-sized melodies.

The track serves as one of seven reimagined classics featured on “Totally Tubular 80’s Party Machine,” a collection that celebrates some of the decade’s most recognizable songs while maintaining the band’s signature blend of nostalgia, heaviness, and party-ready energy.

“‘Major Tom’ was the one slightly more obscure choice on the EP, but it has such a killer groove and an unforgettable chorus. The bass line carries the entire song forward, and once we translated the synth textures into layers of guitars, it really took on a life of its own. We wanted it to sound huge and anthemic while keeping the spirit of the original intact,” adds guitarist Trevor Ziebarth.

The release follows the band’s energetic video for “Take On Me,” a fan-favorite interpretation that featured a rented replica DeLorean from Back to the Future and was directed by Canadian filmmaker Rob Lindsay (Air Farce, Why Horror?, No Responders Left Behind). Together, the two singles showcase the EP’s approach of preserving the heart of these beloved classics while cranking the intensity to maximum volume.

Watch the video for “Major Tom (Coming Home)” via its premiere on Bravewords HERE.

After six years without new studio material, Moonlight Desires are returning with an EP that marks a significant new chapter as bassist Jay Ziebarth officially assumes the role of primary frontman after years of igniting the band’s legendary “dance mosh pits” during live performances.

“Fans are always asking what songs we’re going to cover next. This EP leans into those big mainstream classics while still delivering the heavy guitars and rock energy people expect from us. Jay’s stepping into an even bigger role this time around, and we’re excited for people to hear what we’ve been working on. Hopefully we’ll see plenty of dance mosh pits when these songs hit the stage,” says Trevor.

Produced by Mitch Bowden at Mechanical Noise Studios in Dunnville, ON, “Totally Tubular 80’s Party Machine” also features acclaimed Failure drummer Kellii Scott, whose powerful performances help elevate the band’s biggest-sounding release to date. Fans can expect a collection packed with iconic hits reborn through Moonlight Desires‘ distinctive hard rock lens, including Cyndi Lauper’s “Girls Just Want to Have Fun,” Dexys Midnight Runners’ “Come On Eileen,” Bronski Beat’s “Smalltown Boy,” Peter Schilling’s “Major Tom (Coming Home),” Madonna’s “Material Girl,” and Spandau Ballet’s “True.”

Drawing influence from artists such as Soundgarden, Foo Fighters, The Ataris, and Me First and the Gimme Gimmes, Moonlight Desires has spent more than a decade carving out a unique niche by transforming iconic ’80s radio staples into riff-heavy party-rock anthems. Formed by Trevor Ziebarth, best known as co-creator, writer, actor, and composer behind Teletoon’s cult animated series Sons of Butcher, the band has become a favorite among both rock fans and lovers of classic pop alike.

With bigger production, bigger choruses, and a renewed sense of fun, “Totally Tubular 80’s Party Machine” promises to be the soundtrack to every nostalgic party between now and the end of the year.

“Totally Tubular 80’s Party Machine” will be out on all digital platforms on November 27, 2026, via Infamous Butcher Records.

EP pre-save – https://moonlightdesires.bandcamp.com/

Music Video – “Take On Me” – https://www.youtube.com/watch?v=SK7f_Nq4sxc

Add to your Spotify playlist – https://fanlink.tv/moonlightdesires

Randy Gilbert (Photographer) & Brad Machry (Graphics & Layout)

Track Listing:
1. Take on Me (3:19) (A-ha Cover)
2. Girls Just Wanna Have Fun (2:43) (Cyndi Lauper Cover)
3. Come on Eileen (3:37) (Dexys Midnight Runners Cover)
4. Small Town Boy (2:49) (Bronski Beat Cover)
5. Major Tom (Coming Home) (3:28) (Peter Schilling Cover)
6. Material Girl (3:51) (Madonna Cover)
7. True (4:20) (Spandau Ballet Cover)
EP Length: 24:05

EP Band Lineup:
Jay Ziebarth – Vocals
Trevor Ziebarth – Vocals, Guitar, Bass
Marco Bressette – Lead Guitar
Mitch Bowden – Lead Guitar
Kellii Scott – Drums

Live Band Lineup:
Jay Ziebarth – Vocals
Trevor Ziebarth – Vocals, Guitar
Mitch Bowden – Lead Guitar
Joey DeLeo – Guitar
Crissy Stixx – Drums

More info:

https://www.moonlightdesires.ca/

https://www.facebook.com/moonlightdesires

https://www.instagram.com/moonlightdesiresband

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What the press has said:

“Moonlight Desires takes delight in taking synth-laden pop hits from the ’80s and turning them into heavy metal monsters.” – The Hamilton Spectator – At The Movies (2020)

“Just the tonic we need in these times, putting a little smile on your face and plenty of riffs for your bucks.” – Get Ready To Rock – At The Movies (2020)

“Moonlight Desires is fun… like, a lot of fun… and everyone should have some fun tonight. So rip it up, everybody Wang Chung tonight!” – V13 – At The Movies (2020)

“I just wish there were more than the four songs on here, because what’s on offer is great. I’ve played the EP on a loop since I popped it on to review it and it’s definitely going to keep on playing. None of the tracks are hugely different from their original recordings, but it doesn’t matter. They’re all just designed for being sung out loud, and you can warble along in the kitchen to these new versions as easily as you could have back when shoulder pads were in fashion… A great little compilation that will raise a smile as much as your singing voice.” – Moshville Times – At The Movies (2020)

“The Canadian band Moonlight Desires, who specialize in turning ’80s pop songs into guitar-driven songs, turn to classic ’80s movie songs for the four track EP At The Movies… It’s a fun blast from the past that will appeal to those of us who saw those movies in the theater when they were originally released along with the younger generation who discovered them via streaming services or cable TV.” – Heavy Music Headquarters – At The Movies (2020)

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0 SAPRAEMIA Unveils New Single “7th Entity” From Upcoming EP “Voidbirth of the Pleroma”

November 12, 2026
by Asher
· Music News · Sapraemia

NEWS RELEASE

Montreal, QC – November 12, 2026

SAPRAEMIA Unveils New Single “7th Entity” From Upcoming EP “Voidbirth of the Pleroma”

Emerging from the depths of the American underground death metal scene, Sapraemia has unleashed their new single “7th Entity,” the first of two standalone singles serving as a preview of the band’s forthcoming third EP, “Voidbirth of the Pleroma,” scheduled for release on December 8th, 2026.

Founded by guitarist and principal songwriter Rudy Martinez, whose death metal roots trace back to his native Nicaragua, Sapraemia has steadily evolved into a formidable force blending brutal death metal intensity with technical precision, atmospheric depth, and esoteric themes.

Their latest offering, the single “7th Entity,” explores a psychedelic journey through DMT, where a multidimensional being manifests as a seemingly negative force and ultimately becomes a reflection of unresolved trauma stored within the self. Through self-realization, forgiveness, and acceptance, the darkness transforms into a path toward spiritual evolution and inner liberation.

Reflecting those themes musically, the track opens as a relentless barrage of technical brutality before gradually expanding into more atmospheric and dissonant passages, mirroring the narrative’s movement from confrontation to transcendence.

“‘7th Entity’ brings together classic death metal elements with a strong technical approach. We want to give listeners an experience where brutality and musicianship come together to create emotional depth and immersive sonic landscapes. Musically, the song mirrors this transformation. It begins as a relentless and chaotic assault, reflecting the overwhelming intensity of the experience and confrontation with the shadow self. As the lyrics progress, the music gradually begins to release, introducing harmonic dissonance and more expansive passages. By the latter half of the song, these dissonant harmonies create brief glimpses of something ethereal, a glimmer of hope emerging from the darkness, representing the clarity and light attained through acceptance, forgiveness, and release,” says Martinez.

The upcoming EP, “Voidbirth of the Pleroma,” draws heavily from Gnostic cosmology, exploring themes of creation, consciousness, decay, transcendence, and the conflict between divine origin and imperfect creation. Inspired by figures such as Terence McKenna, Manly P. Hall, and the band’s ongoing exploration of occult philosophy and metaphysical concepts, the EP presents a conceptual journey through the fracture of divine fullness and the search for knowledge beyond material reality.

Musically, the release will showcase a band continuing to expand its identity. While maintaining the brutal and technical death metal foundation that defined its earlier work, Sapraemia increasingly incorporates complex arrangements, atmospheric textures, and emotional depth into its songwriting. Martinez notes that the band’s sound truly began to take shape following the arrival of vocalist Weston Stone, whose distinctive vocal approach added another dimension to the group’s evolving style.

The songwriting process remains highly collaborative between Martinez and Stone. Most compositions begin with conceptual ideas and guitar arrangements written by Martinez before being expanded through the contributions of the full band.

Sapraemia‘s current lineup features musicians active in several respected underground projects, including Devoidment, Of Void and Ash, Dark Karma, Virulentus, Written in Blood, Wykked Witch, Shady Graves, and Blowtorch Sodomy.

Adding further firepower to the release, the drums for “7th Entity” were recorded by John Longstreth of Origin.

Written during a challenging period in the lives of Martinez and Stone, the material takes on an especially personal character. The song was later mixed and mastered by Carlos Santos of Sadman Studios (Spain), whose work helped fully realize the emotional and atmospheric vision behind the recording.

As the first chapter of “Voidbirth of the Pleroma,” “7th Entity” offers a glimpse into Sapraemia‘s most ambitious and conceptually immersive work and the eventual arrival of the complete EP.

Recommended for fans of Suffocation, Cannibal Corpse, Death, Devourment, and Dying Fetus, listen to “7th Entity” via its premiere on Decibel Magazine HERE.

More info:

https://www.facebook.com/profile.php?id=61579619133226

https://www.instagram.com/sapraemia/

https://open.spotify.com/artist/5eQlgoutjd16bN4LiuwWA8

https://sapraemiafl.bandcamp.com/

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0 Newfoundland Thrashers WITHIN THE REALM Unveils Sci-Fi Inspired Video For “The Information Is Out” From Debut Album “…Of Systemic Decay”

November 12, 2026
by Asher
· Music News · Within The Realm

NEWS RELEASE

Montreal, QC – November 12, 2026

Newfoundland Thrashers WITHIN THE REALM Unveils Sci-Fi Inspired Video For “The Information Is Out” From Debut Album “…Of Systemic Decay”

Newfoundland’s emerging metal force Within The Realm is unveiling their latest lyric video, “The Information Is Out,” in support of their debut full-length album “…Of Systemic Decay,” released on October 30, 2026.

One of the album’s standout tracks, “The Information Is Out,” captures the band’s fascination with extraterrestrial life, government secrecy, and the mysteries hidden beyond our understanding of the cosmos. Musically, the song delivers the band’s trademark blend of 80s and 90s-inspired thrash metal, combining aggressive riffing, memorable hooks, melodic passages, and dynamic songwriting that expands beyond traditional genre boundaries.

For bassist and lyricist Rick White, the track represents the very foundation of his creative inspiration.

“The Information Is Out is very special to me and is the cornerstone of why I write my lyrics and most of my music, as I have always been fascinated with the cosmos and the multitude of secrets that it holds. There’s no doubt in my mind that we are not alone in the universe,” says White.

Described by drummer Michael Small as one of the newer compositions written for the record, “The Information Is Out” showcases a more intricate side of Within The Realm‘s songwriting.

“This song was one of the newer ones we wrote for the record. It’s a bit more complex in the arrangement than ‘Into The Night’; it has some tricky structural changes. It’s another banger track with a lot of melody and groove elements but still that 80s/90s thrash metal vibe. Lyrically, it’s about UFOs and conspiracies,” adds Small.

A key addition to “…Of Systemic Decay,” the song was among the newest material selected for the album, which otherwise revisits and revitalizes songs originally written between 2017 and 2019. According to guitarist Geoff Waye, “The Information Is Out” was one of the fresh tracks created specifically for the album and helped push the band’s sound forward while remaining rooted in their thrash metal foundations.

Watch and listen to “The Information Is Out” at https://www.youtube.com/watch?v=r-oZBBrQpK8

Across its eight tracks, “…Of Systemic Decay” explores themes of psychological turmoil, government deception, conspiracy theories, extraterrestrial disclosure, societal collapse, and personal resilience. The album’s artwork, depicting a decaying government structure amid an apocalyptic wasteland, serves as a visual representation of the systemic corruption and decline addressed throughout the record.

Born from a passion for uncompromising heavy metal, the Newfoundland quartet embraces a raw, DIY approach to songwriting and recording. Crafted without click tracks or excessive studio refinement, the album captures the intensity, spontaneity, and authenticity of a live performance. Rooted in the spirit of classic thrash while incorporating a broader range of metal influences, their sound balances old-school aggression, memorable hooks, and modern depth.

The band’s roots run deep within the Newfoundland metal community. White and Waye previously performed together in the influential St. John’s metal outfit Oberon during the 1990s, while the current lineup also includes members with experience in bands such as Category VI, Triskelyon, Artach, Winterhearth, Jaded Truth, Last Soul Down, Festered Corpse, Sacrament A.D., Rapid Burial, Corporal Punishment, and Incidium.

Recommended for fans of Slayer, Sacrifice, Sacred Reich, Megadeth, and Sepultura, “…Of Systemic Decay” is available at the following links:

Spotify – https://open.spotify.com/album/4DRo5YSVAWNw5VPGsbPcJK

YouTube – https://www.youtube.com/playlist?list=OLAK5uy_mGiA-UWfSSY9PBOmYaYMbdHOyQuyTi6Pg

Music Video – “Into the Night” – https://www.youtube.com/watch?v=JymvTQLfBh4

Track Listing:
1. Sixth Sense – 4:13
2. Endless Life – 4:59
3. Spiral of Terror – 5:39
4. Hidden Agenda – 5:05
5. Homicidal Sacrifice – 4:12
6. The Hydra – 5:26
7. The Information is Out – 5:16
8. Into The Night – 4:24
Album Length – 37:56

Album Band Lineup:
Richard Squires (vocals)
Rick White (bass and backing vocals)
Michael Small (drums)
Geoff Waye (guitar)
Des Mason (backing vocals)

Live Band Lineup:
Richard Squires (vocals)
Rick White (bass)
Michael Small (drums)
Geoff Waye (guitar)

More info:

https://www.facebook.com/WithinTheRealmOfMetal

https://www.instagram.com/withintherealmband/

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0 MEKA NISM Honors the Legacy of Fallen Friend with New Tribute Single and Music Video “The Silence, The Sun”

November 12, 2026
by Asher
· Meka Nism · Music News

NEWS RELEASE

Montreal, QC – November 12, 2026

MEKA NISM Honors the Legacy of Fallen Friend with New Tribute Single and Music Video “The Silence, The Sun”

Honoring remembrance, healing, and the enduring bonds that remain long after loss, melodic metal artist Meka Nism has unveiled her deeply personal new single and music video, “The Silence, The Sun.” Dedicated to the memory of beloved friend and cherished metal community figure Tony Aponte, who passed away in 2024, the release stands as both a heartfelt tribute and a celebration of the connections that continue to unite us.

More than a song, “The Silence, The Sun” serves as a communal space for mourning, reflection, and healing. Created alongside family, friends, musicians, artists, therapists, educators, and members of the extended Meka Nism community affectionately known as “The Tribe,” the project honors not only Tony’s life and legacy but also the countless loved ones whose memories continue to live on in the hearts of those they touched.

“The experience of losing a loved one is something every human being shares, yet it can still be devastating. This song and music video are a place of mourning shared by family and friends of Tony Aponte and all the treasured people in our lives who have passed. It is also an encouragement to keep living and honoring the beauty of the world that continues,” explains Meka.

A central supporter of Meka Nism and a beloved figure within the band’s community, Tony Aponte was known for bringing people together, uplifting those around him, and fostering a sense of family wherever he went.

“The Meka Nism Tribe treasured Tony Aponte, and he was there for so many people. This song is the space to share the process of mourning as a community and uplift each other to heal and find light in the next day,” says Meka.

Built around themes of grief, remembrance, resilience, and renewal, “The Silence, The Sun” acknowledges the profound weight of loss while reminding listeners that healing is possible through connection and shared experience.

“Grief is a universal human experience, though we often feel alone in the heaviness of that emotion. This song and music video were created as a community of friends supporting each other to face despair together. May it reach those in need of processing and remind us to keep going even through difficult times,” adds Meka.

The release carries a charitable component as well. Meka Nism and Tony’s family are encouraging fans to honor his memory through donations to the Kidney Foundation, a cause closely connected to his legacy.

Donate in Tony Aponte’s memory: https://support.kidney.org/campaign/612763/donate

Musically, “The Silence, The Sun” stands apart as a unique artistic statement. Combining melodic rock and metal elements with harp, cello, violin, and cinematic arrangements, the song embraces a broad emotional spectrum. The result is a moving composition that reflects the cycles of grief and renewal while highlighting the healing power of music.

According to harpist Madison “Mad Harpist” Harding, the project sought to expand the traditional boundaries of heavy music.

“People traditionally associate the harp with symphonic music, but it adds a depth of sound that enhances the overall color of any piece. Combined with the elegant sounds of the cello and violin, we were able to elevate the song beyond what is expected from rock and metal music.”

The accompanying music video was filmed and produced through a collaboration with F.I.R.S.T. Institute, whose students, faculty, and alumni worked alongside Meka and the project participants to bring the vision to life.

“We’re so proud to have been part of The Silence, The Sun. Projects like this allow our students to work on a real production alongside a talented artist like Meka while helping them grow as creators and professionals,” says Tony Mardini, Director of Academic Affairs at F.I.R.S.T. Institute.

The emotional impact of the project extended beyond its musical and visual creation. Many participants chose to honor their own loved ones during filming, transforming the set into a gathering of remembrance and support.

“We came together and stood shoulder-to-shoulder as our own family, bonded in a moment of love and shared empathy. I am forever grateful and honored to have been part of a project like this one, bringing the worlds of music and therapy together,” says Therapist Ayşe Darnell about the experience as a powerful example of collective healing.

For Tony Aponte‘s family, the finished work became something even greater than a tribute. In a heartfelt statement, his niece Krystal Holley reflected on the project’s significance:

“This song is much more than a musical project to me and my family; it’s a living tribute to my uncle’s life and the legacy he leaves behind. Every memory comes flooding back through this song with excitement, heartache, and love. I believe this song will not only help our family along our journey, but will touch and reach so many more lives out there.”

A GRAMMY® nominated artist with Alice Cooper’s Rock For Children, Meka Nism has built a career spanning metal, theatrical performance, international touring, and community-driven creative initiatives. Having performed throughout the United States, Germany, Japan, and even at New York City’s legendary Carnegie Hall, Meka continues to use music as a vehicle for connection and empowerment.

Currently at work on a forthcoming full-length album, Meka describes “The Silence, The Sun” as a standalone release whose purpose extends beyond traditional music promotion.

“This is about connection. It’s about honoring people we love, processing grief together, and remembering that even after loss, there is still beauty, hope, and purpose in continuing forward,” adds Meka.

Recommended for fans of Evanescence, Tori Amos, Kate Bush, Florence and the Machine, PJ Harvey, Spiritbox, Siouxie and the Banshees, Within Temptation, watch and listen to “The Silence, The Sun” via its video premiere on Metal Addicts HERE.

Add to your Spotify playlist – https://open.spotify.com/track/7ytIsa7tnAOqkXtvdi4lDD

More info: https://www.meka-nism.com/

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0 Streaming Now! Bay Area Prog Metal BABY ON A RAMPAGE Leaves a Trail of Destruction w/ New EP “Forgive My Figure”

November 10, 2026
by Asher
· Baby On A Rampage · Music News

NEWS RELEASE

Montreal, QC – November 10, 2026

Streaming Now! Bay Area Prog Metal BABY ON A RAMPAGE Leaves a Trail of Destruction w/ New EP “Forgive My Figure”

Co‑produced with Scott Proctor (Five Finger Death Punch touring member; Machine Head/Testament tech; Amongst Thieves; State Line Empire)

Photo Credit – Akira Replica – IG @akira.replica

Bay Area teenage prog metal breakout BABY ON A RAMPAGE is giving fans an early listen to its highly anticipated new EP, “Forgive My Figure,” with an exclusive full album stream now available via TheProgSpace ahead of its official release on November 12, 2026.

Fans can stream “Forgive My Figure” in full now via TheProgSpace.com HERE.

After a year of relentless touring, artistic growth, and the release of the singles and videos “Reclaim” and “Failure of One’s Name,” the rising California quartet arrives with its most mature, fully realized work to date. The five-track EP showcases a band rapidly evolving beyond its early influences, embracing a dynamic blend of modern metal, progressive songwriting, soaring melodies, and emotionally driven storytelling.

Lead guitarist and vocalist Ash Lee describes the EP as a defining moment in the band’s evolution:

“Forgive My Figure is our most musically and melodically complex release so far. It’s definitely grown from our previous influences and sounds, traveled away from the basic metal sound, and become more complex and more melodic. We could convey much more emotion through the music itself before even adding lyrics. The songs still have those dark, heavy moments, but now they explode into these big melodic choruses and huge walls of sound. It’s a lot of ear candy, with vocal harmonies, guitar harmonies, and details that make the songs feel bigger and more emotional.”

Produced and engineered alongside Scott Proctor (Five Finger Death Punch touring member, Amongst Thieves, State Line Empire), the EP benefited from his expertise in arrangement, vocal layering, and modern production techniques. According to Lee, Proctor’s guidance helped refine the band’s increasingly ambitious ideas into songs with greater impact and focus.

While the band’s 2025 debut full-length “Fall with Disgrace” showcased a wide range of influences and styles, “Forgive My Figure” represents a more unified artistic statement.

“The EP doesn’t vary as much stylistically as our last record, but it’s more what our sound has grown into. The songs are different from each other, but they share a common identity. It feels like we’ve found our sound,” explains Lee.

Lyrically, the EP tackles themes of political frustration, personal identity, grief, healing, environmental concerns, self-destruction, and self-discovery.

Standout track “Reclaim” explores resistance, environmental issues, and societal accountability through one of the band’s most ambitious compositions. Meanwhile, “Failure of One’s Name” offers a deeply personal examination of identity and loss, drawing from the EP’s drummer Lyra Renninger‘s experience as a trans woman while also reflecting Lee’s own journey through grief and self-discovery.

“There’s plenty of power and drive for moshing, but it’s also one of those records you put on for a deeper physical, emotional, and mental experience. It’s the whole package, not just aggression. We wanted something thought-provoking, emotional, and impactful,” adds Lee.

Formed through the Bay Area’s renowned Bandworks youth music program, BABY ON A RAMPAGE has grown from a group of elementary-school-aged musicians covering Metallica, Primus, and Green Day into one of Northern California’s most promising young progressive metal acts. Influenced by bands such as Gojira, Mastodon, Tool, Baroness, and Strapping Young Lad, the quartet has developed a sound that balances crushing heaviness with sophisticated songwriting and emotional depth.

Following extensive touring across the Pacific Northwest, Canada, Texas, and the American Midwest, the band recently surpassed 100 live performances while still in their teens.

To celebrate the EP’s release, BABY ON A RAMPAGE will host an EP release show in Berkeley, CA on November 27, 2026, at the legendary punk club 924 Gilman, bringing the new material to the stage with the energetic, audience-inclusive live performance style that has become one of the band’s trademarks.

Show Dates:

November 27 – 924 Gilman – Berkeley, CA – EP Release Show w/ Baby On A Rampage, Parabellum, Fall Of The King, GINGSU, Bone Thistle – info

Recommended for fans of Gojira, Revocation, Mastodon, Baroness, and Strapping Young Lad, “Forgive My Figure” will be available on all digital platforms as of November 12, 2026.

Bandcamp – https://babyonarampage.bandcamp.com

Add to Your Spotify Playlist – https://open.spotify.com/artist/17QixQgBNuX2wTD9IwLkBG

Music Video – “Failure of One’s Name” – https://www.youtube.com/watch?v=n6AqmEfI3oE

Music Video – “Reclaim” – https://www.youtube.com/watch?v=NDvwwrxoU6U

Track Listing:
1. Intro (0:56)
2. Immaculate Teeth (4:32)
3. My Tragedy (3:21
4. Reclaim (5:48)
5. Failure of One’s Name (4:29)

EP Band Lineup:
Ash Lee: Guitars, Vocals
John Muir: Bass, Vocals
Lyra Renninger: Drums

Live Band Lineup:
Ash Lee: Lead guitar, Vocals
John Muir: Bass, Vocals
Lucas Garske: Rhythm guitar
Mona Iris: Drums

More info: https://linktr.ee/babyonarampage

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“Although only four tracks long…five, if you count the intro…they showed a command in both the songwriting and the performance of the songs. Considering they are a three-piece even adds to their prowess. Some of the music here was angled, jarring, even disorienting at times, but they were always able to pull you back to the path where the music was headed. 8/10” – Metal Temple

“We’ve got a real soft spot for the hometown bands grinding it out and leveling up right in front of us, and Bay Area prog metal crew Baby On A Rampage are doing exactly that. Their new video for “Failure of One’s Name” just dropped. It’s the latest from their forthcoming EP “Forgive My Figure,” out November 12, and if you caught the debut single “Reclaim” you already know where this is headed. Bigger melodies, heavier emotions, and a band that sounds more sure of itself every time out.” – Music Junkie Press

“the EP marks a major evolution in the band’s sound, blending crushing heaviness, soaring melodies, and emotionally charged choruses.” – Capital Chaos TV

“Bay Area metal band BABY ON A RAMPAGE plays “progressive metal”—a rather intense mix of sludge/hardcore and modern metal—which might come as a surprise given the spandex pants and bushy mustaches in the band photo. They prove that their pretty fresh music has absolutely nothing to do with sleaze rock and the like with their music video for “Failure Of One’s Name,” the second single from their upcoming EP “Forgive My Figure.”” – Burn Your Ears

“They met in a Bay Area youth music program between the ages of nine and eleven, and they have since passed 100 shows while still in their teens. Baby On A Rampage are the rare young band whose growth is audible from one single to the next, and “Failure of One’s Name” is the clearest proof yet.” – See Rock Live Magazine

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0 A Twister of Fuzz and Groove Calgary Stoner Rockers DENIMACHINE Drops “Tornado” From Upcoming EP “Perfect Illusion” via Grand Hand Records

November 9, 2026
by Asher
· Denimachine (Grand Hand Records) · Music News

NEWS RELEASE

Montreal, QC – November 9, 2026

A Twister of Fuzz and Groove Calgary Stoner Rockers DENIMACHINE Drops “Tornado”

New EP “Perfect Illusion” Out Nov 27th via Grand Hand Records

+ Split Vinyl w/ Riff Ratt

L-R – Trenton Bullard (guitar, vocals), Scott Charles (guitar, lead vocals), Kevin Ross (drums), Brady Side (bass)

Denimachine – Photo Credit – Josh Sandulak

Calgary stoner rock quartet Denimachine is charging forward with the unveiling of their second single, “Tornado,” the latest taste of their upcoming sophomore EP, “Perfect Illusion,” due out November 27, 2026 via Grand Hand Records. A longtime fan favorite in the band’s live set, “Tornado” finally receives the studio treatment it deserves, delivering the fuzz-drenched riffs, driving grooves, and high-octane energy that have become hallmarks of the Denimachine sound.

The release of “Tornado” follows the first single “Filthy Lucre” and the announcement of their forthcoming EP “Perfect Illusion,” a four-song collection that captures the band’s evolution since their self-titled debut EP. Produced and mixed by Scott Giffin and mastered by Stuart McKillop at Rain City Recorders, the EP spans both the band’s oldest and newest material in their catalog; the record showcases a more mature and adventurous songwriting approach while preserving the head-bobbing heaviness, massive hooks, and groove-driven foundation that fans have come to expect. Incorporating psychedelic textures, dynamic arrangements, and expanded sonic exploration, “Perfect Illusion” represents Denimachine‘s most refined and ambitious work to date. The EP will be released digitally through Grand Hand Records and will also be available as a split vinyl release with fellow Canadian riff rockers Riff Ratt.

“We think this new EP will be received really well! It’s been a while since our last release, and we’ve grown a lot as a band. The new songs offer a more mature version of our sound with some more experimental and spacey grooves than the first EP while maintaining the same head-bobbing heaviness. We hope our following fans and new fans alike will want to listen to it over and over, whether it’s chilling out or ramping up!” adds the band.

Listen to “Tornado” via its premiere on Outlaws of the Sun HERE.

Spotify pre-save – https://li.sten.to/qt66b2667389

Formed in Calgary, Alberta, in 2017, Denimachine consists of Trenton Bullard (guitar/vocals), Scott Charles (guitar/vocals), Brady Side (bass), and Kevin Ross (drums). Emerging from years of friendship and experience in notable local acts including Throne of Vengeance, Frankie McQueen, Falcon, and MANcub, the quartet built its reputation on massive riffs, infectious grooves, and the undeniable chemistry that comes from years of playing together. Blending influences from classic hard rock swagger with modern stoner-rock weight, Denimachine creates music built equally for festival stages, long highway drives, and late-night garage sessions.

Recommended for fans of Queens Of The Stone Age, Black Sabbath, Wolfmother, Graveyard, and TruckFighters, “Perfect Illusion” arrives November 27, 2026, digitally via Grand Hand Records, along with the EP on a Split Vinyl with Riff Ratt.

Show Dates:
Dec 5 – Calgary, AB – Palomino (EP Release Party) w/ Riff Ratt, Gone Cosmic

First Single “Filthy Lucre” at the following links:

Spotify – https://li.sten.to/qt66b2664024

YouTube – https://www.youtube.com/watch?v=kId9ouGNvaw

Artwork by Paul Hendrik and Trenton Bullard

Track Listing:
1. Tornado – 4:58
2. Grundy – 3:32
3. Edgelord – 5:33
4. Filthy Lucre – 5:44
Total EP Length: 19:47

Album Band Lineup:
Scott Charles (Guitar, Vocals)
Trenton Bullard (Guitar, Vocals)
Brady Side (Bass)
Kevin Ross (Drums)
Scott Giffin (Synth)

Live Band Lineup:
Scott Charles (Guitar, Vocals)
Trenton Bullard (Guitar, Vocals)
Brady Side (Bass)
Kevin Ross (Drums)

More info:

https://denimachineband.com/

https://www.facebook.com/denimachine/

https://www.instagram.com/denimachine/

-30-

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0 Out Now! Northern Irish Pagan Metal Pioneers WAYLANDER’s New Album “Mac Tíre – Son of the Land”

November 6, 2026
by Asher
· Music News · Waylander (Rockshots Records)

NEWS RELEASE

Montreal, QC – November 6, 2026

Out Now! Northern Irish Pagan Metal Pioneers WAYLANDER’s New Album “Mac Tíre – Son of the Land”

The wait is over! Northern Irish Pagan Metal pioneers WAYLANDER unleash their new album “Mac Tíre – Son of the Land”, out now via Rockshots Records as of November 6th, 2026!

More than three decades after their formation in Northern Ireland, WAYLANDER return with “Mac Tíre – Son of the Land“, a nine-track album rooted in the landscapes, mythology and cultural heritage of Ireland. The record continues the path the band has followed since the early 1990s, combining extreme metal with traditional Irish instrumentation and Pagan themes.

While “Mac Tíre – Son of the Land” is not a concept album in the same way as its predecessor, “Ériú’s Wheel“, its songs share a strong connection with the land and the stories embedded within it. The title itself reflects this relationship: Mac Tíre, literally “son of the land”, is the Irish term for the wolf, an animal closely connected with Ireland’s natural past.

Musically, the album represents a natural evolution of WAYLANDER’s established sound, retaining the balance between metal aggression and traditional Irish elements that has defined the band throughout its career.

A fierce journey through ancient Irish mythology, Celtic traditions and pagan heritage, where crushing riffs, powerful folk melodies and epic storytelling come together.

With “Mac Tíre – Son of the Land”, the band continues that journey, carrying their established musical and cultural identity into a new chapter.

Recommended for fans of Skyclad, Eluveitie, and Korpiklaani, “Mac Tíre – Son of the Land” is available at the following links:

Digital – https://lnk.to/vXH7Ua

CD – https://rockshots.eu/products/waylander-mac-tire-son-of-the-land-cd

Video – “Hy Brasil (Isle Of Mists)” – https://www.youtube.com/watch?v=yTp6-yjc4sw

Video – “Macha” – https://www.youtube.com/watch?v=aVDRXRnfJ48

Track Listing:
1. When The Land Speaks – 4:12
2. Macha – 5:28
3. Ages of Éireann – 5:50
4. Hy Brasil (Isle of Mists) – 5:47
5. Sliabh Gullion – 6:16
6. Our Once Wooded Isle – 6:44
7. Mallachtaí – 4:52
8. Signs and Symbols – 6:22
9. She of the Sorrows – 7:58
Album Length: 51:29

WAYLANDER is:
Ard Chieftain O’Hagan: Vocals
Tor Dennison: Electric Guitars
Connor Murray: Bass Guitar, Backing Vocals
Lee McCartney: Drums and Percussion
Dave Briggs: Whistles, Irish Bouzouki, Bodhran, Uilleann Pipes, Backing Vocals
Saul McMichael: Electric and Acoustic Guitars, Backing Vocals

Guest Musicians
John Ryan: Fiddle, Cello
Lily Maria: Voice of Deirdre
Nicole Quinn: Additional Voicing

For more info:

https://rockshots.eu/

https://www.instagram.com/waylander.official/

https://www.facebook.com/clanwaylander/

About:

Northern Irish Pagan Metal pioneers Waylander have spent more than three decades forging their own path through the worlds of Celtic, Folk and Extreme Metal. Since forming in 1993, the band has become renowned for blending crushing metal aggression with authentic Irish folk instrumentation, mythology and pagan themes, helping shape the foundations of the modern Pagan Metal movement.

With acclaimed releases including “Reawakening Pride Once Lost“, “The Light, the Dark and the Endless Knot“, “Honour Amongst Chaos“, “Kindred Spirits” and the epic concept album “Ériú’s Wheel“, Waylander have earned a loyal international following and shared stages with some of the biggest names in Folk and Pagan Metal.

Now the band returns with their forthcoming album “Mac Tíre – Son of the Land” – a powerful new chapter that captures the spirit of Waylander at its most fierce, atmospheric and authentic. Combining savage riffs, soaring Irish melodies, ancient mythology and cinematic storytelling, the album stands as both a tribute to their roots and a bold evolution of their sound.

After more than 30 years, Waylander continues to fly the banner for Pagan Celtic Metal with the same fire and conviction that started it all.

-30-

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0 Out Now! NOVA SPEI Unleashes New Voice and Rebirth! w/ New Album “Trinitas” and Embark on Quebec Tour

November 6, 2026
by Asher
· Music News · Nova Spei (Bam&Co. Heavy)

NEWS RELEASE

Montreal, QC – November 6, 2026

Out Now! NOVA SPEI Unleashes New Voice and Rebirth! w/ New Album “Trinitas” and Embark on Quebec Tour

L-R – Cédrick Charland (Lead Guitarist) | Julien De Carufel (Drums) | Emmanuelle Desbiens-Dubois (Vocal) | Nicolas Dumais-Brouillette (Bass, Vocal) | Dany Soucy (Founder, Rhythm Guitarist)

Photo Credit – Étienne Dionne (Mute Drummer)

Reborn with a revitalized lineup and a powerful new voice, Quebec’s modern metal force Nova Spei is proud to announce the release of their long-awaited third full-length album, “Trinitas,” available now as of November 6, 2026 via Bam & Co. Heavy. Marking a new era for the Quebec metallers, the album arrives alongside an extensive run of Quebec tour dates that will see the band bring its renewed energy and explosive live show to audiences across the province throughout November and December (dates listed below).

For founding guitarist and principal songwriter Dany Soucy (guitar), “Trinitas” represents far more than the next entry in Nova Spei‘s discography. It is the culmination of years of perseverance, reinvention, and a determination to emerge stronger following lineup changes that challenged the band’s future.

“Writing Trinitas was both a challenge and a burden. There was the fear of not being able to compose an album that would do justice to its predecessor. The departure of the previous lead singer had a significant emotional impact, and having to rebuild a new dynamic was somewhat daunting. In the end, it was the change Nova Spei needed to get back on its feet and move forward into another chapter of its life,” explains Soucy.

That rebirth can be heard immediately throughout “Trinitas”. Building upon the modern metal foundation of 2021’s “Sequentis”, the album introduces a more organic and groove-driven approach while simultaneously embracing greater aggression. A key element in that evolution is the arrival of Emmanuelle Desbiens-Dubois (vocals), whose commanding vocal performance adds a new dimension to Nova Spei‘s sound.

“We’ve realized what we’ve always wanted in the past, preserving our identity while adding a touch of aggression. Choosing a female voice for the lead vocals has significantly boosted the intensity we were aiming for,” says Soucy.

Produced and mixed by renowned Quebec metal producer Francis Perron (Voivod, Martyr), “Trinitas” captures a rawer and more energetic sound than its predecessors. Influenced by modern metal, metalcore, industrial rock, and progressive metal, the record balances technical precision with memorable grooves and immediate songwriting.

Originally conceived as a stylistic continuation of “Sequentis,” the album took on a new life during the recording process.

“For Trinitas, we wanted a follow-up in the style of Sequentis. However, as we worked with Francis Perron, the focus shifted toward a much more organic approach, prioritizing groove simplicity to hook the listener more easily despite the overall aggression,” explains Soucy.

Lyrically, “Trinitas” explores deeply personal and socially conscious themes. Throughout its thirteen tracks, the album tackles addiction, betrayal, depression, manipulation, trauma, Indigenous experiences, resilience, and personal rebirth. From the rallying cry of “Renaissance”, chronicling the band’s own struggles and comeback, to the emotionally charged “M’entends-tu!?”, the Indigenous-focused “Déraciné”, and the crushing, groove-driven single “Enterré Vivant,” the record offers one of Nova Spei‘s most diverse and impactful lyrical journeys to date.

The album also includes the instrumental composition “Résonance,” a deeply personal track exploring the lasting impact of loss, as well as the closing piece “Draps Blancs,” which examines the fragility of life through the story of a routine medical procedure ending in tragedy.

Adding to the significance of the release, “Trinitas” is the first Nova Spei album recorded in a professional studio after the band’s previous two records were produced in-house. The album was later mastered by acclaimed engineer Maor Appelbaum, whose credits include work with Faith No More and Yes.

Formed in 2012 by Dany Soucy, Nova Spei has become one of Quebec’s most persistent French-language metal acts. Since debuting as direct support for Anonymus on their 2017 Quebec tour, the band has performed more than 100 shows throughout Quebec and Ontario while sharing stages with many of the province’s notable metal acts. Their music has also reached wider audiences through placements during Montreal Canadiens games at the Bell Centre and regular radio support across Quebec.

Now featuring Emmanuelle Desbiens-Dubois (vocals), Dany Soucy (guitar), Nicolas Dumais (bass), Julien De Carufel (drums), and Cédrick Charland (lead guitar), Nova Spei enters its next chapter revitalized and ready to bring “Trinitas” to audiences throughout Quebec.

Recommended for fans of Gojira, Tesseract, Killswitch Engage, Spiritbox, and Architects, “Trinitas” is available as of November 6, 2026, via Bam & Co. Heavy.

CD + Vinyl – https://www.novaspei.com/marchandise

Add to your Spotify playlist – https://open.spotify.com/album/6FNKvSvJhwBHYfrXaLuEFY

Music Video – “Enterré Vivant” – https://www.youtube.com/watch?v=yJB1wzRomFg

Lyric video “Déraciné” – https://www.youtube.com/watch?v=0xn2xKYt0pc

Music video “Renaissance” at https://www.youtube.com/watch?v=FagxvgWJTes

======

In support of their forthcoming album “Trinitas,” due November 6, 2026, through Bam&Co-Heavy, Québec modern metal standouts NOVA SPEI will embark on a five-date album release tour across their home province. The trek launches in their hometown of Trois-Rivières and continues through La Baie, Quebec City, and Montreal, with support from Unless We Fight on all shows and additional performances from Insurrection, Matante Mutante, Unpunished, Burning Attic, Carry The Cross, and Castor on select dates.

Nova Spei ‘Trinitas’ Tour Dates:
Nov 6 – Le Nord-Ouest – Trois-Rivières, QC w/ Insurrection, Unless We Fight
Nov 7 – Paradox – La Baie, QC w/ Matante Mutante, Unless We Fight
Nov 13 – Source de la Martinière – Québec City, QC w/ Unpunished, Unless We Fight
Nov 14 – Foufounes Electriques – Montréal, QC – w/ Burning Attic, Unless We Fight
Dec 5 – Le Murdoch – Sherbrooke, QC – w/ Carry The Cross, Castor

Track Listing:
1. Trinitas – 1:38
2. Renaissance – 2:37
3. M’entends-tu!? – 2:16
4. Déraciné – 4:07
5. Hypnose Collective – 3:23
6. Sentence – 3:39
7. Bourreau – 2:53
8. Résonance – 2:03
9. Enterré Vivant – 3:19
10. Aucun Regret – 4:15
11. Traitre – 3:40
12. Vautours – 3:38
13. Draps Blancs – 2:52
Album Length: 40:27

Album and Live Band Lineup:
Cédrick Charland – Lead Guitarist
Dany Soucy – Founder, Rhythm Guitarist
Emmanuelle Desbiens-Dubois – Vocals
Julien De Carufel – Drum
Nicolas Dumais-Brouillette – Bass, Vocals

For more info:

https://www.novaspei.com/

https://www.facebook.com/NovaSpei

https://www.instagram.com/novaspei

– 30 –

“All in all, Trinitas is a real success that I wholeheartedly recommend to metal fans, even those who rarely listen to French-language bands. And if you have the chance to see Nova Spei live, go for it. It’s well worth it!’ – Metal Universe

“The major new development comes behind the microphone with the arrival of Emmanuelle Desbiens-Dubois. Her vocal versatility allows the band to operate on two levels: a gritty, at times abrasive delivery, but also much more melodic and velvety passages. This duality between female and male vocals has become the new signature of Nova Spei. It’s a choice that adds an extra dimension to the compositions and could appeal to fans of Spiritbox or the new incarnation of Linkin Park. Emmanuelle doesn’t simply add a female voice to the mix; she genuinely transforms the band’s dynamic.” – Ars Media QC

“What it means here is suffocation. Enterré Vivant — buried alive — began as a reflection on watching someone close struggle with illness, on being locked inside a situation you refuse but cannot leave, and the band pushed the metaphor until it turned literal. The song moves on a lurching, mechanical guitar figure with more than a little Fear Factory in its DNA, all industrial edges and deliberate repetition, and the rhythm section plays into the downstroke rather than around it. The lyrics were written collectively, and it shows: the phrasing has the clipped urgency of five people arguing their way toward the same conclusion. The real news is the voice sitting on top of it. Emmanuelle Desbiens-Dubois joined in 2025 alongside lead guitarist Cédrick Charland, and her arrival rewires the architecture rather than just the paint. Nova Spei spent two albums as a French-language groove-metal band with a male vocalist out front; this is not a cosmetic swap. She sits further forward in the mix than her predecessor and moves between a clean upper register and a full-throated scream inside single phrases, which finally gives the band the dynamic range its riffs have always implied.” – See Rock Live Mag

“Nova Spei enters a powerful new era with this groove-driven, hard-hitting release. Trapped in a situation you refuse to accept but cannot escape? It’s a theme that will resonate with anyone who has lived through it or watched someone close endure the same struggle, making this track an easy connection point for listeners in 2026. Emmanuelle’s arrival truly brings a new visceral intensity to the band. I can’t wait to hear the entirety of Trinitas.” – Ondes Chocs

“Ultimately, that’s what I appreciated about Trinitas. The concept is present, but the album doesn’t rely solely on it. There are hard-hitting riffs, solid rhythms, several genuinely compelling shifts in atmosphere, and, above all, that vocal combination that gives this new incarnation of the band its own distinct character. After the lineup changes and challenges Nova Spei has faced, the band could have easily returned by simply picking up where it left off. Instead, Trinitas feels like the work of a band determined to move forward. And sometimes, coming back stronger begins with accepting that you won’t return exactly as you were before.” – Eloquence Art

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0 SECRET RULE New Single “Trip Into My Hell” From Eleventh Studio Album Out Feb 2027! ALBUM PRE-ORDER available now!

November 6, 2026
by Asher
· Music News · Secret Rule (Rockshots Records)

NEWS RELEASE

Montreal, QC – November 6, 2026

SECRET RULE New Single “Trip Into My Hell” From Eleventh Studio Album Out Feb 2027

ALBUM PRE-ORDER available now!

Italian modern metal band SECRET RULE returns with their new single “Trip Into My Hell”. Taken from their upcoming eleventh studio album, “Someone Killed the Pope,” being released via Rockshots Records on February 5th, 2027. The track explores a more rock-oriented direction and is accompanied by an official music video filmed during the band’s recent European tour with Xandria and Seven Spires.

Following the heavier arrangements and electronic elements of their previous singles, “Trip Into My Hell” brings punchy guitar riffs, a driving rhythm section, and Angela Di Vincenzo‘s powerful melodic vocals to the forefront. With its infectious chorus and stripped-back production, the song delivers an immediate impact while retaining the melodic identity that defines Secret Rule‘s sound.

Angela Di Vincenzo comments:

“We played this song every night on the European tour before it was even released, and seeing people immediately react to it was amazing. They didn’t know the song, but by the end they were already jumping with us. We loved that energy so much that we decided to capture it during the tour and make it part of the official video for the song. I think it’s the perfect way to show what ‘Trip Into My Hell’ is really about: something direct, spontaneous and made to be experienced live.”

Lyrically, “Trip Into My Hell” explores the determination to confront personal struggles rather than avoid them. Images of fire, smoke, and collapsing roads portray a journey through uncertainty and pain, where moving forward means accepting the challenges ahead instead of searching for an escape.

Angela adds:

“The ‘hell’ in the song is obviously personal. It’s that place or situation you know is going to hurt, but sometimes the only choice you have is to go through it. There’s something almost liberating in reaching the point where you stop looking for a way around it and just say: okay, I’m going in.”

Guitarist and producer Andy Menario explains:

“We wanted this track to be very straightforward. No unnecessary layers, just a strong guitar riff, a solid groove and a chorus that hits immediately. It has a much more rock-oriented approach than some of the other songs on the album and hearing it work so naturally in front of a live audience confirmed that we had captured exactly the kind of energy we wanted.”

“Trip Into My Hell” offers a further preview of “Someone Killed the Pope”, Secret Rule‘s eleventh studio album, due for release on February 5th, 2027. The record brings together different facets of the band’s musical identity, reflecting their continued evolution within modern metal.

Listen to “Trip Into My Hell”: https://lnk.to/8iosZP

Watch the official live music video: https://www.youtube.com/watch?v=4AZChNj6ejU

Grab your copy of the new album now! The official pre-order is live at https://www.secretrule.it/store
Don’t miss out!

Track Listing:
1 – Edge of Control
2 – Someone Killed the Pope
3 – Labyrinth
4 – Bury Them Deep
5 – Indifference to Brutality
6 – Forever You
7 – Phoenix Rising
8 – Tell Me More
9 – I’m Still with Me
10 – Trip Into My Hell
11 – Empty Instant
12 – Whispers in the Dark

SECRET RULE is:
Angela Di Vincenzo: Vocals
Andy Menario: Guitars
Luca Pecchia: Bass Guitar
Diego Divizia: Drums

More info: https://www.rockshots.eu

Secret Rule Links: https://lnk.bio/secret_rule_official

ABOUT SECRET RULE:

Founded in Rome in 2014 by vocalist Angela Di Vincenzo and guitarist, composer, and producer Andy Menario, Secret Rule has developed a distinctive sound that brings together modern metal, powerful melodies, electronic elements, and cinematic arrangements.

Following ten studio albums and an extensive international live career, the band now enters a new phase with their upcoming eleventh studio album. The current line-up features Angela Di Vincenzo on vocals, Andy Menario on guitars and male vocals, Luca Pecchia on bass and backing vocals, and Diego Divizia on drums.

-30-

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