Category: Music News

0 From Tragedy to Rebirth: Canada’s ALTERSOUL Launches New Era with Reforged Single “Abandoned”

August 13, 2026
by Asher
· Altersoul · Music News

NEWS RELEASE

Montreal, QC – August 13, 2026

From Tragedy to Rebirth: Canada’s ALTERSOUL Launches New Era with Reforged Single “Abandoned”

Canadian metal band Altersoul emerges with a renewed identity, a sharpened creative vision, and a deeply symbolic debut single, “Abandoned.” Formed by longtime collaborators James Close (Guitar/Vocals) and Graham Murphy (Guitar/Vocals), Altersoul rises from the decade‑long legacy of their previous project, Ominous Eclipse, carrying forward its spirit while forging a new path.

The band is completed by Evan Ferguson (Bass) and Theo Konrad (Drums), both of whom join Altersoul as part of the group’s new era of collaboration, expanded musical depth, and fully self‑produced artistry.

Altersoul was formed after Ominous Eclipse’s momentum was halted during the 2020 lockdown. As live shows disappeared, members departed, and the band’s future became uncertain. The turning point came in 2022, when founding bassist Ryan Clements announced he would be stepping away, leading James and Graham to retire the Ominous Eclipse name with him.

Unfortunately, tragedy struck in August 2024, when Ryan passed away. His loss reshaped the band’s direction entirely. Their final Ominous Eclipse performance became a memorial tribute and mental‑health fundraiser, and the new band name “Altersoul,” derived from Alter Sol (“A New Sun”), was chosen to honour both Ryan’s memory and the band’s rebirth.

Their debut single “Abandoned,” accompanied by a music video, is a complete re‑recording of one of the earliest compositions in the band’s catalogue. Originally written by Graham Murphy on a $75 acoustic guitar from Pete’s Music Exchange, the track first appeared on Ominous Eclipse’s debut album “End of Days” more than a decade ago.

Now, Altersoul delivers the song as it was always intended, featuring real orchestral performances recorded by the band and real drums performed by guest musician Andrew Poskus, the original drummer of Ominous Eclipse. The single benefits from modern production, mixing, and mastering handled entirely by the band, along with expanded arrangements that showcase their evolution. It’s a far more mature interpretation of a familiar piece. The contrast between the original “Abandoned” and this new version is striking: what once relied on guitars, bass, and programmed drums now unfolds with full string arrangements, broader dynamics, and meticulous production detail.

“This single is a re-recording of a very early track from the previous iteration of this band, under the name ‘Ominous Eclipse’. It comes from OE’s debut album more than a decade ago, when studio quality wasn’t as high. As a tribute to Ryan Clements, and as a treat for old fans of Ominous Eclipse, this song finally gets the treatment it deserves. We have multiple albums’ worth of unreleased material, but chose to begin with this re‑imagined single from our past to show both where we came from and who we are now,” says James Close.

Altersoul’s music moves fluidly across metal subgenres, death metal, tech‑death, thrash, black metal, folk/viking metal, progressive metal, and stoner/doom, while wearing its influences proudly. Fans of Death, Revocation, Gojira, Children of Bodom, and Opeth will find familiar elements woven into the band’s identity.

Altersoul is preparing to return to the stage in 2027, delivering a live experience that merges their dual‑vocal, dual‑guitar foundation from the Ominous Eclipse era with two defining new elements: a custom‑built, fully synchronized light show programmed by the band, and orchestral backing tracks performed on real instruments- violins, violas, cellos, and horns recorded by the members themselves.

Listen to “Abandoned” at the following links:

Video – https://www.youtube.com/watch?v=HBWhsc7uRWA

Spotify – https://open.spotify.com/track/0EaBnR0ukoISeGnnf2ymJT

More info:

https://www.altersoulband.com/

https://www.facebook.com/altersoulband

https://www.instagram.com/altersoul.band

About: Altersoul is a four‑piece metal band from Brockville, Ontario, formed by James Close (Guitar/Vocals) and Graham Murphy (Guitar/Vocals) after more than a decade of performing as Ominous Eclipse. Joined by Evan Ferguson (Bass) and Theo Konrad (Drums), the band blends death metal, progressive elements, orchestral arrangements, and diverse influences into a sound that is both volatile and deeply atmospheric. Altersoul is a spiritual continuation of Ominous Eclipse, reborn with a new name, a new vision, and a renewed dedication to creating meaningful, meticulously crafted music.

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0 Gore House Prod: One-Woman Slamming Goregrind CORDYCEPS CORPSE Unleashes Video “Forced Out of Existence” From New Album “Perverse Craving For Rotting Corpses” Out Oct 2026

August 13, 2026
by Asher
· Cordyceps Corpse (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – August 13, 2026

One-Woman Slamming Goregrind CORDYCEPS CORPSE Unleashes Video “Forced Out of Existence”

New Album “Perverse Craving For Rotting Corpses” Out Oct 2026 via Gore House Productions

Ohio’s one‑woman brutal death metal force Cordyceps Corpse, the grotesque creation of multi‑instrumentalist Nani Porter, is set to unleash her most violent and ambitious work yet. “Perverse Craving For Rotting Corpses,” the project’s second full‑length album, due out on October 9th, 2026 from Gore House Productions, drags listeners deeper into a world of chaos, contrast, and pure sonic depravity.

With today’s album announcement, Cordyceps Corpse unleashes the album’s first single and music video, “Forced Out of Existence,”.

“This song starts with slow, held-out chords, then gets into the slams. Lyrically, I just wanted to write something wild and kinda fried. I think I accomplished that, haha,” adds Porter.

Watch the video at https://www.youtube.com/watch?v=qs6xYfN2YLY

Formed in late 2023 when Porter decided “f*ck it, I’ll do it myself,” Cordyceps Corpse began as a solo experiment in fast, filthy brutality. After years of producing beats for others, she turned impatience into inspiration, recording the project’s first single in her bedroom and immediately carving out a place in the underground.

Following the Gore House Productions reissue of her debut “From Flesh To Fluids,” Porter dove headfirst into crafting its successor. In a whirlwind month‑and‑a‑half writing spree, she composed 26 songs, ultimately distilling the carnage into 11 tracks that feel like watching a truly fucked‑up movie unfold in audio form.

“Perverse Craving For Rotting Corpses” pushes Cordyceps Corpse’s sound into new extremes, faster, filthier, more technical, and more cinematic. The album’s 11 tracks explore murder, gore, supernatural serial killers, cannibalism, torture, revenge, bodily destruction, and surreal horror, all delivered with Porter’s unique mix of chaos and groove. From the opening track’s “Aileen Wuornos” interview sample to the piss‑drinking anthem “Urophagia,” each song pushes the boundaries of slam and brutal death metal.

Lyrically, the album marks a major shift. Instead of pure guttural rhythm, Porter wrote full narratives inspired by crime interrogation footage, horror films, Darby Valentine videos, and the grim psychology of figures like Aileen Wuornos. The album unfolds like the twisted diary of a Glock‑loving, necrophilic, cannibalistic misandrist woman who grows more powerful with every victim she consumes, flipping the genre’s typical violence dynamic on its head.

“This album dives more into the 90’s/2000’s brutal death metal sound. I really think that era was peak for bdm and slam. I focused on writing a little bit more technical riffs than just straight slam riffs. I feel like it gets to a point where if a song is nothing but slams, it starts to sound like the next song. I think what makes a slam riff hit is context. Like a basic ass slam riff sounds cool as f*ck after crazy fast riffs or whatever. 90’s/2000’s era, I feel, does this well with like switching stuff off and just being fast too,” says Porter.

The album artwork, created by Adam Nevler (GruesomeGraphx), captures the record’s gruesome cinematic energy in a single disturbing image.

Fast, brutal, gross, and gruesome, “Perverse Craving For Rotting Corpses” is recommended for fans of Devourment, .357 Homicide, Cephalotripsy, Kraanium, and Corpse Pile, and will be available digitally and on cassette from Gore House Productions on October 9th, 2026.

Digital pre-save / Cassette pre-order – https://orcd.co/perverse-craving-for-rotting-corpses

More info:

https://gorehouseproductions.com/

https://www.facebook.com/profile.php?id=61580310663974

https://www.instagram.com/cordycepscorpse

https://www.tiktok.com/@cordycepscorpse

About Cordyceps Corpse:

Cordyceps Corpse is the solo sonic nightmare of Ohio‑based multi‑instrumentalist Nani Porter, mutating brutal death metal, slam, and goregrind into something feral, chaotic, and unmistakably her own. Everything from writing, recording, mixing, artwork, and performance is done entirely by her. Cordyceps Corpse isn’t a band. It’s a one‑woman horror machine.

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CORDYCEPS CORPSE REVIEWS & MENTIONS

“The solo project of multi-instrumentalist and deathgrind visionary Nani, Cordyceps Corpse delivers a grotesque cocktail of guttural slam, sludged-out goregrind, and DIY fury” – Necrozine

“a one-woman slam/goregrind wrecking ball spilling over with disgusting grooves, guttural violence, and Nani’s fully unhinged DIY vision. It’s her rawest, most chaotic statement yet, now upgraded with live drums, sharper production, and a brand new video for the title track that leans hard into the project’s anti-authority, horror-splattered energy. If you’re into thick Devourment-style slam filtered through a solo creator who writes, records, mixes, masters, designs, and performs everything herself, this reissue is worth diving into — chaotic, filthy, and completely owned from the ground up.” – IDIOTEQ

“In Slam / Brutal Death it is often the case that there is only one man behind it, but this is Nani Porter, a woman who takes care of everything. After a few singles and EPs, the lady presents her debut and a sample part gets tough, but not so quickly. The snare is set just right for me on the drum machine and you can hear it stapling wonderfully. I also think it’s great that the woman gets so deep with her voice and in the end there’s a lot of shooting. „From Flesh to Fluids“ starts at a crisp up pace and then bludgeons like crazy and Nani’s gargling is so intense that it almost ends in squeals. „Decapitation“ pushes forward properly before continuing at a pressing mid/slam pace and then sprinkling in a few shooting parts. „Slowly Poisoned“ lives up to its name because it is a tough and crawling track, after which „Battery Acid Enema“ is also played rather clumsily, But here and there it also goes up a gear. „Stomach Bile for Miles“ starts like a battlefield, but then drops more and more with clever breaks. We find rich stomping and robust riffs in „Family Photo with Hella Cadavers“, which then arrives at a crawling pace and rough squeals. „Left Over Limbs for Later“ is pure slam death, there’s a lot of crawling going on here, the coarse vocals have power and power that it gets through your bones. „Tools for Torture“ also holds back when it comes to tempo, but when it comes to brutality the track is high up and in the end „“Skin Tortilla“ is a really crushing song. For me, what the lady is pulling out of the hat is strong” – FFM-Rock

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0 India’s SHIVERWOOD SHADE Showcase Their Dark, Cinematic Sound with New Live Video “Crawling Back” from Debut Album “Escaping Darkness”

August 12, 2026
by Asher
· Music News · Shiverwood Shade

NEWS RELEASE

Montreal, QC – August 12, 2026

India’s SHIVERWOOD SHADE Showcase Their Dark, Cinematic Sound with New Live Video “Crawling Back” from Debut Album “Escaping Darkness”

India’s cinematic metal powerhouse Shiverwood Shade has dropped a ferocious new live performance video for “Crawling Back”, one of the most volatile and emotionally charged tracks from their debut album “Escaping Darkness”.

A chaotic eruption of down‑tuned nu‑metal riffs, industrial electronics, and raw vocal intensity, “Crawling Back” captures the band at their most unrestrained. The song dives into the frustration of personal relapse, those moments when old fears and destructive patterns resurface despite progress.

The live video amplifies this emotional turbulence, presenting the track with heightened aggression, cinematic tension, and the immersive stage presence that has become the band’s signature.

Watch the live video at https://www.youtube.com/watch?v=UBvRBOgo6h0

Following the release of “Escaping Darkness,” Shiverwood Shade has quickly established themselves as one of India’s most compelling modern heavy acts. The album is built around a deeply personal narrative—moving from internal chaos and emotional conflict toward healing, clarity, and hope.

Across ten tracks, the band blends nu‑metal and post‑hardcore riffs, cinematic atmospheres and orchestral pads, dark electronic textures inspired by industrial, synthwave, and EDM.

“Escaping Darkness represents our most personal and ambitious work to date. We wanted listeners to experience a full emotional arc, from darkness and doubt to strength and perseverance,” adds the band.

Originally formed in Gwalior, Madhya Pradesh, in 2013, Shiverwood Shade quickly carved out a reputation across India’s independent circuit, earning major wins at college festivals such as Spring Fest at IIT Kharagpur, IIIT Gwalior, and ITM. After years of creative evolution, the band underwent a dramatic rebirth in 2022, relocating 1,500 kilometres east to Kolkata and rebuilding their lineup from the ground up. This transformation mirrors their shift from early science‑fiction‑inspired material to a mature, emotionally charged fusion of nu metal, alternative Metal, post‑Hardcore, metalcore, and cinematic electronic elements.

Recommended for fans of Linkin Park, Bring Me the Horizon, Story of the Year, Breaking Benjamin, and Architects, Shiverwood Shade’s “Escaping Darkness” (released Dec 26, 2025) is available at the following links:

Spotify – https://open.spotify.com/album/5Htt6Dl6p54M4bVfx2rUKl

Bandcamp – https://shiverwood.bandcamp.com/album/escaping-darkness-album

Previous Videos:

Divided By Hate – https://www.youtube.com/watch?v=d8bcsMfYYiQ

Lost – https://www.youtube.com/watch?v=oFH7TF2XHac

Track Listing:
1. Intro – 1:02
2. Pulling Away – 4:14
3. Facing Darkness – 3:53
4. Holding On – 3:37
5. Crawling Back – 3:54
6. Walking In Circles – 4:50
7. Alone – 3:12
8. Lost – 3:50
9. Haunted – 3:39
10. Divided By Hate – 4:06
11. Break Free – 3:21

Album Band Line-up:
Gaurav Ghosh – Vocal
Anupam Ghosh-Guitar
Saptarshi Basu-Bass
Manav Kundu-Keys
Sayan Pal-Drums
Monish Mallick-Guitar

Live Band Line-up:
Gaurav Ghosh – Vocal
Anirban Bhattacharya-Vocal
Anupam Ghosh-Guitar
Saptarshi Basu-Bass
Manav Kundu-Keys
Sayan Pal-Drums
Monish Mallick-Guitar

For more info:

https://www.shiverwoodshade.com/

https://www.facebook.com/swsprod20

https://www.instagram.com/shiverwoodshade/

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“Shiverwood Shade’s song “Pulling Away” begins with melancholy synths before the guitars explode with a powerful mix of punk and nu metal riffs. – Skylight Webzine

“Escaping Darkness: Shiverwood Shade on Chaos, Catharsis, and a Modern Nu‑Metal Pulse” – Wall Mag

“Exploring themes of inner struggle, resilience and transformation, Escaping Darkness balances aggressive riffs with melodic passages and atmospheric synth layers. Tracks such as Crawling Back and Holding On showcase the band’s signature mix of raw intensity and emotional depth”. – Rock Street Journal, India

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0 Blackened Thrashers ETERNAL DRAK Announces Quebec Tour Dates For Sixth Album “The Violence of Time” Out Now!

August 12, 2026
by Asher
· Eternal Drak · Music News

NEWS RELEASE

Montreal, QC -August 12, 2026

Blackened Thrashers ETERNAL DRAK Announces Quebec Tour Dates For Sixth Album “The Violence of Time” Out Now!

Blackened thrash metal entity Eternal Drak will storm stages across the province of Quebec this fall, announcing a run of regional tour dates in support of their sixth full‑length album, “The Violence of Time,” available now. The tour marks the band’s return to the province with their most aggressive and concept‑driven material to date, bringing their varied‑rhythm, catchy sound and uncompromising intensity directly to Quebec fans.

Across its ten tracks, the album dismantles the human understanding of past, present, and future. Each song is a violent thesis, a sonic and lyrical strike against the idea that time can be explained, contained, or understood. Instead of offering conclusions, the album explores fragments of realization, exposing how time pressures identity, warps memory, and rewrites causality.

Musically, the album is built for true old‑school metal devotees: those drawn to the raw spirit of thrash, the darkness of black metal, and the severity of death metal. Eternal Drak merge analog aggression with digital density, resulting in a sound that is varied in rhythm and catchy in impact, sharpened into their most cohesive identity yet.

Every track begins with a central written idea. Once the concept is defined, Eternal Drak builds the music to reflect the emotion and message of the text. Riffs, rhythms, and structures are crafted to echo the same intention, ensuring that even listeners who perceive the voice as an instrument still feel the weight of the lyrics.

Long‑time listeners can expect emotional continuity, thematic depth, and a sound that finally consolidates the band’s identity after years of evolution.

Over the years, Eternal Drak have evolved from raw thrash‑and‑black foundations into a dynamic force shaped by death metal, groove, and even Latin folk influences. Their sound has grown alongside the metal scene itself, adapting to new tools and technologies while preserving the intensity and character that define the band.

Recommended for fans of Dimmu Borgir, Watain, Kreator, Motörhead, and Desaster, experience “The Violence of Time” in its entirety at the following links

“The Violence of Time” (released July 17th, 2026) is available at the following links:

Band website – https://eternaldrak.com/the-violence-of-time

Bandcamp – https://eternaldrak.bandcamp.com/

Spotify – https://open.spotify.com/album/5wq0pSkPFNlU7BtqE0R5J2

YouTube – https://www.youtube.com/watch?v=DS3ueL-cETg

Tour Dates – Eternal Drak
Sept 4 – Quebec City, QC – Sonum
Oct 17 – Saint-Marie, QC – Bar Café Notre-Dame
Oct 31 – Montreal, QC – Piranha Bar

Track Listing:
1. We Force It To Speak – 5:15
2. The Unborn Paths Rot – 3:51
3. Me Hice Simultaneo – 3:30
4. The Blasphemy of Time – 3:35
5. Chaos Is the Law – 3:34
6. Where Cause Is Buried – 3:55
7. Across the Watching Veils – 3:53
8. Breathing Once Again – 3:45
9. The Cosmos Rejects You – 4:09
10. No Direction Total War – 2:57
Album Length: 38:24

Album Band Line-up:
Andres Martinez Torres (Drakar) – Vocals, Lead Guitar, Bass
Michel Amyot – Rhythm Guitar

More info: https://www.eternaldrak.com | https://www.facebook.com/EternalDrak | https://www.instagram.com/eternaldrak

About:

Eternal Drak is an extreme metal band based in Quebec City, Canada, originally founded in Latin America in the late ’90s. Rooted in a fierce blend of thrash and black metal, the band has continually expanded its sound with elements of death metal, groove, and melodic experimentation. Lyrically, Eternal Drak explores human and cosmic darkness, a theme present across all seven of its official releases. The band is currently signed to the Canadian label FirstWave.

Formed in 1997 by brothers Drakar and Warhammer, later joined by guitarist Reijav, Eternal Drak quickly gained recognition, winning a City TV award for Best Metal Video in the early 2000s. After releasing early EPs and their first full-length, the band went on hiatus in 2007.

In 2020, the members reunited in Quebec to create The Past Is Gone, A New One Is Coming, honoring co‑founder and drummer Eduardo “Warhammer” Martínez. This revival led to a prolific new era, including the albums Drak Metal (2021), Shadow Storm (2022), Imprisoned Souls (2024), and multiple EPs. The lineup later expanded with guitarist Mike Amyot and drummer Patrick Auger.

Today, Eternal Drak (featuring Andres Martinez Torres (Drakar) – Vocals, Lead Guitar, Bass, and Michel Amyot – Rhythm Guitar) continues to evolve while staying true to its extreme metal roots, driven by intensity, melody, and a commitment to pushing its sound across continents.

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“Ultimately, Eternal Drak have created something truly remarkable here. They have taken a genre that often gets stuck in its own formulaic mud and used it to deliver a profound, deeply atmospheric, and heavy-as-hell exploration of human mortality. It is a record that manages to be simultaneously intellectually stimulating and physically punishing. It is a pure example of modern, thoughtful extreme metal. If you are ready to let a Latin-infused hurricane tear through your speakers and remind you of the terrifying fragility of your own existence, do yourself a massive favor: turn this up as loud as it goes and let the violence wash over you.” – The Black Metal Archives

“ETERNAL DRAK delivers a thought-provoking and crushing sixth album ”The Violence Of Time” that balances old-school extremity with philosophical ambition. STANDOUT TRACKS: ”The Blasphemy of Time”, ”Chaos Is the Law”, ”The Cosmos Rejects You”. 9/10″ – Metal Rager 666

“With “The Violence Of Time,” Eternal Drak deliver a well-thought-out, superbly produced, and surprisingly catchy blackened thrash album.” – Metalunderground.at

“This is some pretty good Blackened Thrash that has sick riffs, icy tremolos and eerie harmonies with some solos added to keep it interesting, add it to your lists. Rating: 8.1/10 – Drako Metal Reviews (The Violence of Time – 2026)

“10 new songs that will simultaneously brighten and darken your world… Eternal Drak evolve while staying true to their roots.” – The Razor’s Edge

“a really entertaining album that’s relatively accessible for the genre.” – The Metal Crypt

““The Violence Of Time” is focused, severe, and written with an old school extreme metal instinct, offering a cohesive attack with enough variation to hold attention across the full album.” – Heavy Metal Darkness

“another great sounding recording from Eternal Drak and if you are a fan of blackened thrash metal, you should check out this album. RECOMMENDED TRACKS INCLUDE “We Force It To Speak” “The Blasphemy Of Time” “Where Cause Is Buried” and “The Cosmos Reject You”. 8 out of 10.” – Bringer of Death Webzine

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0 Reminder – Deadline Aug 16th – Ottawa’s CAPITAL PUNISHMENT Opens Band Submissions For 2026 Festival Dates!

August 11, 2026
by Asher
· Capital Punishment Festival (Ottawa) · Music News

NEWS RELEASE

Montreal, QC – August 11, 2026

Reminder – Deadline Aug 16th – Ottawa’s CAPITAL PUNISHMENT Opens Band Submissions For 2026 Festival Dates!

Capital Punishment Festival has opened band submissions for the 2026 edition, taking place November 27–29 across Ottawa’s ByWard Market. Presented by Chord Productions, the third edition expands once again with more venues, more artists, and even more chaos throughout downtown Ottawa.

Supported by Ottawa Tourism, Capital Punishment Fest continues its mission to amplify Canada’s underground heavy‑music community, uniting national acts and rising local talent for three nights of relentless, high‑energy performances. Previous editions have featured Blackguard, First Fragment, Lutharo, Spectral Wound, Martyr, Dopethrone, and many more.

Canadian bands interested in performing at this year’s festival are invited to submit materials for consideration. Capital Punishment Fest is seeking opening‑slot applicants from across the country, from emerging acts to seasoned underground performers ready to level Ottawa. All genres will be considered, including Metal, Punk, Hip Hop, EDM/Goth, Hardcore and Rock.

Band submissions are now open. Artists can apply HERE. (Deadline to apply is August 16th – 11:59 PM EST)

Festival Details:
Capital Punishment Festival
November 27–28–29, 2026
Ottawa, ON – ByWard Market
Multiple Venues
Presented by Chord Productions
Supported by Ottawa Tourism

More info: https://www.chordproductions.com/capital-punishment.html

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0 Speed Demons TURBO Are Crossing The Atlantic For First “Canadian Invasion Euro Tour” (CZ, SK, HU, PL, DE)

August 11, 2026
by Asher
· Music News · Turbo

NEWS RELEASE

Montreal, QC – August 11, 2026

Speed Demons TURBO Are Crossing The Atlantic For First “Canadian Invasion Euro Tour” (CZ, SK, HU, PL, DE)

Canadian speed demons TURBO announce they will be trekking across the Atlantic this coming October for their first-ever EU tour. Entitled the “Canadian Invasion Euro Tour”, the quartet will perform dates in the Czech Republic, Slovakia, Hungary, Poland and Germany (dates listed below).

Since their formation, these Halifax, NS-based nitro rock hellraisers have been road warriors, always on the go across Eastern Canada, from the Maritimes to Quebec and Ontario, and have even toured Mexico, crisscrossing from venue to venue, to house parties, to playing open fields, to a tequila-drenched taco spot, all for the love of the music.

They unleashed their latest album “Broke & Ugly” in July 2024 and are in the works to release their follow-up album later this year in 2026.

Their second full‑length album, “Broke & Ugly,” is a raw, high‑energy snapshot of the band’s real‑life chaos, blending aggressive riffs, tight musicianship, and lyrics fueled by partying, heartbreak, road‑life exhaustion, and unapologetic self‑reflection. Standout tracks range from the heavy, triumphant “Ruthless Forever” to the beer‑soaked anthem “Ignite the Night,” the breakup‑driven “No Savior,” and the punk‑edged “Scorpio Garbage Fire.” The album slows only briefly with “Nothing to Nowhere” before roaring back with the snarky title track and the thrashy tour‑inspired closer “Down in Mexico.” It’s gritty, honest, and unmistakably Turbo.

As they prepare to tour Europe, they are sure to win over fans who enjoy the likes of Motörhead, Mötley Crüe, Municipal Waste, and Airbourne.

“Broke and Ugly”, released on July 12th, 2024, is available at https://turboasfvck.bandcamp.com/

Spotify – https://open.spotify.com/album/3tz2h7rtkOkwALjh6Okwps

Music Video – Pissjugs & Rattlesnakes – https://www.youtube.com/watch?v=MCFBh-Na1TE

Music Video – Broke & Ugly – https://www.youtube.com/watch?v=eizql0m6sBI

Music Video – Down In Mexico – https://www.youtube.com/watch?v=7HousH65t8s

Canadian Invasion Euro Tour – Turbo w/ Monteith
22.10 – Hradec, CZ — AC Klub
23.10 – Bratislava, SK — Koncerty na Garážach
24.10 – Louny, CZ — Sféra Louny
25.10 – Bohuslavice, CZ — NOISE Bar
26.10 – Kosice, SK — Collosseum Klub
27.10 – Budapest, HU — S8 Underground
28.10 – Krakow, PL — SNY
29.10 – Prague, CZ — Klub FAMU
30.10 – Nuremberg, DE — Blackbox
31.10 – Hamburg, DE — Stellwerk

Live Lineup:
Evan Frizzle: Vox, Lead & Rhythm Guitar
Lindsey Dicks: Lead & Rhythm Guitar
Donnie Rootnotes: Bass
Sylvian Coderre: Drums

For more info:
https://www.facebook.com/TURBOFAF
https://www.instagram.com/turboasfvck/

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“The cartoon-ish cover art with toxic green/red colors could bring more smiles to the fold – Turbo executing a great crossover sound that stands on the edge of thrash, punk and NWOBHM/heavy metal. Broke & Ugly could be your soundtrack when needing an ideal wind down from your back breaking, seemingly never over work week. 8.5/10” – Dead Rhetoric

“Turbo are fast, they’re crass, and they’re here to kick your ass… As a whole, “Broke & Ugly” is peak speed and thrash metal with a party-hard overtone. But I think the comparison to Motörhead is a little heavy-handed. After listening to the gem of East Coast Canadian metal, I’m fired up to see what Turbo does next. 9/10″ – Metal Temple

“This rocks a lot. The vocalist’s gritty approach delivers surprisingly catchy and memorable vocal melodies, and the occasional backing vocals are often reminiscent of mid-80s “party” metal, very upbeat and singalong-inducing. The guitar work has everything people like in old heavy metal, a rather raw style filled with cool solos and riffs that stick in your head long after they’re over. You’d tell me this was released more than 40 years ago and I would believe you. A fun time from beginning to end. 4/5″ – The Metal Crypt

“”Broke & Ugly” may have been a little tight in terms of playing time, but with the incredible hit rate of one hundred percent, you can forgive that. When punk and thrash still spoke a language, the whole thing sounded like this album. The fact that a band would ever come close to OVERKILL in terms of sound technology says more than enough! Yes! Noisy thrash, melodic punk, classic setup – what a great record! 9/10.” – Power-Metal.de

“entertaining, refreshingly lively, dynamic, far too good to be bad. Massively punching Kick Ass- Heavy Metal n’ Rock n’ Roll on all sides, which hits the eye in a straight line, brutally, snotty, until it hits the chest, where it hurts. Snots, tubes, rocks and rolls straight to the limit! 8/10” – FFM-Rock

“the band is insanely tight, with Frizzle and fellow six stringer Lindsey Dicks really giving it some violence riff wise and soloing like their lives depended on it. Similarly, the rhythm section of Sylvain Coderre (d) and Henry MacDonald take no prisoners and submit to no-one in their ability to hold things together at high velocity. Very impressive. As we get deeper into the twenty first century, bands are running out of ways to repackage, remake and remodel, so the freshness with which Turbo approach the task in hand has to be applauded. This is fun to listen to – and it certainly sounds like the band had fun getting the album down, and sometimes a bit of joie de vivre is all any of us need. But when you are able to mix that in with a killer technique and a sharp ear for a metal tune well, good times await!” – Sentinel Daily

“Canada’s Turbo label their music Nitro-Rock; On the evidence of the submitted album, Broke & Ugly, it would seem that Nitro rock is in fact an almighty mashup of styles, all rendered at high speed and with little regard for personal danger (in my day we used to call that Crossover-Ed). If that description excites you, then the album is going to send you into paroxysms of joy…” – Sentinel Daily

“Turbo’s second full length album is the equivalent of getting into a newly juiced up hotrod, the roof reeled back in, as you’re flooring it down the highway until your smoke trails combust. From start to finish, Turbo live up to their name in droves and then some with energy that cannot be denied and a plethora of tracks that offer much to be remembered. Though boasting a full nine tracks, Broke & Ugly doesn’t even eclipse a full half hour and therefore opens itself up for numerous relistens. It starts up, gets you in the mood to kick some butt, yet doesn’t attempt to overstay its welcome to any degree. For me personally, this style of speed metal can be a vast hit or miss but I thoroughly enjoyed my time with this record, and during its duration I was brought on board with Turbo’s infectious power. Furthermore, I’d wish to visit their first record, and am excited to see what they do for a third, prospective release; I merely hope it’s not another four years because this is really good, fun material that anyone can get behind. A refreshing break from crushing, defeating extreme metal is sometimes needed, and Turbo are one fine cocktail.” – The Razor’s Edge

“Turbo is a band that gives me associations to two very different bands and the earlier stages of both of those bands output, and that is Turbonegro and Iron Maiden respectively. If you can imagine the early death punk of the former combined with certain aspects of the Di’Anno era of the latter combined into a whole, you probably won’t be too far off from the kind of landscapes explored by Canadians Turbo. And chances are good that you’ll find this tight and uptempo album to be a rewarding experience if that description comes across as tantalizing.” – The Viking in the Wilderness

“this album is just the perfect encapsulation of fun” – Brutally Delicious

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0 Metal com Batata celebrates its 10th anniversary with a special online festival featuring 25 artists from eight countries

August 8, 2026
by Asher
· Music News

Metal com Batata celebrates its 10th anniversary with a special online festival featuring 25 artists from eight countries

One of Brazil’s leading independent heavy metal promotion channels, Metal com Batata, is celebrating 10 years of dedication to the underground scene with a special edition of the Metal com Batata 10th Anniversary Online Festival.

The event will be streamed live and free on August 21st, 2026, beginning at 8:00 PM (Brazil time) on the official Metal com Batata YouTube channel.

Founded on July 15th, 2016 by Brazilian radio host Cristiano “Batata” Oliveira, Metal com Batata has become an important platform for promoting independent bands from Brazil and around the world. Over the past decade, the project has featured hundreds of interviews, introduced thousands of new songs, and built strong relationships with musicians, record labels, radio stations, promoters, and fans worldwide.

To celebrate this milestone, the festival will feature 25 artists from eight different countries, highlighting the diversity and strength of today’s underground metal scene.

Brazilian Artists

The festival will showcase performances and exclusive appearances by:

Dunkell Reiter, Losna, Sacrifix, Stout Inc., Shitai, Siegrid Ingrid, Drowned, Exkil, Dorsal Atlântica, Armadilha, Headspawn, Galo de Briga, Scum Noise, Magnolia, LoSS, Daniele Krauz and Dinnamarque.

International Artists

The international lineup includes:

Noord – Belgium
Castelnuovo Rancore – Italy
Riccardo D’Attis – Italy
Frostmorner – Italy
Parallel Minds – France
Bastard Skull – United States
Active Intersection – United States
Crimson Day – Finland

In addition to the musical performances, viewers will enjoy exclusive video messages from artists, record labels, promoters, and media partners who have supported Metal com Batata throughout its ten-year journey.

The event also celebrates the international partnerships established over the years with record labels, PR agencies, and radio stations from several countries, helping connect Brazilian audiences with underground metal from around the world.

According to Metal com Batata founder Cristiano “Batata” Oliveira:

“For the past ten years, our mission has always been to give independent bands a voice, regardless of their size or country of origin. This festival is our way of saying thank you to every musician, label, promoter, media partner, and especially to the audience that has supported Metal com Batata since 2016.”

With free worldwide streaming, the Metal com Batata 10th Anniversary Online Festival promises to unite heavy metal fans from around the globe in a celebration of independent music and underground culture.

EVENT INFORMATION

Metal com Batata 10th Anniversary Online Festival

Date: August 21st, 2026

Time: 8:00 PM (Brasília, Brazil – UTC -3)

Watch Live: www.youtube.com/METALCOMBATATA

Free Online Event

Ten years supporting independent metal. Ten years bringing Brazilian underground music to the world—and the world to Brazilian metal fans.

0 FEN’s Doug Harrison’s Solo Project SLUG COMPARISON Pays Homage To NIRVANA w/ Single “Tongue of the Hollow” From New EP “Cold in Cold out” Out Sept 2026

August 7, 2026
by Asher
· Music News · Slug Comparison · Uncategorized

NEWS RELEASE

Montreal, QC – August 7, 2026

FEN’s Doug Harrison’s Solo Project SLUG COMPARISON Pays Homage To NIRVANA w/ Single “Tongue of the Hollow” From New EP “Cold in Cold out” Out Sept 2026

Doug Harrison – Photo Credit – Peter Wiholm

Canadian songwriter and multi‑instrumentalist Doug Harrison, best known as the vocalist for progressive rock/metal band Fen, returns with a new chapter of his solo project Slug Comparison. The project’s new single, “Tongue of the Hollow,” is the first preview of the upcoming EP “Cold in Cold out, set for release on September 10th, 2026.

“Tongue of the Hollow” began as an unexpected homage to Nirvana’s “Something in the Way.” Harrison noticed the similarity early in the writing process, but chose to embrace it, adding chord changes and letting the influence guide the song’s mood.

“As I was writing this song, I realized early on that the verse riff was way too similar to Nirvana’s “Something in the Way.” I could have abandoned the idea right there, but then I added a few chord changes (I don’t have Kurt’s gift for writing a song with only two chords), so I decided to keep going and let it be an homage. I was huge into Nirvana for a few years, so it made sense that my appreciation was coming out this way. As far as lyrics, I had no idea what “Something in the Way” was about, and that freed me to fumble my way down a different path, while staying true to the vibe of the original,” says Harrison.

Lyrically, the track tells the story of a bedridden apartment dweller nearing death, surrounded by cats who no longer understand why their owner can no longer care for them. His only solace comes at night, when the upstairs neighbour walks the creaking floorboards and sings. The result is a slow‑burning, melancholic piece that leans into Slug Comparison’s signature dark, brooding, introspective, depressingly uplifting sound.

Listen to “Tongue of the Hollow” at the following links:

Spotify – https://open.spotify.com/track/2TOTjDogOn2pbyj5Ki9CD1

Bandcamp – https://slugcomparison.bandcamp.com/track/tongue-of-the-hollow

YouTube – https://www.youtube.com/watch?v=LUziXxuV0uY

Slug Comparison‘s new EP “Cold in Cold Out” is a shift away from the electric, rock‑forward production of his 2025 album “A Battle to the End Fought on the Edge of a Knife.” Instead, “Cold in Cold out” returns to the spacious, layered acoustic textures reminiscent of Fen’s “Trails Out of Gloom.”

“These songs rely more on mood than hooks. The instant gratification isn’t there. They’re slow release,” adds Harrison.

The EP’s six tracks dwell in depressive territory and are best experienced privately, in sequence, and through headphones. Harrison intentionally selected fragments with minimal rock riffage, choosing the moody, unironic, humorless pieces that fit the EP’s emotional landscape.

While Slug Comparison is primarily a solo effort, collaboration for this EP with drummer Randall Stoll (Boulevard, KD Lang, Tom Cochrane) brought the songs to life in the studio, and Sheldon Zaharko added his own touch through mixing.

Overall, the EP blends personal, imagined, and semi‑imagined lyrical narratives, with a heavier emphasis on fictional storytelling than Harrison’s previous work.

Slug Comparison began when Doug Harrison realized he was writing more material than he could bring to Fen during the creation of their 2012 album “Of Losing Interest.” What started as overflow quickly became its own creative outlet, an environment where Harrison could develop songs independently, shaping every instrument and texture without needing to fit them into Fen’s framework.

“I started taking songs further and further on my own. Eventually I realized I couldn’t bring them to the band without dictating what people played. A solo project seemed like a good option,” explains Harrison.

After experiencing long stretches between releases, twelve years between Fen albums and six years between Slug Comparison records, Harrison challenged himself to write and record new material within a single year.

“It was a ton of work. But the experiment suggests I might be able to record all my songs before time runs out for me.” Harrison adds.

With roots that draw from prog, alt, and grunge, Slug Comparison is recommended for fans of Nirvana, Puscifer, Katatonia, Porcupine Tree, The Pineapple Thief, Fen, and Mark Lanegan.

“Cold in Cold Out” marks Harrison’s tenth recording across Fen and Slug Comparison, and his most mood‑driven, acoustic‑layered work in years.

Due out on September 10th, 2026, the EP is available for pre-order at https://slugcomparison.bandcamp.com/album/cold-in-cold-out

Track Listing:
1. Tongue of the Hollow (4:01)
2. To Whom Would You Answer (3:47)
3. Back to the World (4:03)
4. Burden of Life (4:44)
5. Cold in Cold out (5:31)
6. No Healer (4:36)
EP Length: 26:42

EP Recording Credits:
• All songs performed by Slug Comparison
• All songs written by Doug Harrison
• Produced by Doug Harrison
• Mixed by Sheldon Zaharko
• Mastered by Brock McFarlane at CPS Mastering
• Album Artwork by Inkantation
• Member of SOCAN
• Canadian Content (MAPL)

EP Lineup:
Doug Harrison: vocals, guitar, bass, programming, songwriting, production
Randall Stoll: drums

More info:

https://www.instagram.com/slugcomparison

https://www.facebook.com/slugcomparison

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“The album takes us through the self-doubt, denial, and defiance of the artist and is another mini-masterpiece delivered under the Slug Comparison banner. 10/10” –SonicAbuse

“In no way “progressive” in the traditional sense, there is a depth to each composition, and a variation in styles across the album, that rewards careful listening.” –DPRP

“Harrison’s voice tends to have a grungy quality, but it also unfolds in epic, theatrical, or simply beautifully melodic ways.” –Musikreviews (translated from German)

“modern, emotionally rich, and laced with just enough grunge to hit us right in the feels.” –Mandatory Music

“The highlight is a twisted power ballad about having much too much of a good thing (Too Much Love).” –Here Comes the Flood

“progressive and alternative inclinations align with dark rock, punk and other rich hues. It makes for a palette of surprise and unpredictable adventure” –The RingMaster Review

“One of my favourite songs of the year” (about “Bringer of Doom”) –Dutch Progressive Rock Radio

“Simply engulfs the imagination and emotions” -The Ringmaster Reviews

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0 Saskatoon Death Groove PYTHONIC New Video Is Here To “Set You Free” + New EP “Laws of Karma” Out Now!

August 7, 2026
by Asher
· Music News · Pythonic

NEWS RELEASE

Montreal, QC – August 7, 2026

Saskatoon Death Groove PYTHONIC New Video Is Here To “Set You Free”

New EP “Laws of Karma” Out Now!

L-R – Ryan Hunter (Lead Guitar), Vincent Kohut (Rhythm Guitar & Backing Vocals), Max Hiske (Bass), Morgan Warriner (Vocals), Jayden Warriner (Drums)

Saskatoon’s Pythonic erupts into a new era with the release of their brand‑new music video for “Set You Free”. The video is unleashed in support of the band’s third EP, “Laws of Karma,” unveiled on July 10th, 2026, marking the most aggressive and evolved chapter in the band’s history.

The current lineup stands as a rebirth, a heavier, tighter, more destructive force rising from the ashes of the old formation. As the band states.

“Raw energy at the helm and a more aggressive attack brings forth our new direction and sound on some groovy tracks.”

“Set You Free” is one of Pythonic’s most explosive tracks, a blistering death‑groove assault that confronts corruption and abuse within organized religion. Its lyrical message is “Set you free from this holy lie… Religion spreads hate, Pedophiles rule the world, and the bible is blasphemy.”

Musically, the track is a long‑developed, driven banger by lead guitarist Ryan Hunter featuring a crushing verse riff that has dominated their live sets. It has a ripping solo that fans have already latched onto, along with its joint vocals from frontman Morgan and guitarist Vincent, who amplify the track’s intensity. Chosen as a single for its sheer impact and replay value,

“While evaluating the mixes, this was definitely a track everyone went back to over and over to listen to. The song’s core riffs never really changed… they were just such solid riffs over the years and got the crowd moving,” says the band.

Watch the video for “Set You Free” at https://www.youtube.com/watch?v=6gAbdExs2d4

Pythonic‘s latest third EP, “Laws of Karma,” presents the final transformation from the band’s past into their sharpened, heavier identity. These songs are the last to carry any remnants of the original vocalist, now fully rewritten and reborn.

“We have shed our skin to come out bigger and better than ever before,” adds the band.

Across “Laws of Karma,” Pythonic delivers an arsenal of aggressive, groovy, raw, thick, and dirty riffs that push the band deeper into death‑metal and slam territory. The EP hits harder than anything they’ve released before, packed with sharper solos, tighter grooves, and a destructive energy fueled by deeply personal lyricism rooted in trauma, recovery, and existential turmoil. Every word was written by vocalist Morgan Warriner, who crafted the EP during a period of physical immobility and emotional hardship, channeling the band’s collective experiences with disability, surgery, abusive relationships, fractured identity, and karmic consequence. Each track carries its own wound and its own reckoning: “Sentience” confronts awakening and fractured reality; “Venom” chronicles surviving abuse and reclaiming self‑worth; the title track “Laws of Karma” delivers karmic justice toward a former band member; “Set You Free” tears into religious harm and hypocrisy; and closer “Feed the Flames” dives into demonic consequence, biblical imagery, and fear.

The artwork, created by @apocalyptic.nuke, depicts a figure impaled on a liberty scale within a hellscape, giving a visual metaphor tied directly to the EP’s title track.

“We called the EP ‘Laws of Karma,’ hence why we used a liberty scale to impale the figure onto,” the band adds.

Pythonic’s live reputation has surged across Western Canada, earning praise from scene veterans including Stu Block (Into Eternity), Matt Cuthbertson (Untimely Demise, Into Eternity), and Sean Watson (Display of Decay). Their performances at Slaughter Fest, Serenade Metal Fest, and multiple tour dates with Exit Wound have cemented their status as one of the region’s most explosive rising acts.

Recommended for fans of Lamb of God, Black Dahlia Murder, Death, Morbid Angel, Devildriver, Pantera, and 200 Stab Wounds, Pythonic‘s “Laws of Karma” (released July 10th, 2026) is available on all digital platforms.

Bandcamp – https://pythonic.bandcamp.com/

Spotify – https://open.spotify.com/album/6psSzwjFZxj72VZMbqBGc6

Track Listing:
1. Laws of Karma (3:17)
2. Feed The Flames (3:52)
3. Set You Free (4:07)
4. Sentience (4:36)
5. Venom (2:59)
EP Length: 18:51

EP and Live Lineup:
Morgan Warriner – Lead Vocals
Ryan Hunter – Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Max Hiske – Bass
Jayden Warriner – Drums

More info:

https://www.facebook.com/pythonicband

https://instagram.com/pythonicband

About: Pythonic is a Canadian death‑groove band known for its crushing riffs, relentless energy, and emotionally charged lyricism. Influenced by Lamb of God, Black Dahlia Murder, Death, Morbid Angel, Devildriver, Pantera, and modern slam, the band continues to evolve toward a heavier, more extreme sound. Their live shows are defined by precision, intensity, and a connection with the crowd that consistently sparks movement, even as the opening act.

EP recording credits:
All songs performed by Pythonic
All songs written by Pythonic
Produced by Pythonic
Mixed by Reid Paraszczynec / Lucid Distortion Audio
Mastered by Reid Paraszczynec / Lucid Distortion Audio
Album Artwork by Apocalyptic Nuke

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“Laws of Karma may teem with darkness and despair, but Pythonic still know how to turn frowns upside down, as evidenced in their new video for “Set You Free,”” – Decibel Magazine Video Premiere

“A vicious Groove Death onslaught from the very start title track “Laws of Karma” is a venomous tirade from vocalist Morgan Warriner who’s screams, which are on the shriller side of savage, are the metaphorical equivalent of fire from the mouth of a dragon. He warns that you reap what you sow in confrontational fashion, so if you’re doing something that hurts others in any way, shape or form, karma is going to catch up with you like the grim reaper sooner or later. Tight riffage and bombastic bass keep things tastefully menacing and sinister making this caustic abrasion one you can make your own. There is an undertone of emotive quality in the vocal performance too, telling you this time its personal long before the tape ends. 9/10” – Metal Noise (Laws of Karma 2026)

“”Laws of Karma” is a short, hard-hitting, and incredibly effective death-groove EP, marking Pythonic ‘s strongest and most cohesive release to date. The Canadians combine massive riffs, precise grooves, personal fury, and a noticeable shift towards death metal and slam-infused aggression. “Set You Free , ” “Sentience,” and the title track, in particular, showcase the band’s mastery of blending technical control with raw energy. Morgan Warriner delivers a shrill, aggressive, and distinctive vocal performance that won’t appeal to everyone but perfectly complements the frenzied atmosphere. Ryan Hunter and Vincent Kohut ‘s guitars pack a powerful punch, Max Hiske provides a solid foundation, and Jayden Warriner keeps the songs on track with precise drumming. A bit more variation might benefit the band on a full-length album, but at just under 19 minutes, there’s hardly a dull moment. Karma comes, and in this case it comes with groove, poison, and enough force for a very stable neck injury.” – Metal Underground Austria

“Pythonic sound revitalised, confident and ferocious. A powerful release signalling the end of one era and the beginning of a heavier, more focused future for the Saskatoon death metal outfit. Standout Tracks: “Laws of Karma”, “Feed The Flames” and “Venom” showcase the EP’s brutal energy and emotional weight.” – Metal Rager 666

“Death-groove metal often communicates through impact, but Pythonic’s impact is less about collision and more about persistence… The music doesn’t simply hit. It pushes forward as if movement itself is something that has to be relearned.”” – Amplify The Noise

“My take on the EP: Pythonic is going places, take note of the band and the EP. You feel the tightness and brotherhood in the band. They are hugely talented and after this EP they can’t be ignored by the metal fraternity. They are here to stay. A damn good EP that deserve all the success it achieve. A massive yes from me.” – Project Metal Music

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0 QUEMASANTOS Reveals The Complete Vision Behind Upcoming Concept Album “Stranded Hell” Out October 2026

August 6, 2026
by Asher
· Music News · QUEMASANTOS

NEWS RELEASE

Montreal, QC – August 6, 2026

QUEMASANTOS Reveals The Complete Vision Behind Upcoming Concept Album “Stranded Hell” Out October 2026

Eleven chapters. One descent. A concept album where every song becomes another step into an infernal world.

New York-based heavy/thrash metal project Quemasantos has unveiled the complete details surrounding its forthcoming second full-length album, Stranded In Hell, an ambitious concept record scheduled for release on October 9, 2026 through Digmetalworld & MVD Entertainment Group.

Conceived as an eleven-chapter journey, Stranded In Hell follows a protagonist descending through an infernal realm where fear, temptation, justice, isolation, and survival become interconnected parts of the same story. Rather than presenting a collection of unrelated songs, the album unfolds as a continuous narrative in which every chapter reveals another layer of an unforgiving world. Musically, Stranded In Hell remains rooted in classic heavy and thrash metal while embracing cinematic atmospheres and dynamic arrangements that give each composition its own identity.

For Ignacio Orellana, the album also represents an important personal milestone. Known primarily as a drummer throughout his musical career, Stranded In Hell marks the first time he steps forward as the band’s bassist while also composing, producing, recording, mixing, and mastering the entire album.

“I’ve been a drummer since I was fourteen, but I’ve always wanted to play bass and develop my own musical ideas. This album became the opportunity to finally do that. The music wasn’t written to fit a genre or follow trends; it simply reflects the records I’ve listened to throughout my life and everything I was experiencing while writing it.”

Lyrically, the album was developed by longtime collaborator Nelson Díaz, whose storytelling transforms each composition into another chapter of the album’s descent through Hell. The only exception is “Burning The Black,” written by Orellana as a deeply personal reflection inspired by the illness and passing of his wife, Ximena Muñoz.

Adding another layer to the project, each song features a guest guitarist from across the international metal community, bringing together musicians from Chile, the United States, Brazil, and Colombia.

Track Listing

One Foot In Hell (Juancho Gómez – Masacre, Colombia)
Burning The Black (Felipe Roa – Acaro, USA)
Succubus (Héctor Guzmán – Distraught, Chile)
Stalking Sharks (Marco Cusato, Chile)
Nameless (Joe Sims – Axemaster, USA)
Red Planet (Regisson Silva – Masterpiece, Brazil)
Vampire (Richard Pilnik, Chile)
The Oneironaut (Cristian Ira – Nimrod, Chile)
Under The Moonlight (Sebastián Osorio – Reigning, Chile)
Before The Law (Yanko Tolić – Massakre, Chile)
Lex Talionis (Enrique Zúñiga – Atomic Aggressor, Chile)

The album was recorded at Oily Sound Studios (New York, USA), with vocal sessions taking place at Estudios Ultrasónico and Estudios Attic in Chile.

For collectors, Stranded In Hell will be available as limited deluxe digipak CDs, with vinyl editions also available through Digmetalworld.

Release Schedule

September 1, 2026 – Digital pre-orders begin.
September 1, 2026 – Instant Grat track: “One Foot In Hell.”
September 15, 2026 – Exclusive Bandcamp Listening Party with Ignacio Orellana and Nelson Díaz, where fans will hear the complete album before its official release while interacting live with the creators.
October 9, 2026 – Official physical CD release.

Media Information

Artist: Quemasantos
Album: Stranded In Hell
Genre: Heavy / Thrash Metal
Label: Digmetalworld
Digital Pre-orders: September 1, 2026
Bandcamp Listening Party: September 15, 2026
Physical Release: October 9, 2026

The descent begins September 1.
Listening Party at Bandcamp

More info:

https://quemasantos.com

https://instagram.com/quemasantos1

https://www.facebook.com/quemasantos

https://www.x.com/quemasantos1

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