Category: Music News

0 Canada’s TURBO Turns Up The Speed w/ Forthcoming Album “Listen… Shut Up!” and Single “Formula One” Ahead of EU Tour Dates! (CZ, SK, HU, PL, DE)

October 13, 2026
by Asher
· Music News · Turbo

NEWS RELEASE

Montreal, QC – October 13, 2026

Canada’s TURBO Turns Up The Speed w/ Forthcoming Album “Listen… Shut Up!” and Single “Formula One” Ahead of EU Tour Dates! (CZ, SK, HU, PL, DE)

Fueled by speed, swagger, and enough greasy energy to leave tire marks across the heavy music underground, Halifax’s self-described “Nitro-Rock” maniacs Turbo are set to release their third full-length album, “Listen… Shut Up!”, on October 23, 2026.

Ahead of the release, the band is now streaming the album’s latest single, “Formula One,” a high-octane speed metal ripper that perfectly captures the hard-driving spirit at the heart of the new record. The album follows the band’s acclaimed previous releases “Fast as Fvck” (2020) and “Broke and Ugly” (2024), further cementing Turbo‘s reputation for relentless songwriting, explosive live performances, and unapologetically loud rock and roll.

“We like our music hard, fast, and raw, and that’s the kind of experience we’re trying to give other people. We want to give people the same kind of punch-in-the-gut, ‘this rollercoaster is more than a bit too fast’ feeling that we crave,” says Evan Frizzle (lead vocalist and lead guitarist).

As one of the record’s most adrenaline-fueled offerings, “Formula One” charges forward with blazing riffs, hook-laden guitar work, and relentless momentum.

“It’s another speedy locomotive of a track with great guitar work and a bunch of ear hooks. The middle train-beat comedown section might be one of my favorite parts on the whole album,” says Frizzle.

Lyrically, the track draws directly from Frizzle’s turbulent past and real-life run-ins with the law, continuing the band’s commitment to brutally honest storytelling and lived experience.

Listen to “Formula One” – https://www.youtube.com/watch?v=sronecf6Dh0

On “Listen… Shut Up!,” Turbo takes listeners beyond the reckless highs of its earlier releases and into the fallout that follows. Still fueled by fist-pumping anthems, razor-sharp riffs, and the band’s trademark swagger, the album explores the hard-earned lessons, scars, and consequences of a life lived at full speed.

Across eight explosive tracks, “Listen… Shut Up!” captures every facet of Turbo‘s unmistakable Nitro-Rock sound. From the breakneck intensity of “Kamikaze” and the self-reflective edge of “Don’t Know Me” to the darker themes of “Deathwish Labyrinth,” the album balances raw aggression with brutally honest storytelling. Tracks like “Slut Island” and “Best Wishes” deliver attitude, chaos, and infectious energy, while “Tell Your Daughter” and “Black Wings of Revenge” showcase a more nuanced side of the band’s songwriting. Closing with the adrenaline-charged “Formula One,” the album leaves listeners in a cloud of smoke, speed, and unforgettable hooks.

“Our first album, Fast as Fvck, felt like it was all about living in squalor, while Broke and Ugly had this invincible feeling like the party was never going to die. We’re kind of thinking about this album as the hangover from all that. It’s still hard, fast, heavy, and packed full of fun, still undeniably classic Turbo, but it feels more mature and refined in a lot of regards. We’re incredibly proud of it,” adds Frizzle.

Since forming in Halifax, Nova Scotia, Turbo has operated with a singular mission: create music that pushes harder, plays louder, and aims higher than anything they had previously experienced in their respective projects.

“The members of Turbo were already in heavy-hitting bands in Halifax’s scene, but felt like their respective bands weren’t living the lifestyle and pushing their music quite to the magnitude we desired. So we quickly quilted together a project under the banner of that desire, a plan to take over the world, and wanted to create a sound to match that drive,” adds Frizzle. ”

That vision has evolved into a distinctive sound influenced by Motörhead, W.A.S.P., Judas Priest, Pantera, and Kill Cheerleader, blending speed metal, NWOBHM, sleaze rock, punk, and glam metal into what the band proudly calls Nitro-Rock.

“Everything is for the good of the song. If it doesn’t work, it’s scrapped. We have no personal stake or ego when we write. The songs are 100% a collaborative effort,” commented Frizzle.

Turbo‘s reputation has grown through relentless touring and a live show that balances rock-and-roll spectacle with genuine authenticity. They walk the line between being a very down-to-earth group and being an absolute spectacle in how they present themselves, giving fans a fair dose of flash while still coming off as real people. Expect them to be wasted, twisted, nasty, and greasy. Just the way they like it as they head off to Europe for the first time in October for the “Canadian Invasion Tour” with Monteith (dates listed below).

For fans of Motörhead, Judas Priest, W.A.S.P., Pantera, Kill Cheerleader, speed metal, sleaze rock, NWOBHM, and high-octane rock and roll, “Listen… Shut Up!” will be available on all digital platforms on October 23, 2026.

Album pre-save – https://turboasfvck.bandcamp.com/

Canadian Invasion Euro Tour – Turbo w/ Monteith
22.10 – Hradec, CZ — AC Klub
23.10 – Bratislava, SK — Koncerty na Garážach (cancelled)
24.10 – Louny, CZ — Sféra Louny
25.10 – Bohuslavice, CZ — NOISE Bar
26.10 – Košice, SK — Collosseum Klub
27.10 – Budapest, HU — S8 Underground
28.10 – Krakow, PL — SNY
29.10 – Prague, CZ — Klub FAMU
30.10 – Nuremberg, DE — Blackbox
31.10 – Hamburg, DE — Stellwerk

Track Listing:
1. Kamikaze – 3:53
2. Don’t Know Me – 3:16
3. Deathwish Labyrinth – 3:42
4. Slut Island – 4:11
5. Best Wishes – 3:07
6. Tell Your Daughter – 3:49
7. Black Wings of Revenge – 4:14
8. Formula One – 4.33
Album Length: 29:50

Lineup:
Evan Frizzle: Vox, Lead & Rhythm Guitar
Lindsey Dicks: Lead & Rhythm Guitar, Backing Vocals
Donovan Saulnier: Bass, Backing Vocals
Sylvian Coderre: Drums

For more info:
https://www.facebook.com/TURBOFAF
https://www.instagram.com/turboasfvck/

About:

Like your disheveled uncle on Christmas morning, Turbo is loud, reckless, unapologetic, and completely sick of your shit.

Formed in Halifax, Nova Scotia, by musicians determined to create something bigger, louder, and more ambitious than their previous projects, Turbo quickly established themselves as one of Atlantic Canada’s most exciting emerging heavy acts. Drawing influence from Motörhead, W.A.S.P., Judas Priest, Pantera, and punk-fueled rock and roll attitude, the quartet forged their own signature sound: Nitro-Rock.

Following Fast as Fvck and Broke and Ugly, Listen… Shut Up! finds the band at their most focused, ferocious, and infectious. Packed with pounding rhythms, razor-sharp riffs, massive hooks, and unapologetic attitude, the album serves as a definitive statement from a band operating at full throttle.

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“The cartoon-ish cover art with toxic green/red colors could bring more smiles to the fold – Turbo executing a great crossover sound that stands on the edge of thrash, punk and NWOBHM/heavy metal. Broke & Ugly could be your soundtrack when needing an ideal wind down from your back breaking, seemingly never over work week. 8.5/10” – Dead Rhetoric

“Turbo are fast, they’re crass, and they’re here to kick your ass… As a whole, “Broke & Ugly” is peak speed and thrash metal with a party-hard overtone. But I think the comparison to Motörhead is a little heavy-handed. After listening to the gem of East Coast Canadian metal, I’m fired up to see what Turbo does next. 9/10″ – Metal Temple

“This rocks a lot. The vocalist’s gritty approach delivers surprisingly catchy and memorable vocal melodies, and the occasional backing vocals are often reminiscent of mid-80s “party” metal, very upbeat and singalong-inducing. The guitar work has everything people like in old heavy metal, a rather raw style filled with cool solos and riffs that stick in your head long after they’re over. You’d tell me this was released more than 40 years ago and I would believe you. A fun time from beginning to end. 4/5″ – The Metal Crypt

“”Broke & Ugly” may have been a little tight in terms of playing time, but with the incredible hit rate of one hundred percent, you can forgive that. When punk and thrash still spoke a language, the whole thing sounded like this album. The fact that a band would ever come close to OVERKILL in terms of sound technology says more than enough! Yes! Noisy thrash, melodic punk, classic setup – what a great record! 9/10.” – Power-Metal.de

“entertaining, refreshingly lively, dynamic, far too good to be bad. Massively punching Kick Ass- Heavy Metal n’ Rock n’ Roll on all sides, which hits the eye in a straight line, brutally, snotty, until it hits the chest, where it hurts. Snots, tubes, rocks and rolls straight to the limit! 8/10” – FFM-Rock

“the band is insanely tight, with Frizzle and fellow six stringer Lindsey Dicks really giving it some violence riff wise and soloing like their lives depended on it. Similarly, the rhythm section of Sylvain Coderre (d) and Henry MacDonald take no prisoners and submit to no-one in their ability to hold things together at high velocity. Very impressive. As we get deeper into the twenty first century, bands are running out of ways to repackage, remake and remodel, so the freshness with which Turbo approach the task in hand has to be applauded. This is fun to listen to – and it certainly sounds like the band had fun getting the album down, and sometimes a bit of joie de vivre is all any of us need. But when you are able to mix that in with a killer technique and a sharp ear for a metal tune well, good times await!” – Sentinel Daily

“Canada’s Turbo label their music Nitro-Rock; On the evidence of the submitted album, Broke & Ugly, it would seem that Nitro rock is in fact an almighty mashup of styles, all rendered at high speed and with little regard for personal danger (in my day we used to call that Crossover-Ed). If that description excites you, then the album is going to send you into paroxysms of joy…” – Sentinel Daily

“Turbo’s second full length album is the equivalent of getting into a newly juiced up hotrod, the roof reeled back in, as you’re flooring it down the highway until your smoke trails combust. From start to finish, Turbo live up to their name in droves and then some with energy that cannot be denied and a plethora of tracks that offer much to be remembered. Though boasting a full nine tracks, Broke & Ugly doesn’t even eclipse a full half hour and therefore opens itself up for numerous relistens. It starts up, gets you in the mood to kick some butt, yet doesn’t attempt to overstay its welcome to any degree. For me personally, this style of speed metal can be a vast hit or miss but I thoroughly enjoyed my time with this record, and during its duration I was brought on board with Turbo’s infectious power. Furthermore, I’d wish to visit their first record, and am excited to see what they do for a third, prospective release; I merely hope it’s not another four years because this is really good, fun material that anyone can get behind. A refreshing break from crushing, defeating extreme metal is sometimes needed, and Turbo are one fine cocktail.” – The Razor’s Edge

“Turbo is a band that gives me associations to two very different bands and the earlier stages of both of those bands output, and that is Turbonegro and Iron Maiden respectively. If you can imagine the early death punk of the former combined with certain aspects of the Di’Anno era of the latter combined into a whole, you probably won’t be too far off from the kind of landscapes explored by Canadians Turbo. And chances are good that you’ll find this tight and uptempo album to be a rewarding experience if that description comes across as tantalizing.” – The Viking in the Wilderness

“this album is just the perfect encapsulation of fun” – Brutally Delicious

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0 Edmonton’s BONEYARD Ride Into the Wild West With New Video “Hanging Tree” From Upcoming Album “Black Static” Out Oct 2026

October 13, 2026
by Asher
· Boneyard · Music News

NEWS RELEASE

Montreal, QC – October 13, 2026

Edmonton’s BONEYARD Ride Into the Wild West With New Video “Hanging Tree”

New Album “Black Static” Out October 23rd, 2026

L-R: Jefftimus (Drums) | Garhardt (Lead Guitars), Pamtera (Lead Vocals and Guitars), Lezzy Osbourne (Bass Guitar)

Photo Credit: Whyte Wolf Photography

Canadian hard rock and heavy metal outfit Boneyard has released their third single and video, “Hanging Tree,” taken from the forthcoming sophomore album “Black Static,” due out on October 23, 2026.

Following the powerful first single “Before the Fall” and the high-seas battle anthem “Compass Points to War,” Boneyard returns with a completely different side of their songwriting on the wildly entertaining “Hanging Tree.”

A tongue-in-cheek Western metal adventure, “Hanging Tree” embraces camp, chaos, and classic storytelling. Built around country-inspired harmonies, crunchy metal riffs, and an infectious sense of fun, the track follows a wanted outlaw who “accidentally” robs a train, guns down a man, and finds himself pursued by the local sheriff. As the noose tightens, the outlaw reflects on his crimes, admitting that his only true regret is leaving behind the woman he loves before ultimately facing the infamous Hanging Tree.

According to vocalist and guitarist Pamtera, the accompanying video doubles down on the song’s playful spirit.

“The ‘Hanging Tree’ video is a tongue-in-cheek Western metal showdown like you’ve never seen before, packed with gunslingers, outlaws, a sultry goth cowgirl, and a hangman’s noose. It’s equal parts grit, groove, and gallows humor, showing Boneyard’s ability to blend heavy hooks with cinematic flair.”

Written and produced by the band, the video highlights not only Boneyard‘s musicianship but also the group’s well-known sense of humour that has become a defining part of their identity both on and off stage.

Watch and listen to the music video for “Hanging Tree” at https://www.youtube.com/watch?v=vudfSBqQYUg

Spotify – https://open.spotify.com/track/0NDYgjzKlWaMUy2MgQ86CK

Set for release on October 23, 2026, “Black Static” builds upon the foundation established by Boneyard‘s acclaimed debut album “Oathbreaker” while introducing fresh influences from the band’s revitalized lineup.

Described by drummer Jefftimus as an extension of the band’s first record, “Black Static” blends modern female-fronted hard rock with traditional heavy metal, classic hard rock, punk energy, and melodic songwriting. With the addition of bassist Lezzy and lead guitarist Garhardt, “Black Static” marks the first full-length release showcasing the chemistry and creative contributions of the band’s current lineup.

“It’s an extension of the first album Oathbreaker, having a diverse collection of songs. At the same time, it features different elements through Lezzy and Garhardt’s unique contributions,” adds Jefftimus.

The album features nine carefully selected tracks that were road-tested in front of live audiences over several years before making the final cut. Lyrically, the record draws from deeply personal experiences, social issues, mental health struggles, addiction, grief, perseverance, and hope. From the emotional heartbreak of “Met You in a Dream,” to the crushing personal triumph of “Left Me to Drown,” the devastating true story behind “Not This Way (Joel’s Song),” and the uplifting messages found throughout the album, “Black Static” balances heaviness with humanity.

The album artwork once again comes courtesy of acclaimed Calgary artist Tom Bagley, whose illustrations featuring the band’s mascot Misty Bone have become a signature element of Boneyard’s visual identity.

Formed in 2015 by vocalist/guitarist Pamtera and drummer Jefftimus, Boneyard evolved from a successful cover band into one of Western Canada’s most exciting hard rock and heavy metal acts.

After independently releasing their debut album “Oathbreaker” in 2020, the band caught the attention of Italy’s WormHoleDeath Records, which reissued the album internationally in 2022. The record was mastered by Grammy-nominated and Juno-winning engineer Maor Appelbaum (Faith No More, Annihilator, Dokken) and helped establish the band on a global stage.

Since then, Boneyard has built a reputation for powerful live performances featuring soaring vocal harmonies, memorable hooks, and a unique blend of classic heavy metal and modern female-fronted hard rock. The band has shared stages with acts including 96 Bitter Beings, KingDoom, and Deadwolff, while performing at major Western Canadian events such as Decimate Metalfest, Pembina River Nights, and Métisfest.

Recommended for fans of Halestorm, Saxon, Doro, The Pretty Reckless, and Iron Maiden, “Black Static” will be available October 23, 2026, digitally and on CD, with a vinyl release to be announced later.

Show Dates:
Oct 23 – Edmonton, AB – The Rec Room (Album Release Show) w/ Daniel Martin & The Infamous
Dec 5 – Calgary, AB – Border Crossing Pub

Track Listing:
1. Met You in a Dream
2. Left Me to Drown
3. Ready for a Change
4. Not this Way (Joel’s Song)
5. Blood in the Bond
6. Before the Fall
7. Hanging Tree
8. Compass Points to War
9. Before the Fall (Piano Rendition)

Album and Live Band Lineup:
Pamtera – Lead Vocals, Guitar
Lezzy Osbourne – Bass
Jefftimus – Drums
Garhardt – Lead Guitar

More info: https://linktr.ee/boneyardrocks

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“Boneyard‘s debut record Oathbreaker is the kind of album that gets a little better each time that you listen” – Sleaze Roxx’s Top 10 Albums of 2020

“Solid, enjoyable debut, support the New Wave of Traditional Heavy Metal” – Bravewords

“Boneyard lean a bit more towards the hard rock side of the spectrum but the metal is all there as well” – Metal-Rules

“Rock music from Canada still guarantees quality”- PowerMetal

“What we have here is a female-fronted metal outfit that bathes in the crimson glory of traditional heavy rock and heavy metal”- Metal Roos

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0 EDventurED Dives Into The Human Mind With New Video “Mental Conflict” From Upcoming Debut Album “Symmetry in Chaos”

October 13, 2026
by Asher
· EDventurED (Eddie Kravov's Project) · Music News

NEWS RELEASE

Montreal, QC – October 13, 2026

EDventurED Dives Into The Human Mind With New Video “Mental Conflict”

Debut Album “Symmetry in Chaos” Out October 30th, 2026

Toronto progressive rock musician and composer Eddie Krakov unveils the second single “Mental Conflict” from his ambitious solo project EDventurED and the debut album “Symmetry in Chaos,” a thought-provoking journey through science, psychology, philosophy, and the hidden patterns that shape our lives.

“Mental Conflict” follows the first single, “Shadows We Remember,” and further introduces listeners to the album’s unique concept-driven exploration of human behavior and the balance between order and disorder. Written around the psychological theory of Cognitive Dissonance, “Mental Conflict” examines the tension that arises when beliefs, values, and actions contradict one another.

The song showcases the core philosophy behind EDventurED: transforming complex scientific, psychological, and philosophical concepts into emotionally resonant progressive rock compositions. Combining melodic songwriting, atmospheric arrangements, and progressive structures, “Mental Conflict” demonstrates Krakov‘s ability to make big ideas feel personal and relatable.

“We don’t always believe what we want to believe. This song explores the psychological tension created when our beliefs, values, and actions contradict one another. We try to resolve that discomfort, sometimes by changing our behavior, sometimes by changing our beliefs, and sometimes simply by convincing ourselves that the contradiction does not exist,” adds Krakov.

Watch and listen to “Mental Conflict” at https://www.youtube.com/watch?v=7lgDLtt34j4

“Symmetry in Chaos” is the debut full-length release from EDventurED and represents one of Krakov‘s most ambitious creative endeavors to date. The album began with a deceptively simple question: “What if the things we call random are actually part of patterns we haven’t learned to see?”

From that premise, Krakov constructed a concept album inspired by nine scientific, psychological, and philosophical theories. Each song explores a different idea, ranging from Chaos Theory and Game Theory to Social Identity Theory, Determinism, Epigenetics, and Reciprocal Altruism. Together, the songs form a larger narrative examining the forces that shape human behavior, society, relationships, memory, and choice.

“The album grew into a journey through nine different theories, but the deeper I went into them, the more I realized that they were not separate ideas. Chaos theory, psychology, genetics, social behavior, free will, and cooperation all describe different aspects of the same thing, the complicated system we call life,” says Krakov.

Musically, “Symmetry in Chaos” blends progressive rock and metal, hard rock, and atmospheric elements while maintaining a strong focus on melody and emotional connection. The album artwork visually reflects its central theme by presenting opposing forces existing simultaneously: structure and disorder, movement and balance, symmetry and chaos.

EDventurED emerged while Krakov was finishing his other projects, Stormy Atmosphere and Timequarium. As those albums neared completion, new musical ideas began arriving faster than he could set them aside. What started as rough demos recorded independently soon evolved into a fully realized solo project.

“I started recording rough drafts on my own, experimenting with keyboards, arrangements, production, and vocals. What began as a few ideas gradually developed into complete songs. As the songs started taking shape, I realized they were connected by a common theme and could become something much bigger,” adds Krakov.

Unlike his previous projects, where audiences primarily knew him as a keyboard player, songwriter, and backing vocalist, EDventurED places Krakov front and center as the lead vocalist.

The album is also deeply personal, featuring several guest contributors, including Teddy Shvets, vocalist of Stormy Atmosphere, and a special contribution from Krakov‘s son, Jack, who was just eight years old when he recorded his part.

Many of the songs themselves originated as fragments of melodies, lyrics, and ideas recorded into a phone while Krakov was driving alone, later developing into expansive progressive rock compositions built around larger conceptual themes.

With more music already in development, Krakov sees “Symmetry in Chaos” as the start of a larger creative journey.

“There is already more music and more ideas in development, so I don’t see Symmetry in Chaos as the end of the EDventureD story. It is the beginning,” he adds.

Recommended for fans of Riverside, OSI, Soen, Spock’s Beard, and Dream Theater, “Symmetry in Chaos” will be available on all digital platforms on October 30, 2026.

Track Listing:
1. Symmetry in Chaos – 4:30
2. Threads and Chains – 4:22
3. Mental Conflict – 6:26
4. Echoes Code – 5:39
5. Equilibrium’s Edge – 4:52
6. Reflections of the Seen – 4:53
7. Whispering Wings – 5:58
8. Masks of the Crowd – 6:05
9. Shadows We Remember – 5:06
10. Mirror of the Other – 6:38
Album Length: 54:32

More info: https://www.facebook.com/profile.php?id=61582620816728

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0 Out Now! CORDYCEPS CORPSE Unleashes New Album “Perverse Craving For Rotting Corpses” via Gore House Productions

October 9, 2026
by Asher
· Cordyceps Corpse (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – October 9, 2026

Out Now! CORDYCEPS CORPSE Unleashes New Album “Perverse Craving For Rotting Corpses” via Gore House Productions

Ohio’s one-woman brutal death metal nightmare Cordyceps Corpse returns with her most chaotic, grotesque, and ambitious release, “Perverse Craving For Rotting Corpses”, a crushing sophomore album available now through Gore House Productions.

The brainchild of multi-instrumentalist Nani Porter, Cordyceps Corpse was born from a simple decision: stop waiting for the perfect band and create something entirely her own. After years of making music for other artists, Porter sought a more visceral outlet for her obsession with brutal death metal, slam, and goregrind. What began as bedroom recordings in late 2023 has rapidly evolved into one of the underground’s most uniquely uncompromising new acts.

With “Perverse Craving For Rotting Corpses,” Porter pushes the project further into the depths of old-school brutality while expanding her songwriting with greater technicality, contrast, and atmosphere. Inspired heavily by the golden era of 1990s and early 2000s brutal death metal, the album combines blistering speed, punishing slams, odd time signatures, and groove-driven heaviness into a listening experience designed to feel like “watching a really f*cked-up horror movie.”

“I wanted to dive deeper into that classic brutal death metal sound. Fast, chaotic riffs are what make slams hit harder. If every riff is a slam, nothing stands out. This album is all about contrast between chaos and groove,” adds Porter

The record emerged from an intense creative surge that saw Porter write 26 songs over the course of only a few months before narrowing the material down to the album’s final 11 tracks. The result is a focused barrage of brutality that showcases a more refined and structured approach without sacrificing the feral energy that has become a hallmark of the project.

Lyrically, “Perverse Craving For Rotting Corpses” follows the twisted narrative of a supernatural serial killer whose power grows through consuming her victims. Influenced by true crime media, horror films, and the notorious legacy of Aileen Wuornos, the album presents a disturbing fictional world that intentionally flips many of the traditional power dynamics commonly found within extreme metal’s lyrical themes.

Musically, tracks such as the title cut, “Thoracic Bifurcation,” “Fermented Remains,” and “Penetrating Ocular Trauma” showcase Cordyceps Corpse‘s ability to move effortlessly between blast-beat-driven chaos and cavernous slam sections. For fans of brutal death metal, slam, goregrind, and the raw spirit of underground DIY extremity, “Perverse Craving For Rotting Corpses” stands as Cordyceps Corpse‘s most complete statement to date.

Recommended for fans of Devourment, .357 Homicide, Cephalotripsy, Kraanium, and Corpse Pile, “Perverse Craving For Rotting Corpses” is available digitally and on cassette from Gore House Productions as of October 9th, 2026.

Digital, CD, and Cassette – https://orcd.co/perverse-craving-for-rotting-corpses

Spotify – https://open.spotify.com/album/0YG2Yvo6z8Wl9ZbeU9Xuey

YouTube Album Stream – https://www.youtube.com/playlist?list=OLAK5uy_m0jdgCJr_Re188gRK0TKAvrP9AQH7aMAo

Music Video – “Forced Out of Existence” – https://www.youtube.com/watch?v=qs6xYfN2YLY

More info:

https://gorehouseproductions.com/

https://www.facebook.com/profile.php?id=61580310663974

https://www.instagram.com/cordycepscorpse

https://www.tiktok.com/@cordycepscorpse

About Cordyceps Corpse:

Cordyceps Corpse is the solo sonic nightmare of Ohio‑based multi‑instrumentalist Nani Porter, mutating brutal death metal, slam, and goregrind into something feral, chaotic, and unmistakably her own. Everything from writing, recording, mixing, artwork, and performance is done entirely by her. Cordyceps Corpse isn’t a band. It’s a one‑woman horror machine.

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CORDYCEPS CORPSE REVIEWS & MENTIONS:

“USA’s Cordyceps Corpse and ‘Forced Out Of Existence,’ a low and brutal piece of savage gore-grind; down-tuned chugging guitars, low growled vocals, and an 80s video nasty horror vibe!” – Loud Enough? Magazine

“The solo project of multi-instrumentalist and deathgrind visionary Nani, Cordyceps Corpse delivers a grotesque cocktail of guttural slam, sludged-out goregrind, and DIY fury” – Necrozine

“a one-woman slam/goregrind wrecking ball spilling over with disgusting grooves, guttural violence, and Nani’s fully unhinged DIY vision. It’s her rawest, most chaotic statement yet, now upgraded with live drums, sharper production, and a brand new video for the title track that leans hard into the project’s anti-authority, horror-splattered energy. If you’re into thick Devourment-style slam filtered through a solo creator who writes, records, mixes, masters, designs, and performs everything herself, this reissue is worth diving into — chaotic, filthy, and completely owned from the ground up.” – IDIOTEQ

“In Slam / Brutal Death it is often the case that there is only one man behind it, but this is Nani Porter, a woman who takes care of everything. After a few singles and EPs, the lady presents her debut and a sample part gets tough, but not so quickly. The snare is set just right for me on the drum machine and you can hear it stapling wonderfully. I also think it’s great that the woman gets so deep with her voice and in the end there’s a lot of shooting. „From Flesh to Fluids“ starts at a crisp up pace and then bludgeons like crazy and Nani’s gargling is so intense that it almost ends in squeals. „Decapitation“ pushes forward properly before continuing at a pressing mid/slam pace and then sprinkling in a few shooting parts. „Slowly Poisoned“ lives up to its name because it is a tough and crawling track, after which „Battery Acid Enema“ is also played rather clumsily, But here and there it also goes up a gear. „Stomach Bile for Miles“ starts like a battlefield, but then drops more and more with clever breaks. We find rich stomping and robust riffs in „Family Photo with Hella Cadavers“, which then arrives at a crawling pace and rough squeals. „Left Over Limbs for Later“ is pure slam death, there’s a lot of crawling going on here, the coarse vocals have power and power that it gets through your bones. „Tools for Torture“ also holds back when it comes to tempo, but when it comes to brutality the track is high up and in the end „“Skin Tortilla“ is a really crushing song. For me, what the lady is pulling out of the hat is strong” – FFM-Rock

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0 NARCOTIC WASTELAND (ex-Nile Dallas Toler-Wade) Unleashes Its War On Drugs w/ New Video “Fentanyl Zombie Apocalypse” + EU Tour w/ I AM MORBID, ATHEIST, CANCER + USA Tour w/ FILTH, KILLCROWN

October 9, 2026
by Asher
· Music News · Narcotic Wasteland

NEWS RELEASE

Montreal, QC – October 9, 2026

NARCOTIC WASTELAND Unleashes Its War On Drugs w/ New Video “Fentanyl Zombie Apocalypse”

+ EU Tour w/ I AM MORBID, ATHEIST, CANCER

+ USA Tour w/ FILTH, KILLCROWN

Narcotic Wasteland, fronted by guitarist/vocalist Dallas Toler-Wade of Nile fame, has unleashed its hard-hitting new music video for the band’s latest single, “Fentanyl Zombie Apocalypse.” The video arrives as the band crosses the Atlantic this November to support I AM MORBID alongside ATHEIST and Cancer on a European tour (dates listed below). As the band brings its explosive live show overseas, the new video shines a spotlight on one of the most devastating public health crises facing communities today: the fentanyl epidemic.

Blending aggressive musicianship with a powerful social message, “Fentanyl Zombie Apocalypse” tackles the growing fentanyl crisis, often referred to by media outlets as the “zombie drug” due to its catastrophic effects on users and communities. The accompanying music video delivers a gritty visual experience that balances dark subject matter with moments of tongue-in-cheek horror, ensuring the focus remains on the song’s urgent message.

Dallas Toler-Wade comments on the video:

“This song is about the growing fentanyl epidemic, now deemed by the media the ‘Zombie Drug.’ We wanted to give the video a gritty look while keeping it somewhat light-hearted. The important thing is the message. To spread awareness and educate people about this horrible drug that is ruining people’s lives and killing them very quickly.”

The single itself remains one of Narcotic Wasteland‘s most urgent and compelling works, a blistering blend of technical precision, crushing intensity, and social commentary. Addressing addiction, societal decay, and the devastating impact of fentanyl, the track serves as both a warning and a call for awareness.

Dallas previously commented on the release of the single:

“I am very excited to release our new song, Fentanyl Zombie Apocalypse! The song is, of course, about the fentanyl epidemic and the overall impact it has on an already failing country. Musically, it really captures the mood of this very well. Fast and tricky, yet twisted and catchy! Kenji really brought some great bass and keys to the table. And Austin needs a drum set that won’t collapse under pressure! I am super proud of the work we have done together, and I cannot wait to show the world what we have been working on behind the scenes.”

Narcotic Wasteland continues to evolve into one of extreme metal’s most formidable forces. The lineup features Dallas Toler-Wade, former Nile guitarist, vocalist, and key songwriter, whose contributions have helped define technical death metal for decades. Alongside him are drummer Austin Vicars, known for his relentless power and precision, and bassist Kenji Tsunami, whose dynamic playing adds depth, texture, and ferocity to the band’s sonic assault.

Together, they deliver a live experience that is both punishing and surgically precise, earning praise from fans of technical and extreme metal worldwide. Their music confronts addiction, corruption, and societal collapse with unflinching honesty, propelled by musicianship that continually pushes the boundaries of the genre.

Recommended for fans of Nile, Suffocation, Dying Fetus, Incantation, Cannibal Corpse, Dark Funeral, Immolation, and Gorguts, watch the new music video and listen to “Fentanyl Zombie Apocalypse” at the following links:

Music Video – https://www.youtube.com/watch?v=aDtIU2Ii6N4

Spotify – https://orcd.co/fentanylzombieapocalypse

Tour Dates: I AM MORBID, ATHEIST, CANCER, NARCOTIC WASTELAND
Nov. 21 – Drachten, Netherlands – Iduna
Nov. 22 – Dordrecht, Netherlands – Bibelot
Nov. 23 – Kortrijk, Belgium – DVG
Nov. 24 – Berlin, Germany – Music Brewery
Nov. 25 – Copenhagen, Denmark – Pumpehuset
Nov. 28 – Kosice, Slovakia – Colosseum
Nov. 29 – Ostrava, Czech Republic – Barrak
Dec. 1 – Zurich, Switzerland – Dynamo

EU Shows – Narcotic Wasteland
Dec. 2 – Belvaux, Luxembourg – MK Bar
Dec. 3 – Paris, France – Sanit Mils
Dec. 8 – Bridgwater, Somerset, UK

USA Dates: Narcotic Wasteland w/ FILTH, Killcrown
Dec. 11 – Portage, IN – Shenanigans Live
Dec. 12 – Battle Creek, MI – Dark Christmas
Dec. 14 – Milwaukee, WI – X-Ray Arcade
Dec. 15 – Louisville, KY – Mag Bar
Dec. 16 – Greenville, SC – Radio Room
Dec. 18 – Dayton, OH – Gem
Dec. 19 – Akron, OH – Afterlife
Dec. 20 – Albany, NY – Empire Underground

More info: https://linktr.ee/narcoticwasteland

– 30 –

“”Narcotic Wasteland dropped a caustic, pissed off new single titled “Barbarian” off their forthcoming album Digital Cordyceps. Though we don’t know too much about said album, Toler-Wade explained that the new track was essentially one big middle finger to the ruling class.” – Metal Sucks

“We’ve got the latest and greatest from drug-themed death dealers Narcotic Wasteland, the new video for “Victims of the Algorithm.” The song takes on lightning-fast and heavy riffs, in the tradition of the band, and the lyrics tackle our dependence on social media in the modern age.” – Decibel Magazine

“Narcotic Wasteland have hit us with another dark, campy gem in the form of “Sex, Lies & DNA.” The thrashy, aggressive new single is the latest from the band led by Dallas Toler-Wade of Nile fame. This track features guest vocals from Andrea_N_Black and takes on the beloved death metal fodder of true crime.” – Decibel Magazine

“Narcotic Wasteland showcases Toler-Wade’s penchant for writing killer riffs, which he did for a decade as a member of Nile, in a manner that’s reminiscent of early 1990s metal — when the lines between the “thrash” and “death” tags weren’t as rigidly defined, and everything just sounded fast and heavy as all hell.” – Denver Westword (NW Headlines Denver DeathFest 2023)

“Delirium Tremens is just pummeling, non-stop death metal that covers a ton of ground.” – Metal Injection

“More often than not, death metal bands have a tendency to stick to the familiar topics. Death, gore, killing – that sort of thing. There’s always exceptions, or bands that have a different take on the subject, but as they say, dark music demands dark themes. Narcotic Wasteland does, for one of its lyrical slants, face a slightly different (yet still suiting) take – that of addiction. Plenty of grim to still go around with such a concept, and Narcotic Wasteland hits just as hard sonically as any other death metal act to come through the pipeline.” – Dead Rhetoric

“another incredible death metal album that has the potential to end itself up on the year end top album lists.” – Metal Nexus (2017 – Delirium Tremens)

“On the track, Toler-Wade furiously rails against “expectations,” “silly rules,” and “fucking filters,” and victoriously celebrates being “totally free” with a repeated battle cry of “Let the music flow!” In case there was still any remaining doubt as to the meaning of the song, the track is as magnificently brutal an old school death metal song as you’re likely to hear this season. It gallops, it lacerates, it uses the listener’s skull as a battering ram. There can be no doubt that this truly is Toler-Wade, undiluted and free of limitations. We hope he lets this music flow for a long time to come.” – Metal Sucks (single Return to the Underground off 2017 album Delirium Tremens)

“Narcotic Wasteland have released a fantastic album in ‘Delirium Tremens’. It is not easy to thrust the listener consistently into an aural landscape orchestrated by the band and make them stay put for the entire length of the album. Narcotic Wasteland does it brilliantly as they take you through the nightmarish journey of Delirium Tremens.” – Metal Wani (2017 – Delirium Tremens)

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0 VICTORIA K Unveils New Single “Incubus” Ahead of Australian Support Dates w/ KATATONIA and PARADISE LOST

October 9, 2026
by Asher
· Music News · Victoria K

NEWS RELEASE

Montreal, QC – October 9, 2026

VICTORIA K Unveils New Single “Incubus” Ahead of Australian Support Dates w/ KATATONIA and PARADISE LOST

Forthcoming Album “The Pleasure of Sorrow”

Australian gothic/modern metal act VICTORIA K unveils their new single “Incubus”, taken from their forthcoming third studio album “The Pleasure of Sorrow”. The release comes ahead of a busy October for the Melbourne-based band, who will support Katatonia and Paradise Lost on their upcoming Australian dates.

Following the previously released “Oh So Weary” and “Take It All”, the new single offers a further insight into the band’s evolving sound, bringing together the atmospheric depth of gothic metal, modern heaviness and a more adventurous approach to songwriting. With influences ranging from Spiritbox to Evanescence and Lacuna Coil, VICTORIA K continues to explore the space between melody, intensity and electronic experimentation.

“Incubus” explores the difficulty of letting go of relationships that have lost their meaning, and the emotional conflict between holding on to familiar memories and accepting the need to move forward. Written during a challenging period in Victoria Knight’s life, the song now reflects personal growth and acceptance.

That emotional contrast carries through to the music. Ethereal passages and atmospheric textures give way to heavier, more energetic sections while a brief, impressionistic piano interlude adds to the track’s dreamlike quality. Rather than following a conventional structure, “Incubus” moves naturally between moments of introspection and intensity, allowing the arrangement to develop alongside the emotions behind the lyrics.

Listen to “Incubus” here: https://lnk.to/tpChbx

YouTube – https://www.youtube.com/watch?v=QEx7MDXQeMo

The release also comes at a significant time for frontwoman Victoria Knight, who recently appeared on Season 15 of The Voice Australia, bringing her distinctive vocal style to a wider national audience.

These developments form part of an important new chapter for VICTORIA K. Their forthcoming album, “The Pleasure of Sorrow,” expands on the gothic and progressive metal foundations of their previous work, incorporating elements of modern metalcore, hardcore and electronic music. Produced by Lee Bradshaw with mixing and mastering by Lance Prenc, the record reflects a more personal and exploratory direction for the band, both musically and lyrically.

VICTORIA K will also return to the stage this October for a series of Australian shows alongside two established names in international metal. On October 10th, the band will open for Swedish progressive metal act Katatonia at Melbourne’s Northcote Theatre, before joining British gothic metal pioneers Paradise Lost as special guests for three dates in Brisbane, Sydney and Melbourne.

UPCOMING LIVE SHOWS – OCTOBER 2026

Supporting KATATONIA

October 10 – Northcote Theatre, Melbourne, VIC

Supporting PARADISE LOST

October 18 – The Triffid, Brisbane, QLD
October 19 – Factory Theatre, Sydney, NSW
October 20 – Max Watt’s, Melbourne, VIC

VICTORIA K lineup:

Victoria Knight: Vocals
Charlie Curnow: Extreme Vocals
James Davies: Drums
Ethan Collusi: Bass

More info:
https://rockshots.eu/

https://www.instagram.com/victoria_k_official/

https://www.facebook.com/victoriakofficial/

BIOGRAPHY:

Hailing from Melbourne, Australia, VICTORIA K has carved out their place in the gothic and progressive metal scene through soaring vocals, atmospheric arrangements and a distinctive approach to storytelling. Drawing inspiration from mythology, personal experiences and a broad range of musical influences, the band has continued to evolve their sound while retaining the melodic intensity that has defined their work from the beginning.

VICTORIA K first attracted attention with their 2019 single “Lacuna”, distributed in Australia and New Zealand by Warner Music Group (Australia). The track introduced audiences to the band’s musical identity and paved the way for their debut album, “Essentia”. Around the same time, they made their live debut supporting Swiss folk metal band Eluveitie at Melbourne’s Croxton Bandroom, an important early milestone that helped establish their presence on the Australian metal scene.

“Essentia” showcased the band’s versatility through tracks such as “Forsaken”, “The Haunting” and “Matrix”, moving between darker gothic atmospheres, expansive melodies and more energetic compositions. When the pandemic interrupted their initial live plans, VICTORIA K adapted by performing a studio concert that was subsequently released as “Essentia – Live Isolation Concert”. Once touring resumed, the band embarked on an extensive run of Australian shows, performing across major cities and regional venues.

In 2023, VICTORIA K released their second studio album, “Kore”, a concept record inspired by the Greek myth of Persephone. Drawing on frontwoman Victoria Knight’s Greek heritage, the album incorporated lyrics and chants in Ancient Greek, combining mythological storytelling with the band’s established gothic and progressive metal foundations.

The following year brought further developments, including a heavier reinterpretation of Madonna’s “Frozen”, released in April 2024. The band also shared the stage with Blind Guardian and Katatonia in Melbourne, adding to a live history that has seen them perform alongside established international metal acts.

Alongside her work with the band, Victoria Knight participated in Season 15 of The Voice Australia, bringing her vocal abilities to a national television audience and introducing her artistry to listeners beyond the metal community.

VICTORIA K are now preparing for the release of their third studio album, “The Pleasure of Sorrow”, scheduled for 2027. Representing a new creative direction, the record expands their gothic and progressive metal roots with elements of modern metalcore, hardcore and electronic music. Produced by Lee Bradshaw and mixed and mastered by Lance Prenc, the album explores themes of loss, identity, mortality and personal transformation through a combination of intimate songwriting, heavier arrangements and electronic experimentation.

The first singles, “Oh So Weary”, “Take It All” and “Incubus”, offer an introduction to this evolving sound, revealing a band increasingly willing to experiment with different musical textures and approaches while maintaining its characteristic atmosphere and emotional depth.

October 2026 also marks an important period for the band’s live activity. VICTORIA K will support Katatonia at Melbourne’s Northcote Theatre on October 10, before joining British gothic metal pioneers Paradise Lost as special guests on their Australian tour, with performances in Brisbane on October 18, Sydney on October 19 and Melbourne on October 20.

With a growing catalogue, an expanding musical identity and a series of high-profile live appearances, VICTORIA K continue to develop their place within the contemporary metal landscape as they prepare to introduce the next chapter of their career.

– 30 –

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0 DOLL Serves Up a Slice of Real Life With New Single “Melon”

October 9, 2026
by Asher
· DOLL · Music News

NEWS RELEASE

Montreal, QC – October 9, 2026

DOLL Serves Up a Slice of Real Life With New Single “Melon”

Ottawa alternative rock band DOLL shares their newest single, “Melon,” out now as of October 9th, offering fans a refreshing and deeply personal look at the realities of everyday life.

Following June’s release of “Snakes and Ladders,” which formed part of the band’s evolving Animal Crackers trilogy, “Melon” takes a different approach. While retaining DOLL‘s signature songwriting and infectious melodies, the new track explores the daily grind of modern life and the simple moments that make it all worthwhile.

From traffic jams, bills, and workplace stress to the joy found in family, friends, children, and beloved pets, “Melon” is a celebration of the little things that help people navigate life’s challenges.

“Melon is a day-in-the-life look into our real lives. It’s about the daily struggles and wins, and how the things that matter most are often the simplest. At the end of the day, seeing your kid smile, spending time with family, or even hanging out with your pet can make all the stress and noise fade away,” says the band.

The song’s origin is as unique as its sound. During a casual discussion about the iconic band Blind Melon, guitarist Pete Kasper began playing the acoustic intro that would eventually become the foundation of the track. As the song developed, the title “Melon” felt like a natural fit.

“It’s probably the most mellow and different song we’ve ever written as DOLL. We loved the feel of it immediately. Lyrically, it’s one of the most honest and personal songs we’ve ever released. We wanted it to be fun and catchy while still being completely real,” adds the band.

The release continues DOLL‘s recent creative resurgence. After returning from a lengthy hiatus with their 2025 album “Better Days, Better Times,” the band maintained momentum with fan-favourite single “Shark Bait,” the standalone 2026 release “Bear Claw,” and the recent “Snakes and Ladders.” With “Melon,” DOLL demonstrates yet another side of their evolving sound, trading high-energy bite for introspection without losing the authenticity that has defined the band throughout their career.

Formed in Ottawa, Ontario, DOLL first emerged with their 2009 debut album, “Inside The Dollhouse,” earning airplay on MuchMusic and MusiquePlus with the singles “Daddy’s Little Girl” and “Sally Lost Her Shoelaces.” Their sophomore release, “The Ragdoll Diaries,” followed in 2011 and produced the singles “FMO” and “Youth of Today, Hope for Tomorrow.” Over the years, the band has shared stages with artists including Three Days Grace, Lacuna Coil, Danko Jones, Halestorm, Protest the Hero, SNFU, The Creepshow, Die Mannequin, and many more.

With “Melon,” DOLL offers listeners an honest reminder that even in the midst of life’s chaos, it’s often the smallest moments that matter most.

Listen (Spotify) to “Melon” at https://distrokid.com/hyperfollow/doll14/melon

More info: https://www.facebook.com/dollband | https://www.instagram.com/dollbandmusic/

About: DOLL is an alternative rock band from Ottawa, Ontario, known for blending infectious melodies, honest songwriting, and high-energy performances. Since emerging with their debut album Inside The Dollhouse in 2009, DOLL has shared the stage with artists including Three Days Grace, Halestorm, Lacuna Coil, Danko Jones, Protest the Hero, and The Creepshow.

After returning from a lengthy hiatus with their 2025 album Better Days, Better Times, the band has continued their creative resurgence with a series of standout singles, including fan favourite Shark Bait, Bear Claw, Snakes and Ladders, and their latest release, Melon. From driving rock anthems to introspective and personal storytelling, DOLL continues to evolve while staying true to the authenticity and energy that have defined the band from the start.

Discography:
2026 – Melon (single)
2026 – Snakes and Ladders (single)
2026 – Bear Claw (single)
2025 – Better Days, Different Times – LP
2011 – The Ragdoll Diaries – LP
2009 – Inside the Dollhouse – LP

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What the press has said about DOLL:

!earshot – August 2025 – Top 20 Loud – #5 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

!earshot – August 2025 – Top 200 – #55 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

“#1 Doll – Zach’s Picks of the Week – July 7 – 12, 2025 – Canadian Beats (2025 – Better Days, Better Times)

“In one of the best comeback stories in music in 2025, Canadian Alt-Rock duo DOLL will release their first new collection of material since 2011’s The Ragdoll Diaries… In addition to five slamming originals, DOLL chips in an inspired take on the Deep Purple classic rock anthem – “Smoke On the Water!” “- Ghost Cult Magazine (2025 – Better Days, Better Times)

“Doll sharpens their grit with new muscle and melody. Their return after more than a decade is not a nostalgia trip but a rebirth. The Ottawa band’s forthcoming EP Better Days, Different Times (July 18th) expands their core formula of raw energy and no-frills honesty by inviting new players and broader sonic choices into the mix. But even with cello flourishes and genre jumps, their identity remains firmly intact.” – Amplify The Noise (2025 – Better Days, Better Times)

“The new track ‘Shark Bait’ from Doll is a blast! The world has been celebrating the 50th anniversary of “JAWS” and now we have a brand new punk-fueled bite in the pants to go along with all of the bloody hoopla. ‘Shark Bait’ is basically straight ahead hardcore riffage with razor sharp teeth, fun lyrics and a precursor to their new EP, ‘Better Days, Different Times’ set for a July 18th release. Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll (2025 – Better Days, Better Times)

“DOLL has returned as potent and as impressive as they were before but with greater impact we suggest, Better Days, Better Times quite simply a must exploration for punk and feral rock hearts.” – The Ring Master Review (2025 – Better Days, Better Times)

“Christina Kasper’s changeable voice is impressive.” – Keep On Rocking (2025 – Better Days, Better Times)

“‘Bleeding’ is a colourful mixture of Hard and Alternative Rock, paired with influences from Punk and Gothic, in a very melancholic sounding melody. The powerful voice of singer Christina Kasper dominates like a siren. ” – Metal Heads Forever Magazine (2025 – Better Days, Better Times)

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0 Quebec’s FORGOTTEN TALES Announce New Album “Other Times”; Unveil First Single “A Thousand Lies”

October 8, 2026
by Asher
· Forgotten Tales (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – October 8, 2026

Quebec’s FORGOTTEN TALES Announce New Album “Other Times”; Unveil First Single “A Thousand Lies”

Quebec, Canada’s FORGOTTEN TALES return with their new album, “Other Times,” set for release on February 12th, 2027 via Rockshots Records.

Arriving after an extended hiatus, the record reconnects the band with its melodic power metal roots while introducing a more direct, guitar-driven approach. The first glimpse into this new chapter comes with “A Thousand Lies”, a fast-paced track addressing the chaos of modern misinformation, accompanied by an official music video.

LISTEN – https://lnk.to/kmcyRF

WATCH – https://www.youtube.com/watch?v=XSuH3rVkA7Q

Rather than following a single narrative, “Other Times” explores different sides of the human experience and the ways people respond to challenges and change. Across its ten tracks, the band touches on inner conflict, anxiety, insomnia, loyalty, loss, misinformation and missed opportunities, as well as broader reflections on humanity’s evolution. Running through these different subjects is a common thread of resilience, personal growth, and the passage of time – the idea that ultimately inspired the album’s title.

The foundations of traditional power metal remain firmly in place, from fast-paced riffing and double-kick drumming to layered choirs and melodic hooks. At the same time, subtle progressive touches bring variety to the arrangements without disrupting the album’s immediate character, while a modern production gives the performances clarity and impact.

At the center of the record is vocalist Sonia Pineault, whose performance moves naturally between its more forceful and introspective moments. Her melodic and expressive delivery gives each song its own emotional character, complemented by the guitar interplay of Martin Desharnais and Marc-Olivier Lavoie.

The first single, “A Thousand Lies”, captures many of these elements in a fast-paced symphonic power metal track driven by galloping rhythms, choir accents, dual-guitar harmonies, and a soaring chorus. Darker, rapid-fire verses and Pineault’s cynical vocal delivery give the song a sharper edge, while intricate guitar exchanges and an expressive solo from Desharnais reinforce its melodic side.

Behind that energy lies a warning about misinformation and the gradual loss of critical thinking. The lyrics question how easily unverified claims can be accepted and shared, shifting part of the responsibility back to the individual rather than portraying manipulation only as an external force. That idea is summed up in the song’s final warning: “Careful where you stand.”

Guitarist and songwriter Martin Desharnais explains:

“I wrote this song thinking about everything that was going down during COVID. The whole world was turned completely upside down, and people just didn’t know what to hold onto anymore. Even though the theme is heavy, I really wanted to keep a catchy mood – almost ironic or cynical. It’s an angry track, but delivered with a sharp touch of sarcasm. Musically, I wanted to channel that energy into fast verses, big dual-guitar harmonies, and a massive chorus that sticks in your head. It’s aggressive, it’s melodic, and it represents exactly the kind of energy we wanted to bring forward.”

With “Other Times”, FORGOTTEN TALES return after their extended absence with an album that stays connected to the band’s musical identity without simply looking back. Its ten tracks bring together the energy of classic power metal and a songwriting perspective shaped by time, experience and change.

For fans of: Stratovarius, Helloween and Nocturnal Rites.

PRE-ORDER “Other Times” here: https://rockshots.eu/products/forgotten-tales-other-times-cd

Tonight, October 8, 2026, Forgotten Tales will officially present their new album “Other Times” with a special release show at La Chapelle Spectacles – Québec City.

The band will take the stage to celebrate their new album in a special evening dedicated to the new record and to their fans.

📍 La Chapelle Spectacles
📅 Thursday, October 8, 2026
🚪 Doors: 7:00 PM
🎤 Show: 8:00 PM

Track Listing:
1. Echoes – 0:55
2. Pessimus Inimicus – 6:12
3. A Thousand Lies – 4:17
4. No Going Back – 5:24
5. I’ll Be Home – 5:30
6. Pain Of The Century – 7:06
7. Your Knight – 5:02
8. Morpheus – 4:55
9. Other Times – 5:40
10. The Caravan – 7:02
TOTAL: 52:03

Forgotten Tales are:
Sonia Pineault: Vocals
Martin Desharnais: Guitars & Backing Vocals / Author & Composer
Marc-Olivier Lavoie. Guitars & Backing Vocals
Xavier Gonthier-Blouin: Drums
Cédric Langlais: Bass

More info:
https://www.rockshots.eu

https://www.facebook.com/ForgottenTales/

https://www.instagram.com/forgottentalesband/

About:

Forgotten Tales is a Canadian symphonic power metal band from Québec City, founded in 1999 by Martin Desharnais, guitarist and songwriter, and Sonia Pineault, lead vocalist.

From the beginning, the band had a simple goal: introduce Québec audiences to European power metal at a time when international bands from the genre were rarely seen in the province. Forgotten Tales started out playing covers and quickly built a following, selling out several early shows. In November 2000, the band reached an important milestone by opening for Nightwish in Montréal.

That experience changed everything. Forgotten Tales gradually moved away from covers and began focusing entirely on original material. With Martin Desharnais leading the musical direction, the band developed a sound built around powerful melodies, virtuosic lead and rhythm guitars, complex arrangements, and precise musicianship. At the heart of it all is Sonia Pineault, whose powerful and expressive voice quickly became one of the band’s defining characteristics. On stage, her energy, charisma and genuine connection with the audience bring the songs to life.

The band released its debut album, “The Promise“, in 2001 with distribution in Canada, Japan and Russia. Forgotten Tales went on to share the stage with major international metal acts including Edguy and Gamma Ray in 2002, followed by Kamelot and DragonForce in 2005. In 2004, the band released its second album, “All the Sinners,” which was also distributed internationally.

Over the years, Forgotten Tales collected its share of unforgettable moments. In 2006, at Québec City’s Capitole, Tony Kakko of Sonata Arctica invited Sonia on stage to perform the classic Black Sheep together. In 2007, the band performed at the Québec City Summer Festival alongside HammerFall, followed by a show with Stratovarius in 2009.

In 2010, Forgotten Tales released its third album, “We Shall See the Light“. Around this period, Pat Vir and Frédérick Desroches left the band while guitarist Marc-Olivier Lavoie, who had joined the lineup in 2009, became part of the band’s next chapter. Marc-Olivier has remained an important part of Forgotten Tales ever since.

After the release of the album, the band stepped away for a 15-year hiatus.

In 2026, Forgotten Tales is back with “Other Times“, its fourth album. The original core of Martin Desharnais and Sonia Pineault returns alongside long-time guitarist Marc-Olivier Lavoie (a member since 2009), joined by drummer Xavier Gonthier-Blouin (who came on board in 2024) and bassist Cédric Langlais (who joined in 2025).

This new lineup brings together experience, continuity and fresh energy. Xavier and Cédric bring their own personalities and musical drive while Marc-Olivier provides a strong connection to the band’s history. Together, the dual-guitar attack of Martin and Marc-Olivier gives the compositions a new dimension, creating the perfect foundation for Sonia’s powerful voice.

The connection with the past is still there as well. Frédérick Desroches returns as a guest musician on “Other Times“, composing the album’s introduction and creating a musical bridge between the band’s past and its new chapter.

After more than 25 years, Forgotten Tales returns with the same passion but with renewed energy. “Other Times” marks the beginning of a new chapter: reconnecting with longtime fans, reaching a new generation, and taking the music of Forgotten Tales beyond Canadian borders.

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0 Montreal’s KILLED BY SORROW Unleashes “The End Is Near” From Upcoming Album “Empire of Excess” Out Oct 2026

October 8, 2026
by Asher
· Killed By Sorrow · Music News

NEWS RELEASE

Montreal, QC – October 8, 2026

Montreal’s KILLED BY SORROW Unleashes “The End Is Near” From Upcoming Album “Empire of Excess” Out Oct 2026

After releasing their first track, “Betrayal,” and the dark, atmospheric “The Burial,” Killed By Sorrow continues building anticipation for their sophomore album, “Empire of Excess,” with what may be their most explosive offering yet: their third single, “The End Is Near.”

The song perfectly captures the band’s ability to balance aggression, melody, and storytelling. It opens the album with devastating impact, painting a grim vision of a world consumed by a deadly viral outbreak.

“A viral plague consumes the world, turning the infected into hunters. Civilization collapses, hope dies, and survival becomes the only instinct left,” adds the band.

Musically, the song showcases some of the strongest elements of Killed By Sorrow‘s sound, with commanding vocals, punishing breakdowns, and a standout guitar solo driving the apocalyptic narrative forward.

As the third single, “The End Is Near” joins its predecessors to offer a glimpse into the diverse sonic landscape listeners can expect from “Empire of Excess”.

Watch and listen to “The End Is Near” at https://www.youtube.com/watch?v=XKZuGNhoqH8

Spotify – https://open.spotify.com/track/57UlcmtAL0LoNjSwy96shL

Set for release on October 23, 2026, “Empire of Excess” represents the next evolution of Killed By Sorrow‘s sound. Built around ten tracks that blend metalcore, thrash metal, progressive metal, melodic metal, and even hardcore punk rock influences, “Empire of Excess” embraces variety while maintaining a cohesive identity rooted in heavy riffs, memorable hooks, and emotionally driven songwriting.

Lyrically, “Empire of Excess” explores themes ranging from societal collapse and consumerism to betrayal, addiction, friendship, perseverance, personal struggle, and redemption. Each song presents a different perspective and atmosphere, ensuring that no two tracks feel the same.

“There is a track for everyone in there. You got some fast, some downbeat, even some punk rock. There is definitely a track that will please any kind of listener. We pride ourselves on making sure the album has a different vibe from start to finish,” adds Ham.

The album’s title track, “Empire of Excess,” tackles modern society’s obsession with endless consumption, portraying a world where the pursuit of novelty and material gain leads to emotional emptiness and inevitable collapse. Throughout the record, Killed By Sorrow combine crushing breakdowns, aggressive grooves, soaring melodies, and emotionally resonant lyrics into a listening experience designed to connect with both longtime fans and newcomers alike.

“Fans will connect strongly with this release. It captures the intensity and aggression that defined our early sound, but with a more mature and refined mix,” comments Ham.

Killed By Sorrow began as a tight‑knit group of friends channeling the intensity of the music they loved, evolving from basement rehearsals into a serious project once their natural chemistry and shared vision became undeniable. Emerging from Montreal’s South Shore metal scene in the mid‑2000s, the band shaped their identity around the emotional weight of Poison the Well, the razor‑sharp riffing of Unearth, and the melodic precision of Trivium, blending aggression with dynamic, melody‑driven structures.

During these formative years, Killed By Sorrow built a reputation through high‑energy performances across local venues, highlighted by a milestone moment sharing the stage with Swedish hardcore heavyweights Raised Fist, a show that cemented their credibility within the scene.

Recommended for fans of Unearth, Killswitch Engage, Poison The Well, Trivium, and Lamb of God, “Empire of Excess” is available for pre-save/ pre-order at the following links:

Spotify – https://distrokid.com/hyperfollow/killedbysorrow/empire-of-excess

Bandcamp – https://killedbysorrow.bandcamp.com/

Previous Singles:

“Betrayal” at https://www.youtube.com/watch?v=i0PWyiTedfs

“The Burial” at https://www.youtube.com/watch?v=2QAW0l6NjTg

Track Listing:
1. The End is Near – 3:38
2. Empire of Excess – 3:04
3. The Burial – 3:28
4. Betrayal – 3:51
5. Never Give Up – 2:37
6. All My Brothers – 3:18
7. In The Spotlight – 3:17
8. Killed By Sorrow – 3:29
9. Unchained – 3:42
10. Stay In Line – 3:28
Album Length: 33:55

Band Line-up:
Sébastien Mailloux – Vocals
Martin Bersier-Carpentier – Bass
Tommy Forand – Guitar Lead
Samuel Ham – Guitar Rhythm
Mathieu Lassonde – Drums

More info:

https://killedbysorrow.com/

https://www.facebook.com/KilledbySorrow/

https://www.instagram.com/killedbysorrowband

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“Canadian underground hardcore punks in Killed By Sorrow’s newest single, Betrayal, definitely stays loyal to the metalcore scene by actually sounding like thrash metal tones mixed with a hardcore punk grit and attitude. Heavily distorted rhythms sound closer to your traditional hardcore, but paired with your traditional style of hardcore punk vocals, Betrayal lets you know not to cross Killed By Sorrow. Huge basslines underneath and in-the-pocket drumming made this one an interesting approach in a crowded metalcore genre, and it’s more than worth a few listens.” – Metal Institute of Thrashology (2026)

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0 SF Bay Area Thrashers ABSOLUTE DARKNESS Unleashes New Single “Above The Law” From Upcoming Album “Witness To A Dying World”

October 8, 2026
by Asher
· Absolute Darkness · Music News

NEWS RELEASE

Montreal, QC – October 8, 2026

SF Bay Area Thrashers ABSOLUTE DARKNESS Unleashes New Single “Above The Law”

Sophomore Album “Witness To A Dying World” Out Oct 23rd, 2026

L-R- Orson Sojo – Bass, Ron Dorn – Rhythm Guitar/Lead Vocals, Scott Russell – Drums, Douglas Vetter II – Lead Guitar/Backup Vocals

Photo Credit by Eddie Granillo

Bay Area death/thrash metal force Absolute Darkness has released their third single, “Above The Law,” from their forthcoming sophomore album, “Witness To A Dying World,” due out on October 23, 2026.

Following the release of the war-torn “Attritional Warfare” and the opioid crisis-focused “Snake Oil,” the new single continues the album’s exploration of power, corruption, and the human consequences of societal collapse. Combining razor-sharp thrash riffs, melodic guitar harmonies, blistering solos, and uncompromising aggression, “Above The Law”.

“This is probably the most collaborative song on the album. Everyone contributed ideas that found their way into the final version, making it one of the most enjoyable songs to write,” says Ron Dorn (Guitar / Lead Vocals).

Musically, “Above The Law” wastes no time launching into high-speed death/thrash intensity before opening into a dynamic mid-section that showcases layered guitar harmonies and a standout solo from Douglas Vetter II. The track ultimately drives back into a powerful final chorus, highlighting the band’s balance of aggression and memorable songwriting.

Lyrically, the song examines the mindset of an individual who believes themselves completely immune from consequences.

“It’s told from the perspective of someone who believes they’re completely untouchable. They abuse their power, blame everyone else for their actions, and don’t even bother trying to hide what they’re doing because they don’t believe there will ever be consequences,” explains Dorn.

Watch “Above The Law” at https://www.youtube.com/watch?v=5v6BRGFcnXY

Formed in 2015, Absolute Darkness has built its reputation by merging the Bay Area thrash traditions of Testament, Vio-lence, and Exodus with the crushing aggression of Death, Cannibal Corpse, and Amon Amarth. The band’s sound combines relentless riffs, layered guitar work, memorable solos, and socially conscious storytelling that addresses subjects many artists avoid.

“Witness To A Dying World” marks a significant milestone for the band. While 2021’s “Failure Of State” represented a leap forward in songwriting and production, the upcoming album is the first Absolute Darkness release written collaboratively by the current lineup from beginning to end.

The album explores themes of corruption, authoritarianism, propaganda, war, addiction, homelessness, exploitation, and social decay through character-driven narratives rather than direct political commentary. Musically, it expands on the band’s trademark blend of thrash metal, melodic death metal, and traditional death metal while emphasizing memorable melodies, harmonized guitars, and dynamic arrangements. In addition to ten original tracks, “Witness To A Dying World” includes a cover of “World In A World” by legendary Bay Area thrash pioneers Vio-lence.

For band founder Ron Dorn, the song carries a particularly personal significance. Having grown up in the San Francisco Bay Area during the rise of the thrash movement, Dorn attended shows featuring Vio-lence, Death Angel, and Forbidden while those bands were still establishing their legacy.

Rather than reinventing the classic, Absolute Darkness approached the cover as a tribute, remaining faithful to the original arrangement while incorporating the band’s modern production and heavier vocal approach.

Recommended for fans of Testament, Vio-lence, Exodus, At The Gates, The Crown, and Amon Amarth, “Witness To A Dying World” will be available on October 23rd, 2026.

Album pre-order – https://absolutedarkness1.bandcamp.com/album/witness-to-a-dying-world

Track Listing:
1. Above The Law – 3:56
2. Attritional Warfare – 3:50
3. World Decay – 3:28
4. Snake Oil – 4:14
5. Different Illegally – 3:33
6. Loyalty To Me – 3:32
7. I Guess I Die – 3:59
8. Big Lies – 3:51
9. Extreme Accountability – 3:34
10. World In A World (Vio-lence Cover) – 4:13
Album Length: 38:21

Band Lineup:
Ron Dorn – Guitar/Lead Vocals
Douglas Vetter II – Lead Guitar/Backup Vocals
Orson Sojo – Bass
Scott Russell – Drums

More info:

https://www.facebook.com/BandAbsoluteDarkness

https://www.instagram.com/absolutedarkness_band/

-30-

“Absolute Darkness go straight for the throat with aggressive riffs, awesome grooves that will make you bang your head, and seriously neckbreaking thrashy riffs. This offering absolutely slams.” – Review Score: 8.15/10 – Drako’s Death Metal News & Reviews

“Combining death/thrash influences… stronger production values that hopefully will garner more buzz and attention.” – Dead Rhetoric (Failure Of State 2022)

“Part album, part call to arms… a rabble-rousing affair and a slamming indictment of modern-day society.” – The Headbanging Moose (Failure Of State 2022)

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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