Category: Music News

0 THE DIVINE PROJECT Announces NXNE 2026 (Toronto) and The Great Escape Festival (Brighton, UK) Performances + New Video “Ruins of Truth” From EP “Rebirth”

April 15, 2026
by Asher
· Music News · The Divine Project

NEWS RELEASE

Montreal, QC – April 15, 2026

THE DIVINE PROJECT Announces NXNE 2026 (Toronto) and The Great Escape Festival (Brighton, UK) Performances

+ New Video “Ruins of Truth” From EP “Rebirth”

TDP – Top L: Ro Stevens (vocals) | Top M: Mitch Greenham (Drums) | Top R: Eric Divine (Guitar)
Bottom L: Derek ‘DRock’ Boshkov (Bass) | Bottom R: David T.Anselmo (Guitar)
Photo by: Weydim Zaldivar (IG: @zquadrant)

Canadian metal powerhouse The Divine Project continues its explosive rise with two major announcements: the band has been officially added to the lineup for this year’s NXNE Festival in Toronto, ON and The Great Escape Festival (Brighton, UK) and along with releasing a brand‑new music video for “Ruins of Truth,” in support of their acclaimed EP “Rebirth,” released this past November.

Renowned for their explosive, high‑energy performances, often spilling off the stage and into the pit, The Divine Project is set to deliver one of the heaviest, most unforgettable sets at this year’s NXNE. Their official NXNE showcase on June 11th at The Bovine Sex Club (https://www.nxne.com/2026-artists/the-divine-project) comes alongside a second major festival appearance on May 15th at The Fiddler’s Elbow at The Alternative Escape stage at The Great Escape Festival (https://greatescapefestival.com/the-alternative-escape/) in Brighton, UK. Both performances are part of the Rock & Metal Alliance showcases, marking a significant milestone for the band as they continue their 2025 relaunch with a revamped lineup and a sharper, heavier, more defiant sound. Their addition to these festivals follows a surge of momentum, including a successful March run supporting Selias, plus recent shows alongside Eyes Set To Kill, Black Satellite, Awake At Last, Sumo Cyco, and Escape The Fate. The band’s rising profile has also been fueled by the breakout reception of their singles “The Revolt” and “Don’t Startle The Murder.”

With their EP “Rebirth,” The Divine Project set out to reintroduce themselves with force, and they delivered. The EP blends modern metal, nu‑groove, djent, and metalcore influences into a four‑track journey through resistance, collapse, psychological tension, and survival. Each song was crafted to hit with emotional and sonic weight while remaining fully performable live, no backing‑track crutches, just raw musicianship.

“We set the goals to reintroduce The Divine Project to the world as a faster, heavier, and more complex band. We made sure we came out swinging and wrote music intended to punch everyone in the face… Rebirth is our new beginning and our way of saying The Divine Project is here to stay,” adds the band.

The newly released video for “Ruins of Truth” showcases one of the EP’s darkest and most atmospheric tracks. Musically, the song leans into heavy groove and emotional gravity; lyrically, it confronts false leaders, ideological collapse, and the erosion of humanity through division. The video amplifies these themes with stark imagery and a performance that captures the band’s signature intensity.

“A society in moral, psychological, and ideological collapse… manipulated to surrender our humanity through division slowly,” comments the band.

Watch and listen to the video for “Ruins of Truth” at https://www.youtube.com/watch?v=LuZZLCW-8O0

Formed originally as a solo project by guitarist Eric Divine, The Divine Project has evolved into a staple of the Ontario heavy music scene. The current lineup, frontman Ro Stevens, guitarist David T. Anselmo, bassist Derek “DRock” Boshkov, drummer Mitch Greenham, and founder Eric Divine, brings together a wide spectrum of influences, technical skill, and live ferocity. The band will be entering the studio this April to record the follow‑up to “Rebirth”. While still unmistakably TDP, the next EP will explore darker, more emotionally lonesome territory.

Recommended for fans of Trivium, Linkin Park, Killswitch Engage, Static-X, and All That Remains, “Rebirth,” released November 28, 2025, is available at the following links:

Add to your Spotify playlist – https://open.spotify.com/album/1ROxx7e7BhrPDtZizNhsNk

Bandcamp – https://thedivineproject.bandcamp.com/album/rebirth

Music Video – The Revolt – https://www.youtube.com/watch?v=suxgZ3EqZtE

Music Video – Don’t Startle The Murder – https://www.youtube.com/watch?v=kQ3fpbeu_f8

Track Listing:
1. The Revolt (3:46)
2. Ruins Of Truth (3:27)
3. Don’t Startle The Murder (4:18)
4. The Longest Night (5:53)
EP Length: 17:24

EP and Live Band Line Up:
Ro Stevens – Vocals
Eric Divine – Founder/Guitar
David T. Anselmo – Guitar
Derek ‘DRock’ Boshkov – Bass
Mitch Greenham – Drums

More info:

https://www.tdp-official.com/

https://www.facebook.com/thedivineproject/

https://www.instagram.com/TheDivineProject

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“… I’m simply left wanting more. Not from the track itself, but from an EP whose tracks each bring their own texturally layered elements, all melded together in an extraordinary Extended Play recording.” – Jay Broderick, LoudTO, 2025

“You know a band is special when they have a truly unique sound. Those were my thoughts when I gave this EP a listen.” – “Metal” Mike, @black_kross_zine, 2026)

“With a mix of styles and a strong DIY approach, The Divine Project are a band to keep an eye on as they continue to grow beyond the Toronto scene.” – Dayna Szymanski – This Day In Metal

“The Divine Project may not look traditionally Metal but boy can they break it down! ” – Blast Toronto

“You ever watch a band and realize halfway through that there’s no safety net? No laptop running stems, no hidden tracks filling the gaps, just five people in a room making every sound you’re hearing with their actual hands? That’s The Divine Project. Ontario. “Rebirth” EP.” – Papy Jeff Metal

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0 Prog Collective LUFEH Unveils Album Title Track “Overwhelmed” From New Album Out May 2026

April 15, 2026
by Asher
· Lufeh · Music News

NEWS RELEASE

Montreal, QC – April 15, 2026

Prog Collective LUFEH Unveils Album Title Track “Overwhelmed” From New Album Out May 2026

Photo Credit – Joao Pinheiro

Progressive rock collective LUFEH announces the release of their powerful new single “Overwhelmed,” the title track from their forthcoming album, arriving May 29th, 2026. The song follows the recently released first single, “He Commands the Sun and the Stars,” which introduced fans to the band’s evolved sound and the new creative chapter ahead.

Recorded at the iconic Sunset Sound in Los Angeles and produced by keyboardist Gera Penna, “Overwhelmed” represents LUFEH’s most melodic, emotionally charged, and musically refined work to date. This album fuses the band’s trademark progressive intricacy with a renewed focus on memorable vocal lines and dynamic, accessible arrangements.

Its title track, “Overwhelmed,” captures this evolution perfectly. Written by guitarist Deio Tambasco, the song opens with a haunting violin passage performed by LUFEH’s new featured vocalist and internationally acclaimed electric violinist Ginny Luke, setting the tone for a piece that leans boldly into vocal‑driven storytelling without sacrificing the band’s technical edge. Known for her work with Foo Fighters, Britney Spears, Snoop Dogg, Miguel, and others, Luke brings a commanding vocal presence and electrifying violin work to the album. Her violin performances also appear on“Feels Like I’m a Ghost” and “Live the New Today.”

“Ginny brought a whole new dimension to our sound. Her voice and violin elevated everything we wrote,” adds drummer and band founder Lufeh Batera.

Lyrically, “Overwhelmed” reflects the sensation of being mentally submerged, caught between pressure, fatigue, and the urgent need to pause and breathe. This emotional depth is echoed visually in the album’s artwork, which portrays a lone figure underwater reaching toward the light above the surface.

“It’s about reaching that point where you can’t keep running. Life gets heavy, but there’s always a light above the surface. This song represents that moment of stopping, breathing, and finding your way back,” says Batera.

Watch and listen to the video for “Overwhelmed” at https://www.youtube.com/watch?v=h2ZN21fSq0c

Add your Spotify playlist – https://open.spotify.com/track/2YF72dr6r89o9bS0x3Mabf

The forthcoming album “Overwhelmed” also marks the return of guitarist Deio Tambasco, reuniting him with Lufeh Batera and bassist Duca Tambasco, continuing a musical partnership that began in 1993. Despite living on different continents, Batera in Los Angeles and the rest of the band in São Paulo, the group wrote nearly 70% of the album remotely, exchanging ideas daily and refining each track collaboratively.

While LUFEH’s 2020 debut “Luggage Falling Down” leaned heavily into technicality, “Overwhelmed” strikes a new balance of complex musicianship, catchy, sing‑along choruses, fusion, jazz, and Brazilian influences, and emotional storytelling. The result is a progressive rock album that is both intricate and accessible, offering fans a deeper connection to the band’s evolving sound.

Recommended for fans of Rush, Dream Theater, Haken, Sleep Token, and Tool, LUFEH‘s new album “Overwhelmed” marks a bold new era, one defined by melody, maturity, and a renewed creative spark.

Album pre-order (Out May 29th, 2-26) – Bandcamp – https://lufehband.bandcamp.com/

Track Listing:
1. He Commands The Sun and The Stars – 4:22
2. Breathe – 4:03
3. Double Dip – 4:39
4. Overwhelmed – 4:30
5. Feels Like I’m A Ghost – 5:43
6. Live The New Today – 4:50
7. War of Emotions – 3:50
8. End of the Tunnel – 4:18

Album Recording Credits:
• All songs performed by: Duca Tambasco, Deio Tambasco, Gera Penna, Lufeh Batera, and Ginny Luke
• All songs written by: Duca Tambasco, Deio Tambasco, Gera Penna, and Lufeh Batera
• Produced by: Gera Penna
• Mixed by: Adair Daufembach
• Mastered by: Adair Daufembach
• Album Artwork by: Lufeh Batera

Album and Live Band Line Up:
Duca Tambasco – bass and backing vocals
Deio Tambasco – guitar and backing vocals
Gera Penna – keyboard and backing vocals
Lufeh Batera – Drums
Ginny Luke – vocals (featuring)

More Info:

http://www.lufehband.com

https://www.facebook.com/lufehband

https://www.instagram.com/lufehband/

About:

LUFEH is a progressive rock/metal band blending technical precision with emotional depth and genre‑bending influences. Formed by drummer Lufeh after a long hiatus from music, the band now features guitarist Deio Tambasco, bassist Duca Tambasco, keyboardist/producer Gera Penna, and vocalist/violinist Ginny Luke. Their sound draws inspiration from Dream Theater, Rush, Vola, Tool, Haken, and Brazilian musical traditions.

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“From the riff heavy opener Find My Way to the latest single ‘My World’ and the sharp riffs of closing track The Edge’, these are 20-minute epics condensed into welcome four-minute compositions. It’s an interesting stance for any progressive band but Lufeh have caught it right on the nail. This is an album full of cleverness and maturity. A joy to listen to, Luggage Falling Down’ provides opportunity to marvel at the quality and the playing. In a world which has lost its marbles, this album is a breath of fresh air. 8/10” – Powerplay Magazine UK (2020 – Luggage Falling Down)

“Luggage Falling Down will be a pleasant surprise for those who enjoy their prog on the heavy side, with occasional flourishes of metal, plenty of instrumental workouts, short song formats and a strong foundation in jazz. The eight songs are technical, energetic and always seeking a melodic hook.” – DPRP (2020 – Lugage Falling Down)

“In addition to brevity, there is Luggage Falling Down nothing wrong. Fantastic prog metal, crisply short songs that are still varied. Matching singing in the intersection between James LaBrie And Brendon Boyd as well as terrific guitar and drum inserts. Very entertaining and fun…. Luggage Falling Down a very entertaining record ahead of us. 9 /10 does that for me.” – Sound Magnet

“Anyone starting to get tired of all the cliché album titles and song titles? LUFEH are going their own way and I really like this album title ”Luggage Falling Down”!… I have to say the LUFEH guys have some moves of their own, which makes this album more interesting than most progressive metal albums. The RUSH vibes are not the most obvious ones, but the verse of ”Trial Of Escapade” clearly shows that these guys like the Canadian trio. There’s a smashing guitar solo from Dornellas in this one too.” – Melodic.net – (2020 Luggage Falling Down)

“A track from prog debutants Lufeh now, as I ‘Find My Way’ straight into being earwormed by their Prog metal goodness. Guitar solos that sound like they’ve been written by some of the hard rock greats, with plenty of atmospheric synths and across the board able musicianship means this one was a sure fire hit from the off!” – Uber Rock (2020 Luggage Falling Down)

“This is heavy prog with some strong elements” – Prog Archives (2020 Luggage Falling Down)

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0 Canada’s NOX Unleashes Debut Single “Night Terror,” a Cinematic Descent into Goth‑Metal Darkness

April 15, 2026
by Asher
· Music News · NOX

NEWS RELEASE

Montreal, QC – April 15, 2026

Canada’s NOX Unleashes Debut Single “Night Terror,” a Cinematic Descent into Goth‑Metal Darkness

A dark, cinematic introduction to the new solo project from Ottawa creator Joe Moon (A Scar For The Wicked, Daedfall, ex-Sovereign Council)

Recognized for his guitar work and production roles in Ottawa bands A Scar For The Wicked, DAEDFALL, and previously Sovereign Council, solo goth‑metal artist NOX emerges as the newest creative vessel for cinematographer and visual storyteller Joe Moon. To introduce the launch of this fully self‑realized project, one that fuses heavy music, horror‑driven aesthetics, and immersive worldbuilding into a singular, shadow‑forged identity, Moon unveils NOX‘s debut single and music video for “Night Terror.”

NOX embodies Moon’s long‑standing drive to create something darker, more personal, and more cinematic than anything in his past body of work. After years spent shaping visuals, music, and production across multiple mediums, the project stands as the culmination of that experience, a space where sound, imagery, and storytelling merge without restraint. Moon writes every element himself, from synths and drums to guitars, crafting each track around mood, tension, and emotional gravity. Sonically, NOX pulls from modern metal, melodic death metal, industrial metal, symphonic black metal, and gothic/alternative metal, while weaving in the scale and emotional depth of cinematic scoring.

“NOX is a dark, creative force rooted in heavy music, cinematic tension, and immersive atmosphere. Influenced by metal, horror, sci‑fi, and shadow‑driven visual storytelling, the project exists to create music that feels larger than sound alone, a world built on power, fear, transformation, and emotional weight. The goal is to give people something immersive, something oppressive, emotional, haunting, and atmospheric. Every song should feel like a chapter in a larger story,” says Moon.

“Night Terror” serves as the first entry point into that world. The track is dark, intense, and deeply atmospheric, built around the sensation of being hunted by something both psychological and real. Moon describes it as a reflection of fear, paralysis, and the loss of control, emotions that shape the song’s heavy, immersive sound.

“‘Night Terror’ leans into fear and tension, turning those emotions into something cinematic and overwhelming. It’s meant to feel like stepping into a nightmare you can’t wake up from,” adds Moon.

As a cinematographer and visual creator, Moon approaches NOX with a filmmaker’s eye. The music video for “Night Terror” introduces the project’s aesthetic, a blend of horror, sci‑fi, surrealism, and metal imagery designed to feel like a window into a larger universe. The result is a sound that is dark, cinematic, immersive, and vicious.

Recommended for fans of Sleep Token, Lord of the Lost, Lacuna Coil, Dimmu Borgir, and modern Swedish melodic death metal, NOX delivers the same sense of weight and atmosphere, but pushes further into something more visual, more narrative‑driven, and unmistakably its own.

Watch and listen to the music video for “Night Terror” via its premiere on Bravewords HERE.

Add to your Spotify playlist – https://open.spotify.com/track/6qvs53MRsDJYkf6KgmzXu1

More Info:

https://www.facebook.com/profile.php?id=61576513716832

https://www.instagram.com/the.only.nox/

About:

NOX is the dark creative project of Joe Moon, a cinematographer, visual creator, and storyteller driven by heavy atmosphere, bold imagery, and genre-blending worldbuilding. Working across film, music, design, and concept development, Joe builds immersive visuals and identities that live somewhere between horror, sci-fi, metal, and the surreal. NOX is an extension of that vision: a space for darker ideas, original characters, striking aesthetics, and unapologetically cinematic expression. Through NOX, Joe brings together his work in visual storytelling, production, and creative direction to create something visceral, mysterious, and unmistakably his own.

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0 LITTLE KING Posts New Studio Video “Keyboard Soldier” + “Lente Viviente” Tour Recap

April 14, 2026
by Asher
· Little King · Music News

NEWS RELEASE

Montreal, QC – April 14, 2026

LITTLE KING Posts New Studio Video “Keyboard Soldier” + “Lente Viviente” Tour Recap

L-R – Tony Bojorquez (Drums), David Hamilton (Bass, Cello), Ryan Rosoff (Guitar, Vocals)

Hitting the road with three decades of songwriting, storytelling, and sonic evolution behind them, Phoenix’s Little King spent this past March bringing their “Lente Viviente Tour” to stages across New Mexico, Texas, Arizona, and even a surprise pop‑up show in Mexico. Now, the band is offering fans a deeper look behind the scenes.

Little King has published a full tour blog with videos, sharing first‑hand accounts of life on the road, the shows, the fans, the chaos, and the gratitude, along with live performance clips captured throughout the run.

The tour diary is available now at https://littlekingtunes.com/2026/03/little-king-march-2026-tour-diary-power-shortages-ibuprofen-and-gratitude/

Alongside the blog, the band has also released a new studio video of “Keyboard Soldier,” recorded live to tape at Strange Daze Studios in El Paso, TX, during a March 5 rehearsal. The track originally appeared on their 2021 album “Amuse De Q.”

Watch the video at https://www.youtube.com/watch?v=VhDSUpl6PW8

Formed in 1997, Little King’s recent tour showcased material from across their eight‑album catalog, over 30 years of music defined by thoughtful lyricism, dynamic arrangements, and a deeply emotional core that continues to resonate with audiences of all ages.

Their latest album, “Lente Viviente” (released September 2025), has quickly become the most critically acclaimed release in the band’s history. Featuring new members Dave Hamilton (bass) and Tony Bojorquez (drums), the record explores themes of memory, identity, aging, addiction, resilience, and the human condition through tightly crafted “micro‑epics” that balance complexity with accessibility.

Frontman Ryan Rosoff describes the album as “a short, mind‑bending journey, like Musical DMT,” emphasizing its wide dynamic range and emotional depth. Tracks such as “Catch and Release,” “Dawn Villa,” “Pass Through Filters,” “Kindness for Weakness,” and “Who’s Illegal?” highlight the band’s ability to move from intimate reflection to bold social commentary with precision and heart.

Rooted in the American Southwest but shaped by global influences, Little King continues to evolve with confidence and creative fearlessness. With over 65 songs penned by Rosoff and influences ranging from Rush and Porcupine Tree to Pink Floyd, The Muse, and Night Verses, the band remains a staple for fans of art‑driven, progressive‑leaning rock.

As Little King looks ahead, they are actively seeking a new label home to support the next chapter of their career, including plans for their next tour to be announced in the near future, recording, and expanded creative projects.

“Lente Viviente” (released Sept 26th, 2025) is available on digital platforms.

Add to your Spotify playlist – https://open.spotify.com/album/3a3zhTxNkC6u9xaD5gytJe

Music Video – Who’s Illegal? – https://www.youtube.com/watch?v=cTh1THFdij4

Lyric Video – Dawn Villa – https://www.youtube.com/watch?v=Ksxlb2ekYIM

Lyric Video – Catch and Release – https://www.youtube.com/watch?v=Hgt9U547jbw

Track Listing:
1. Catch and Release – 3:22
2. Dawn Villa – 3:42
3. Who’s Illegal? – 3:56
4. Kindness for Weakness – 3:21
5. Sweet Jessie James – 2:42
6. Pass Through Filters – 4:50
7. The Living Lens – 3:37
Album Length: 25:34

For more info: https://littlekingtunes.com/

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“Overall, this band showcased a sophisticated sense of melodies that were not overly complicated, but easy to assimilate as well. Not being familiar with them, I am surprised to learn of their longevity, and you wouldn’t know this was their eight album, because the drive and fire in them is very much alive in their music. 8/10” – Metal Temple

“Little King maintain high intensity from start to finish, achieving a rare balance between complexity and immediacy. Each track has its own identity and emotional range, and the musicianship and production are consistently top-tier. According to Rocky, Lente Viviente is essential listening for prog and heavy-rock fans who miss the spirit of Saga, Rush, and King’s X.” – Metalized

“Seven songs, clocking in at just over twenty-five minutes Little King pack a powerful and melodic cocktail of prog, rock and alternative. If Rush jammed with REM and King’s X it would sound a little like this. Impressive.” – Get Ready To Rock!

“Little King hasn’t just released an album; they’ve crafted an immersive, emotional journey that rewards every listen.” – Jace Media Music

“Long-running Progressive Rock outfit Little King is unveiling “Dawn Villa,” the second single from their highly anticipated eighth studio album, Lente Viviente! A sonic time capsule wrapped in staccato riffs and melodic crescendos, “Dawn Villa” is a heartfelt tribute to frontman Ryan Rosoff’s formative years in Mercer Island, Washington. The track comes from their eighth album Lente Viviente, which is available for pre-order/digital pre-save now at the links below, and releases September 26th, 2025. If you grew up obsessed with the classic seventies prog rock greats like Rush, King Crimson, and Pink Floyd, with a modern flare for drama such as Muse or Neal Morse, Little King deserves your attention! ” – Ghost Cult Magazine

“The album reflects a stylistic maturity that has strengthened over time and a layering of ideas that have, on this occasion, found a stable place. The project’s artistic perspective rests on very solid technical foundations and a strong will to celebrate the traditional principles of classic rock, while also flirting with progressive elements and ultimately making the most of a decidedly pronounced melodic inclination. An absolutely original point of view that has given rise to an elegant and refined sound, capable of effectively combining electric jolts and delicate harmonies in the spirit of a truly contagious passion.” – Rock Hard Italy

“Over nearly three decades, Little King has evolved from the El Paso roots of “Transmountain” to the intricate, personal soundscapes of “Lente Viviente,” blending complex arrangements, strong melodies, and lyrical depth.” – Progressive Rock Journal

“Lente Viviente is as striking as it is arousing and easy to suggest a must for all rock appetites. LITTLE KING seem to know how to feed every instinct and want with their eclectic enterprise and at the same time spring something strikingly new, the proof all there in Lente Viviente.” – The Ringmaster Review

“Tucson progressive rockers’ Little King are gearing up for the release of their 8th studio album, ‘Lente Viviente’ on Sept. 26th and have also just dropped their first single from the album, ‘Catch and Release’. This band truly pushes boundaries and yet makes modern prog rock very accessible. That is a difficult feat and a challenge many bands can’t overcome. But these fellas make it sound very simple, even though the music is quite complex. Similar to YES in that every instrument, including the vocals, all seem to be doing their own thing…but somehow it all works beautifully, and that is what good prog is about. Listen up for Little King on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“”Lente Viviente” is a great release, very short of course, but still atmospheric and moving. Overriding the higher-faster-further mentality in such a playful way deserves respect, and the men deserve it again with their eighth appearance overall.8/10″ – PowerMetal.de

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0 Rockshots Records – Descend Into The Infernal Chaos of TORCHIA’s New Music Video “Hellmouth” From Album “They Are Born Under Rules of the Darkness” Out May 2026

April 14, 2026
by Asher
· Music News · Torchia

NEWS RELEASE

Montreal, QC – April 14, 2026

Descend Into The Infernal Chaos of TORCHIA’s New Music Video “Hellmouth”

New Album “They Are Born Under Rules of the Darkness” Out May 2026

Following the ominous tension of their single “Nekromanteion”, Finnish extreme metal force Torchia unveils the official music video for their next single, “Hellmouth,” from their forthcoming album “They Are Born Under Rules of the Darkness,” due out on May 8th, 2026, from Rockshots Records.

Produced by Janne Saksa and mastered by Dan Swanö, the track strikes with surgical precision and unrelenting force, driving Torchia’s sound into even darker, more extreme territory without sacrificing its unmistakable melodic core. “Hellmouth” signals a pivotal turn in the album’s narrative and sonic arc, throwing open the gates to its infernal center with a sharper, more immediate, and hard‑hitting assault.

Musically, “Hellmouth” captures the band at their most dynamic. The verses lean into tight, groove-driven riffing with a raw, almost physical immediacy. At the same time, the chorus expands into a triumphant melodic surge, revealing a strong connection to classic heavy and power metal traditions. For the first time, Villemorte introduces a clean vocal hook, adding a new dimension to Torchia’s sonic identity while retaining its full force.

Lyrically, the track initiates a three-part descent into Hell. A fallen angel renounces its divine nature, tearing away its wings to step beyond the threshold of damnation. The Hellmouth stands as both a passage and a point of no return, setting the tone for the album’s unfolding journey through the underworld.

Positioned as the second track, “Hellmouth” stands as a defining moment within the record, bridging atmosphere and impact while reinforcing the band’s ability to merge memorable songwriting with controlled aggression and darker textures.

Enter Torchia‘s “Hellmouth” with the official music video at https://www.youtube.com/watch?v=ic32kbmMlQg

Spotify – https://lnk.to/HvB0FN

Hailing from Tampere, Finland, Torchia has carved a distinctive identity rooted in thrash-infused melodic death metal, progressively enriched with darker tonal layers, orchestral arrangements, and a strong narrative backbone. Across their work, the band has shaped a cursed fictional realm inhabited by old gods, forbidden rituals, and supernatural forces, now fully realized within the gothic horror framework of “They Are Born Under Rules of the Darkness“.

With “They Are Born Under Rules of the Darkness“, Torchia consolidate their artistic direction, expanding their sound toward a more shadowed and blackened dimension while preserving the melodic and guitar-driven foundations that define their identity.

Recommended for fans of Behemoth, Cradle of Filth, and Children of Bodom, Torchia’s new album “They Are Born Under Rules of the Darkness” will be available on May 8th, 2026, from Rockshots Records.

CD PRE ORDER “They Are Born Under Rules of the Darkness” – https://rockshots.eu/products/torchia-they-are-born-under-rules-of-the-darkness-cd

Vinyl PRE ORDER “They Are Born Under Rules of the Darkness” – https://rockshots.eu/products/torchia-they-are-born-under-rules-of-the-darkness-lp

Previous Singles:

Stygian Waters – https://www.youtube.com/watch?v=PYW-oQpl7Yo

Nekromanteion – https://www.youtube.com/watch?v=QRl4RQ9kgwU

Track Listing:
1. Nekromanteion – 4:23
2. Hellmouth – 4:08
3. Into Hell – 3:38
4. Hellstorm – 3:55
5. Die Amour – 4:12
6. The Tiamat Machine – 5:39
7. Black Cat – 3:19
8. Stygian Waters – 4:05
9. Sanguine Masquerade – 4:46
Album Length: 38:05

Torchia Line-Up:
Nox: Vocals
Villemorte: Lead guitar, Vocals
Henri von Hardy: Guitar
Vulkan: Bass Guitar, Backing Vocals
Vincent Oscar Mill: Drums

More info:

https://www.rockshots.eu/

https://www.instagram.com/curseoftorchia/

https://www.facebook.com/TorchiaOfficial/

About: Formed in Tampere, Finland, Torchia has steadily carved out a distinctive identity within the extreme metal scene by blending thrash-infused melodic death metal with dark fantasy, gothic horror, and cinematic atmospheres. Since their early years, the band has continuously evolved both musically and conceptually, expanding a cursed narrative universe populated by ancient gods, occult practices, and grim mythological visions.

With each release, Torchia has pushed further into darker and more theatrical territory. While their core remains firmly rooted in guitar-driven extreme metal, their sound has grown increasingly cinematic and blackened, incorporating dramatic arrangements and a heightened sense of atmosphere without sacrificing aggression or immediacy. Elements of classic heavy and power metal melody remain a key influence shaping their songwriting approach and reinforcing their dynamic, memorable structures.

Their fourth full-length album, “They Are Born Under Rules of the Darkness“, represents a defining chapter in the band’s artistic journey. Set against a bleak, 19th-century-inspired gothic backdrop, the album brings Torchia’s storytelling to life through vivid tales of horror, superstition, and doom, uniting narrative depth with relentless musical force.

Renowned for their intense and visceral live performances, Torchia have built a strong reputation as a formidable stage act. At the center of the spectacle stands masked frontman Nox, a commanding and symbolic figure who embodies the dark curse at the heart of the band’s identity, guiding audiences deep into Torchia’s shadowed world.

-30-

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0 Meshuggah’s Live Impact Sparked WITHOUT MERCY’s New Track “Glass” From Upcoming EP “Infinite Loss” Out May 2026

April 14, 2026
by Asher
· Music News · Without Mercy

NEWS RELEASE

Montreal, QC – April 14, 2026

Meshuggah’s Live Impact Sparked WITHOUT MERCY’s New Track “Glass” From Upcoming EP “Infinite Loss” Out May 2026

L-R – DJ Temple – Guitars, Alex Friis – Vocals, Ryan Loewen – Bass, Matt Helie – Drums

Photo Credit: Shimon Photo – www.shimonphoto.com

Canadian extreme groove metalers Without Mercy have released “Glass,” the second single and visualizer from their upcoming EP Infinite Loss, arriving May 8,th, 2026. “Glass” follows the EP’s first single and music video, “The Saint,” which marked a bold creative departure for the band and signaled a new era of intentional, high‑pressure songwriting.

“Glass” began with a single riff written after guitarist DJ Temple witnessed Meshuggah live, a moment that set the tone for the entire track.

“Glass hits hard because it was written with clarity, conviction, and momentum from the first note. That riff carried a physical weight that immediately set the tone and became the spine of the entire song. Everything else was built to serve it,” says Temple.

Musically, the track leans into interconnected riffs inspired by Meshuggah and Alluvial, filtered through Without Mercy’s own voice. The groove is physical and controlled, tightening inward as the song progresses before opening into a massive, final release. Lyrically, “Glass” explores themes of eyes, mirrors, souls, and translation, a reflection on perception and the distortion that occurs between what is seen and what is understood.

Listen to “Glass” via its premiere on Bravewords HERE.

“Infinite Loss” is Without Mercy‘s long-awaited return since releasing their breakout 2020 album “Seismic.” Created under the most immersive conditions the band has ever embraced. For the first time, Without Mercy left home to make a record, relocating across borders and living inside the process for ten days with no escape from the work. The result is a three‑song EP built not around singles, but around statements, each track chosen only after surviving intense scrutiny, revision, and honest confrontation.

Lyrically, the EP centers on the feeling of being hunted by modern pressures: economic strain, identity, time, and survival. There is no single antagonist. The threat shifts, but never disappears. Musically, the record mirrors that tension through weight, repetition, and restraint. Riffs sit long enough to suffocate. Rhythms feel deliberate and physical. The aggression is controlled rather than chaotic.

“There was no comfort, no distance, and no way to step away. This EP forced us to be present with each other and with the music in a way we had never experienced before. This record exists because we chose to be uncomfortable, to argue honestly, and to stay in the room until it felt right,” adds Temple.

The EP’s artwork was created in collaboration with longtime friend Diego Gedoz de Souza, who helped refine the visual direction after early concepts fell short. The final image, a desolate forest with a massive void carved into the earth, reflects the EP’s emotional core: inevitability, loss, and the pull toward something inescapable.

Formed in 2007, Without Mercy blends groove, extreme metal, and technical precision into a sound described as “heavy and insightful at the same time.” The band has shared stages with Cattle Decapitation, Aborted, and Death Angel, and has appeared as downloadable content in Rock Band 3, bridging gaming culture and heavy music.

Their discography includes “All Else Fails” (2007), “Without Mercy” (2009), “Reborn” (2014), rereleased as “Mouichido” (2016), and “Seismic” (2020). “Infinite Loss” marks their most focused and intentional work to date, a release built from collapse, rebuilt through discipline, and finished with absolute conviction.

Recommended for fans of Meshuggah, Alluvial, Decapitated, Fit For An Autopsy, and Gojira.

Due out on May 8th, 2026, EP “Infinite Loss” is available for pre-save at https://ffm.to/infiniteloss

Music Video – The Saint – https://www.youtube.com/watch?v=Le9wnFk5vzM

Track Listing:
1. Infinite Loss – (4:15)
2. The Saint – (3:39)
3. Glass – (3:16)
EP Length: 11:11

EP and Live Band Line Up:
Alex Friis – Vocals
DJ Temple – Guitars
Ryan Loewen – Bass
Matt Helie – Drums

More info:

https://www.withoutmercyband.com/

https://www.facebook.com/withoutmercyband

https://www.instagram.com/withoutmercyband

-30-

““The Saint” is somehow both maniacal and controlled. In its opening couple of minutes it seems to be a carefully calibrated convulsion, discharging its myriad sensations in quick stop-start bursts of seemingly off-kilter but tightly executed mayhem. Those sensations include sledgehammer rhythmic brutishness, shrill and spidery fretwork-delirium, and napalm-strength vocals. The grooves are there — grooves of differing kinds — but they quickly jackhammer listeners in the midst of harrowing howls, scorching screams, and a multitude of fleet-fingered but berserk and discordant string contortions. Moreover, at the 2:18 mark the song suddenly and dramatically changes — indeed, it’s difficult to overstate just how dramatic the change is. In place of all the frenetically bursting frequencies the lead guitar gently rings and seductively warps above gravel-toned bass-lines and steady beats, an interlude that brings hints of jazz fusion to mind. That’s just a quick breather before the song’s intensity blazes again, and yet the segue back into the finale of bludgeoning grooves and squirming guitars is a smooth and near-seamless one.” – No Clean Singing

“Without Mercy’s New Album Is A Whirlwind of Sonic Punishment” – The Pit (Seismic – 2020)

“Right from the start (Uprooted), Without Mercy set the bar high for their extremity, aiming for something far more chaotic. The opening is a mix between the pure grind-death akin to that of Cattle Decapitation, and the math metal sound of Protest the Hero.”- Metal Injection (Seismic – 2020)

“pay witness (I Break The Chain) to their thrashy death metal a la Cattle Decapitation, Meshuggah and Decapitated and watch as they adorn the blast beats and breakdowns with beer guts and brogues.” – Decibel Magazine (Seismic – 2020)

“…To put it simply: the band does an incredible job of blending their grooves with their growls. Between segments of death, doom, and shreddy guitar solos that absolutely slay, there are moments of satisfying melodic breakdowns, and cutting riffs to die for… Seismic is full of lyrics that hold true and poignant meaning while using powerful imagery to evoke epic scenes of turbulent life and painful decay in the minds eye… ground-shaking album. 4/5” – Metal-Rules (Seismic – 2020)

“Overall, two elements really struck me here…one was the level of intensity, and the other the level of musicianship from the band. How they can remain unsigned is a mystery to me. They play with such a tight synergy that it’s almost like they can finish each other’s sentences before they even open their mouth.” – Metal Temple (Seismic – 2020)

“While the heavy metal name generator might have had something to do with what this meaty metal unit called themselves, you can’t say it doesn’t fit. Without Mercy are pretty damn *ahem* merciless and to cap that off, their new album is so aptly titled. Seismic…a relentless powerhouse that is akin to tectonic plates smashing into each other. There is no fucking mercy and it’s fucking glorious. Excuse the swearing but that’s how this album makes you feel. It makes you feel like a beast. It makes you feel capable of taking on the world. It’s chunky, it’s thick, it’s chokingly devastating and undoubtedly one to be remembered.” – Games, Brrraaains & A Head-Banging Life (Seismic – 2020)

“The thrash-stomp modes on “Worthless” ring like a head-on collision between DECAPITATED and BIOHAZARD with a dash of power metal thrown into the solo section. Alex Friis wrings his throat to huge extremes, hopefully leaving tissue intact as he hits agonizing squeals while throwing indictments against former band members — guess on your own who that might entail. DJ Temple’s guitar work on “Worthless” is terrific..” (Mouchido EP 2016) – Blabbermouth

“Vancouver’s Without Mercy is a prime example of how putting in a little bit of elbow grease can result in advantageous outcomes. The quartet play their brand of melodic, groove-laden death metal independently, but refuse to remain held back by a lack in the promotional and money machine backing departments. Over the course of a decade or so, the band has experienced the same highs and lows as most others, but their successes – which include a small handful of recordings, a bigger handful of tours, and appearances in video games – have been felt at a deeper clip because they’ve essentially managed everything themselves.” (Mouchido EP 2016) – Decibel Magazine

“In a word, the music rips. And it also thunders, and punches so fast and hard that it’s like a jackhammer-sized nail gun ramming bolts into concrete at high speed while the operator howls and shrieks for all he’s worth, segmented by a start-stop breakdown that will give your skull a good rattling and lit up by swarming guitar flurries that are as fiery as the torches in the video (Burn).” (Mouchido EP 2016) – No Clean Singing

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0 TONIC BREED Drops Epic New Single “Close In” Ft. Guest Drums From Charlie Engen (Five Finger Death Punch)

April 10, 2026
by Asher
· Music News · Tonic Breed

NEWS RELEASE

Montreal, QC – April 10, 2026

TONIC BREED Drops Epic New Single “Close In” Ft. Guest Drums From Charlie Engen (Five Finger Death Punch)

(Patrik K. Svendsen – Photo Credit – Marius Viken)

Norwegian metal project Tonic Breed, led by founder Patrik K. Svendsen, has unleashed the new 2026 single “Close In”, a powerful, emotionally charged track featuring guest drums by Charlie Engen, known for his work with Five Finger Death Punch, Scale the Summit, and Ideology.

The single follows last year’s collaboration “Anew,” which featured legendary drummer Chris Adler (Firstborne, ex‑Lamb of God, ex‑Megadeth), continuing Tonic Breed’s ongoing evolution through high‑profile guest musicians and bold stylistic shifts.

Originally formed in 2006 as a four‑piece thrash and heavy metal band from Sarpsborg, Norway, Tonic Breed transitioned into a one‑man project in 2019. Since then, Svendsen has pushed the project into new creative territory, collaborating with world‑renowned musicians including Chris Adler, Dirk Verbeuren (Megadeth), Björn Strid (Soilwork), and Michael Gilbert (Flotsam and Jetsam).

With “Close In,” Tonic Breed continues this trajectory, this time exploring a more melodic, atmospheric, and emotionally layered sound.

“Close In” dates back to its original writing more than two decades ago and was revisited many times over the years, but never fully came together until now.

“This is definitely the track that’s taken the longest to finish. It’s been sitting with me for years, and it wasn’t until the right people got involved that it finally came together the way it was supposed to,” says Svendsen

Co‑producer Adrian Bjerketvedt helped shape the final structure, while Engen’s drum performance added nuance and dynamic movement. Composer Ben Zimmermann contributed orchestration. Some piano arrangements even transformed early guitar‑based ideas into emotional layers that complete the song’s atmosphere.

While still rooted in the project’s heavy foundation, “Close In” marks a shift toward melody, space, and emotional depth. It’s a semi‑ballad with clean passages, heavier sections, and dynamic contrasts. The song incorporates harmonies, choirs, and orchestration, rich layering, and atmospheric textures, a first for Tonic Breed.

Svendsen anticipates that “Close In” may surprise listeners.

“It still has weight and intensity, but it leans more into melody and atmosphere than what I’ve done before. Some will probably not expect it, but it still feels like a natural step for me.”

Lyrically, the song explores the long‑term weight of loss, how losing someone close can reshape a person over time, and the struggle to find oneself again while learning to live with that emotional burden.

“It comes from a pretty heavy place. It’s about losing people close to you and carrying that weight with you,” adds Svendsen.

Recommended for fans of Soilwork, Evergrey, Alter Bridge, and Trivium, listen to “Close in” at the following links:

Add to your Spotify playlist – https://open.spotify.com/album/2l8pHhSRdhWfmJbrHQ5r8z?si=lc3Rf9hnShWzcZRR7_SB4Q

Lyric Video – https://www.youtube.com/watch?v=9-S1fQgYR0A

For more info:
https://tonicbreed.com
https://facebook.com/tonicbreed
https://instagram.com/tonicbreed

About Tonic Breed:
Tonic Breed is a Norwegian thrash and heavy metal one-man music project by Patrik K. Svendsen. Until 2019, Tonic Breed was originally a four-piece band, established in Sarpsborg, Norway, in 2006. Today, Tonic Breed is constantly reinventing itself in songwriting and guest collaborations, which already include Chris Adler (Lamb of God), Dirk Verbeuren (Megadeth), Björn Strid (Soilwork), and Michael Gilbert (Flotsam and Jetsam).

Tonic Breed Discography:
– 2026 – Close In (single) (ft. guest drums Charlie Engen (Five Finger Death Punch, Scale The Summit, Idealogy)
– 2025 – Anew (single) (ft. guest drums Chris Adler (Lamb of God)
– 2025 – The Die Is Cast (single) (ft. guest guitar solo Michael Gilbert (Flotsam and Jetsam)
– 2025 – The Charge (single w/ Darkroot)
– 2024 – Outsold – LP – 10th Anniversary Edition
– 2022 – Fuel the Fire – EP (ft. guests Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam), Björn Strid (Soilwork), Martin Skriubakken (Endezzma), Oliver Palotai (Kamelot)
– 2018 – Install Memory – LP
– 2014 – Outsold – LP
– 2008-2012 – Various demos

– 30 –

“This is a collection of songs you need to hear, so what are you waiting for? [8/10]” – Metal Noise (2022 – Fuel The Fire)

“The guest musicians really came together on this EP, it’s real luxury material. In short, it is a great return of Patrick as he has been throughout his career with Tonic Breed. If you are fans of Metallica, Testament, Pantera or Slayer, listening to «Fuel the Fire» it is essential this year. Without a doubt I will follow the career of this One Man Band with great interest.” – Broken Tomb (2022 – Fuel The Fire)

“Tonic Breed show that the embers have not gone out and this EP gives them a good old poking, tossing them around and letting the heat build-up. ” – Metal Digest (2022 – Fuel The Fire)

“Tonic Breed reinforces my growing belief that music, and particularly metal, can one day survive and even thrive without need of the corporate machine.” – Metal Disciple (2014 – Outsold – LP)

“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)

“TONIC BREED could easily advance up the ranks thanks to this impressive release.” – Metal Temple (2014 – Outsold – LP)

“10/10. Album of the year 2014.” – The Metal Review (2014 – Outsold – LP)

“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)

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0 Feel The Destructive Onslaught of Pompeii’s End w/ ASHEN HORDE’s New Single “Voids in the Ash” From Upcoming Album “The Harvest” Out May 2026

April 9, 2026
by Asher
· ASHEN HORDE · Music News

NEWS RELEASE

Montreal, QC – April 9, 2026

Feel The Destructive Onslaught of Pompeii’s End w/ ASHEN HORDE’s New Single “Voids in the Ash” From Upcoming Album “The Harvest” Out May 2026

Photos by @still.squill (Trevor); Photo Dun Right (Karl); unknown (Robin)

Extreme metal shapeshifters Ashen Horde will release their highly anticipated fifth full‑length album, “The Harvest,” on May 1st, 2026. Following the unveiling of the first single and video, “Entropy and Ecstasy,” the band now returns with the album’s second single, “Voids in the Ash,” a haunting and dynamic track inspired by the final days of Pompeii.

“The Harvest” (mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios) marks a new era for Ashen Horde, one defined by expanded vocal range, sharpened contrasts, and a thematic focus on endings. While not a concept album, the record threads together stories of collapse, decay, and transformation, each approached from a different angle. It is also the band’s first full‑length to feature vocalist Karl Chamberlain (Autolatry, Skala, Alcyone), whose performance pushes the group into its most melodic and emotionally varied territory yet.

Originally founded as a solo project by guitarist and primary songwriter Trevor Portz, Ashen Horde has evolved into a full lineup featuring vocalist Karl Chamberlain and Australian-based drummer Robin Stone (The Amenta, Convulsing). Ashen Horde has long been known for its refusal to be confined to a single extreme‑metal subgenre. “The Harvest” continues that tradition, weaving together black metal, death metal, progressive elements, and even shades of 90s alternative.

The album’s first single, “Entropy and Ecstasy,” introduced listeners to this expanded palette. The track, described by Portz as “Voivod‑with‑blastbeats energy,” follows a couple who find exhilaration in the chaos of a collapsing world. The song also served as Chamberlain’s “audition,” with his chilling delivery of the line “how can we thrive if we expect to survive?” immediately cementing him as the band’s new voice.

The newly released second single, “Voids in the Ash,” shifts into darker, moodier territory. Musically, the track blends grunge‑inspired vocal harmonies with sudden bursts of black‑metal ferocity. Lyrically, Chamberlain tells the story of Pompeii from the perspective of both its doomed inhabitants and the gods who buried them.

“It was the last song I recorded vocals for, and it became one of the most special to me,” adds Chamberlain.

Watch and listen to the video for “Voids in the Ash” via its premiere on Decibel Magazine HERE.

While each song on “The Harvest” stands alone, all share a connection to the record’s overarching theme of endings. “Autumnal” is inspired by the Sensorio light installation in Paso Robles; the track explores Pagan harvest‑season rituals and builds from quiet ambience into full black‑metal intensity. “Entropy and Ecstasy” is a chaotic, melodic exploration of passion amid catastrophe, influenced by Voivod and early pandemic anxieties. “Backward Momentum” is a genre‑bending blend of Opeth‑style clean vocals, unconventional riffs, and 90s‑inspired rock breaks, paired with lyrics condemning society’s slide into superstition and conspiracy. “Remnant” is a tale of a hunter lost in a storm, taken in by a stranger, only for nature to claim them both. “A Place in the Rot” is inspired by Swamp Thing; the track meditates on mortality and the inevitability of returning to the soil. “The Apparition”, the heaviest track on the album, is told from the perspective of a ghost condemned to watch humanity’s cruelty without the power to intervene. The album closer and title track, “The Harvest,” imagines a hidden entity judging humanity’s self‑destruction, waiting to emerge and devour everything once hope is gone.

For over 10 years, Ashen Horde has crafted extreme metal that defies easy categorization. Rooted in black and death metal but unafraid to incorporate progressive, melodic, and alternative influences, the band appeals to fans of Opeth, Enslaved, Amorphis, Ihsahn, and other genre‑bending heavyweights.

Album pre-order (release date May 1, 2026) available on limited splatter vinyl and CD (along with t-shirt bundles) on Bandcamp, as well as everywhere digitally – https://ashenhorde.bandcamp.com/album/the-harvest

Music Video – Ecstasy and Entropy – https://www.youtube.com/watch?v=zud62AXzvsw

Tour Dates:
May 14 – Montclair, NJ – The Meatlocker
May 15 – Wallingford, CT – Cherry Street Station
May 16 – Brattleboro, VT – Midnight’s

Track Listing:
1. Autumnal (6:12)
2. Entropy and Ecstasy (5:47)
3. Backward Momentum (5:21)
4. Voids in the Ash (5:41)
5. Remnant (4:37)
6. A Place in the Rot (4:38)
7. Apparition (4:57)
8. The Harvest (5:46)
Album Length: 43:03

Credits:
Mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios
Artwork by Venus Kohana (venuskohana.com)

Lineup:
Trevor Portz: Guitar, Bass, Harmony Vocals
Karl Chamberlain: Vocals
Robin Stone: Drums

More Info:

https://www.facebook.com/AshenHorde/

https://www.instagram.com/ashenhorde

-30-

“The harvest is coming! The new Ashen Horde album is a multi-faceted journey into every nook and cranny of extreme metal. “The Harvest” is challenging and quirky, but unlike a lot of other progressive/experimental releases, it never loses track of the key ingredient in music – good songwriting. All tracks are well-crafted and interesting in their own right, and the skillful instrumental performances are more like the icing on the cake and not the main focus. Highly recommended!” – Nik Sundin (Dark Tranquillity)

“The song (Entropy and Ectasy) captures this dichotomy of collapse and exhilaration — of entropy and ecstasy — through a fast-spinning (and head-spinning) kaleidoscope of sound. The moods of the music change along the way, but even the relatively slower and more desolate passages include inventive and intriguing nuances. Karl Chamberlain’s remarkably multi-faceted voice is a perfect match for the remarkably multi-faceted nature of the music. He expels brutal death metal gutturals and ripping black metal screams, but he also sends his singing voice in ravishing upward arcs that are spine-tingling to hear, and down into gloomy troughs. As for the surrounding music, it’s intricate and exhilarating, especially when the band are in full flight, discharging rapidly darting and maniacally swirling notes, incendiary bursts of tremolo’d delirium, or riffing that feverishly slashes with vicious, serrated edges. In less frantic phases, the music dismally groans and throbs, creating a pall of desolation, even when Chamberlain’s voice might be reaching for the clouds. The fretwork also includes angular progressions that generate moods of disorientation and fearfulness, and the song further includes an astonishing guitar solo that all by itself seems to capture the song’s thematic dichotomy of collapse and jubilation. Perhaps needless to say, Robin Stone’s drumming is as constantly changing as everything else, and surgically crafted to match all the other head-spinning, pulse-pounding, and heart-sinking twists in this shapeshifter of a song.” – No Clean Singing

“Antimony; 3/5 rating; “the sound Ashen Horde has developed over three albums is pretty much theirs alone. It’s a dense but accessible approach that rewards both casual listens and sustained attention.” – Angry Metal Guy (2023 – Antimony)

“Equal parts blackened madness, death metal riffing, and clean vocals, “The Neophyte” should get just about anyone stoked for Antimony.” – Metal Injection (2023 – Antimony)

“an amazing odyssey all around and the amount of remarkable coherency as well as the instrumentation work and musicianship is just top notch.” – Metal Purgatory (2023 – Antimony)

“Progression like what Ashen Horde has undergone over the years is what the best tales in the underground are made out of.” – Head-Banger Reviews (2023 – Antimony)

“Fallen Cathedrals; 4.0 rating; “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” – Angry Metal Guy (2019 – Fallen Cathedrals)

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0 TOUR REMINDER – MATT MILLER Kicks-Off “3 Shredders Tour” w/ RENE BENTON, MANUEL & Special Guest BIKO WRIGHT

April 7, 2026
by Asher
· Matt Miller · Music News

NEWS RELEASE

Montreal, QC – April 7, 2026

MATT MILLER Kicks-Off “3 Shredders Tour”

w/ RENE BENTON, MANUEL & Special Guest BIKO WRIGHT (History Channel’s Alone, Discovery’s Expedition Bigfoot)

New Album “Fiber Momentum” Out Now! via Exitus Stratagem Records

L-R – Justice Robinett (Bass), Jordan Kelso (Drums, Synth), Matt Miller (Guitars, Synth), Biko Wright (Vocals)

Photo Credit – Lilly May Everett

Matt Miller, tech‑death guitarist, composer, and relentless riff machine, is kicking off the 3 Shredders Tour, a lead‑guitar showcase uniting shred titan Rene Benton and explosive guitar virtuoso Manuel. Think the spirit of the G3 Tour, but cranked into the extreme‑metal realm: faster, heavier, and unapologetically intense.

The tour brings together three boundary‑pushing players at the forefront of modern metal. Joining Rene Benton on select dates is legendary bassist Kelly Conlon, known for his work on Death’s iconic “Symbolic” album and the tours that followed. His involvement injects a rare dose of metal history into an already stacked lineup.

Adding even more star power, audiences will have the chance to meet Biko Wright, Matt Miller’s vocalist and a fan‑favorite survivalist from History Channel’s Alone and Discovery’s Expedition Bigfoot. His crossover appeal continues to draw both metal fans and viewers of his television work.

“We are stoked to be hitting the road this April with Manuel and Rene Benton, it’s going to be a shred guitar extravaganza! Also, get the chance to meet survival expert Biko Wright from the TV shows Alone and Expedition Bigfoot,” adds Miller.

With three world‑class musicians on one bill, the 3 Shredders Tour promises nights of blistering solos, technical mastery, and genre‑bending creativity.

The 3 Shredders Tour w/ Matt Miller, Rene Benton, Manuel, Biko Wright
April 10 – Reno’s Chop Shop – Dallas, TX
April 11 – Hi-Tone – Memphis, TN
April 12 – SK8 Bar – Kansas City, MO
April 13 – Reggie’s Music Joint – Chicago, IL
April 15 – Driftwood Charbar – Minneapolis, MN
April 16 – Boheme – Sheboygan, WI
April 17 – Alley Cat – Iowa City, IA
April 18 – Gray’s Keg – Lincoln, NE
April 19 – Rockwell Event Center – Amarillo, TX

Matt Miller’s September 2025 release, “Fiber Tormentum” on Exitus Stratagem Records, marks a major creative shift, evolving from an instrumental concept into a full band effort with vocalist Biko Wright, drummer Jordan Kelso, and bassist Justice Robinett.

“I knew it needed vocals and the input of other people to make it come to life,” says Miller.

The album blends technical death metal, power metal, and progressive elements into his heaviest and most melodic work yet, built around a loose sci‑fi concept of an alien species rewriting human DNA, an idea shaped by post‑COVID anxieties.

The late Joshua Nassaru Ward (Voraath) created the album’s striking artwork, depicting the agony of forced transformation, echoing the record’s themes of tension and invasion. Miller’s journey to this point includes launching his solo project in 2020, touring with Rings of Saturn and Possessed, and assembling a lineup with diverse musical backgrounds. Recording the album came with memorable moments from Wright tracking vocals between filming Expedition Bigfoot to the band getting banned from music stores for sampling high‑end instruments. Hidden somewhere on the record is Wright’s triumphant “One Take Willy” shout.

From his early 2017 EP to 2022’s “Monument of Velocity,” Miller has steadily pushed extreme music forward.

Recommended for fans of Necrophagist, Symphony X, Wintersun, The Faceless, and Death, “Fiber Momentum” (released Sept 12th) is available on all major platforms through Exitus Stratagem Records.

Digital – https://hypeddit.com/mattmiller/fibertormentum

CD – https://www.exsrmusic.com/store/p/wnn3m10s6beq0pbmnot0e17ghvj629

Music Video – Effecively Neutralized – https://www.youtube.com/watch?v=hJDoR9JL9b8

Band Playthrough – Summoned – https://www.youtube.com/watch?v=5FJxxg_dd2k

Playthrough – Abiotic Origin – https://www.youtube.com/watch?v=AXXx2EN21OQ

Track Listing:
1. Descent into Violence (5:04)
2. Summoned (3:33)
3. Effectively Neutralized (4:53)
4. Blight and Disfigurement (3:23)
5. Maimed Paralyzed Dead (3:12)
6. Horror Beyond Comprehension (3:15)
7. Fiber Tormentum (Instrumental) (3:31)
8. Abiotic Origin (3:14)
Album Length: 30:08

Album Lineup:
Matt Miller (Guitars, Synth)
Jordan Kelso (Drums, Synth)
Justice Robinett (Bass)
Biko Wright (Vocals)

For more info:

https://www.exsrmusic.com/

https://mattmillerhhakmusi.wixsite.com/mattm

https://www.facebook.com/matt.miller.96995238/

https://www.instagram.com/mattmiller630/

– 30 –

“All in all, it’s a fascinating song (Effectively Neutralized) — head-spinning and heart-palpitating but also a heavy-hitter and a conjurer of strange, sinister, and haunting visions. In other words, in the space of just five minutes it pulls off a lot of impressive feats. And the well-filmed and well-edited video for it is a perfect complement, in that it shows us how all these talented performers executed all the impressive accomplishments.” – NoCleanSinging

“Hell yeah. Holy moly canoli. Fiverr to Fiber Momentum, and that was the album. This song is Descent into Violence. Holy moly canoli, dude. Go support, Matt Miller. That was absolutely badass. Total shredding.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel

“The songs on “Fiber Tormentum” are rather good, and make for very interesting listening sessions.” – Metal Temple

“”Fiber Tormentum” is a real killer and so refreshingly creative that you can’t help but toast this previously unknown genius in awe! Cheers! 9/10″ – PowerMetal.de

“Soaring, crushing, ferocious, emotive, and relentless, are words that strongly describe Decrepit Shed. The album has a lot to offer from various metal sub-genres and encompasses the best elements of technical guitar playing while still having well-written songs”. – Brave Words

“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic and brutally heavy. Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.” – Rock’n’ Load

“Even though Miller’s music is instrumental, he likes to think of the guitar as a voice. Which in turn makes him ask what is the guitar saying? He is able to easily convey emotion, tone, and a story even without the use of vocals. Throughout his releases, his music has developed a more modern sound in both the music and the production. Musically the songs are more well written and a lot of the ideas he writes are being accurately represented. He is always trying to push himself as a musician and this is reflected in his discography. Influenced primarily by technical and progressive death metal with a dash of power metal and symphonic metal as well, Matt Miller’s music is recommended for fans of Obscura, Dragon Force, and Racer X” – Metal Sucks

“Mr. Miller can shred like his fingers are on fire” – Ever-Metal.com

“Matt shreds all over this album with guitar solos galore”. – Transcending the Mundane

“Soaring, crushing, ferocious, and emotive, Miller conveys a wide range of tones throughout his instrumental music. It is recommended for fans of Dragon Force, Racer X, and Jeff Loomis” – Metal-Rules

“For guitar enthusiasts, I guess it is a feast for the eyes and ears.” – Antichrist Magazine

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0 EPK – NOX – Night Terror (single) (2026)

April 6, 2026
by Asher
· Music News · NOX

EPK – NOX – Night Terror (single) (2026)

Publicist Jon Asher – jon[@]ashermediarelations[.]com

Band: NOX
Single Title: Night Terror – 3:45
Release Date: April 15th, 2026
Label: Self-Release
Distribution: N/A
Genre: Goth Metal
Location of Band: Ottawa, Canada

“NOX is a dark creative force rooted in heavy music, cinematic tension, and immersive atmosphere. Influenced by metal, horror, sci-fi, and shadowy visual storytelling, the project exists to create music that feels larger than just sound alone. NOX is about building a world, one filled with power, fear, transformation, and emotional weight, where every song feels like an entry point into something deeper and more unsettling.

“Night Terror” is a strong reflection of that vision. The track is dark, intense, and deeply atmospheric, built around the feeling of being hunted by something both psychological and real. It leans into fear, paralysis, and the loss of control, turning those emotions into a heavy and immersive listening experience.”

Facebook.com/profile.php?id=61576513716832 | Instagram.com/the.only.nox | Youtube.com/@The.Only.Nox.Official | Spotify

[Download Single Cover | Download Single Lyrics]

Band: NOX
Single Title: Night Terror – 3:45
Release Date: April 15th, 2026
Label: Self-Release
Distribution: N/A
Genre: Goth Metal
Location of Band: Ottawa, Canada

Single Recording Credits:
• All songs performed by: NOX
• All songs written by: NOX
• Produced by: Dark Moon Productions
• Mixed by: Joe Lyko of Dark Moon Productions
• Mastered by: Joe Lyko of Dark Moon Productions
• Album Artwork by: Joe Lyko of Dark Moon Productions
• Canadian Content (MAPL)

Single Band Line Up:
Joe Lyko – All Instruments and Vocals

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About The Single Artwork:

The artwork is meant to reflect the same identity as the music — dark, striking, cinematic, and loaded with atmosphere. It leans into strong imagery, mystery, and tension rather than explaining everything outright. I want the artwork to feel like an entry point into the world of the release, something that immediately tells you this project lives in a darker and more immersive space.

About The Single:

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