Category: Music News

0 Streaming Now! Science, Psychology, And Progressive Rock Collide on EDventurED’s Debut Concept Album “Symmetry in Chaos”

October 29, 2026
by Asher
· EDventurED (Eddie Kravov's Project) · Music News

NEWS RELEASE

Montreal, QC – October 29, 2026

Streaming Now! Science, Psychology, And Progressive Rock Collide on EDventurED’s Debut Concept Album “Symmetry in Chaos”

Canada’s emerging progressive rock project EDventurED, the solo venture of songwriter, vocalist, and keyboardist Eddie Krakov, is set to release its debut full-length album “Symmetry in Chaos” on October 30, 2026. Before its official release, fans will have the opportunity to experience the album in its entirety via its full stream premiere on BraveWords HERE.

Following the release of the album’s first two singles, “Shadows We Remember” and “Mental Conflict,” EDventurED has introduced listeners to a deeply immersive musical journey that blends progressive rock, progressive metal, atmospheric textures, and emotionally driven songwriting.

“Shadows We Remember” explores Carl Jung’s theory of the collective unconscious, while “Mental Conflict” delves into the psychological tension of cognitive dissonance. Together, they offer an early glimpse into the album’s overarching theme: the search for hidden patterns connecting human behavior, memory, identity, and the forces that shape our lives.

Watch “Shadows We Remember” – https://www.youtube.com/watch?v=Erq-WI56XCg

Watch “Mental Conflict” – https://www.youtube.com/watch?v=7lgDLtt34j4

Originally known for his work with progressive rock acts Stormy Atmosphere and Timequarium, Krakov began developing EDventurED while completing mixing and mastering duties for those projects. New songs continued to emerge, eventually growing into a standalone artistic vision centered on one compelling question: Is chaos truly random, or is there a hidden order behind it?

That question became the foundation of “Symmetry in Chaos,” a concept album inspired by nine scientific, psychological, and philosophical theories. Each song explores a different idea, including chaos theory, game theory, cognitive dissonance, social identity, free will, epigenetics, and reciprocal altruism. Together, the tracks form a connected narrative examining how seemingly random events, choices, memories, and relationships create patterns that shape our lives.

“Symmetry in Chaos began with a simple question: what if the things we call random are actually part of patterns we haven’t learned to see? The album grew into a journey through nine different theories, but the deeper I went into them, the more I realized they were not separate ideas. Chaos theory, psychology, genetics, social behavior, free will, and cooperation all describe different aspects of the same thing – the complicated system we call life. Musically, I wanted to create something progressive without losing the emotional connection to the songs. There are complex ideas and structures, but melody and emotion always come first. I hope Symmetry in Chaos is an album people can listen to for the music, but also return to for the ideas,” says Eddie Krakov.

While EDventurED is a highly personal endeavor, the album also features contributions from several collaborators, including a duet with Teddy Shvets, vocalist of Stormy Atmosphere, and a special appearance from Krakov‘s eight-year-old son, Jack Krakov, creating one of the album’s most heartfelt moments.

Drawing inspiration from artists such as Riverside, OSI, Soen, Spock’s Beard, and Dream Theater, EDventurED balances accessibility with depth. The result is an album that rewards both casual listening and repeated exploration of its conceptual layers.

In support of the album, Krakov also envisions a future live presentation that extends beyond a traditional concert experience, incorporating visual storytelling and thematic imagery to immerse audiences in the world of “Symmetry in Chaos.”

EDventurED‘s “Symmetry in Chaos” will be available on all digital platforms on October 30, 2026.

Bandcamp – https://edventured.bandcamp.com/album/symmetry-in-chaos

Track Listing:
1. Symmetry in Chaos – 4:30
2. Threads and Chains – 4:22
3. Mental Conflict – 6:26
4. Echoes Code – 5:39
5. Equilibrium’s Edge – 4:52
6. Reflections of the Seen – 4:53
7. Whispering Wings – 5:58
8. Masks of the Crowd – 6:05
9. Shadows We Remember – 5:06
10. Mirror of the Other – 6:38
Album Length: 54:32

More info: https://www.facebook.com/profile.php?id=61582620816728

About:

EDventurED is the progressive solo project of Canadian musician, composer, vocalist, and keyboardist Eddie Krakov. Known for his work with Stormy Atmosphere and Timequarium, Krakov created EDventurED as an outlet for ideas that emerged between larger collaborative projects. Combining progressive rock, progressive metal, atmospheric elements, and melodic storytelling, the project explores complex scientific, psychological, and philosophical concepts through emotional and accessible songwriting.

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ASHER MEDIA RELATIONS

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0 From OMINOUS ECLIPSE To ALTERSOUL: New EP “Origins” Pays Tribute To Fallen Bandmate; Unveil Reforged Single “Abandoned”

October 28, 2026
by Asher
· Altersoul · Music News

NEWS RELEASE

Montreal, QC – October 28, 2026

From OMINOUS ECLIPSE To ALTERSOUL: New EP “Origins” Pays Tribute To Fallen Bandmate

Unveils Reforged Single “Abandoned”

L-R: Theo Konrad (drums), James Close (guitar & vocals), Graham Murphy (guitar & vocals), Evan Ferguson (bass)

Brockville, ON progressive death metal outfit ALTERSOUL proudly announces the release of its debut EP, “Origins,” a deeply personal collection that bridges the past and future of the band while honoring the legacy of a fallen friend. Alongside the announcement, the band is unveiling the music video for the EP’s lead single, “Abandoned”, a reimagined version of the oldest composition in their catalog.

Born from the ashes of longtime Ontario metal act Ominous Eclipse, Altersoul represents both a continuation and a rebirth. Following over a decade of writing, recording, and performing together, founding members James Close (Guitar/Vocals) and Graham Murphy (Guitar/Vocals) made the difficult decision to retire the Ominous Eclipse name and begin a new chapter. The transition took on an even deeper meaning after the tragic passing of bassist and founding member Ryan Clements in August 2024.

The result is “Origins,” an EP that serves as both a tribute and a mission statement.

“When Ryan passed away, these songs became even more sentimental. After years of history, they closed out the band’s final set as Ominous Eclipse. As we transition into Altersoul, we wanted to revisit these tracks and finally give them the studio treatment they deserved. This EP is our reminder of where we came from,” explains James Close.

Featuring newly recorded versions of three foundational compositions originally featured on Ominous Eclipse’s debut album, “Origins” revisits the first songs written by Graham Murphy, James Close, and Ryan Clements. While the original recordings captured the band’s youthful ambition, the new versions realize the full creative vision that was impossible to achieve over a decade ago.

Recorded, produced, mixed, and mastered entirely by the band, “Origins” showcases Altersoul‘s commitment to complete creative independence. Real orchestral instrumentation, enhanced arrangements, and dynamic production transform these early compositions into expansive modern progressive death metal works.

Leading the release is “Abandoned,” a track that traces its roots back to an acoustic guitar composition Murphy wrote around 2009-2010.

“‘Abandoned’ is a symbolic debut for us because it’s both the oldest song in our catalog and a re-recording from our past,” says Murphy. “I wrote the original guitar part after becoming heavily inspired by Immortal’s “All Shall Fall”. When we revisited the song for Altersoul, we kept the heart of the composition intact while expanding it with orchestral arrangements and modern production.”

The song’s lyrics tell the story of a man abandoned in a frozen wasteland, facing his final moments as he succumbs to the cold. Musically, the track mirrors that journey, balancing harsh aggression with cinematic orchestral passages.

“The orchestral elements alternate between peaceful symphonic moments and traditional metal sections to symbolize the body’s fight against the cold. The finale represents the character’s final breath and eventual acceptance of his fate,” adds Close.

The EP also features newly realized versions of “End of Days” and “Beyond the Apocalypse,” songs that hold special significance within the band’s history. Together, the trio of tracks serves as a reflection of the friendships, memories, and musical foundations that shaped both Ominous Eclipse and Altersoul.

A special guest appearance from Andrew Poskus, Ominous Eclipse’s original drummer, adds another layer of nostalgia and closure to the project. Ironically, despite being the band’s original drummer, Origins marks the first official release to feature his recorded performances.

Musically, Altersoul continues to blur genre lines by fusing death metal, technical death metal, thrash, black metal, progressive metal, folk influences, orchestral arrangements, and atmospheric passages into a sound that is entirely their own.

More importantly, “Origins” marks the beginning of an ambitious new era.

“We’ve got multiple albums’ worth of material that has never been heard. As much as we’ve written hours of new music, we felt it was important to start by revisiting the songs that made us. These are the building blocks everything else grew from,” says Close.

For Altersoul, “Origins” is more than a debut release. It is a tribute to a friend, a celebration of a shared history, and the first step toward a promising future.

Recommended for fans of Death, Revocation, Gojira, Children of Bodom, and Opeth, “Origins” is due out on November 27th, 2026.

EP pre-save – https://altersoul1.bandcamp.com/

Listen to “Abandoned” at the following links:

Video – https://www.youtube.com/watch?v=HBWhsc7uRWA

Spotify – https://open.spotify.com/track/0EaBnR0ukoISeGnnf2ymJT

Track Listing:
1. Abandoned – (5:20)
2. End of Days – (4:09)
3. Beyond the Apocalypse – (5:14)
EP Length: 14:43

EP Band Lineup:
Graham Murphy – Guitar/Vocals
James Close – Guitar/Vocals/Additional Instruments
Evan Ferguson – Bass
Andrew Poskus – Drums
Additional Guest Recording:
Wenhao Zhou – Piano
Heather Istead – Oboe

Live Band Lineup:
Graham Murphy – Guitar/Vocals
James Close – Guitar/Vocals
Evan Ferguson – Bass
Theo Konrad – Drums

More info:

https://www.altersoulband.com/

https://www.facebook.com/altersoulband

https://www.instagram.com/altersoul.band

About: Altersoul is a four‑piece metal band from Brockville, Ontario, formed by James Close (Guitar/Vocals) and Graham Murphy (Guitar/Vocals) after more than a decade performing as Ominous Eclipse. Joined by Evan Ferguson (Bass) and Theo Konrad (Drums), the band blends death metal, progressive elements, orchestral arrangements, and diverse influences into a sound that is both volatile and deeply atmospheric. Altersoul is a spiritual continuation of Ominous Eclipse, reborn with a new name, a new vision, and a renewed dedication to creating meaningful, meticulously crafted music.

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ASHER MEDIA RELATIONS
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0 CAVERNOUS MAW Unleashes Video “The Yeti Approaches the Wall” From New EP “Ancestral Lands Beyond the Antarctic Ice Wall”

October 27, 2026
by Asher
· Cavernous Maw · Music News

NEWS RELEASE

Montreal, QC – October 27, 2026

CAVERNOUS MAW Unleashes Video “The Yeti Approaches the Wall” From New EP “Ancestral Lands Beyond the Antarctic Ice Wall”

A crushing new chapter begins as Cavernous Maw, the Minneapolis duo, expands its vision with a concept-driven journey into the unknown with the release of its brand-new video, “The Yeti Approaches the Wall,” from their new EP “Ancestral Lands Beyond the Antarctic Ice Wall,” out now as of October 27th, 2026.

Blending relentless death metal intensity with emotional weight, memorable melodies, and unexpected influences drawn from black metal, technical death metal, and classic extreme metal, “The Yeti Approaches the Wall” marks the next evolutionary step for the two-piece act.

Comprised of longtime friends and collaborators Niilo Smith (Vocals/Guitar) and Ben Fagerness (Drums), Cavernous Maw was born from a desire to strip away complications and focus purely on creating music. After years of playing together in various projects, the pair embraced the simplicity and creative freedom of a two-member lineup, forging a sound that is equal parts brutal, dynamic, and unmistakably their own.

The new single showcases a more mature and refined version of the vision first introduced on their debut EP, “Primitive.”

“The Yeti Approaches the Wall was the first song we wrote for our next EP. It started as nearly all of our songs do, the two of us jamming in the practice space, locking onto a riff and expanding it. The arrangement and drum parts were carefully crafted to keep the energy flowing from beginning to end. Lyrically, the song is about exactly what the title suggests: a yeti approaching a wall. Whether that wall is physical or mental is up to the listener,” adds Ben.

Serving as the opening chapter of a larger concept, the track introduces listeners to a mysterious protagonist embarking on a journey beyond the boundaries of his known world. Throughout “Ancestral Lands Beyond the Antarctic Ice Wall,” the EP follows the yeti’s path of discovery, curiosity, growth, understanding, and ultimately, humanity’s downfall.

The EP’s central theme explores exploration, self-discovery, and the pursuit of knowledge. What begins as a literal story about a yeti reaching the edge of the world becomes a broader metaphor for pushing beyond personal limitations and remaining curious about what lies beyond the horizon.

Musically, the new release builds upon the foundation established by their EP “Primitive.” While the debut evolved organically and initially wasn’t even intended to feature vocals, “Ancestral Lands Beyond the Antarctic Ice Wall” was conceived from the start as a fully realized death metal record. The result is a collection of songs with stronger structure, deeper arrangements, and a more focused songwriting approach while maintaining the raw energy and riff-driven assault that defines Cavernous Maw.

The band’s songwriting process remains firmly rooted in old-school collaboration. The band develops every song together in the rehearsal space, where riffs are shaped, arrangements refined, and ideas transformed into complete compositions through a shared creative vision.

To add to the project’s authenticity, the band recorded “Ancestral Lands Beyond the Antarctic Ice Wall” largely live in their practice space before adding vocals. The accompanying video for “The Yeti Approaches the Wall” further demonstrates the duo’s commitment to immersive storytelling. In preparation for filming, Ben and Niilo even constructed a rudimentary “Viking hut” from pine branches on location, a detail that appears briefly in the final video for eagle-eyed viewers to discover.

Beyond the fantasy narrative, Cavernous Maw‘s lyrical themes draw inspiration from humanity, history, ancestral living, exploration, and the natural world. The band’s ethos celebrates curiosity, self-reliance, and the enduring spirit of discovery that has driven civilization from its earliest beginnings to the modern age.

With additional material already written for future releases and a dedicated recording studio currently under construction, Cavernous Maw shows no signs of slowing down.

“We absolutely love this new EP record, and we hope fans will too. “It’s a more mature expansion of our original vision. Fans can expect a lot more music from Cavernous Maw in the future.”

Fans of Nile, Behemoth, Cannibal Corpse, Death, and Borknagar will find plenty to appreciate in Cavernous Maw‘s blend of crushing heaviness, technical precision, and thematic ambition.

Watch and listen to “The Yeti Approaches the Wall” via its video premiere on Decibel Magazine HERE.

The EP “Ancestral Lands Beyond the Antarctic Ice Wall” is available at the following links:

Spotify – https://open.spotify.com/album/20OJGUrdNrYr6uocmOZmC9

Bandcamp (100 hand-numbered limited edition CDs available) – https://cavernousmaw.bandcamp.com/album/ancestral-lands-beyond-the-antarctic-ice-wall

Track Listing:
1. The Yeti Approaches the Wall – 3:43
2. Choke to Choke – 2:49
3. Forever and a Day – 3:10
4. Onward to Salvation – 3:17
5. Ash for Bread, Poison for Rain – 4:21

More info: https://linktr.ee/cavernousmaw

Cavernous Maw is a two-piece death metal band dedicated to crafting heavy, brutal, emotional, and immersive extreme music. Drawing inspiration from nature, history, humanity, and exploration, the duo combines old-school death metal aggression with modern songwriting sensibilities to create a powerful and distinctive sound.

Band Lineup:
Niilo Smith – Vocals/Guitar
Ben Fagerness – Drums

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“One final, and very important point: These songs are also very infectious. They get in, they do their work quickly, and they get out.” – No Clean Singing (2025 – Primitive EP)

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0 Calgary Stoner Rockers DENIMACHINE Returns w/ New Single “Filthy Lucre” From Upcoming EP “Perfect Illusion” via Grand Hand Records

October 27, 2026
by Asher
· Denimachine (Grand Hand Records) · Music News

NEWS RELEASE

Montreal, QC – October 27, 2026

Calgary Stoner Rockers DENIMACHINE Returns w/ New Single “Filthy Lucre”

New EP “Perfect Illusion” Out Nov 27th via Grand Hand Records

+ Split Vinyl w/ Riff Ratt

L-R – Brady Side (bass), Trenton Bullard (guitar, vocals), Kevin Ross (drums), Scott Charles (guitar, lead vocals)

Denimachine – Photo Credit – Josh Sandulak

Calgary, AB’s riff-worshipping stoner rock quartet Denimachine return with their long-awaited sophomore EP, “Perfect Illusion”, due out November 27, 2026 via Grand Hand Records. To mark the announcement, the band is now streaming the record’s first single, “Filthy Lucre,” an expansive, groove-heavy journey that highlights Denimachine‘s knack for pushing their riff-laden sound into more psychedelic and adventurous territory.

Available digitally and as part of a special split vinyl release with fellow rockers Riff Ratt, “Perfect Illusion” marks the band’s first new music since their self-titled 2020 EP. The four-track offering captures years of personal and musical growth while preserving the riff-driven foundation that’s become synonymous with Denimachine‘s sound.

Born from a shared desire to create something fresh after years performing in Calgary’s local music scene, Denimachine has steadily evolved from a straightforward riff machine into a more dynamic and exploratory force. The quartet blends classic hard rock swagger with modern stoner rock heft, creating songs equally suited for open highways, dusty garages, and packed festival grounds.

“These four songs are a sonic time capsule of everything we’ve lived through since our debut, and they show exactly how far we’ve evolved as a band. We’ve taken this time to dial in our sound and level up our production, blending heavy grooves with fresh, spacey textures that we can’t wait for everyone to hear,” says the band.

Produced through the band’s fully collaborative writing process, “Perfect Illusion” balances Denimachine‘s trademark heaviness with broader sonic textures, psychedelic atmospheres, and more cohesive songwriting. Produced and mixed by Scott Giffin and mastered by Stuart McKillop at Rain City Recorders, the EP spans the band’s creative timeline, featuring both some of their oldest and newest material, reflecting nearly a decade of growth since the band’s formation in 2017.

Leading the charge is the first single, “Filthy Lucre,” one of the most experimental tracks Denimachine has ever written.

“Get ready to strap in and go to space for the last half of this one. It’s definitely one of the more experimental long-form jams we’ve ever written,” adds the band.

Listen to “Filthy Lucre” at the following links:

Spotify – https://li.sten.to/qt66b2664024

YouTube – https://www.youtube.com/watch?v=kId9ouGNvaw

The remainder of the EP continues the journey through Denimachine‘s evolving sound. Opener “Tornado” has been a staple of the band’s live set for years before finally making its recorded debut, while “Grundy” captures the spontaneous magic of a jam session that quickly took on a life of its own. Meanwhile, “Edgelord” unfolds from a laid-back groove into an ever-changing sonic adventure that underwent numerous transformations before reaching its final form.

Known for their energetic live performances and unmistakable chemistry, Denimachine has spent years refining a recording approach that captures the massive sound and carefree spirit that define their shows. The result is a record designed for repeat listens, whether fans are looking to crank the volume, hit the road, or sink into the band’s thick, fuzz-soaked grooves.

Formed by veterans of Calgary acts Throne of Vengeance, Frankie McQueen, Falcon, and MANcub, Denimachine consists of guitarist/vocalists Trenton Bullard and Scott Charles, bassist Brady Side, and drummer Kevin Ross. What began as a project to entertain fellow vanners at the legendary Vantopia gathering has grown into one of Western Canada’s most recognizable stoner rock outfits.

With “Perfect Illusion,” Denimachine proves that sometimes the best rock and roll comes from friends chasing riffs, sharing beers, and letting the groove do the talking.

Recommended for fans of Queens Of The Stone Age, Black Sabbath, Wolfmother, Graveyard, and TruckFighters, “Perfect Illusion” arrives November 27, 2026, digitally via Grand Hand Records, along with the EP on a Split Vinyl with Riff Ratt.

Show Dates:
Dec 5 – Calgary, AB – Palomino (EP Release Party) w/ Riff Ratt, Gone Cosmic

Artwork by Paul Hendrik and Trenton Bullard

Track Listing:
1. Tornado – 4:58
2. Grundy – 3:32
3. Edgelord – 5:33
4. Filthy Lucre – 5:44
Total EP Length: 19:47

Album Band Lineup:
Scott Charles (Guitar, Vocals)
Trenton Bullard (Guitar, Vocals)
Brady Side (Bass)
Kevin Ross (Drums)
Scott Giffin (Synth)

Live Band Lineup:
Scott Charles (Guitar, Vocals)
Trenton Bullard (Guitar, Vocals)
Brady Side (Bass)
Kevin Ross (Drums)

More info:

https://denimachineband.com/

https://www.facebook.com/denimachine/

https://www.instagram.com/denimachine/

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Submit Your Music for the 2027 JUNO Awards Before November 5th

October 26, 2026
by Asher
· Music News

Submit Your Music for the 2027 JUNO Awards Before November 5th

Hey Canadian Metal Bands! Jon Asher from Asher Media Relations. As a member of the Juno Metal Committee, I’d like to remind you that the deadline to submit for The Juno Awards’ Metal / Hard Rock Album of the Year is getting near! Deadline: November 5th!

Get Ahead of the Deadline: Submit Your Music Now!
Submit at https://juno.submit.live/home

Ready to put your music forward? Submit your work for consideration for the 2027 JUNO Awards Presented by TD before submissions close. Check your eligibility, gather your materials, and complete your submission today.

Submitting early gives you more time to address any outstanding issues before the deadline. Don’t wait until the last minute!

Submissions close:
November 5 at 11:59 p.m. PT
November 6 at 2:59 a.m. ET

Eligibility period:
September 1, 2025 – November 6, 2026

What Happens After You Submit?

CARAS Eligibility Review
Once you submit, the CARAS Academy Operations team reviews your application to ensure it meets all eligibility requirements. If any information or materials are missing, or if questions arise, our team will contact you to resolve them.

Music Advisory Committee Review
Next, Music Advisory Committees, composed of experts in each genre and category, listen to and review every submission to ensure they are entered in the appropriate categories. If a category change is recommended, the submitter will be notified.

Round 1 Voting
Following Committee review, eligible submissions advance to Round 1 voting, where JUNO Judges and Academy Delegates vote to determine the 2027 JUNO Award nominees.

Have questions about your submission? Contact us at submissions@junoawards.ca.

Start With the Submission Guide
Review our step-by-step guide and checklist for eligibility requirements, key dates and the materials you’ll need. Get your submission ready now to avoid a last-minute rush.

VIEW THE GUIDE & CHECKLIST

#JUNOAwards #JUNOAwards2027 #CanadianMetal #MetalCanada #CanadianMusic #HeavyMetal #HardRock #Metalcore #DeathMetal #ThrashMetal #ProgMetal #CanadianBands #IndependentMusic #MusicIndustry #SupportCanadianMusic

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Rockshots Records / Extreme Metal Music (Turin, IT)
Exitus Stratagem Records (Fayetteville, NC)
Gore House Productions (Los Angeles)
Wacken Metal Battle Canada / USA
Armstrong MetalFest (Armstrong, BC)
Hyperspace Metal Fest (Vancouver, BC)
Loud As Hell Fest (Drumheller, AB)
Decimate Metal Fest (Millet, AB)
Mile High Power Fest (Denver, CO)
Tampa Death Fest (Tampa Bay, FL)
Capital Punishment Festival (Ottawa, ON)

0 Reminder – Deadline Oct 31st – LOUD AS HELL OPEN AIR FESTIVAL Opens Band Submissions for 2027 Lineup! Canada’s Heaviest Badlands Gathering!

October 26, 2026
by Asher
· Loud As Hell Festival · Music News

NEWS RELEASE

Montreal, QC – Oct 26, 2026

Reminder – Deadline Oct 31st – LOUD AS HELL OPEN AIR FESTIVAL Opens Band Submissions for 2027 Lineup!

Canada’s Heaviest Badlands Gathering!

July 30th – Aug 1st – Camping & Extreme Music In Alberta’s Badlands – Drumheller, AB

Hashtags #LAHXV, #LAHOA, #LAHOA2027

Where the rocks are heavy and so is the metal, Canada’s loudest gathering returns to Alberta’s Badlands. Celebrating its 15th anniversary in 2027, LOUD AS HELL OPEN AIR FESTIVAL is back with another unforgettable weekend of crushing performances, freak shows, burlesque acts, clinics, vendors, and, of course, dinosaurs.

From July 30 to August 1, 2027, Drumheller, Alberta, will once again become the epicenter of extreme music as one of Western Canada’s premier metal festivals takes over the Badlands. In a landscape once ruled by dinosaurs, thousands of metalheads from across Canada and around the globe will gather to unleash a roar of their own.

Band submissions for the 2027 edition close on October 31st. This is your band’s chance to perform alongside some of Canada’s heaviest acts and make your mark on one of the country’s most unique festival stages. Bring the noise to the Badlands, where the roar of metal echoes louder than ever.

Bands interested in performing can apply at: https://loudashell.ca/

“As Western Canada’s festival season heats up, Loud as Hell Open Air stands out as an absolute heavy hitter.” – Broken Neck Radio

“Nestled in the sun-baked badlands of Drumheller, Loud As Hell has long held the crown as one of Western Canada’s premier heavy metal pilgrimages.” – Metal-Rules

“Metal music takes over Drumheller… If metal is your music of choice, Drumheller is the place to be this weekend. The Loud as Hell open-air festival showcases a diverse roster of independent and signed acts from across North America.” – Global News Edmonton (Video Interview)

Early Bird tickets go on sale December 1, 2026.

Secure your spot before prices rise and join us for the loudest weekend of the summer. Set against the breathtaking backdrop of Alberta’s Badlands, Loud As Hell Open Air Festival returns with earth-shaking riffs, relentless performances, and enough volume to wake the dinosaurs.

The 2026 edition featured Fallujah, Allegaeon, Summoning the Lich, Gravemass, Crimson Shadows, Starkill, Super Monster Party, Mourning High, Edge of Paradise, and many more.

Live Video – SlimBzTV – ALLEGEON at LAH 2026 – https://www.youtube.com/watch?v=6uX7XWNM2hY

Live Video – SlimBzTV – Summoning The Lich at LAH 2026 – https://www.youtube.com/watch?v=EXs9aEh9OHA

Live Video – SlimBzTV – Starkill at LAH 2026 – https://www.youtube.com/watch?v=RcZJ9AlTstY

LAH 2026 Lineup Spotify Playlist – https://open.spotify.com/playlist/1Nbkvo4kG0ePTcsCVl2V2T

Year after year, LAH continues to grow, drawing metal fans from across Canada and beyond for a weekend of unforgettable performances, campground camaraderie, and pure moshing mayhem among the hoodoos of Drumheller, AB. As one of the country’s most distinctive heavy music destinations, the festival delivers a one-of-a-kind experience where prehistoric landscapes and extreme metal collide.

Since launching in 2012, Loud As Hell Open Air Festival has cemented its place as a cornerstone of Canada’s extreme music scene, showcasing hundreds of bands from across the country and around the world, save for a brief pause in 2020 due to the COVID-19 pandemic. Over the years, the festival has hosted heavyweights like Revocation, First Fragment, Beyond Creation, Striker, Green Jelly, The Convalescence, Jungle Rot, Narcotic Wasteland, Into Eternity, Goatwhore, Fit for An Autopsy, Archspire, Unleash The Archers, Protest the Hero, AngelMaker, and many more, drawing metalheads from coast to coast for a weekend of sonic devastation.

In 2027, Loud As Hell returns for its 15th edition, presented by Loud As Hell Productions, Jurassic Ink Custom Tattoo, Prairie Fire Events, and Asher Media Relations. Renowned for delivering one of the most punishing lineups in Western Canada, the festival promises another unforgettable experience packed with crushing performances, freak shows, burlesque acts, clinics, vendors, and yes, dinosaurs. Loud As Hell isn’t just a festival. It’s a full-throttle celebration of metal mayhem.

More info:
LoudAsHell.ca
Facebook.com/LoudAsHellFestival
X: @LoudAsHellFest
Instagram: @LoudAsHellFestival
Social Media Hashtags #LAHXV, #LAHOA, #LAHOA2027

LAH Partners:
WCMFA – Western Canadian Metal Festival Alliance
Asher Media Relations
Bravewords
Metal-Rules
Absolute Underground Mag
Ghost Cult Magazine
This Day In Metal
Valley Brewing
Canalta Hotels
Neighbours’ Corner Pub
Prairie Fire Productions Ltd
CFUV 101.9 Thrash Can
Slimbztv
High Voltage TV
Through The Looking Glass Photography
Heavy Metal A Way Of Life
QMR (Queen Metal Radio)
BrokenNeckRadio

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What the press is saying:

“Nestled in the sun-baked badlands of Drumheller, Loud As Hell has long held the crown as one of Western Canada’s premier heavy metal pilgrimages. For its 14th edition, the festival is delivering its most ambitious, face-melting lineup to date—headlined by technical death metal powerhouse Fallujah, a long-awaited return from Allegaeon, and opening-night chaos from Summoning the Lich.” – Metal-Rules

“Drumheller metal festival Loud as Hell continues international growth… The Loud as Hell Festival began in Drumheller in 2012. What began as a small indoor gathering of heavy metal enthusiasts has turned into a three-day outdoor summer festival at the Dinosaur Downs Speedway… As the festival has grown in popularity, so has the desire for bands to participate. In recent years, the festival selection committee has reviewed about 500 submissions of metal bands from across the globe…. While the nearly 1,000 people the festival draws on average are made up of metal fans from central Alberta, Bourrie said that it is beginning to draw international visitors as well, from the U.S., Norway, Germany, and Sweden.” – Stettler Independent / Red Deer Advocate

“Located an hour and a half east of Calgary is the town of Drumheller, Alberta. With a population in the neighborhood of 8000 and existing smack dab in the middle of Canada’s desert and dinosaur country, it’s not a place one would immediately associate with any sort of metal scene, let alone a big-ass outdoor metal fest. But that’s where you’d be wrong. Going into its 11th year, the Loud as Hell Festival is set to roll on August 4-6th with the likes of Narcotic Wasteland, Jungle Rot and Incite headlining three days of metallic fun featuring 40 or so bands, including The Convalescence, Gorgatron, Necronomicon, Untimely Demise, Eyes of Perdition and more.” – Decibel Magazine

“Western Canada’s loudest heavy metal festival brings fans to town more known for dinos than drum solos.” – CBC Calgary

“What’s more metal than the badlands? Drumheller, AB, is known for being the dinosaur capital of the world — but it’s also the home of the Loud as Hell festival, an event celebrating none other than the loudest music known to man (and, by proxy, prehistoric reptile).” – Exclaim!

“Loud as Hell – one of Canada’s top underground metal festivals – was a metal family reunion. If you walked around the grounds, where tents covered the landscape like flowers, you would experience concert goers laughing, hugging and just enjoying the moment. The music played non-stop and the people were some of the best you’ll meet. What else do you need? If you’re a metalhead fan, mark it down for next year because this is a concert you don’t want to miss.” – Blackfalds Life

“Headbanger alert: Loud As Hell festival to ramp up the volume” – Calgary Herald

“Nevermind the bug spray and sun tan lotion, as August approaches Drumheller residents should stock up on earplugs.” – Calgary Herald

“Loud As Hell returns to the southern Alberta city for its seventh year and as its name implies, will rock the city to its core.” – Calgary Herald

“Loud as Hell has celebrated eight years in the Badlands to date, with acts from all over the world-shattering the peace and quiet of the hills in a camping and music extravaganza.” – Hanna Herald

“Drumheller with its dinosaur bones is the site of the annual Loud as Hell heavy metal festival Friday through Sunday. Dozens of the heaviest bands known to Man will be taking the stage, many of them Canadian” – Gig City

—
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0 Out Now! Breakdowns, Melody, and Mayhem! Montreal’s KILLED BY SORROW Unleashes New Album “Empire of Excess”

October 23, 2026
by Asher
· Killed By Sorrow · Music News

NEWS RELEASE

Montreal, QC – October 23, 2026

Out Now! Breakdowns, Melody, and Mayhem! Montreal’s KILLED BY SORROW Unleashes New Album “Empire of Excess”

Montreal metal outfit Killed By Sorrow is proud to announce the release of their brand-new full-length album, “Empire of Excess,” available now as of October 23, 2026. Blending melodic intensity, crushing aggression, and emotionally charged songwriting, the ten-track record represents the band’s most ambitious and refined work to date.

Following the successful release of videos “The End is Near,” “The Burial,” and “Betrayal,” “Empire of Excess” showcases a band continuing to evolve while staying true to the heavy-hitting sound that first connected with fans.

Speaking on behalf of the band, rhythm guitarist Samuel Ham shared insight into the creation and vision behind the album.

“Fans will connect strongly with this release. It captures the intensity and aggression that defined our early sound, but with a more mature and refined mix. Long-time listeners will recognize the roots of Killed By Sorrow, while new fans will appreciate the clearer production, tighter songwriting, and deeper atmosphere. This release feels like a natural evolution while remaining familiar enough for existing fans.”

Melodic, aggressive, emotional, dynamic, and intense, “Empire of Excess” takes listeners on a journey through themes of societal collapse, personal struggle, betrayal, resilience, friendship, and self-discovery. The album balances crushing breakdowns, soaring melodies, punk-infused energy, and memorable hooks across a diverse collection of tracks.

According to Samuel Ham, the band’s goal was simple:

“The goal is to blend heaviness and melody in a way that pulls listeners into the story behind each track. Every song is meant to hit hard, connect on a personal level, and leave listeners with the sense that they’ve gone through something meaningful from start to finish.”

The collaborative nature of Killed By Sorrow has been a key component of the album’s development. Every song was reviewed and refined by the entire band, with primary songwriting duties shared between bassist Martin Bersier-Carpentier and guitarist Samuel Ham. The band also credits Martin for helping shape the group’s evolving sound and bringing a fresh creative perspective to the songwriting process.

Lyrically, “Empire of Excess” explores a wide range of subjects, from apocalyptic devastation in “The End is Near” to consumerism and societal decline in the title track, while songs like “Never Give Up” deliver messages of perseverance and strength. The band intentionally crafted an album with varied moods and styles, ensuring there is something for every listener.

“There is definitely a track that will please any listener. We pride ourselves on making sure the album has a different vibe from start to finish,” adds Ham.

The release also marks a significant milestone for the band, which expanded the project into a full-length album by writing additional material to complete the ten-song collection. Fans can also look forward to more music, with the band’s next album reportedly already well underway.

Known for their energetic stage presence and engaging live performances, Killed By Sorrow continue to build momentum on the local scene, led by frontman Sebastien’s commanding presence and the band’s undeniable chemistry on stage.

Recommended for fans of Unearth, Killswitch Engage, Poison The Well, Trivium, and Lamb of God, “Empire of Excess” is available as of October 23rd, 2026, at the following links:

Spotify – https://killedbysorrow.fanlink.tv/EMPIREOFEXCESS

Bandcamp – https://killedbysorrow.bandcamp.com/

Videos:

“The End is Near” – https://www.youtube.com/watch?v=XKZuGNhoqH8

“The Burial” – https://www.youtube.com/watch?v=2QAW0l6NjTg

“Betrayal” – https://www.youtube.com/watch?v=i0PWyiTedfs

Track Listing:
1. The End is Near – 3:38
2. Empire of Excess – 3:04
3. The Burial – 3:28
4. Betrayal – 3:51
5. Never Give Up – 2:37
6. All My Brothers – 3:18
7. In The Spotlight – 3:17
8. Killed By Sorrow – 3:29
9. Unchained – 3:42
10. Stay In Line – 3:28
Album Length: 33:55

Band Line-up:
Sébastien Mailloux – Vocals
Martin Bersier-Carpentier – Bass
Tommy Forand – Lead Guitar
Samuel Ham – Guitar Rhythm
Mathieu Lassonde – Drums

More info:

https://killedbysorrow.com/

https://www.facebook.com/KilledbySorrow/

https://www.instagram.com/killedbysorrowband

-30-

“Killed by Sorrow frappe très fort avec Empire of Excess et prouve qu’il a tout ce qu’il faut pour se tailler une place parmi les formations à surveiller de la scène metalcore québécoise. Entre les riffs percutants, les refrains accrocheurs et les breakdowns là où ça compte, le groupe livre un album solide qui ne manque ni de mordant ni de personnalité. Les dix morceaux témoignent d’une formation qui sait comment allier puissance et mélodie sans perdre de vue l’efficacité. Bref, KBS nous offre ici un album qui fait plus que le travail et qui donne surtout envie de monter le volume : une bonne dose d’intensité qu’on a envie de se remettre dans les oreilles!” – 9.5/10 – Metal Universe

“Killed by Sorrow hits incredibly hard with Empire of Excess and proves that it has everything it takes to establish itself as one of the bands to watch on Quebec’s metalcore scene. Between the crushing riffs, catchy choruses, and breakdowns that hit exactly where they should, the band delivers a solid album that lacks neither bite nor personality. These ten tracks showcase a band that knows how to combine power and melody without sacrificing effectiveness. In short, KBS delivers an album that goes well beyond expectations and, most importantly, makes you want to crank up the volume. A serious dose of intensity you’ll want to blast through your speakers again and again!” – 9.5/10 – Metal Universe

“The follow up to 2023 sophomore EP “Careless of This Sadness” it (Empire of Excess) represents half an hour of power in ten emotionally charged tunes built on explosive breakdowns and raw emotional intensity.” – Metal Noise

“The band injects plenty of energy and intensity into these songs. ” – Heavy Music Headquarters

“Almost every metal band that writes about death writes about the fight. Killed By Sorrow have gone the other way. The Burial is about the part after the fight is over — the slow, procedural, unglamorous business of the ground closing over someone. It is the second single from Empire Of Excess, the Quebec band’s debut full-length, out October 23. The band call it “a dark, ritual-like descent into death where silence, decay, and inevitability swallow everything.” They are not overselling it. Where first single Betrayal came out swinging, this one takes its time, and the patience is the whole argument.” – See Rock Live Magazine

“The band pulls from metalcore, thrash and progressive metal, with melodic leads and hardcore-punk bite running underneath. The comparisons that come with the release are Unearth, Killswitch Engage, Poison the Well, Trivium and Lamb of God, and the lineage is easy to hear in a style that values big hooks without surrendering the heaviness. It is the kind of crowded, high-energy approach that has long thrived in Quebec’s metal scene, and it sits comfortably alongside the harder Canadian acts we have covered, such as Comeback Kid and Shroud.” – See Rock Live Magazine (The End is Near – single)

“Canadian underground hardcore punks in Killed By Sorrow’s newest single, Betrayal, definitely stays loyal to the metalcore scene by actually sounding like thrash metal tones mixed with a hardcore punk grit and attitude. Heavily distorted rhythms sound closer to your traditional hardcore, but paired with your traditional style of hardcore punk vocals, Betrayal lets you know not to cross Killed By Sorrow. Huge basslines underneath and in-the-pocket drumming made this one an interesting approach in a crowded metalcore genre, and it’s more than worth a few listens.” – Metal Institute of Thrashology (2026)

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0 Streaming Now! Canada’s BONEYARD’s New Album “Black Static” Delivers A Powerful Mix Of Melody, Metal, And Heart

October 23, 2026
by Asher
· Boneyard · Music News

NEWS RELEASE

Montreal, QC – October 23, 2026

Streaming Now! Canada’s BONEYARD’s New Album “Black Static” Delivers A Powerful Mix Of Melody, Metal, And Heart

L-R: Jefftimus (Drums), Lezzy Osbourne (Bass Guitar), Garhardt (Lead Guitars), Pamtera (Lead Vocals and Guitars)

Photo Credit – Corrine (Wytchy) Thain

Canadian hard rock and melodic metal outfit Boneyard is proud to announce the release of its sophomore album, “Black Static”, arriving October 23, 2026. Building upon the foundation established by their acclaimed debut “Oathbreaker,” the new record showcases an evolved lineup, expanded songwriting chemistry, and a powerful blend of modern female-fronted hard rock and traditional heavy metal.

Founded in 2015 by singer/guitarist Pamtera and drummer Jefftimus, Boneyard first gained widespread attention with their independently released debut album “Oathbreaker.” The record later caught the attention of Italy’s WormHoleDeath Records, leading to a broader international re-release in 2022, including distribution in Japan. Since then, the band has become a respected force across Western Canada’s rock and metal scene, sharing stages with acts such as 96 Bitter Beings, KingDoom, and Deadwolff while earning praise for their powerful blend of melody, heavy riffs, and meaningful storytelling.

For Boneyard, “Black Static” represents both a continuation and an evolution.

“Black Static is an extension of Oathbreaker, featuring another diverse collection of songs while showcasing the unique contributions of Lezzy and Garhardt. The new lineup and album are quite different from Oathbreaker, and we’re excited for fans to hear where the band has gone,” explains Jefftimus.

The anticipation surrounding the album has steadily grown thanks to previously released singles “Before the Fall,” “Compass Points to War,” and “Hanging Tree,” each of which introduced a different side of Boneyard‘s musical personality.

According to Jefftimus (drums), local fans have been particularly eager to hear the first full release featuring bassist Lezzy and lead guitarist Garhardt, whose contributions played a significant role in shaping the album’s identity.

Musically, “Black Static” bridges generations of heavy music, combining influences from traditional ’80s hard rock and heavy metal with elements of ’90s punk and rock.

“We wanted to create something that bridges modern female-fronted hard rock with traditional heavy metal,” adds Jefftimus.

The album’s lyrical themes are equally compelling. Drawing from painful personal experiences and difficult social realities, songs explore toxic relationships, addiction, homelessness, mental health struggles, grief, war, corruption, and human trafficking. Yet throughout the darkness runs a common thread of resilience and hope.

“Pamtera and I often draw inspiration from painful personal experiences as well as difficult collective issues like human trafficking and deteriorating mental health. At the same time, we always try to weave hope and positivity into those stories,” says Lezzy.

Among the album’s standout moments is “Left Me To Drown,” a deeply personal track written from Lezzy’s experiences with toxic and abusive relationships. Built around a pirate-ship metaphor, the song combines some of the album’s heaviest musical passages with a message of survival, transformation, and empowerment.

Elsewhere, “Not This Way (Joel’s Song)” tackles the heartbreaking realities of schizophrenia, addiction, and homelessness, inspired by the true story of a man named Joel and told through the perspective of his grieving mother.

The band’s previously released single “Before the Fall” confronts global issues including corruption, inequality, war, and exploitation while ultimately delivering a message of unity and hope for future generations. Its accompanying video shines a light on human trafficking and missing and murdered Indigenous persons.

Balancing the album’s heavier themes are adventurous and cinematic tracks such as “Hanging Tree,” a tongue-in-cheek Western metal anthem packed with outlaws, gunfights, and gallows humor, and “Compass Points to War,” an epic maritime battle soundtrack driven by soaring riffs, gang vocals, and pirate warfare.

The album’s striking artwork was once again created by celebrated Calgary artist Tom Bagley, continuing the visual legacy established with “Oathbreaker” and featuring the band’s mascot, Misty Bone.

“We give Tom a concept involving Misty Bone, and he always hits it out of the park,” adds Jefftimus.

Like the music itself, the artwork balances classic heavy metal tradition with modern creativity.

Beyond the songs, Boneyard continues to stand out through its representation and authenticity. With a Métis drummer and a member of the LGBTQ+ community in its ranks, the band represents a diverse and inclusive face of modern hard rock and metal while remaining firmly rooted in the genre’s timeless spirit.

With “Black Static,” Boneyard has crafted an album that is melodic, heavy, emotional, and empowering, proving that meaningful storytelling and unforgettable hooks can coexist in equal measure.

Recommended for fans of Halestorm, Saxon, Doro, The Pretty Reckless, and Iron Maiden, “Black Static” will be available October 23, 2026, digitally and on CD, with a vinyl release to be announced later.

Spotify and all digital platforms – https://ffm.to/blackstatic

Videos:

“Hanging Tree” – https://www.youtube.com/watch?v=vudfSBqQYUg

“Compass Points to War” – https://www.youtube.com/watch?v=VaI_tOId-kY

“Before the Fall” – https://www.youtube.com/watch?v=HPOEcMLX5Xc

Show Dates:
Oct 23 – Edmonton, AB – The Rec Room (Album Release Show) w/ Daniel Martin & The Infamous
Dec 5 – Calgary, AB – Border Crossing Pub

Track Listing:
1. Met You in a Dream
2. Left Me to Drown
3. Ready for a Change
4. Not this Way (Joel’s Song)
5. Blood in the Bond
6. Before the Fall
7. Hanging Tree
8. Compass Points to War
9. Before the Fall (Piano Rendition)

Album and Live Band Lineup:
Pamtera – Lead Vocals, Guitar
Lezzy Osbourne – Bass
Jefftimus – Drums
Garhardt – Lead Guitar

More info: https://linktr.ee/boneyardrocks

– 30 –

“For nearly forty minutes, Boneyard deliver classic melodic hard rock on “Black Static.” Packed with memorable melodies, exceptional vocals, and a crisp, powerful production, the album offers tremendous entertainment value. At the same time, heavy riffs and varied songwriting ensure plenty of depth. As a result, the band is likely to appeal to a broad spectrum of both rock and metal fans” – Keep On Rockin Mag Germany

“A colorful band from the energy and vibe they are spreading throughout their music. With no doubt they will make a big jump in the music industry. This is rock and roll baby! Sweet but not too much, with emotions and rocking tunes to get you dance all day. A must-have 98/100.” – The Metal Mag

“Boneyard‘s debut record Oathbreaker is the kind of album that gets a little better each time that you listen” – Sleaze Roxx’s Top 10 Albums of 2020

“Solid, enjoyable debut, support the New Wave of Traditional Heavy Metal” – Bravewords

“Boneyard lean a bit more towards the hard rock side of the spectrum but the metal is all there as well” – Metal-Rules

“Rock music from Canada still guarantees quality”- PowerMetal

“What we have here is a female-fronted metal outfit that bathes in the crimson glory of traditional heavy rock and heavy metal”- Metal Roos

—-

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0 MOONLIGHT DESIRES Blast To The Past w/ A-HA Cover Video “Take On Me” and New EP “Totally Tubular 80’s Party Machine” Out Nov 2026

October 23, 2026
by Asher
· Moonlight Desires · Music News

NEWS RELEASE

Montreal, QC – October 23, 2026

MOONLIGHT DESIRES Blast To The Past with A-HA Cover Video “Take On Me”

and New EP “Totally Tubular 80’s Party Machine” Out Nov 2026

L-R: Joey DeLeo (Guitar) / Crissy Stixx (Drums) / Trevor Ziebarth (Vocals, Guitar) / Jay Ziebarth (Vocals) / Mitch Thompson (Lead Guitar) / Tyler Siroky (Bass)
Photo Credit – Randy Gilbert

Hamilton, ON’s nostalgia-fueled hard rockers MOONLIGHT DESIRES return with their biggest party yet. Six years after their last studio release, the band is set to unleash their new EP “Totally Tubular 80’s Party Machine” on November 27, 2026 via Infamous Butcher Records. To celebrate the announcement, the band is now streaming the first single and music video, a high-energy reimagining of A-ha’s timeless classic “Take On Me”.

Known for transforming beloved ’80s pop hits into guitar-driven rock anthems, Moonlight Desires continues its mission of injecting nostalgia with a shot of adrenaline. The seven-track EP showcases the band’s signature blend of soaring hooks, crunchy riffs, and sing-along choruses while remaining faithful to the spirit of the original songs.

Selected by new frontman Jay Ziebarth, “Take On Me” serves as the perfect introduction to the band’s next chapter.

“This song is basically about the risks of romance and taking a chance on love before the opportunity slips away. It’s also one of the most instantly recognizable ’80s hits of yesteryear. The nostalgia is thick with this one, and we tried to keep the arrangement close to the source material while still making it sound fresh. This song is the match that ignites a full raucous collection of hits,” says guitarist Trevor Ziebarth.

Watch the video for “Take On Me” at https://www.youtube.com/watch?v=SK7f_Nq4sxc

Add to your Spotify playlist – https://fanlink.tv/moonlightdesires

Featuring explosive performances, thunderous drums, and towering guitar melodies, Moonlight Desires approached the material differently this time around. Rather than completely reinventing the source material, the band chose to preserve the core arrangements and recognizable moments that made these songs legendary while amplifying the energy with a heavier modern rock attack.

“We’re trying to invoke all those warm memories you have of ’80s MTV, plus a dash of ’90s MuchMusic, and deliver them back to you wrapped in a louder, grungier, grittier package. When we were choosing a tracklist for this EP, we knew we wanted to make an upbeat, party-focused album while still maintaining all the moody rock sensibilities the band has become known for. Expect heavy nostalgia and an explosion of riffs,” explains Trevor Ziebarth.

The new release also marks a significant turning point for Moonlight Desires as bassist and longtime crowd favorite Jay Ziebarth officially steps into the role of primary frontman. Known for his infectious stage presence and ability to transform venues into full-scale “dance mosh pits,” Jay’s expanded vocal role brings a fresh energy to the band’s sound while preserving everything fans have come to expect from a Moonlight Desires performance.

“With this new EP, we are officially passing the frontman torch over to Jay Ziebarth. His vocal stylings and high-energy live performances have always been a staple at a Moonlight Desires show, so now we’ve given him more of an outlet for this showmanship. With bigger production, bigger hits, and a new frontman, Moonlight Desires might have reached our peak form,” says Trevor.

Adding further firepower to the release, acclaimed Failure drummer Kellii Scott performs throughout the EP after collaborating remotely from Los Angeles. The recordings were completed with longtime producer Mitch Bowden at Mechanical Noise Studios in Dunnville, Ontario.

The EP artwork also embraces the band’s deep-rooted love affair with ’80s culture. Captured by photographer Randy Gilbert during the filming of the “Take On Me” video, the cover features the band posing beside a replica DeLorean famously associated with Back to the Future, perfectly encapsulating the release’s retro-meets-modern aesthetic.

Fans can expect a collection packed with iconic hits reborn through Moonlight Desires‘ distinctive hard rock lens, including Cyndi Lauper’s “Girls Just Want to Have Fun,” Dexys Midnight Runners’ “Come On Eileen,” Bronski Beat’s “Smalltown Boy,” Peter Schilling’s “Major Tom (Coming Home),” Madonna’s “Material Girl,” and Spandau Ballet’s “True.”

After more than a decade of transforming guilty pleasures into guitar-fueled party anthems, Moonlight Desires returns with what may be their most ambitious and entertaining release yet.

Recommended for fans of Me First and the Gimme Gimmes, The Ataris, Foo Fighters, Soundgarden, and anyone who ever made a mixtape from MTV, “Totally Tubular 80’s Party Machine” will be out on all digital platforms on November 27, 2026, via Infamous Butcher Records.

EP pre-save – https://moonlightdesires.bandcamp.com/

Randy Gilbert (Photographer) & Brad Machry (Graphics & Layout)

Track Listing:
1. Take on Me (3:19) (A-ha Cover)
2. Girls Just Wanna Have Fun (2:43) (Cyndi Lauper Cover)
3. Come on Eileen (3:37) (Dexys Midnight Runners Cover)
4. Small Town Boy (2:49) (Bronski Beat Cover)
5. Major Tom (Coming Home) (3:28) (Peter Schilling Cover)
6. Material Girl (3:51) (Madonna Cover)
7. True (4:20) (Spandau Ballet Cover)
EP Length: 24:05

EP Band Lineup:
Jay Ziebarth – Vocals
Trevor Ziebarth – Vocals, Guitar, Bass
Marco Bressette – Lead Guitar
Mitch Bowden – Lead Guitar
Kellii Scott – Drums

Live Band Lineup:
Jay Ziebarth – Vocals
Trevor Ziebarth – Vocals, Guitar
Mitch Bowden – Lead Guitar
Joey DeLeo – Guitar
Crissy Stixx – Drums

More info:

https://www.moonlightdesires.ca/

https://www.facebook.com/moonlightdesires

https://www.instagram.com/moonlightdesiresband

-30-

What the press has said:

“Moonlight Desires takes delight in taking synth-laden pop hits from the ’80s and turning them into heavy metal monsters.” – The Hamilton Spectator – At The Movies (2020)

“Just the tonic we need in these times, putting a little smile on your face and plenty of riffs for your bucks.” – Get Ready To Rock – At The Movies (2020)

“Moonlight Desires is fun… like, a lot of fun… and everyone should have some fun tonight. So rip it up, everybody Wang Chung tonight!” – V13 – At The Movies (2020)

“I just wish there were more than the four songs on here, because what’s on offer is great. I’ve played the EP on a loop since I popped it on to review it and it’s definitely going to keep on playing. None of the tracks are hugely different from their original recordings, but it doesn’t matter. They’re all just designed for being sung out loud, and you can warble along in the kitchen to these new versions as easily as you could have back when shoulder pads were in fashion… A great little compilation that will raise a smile as much as your singing voice.” – Moshville Times – At The Movies (2020)

“The Canadian band Moonlight Desires, who specialize in turning ’80s pop songs into guitar-driven songs, turn to classic ’80s movie songs for the four track EP At The Movies… It’s a fun blast from the past that will appeal to those of us who saw those movies in the theater when they were originally released along with the younger generation who discovered them via streaming services or cable TV.” – Heavy Music Headquarters – At The Movies (2020)

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0 Out Now! Finland’s AFTER INFINITY’s New Album “Beyond Eternity”

October 23, 2026
by Asher
· After Infinity (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC -October 23, 2026

Out Now! Finland’s AFTER INFINITY’s New Album “Beyond Eternity”

Featuring Album Guests Paolo Ribaldini (Delain, Leverage, Seraphiel), Aitor Arrastia (Metal de Facto),
Nitte Valo (Dreamtale, ex-Battle Beast), Mika Tauriainen (Entwine, Shamrain),
Sara Strömmer (Shereign, ex-Fear of Domination), Leonard F. Guillan (ex-King Company)

Finnish melodic metal act AFTER INFINITY releases their sophomore album “Beyond Eternity” today, October 23rd, 2026, via Rockshots Records. Following their 2024 self-titled debut, the nine-track record brings together the different musical directions introduced throughout the singles campaign, from energetic power metal to intimate ballads and ambitious progressive compositions.

Leading the album’s release is the focus track “Crooked Carnival”, featuring Aitor Arrastia (Metal de Facto). The song opens with an eerie music-box melody that gradually develops into an orchestral introduction before giving way to a powerful, guitar-driven arrangement. Drawing on the theatrical side of classic power metal, it tells a darkly humorous horror story about a sinister carnival that kidnaps children, setting an adventurous tone for the record.

Beyond the previously released singles “King With No Crown”, “Infinite Feeling”, “Everlasting Mark” and “Whisper in the Air”, the album offers further contrasts through compositions such as “Eternal Resentment”, a fast-paced power metal track featuring Nitte Valo, and the closing “Hands of Time”, an almost twelve-minute progressive epic exploring the nature of time, the origins of the universe and human existence.

Reflecting on the album, guitarist, songwriter, and founder Zsolt Szilagyi (Dreamtale, Frozen Factory) comments:

“Beyond Eternity follows in the footsteps of the band’s debut album: It’s a collection of modern metal songs with both heavy riffs and cheesy melodies, and a lot of orchestral elements. The lyrics encompass a wide range of emotions from anger, hatred and sorrow to joy and hope. With six featured singers, the album is sure to keep offering the listener something new from start to finish. Regardless of the wide variety of styles and singers, all the songs have the distinctive After Infinity sound that keeps the album cohesive.”

Alongside Arrastia and Valo, “Beyond Eternity” features guest vocalists Paolo Ribaldini (Leverage, Delain), Sara Strömmer (Shereign), Mika Tauriainen (Entwine, Shamrain) and Leonard F. Guillan, whose individual performances contribute to the album’s musical range.

Produced by Szilagyi, the record features orchestrations by Gideon Ricardo and bass by Ville Koskinen. Mixing was handled by Benjamin Connelly for Duskswitch Production, except for “Whisper in the Air”, mixed by Ari Laurila, while mastering was completed by Jasse Kesti at Kesthouse.

For fans of: Sonata Arctica, Symphony X, Helloween.

“Beyond Eternity” is out now via Rockshots Records.

Listen / Stream “Beyond Eternity”: https://lnk.to/H3PIR5kY

Order “Beyond Eternity” on CD: https://rockshots.eu/products/after-infinity-beyond-eternity-cd

Lyric Video – King With No Crown – https://www.youtube.com/watch?v=y3z6pfBeDqo

Lyric Video – Whisper in the Air – https://www.youtube.com/watch?v=A98rAMr7fUk

Track Listing:
1. Crooked Carnival feat. Aitor Arrastia (6:52)
2. Infinite Feeling feat. Leonard F. Guillan & Nitte Valo (5:02)
3. King with no Crown feat. Paolo Ribaldini (6:21)
4. Maybe She’s Crying feat. Paolo Ribaldini (5:21)
5. Mortal Vessel (1:58)
6. Everlasting Mark feat. Sara Strömmer (4:58)
7. Eternal Resentment feat. Nitte Valo (3:43)
8. Whisper in the Air feat. Mika Tauriainen (4:03)
9. Hands of Time feat. Aitor Arrastia (11:53)

After Infinity Line-up:
Zsolt Szilagyi: Guitars, Synths, Drum Programming, Backing Vocals
Gideon Ricardo: Orchestrations, Synths
Ville Koskinen: Bass

Guest Vocalists:
Paolo Ribaldini (Delain, Leverage, Seraphiel)
Aitor Arrastia (Metal de Facto)
Nitte Valo (Dreamtale, ex-Battle Beast)
Mika Tauriainen (Entwine, Shamrain)
Sara Strömmer (Shereign, ex-Fear of Domination)
Leonard F. Guillan (ex-King Company)

More info:

https://www.rockshots.eu

https://www.instagram.com/afterinfinityofficial

https://www.facebook.com/afterinfinityofficial

ABOUT:

After Infinity is a Finnish melodic power and heavy metal project founded in 2022 by guitarist and songwriter Zsolt Szilagyi, known for his work with Dreamtale and Frozen Factory. Built around a flexible and collaborative structure, the band emerged from Szilagyi’s desire to move beyond a purely solo approach and create a dynamic musical environment involving multiple performers.

Rather than relying on a fixed line-up of vocalists, After Infinity developed a distinctive identity by working with a wide range of guest singers, allowing each track to take on its own character while maintaining a cohesive artistic vision.

This approach quickly became a defining element of the project, turning it into a platform where different voices and influences converge.

The band’s sound blends heavy guitar riffs, rich orchestrations, and strong melodic hooks, moving seamlessly between powerful metal compositions and more introspective passages driven by piano and atmospheric textures. Drawing from power metal, heavy metal, and progressive influences, After Infinity aims to deliver a diverse listening experience shaped by contrast, emotion, and compositional depth.

Their self-titled debut album, released in 2024, received positive feedback for its songwriting and musicianship, establishing the project within the contemporary Finnish metal scene. Building on that foundation, the sophomore album “Beyond Eternity” further expands the band’s sonic palette, introducing new guest vocalists and pushing the balance between heaviness, melody, and progressive elements while preserving the core identity that defines After Infinity.

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