Category: Music News

0 One Band To Rule Them All! WACKEN METAL BATTLE CANADA Announces 2026 National Final! w/ BORNBROKEN (QC), GRAVEARTH (ON), ASHES OF YGGDRASIL (AB), EMPALEMENT (BC)

April 28, 2026
by Asher
· Music News · Wacken Metal Battle Canada

NEWS RELEASE

Montreal, QC – April 28, 2026

One Band To Rule Them All! WACKEN METAL BATTLE CANADA Announces 2026 National Final!

w/ BORNBROKEN (QC), GRAVEARTH (ON), ASHES OF YGGDRASIL (AB), EMPALEMENT (BC)

Let’s get ready to rumble! One band will rule them all as WACKEN METAL BATTLE CANADA announces this year’s 2026 national finalists.

After battles hosted across the country, the final four have emerged to represent the best of the best underground metal bands in Canada and compete at the national final on May 9th in Montreal, QC, at Piranha Bar (680 Ste-Catherine Ouest), where they will perform in front of metal-hungry fans and be judged by a panel of music industry veterans that includes Luc Laine (CFLX 95.5 FM – Alerte Metallique), Pierre Beaubien (CIBL 101.5 FM – Décibel Métal), Andrew Wieler (CJLO 1690 AM – Metal Director), Kaje Jenkinson (Promoter, Freelance Metal Writer, Asher Media), Dany Soucy (Nova Spei, Bam&Co-Heavy Label and Trois-Rivieres Metalfest), Patrick Loisel (Augury), and JJ Tartaglia (Wacken Metal Battle Canada, Thunderor, Skull Fist).

Only one will be crowned champion and move on to perform at this year’s 35th anniversary of Wacken Open Air and the international Wacken Metal Battle, which hosts bands from 30 countries. The final four meeting at the Wacken Metal Battle Canada National final are the following:

WMBC 2026 National Final Playlist: https://open.spotify.com/playlist/1Yizi851LwbShAduRaqHf3

Staples of Montreal, QC’s underground metal scene, BORNBROKEN, unleash an aggressive sound, socially conscious themes, and high‑energy performances that have won over legions. The band recently welcomed new drummer, Peter Tzaferis, who some may recognize from his days in Slaves On Dope. They released their third album, “Am I Invisible” in 2024, which Decibel Magazine commented as “a sonic soiree in waiting for those who like their metal in the neighbourhood of early Machine Head, post-Roots Sepultura, Lamb of God and Fear Factory, resplendent with big guitars, bigger grooves and the biggest choruses.”

Music Video – Am I Invisible – https://www.youtube.com/watch?v=j3JXTHX0svI

https://linktr.ee/bornbroken

Oshawa, ON’s GRAVEARTH is a death/groove metal band known for blending brutal heaviness with melodic groove, emotional intensity, and complex arrangements. Their songwriting emphasizes heart, intensity, and memorable hooks, aiming to leave a lasting impression on listeners. Critics and reviewers highlight their unique blend of math, djent, groove, death, prog, and extreme tech metal, noting that the band manages to balance these complex elements into cohesive, powerful compositions. Their music often features layered guitars, dynamic rhythms, and intricate production choices that reward repeated listening.

Visualizer – Altered Reality – https://www.youtube.com/watch?v=P0Id6miy7cs

https://linktr.ee/Gravearth

ASHES OF YGGDRASIL is a 5-piece melodic death metal band from the barren prairies of Lloydminster, AB/SK. Formed in 2017, our sound has continually evolved across our three albums: The Path (2019), Bearing the Pelt of the Wolf King (2021), and our newest, Crossing of the Realms (2025). While we are melodic death metal, we have hints of thrash, black metal, and even the odd prog sprinkle to shake things up! If you like war drums, melodic guitars, thundering bass, and vicious war cries, we are your raiding party!

Music Video – Razed to the Ground – https://www.youtube.com/watch?v=QzehFwdqY4I

https://ashesofyggdrasilba.wixsite.com/ashesofyggdrasil

EMPALEMENT is an extreme metal act from Victoria, BC, channeling a sound they describe as “Black Metal of Death,” shaped by the crashing coastal waves and dense forests of Vancouver Island. The band blends elements of melodic black metal and death metal, creating a style often referred to as deathened black metal. Their thematic focus spans nihilism, misanthropy, religious hypocrisy, blasphemy, love, heartbreak, depression, fury, war, and hedonistic freedom, giving their music a visceral emotional core. Empalement’s sound is marked by feral black‑metal atmosphere, death‑metal weight, and a strong emphasis on visual and conceptual storytelling. Their releases often pair music with cinematic or ritualistic imagery, reinforcing the band’s dark aesthetic.

Music Video – Blood Dance Of The Dionysian Covenstead – https://www.youtube.com/watch?v=_Mp6H2vRqx8

https://www.facebook.com/Empalement

Event Details:

Date: May 9, 2026

Venue: Piranha Bar (680 Ste. Catherine Ouest)

Time: 8 pm

Cost: FREE ADMISSION

Bands: BornBroken, Gravearth, Ashes of Yggdrasil, Empalement

Event Link: https://www.facebook.com/events/889250847462376/

About Metal Battle:

The Wacken Metal Battle is an international metal music contest that culminates at the famous Wacken Open Air festival. It features the top bands from each nation, showcasing fresh and young metal music directly from the underground. The contest is open to unsigned metal bands and has become a significant platform for breaking through the local circuit. The 2026 edition of Wacken Metal Battle Canada is currently underway. The winner will have the opportunity to perform at Wacken Open Air, one of the world’s largest metal festivals, attracting tens of thousands of metal fans from around the globe. For more information and updates, you can visit the official Wacken Metal Battle website – https://www.metal-battle.com/

About Wacken Open Air:
Wacken Open Air is the largest heavy metal festival in the world. Starting with 800 visitors in 1990, nowadays 85,000 fans from all over the world travel to Wacken every year, turning the small village in Schleswig-Holstein into the center of the festival scene for several days. The organizing WOA Festival GmbH is connected to a broad network, including band management, the Wacken Foundation, tour booking, music publishing, Travel & Stay, merchandising distribution, and ticketing. In cooperation with partners, these results in creative solutions and ideas that revolutionize the festival experience, enable technical innovations, and produce extraordinary event concepts. Wacken Open Air 2026 will take place from July 29 to August 1, 2026.

More info:

https://www.facebook.com/WMBCanada.official

https://www.instagram.com/wmbcanada.official/

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Media Partners:
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Absolute Underground Magazine
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Rich Embury (internationally syndicated DJ)
GhostCultMag.com
Rocknroam.ca
Vox & Hops Podcast
The Metal Voice
Décibel Métal (CIBL 101.5 FM)
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0 Montreal Cult Heavy‑Rock PARADISE Erupts Back In 2026 w/ “Queen of Mars”, A First Taste of New Music Since 2020

April 28, 2026
by Asher
· Music News · Paradise

NEWS RELEASE

Montreal, QC – April 27, 2026

Montreal Cult Heavy‑Rock PARADISE Erupts Back In 2026 w/ “Queen of Mars”

A First Taste of New Music Since 2020

Photo Credit – R.L. Black

After years of silence, speculation, and simmering creative energy, Montreal’s cult heavy‑rock outfit Paradise erupts back onto the scene with their first new music since their 2020 self‑titled album. The band announces their long‑awaited return with the upcoming single and music video “Queen of Mars,” marking the beginning of a bold new chapter in their cosmic, riff‑driven mythology.

Formed in 2002 during a lightning‑strike moment of inspiration, Paradise built their identity on what they call “volcanic rock”, a molten blend of heavy rock, classic metal, and stoner‑rock undertones. Their early albums “Rock Anthropologists on the Kon‑Tiki Voyage” (2002) and “Hotel” (2005) became underground favorites, fueled by wild creativity, tongue‑in‑cheek concept worlds, and collaborations with icons like Voivod’s Michel “Away” Langevin and the late Denis “Piggy” D’Amour.

Their 2020 self‑titled comeback album re‑established the band with a harder, sharper edge. Now, in 2026, Paradise resurfaces once more, this time with a fully realized retro‑futuristic vision inspired by the sci‑fi imagery of the ’60s and ’70s.

The band’s new single, “Queen of Mars,” introduces listeners to a cinematic, hypnotic space‑rock sound that expands Paradise’s sonic universe while staying rooted in their heavy‑rock DNA.

The track paints a vivid portrait of a timeless, wandering figure, the Queen of Mars, who embodies freedom, resilience, and cosmic sovereignty. Moving through a desert of memory and isolation, she becomes a mythic symbol of transformation and inner power. Musically, the song blends atmospheric guitars, ritualistic rhythms, and poetic, controlled vocals, landing somewhere between Hawkwind’s cosmic rock, Dozer’s desert‑space textures, and the dramatic sweep of Muse.

“It’s been a while since we’ve put something out, so I know some fans have been waiting. We’re close to the sound of our last record, but there are surprises. We used ’60s and ’70s sci‑fi imagery to inspire us, sounds and moods from far beyond,” says guitarist Frank Kelly.

Kelly remains the band’s primary music writer, working closely with vocalist R.L. Black on lyrics and melodies. For this new material, they also brought in Luc Bourgeois (Sandveiss) to elevate the songwriting even further.

“We just let it go, whichever song was ready first. We’re doing this for fun and to keep the creativity going. We hope people get it, but honestly, we’re having a blast,” adds Kelly.

Paradise has 8–9 new songs in the pipeline, all shaped by their signature approach: naming tracks early in the writing process to set the tone and guide the lyrical world. This time, that world is drenched in analog futures, cosmic psychedelia, and B‑movie sci‑fi charm, a natural evolution of the band’s long‑standing love for heavy music, from Judas Priest and Dio to Kyuss and Fu Manchu.

Paradise’s live reputation remains intact: high‑energy, high‑intensity, and unapologetically fun.

“We’re a party band. Just five guys having a blast. So many bands take this too seriously; it takes the fun out of it,” comments Kelly.

With their return, fans can expect a renewed sense of adventure, a deeper dive into their cosmic aesthetic, and a sound that continues to evolve without losing the volcanic spark that defined them from day one.

Watch and listen to the music video for “Queen of Mars” at https://www.youtube.com/watch?v=7xu3W8ZyA0I

Add to your Spotify playlist – https://open.spotify.com/track/6aF3AuOrjBMl4vcs6xDoV4

More info:

https://paradiserockband.com/

https://www.instagram.com/paradiserockmtl/

https://www.facebook.com/paradiserockmtl

About: Born in Montreal in 2002, Paradise emerged from a whirlwind of creativity that led to their debut Rock Anthropologists on the Kon‑Tiki Voyage, followed by Hotel (2005). After a long hiatus, the band returned in 2020 with their self‑titled third album, blending hard rock and heavy metal with razor‑sharp riffs and soaring melodies. Now, in 2026, Paradise reclaims their place in the heavy‑rock cosmos with a new sci‑fi–inspired chapter and the upcoming single “Queen of Mars.”

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“The Canada scene has been fire in recent years, and it’s great to see the spirit of rock ‘n’ roll alive and kicking up there. Think about it: in this jaded era of fake music, here’s a group of five genuinely real, thinking, feeling humans who make music that you can also see live. The vibes are infectious. They call it volcanic rock, and the band’s been at it in some form or another since 2002. After two initial releases in the early part of the century, Paradise returned to the recording studio in 2020 ready for a new beginning. Now following the release of Paradise, they’re bringing all the attitude, energy, riffing, and fuzz to bear in the brand single before us: “Queen of Mars.” Beginning with a splash of pedal-mediated wah, the song picks up a groovy, heart-pounding pace, joined by grinding desert revving perfect for the visuals of the music video. Vocals tell the story in gritty and clean tones of “straying beyond the desert’s edge” and encountering the elusive Queen of Mars, depicted as “a gypsy spirit, wandering this ancient land.” Mysteries abound and you are invited to trip with the band into this strange, electrifying realm. Paradise’s new single comes out on Tuesday, April 28th, so this is your chance to hear it first! Stick it on a playlist with Freedom Hawk, Sandveiss, Bone Church, Kal-El, and Blackwülf. Give ear…” – Doomed and Stoned

“Fans of melodic heavy rock, there’s a new sheriff in town!” – Jano Lapin (2020)

“Solid, driving Hard Rock from the quagmires of Quebec!” – Reek Of STOOM (2020)

“Brilliant from start to finish !” – Stoner Rock Army (2020)

“A record that growls like a hungry beast” – ARP Média (2020)

“Riffing melodic hard rock and metal seems to the recipe for Canadians PARADISE, hailing from Montreal. And they do it well!This is a truly giutar driven album including ten songs only, but with energy enough to please you. Among my fave tracks are the cool and heavy riffed ”Who Do You Wanna Be” and the tempo filled ”Away From You” – try to stand still to that one! Like AC/DC on dope, if I exaggerate a bit.” – Melodic.net (2020)

“The synergy of this quintet gives the listener a proper kick in the ass needed to remember why we fell in love with the format. They also lend proof as to why heavy metal is the cornerstone of the myriad of hard rock subgenres. Blistering guitar riffs, thundering drums, and of course ample swipes at stuffy establishment rules.” – Boston Rock Radio (2020)

“The album opens with “Straight From Hell” and it is an adrenaline high. It is an unmistakable straight forward rock construction of verse-bridge-chorus, repeat, repeat, and the dial is set on stadium anthem. RL Black’s vocals are about as rock and roll as you can get – strong clean singing with a gruff edge. The lead breaks are short to fit in with the song structure, and they are pretty metal. I like the brand they have going here. It is great driving music, great drinking music. I would be stoked to see Paradise on the list of bands at a festival because you can just feel from these songs that they are going to put on a good show on stage.” – Flying Fiddlesticks Music Blog (2020)
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0 Rappel / Reminder – Mai / May 1 – 2 – PIRANHA PIT FEST III (Montreal) avec / with MACABRE, KINGS OF THRASH (ft. classic‑era Megadeth members David Ellefson & Jeff Young), GORGASM, ATROPHY, PESSIMIST, DBC, et plus! / and more!

April 27, 2026
by Asher
· Music News · Piranha Pit Fest

NEWS RELEASE

Montreal, QC – April 27, 2026

Festival Assets – Photos, Posters, Set Times HERE (for media use only)

—

Reminder – May 1 – 2 – PIRANHA PIT FEST III (Montreal)

with MACABRE, KINGS OF THRASH (ft. classic‑era Megadeth members David Ellefson & Jeff Young), GORGASM, ATROPHY, PESSIMIST, DBC, and more!

(Version française ci-dessous)

Montreal, QC, the heavy metal capital of Canada, is preparing for this year’s PIRANHA PIT FEST III featuring two ferocious nights of death metal, thrash, and heavy metal mayhem on May 1–2, 2026. Presented by Piranha Bar (680 Ste-Catherine Ouest) and Dungeonworks Productions, the festival welcomes metal fans back for one of the city’s most extreme annual events featuring MACABRE, KINGS OF THRASH, GORGASM, ATROPHY, PESSIMIST, DBC, and many more.

Friday night will erupt with breakneck speed, gore‑drenched riffs, and pure old‑school savagery as some of death metal’s most respected forces descend upon the city. Saturday night will shift into a high‑voltage celebration of classic thrash, speed, and the unshakable power of traditional heavy metal.

Facebook Event: https://www.facebook.com/events/1154523419943924/
Tickets (Individual daily ticket or Weekend Pass) – https://www.eventbrite.com/e/piranha-pit-fest-3-tickets-1977767497826

Ticket holders will receive a bracelet based on their ticket type. Weekend‑pass holders will keep the same bracelet on for the entire duration of the festival.

Check out the festival Spotify playlist – https://open.spotify.com/playlist/0uQStdodVpgpAkvnx5d8Ak

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Co-headlining opening Friday night on May 1st, Chicago’s long‑running trio MACABRE brings their unmistakable brand of Murder Metal to Montreal, an unholy fusion of death metal, thrash, grind, and twisted nursery‑rhyme melodies. Since 1985, the band has carved out a cult legacy with their darkly humorous, true‑crime‑obsessed storytelling and a lineup that has remained unchanged for four decades. Expect a wild, theatrical, and utterly unmistakable performance from one of extreme metal’s most unique and enduring acts.

Music Video – Joe Ball Was Hi Name – https://www.youtube.com/watch?v=O8_WaVOwfA4

Also co-headlining night one of Piranha Pit Fest III, Chicago’s GORGASM stands as one of the defining forces in American brutal death metal. Since the mid‑90s, the band has carved out a reputation for hyper‑technical riffing, relentless blast‑driven intensity, and a signature blend of brutality and precision that helped shape the genre’s modern sound. Their cult‑classic releases, packed with surgical musicianship and uncompromising extremity, have earned them a loyal global following. Expect a devastating, high‑velocity set from one of brutal death metal’s most respected and enduring names.

Visualizer – Carnal Demise – https://www.youtube.com/watch?v=-4KLfltEE5s

Also supporting Friday night, extreme‑metal veterans PESSIMIST, born from Baltimore’s early ’90s death‑metal underground, have long carved out their own territory with a vicious blend of technical precision, old‑school thrash influence, and a relentlessly dark, sinister atmosphere. The band is now gearing up for the release of “Keys to the Underworld,” their first full‑length album in over two decades, with early previews hinting that it may be their most uncompromising and extreme material yet.

Album Stream – Slaughtering the Faithful – https://www.youtube.com/watch?v=DoSP0qXr5cw

Co-headlining night two on Saturday, May 2nd, featuring former classic‑era members of Megadeth, David Ellefson and Jeff Young, KINGS OF THRASH deliver a high‑octane celebration of the golden age of American thrash metal. Known for performing iconic albums and deep cuts from the genre’s most influential catalog, the band brings unmatched authenticity, razor‑sharp musicianship, and the raw spirit of the 80s thrash movement. Their live shows are a full‑throttle tribute to the era that shaped heavy metal history, making them a must‑see highlight for fans of speed, precision, and old‑school aggression.

Music Video – Lockdown – https://www.youtube.com/watch?v=d9eqD1kMDqQ

Also co-headlining Saturday Night, Tucson, AZ’s ATROPHY are one of Arizona’s most respected thrash exports, known for their razor‑tight riffing, socially charged lyrics, and high‑energy attack. Their two late‑80s/early‑90s albums on Roadrunner Records, Socialized Hate and Violent by Nature, earned them a devoted cult following and cemented their place in the classic thrash canon. After reuniting in recent years with renewed fire, Atrophy continues to deliver the same sharp, adrenaline‑fueled intensity that made them stand out in the genre’s golden era. Expect a fierce, old‑school thrash assault from a band that helped define the sound of Southwestern speed metal.

Lyric Video – Punishment For All – https://www.youtube.com/watch?v=ECg8hBDyhn4

Also supporting night two, local legends and a cornerstone of Quebec’s late‑80s thrash scene, DBC (Dead Brain Cells) emerged from Montreal with a sound that blended razor‑sharp speed, crossover energy, and socially conscious lyrics. Their cult‑classic albums Dead Brain Cells (1987) and Universe (1989) showcased a band unafraid to push beyond traditional thrash, mixing technical musicianship with progressive, sci‑fi‑driven themes. After years of underground reverence, DBC’s return to the stage has reignited their legacy as one of Canada’s most unique and forward‑thinking thrash exports. Expect a powerful hometown performance from a band that helped shape Montreal’s metal identity.

Lyric Video – Pendulum – https://www.youtube.com/watch?v=GDgyjvpKuoU

Other standout attractions at this year’s Piranha Pit Fest III: Canadian (Montreal/Toronto) metal veterans ENTROPY, known for their fierce blend of thrash, death, prog, groove, and power metal. With four independent albums and a global cult following, they’ve shared stages with legends like Annihilator, Fear Factory, Razor, Obituary, and Anvil. Expect a hard‑hitting set from one of Canada’s most distinctive underground acts. Montreal’s DOUBLE CROSS is a crossover thrash/hardcore delivering fast, aggressive, no‑frills energy. With their raw punk edge and high‑intensity live attack, they are one of the city’s rising underground standouts. Montreal crossover thrashers MUTANK explode with high‑energy, pit‑ready aggression inspired by Slayer, Exodus, D.R.I., and Suicidal Tendencies. Formed in 2013, they’ve built a reputation for fast, chaotic riffing, wild live shows, and a relentless DIY spirit. Their long‑awaited new album, Think Before You Think, marked their return with ten tracks of volcanic thrash fury, following their cult‑favorite EP W.H.A.T.S.T.H.A.T. and their Wacken Open Air appearance after winning the Wacken Metal Battle Canada. Expect a ferocious, high‑octane set built for moshing. Toronto’s WARMACHINE delivers a melodic yet heavy blend of power and thrash metal, active since 1994 and recently revived after a five‑year hiatus. Led by vocalist/guitarist Joe Di Taranto, the band is known for tight musicianship, strong hooks, and energetic live performances. With albums like Left for Dead and a new release in the works, Warmachine returns to the stage with renewed fire and a sharpened modern edge.

FRIDAY, MAY 1 – DEATH METAL NIGHT
Headlined by two legendary forces of brutality:
Macabre (co-headliners)
Gorgasm (Co-headliners)
Pessimist
Lividity
Deceased
Disgust
Double Cross
Cystic Embalmment

SATURDAY, MAY 2 – THRASH & HEAVY METAL NIGHT
Featuring a massive thrash metal showcase:
Kings of Thrash (co-headliners)
Atrophy (co-headliners)
DBC (Dead Brain Cells)
Meliah Rage
Warmachine
Entropy
Deadwolff
Mutank
Stregoneria
World On Alert

About PIRANHA PIT FEST:
Launched as a celebration of Montreal’s thriving extreme‑music community, PIRANHA PIT FEST has quickly become a staple for fans of death metal, thrash, and underground heavy music. The 2026 edition marks its biggest and most ambitious lineup yet, bringing together international heavyweights and local legends for two nights of pure sonic devastation.

For more info: https://www.facebook.com/dungeonworksprods

Sponsored by:
OROCK Longueuil Inc.
Loud Trax
Absolute Underground Magazine
Labatt
Asher Media Relations

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Rappel – Mai 1 – 2 – PIRANHA PIT FEST III (Montreal)

avec MACABRE, KINGS OF THRASH (avec les membres de l’époque classique de Megadeth David Ellefson & Jeff Young), GORGASM, ATROPHY, PESSIMIST, DBC, et plus!

Montréal, QC, la capitale canadienne du heavy metal, se prépare pour le PIRANHA PIT FEST III de cette année, qui proposera deux nuits féroces de death metal, thrash et chaos heavy metal les 1er et 2 mai 2026. Présenté par le Piranha Bar (680 Ste-Catherine Ouest) et Dungeonworks Productions, le festival accueille de nouveau les fans de metal pour l’un des événements annuels les plus extrêmes de la ville, avec MACABRE, KINGS OF THRASH, GORGASM, ATROPHY, PESSIMIST, DBC et bien d’autres.

La nuit de vendredi explosera avec une vitesse vertigineuse, des riffs imbibés de gore et une sauvagerie pure old-school alors que certaines des forces les plus respectées du death metal descendront sur la ville. La nuit de samedi se transformera en une célébration haute tension du thrash classique, du speed et de la puissance inébranlable du heavy metal traditionnel.

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Partageant l’affiche pour l’ouverture vendredi soir le 1er mai, le trio de longue date de Chicago, MACABRE, apporte leur marque inimitable de Murder Metal à Montréal, une fusion impie de death metal, thrash, grind et de mélodies de comptines tordues. Depuis 1985, le groupe s’est forgé un héritage culte avec ses récits empreints d’humour noir et obsédés par le crime réel, et une formation qui est restée inchangée pendant quatre décennies. Attendez-vous à une performance sauvage, théâtrale et absolument inimitable de l’un des groupes les plus uniques et durables de l’extrême metal.

Co‑tête d’affiche de la première nuit du Piranha Pit Fest III, GORGASM de Chicago s’impose comme l’une des forces déterminantes du brutal death metal américain. Depuis le milieu des années 90, le groupe s’est forgé une réputation grâce à des riffs hyper techniques, une intensité implacable propulsée par des blasts, et un mélange signature de brutalité et de précision qui a contribué à façonner le son moderne du genre. Leurs sorties cultes, remplies d’une musicalité chirurgicale et d’une extrémité sans compromis, leur ont valu un public fidèle à l’échelle mondiale. Attendez‑vous à un set dévastateur et à haute vitesse de l’un des noms les plus respectés et durables du brutal death metal.

Soutenant également la soirée du vendredi, les vétérans du metal extrême PESSIMIST, issus du mouvement death metal des années 90 à Baltimore, se sont depuis longtemps taillés leur propre territoire avec un mélange vicieux de précision technique, d’influence thrash old-school et d’une atmosphère sombre et sinistre sans relâche. Le groupe se prépare maintenant à la sortie de “Keys to the Underworld”, leur premier album complet depuis plus de deux décennies, avec des aperçus précoces laissant penser qu’il pourrait s’agir de leur matériel le plus intransigeant et extrême à ce jour.

Co‑tête d’affiche la deuxième soirée, le samedi 2 mai, avec d’anciens membres de l’ère classique de Megadeth, David Ellefson et Jeff Young, KINGS OF THRASH offrent une célébration à haute énergie de l’âge d’or du thrash metal américain. Connus pour interpréter des albums emblématiques et des morceaux profonds du catalogue le plus influent du genre, le groupe apporte une authenticité incomparable, une maîtrise musicale tranchante comme un rasoir et l’esprit brut du mouvement thrash des années 80. Leurs concerts sont un hommage à toute vitesse à l’époque qui a façonné l’histoire du heavy metal, faisant d’eux un point fort à ne pas manquer pour les fans de rapidité, de précision et d’agressivité à l’ancienne.

Co-têtes d’affiche également le samedi soir à Tucson, AZ, ATROPHY est l’une des exportations de thrash les plus respectées de l’Arizona, connue pour ses riffs précis comme une lame de rasoir, ses paroles socialement engagées et son attaque pleine d’énergie. Leurs deux albums de la fin des années 80/début des années 90 sur Roadrunner Records, Socialized Hate et Violent by Nature, leur ont valu un culte fidèle et ont cimenté leur place dans le canon du thrash classique. Après s’être réunis ces dernières années avec un feu renouvelé, Atrophy continue de délivrer la même intensité tranchante et pleine d’adrénaline qui les a fait se démarquer à l’époque dorée du genre. Attendez-vous à une attaque thrash old-school féroce d’un groupe qui a contribué à définir le son du speed metal du Sud-Ouest.

Soutenant également la deuxième nuit, les légendes locales et un pilier de la scène thrash québécoise de la fin des années 80, DBC (Dead Brain Cells) a émergé de Montréal avec un son mêlant vitesse tranchante, énergie crossover et paroles socialement conscientes. Leurs albums cultes Dead Brain Cells (1987) et Universe (1989) ont présenté un groupe n’ayant pas peur de dépasser le thrash traditionnel, mélangeant virtuosité technique et thèmes progressifs inspirés de la science-fiction. Après des années de vénération underground, le retour de DBC sur scène a ravivé leur héritage en tant qu’une des exportations thrash les plus uniques et avant-gardistes du Canada. Attendez-vous à une performance puissante dans leur ville natale de la part d’un groupe qui a contribué à façonner l’identité metal de Montréal.

Autres attractions remarquables du Piranha Pit Fest III de cette année : les vétérans canadiens du metal (Montréal/Toronto) ENTROPY, connus pour leur mélange féroce de thrash, death, prog, groove et power metal. Avec quatre albums indépendants et un culte mondial, ils ont partagé la scène avec des légendes comme Annihilator, Fear Factory, Razor, Obituary et Anvil. Attendez-vous à un set percutant de l’un des groupes underground les plus distinctifs du Canada. DOUBLE CROSS de Montréal est un groupe crossover thrash/hardcore délivrant une énergie rapide, agressive et sans fioritures. Avec leur touche punk brute et leur attaque live à haute intensité, ils sont l’un des groupes underground montants de la ville. Les crossover thrashers de Montréal, MUTANK, explosent avec une aggression à haute énergie, prête pour le pit, inspirée par Slayer, Exodus, D.R.I. et Suicidal Tendencies. Formés en 2013, ils se sont forgé une réputation pour leurs riffs rapides et chaotiques, leurs concerts sauvages et un esprit DIY implacable. Leur nouvel album très attendu, Think Before You Think, marque leur retour avec dix morceaux de fureur thrash volcanique, après leur EP culte W.H.A.T.S.T.H.A.T. et leur performance au Wacken Open Air suite à leur victoire au Wacken Metal Battle Canada. Attendez-vous à un set féroce et à haute octane conçu pour le moshing. Le groupe torontois WARMACHINE propose un mélange mélodique mais lourd de power et thrash metal, actif depuis 1994 et récemment relancé après une pause de cinq ans. Mené par le chanteur/guitariste Joe Di Taranto, le groupe est connu pour sa musicalité serrée, ses refrains accrocheurs et ses performances live énergiques. Avec des albums comme Left for Dead et une nouvelle sortie en préparation, Warmachine revient sur scène avec un feu renouvelé et un tranchant moderne.

VENDREDI 1er MAI – NUIT DE DEATH METAL
Avec en tête d’affiche deux forces légendaires de brutalité :
Macabre (co-têtes d’affiche)
Gorgasm (co-têtes d’affiche)
Pessimist
Lividity
Deceased
Disgust
Double Cross
Cystic Embalmment

SAMEDI 2 MAI – NUIT THRASH & HEAVY METAL
Avec une énorme programmation de thrash metal :
Kings of Thrash (co-têtes d’affiche)
Atrophy (co-têtes d’affiche)
DBC (Dead Brain Cells)
Meliah Rage
Warmachine
Entropy
Deadwolff
Mutank
Stregoneria
World On Alert

À propos de PIRANHA PIT FEST : Lancé comme une célébration de la communauté florissante de musique extrême de Montréal, le PIRANHA PIT FEST est rapidement devenu un événement incontournable pour les fans de death metal, thrash et musique heavy underground. L’édition 2026 marque sa programmation la plus grande et la plus ambitieuse à ce jour, réunissant des poids lourds internationaux et des légendes locales pour deux nuits de pure destruction sonore.

– 30 –

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0 SANAGA Confirmed For SONUM Fest 2026 (Quebec City) + Unleash Debut Single “The Godslayer’s Oath”; Mixed & Mastered by KATAKLYSM’s Jeff Dagenais

April 27, 2026
by Asher
· Music News · Sanaga

NEWS RELEASE

Montreal, QC – April 27, 2026

SANAGA Confirmed For SONUM Fest 2026 (Quebec City) + Unleash Debut Single “The Godslayer’s Oath”

Mixed & Mastered by KATAKLYSM’s Jeff Dagenais

L-R – Dominic Brillant – Guitars, Jean-Francois Durand – Bass, Marc Verreault – Vocals, Frederic Giguere – Drums, Patrick Plourde – Guitars

Photo Credit – Martin Bouchard

Rising death metal force Sanaga will take the stage at SONUM Fest 2026 on May 16th as part of the three‑day festival running May 15–17. The event, hosted in Quebec City at Studio Sonum (25 Bigaouette), is known for showcasing some of the most intense and innovative acts in heavy music. This performance marks one of Sanaga’s first official live appearances.

Festival details: https://sonumfest.com/

Event page: https://www.facebook.com/events/939013391997631

Sanaga recently unleashed their debut single, “The Godslayer’s Oath”, mixed and mastered by Jeff Dagenais (Kataklysm). The track serves as the band’s explosive introduction to the Canadian metal scene. Formed in late 2026, Sanaga unites long‑time friends and seasoned musicians driven by a shared passion for fast, melodic, aggressive, and evocative metal inspired by Death, Slayer, Amon Amarth, and Dark Tranquillity.

“The Godslayer’s Oath” was the natural choice for Sanaga’s first release. As the earliest song the band fully rehearsed together, it quickly became their most complete and polished composition. Musically, it captures the full spectrum of Sanaga’s sound, death metal fused with thrash energy and sharpened by touches of black metal. Lyrically, the track introduces listeners to the band’s myth‑driven universe, telling the story of a void‑born entity created for one purpose: to slay gods and annihilate their realms. Whether interpreted as an anti‑religious statement or a brutal fantasy narrative, the single sets the tone for Sanaga’s bold, storytelling‑focused approach.

Though newly formed, Sanaga’s members are no strangers to the Quebec metal scene, with active roles in projects such as Meet The Mailman, Foxy Queen, Devil’s Trill, and Warriors of the North. Their combined experience fuels a tight, high‑energy sound and a no‑nonsense writing process.

The single’s artwork reflects the band’s name, drawn from the Sanaga River in Cameroon, a symbol of life, death, and myth. Its dark, foreboding landscape and towering god‑slaying figure visually echo the themes explored in the music.

Following their SONUM Fest performance, Sanaga will continue preparing for additional live dates and will return to the studio to record their second release. With a defined sound and a clear creative vision, the band is poised to make a powerful impact on the death metal landscape.

Listen to “The Godslayer’s Oath” at the following links:

Add to your Spotify playlist – https://open.spotify.com/track/1rzjY98YzjOizn5gLwmpxO

YouTube – https://www.youtube.com/watch?v=3xU9Vmcpj_Q

More info:

https://www.facebook.com/profile.php?id=61585662054767

https://www.instagram.com/sanaga666/

-30-

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0 Quebec’s NOVA SPEI Confronts Cultural Uprooting of First Nations w/ New Single “Déraciné” From Forthcoming Album “Trinitas”

April 24, 2026
by Asher
· Music News · Nova Spei (Bam&Co. Heavy)

NEWS RELEASE

Montreal, QC – April 24, 2026

Quebec’s NOVA SPEI Confronts Cultural Uprooting of First Nations w/ New Single “Déraciné” From Forthcoming Album “Trinitas”

Welcome New Vocalist Desbiens‑Dubois and Guitarist Cédrick Charland To Lineup

Photo Credit – Joe Weller (Joe Lacerte)

Quebec modern‑metal force Nova Spei continue their bold new chapter with the release of “Déraciné,” the second single from their forthcoming 2026 album “TRINITAS,” arriving this Fall 2026. Following the explosive reception of their previous single “Renaissance,” which introduced new vocalist Emmanuelle Desbiens‑Dubois, “Déraciné” pushes the band’s evolution even further, musically, emotionally, and thematically.

“Déraciné” confronts the painful legacy of First Nations communities, specifically the uprooting of culture, identity, and values through state‑driven abuses. For Desbiens‑Dubois, whose own family heritage is tied to First Nations, the subject matter is deeply personal.

“The subject was important to Emmanuelle, given her background. It’s a topic that is still often silenced by governments, and she wanted to denounce it,” the band explains.

Lyrically, the track stands as one of Nova Spei’s most direct and socially conscious works to date. Musically, it blends the band’s signature djent‑infused modern metal with a newly embraced rawness, an intentional shift for the upcoming album.

After years of crafting their sound in their own studio, Nova Spei entered a professional recording environment for the first time in their career. Working with producer Francis Perron (Voivod, Martyr), the band discovered a more organic, unfiltered approach that reshaped the entire direction of “TRINITAS.”

“We started imagining the next album with a modern approach like Sequentis, but Francis showed us how it could sound more raw and alive. When we heard his first rough mix, everything changed.”

The single was mastered by world‑renowned engineer Maor Appelbaum (Faith No More, Halford, Yes), a collaboration the band still describes with disbelief and excitement.

The single’s artwork, created by Filip Ivanovic, visually represents the band’s rebirth and the obstacles that shaped this new era. It mirrors the themes of identity, struggle, and renewal that run through “Déraciné” and the upcoming album.

Nova Spei was founded in 2012 by guitarist Dany Soucy (Dook, Legion), and the band has spent over a decade carving its place in Quebec’s metal landscape. With more than 100 shows across Quebec and Ontario, radio rotation on major stations, and music featured during Montreal Canadiens games, the band has built a reputation for intensity both on and off stage.

The 2025 arrival of Desbiens‑Dubois (vocals) and Cédrick Charland (lead guitar) marked a turning point, one that their forthcoming album “TRINITAS” fully embraces.

“Fans will feel the rebirth of the band. The feminine vocal shift brings intensity, emotion, and a new perspective. This album is more organic, more passionate, and more honest than anything we’ve done,” says Soucy.

“TRINITAS” will represent the third era of Nova Spei, an album built on rebirth, unity, and the rediscovery of the band’s core identity. Recommended for fans of Gojira, Tesseract, Killswitch Engage, Spiritbox, and Architects.

Watch and listen to the lyric video for “Déraciné” at https://www.youtube.com/watch?v=0xn2xKYt0pc

Add yo your Spotify playlist – https://open.spotify.com/track/5Qr13FuLfLMT4LNHm3rNAs

Music video for first single “Renaissance” at https://www.youtube.com/watch?v=FagxvgWJTes

For more info:

https://www.novaspei.com/

https://www.facebook.com/NovaSpei

https://www.instagram.com/novaspei

About:

Since their debut in 2017, launched as the opening act for Anonymus on a Quebec tour, Nova Spei has steadily grown into one of the province’s most distinctive francophone metal acts. Their songs have been featured on RadioX 98.1FM and even blasted through the Bell Centre during Montreal Canadiens games.

Their second album, Sequentis, released in 2021 after pandemic delays, expanded their reach and solidified their reputation for high‑energy, modern metal with a francophone edge.

Now, with TRINITAS on the horizon in 2026, Nova Spei is ready to reclaim the stage with renewed purpose.

Known for their dynamic, high‑intensity performances, Nova Spei prides itself on delivering maximum energy with no downtime between songs. Fans can expect the upcoming tour cycle to reflect the same spirit of rebirth that fuels “Renaissance.”

– 30 –

“Une pièce qui a tout ce qui faut pour devenir un classique du métal québécois. Des phrases percutantes et pleine de sens sur une musique lourde à souhait.” – Ondes Chocs

“Nova Spei : Nouvel espoir sur la scène métallique au Québec” – Voir

“Bref un excellent album à se mettre sous la dent ou sous le sapin pour le temps des fêtes ! Supportez notre belle scène du Québec ! ” – Metal Universe (2021 – Sequentis – LP)

“so there they were, twelve times groovy metal in French – from Canada. “Sequentis” by NOVA SPEI offers many an entertaining song. A lot of it certainly ignites live in the mosh pit and causes the crowd to freak out because they know how to get their limbs moving with their riffs and fat grooves… an album that is fun and fans of the good old groove metal should like.” – Stormbringer (2021 – Sequentis – LP)

“”Along with a meticulous display of proficient musicianship, this entire album is not only a credit to its makers, but the multifaceted collection of influences that has firmly planted a seed deep within them over the years, and brings New Hope to both the listener and the band as you peel away the cellophane so to speak. As a result, this album won’t gather dust in any collection, and will keep heads bouncing and feet tapping from sofa to stage.”” – Stargazer Music Magazine (2021 – Sequentis – LP)

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0 Fire Up The Grill! SONS OF BUTCHER Celebrate National Steak Day w/ New Video “Peppercorn Steak”

April 24, 2026
by Asher
· Music News · Sons of Butcher

NEWS RELEASE

Montreal, QC – April 24, 2026

Fire Up The Grill! SONS OF BUTCHER Celebrate National Steak Day w/ New Video “Peppercorn Steak”

New EP “Skids” Out Now!

L-R – Doug Borski – Bass/Vocals, Joey Salami – Guitar, Crissy Stixx – Drums, Ricky Butcher – Lead Vocals/Guitar

Photo Credit – Evan Thompson

Canadian mock‑rock legends Sons of Butcher are back with another slab of greasy, over‑the‑top rock mayhem, this time with the release of their brand‑new music video “Peppercorn Steak,” perfectly timed to marinate ahead of National Steak Day on April 25th.

The single marks the first post‑release video from the band’s new EP “Skids,” which officially arrived March 27th, 2026 and has already delivered two fan‑favourite videos: the denim‑soaked anthem “Denim Dreamin’” and the bacon‑blasted metal romp “Makin’ Bacon.”

“Peppercorn Steak” brings the band full circle, back to their roots in the animated Teletoon series that first launched Sons of Butcher into Canadian cult status. Originally featured in a never‑aired, independently created pilot for a potential third season, the track has now been fully re‑cut, re‑seasoned, and served sizzling with soaring vocals, chunky riffs, and the kind of lyrical repetition only Sons of Butcher could make iconic.

“This EP marks the first time we’ve written songs not directly tied to the cartoon storyline, except for ‘Peppercorn Steak’. Instead, this EP is an honest batch of comedy songs from the grease‑clogged hearts of a band of has‑been butchers,” says frontman Ricky Butcher. “

The new video is a celebration of everything Sons of Butcher stands for: meat‑obsessed comedy, 80s‑riff swagger, and the kind of theatrical absurdity that made the band a cult favourite. Designed to pair perfectly with National Steak Day, the video gives fans the ultimate soundtrack for grilling, chilling, and embracing their inner carnivore.

Taste the steak with the video for “Peppercorn Steak” at https://www.youtube.com/watch?v=9tMsBq0GvGg

“Skids” is a four‑track blast of unapologetic skid‑life: cheap meat, grunge‑stained fashion, and the unwashed spirit of rock forged in a butcher shop. It’s raw, loud, and unexpectedly radio‑ready, marking a rare moment where Ricky Butcher reins in his famously NSFW impulses without losing the band’s signature filth‑core charm.

The EP reunites Sons of Butcher with longtime producer Jordon Zadorozny (Meatlantis, Rise & Fall of the Steaks) at Skylark Park in Pembroke. It also features drumming from Ricky’s all‑time favourite drummer, Kellii Scott of Failure, bringing a full‑circle moment to the band’s history.

Recommended for fans of Tenacious D, Spinal Tap, Psychostick, and Steel Panther, “Skids” (released March 27th, 2026) is available at the following links:

Add to your Spotify playlist – https://open.spotify.com/album/7M0suHkgLiADLzbMXegRjV

Bandcamp (CD and Digital) – https://sonsofbutcher.bandcamp.com/album/skids

Music Video – Makin’ Bacon – https://www.youtube.com/watch?v=4lnsb7uWp4g

Music Video – Denim Dreamin’ – https://www.youtube.com/watch?v=iZNUtzaO8IY

Track Listing:
1. Denim Dreamin’ – (3:05)
2. Makin’ Bacon – (2:37)
3. Steeltown Handy – (2:21)
4. Peppercorn Steak – (1:42)

EP Line Up:
Ricky Butcher – Lead Vocals, Guitar
Doug Borski – Vocals, Bass
Kellii Scott – Drums
Jordon Zadorozny – Lead Guitar
Brandon Wars – Lead Guitar

Live Band Line Up:
Ricky Butcher – Vocals, Guitar
Doug Borski – Vocals, Bass
Crissy Stixx – Drums
Joey Salami – Lead Guitar

More Info:

https://www.sonsofbutcher.ca/

https://www.facebook.com/therealsobs

https://www.instagram.com/therealsobs/

-30-

“You can have fun with the SONS OF BUTCHER… solid entertainment awaits you.” – PowerMetal.de

“Keeping with the butcher theme, the band played its fair share of meat-themed tunes such as “Beef & the Chicken” and “Makin’ Bacon” during their high energy set, alongside fan favourites like “Fuck the Shit”, “We Fuckin’ Rule,” and of course, “Sons of Butcher Theme,” all of it delivered with the proper big, dumb rock ‘n’ roll attitude and absolutely zero subtlety. Steeltown skids represent!” – Panic Manual (Live Review – Toronto 2026)

“After a ten year hiatus, the rock behind Teletoon’s cult animated series, is back as Sons of Butcher release a new 4-track EP, “Skids”. The riffs, thunderous percussion and lyrics are designed to put fun back in rock and that they do. Tracks like ‘Makin’ Bacon’, ‘Steeltown Handy’ and ‘Denim Dreamin” are built for a party and a great reminder that rock should never take itself too seriously. So if you’re lookin’ for a good time listen up for Sons of Butcher on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“Be careful, be careful, these Canadians are downright crazy and it starts to show as soon as you look at the cover. They do a crazy ’ Rock n’ Roll fuckin, crazy, humorous, delirious… this EP, well, that’s it, big fuckin’ madness. «Makin’ Bacon», for example, is hilarious, while sending the Caribou to play in the woods. This EP by SONS OF BUTCHER is a big slice of good humor, made by musicians who don’t take themselves seriously. Despite the weather, these guys are still crazy…. A CD for fans of ULTRA VOMIT, NANOWAR OF STEEL and others, in short for fans of joyful Metal. And that gives 4 titles for 4 peaks ! Personally, I’m really a customer.” – WTR Mag

“In its brief runtime, Skids delivers a clear statement: the band hasn’t lost its grit, just sharpened it… Sons of Butcher embraces its original spirit with honesty, energy, and unapologetic attitude… Skids finds meaning in the space between parody and authenticity, where the band has always thrived.” – FirstWave Radio

“Sons Of Butcher prove that after all these years they are still masters at combining sleazy rock, chaos, and pure fun. Anyone who loves dirty guitars, rattling rock, and a hefty dose of self-mockery is in the right place here. The gas pedal stays pressed – and fortunately so.” – Musika

““Skids” stands out as a release with a clear entertainment-driven focus… an immediate and thoroughly enjoyable listening experience.” – MetalWar

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0 Out Now! France’s HIGHWAY’s Return Louder Than Ever w/ New Album “Last Call for Rock’N’Roll” and Heart‑Wrenching Video “Mayday”

April 24, 2026
by Asher
· HighWay · Music News

NEWS RELEASE

Montreal, QC – April 24, 2026

Out Now! France’s HIGHWAY’s Return Louder Than Ever w/ New Album “Last Call for Rock’N’Roll”

+ New Heart‑Wrenching Video “Mayday”

L-R – Ben Chambert – Lead Guitar, Backing Vocals, Florian Arnaud – Rhythm Guitar, Backing Vocals, Benjamin Folch – Lead Vocals, Cerise Pouillart – Bass, Backing Vocals, Romain Chambert – Drums

Photo Credit – Mr. Cana Photography

France’s high‑voltage hard rockers HIGHWAY proudly announce that their long‑awaited sixth studio album, “Last Call for Rock N Roll,” is officially out now as of April 24th 2026, via label Rock City Music, and its release is accompanied by their brand‑new video for the deeply emotional single “Mayday.”

After the acoustic detour of The Journey (2022), HIGHWAY are back in full electric force, revved up, re-energised, and ready to reclaim their place among Europe’s new wave of classic hard rock.

In stark contrast to the album’s high‑octane anthems, “Mayday” strips everything down to voice and guitar, echoing the intimacy of Simon & Garfunkel. The track is a raw, vulnerable tribute to the passing of a loved one, written as a cathartic scream of pain, love, and memory. It’s not a power ballad. It’s a moment of truth.

The accompanying video amplifies the song’s emotional weight, offering fans a rare glimpse into the personal experiences that shaped the album’s lyrical core.

Watch and listen to the video for “Mayday” at https://www.youtube.com/watch?v=rx_PkXTqyIA

“Last Call for Rock N Roll” is a rallying cry for a world in chaos, twelve brand‑new tracks that fuse power, melody, and emotion with the timeless spirit of classic hard rock. Produced and mixed by Brett Caldas‑Lima (Ayreon, Devin Townsend, Megadeth), the album was meticulously crafted over four months at Tower Studio to achieve a sound that is rich, organic, and explosively dynamic.

From the electrifying opener “Last Call (For Rock N’ Roll)” to the arena‑ready “Hi‑Way,” the swagger of “¡Bang Bang!”, and the AC/DC‑inspired punch of “D.K/D.C”, the album showcases the full spectrum of HIGHWAY’s identity, authentic, melodic, passionate, and fiercely alive.

The album also marks a turning point for HIGHWAY with the arrival of two new members, Cerise Pouillard (bass), known from the acclaimed AC/DC tribute Ladies Ballbreaker and Florian Arnaud (guitar), a powerhouse musician who completes the long‑awaited return of twin guitars. Both contribute backing vocals, elevating the band’s signature harmonies to new heights.

“With this lineup, the live sound is going to be massive. Big vocals, big energy, big production. You’re not ready,” adds guitarist Ben Chambert.

Formed in 1999 by brothers Ben and Romain Chambert after being “thunderstruck” by AC/DC’s Live at Donington, HIGHWAY have spent more than two decades refining its craft. With over 500 shows across Europe, support slots for Michael Schenker Group, Gotthard, Jeff Scott Soto, Kissin’ Dynamite, Nashville Pussy, and more, and a growing reputation, the band has become a defining force in Europe’s modern classic hard rock revival.

“This is our most personal, emotional, and mature record. We took the time we never had before, and we’re incredibly proud of every detail,” adds Ben.

Exploring themes of love, loss, resilience, nostalgia, and the pursuit of freedom. “Last Call for Rock’N’Roll” blends the band’s roots, AC/DC, Queen, Aerosmith, Guns N’ Roses, with their own melodic identity and modern production.

“Last Call for Rock’N’Roll” is now available via the label Rock City Music, with physical distribution
by FTF-Music and digitally from Virgin Music.

CD Digipack and exclusive collector LP at https://highwayshop.sumupstore.com/

Add to your Spotify playlist – https://open.spotify.com/album/1njIM62jUDeg4Td3iGSBHq

Music Videos:

“D.K/D.C” – https://www.youtube.com/watch?v=8FUFvVMWXQ4

“Hi-Way” – https://www.youtube.com/watch?v=qPYb7fBvNAU

“¡BANG BANG!” – https://www.youtube.com/watch?v=kGpYOR4Xx20

Track Listing:
1. Last Call (For Rock N’ Roll) – 5:13
2. Hi-Way – 4:40
3. ¡Bang Bang! – 3:47
4. Nineties Action Movie – 5:16
5. Peace Out – 5:44
6. Mayday – 4:25
7. Go! Go! Go! – 5:48
8. Let Me – 4:54
9. D.K/D.C – 3:16
10. Rat Race – 6:00
11. Action – 4:32
12. (Don’t) Look Back – 5:09
Album Length: 58:48

Album Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Benjamin Folch: Vocals
Sam Marshal: Bass Guitar, Backing vocals
Romain Chambert: Drums

Live Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Florian Arnaud: Rhythm guitar, Backing vocals
Benjamin Folch: Vocals
Cerise Pouillart: Bass Guitar, Backing vocals
Romain Chambert: Drums

More info: https://linktr.ee/highway_the_band

– 30 –

“THANK YOU TO HIGHWAY WHO SUPPORTED US ON OURMISSION EUROPEAN TOUR. A GREAT BAND WHO RECEIVED A SUPERB REACTION FROM OUR FANS.” – Michael Schenker

“IT WAS A PLEASURE HAVING YOU GUYS! YOU TRULY LIVE THE ESSENCE OF ROCK N ROLL” – Jeff Scott Soto

“Entertaining rock music that’s fun and appeals to a wide range of musical tastes. Party music for fans of everything from Queen to the Beatles!” – MyRevelations

“I really love this album; it really does have everything that your rock ‘n’ roll heart desires. Last Call For Rock ‘n’ Roll represents the past, present and future of rock ‘n’ roll. We are all in safe hands with HighWay.” – CGCM Rock Radio

“With this Last Call For Rock’n Roll, HighWay is strong. Throughout the 12 tracks, we feel the hard work put in by the musicians. The production really honors it. The 9/10 is easily imposed because this album is extremely enjoyable. Only one thing to hope for, that this is not their last call for rock’n roll, and that they continue to spread the good word in this way!” – Rock Meeting

““Last Call For Rock’ Roll” is the album that made me stop and pay attention to a band I should have discovered long before. For those who have been following them for years, it will probably be confirmation that the band has never been so sharp. For those who arrive now, like me, it is a magnificent gateway to 25 years of history that has suddenly become impossible to ignore. Let it not be the last call. Honest, urgent and without complexes. A great HighWay record!” – World of Metal Mag

“My preferences are « Go Go Go», more than addictive and designed to be covered live by the public, « Let Me», epic as can be and endowed in my opinion with the best solo of the album, as well as the hit « Hi-Way », wickedly groovy and powerful, notably thanks to Sam’s bass. Excellent feedback for Highway, which shows us that even more than 20 years after their debut, the Sétois still have something under their belt. Lovers of rich and varied hard rock, go for it: it’s a safe bet.” Pavillon 666 Webzine

“As they say in wild west saloons soaked in rock, sweat, smoke and beer, with HighWay it plays serious!!With this Last Call For Rock’n Roll, HighWay is strong. Throughout the 12 tracks we feel the great work put in by the musicians. The production really honors it.” – Vinyl Times

“This track (Bang Bang) fires with brash confidence while questioning the cost of excess. Beneath the swagger sits a sharp self-interrogation about fame, wealth, image, and the anxiety of choosing one path over another. Repetition becomes pressure, mirroring a mind spiralling under desire and doubt. It lands as both celebration and warning, pairing arena-sized hooks with a knowing sense of consequence that gives the noise purpose rather than empty bravado and lasting emotional weight beyond the chorus. To close, this single and forthcoming album won’t gather dust in any collection, and will keep feet tapping and heads bouncing from sofa to stage. So why not clear a space, and give Highway a try for 2026. Star Rating 9/10” – Stargazer Music Magazine

—-

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0 ASHEN HORDE Unleashes Third Single “Apparition” from Forthcoming Album “The Harvest” Out May 1st

April 22, 2026
by Asher
· ASHEN HORDE · Music News

NEWS RELEASE

Montreal, QC – April 22, 2026

ASHEN HORDE Unleashes Third Single “Apparition” from Forthcoming Album “The Harvest” Out May 1st

Photos by @still.squill (Trevor); Photo Dun Right (Karl); unknown (Robin)

Los Angeles extreme metal collective Ashen Horde continues their march toward the release of their fifth full‑length album, “The Harvest,” arriving May 1st, 2026. Following the crushing momentum of the first two singles, “Entropy and Ecstasy” and “Voids in the Ash”, the band now reveals their third offering, the blistering and atmospheric “Apparition.”

The new track showcases the band’s signature fusion of death metal ferocity, black‑metal tension, and progressive unpredictability. Described by guitarist and primary songwriter Trevor Portz as “probably the heaviest song on the album,” “Apparition” draws inspiration from early death metal before veering into eerie, off‑kilter riffing with a vaguely 70s undercurrent. Lyrically, vocalist Karl Chamberlain inhabits the voice of a tormented ghost, condemned to witness humanity’s worst impulses while questioning whether his eternal imprisonment is punishment for forgotten sins.

“He’s slowly going insane in his eternal prison,” Portz explains, capturing the psychological dread that permeates the track.

Listen to “Apparition” at the following links:

YouTube – https://www.youtube.com/watch?v=R4Doe6X8bZs

Bandcamp – https://ashenhorde.bandcamp.com/

“The Harvest” marks the band’s first full‑length release with Chamberlain, whose dynamic vocal range has expanded Ashen Horde’s sonic palette. Though not a traditional concept album, the record is unified by a central theme: endings. Each track explores a different facet of finality—personal, societal, mythological, or apocalyptic.

The album’s striking cover art, created by artist Venus Kohana, features two red skeletons that immediately captivated Portz when he encountered the piece at an art show. The imagery not only set the visual tone for the album but also directly inspired the lyrics of the title track.

“It’s unique and cool, and very metal; it even inspired the lyrics to the title track,” says Portz.

Musically, “The Harvest” is Ashen Horde at their most varied and adventurous. From the Voivod‑tinged chaos of “Entropy and Ecstasy” to the grunge‑infused harmonies and volcanic fury of “Voids in the Ash”, a song depicting the final days of Pompeii, the album thrives on contrast. Tracks like “Backward Momentum” blend Opeth‑style clean vocal layering with 90s‑inspired riff breaks, while “Autumnal” opens the record with a slow‑burn ascent into full black‑metal intensity.

The rollout for “The Harvest” began with the release of “Entropy and Ecstasy”, accompanied by a music video that marked the first time any two members of Ashen Horde had ever performed together, despite the band’s decade‑long history. The track introduced fans to Chamberlain’s voice and set the thematic tone for the album with its tale of a couple who find exhilaration in global collapse.

Music Video – Ecstasy and Entropy – https://www.youtube.com/watch?v=zud62AXzvsw

The second single, “Voids in the Ash,” followed with a dramatic shift in mood and style. Inspired by the destruction of Pompeii, the track blends moody, slow-burning verses with explosive black‑metal passages, showcasing the band’s love of sharp stylistic contrasts.

Music Video – Voids in the Ash – https://www.youtube.com/watch?v=U-tcwbsxNHg

Recorded entirely remotely, “The Harvest’ is the culmination of Ashen Horde’s evolution from a one‑man project into a fully realized extreme metal entity. The album’s eight tracks explore endings through myth, history, personal struggle, and existential dread, all filtered through the band’s genre‑defying approach.

The title track, inspired by the album’s artwork, imagines a hidden entity watching humanity’s self‑destruction until the moment it decides to emerge and consume everything, a metaphor for our species’ relentless march toward ruin.

For over 10 years, Ashen Horde has crafted extreme metal that defies easy categorization. Rooted in black and death metal but unafraid to incorporate progressive, melodic, and alternative influences, the band appeals to fans of Opeth, Enslaved, Amorphis, Ihsahn, and other genre‑bending heavyweights.

Album pre-order (release date May 1, 2026) available on limited splatter vinyl and CD (along with t-shirt bundles) on Bandcamp, as well as everywhere digitally – https://ashenhorde.bandcamp.com/album/the-harvest

Tour Dates:
May 14 – Montclair, NJ – The Meatlocker
May 15 – Wallingford, CT – Cherry Street Station
May 16 – Brattleboro, VT – Midnight’s

Track Listing:
1. Autumnal (6:12)
2. Entropy and Ecstasy (5:47)
3. Backward Momentum (5:21)
4. Voids in the Ash (5:41)
5. Remnant (4:37)
6. A Place in the Rot (4:38)
7. Apparition (4:57)
8. The Harvest (5:46)
Album Length: 43:03

Credits:
Mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios
Artwork by Venus Kohana (venuskohana.com)

Lineup:
Trevor Portz: Guitar, Bass, Harmony Vocals
Karl Chamberlain: Vocals
Robin Stone: Drums

More Info:

https://www.facebook.com/AshenHorde/

https://www.instagram.com/ashenhorde

-30-

“The harvest is coming! The new Ashen Horde album is a multi-faceted journey into every nook and cranny of extreme metal. “The Harvest” is challenging and quirky, but unlike a lot of other progressive/experimental releases, it never loses track of the key ingredient in music – good songwriting. All tracks are well-crafted and interesting in their own right, and the skillful instrumental performances are more like the icing on the cake and not the main focus. Highly recommended!” – Nik Sundin (Dark Tranquillity)

“plenty of listeners will undoubtedly enjoy this, and the musical ability of this outfit is beyond question.” – Musika (2026 – The Harvest)

“The song (Entropy and Ectasy) captures this dichotomy of collapse and exhilaration — of entropy and ecstasy — through a fast-spinning (and head-spinning) kaleidoscope of sound. The moods of the music change along the way, but even the relatively slower and more desolate passages include inventive and intriguing nuances. Karl Chamberlain’s remarkably multi-faceted voice is a perfect match for the remarkably multi-faceted nature of the music. He expels brutal death metal gutturals and ripping black metal screams, but he also sends his singing voice in ravishing upward arcs that are spine-tingling to hear, and down into gloomy troughs. As for the surrounding music, it’s intricate and exhilarating, especially when the band are in full flight, discharging rapidly darting and maniacally swirling notes, incendiary bursts of tremolo’d delirium, or riffing that feverishly slashes with vicious, serrated edges. In less frantic phases, the music dismally groans and throbs, creating a pall of desolation, even when Chamberlain’s voice might be reaching for the clouds. The fretwork also includes angular progressions that generate moods of disorientation and fearfulness, and the song further includes an astonishing guitar solo that all by itself seems to capture the song’s thematic dichotomy of collapse and jubilation. Perhaps needless to say, Robin Stone’s drumming is as constantly changing as everything else, and surgically crafted to match all the other head-spinning, pulse-pounding, and heart-sinking twists in this shapeshifter of a song.” – No Clean Singing

“Antimony; 3/5 rating; “the sound Ashen Horde has developed over three albums is pretty much theirs alone. It’s a dense but accessible approach that rewards both casual listens and sustained attention.” – Angry Metal Guy (2023 – Antimony)

“Equal parts blackened madness, death metal riffing, and clean vocals, “The Neophyte” should get just about anyone stoked for Antimony.” – Metal Injection (2023 – Antimony)

“an amazing odyssey all around and the amount of remarkable coherency as well as the instrumentation work and musicianship is just top notch.” – Metal Purgatory (2023 – Antimony)

“Progression like what Ashen Horde has undergone over the years is what the best tales in the underground are made out of.” – Head-Banger Reviews (2023 – Antimony)

“Fallen Cathedrals; 4.0 rating; “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” – Angry Metal Guy (2019 – Fallen Cathedrals)

—
ASHER MEDIA RELATIONS
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0 AFTER INFINITY Shares New Single “King With No Crown” From Upcoming Album “Beyond Eternity” Out Fall 2026

April 21, 2026
by Asher
· After Infinity (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – April 21, 2026

AFTER INFINITY Shares New Single “King With No Crown”

New Album “Beyond Eternity” Out Fall 2026 via Rockshots Records

Album Guest Vocalists Paolo Ribaldini (Delain, Leverage, Seraphiel), Aitor Arrastia (Metal de Facto), Nitte Valo (Dreamtale, ex-Battle Beast), Mika Tauriainen (Entwine, Shamrain), Sara Strömmer (Shereign, ex-Fear of Domination), Leonard F. Guillan (ex-King Company)

Finnish melodic metal act After Infinity return with “Beyond Eternity“, a sophomore release that consolidates and expands the project’s identity with a sharper focus on compositional depth, vocal diversity, and emotional range. Conceived and led by guitarist and songwriter Zsolt Szilagyi, the album builds on the foundation of the band’s 2024 debut, pushing further into progressive structures while retaining a strong melodic core.

The album campaign kicks off with “King With No Crown”, featuring Paolo Ribaldini on vocals and accompanied by an official lyric video. Built on heavy guitar work and dramatic orchestrations, the track channels themes of rebellion against illegitimate power. Alongside it, the band will also unveil “Hands of Time” as a standalone single, featuring Aitor Arrastia (Metal De Facto) on vocals – a 12-minute progressive composition that represents the most ambitious and conceptually expansive piece of the entire record.

Rather than relying on a fixed vocalist, “Beyond Eternity” embraces a rotating cast of performers, transforming each track into a distinct narrative space. The album features six different guest singers, each contributing a specific tonal identity while remaining anchored to a cohesive sonic framework defined by layered orchestrations, dynamic guitar work, and carefully structured arrangements.

Musically, the record operates at the intersection of power metal, heavy metal, and progressive metal, balancing immediacy and complexity. High-impact compositions driven by tight riffing and symphonic textures coexist with more restrained moments, including piano-led passages and atmospheric interludes. This contrast is structural: each track is designed to fulfill a precise role within the album’s flow, avoiding redundancy and reinforcing a continuous sense of variation.

Lyrically, “Beyond Eternity” explores a wide emotional spectrum, moving between anger, resistance, introspection, and hope. While “King With No Crown” embodies collective uprising, other tracks shift toward personal reflection and existential questioning. The closing “Hands of Time” expands this vision into a philosophical exploration of time, the origins of the universe, and the meaning of existence itself, reinforcing the album’s progressive dimension.

From a production standpoint, the album maintains a consistent sonic identity while allowing individual performances to retain their character. Produced by Zsolt Szilagyi, the record features mixing handled primarily by Benjamin Connelly with mastering by Jasse Kesti, ensuring clarity across its dense arrangements and multi-layered instrumentation.

The collaborative dimension is central to the project’s evolution. Alongside Szilagyi, the album features orchestrations by Gideon Ricardo and bass performances by Ville Koskinen, while an extensive list of guest vocalists – including Paolo Ribaldini, Mika Tauriainen, Sara Strömmer, and Aitor Arrastia – reinforces the album’s multi-faceted identity without compromising its coherence.

Following a well-received debut praised for its songwriting and musicianship, After Infinity refine their approach with “Beyond Eternity“, delivering a record that prioritizes compositional intent, variation, and emotional impact over formula. The result is a work that moves fluidly between melodic accessibility and progressive ambition, positioning the band within the contemporary European metal landscape with a clearly defined artistic direction.

Listen: https://lnk.to/LktetC
Official Lyric Video: https://www.youtube.com/watch?v=y3z6pfBeDqo

“Beyond Eternity” will be released this Fall 2026 via Rockshots Records.

For fans of: Sonata Arctica, Symphony X, Helloween

After Infinity Line-up:

Zsolt Szilagyi: Guitars, Synths, Drum Programming, Backing Vocals
Gideon Ricardo: Orchestrations, Synths
Ville Koskinen: Bass

Guest Vocalists:

Paolo Ribaldini (Delain, Leverage, Seraphiel)
Aitor Arrastia (Metal de Facto)
Nitte Valo (Dreamtale, ex-Battle Beast)
Mika Tauriainen (Entwine, Shamrain)
Sara Strömmer (Shereign, ex-Fear of Domination)
Leonard F. Guillan (ex-King Company)

More info: https://www.rockshots.eu | https://www.instagram.com/afterinfinityofficial | https://www.facebook.com/afterinfinityofficial

ABOUT:

After Infinity is a Finnish melodic power and heavy metal project founded in 2022 by guitarist and songwriter Zsolt Szilagyi, known for his work with Dreamtale and Frozen Factory. Built around a flexible and collaborative structure, the band emerged from Szilagyi’s desire to move beyond a purely solo approach and create a dynamic musical environment involving multiple performers.

Rather than relying on a fixed line-up of vocalists, After Infinity developed a distinctive identity by working with a wide range of guest singers, allowing each track to take on its own character while maintaining a cohesive artistic vision.

This approach quickly became a defining element of the project, turning it into a platform where different voices and influences converge.

The band’s sound blends heavy guitar riffs, rich orchestrations, and strong melodic hooks, moving seamlessly between powerful metal compositions and more introspective passages driven by piano and atmospheric textures. Drawing from power metal, heavy metal, and progressive influences, After Infinity aims to deliver a diverse listening experience shaped by contrast, emotion, and compositional depth.

Their self-titled debut album, released in 2024, received positive feedback for its songwriting and musicianship, establishing the project within the contemporary Finnish metal scene. Building on that foundation, the sophomore album “Beyond Eternity” further expands the band’s sonic palette, introducing new guest vocalists and pushing the balance between heaviness, melody, and progressive elements while preserving the core identity that defines After Infinity.

—
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2 IRON KINGDOM Forge “Blood and Steel” w/ Second Single From New Album “Shadows and Dust” Out June 2026 + Cross Canada Tour!

April 21, 2026
by Asher
· Iron Kingdom · Music News

NEWS RELEASE

Montreal, QC – April 21, 2026

IRON KINGDOM Forge “Blood and Steel” w/ Second Single From New Album “Shadows and Dust” Out June 2026

Sixth Album “Shadows and Dust” Out June 6th, 2026 via Steel Shark Records

Headline Hometown Show in Vancouver + Cross Canada Tour! and Armstrong Metal Fest, Loud As Hell Open Air Fest

L-R – Leighton Holmes (Bass), Max Friesen (Drums), Chris Osterman (Lead Vocals / Lead Guitar), Megan Merrick (Lead Guitar)

Photo Credit – Cailin Haley

Vancouver, Canada’s traditional heavy metal torchbearers IRON KINGDOM return with the second single from their upcoming sixth studio album “Shadows and Dust,” due out June 6, 2026, marking their first release under their new label partnership with Steel Shark Records (France), which will offer an exclusive EU edition limited to just 300 double‑CD copies. Disc 1 will contain the full “Shadows and Dust” album, while Disc 2 will feature a “Best Of” collection highlighting tracks from Iron Kingdom’s previous five releases. In addition, the label will introduce a third vinyl colour (100 copies) available only to EU fans.

Following the momentum of their first single and music video “Defenders”, the band now unveils the powerful new track “Blood and Steel”, accompanied by an epic lyric video that dives deep into the album’s themes of endurance, mortality, and the human cost of ambition.

Bassist Leighton Holmes explains further:

“The inspiration for ‘Blood and Steel’ came from two places. One draws from Steven Erikson’s Malazan Book of the Fallen, and the other from imagining myself as a soldier in Alexander the Great’s army, twelve years into a campaign, thousands of miles from home, questioning how I got there. The endless marching, the battles, the weight of the gear… It’s a brutal life, and in a small way, it parallels the blood, sweat, and tears of touring in a band.”

Musically, “Blood and Steel” stands apart in the IRON KINGDOM catalogue.

“We wanted the song to feel like a march. It’s very bass‑ and drum‑driven in the verses, with guitars layered in strategic spots. It’s a different kind of song for us, and I think it’s going to add something special to our live sets,” adds vocalist/guitarist Chris Osterman.

Watch and listen to “Blood and Steel” at https://www.youtube.com/watch?v=qb8BIzHT3_Q

Add to your Spotify playlist – https://open.spotify.com/track/6SDL7czZLBENHKRRbFvrQl

“Shadows and Dust” is IRON KINGDOM’s most emotionally charged and thematically dark album to date, ten tracks exploring death, hardship, impermanence, and the resilience required to push through life’s most difficult trials. The cover art, inspired by the story behind “Blood and Steel,” depicts an army marching across a desolate landscape, echoing the album’s central themes of struggle and perseverance.

“This album plays in a dark realm. But that’s exactly what will make it accessible to people going through tough times. The music shows hope for a way out. It’s a journey, one we can’t wait for fans to experience front to back,” says Osterman.

In additional news, to celebrate the release of “Shadows and Dust,” IRON KINGDOM will headline a special hometown album release show at the Rickshaw Theatre on June 5, 2026. Fans can expect the band’s signature high‑energy performance, raw, loud, and unapologetically traditional heavy metal. Info at https://orangetickets.ca/detalles_evento.php?id_evento=2127

The album release show will also serve as the band’s tour kick-off, as the band will hit the road this summer across Canada in support of “Shadows and Dust,” including confirmed festival appearances at Armstrong Metal Fest and Loud As Hell Open Air Festival.

True North Strong And Heavy Canadian Tour – Iron Kingdom, W.M.D.
https://www.iron-kingdom.com/tour-dates
June 5 – Vancouver, BC – The Rickshaw
July 2 – Nanaimo, BC – The Globe
July 3 – Victoria, BC – Lucky Bar
July 4 – Cumberland, BC – The Waverley
July 5 – Powell River, BC – The Carlson Loft
July 17 – Armstrong, BC – AMF 2026
July 21 – Prince George, BC – Knox Performance Centre
July 23 – Whitehorse, YT – Lefty’s Well
July 24 – Dawson City, YT – The Pit
July 25 – Dawson City, YT – The Pit
July 26 – Whitehorse, YT – The 98 Hotel
July 28 – Yellowknife, NT – The Underground
July 29 – Fort Smith, NT – Dirty O’ Fergie’s
July 30 – Edmonton, AB – Starlite
July 31 – Drumheller, AB – LAH 2026
Aug 1 – Winnipeg, MB – Park Theatre
Aug 2 – Thunder Bay, ON – Bloom Bar + Lounge
Aug 3 – Sudbury, ON – The Lounge 390
Aug 4 – London, ON – Supply & Demand
Aug 5 – Waterloo, ON – Maxwells
Aug 6 – Ottawa, ON – Dominion Tavern
Aug 7 – Toronto, ON – Bovine
Aug 8 – Montreal, QC – Foufounes Electriques
Aug 9 – Sherbrooke, QC – Le Murdoch
Aug 11 – Woodstock, NB – Monteith Manor
Aug 12 – Halifax, NS – Gus’ Pub
Aug 14 – Corner Brook, NL – Retro
Aug 15 – St. John’s, NL – The Rockhouse
Aug 17 – Truro, NS – Marigold Cult. Centre (Lobby)
Aug 18 – Quebec City, QC – L’Anti
Aug 19 – Hamilton, ON – Doors Pub
Aug 21 – Saskatoon, SK – Black Cat Tavern
Aug 22 – Calgary, AB – Dicken’s
Aug 23 – Kelowna, BC – Jackknife Brewing

Formed in 2011, IRON KINGDOM have spent over a decade championing the classic heavy metal tradition, drawing influence from legends such as Iron Maiden, Judas Priest, Helloween, The Scorpions, and Rush. Known for their electrifying live performances, intricate musicianship, and unwavering dedication to the genre, the band has toured extensively across Canada, the USA, Europe, and Brazil, sharing stages with acts like Night Demon and Blaze Bayley.

“Shadows and Dust” marks the next chapter in their evolution, an album that blends old‑school metal spirit with fresh energy and emotional depth.

Album Teaser – https://www.youtube.com/watch?v=nmWn8pKOyh0

Music Video – “Defenders” – https://www.youtube.com/watch?v=t3k7tW5-9Os

Album pre-order (release date June 6th, 2026) available at the following links:

Official Merch store: https://www.iron-kingdom.com/shop
Bandcamp: https://iron-kingdom.bandcamp.com/music

Track Listing:
1. Defenders
2. Eternal Emperor
3. Dreamless Sea
4. Deadhouse Gates
5. Line Of Fire
6. Blood And Steel
7. Shadow Of Time
8. Dark Demands
9. Starlight
10. Sacred Fire

For more info:
https://www.iron-kingdom.com
https://www.facebook.com/ironkingdomofficial
https://www.instagram.com/iron_kingdom

– 30 –

“Ten tracks leading to a beautiful journey you will wish to live forever. A masterpiece to own with pleasure. Iron Kingdom has arrived on the stardom stairs, and it’s worth it 100/100.” – The Metal Mag (Shadows and Dust 2026)

“Loads of riffs and melodies some excellent lead breaks and pounding rhythms. This is bonafide, foot on the monitor, fist pumping, horn throwing real metal. I have never heard Iron Kingdom before but on the strength of this I will be obtaining the back catalogue very soon.” – My Global Mind (The Blood of Creation 2022)

“If you haven’t checked out Iron Kingdom’s earlier releases and you dig pure ’80s metal, grab a copy of The Blood of Creation then get ready to hunt down their earlier catalog. You will not be disappointed.” – The Metal Crypt (The Blood of Creation 2022)

“I am compelled to say that IRON KINGDOM most surely outdone themselves with “The Blood Of Creation”… A distinctively distinguished experience in Heavy Metal relishment distils at an epically entrancing adventure, should you desire it… an injection in infectiously venomous momentum most definitely deserves interest – do check it out.” – Metal Temple (The Blood of Creation 2022)

“With The Blood Of Creation, Iron Kingdom have forged a masterpiece that brings tears of joy to the eyes of every traditional metalhead. There is only high-quality material and everyone is encouraged to include this album in their choice of this year’s Top10. ” – Soundmagnet (The Blood of Creation 2022)

“To put a bow on IRON KINGDOM’s The Blood of Creation, it’s dang good, borderline perfect and any fan of hard rock and heavy metal that is slathered with soaring epic vocals, dual guitar rhythm and shredding solo’s layed down on a feather bed of thunderous, galloping and filling chattering drums and bass then go, go, go get you some of this. A monster thank you to Chris for taking the time to chat me up and gift me this glorious CD. Now I need to go and get the back catalog…” – KNAC (The Blood of Creation 2022)

“a barnstorming barrage of blistering heavy metal, highly head bang-able and immensely infectious.” – Metal Gods TV (The Blood of Creation 2022)

“”The Blood of Creation” is a satisfying excursion into metal classicism.” – Wormwood Chronicles (The Blood of Creation 2022)

“This is a solid album of heavy metal delivered in the style that is true to the cause and therefore, what the listener gets here with ‘The Blood of Creation’, is an album which mounts its steeds and charges forward in a cavalry strike as galloping riffage and rhythms never give the listener the chance to let up with tracks such as ‘Queen of the Crystal Throne’, ‘In the Grip of Nightmares’ and ‘Witching Hour’ having some very impressive twin guitar lines. This would impress any fan of Iron Maiden, Riot V and Iced Earth, but also sticks within the remit of trad metal with bands such as Katana, Skelator and Toledo Steel.” – Metal Digest (The Blood of Creation 2022)

“Anyone who likes beautiful and playful melodies, extensive guitar solos, detailed arrangements and double lead guitars will be well served with “The Blood Of Creation”.” – PowerMetal.de (The Blood of Creation 2022)

“The musicianship is solid, the lead work sharp and Osterman’s high-pitched vocals can certainly hit the heights. His soaring shrill delivery on ‘Queen of the Crystal Throne’ demonstrates that perfectly. New drummer Max Friesen makes his recording debut for the band and puts in a sterling effort with some robust and powerful performances.” – Ever-Metal (The Blood of Creation 2022)

—
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