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Category: Music News

0 Out Now! Breakdowns, Melody, and Mayhem! Montreal’s KILLED BY SORROW Unleashes New Album “Empire of Excess”

  • October 23, 2026
  • by Asher
  • · Killed By Sorrow · Music News

NEWS RELEASE

Montreal, QC – October 23, 2026

Out Now! Breakdowns, Melody, and Mayhem! Montreal’s KILLED BY SORROW Unleashes New Album “Empire of Excess”

Montreal metal outfit Killed By Sorrow is proud to announce the release of their brand-new full-length album, “Empire of Excess,” available now as of October 23, 2026. Blending melodic intensity, crushing aggression, and emotionally charged songwriting, the ten-track record represents the band’s most ambitious and refined work to date.
​
Following the successful release of videos “The End is Near,” “The Burial,” and “Betrayal,” “Empire of Excess” showcases a band continuing to evolve while staying true to the heavy-hitting sound that first connected with fans.
​
Speaking on behalf of the band, rhythm guitarist Samuel Ham shared insight into the creation and vision behind the album.
​
​“Fans will connect strongly with this release. It captures the intensity and aggression that defined our early sound, but with a more mature and refined mix. Long-time listeners will recognize the roots of Killed By Sorrow, while new fans will appreciate the clearer production, tighter songwriting, and deeper atmosphere. This release feels like a natural evolution while remaining familiar enough for existing fans.”​
​
Melodic, aggressive, emotional, dynamic, and intense, “Empire of Excess” takes listeners on a journey through themes of societal collapse, personal struggle, betrayal, resilience, friendship, and self-discovery. The album balances crushing breakdowns, soaring melodies, punk-infused energy, and memorable hooks across a diverse collection of tracks.
​
According to Samuel Ham, the band’s goal was simple:
​
​“The goal is to blend heaviness and melody in a way that pulls listeners into the story behind each track. Every song is meant to hit hard, connect on a personal level, and leave listeners with the sense that they’ve gone through something meaningful from start to finish.”​
​
The collaborative nature of Killed By Sorrow has been a key component of the album’s development. Every song was reviewed and refined by the entire band, with primary songwriting duties shared between bassist Martin Bersier-Carpentier and guitarist Samuel Ham. The band also credits Martin for helping shape the group’s evolving sound and bringing a fresh creative perspective to the songwriting process.
​
Lyrically, “Empire of Excess” explores a wide range of subjects, from apocalyptic devastation in “The End is Near” to consumerism and societal decline in the title track, while songs like “Never Give Up” deliver messages of perseverance and strength. The band intentionally crafted an album with varied moods and styles, ensuring there is something for every listener.
​
​“There is definitely a track that will please any listener. We pride ourselves on making sure the album has a different vibe from start to finish,” adds Ham.
​
The release also marks a significant milestone for the band, which expanded the project into a full-length album by writing additional material to complete the ten-song collection. Fans can also look forward to more music, with the band’s next album reportedly already well underway.
​
Known for their energetic stage presence and engaging live performances, Killed By Sorrow continue to build momentum on the local scene, led by frontman Sebastien’s commanding presence and the band’s undeniable chemistry on stage.

Recommended for fans of Unearth, Killswitch Engage, Poison The Well, Trivium, and Lamb of God, “Empire of Excess” is available as of October 23rd, 2026, at the following links:

Spotify – https://killedbysorrow.fanlink.tv/EMPIREOFEXCESS

​

Bandcamp – https://killedbysorrow.bandcamp.com/​
​
​Videos:​
​
​“The End is Near” – https://www.youtube.com/watch?v=XKZuGNhoqH8

​
​
​“The Burial” – https://www.youtube.com/watch?v=2QAW0l6NjTg

​
​
​“Betrayal” – https://www.youtube.com/watch?v=i0PWyiTedfs

​

Track Listing:​
1. The End is Near – 3:38
2. Empire of Excess – 3:04
3. The Burial – 3:28
4. Betrayal – 3:51
5. Never Give Up – 2:37
6. All My Brothers – 3:18
7. In The Spotlight – 3:17
8. Killed By Sorrow – 3:29
9. Unchained – 3:42
10. Stay In Line – 3:28
Album Length: 33:55

Band Line-up:​
Sébastien Mailloux – Vocals
Martin Bersier-Carpentier – Bass
Tommy Forand – Lead Guitar
Samuel Ham – Guitar Rhythm
Mathieu Lassonde – Drums
​

More info:

​https://killedbysorrow.com/​

​https://www.facebook.com/KilledbySorrow/​

​https://www.instagram.com/killedbysorrowband​

​
​-30-​

“Killed by Sorrow frappe très fort avec Empire of Excess et prouve qu’il a tout ce qu’il faut pour se tailler une place parmi les formations à surveiller de la scène metalcore québécoise. Entre les riffs percutants, les refrains accrocheurs et les breakdowns là où ça compte, le groupe livre un album solide qui ne manque ni de mordant ni de personnalité. Les dix morceaux témoignent d’une formation qui sait comment allier puissance et mélodie sans perdre de vue l’efficacité. Bref, KBS nous offre ici un album qui fait plus que le travail et qui donne surtout envie de monter le volume : une bonne dose d’intensité qu’on a envie de se remettre dans les oreilles!” – 9.5/10 – Metal Universe

“Killed by Sorrow hits incredibly hard with Empire of Excess and proves that it has everything it takes to establish itself as one of the bands to watch on Quebec’s metalcore scene. Between the crushing riffs, catchy choruses, and breakdowns that hit exactly where they should, the band delivers a solid album that lacks neither bite nor personality. These ten tracks showcase a band that knows how to combine power and melody without sacrificing effectiveness. In short, KBS delivers an album that goes well beyond expectations and, most importantly, makes you want to crank up the volume. A serious dose of intensity you’ll want to blast through your speakers again and again!” – 9.5/10 – Metal Universe

“The follow up to 2023 sophomore EP “Careless of This Sadness” it (Empire of Excess) represents half an hour of power in ten emotionally charged tunes built on explosive breakdowns and raw emotional intensity.” – Metal Noise

“The band injects plenty of energy and intensity into these songs. ” – Heavy Music Headquarters

“Almost every metal band that writes about death writes about the fight. Killed By Sorrow have gone the other way. The Burial is about the part after the fight is over — the slow, procedural, unglamorous business of the ground closing over someone. It is the second single from Empire Of Excess, the Quebec band’s debut full-length, out October 23. The band call it “a dark, ritual-like descent into death where silence, decay, and inevitability swallow everything.” They are not overselling it. Where first single Betrayal came out swinging, this one takes its time, and the patience is the whole argument.” – See Rock Live Magazine

“The band pulls from metalcore, thrash and progressive metal, with melodic leads and hardcore-punk bite running underneath. The comparisons that come with the release are Unearth, Killswitch Engage, Poison the Well, Trivium and Lamb of God, and the lineage is easy to hear in a style that values big hooks without surrendering the heaviness. It is the kind of crowded, high-energy approach that has long thrived in Quebec’s metal scene, and it sits comfortably alongside the harder Canadian acts we have covered, such as Comeback Kid and Shroud.” – See Rock Live Magazine (The End is Near – single)

“Canadian underground hardcore punks in Killed By Sorrow’s newest single, Betrayal, definitely stays loyal to the metalcore scene by actually sounding like thrash metal tones mixed with a hardcore punk grit and attitude. Heavily distorted rhythms sound closer to your traditional hardcore, but paired with your traditional style of hardcore punk vocals, Betrayal lets you know not to cross Killed By Sorrow. Huge basslines underneath and in-the-pocket drumming made this one an interesting approach in a crowded metalcore genre, and it’s more than worth a few listens.” – Metal Institute of Thrashology (2026)

—
ASHER MEDIA RELATIONS
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0 Streaming Now! Canada’s BONEYARD’s New Album “Black Static” Delivers A Powerful Mix Of Melody, Metal, And Heart

  • October 23, 2026
  • by Asher
  • · Boneyard · Music News

NEWS RELEASE

Montreal, QC – October 23, 2026

Streaming Now! Canada’s BONEYARD’s New Album “Black Static” Delivers A Powerful Mix Of Melody, Metal, And Heart

L-R: Jefftimus (Drums), Lezzy Osbourne (Bass Guitar), Garhardt (Lead Guitars), Pamtera (Lead Vocals and Guitars)

Photo Credit – Corrine (Wytchy) Thain

Canadian hard rock and melodic metal outfit Boneyard is proud to announce the release of its sophomore album, “Black Static”, arriving October 23, 2026. Building upon the foundation established by their acclaimed debut “Oathbreaker,” the new record showcases an evolved lineup, expanded songwriting chemistry, and a powerful blend of modern female-fronted hard rock and traditional heavy metal.

Founded in 2015 by singer/guitarist Pamtera and drummer Jefftimus, Boneyard first gained widespread attention with their independently released debut album “Oathbreaker.” The record later caught the attention of Italy’s WormHoleDeath Records, leading to a broader international re-release in 2022, including distribution in Japan. Since then, the band has become a respected force across Western Canada’s rock and metal scene, sharing stages with acts such as 96 Bitter Beings, KingDoom, and Deadwolff while earning praise for their powerful blend of melody, heavy riffs, and meaningful storytelling.

For Boneyard, “Black Static” represents both a continuation and an evolution.

“Black Static is an extension of Oathbreaker, featuring another diverse collection of songs while showcasing the unique contributions of Lezzy and Garhardt. The new lineup and album are quite different from Oathbreaker, and we’re excited for fans to hear where the band has gone,” explains Jefftimus.

The anticipation surrounding the album has steadily grown thanks to previously released singles “Before the Fall,” “Compass Points to War,” and “Hanging Tree,” each of which introduced a different side of Boneyard‘s musical personality.

According to Jefftimus (drums), local fans have been particularly eager to hear the first full release featuring bassist Lezzy and lead guitarist Garhardt, whose contributions played a significant role in shaping the album’s identity.

Musically, “Black Static” bridges generations of heavy music, combining influences from traditional ’80s hard rock and heavy metal with elements of ’90s punk and rock.

“We wanted to create something that bridges modern female-fronted hard rock with traditional heavy metal,” adds Jefftimus.

The album’s lyrical themes are equally compelling. Drawing from painful personal experiences and difficult social realities, songs explore toxic relationships, addiction, homelessness, mental health struggles, grief, war, corruption, and human trafficking. Yet throughout the darkness runs a common thread of resilience and hope.

“Pamtera and I often draw inspiration from painful personal experiences as well as difficult collective issues like human trafficking and deteriorating mental health. At the same time, we always try to weave hope and positivity into those stories,” says Lezzy.

Among the album’s standout moments is “Left Me To Drown,” a deeply personal track written from Lezzy’s experiences with toxic and abusive relationships. Built around a pirate-ship metaphor, the song combines some of the album’s heaviest musical passages with a message of survival, transformation, and empowerment.

Elsewhere, “Not This Way (Joel’s Song)” tackles the heartbreaking realities of schizophrenia, addiction, and homelessness, inspired by the true story of a man named Joel and told through the perspective of his grieving mother.

The band’s previously released single “Before the Fall” confronts global issues including corruption, inequality, war, and exploitation while ultimately delivering a message of unity and hope for future generations. Its accompanying video shines a light on human trafficking and missing and murdered Indigenous persons.

Balancing the album’s heavier themes are adventurous and cinematic tracks such as “Hanging Tree,” a tongue-in-cheek Western metal anthem packed with outlaws, gunfights, and gallows humor, and “Compass Points to War,” an epic maritime battle soundtrack driven by soaring riffs, gang vocals, and pirate warfare.

The album’s striking artwork was once again created by celebrated Calgary artist Tom Bagley, continuing the visual legacy established with “Oathbreaker” and featuring the band’s mascot, Misty Bone.

“We give Tom a concept involving Misty Bone, and he always hits it out of the park,” adds Jefftimus.

Like the music itself, the artwork balances classic heavy metal tradition with modern creativity.

Beyond the songs, Boneyard continues to stand out through its representation and authenticity. With a Métis drummer and a member of the LGBTQ+ community in its ranks, the band represents a diverse and inclusive face of modern hard rock and metal while remaining firmly rooted in the genre’s timeless spirit.

With “Black Static,” Boneyard has crafted an album that is melodic, heavy, emotional, and empowering, proving that meaningful storytelling and unforgettable hooks can coexist in equal measure.

Recommended for fans of Halestorm, Saxon, Doro, The Pretty Reckless, and Iron Maiden, “Black Static” will be available October 23, 2026, digitally and on CD, with a vinyl release to be announced later.

Spotify and all digital platforms – https://ffm.to/blackstatic

​

Videos:

“Hanging Tree” – https://www.youtube.com/watch?v=vudfSBqQYUg

​

“Compass Points to War” – https://www.youtube.com/watch?v=VaI_tOId-kY​

“Before the Fall” – https://www.youtube.com/watch?v=HPOEcMLX5Xc​

Show Dates:​
Oct 23 – Edmonton, AB – The Rec Room (Album Release Show) w/ Daniel Martin & The Infamous
Dec 5 – Calgary, AB – Border Crossing Pub

Track Listing:​
1. Met You in a Dream
2. Left Me to Drown
3. Ready for a Change
4. Not this Way (Joel’s Song)
5. Blood in the Bond
6. Before the Fall
7. Hanging Tree
8. Compass Points to War
9. Before the Fall (Piano Rendition)

Album and Live Band Lineup:​
Pamtera – Lead Vocals, Guitar
Lezzy Osbourne – Bass
Jefftimus – Drums
Garhardt – Lead Guitar

More info: https://linktr.ee/boneyardrocks​

– 30 –

“For nearly forty minutes, Boneyard deliver classic melodic hard rock on “Black Static.” Packed with memorable melodies, exceptional vocals, and a crisp, powerful production, the album offers tremendous entertainment value. At the same time, heavy riffs and varied songwriting ensure plenty of depth. As a result, the band is likely to appeal to a broad spectrum of both rock and metal fans” – Keep On Rockin Mag Germany

“A colorful band from the energy and vibe they are spreading throughout their music. With no doubt they will make a big jump in the music industry. This is rock and roll baby! Sweet but not too much, with emotions and rocking tunes to get you dance all day. A must-have 98/100.” – The Metal Mag

“Boneyard‘s debut record Oathbreaker is the kind of album that gets a little better each time that you listen” – Sleaze Roxx’s Top 10 Albums of 2020

“Solid, enjoyable debut, support the New Wave of Traditional Heavy Metal” – Bravewords

“Boneyard lean a bit more towards the hard rock side of the spectrum but the metal is all there as well” – Metal-Rules

“Rock music from Canada still guarantees quality”- PowerMetal

“What we have here is a female-fronted metal outfit that bathes in the crimson glory of traditional heavy rock and heavy metal”- Metal Roos

—-

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 MOONLIGHT DESIRES Blast To The Past w/ A-HA Cover Video “Take On Me” and New EP “Totally Tubular 80’s Party Machine” Out Nov 2026

  • October 23, 2026
  • by Asher
  • · Moonlight Desires · Music News

NEWS RELEASE

Montreal, QC – October 23, 2026

MOONLIGHT DESIRES Blast To The Past with A-HA Cover Video “Take On Me”

and New EP “Totally Tubular 80’s Party Machine” Out Nov 2026

L-R: Joey DeLeo (Guitar) / Crissy Stixx (Drums) / Trevor Ziebarth (Vocals, Guitar) / Jay Ziebarth (Vocals) / Mitch Thompson (Lead Guitar) / Tyler Siroky (Bass)
Photo Credit – Randy Gilbert

Hamilton, ON’s nostalgia-fueled hard rockers MOONLIGHT DESIRES return with their biggest party yet. Six years after their last studio release, the band is set to unleash their new EP “Totally Tubular 80’s Party Machine” on November 27, 2026 via Infamous Butcher Records. To celebrate the announcement, the band is now streaming the first single and music video, a high-energy reimagining of A-ha’s timeless classic “Take On Me”.
​
Known for transforming beloved ’80s pop hits into guitar-driven rock anthems, Moonlight Desires continues its mission of injecting nostalgia with a shot of adrenaline. The seven-track EP showcases the band’s signature blend of soaring hooks, crunchy riffs, and sing-along choruses while remaining faithful to the spirit of the original songs.
​
Selected by new frontman Jay Ziebarth, “Take On Me” serves as the perfect introduction to the band’s next chapter.
​
​“This song is basically about the risks of romance and taking a chance on love before the opportunity slips away. It’s also one of the most instantly recognizable ’80s hits of yesteryear. The nostalgia is thick with this one, and we tried to keep the arrangement close to the source material while still making it sound fresh. This song is the match that ignites a full raucous collection of hits,” says guitarist Trevor Ziebarth.

Watch the video for “Take On Me” at https://www.youtube.com/watch?v=SK7f_Nq4sxc

​Add to your Spotify playlist – https://fanlink.tv/moonlightdesires

​
​
Featuring explosive performances, thunderous drums, and towering guitar melodies, Moonlight Desires approached the material differently this time around. Rather than completely reinventing the source material, the band chose to preserve the core arrangements and recognizable moments that made these songs legendary while amplifying the energy with a heavier modern rock attack.
​
​“We’re trying to invoke all those warm memories you have of ’80s MTV, plus a dash of ’90s MuchMusic, and deliver them back to you wrapped in a louder, grungier, grittier package. When we were choosing a tracklist for this EP, we knew we wanted to make an upbeat, party-focused album while still maintaining all the moody rock sensibilities the band has become known for. Expect heavy nostalgia and an explosion of riffs,” explains Trevor Ziebarth.
​
The new release also marks a significant turning point for Moonlight Desires as bassist and longtime crowd favorite Jay Ziebarth officially steps into the role of primary frontman. Known for his infectious stage presence and ability to transform venues into full-scale “dance mosh pits,” Jay’s expanded vocal role brings a fresh energy to the band’s sound while preserving everything fans have come to expect from a Moonlight Desires performance.
​
​“With this new EP, we are officially passing the frontman torch over to Jay Ziebarth. His vocal stylings and high-energy live performances have always been a staple at a Moonlight Desires show, so now we’ve given him more of an outlet for this showmanship. With bigger production, bigger hits, and a new frontman, Moonlight Desires might have reached our peak form,” says Trevor.
​
Adding further firepower to the release, acclaimed Failure drummer Kellii Scott performs throughout the EP after collaborating remotely from Los Angeles. The recordings were completed with longtime producer Mitch Bowden at Mechanical Noise Studios in Dunnville, Ontario.
​
The EP artwork also embraces the band’s deep-rooted love affair with ’80s culture. Captured by photographer Randy Gilbert during the filming of the “Take On Me” video, the cover features the band posing beside a replica DeLorean famously associated with Back to the Future, perfectly encapsulating the release’s retro-meets-modern aesthetic.
​
Fans can expect a collection packed with iconic hits reborn through Moonlight Desires‘ distinctive hard rock lens, including Cyndi Lauper’s “Girls Just Want to Have Fun,” Dexys Midnight Runners’ “Come On Eileen,” Bronski Beat’s “Smalltown Boy,” Peter Schilling’s “Major Tom (Coming Home),” Madonna’s “Material Girl,” and Spandau Ballet’s “True.”​
​
After more than a decade of transforming guilty pleasures into guitar-fueled party anthems, Moonlight Desires returns with what may be their most ambitious and entertaining release yet.

Recommended for fans of Me First and the Gimme Gimmes, The Ataris, Foo Fighters, Soundgarden, and anyone who ever made a mixtape from MTV, “Totally Tubular 80’s Party Machine” will be out on all digital platforms on November 27, 2026, via Infamous Butcher Records.

EP pre-save – https://moonlightdesires.bandcamp.com/​

Randy Gilbert (Photographer) & Brad Machry (Graphics & Layout)

Track Listing:​
1. Take on Me (3:19) (A-ha Cover)
2. Girls Just Wanna Have Fun (2:43) (Cyndi Lauper Cover)
3. Come on Eileen (3:37) (Dexys Midnight Runners Cover)
4. Small Town Boy (2:49) (Bronski Beat Cover)
5. Major Tom (Coming Home) (3:28) (Peter Schilling Cover)
6. Material Girl (3:51) (Madonna Cover)
7. True (4:20) (Spandau Ballet Cover)
EP Length: 24:05

EP Band Lineup:​
Jay Ziebarth – Vocals
Trevor Ziebarth – Vocals, Guitar, Bass
Marco Bressette – Lead Guitar
Mitch Bowden – Lead Guitar
Kellii Scott – Drums

Live Band Lineup:​
Jay Ziebarth – Vocals
Trevor Ziebarth – Vocals, Guitar
Mitch Bowden – Lead Guitar
Joey DeLeo – Guitar
Crissy Stixx – Drums

More info:

​https://www.moonlightdesires.ca/​

​https://www.facebook.com/moonlightdesires​

​https://www.instagram.com/moonlightdesiresband​

-30-

What the press has said:

“Moonlight Desires takes delight in taking synth-laden pop hits from the ’80s and turning them into heavy metal monsters.” – The Hamilton Spectator – At The Movies (2020)

“Just the tonic we need in these times, putting a little smile on your face and plenty of riffs for your bucks.” – Get Ready To Rock – At The Movies (2020)

“Moonlight Desires is fun… like, a lot of fun… and everyone should have some fun tonight. So rip it up, everybody Wang Chung tonight!” – V13 – At The Movies (2020)

“I just wish there were more than the four songs on here, because what’s on offer is great. I’ve played the EP on a loop since I popped it on to review it and it’s definitely going to keep on playing. None of the tracks are hugely different from their original recordings, but it doesn’t matter. They’re all just designed for being sung out loud, and you can warble along in the kitchen to these new versions as easily as you could have back when shoulder pads were in fashion… A great little compilation that will raise a smile as much as your singing voice.” – Moshville Times – At The Movies (2020)

“The Canadian band Moonlight Desires, who specialize in turning ’80s pop songs into guitar-driven songs, turn to classic ’80s movie songs for the four track EP At The Movies… It’s a fun blast from the past that will appeal to those of us who saw those movies in the theater when they were originally released along with the younger generation who discovered them via streaming services or cable TV.” – Heavy Music Headquarters – At The Movies (2020)

​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Out Now! Finland’s AFTER INFINITY’s New Album “Beyond Eternity”

  • October 23, 2026
  • by Asher
  • · After Infinity (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC -October 23, 2026

Out Now! Finland’s AFTER INFINITY’s New Album “Beyond Eternity”

Featuring Album Guests Paolo Ribaldini (Delain, Leverage, Seraphiel), Aitor Arrastia (Metal de Facto),
Nitte Valo (Dreamtale, ex-Battle Beast), Mika Tauriainen (Entwine, Shamrain),
Sara Strömmer (Shereign, ex-Fear of Domination), Leonard F. Guillan (ex-King Company)

Finnish melodic metal act AFTER INFINITY releases their sophomore album “Beyond Eternity” today, October 23rd, 2026, via Rockshots Records. Following their 2024 self-titled debut, the nine-track record brings together the different musical directions introduced throughout the singles campaign, from energetic power metal to intimate ballads and ambitious progressive compositions.

Leading the album’s release is the focus track “Crooked Carnival”, featuring Aitor Arrastia (Metal de Facto). The song opens with an eerie music-box melody that gradually develops into an orchestral introduction before giving way to a powerful, guitar-driven arrangement. Drawing on the theatrical side of classic power metal, it tells a darkly humorous horror story about a sinister carnival that kidnaps children, setting an adventurous tone for the record.

Beyond the previously released singles “King With No Crown”, “Infinite Feeling”, “Everlasting Mark” and “Whisper in the Air”, the album offers further contrasts through compositions such as “Eternal Resentment”, a fast-paced power metal track featuring Nitte Valo, and the closing “Hands of Time”, an almost twelve-minute progressive epic exploring the nature of time, the origins of the universe and human existence.

Reflecting on the album, guitarist, songwriter, and founder Zsolt Szilagyi (Dreamtale, Frozen Factory) comments:

“Beyond Eternity follows in the footsteps of the band’s debut album: It’s a collection of modern metal songs with both heavy riffs and cheesy melodies, and a lot of orchestral elements. The lyrics encompass a wide range of emotions from anger, hatred and sorrow to joy and hope. With six featured singers, the album is sure to keep offering the listener something new from start to finish. Regardless of the wide variety of styles and singers, all the songs have the distinctive After Infinity sound that keeps the album cohesive.”

Alongside Arrastia and Valo, “Beyond Eternity” features guest vocalists Paolo Ribaldini (Leverage, Delain), Sara Strömmer (Shereign), Mika Tauriainen (Entwine, Shamrain) and Leonard F. Guillan, whose individual performances contribute to the album’s musical range.

Produced by Szilagyi, the record features orchestrations by Gideon Ricardo and bass by Ville Koskinen. Mixing was handled by Benjamin Connelly for Duskswitch Production, except for “Whisper in the Air”, mixed by Ari Laurila, while mastering was completed by Jasse Kesti at Kesthouse.

For fans of: Sonata Arctica, Symphony X, Helloween.

“Beyond Eternity” is out now via Rockshots Records.

Listen / Stream “Beyond Eternity”: https://lnk.to/H3PIR5kY

​

Order “Beyond Eternity” on CD: https://rockshots.eu/products/after-infinity-beyond-eternity-cd​

Lyric Video – King With No Crown – https://www.youtube.com/watch?v=y3z6pfBeDqo

​Lyric Video – Whisper in the Air – https://www.youtube.com/watch?v=A98rAMr7fUk

​
​

Track Listing:
​
1. Crooked Carnival feat. Aitor Arrastia (6:52)
2. Infinite Feeling feat. Leonard F. Guillan & Nitte Valo (5:02)
3. King with no Crown feat. Paolo Ribaldini (6:21)
4. Maybe She’s Crying feat. Paolo Ribaldini (5:21)
5. Mortal Vessel (1:58)
6. Everlasting Mark feat. Sara Strömmer (4:58)
7. Eternal Resentment feat. Nitte Valo (3:43)
8. Whisper in the Air feat. Mika Tauriainen (4:03)
9. Hands of Time feat. Aitor Arrastia (11:53)
​
​After Infinity Line-up:​
Zsolt Szilagyi: Guitars, Synths, Drum Programming, Backing Vocals
Gideon Ricardo: Orchestrations, Synths
Ville Koskinen: Bass
​
​Guest Vocalists:​
Paolo Ribaldini (Delain, Leverage, Seraphiel)
Aitor Arrastia (Metal de Facto)
Nitte Valo (Dreamtale, ex-Battle Beast)
Mika Tauriainen (Entwine, Shamrain)
Sara Strömmer (Shereign, ex-Fear of Domination)
Leonard F. Guillan (ex-King Company)

More info:

​https://www.rockshots.eu

​https://www.instagram.com/afterinfinityofficial​

​https://www.facebook.com/afterinfinityofficial​

ABOUT:

After Infinity is a Finnish melodic power and heavy metal project founded in 2022 by guitarist and songwriter Zsolt Szilagyi, known for his work with Dreamtale and Frozen Factory. Built around a flexible and collaborative structure, the band emerged from Szilagyi’s desire to move beyond a purely solo approach and create a dynamic musical environment involving multiple performers.

Rather than relying on a fixed line-up of vocalists, After Infinity developed a distinctive identity by working with a wide range of guest singers, allowing each track to take on its own character while maintaining a cohesive artistic vision.

This approach quickly became a defining element of the project, turning it into a platform where different voices and influences converge.

The band’s sound blends heavy guitar riffs, rich orchestrations, and strong melodic hooks, moving seamlessly between powerful metal compositions and more introspective passages driven by piano and atmospheric textures. Drawing from power metal, heavy metal, and progressive influences, After Infinity aims to deliver a diverse listening experience shaped by contrast, emotion, and compositional depth.

Their self-titled debut album, released in 2024, received positive feedback for its songwriting and musicianship, establishing the project within the contemporary Finnish metal scene. Building on that foundation, the sophomore album “Beyond Eternity” further expands the band’s sonic palette, introducing new guest vocalists and pushing the balance between heaviness, melody, and progressive elements while preserving the core identity that defines After Infinity.

-30-
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
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0 Avant-Garde Cinematic Doom LIMINAL SPIRIT Unveils New Single “Sins of the Father” From Forthcoming Story Album “Forfeiture Hymns” Out Nov 2026

  • October 22, 2026
  • by Asher
  • · Liminal Spirit · Music News

NEWS RELEASE

Montreal, QC – October 22, 2026

Avant-Garde Cinematic Doom LIMINAL SPIRIT Unveils New Single “Sins of the Father”

Story Album “Forfeiture Hymns” Out Nov 6th, 2026

Milwaukee’s one-man atmospheric industrial doom metal project Liminal Spirit continues its harrowing narrative journey with the release of the new single “Sins of the Father,” the latest preview of the forthcoming album “Forfeiture Hymns”, due out November 6th, 2026.
​
Following the unveiling of the first single, “The Initiate“, “Sins of the Father” serves as one of the record’s emotional centerpieces, further expanding the dark, interconnected universe established on previous releases.
​
Multi-instrumentalist Jerry Hauppa (guitars, drums, bass, vocals, programming), known for his work with Northless, Ara, Acanthrophis, and Deorbit, helms the project. Through Liminal Spirit, Hauppa merges the melodic sensibilities forged in extreme metal with industrial, drone, and cinematic textures to create an immersive listening experience that is both unsettling and deeply emotional.
​​
“I wanted to do a project that utilized my sense of melody established through various extreme metal outlets but now through the lens of a more industrial/drone approach. The goal was to create music that felt like it was exposing a kind of purgatory, and each song was an attempt to guide the listener through that purgatory into a place more grounded by the end,”
explains Hauppa.
​
From its 2024 self-titled debut EP through the atmospheric explorations of 2025’s “Pathways” EP and the conceptual depth of 2025’s “Unwell” LP, Liminal Spirit has continually expanded its sonic identity. What began as a hypnotic, drone-oriented project has evolved into a cinematic and intricate fusion of death metal extremity, industrial textures, electronic atmospherics, and psychedelic influences, culminating in the ambitious storytelling and musical scope of the forthcoming 2026 album “Forfeiture Hymns”.
​
At the heart of “Forfeiture Hymns” is the story of Phillip, the central figure first introduced on the previous album “Unwell”. While that record focused on Phillip’s final days in a nursing home, “Forfeiture Hymns” traces his life from birth onward through the perspectives of those whose lives were irreversibly altered by his influence.
​
​“Each track is the story of one of those people, and how his influence steered them towards ending their respective lives. To flesh out the record, I had to create all of these people and develop their motivations, which I then used to create the melodic characteristics of each song,” says Hauppa.
​
The new single “Sins of the Father” tells the story of Phillip’s son, Jonathon Hastings, who returns home following his father’s funeral and discovers physical evidence linking Phillip to long-suspected murders. Faced with proof that shatters everything he believed, Jonathon is overwhelmed by grief, guilt, and the terrifying possibility that he may share the same darkness as his father.
​
Musically, the song mirrors this descent into despair through a relentlessly tightening rhythmic framework designed to evoke the sensation of a noose closing around its victim. The track culminates in a dramatic reprise of melodic themes woven throughout the album and previous Liminal Spirit releases, binding together a narrative that spans multiple records.
​
​“I think it’s the most extreme demonstration of the style so far but also the most memorable. Hopefully it resonates with people,” adds Hauppa.
​
Built as a complete conceptual work from beginning to end, “Forfeiture Hymns” continues Hauppa’s commitment to storytelling-driven composition while crafting a sound intended to challenge listeners while drawing them deeper into its narrative world.
​
​“I decide what the lyrical story for the album or song will be and shape the melodic structures from there, as they have to develop what the story is telling. Every record is written from the first note to the last, as they are all concept records. For this album, I want it to be confrontational yet provocative enough to maintain interest, as it is deliberately built on what will be an unfamiliar language to most listeners,” Hauppa explains.
​
Listen to “Sins of the Father” at https://www.youtube.com/watch?v=JZk6OYrMvPs

​Recommended for fans of Skepticism, Jesu, Nine Inch Nails, Shape of Despair, Confessor, Anata, and Cynic, “Forfeiture Hymns” will be available on all digital platforms on November 6, 2026.

Album pre-order: https://liminalspirit.bandcamp.com/album/forfeiture-hymns

​

Track Listing:​
1. A Mother’s Instinct (Catherine Hastings, d. 9/24/1937)- 4:25
2. Unwanted (Phillip Hastings Sr., d. 6/12/1938)- 6:00
3. The Initiate (Tommy Pearson, d. 3/03/1951)-5:13
4. Three (Marianne Tierney, d. 4/19/1953)- 5:10
5. Apoptosis (Elizabeth and Christopher Collins, d. 11/20/1963)- 4:13
6. Ensnarer’s Lament (Detective Michael Thornton, 6/01/1978)- 5:00
7. Two (Francine Hastings, d. 10/24/1981)- 4:40
8. Do No Harm (Alice Weaver, 2/17/2015)- 5:21
9. Sins of the Father (Johnathon Hastings, d. 2/20/2015)- 5:18
10. The Parting Glass (Madeline Hastings-Everett, d. 12/5/2025)- 2:23
11. Four (Constance Greene, b. 8/28/2026)- 0:51

Album Recording Credits:​
• All songs performed by: Jerry Hauppa
• All songs written by: Jerry Hauppa
• Produced by: Jerry Hauppa
• Mixed by: Jerry Hauppa
• Mastered by: Jeff Wojtysiak
• Album Artwork by: James Becker

Album Band Lineup:​
Jerry Hauppa- Kite guitar, fretless guitar, bass guitar, synthesizer, violin, vocoder, sampling

More Info:​
​https://www.facebook.com/people/Liminal-Spirit/61575618106702/​
​https://www.instagram.com/liminal_spirit_mke​

-30-

“I love when an artist goes all-in for an idea. And sometimes art is not meant to be enjoyed, so much as experienced. It transports you to that invisible realm of mind and imagination, reflecting in this case something truly horrific: a journey through purgatory. There are jagged edges everywhere, shapes and forms that make no sense, and dizzying dissonance from microtonal guitars. If you feel unsettled, that’s the point.” – Doomed and Stoned (2026 – The Initiate song premiere)

“The song we’re premiering, “A Better Place“, is that closing track. In its narrative, Phillip passes into a purgatory where he is judged for his actions, and ultimately cast into hell — not the better place he hoped for. The music manifests this denouement with sounds of mangling discordance and ruthless pounding. The hammering and thudding beats don’t create an easy rhythm, but instead generate a pattern that takes away any sense of balance. Shrill ethereal tones rise up and strangely quiver from within the dissonant, mangling morass of sonic oppressiveness. Wailing vocals rise up too, adding to the song’s hallucinatory and haunting ingredients. The experience is unsettling and unearthly. Warbling spoken words come and go. The dense backing noise is cruel and searing as well as abysmal. The pounding is as vehement as it is destabilizing — until it vanishes, yielding to a cacophonous and indeed hellish finale in which the music itself seems to descend. Siren-like bursts of sound and tormented screams close out the nightmare.” – No Clean Singing (2025 Unwell)

“The title track from this latest concept EP – being released on Halloween – from Milwaukee-based multi-instrumentalist Jerry Hauppa is an appropriately unsettling exploration of themes such as memory, guilt and spiritual reckoning delivered via a fusion of progressive doom metal with avant-garde narrative techniques, crafting what the composer and musician describes as “seance music”, a genre-defying sonic ritual meant to stir movement between spiritual realms:” – THE ÜBER RÖCK SINGLES CLUB DAILY PICK – LIMINAL SPIRIT (Oct 11, 2025 – Unwell)

“Fusing Progressive Doom Metal with avant-garde narrative techniques to create a genre defying sonic ritual meant to stir movement between spiritual realms with title track “Unwell”” – Metal Noise (Unwell 2025)

“A portrait painted by multi instrumentalist Jerry Hauppa in Progressive Doom Metal and avant-garde narrative techniques, the record plays out the deterioration of Phillip’s memory, culminating in death and spiritual judgment before he is cast into hell for all eternity. Known for his work with Deorbit, Hauppa performs the piece using guitar, microtonal guitar, bass, violin, synth, vocoder and drum programming having written, produced and mixed. They call it a genre defying sonic ritual meant to stir movement between spiritual realms….. If someone is needed to write the soundtrack to the next Silent Hill incarnation then Hauppa has just submitted his curriculum vitae” – Metal Noise (Unwell 2025)

“Unwell is a fearless act of musical necromancy. It’s unsettling, artful, and deeply personal—doom metal with a philosopher’s pen and a filmmaker’s eye. Fans of Jesu, Skepticism, and Cynic will find much to admire here, but Liminal Spirit ultimately exists in its own spectral orbit.” – See Rock Live Magazine (Unwell – 2025)
​
​
​“It’s dense. It’s dark. It demands your full attention. But give it that, and you’ll walk away changed—or at least slightly disturbed. Fans of Skepticism, Kayo Dot, or anyone who enjoys having their psyche gently disassembled: this one’s for you.”- Metalpapyjeff (Unwell 2025)

“I would characterize this is something for Metal fans who think outside the box and don’t need to be spoon fed the typical Metal sound. ” – Metal Temple (Unwell 2025)

“Capturing the desolation of dementia and the abject terror and helplessness of cognitive and bodily decline in an artful way – in sound format – is no easy feat, nor must it have been a light affair. RATING: I give it a 4/5… They deserve to be heard and meditated on. But I love it – I love the concept and the overall delivery – and I wish more people would hear it and think on what it’s trying to tell them!” – Hails Webzine (Unwell 2025)

“Artistically unsettling, for fans of musical curiosity with strange, slightly noisy atmospheres on the edges.” – Music Journalist – Olivier Piot (Unwell 2025)

“It’s dense. It’s dark. It demands your full attention. But give it that, and you’ll walk away changed—or at least slightly disturbed. Fans of Skepticism, Kayo Dot, or anyone who enjoys having their psyche gently disassembled: this one’s for you.”- Metalpapyjeff (Unwell 2025)

“Unwell is a fearless act of musical necromancy. It’s unsettling, artful, and deeply personal—doom metal with a philosopher’s pen and a filmmaker’s eye”- seerocklive.com (2025 Unwell)​
—
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0 Streaming Now! Canada’s TURBO Crank Up The Nitro w/ New Album “Listen… Shut Up!” + EU Tour Dates (CZ, SK, HU, PL, DE)

  • October 22, 2026
  • by Asher
  • · Music News · Turbo

NEWS RELEASE

Montreal, QC – October 22, 2026

Streaming Now! Canada’s TURBO Crank Up The Nitro w/ New Album “Listen… Shut Up!”

+ EU Tour Dates (CZ, SK, HU, PL, DE)

Photo Credit – Mason Paul

There are no brakes, and no apologies, as Canadian heavy rock and speed metal wrecking crew Turbo is set to unleash their third full-length album, “Listen… Shut Up!”, on October 23rd, 2026. Packed with razor-sharp riffs, pounding rhythms, massive hooks, and the band’s trademark greasy attitude, the record marks a new chapter for the Halifax quartet while staying true to the hard, fast, and raw sound that has fueled their rise.
​
Before the album officially lands, fans will have the chance to crank it loud via its exclusive full album stream on Metal Addicts HERE.​
​
Formed from a shared desire to push louder, harder, and further than their previous musical projects allowed, Turbo has built a reputation on relentless energy, explosive live performances, and a unique blend of speed metal, NWOBHM, sleaze rock, punk, and pure rock and roll swagger. The band proudly calls the result “Nitro-Rock,” and “Listen… Shut Up!” stands as its strongest statement yet.
​
The new album follows 2020’s “Fast as Fvck” and the 2024 sophomore release “Broke and Ugly,” continuing the band’s celebration of the gritty, road-weary rock and roll lifestyle. This time, however, there’s a deeper layer beneath the party anthems.
​
​“Listen… Shut Up! is kind of the hangover from everything that came before it. Our first album felt like it was about living in squalor. Broke and Ugly felt invincible, like the party was never going to die. This album is still packed with party anthems, but it feels much more like it’s about the consequences of living the life we lead. Musically, it’s still hard, fast, heavy, and packed full of fun. It’s still undeniably classic Turbo, but it feels more mature and refined, and we’re incredibly proud of it,” explains Evan Frizzle (Lead Vocals, Lead Guitar).
​
Written through a fully collaborative process, the album captures a band operating at full throttle without sacrificing substance. Every member contributes equally to the songwriting, creating an eight-song barrage that balances reckless energy with personal storytelling, razor-sharp hooks, and unapologetic honesty.
​​
“We like our music hard, fast, and raw, and that’s the kind of experience we’re trying to give other people. We want to give people the same punch-in-the-gut, ‘this rollercoaster is more than a bit too fast’ feeling that we crave,”
says Frizzle.
​
The first singles, “Kamikaze,” “Don’t Know Me,” and “Deathwish Labyrinth,” showcase the breadth of the album’s personality. From breakneck speed metal and anthem-sized choruses to darker reflections on addiction and personal struggle, each song carries Turbo‘s unmistakable adrenaline-fueled signature.
​
Lyrically, “Listen… Shut Up!” draws heavily from real-life experiences, observations, and the chaos that surrounds the band. Themes range from addiction and self-destruction to revenge, redemption, relationships, and survival, all delivered with the same unfiltered honesty that has become a cornerstone of Turbo‘s identity.
​
Musically, the band continues building on a sound influenced by Motörhead, W.A.S.P., Judas Priest, Pantera, and Kill Cheerleader, while embracing elements of speed metal, glam metal, sleaze rock, punk, and classic British heavy metal.
​
One of the album’s defining strengths is its diversity. Tracks like the blistering opener “Kamikaze” and the locomotive closer “Formula One” showcase Turbo at maximum velocity, while songs such as “Deathwish Labyrinth” explore darker territory through dramatic arrangements and deeply personal subject matter. Elsewhere, fan-favorite live cut “Slut Island” injects the band’s trademark sense of humor into the record, proving Turbo remains just as willing to laugh as they are to hit hard.
​
The album artwork, once again created by Tim Murray, perfectly encapsulates the band’s larger-than-life personality. Featuring a crashing airplane, demon women launching beer kegs, and the band partying their way toward another inevitable disaster, the cover reflects the reckless spirit and wild storytelling woven throughout the music.
​
Since their formation in Halifax, Nova Scotia, Canada, Turbo has become known as much for their live performances as their records. Walking the line between authenticity and spectacle, the band delivers an experience that is equal parts concert, party, and controlled catastrophe.
​
​“We want to give fans a fair dose of flash while still coming off as real people. At the end of the day, that’s what our music is really about. It becomes a raw, visceral, and intimate experience that translates directly into what people hear on record,” says Frizzle.
​
With “Listen… Shut Up!,” Turbo isn’t reinventing itself. Instead, the band has sharpened every aspect of what made them stand out in the first place, resulting in a record that feels bigger, heavier, catchier, and more confident than anything they’ve released before.

“Listen… Shut Up!” will be available on all digital platforms on October 23, 2026.

Album order – https://turboasfvck.bandcamp.com/​

Spotify – https://open.spotify.com/artist/5c7dLVjhZq5UGKheBWzaB7​

In addition to the album’s release, Turbo will be hitting the road for their “Canadian Invasion” European Tour with Monteith, kicking off on October 23rd in support of “Listen… Shut Up!”. The tour will take the Halifax nitro-rockers across Slovakia, the Czech Republic, Hungary, Poland, and Germany, bringing their signature blend of speed, sleaze, and high-octane rock and roll to European audiences for the first time on this scale.

Canadian Invasion Euro Tour – Turbo w/ Monteith​
22.10 – Hradec, CZ — AC Klub
23.10 – Bratislava, SK — Koncerty na Garážach (cancelled)
24.10 – Louny, CZ — Sféra Louny
25.10 – Bohuslavice, CZ — NOISE Bar
26.10 – Košice, SK — Collosseum Klub
27.10 – Budapest, HU — S8 Underground
28.10 – Krakow, PL — SNY
29.10 – Prague, CZ — Klub FAMU
30.10 – Nuremberg, DE — Blackbox
31.10 – Hamburg, DE — Stellwerk

Track Listing:​
1. Kamikaze – 3:53
2. Don’t Know Me – 3:16
3. Deathwish Labyrinth – 3:42
4. Slut Island – 4:11
5. Best Wishes – 3:07
6. Tell Your Daughter – 3:49
7. Black Wings of Revenge – 4:14
8. Formula One – 4.33
Album Length: 29:50

Lineup:​
Evan Frizzle: Vox, Lead & Rhythm Guitar
Lindsey Dicks: Lead & Rhythm Guitar, Back Up Vocals
Donovan Saulnier: Bass, Backing Vocals
Sylvian Coderre: Drums

For more info:
​
https://www.facebook.com/TURBOFAF​
​https://www.instagram.com/turboasfvck/​

About:

Like your disheveled uncle on Christmas morning, Turbo is loud, reckless, unapologetic, and completely sick of your shit.
​
Formed in Halifax, Nova Scotia, by musicians determined to create something bigger, louder, and more ambitious than their previous projects, Turbo quickly established themselves as one of Atlantic Canada’s most exciting emerging heavy acts. Drawing influence from Motörhead, W.A.S.P., Judas Priest, Pantera, and punk-fueled rock and roll attitude, the quartet forged their own signature sound: Nitro-Rock.
​
Following Fast as Fvck and Broke and Ugly, Listen… Shut Up! finds the band at their most focused, ferocious, and infectious. Packed with pounding rhythms, razor-sharp riffs, massive hooks, and unapologetic attitude, the album serves as a definitive statement from a band operating at full throttle.

– 30 –

“The cartoon-ish cover art with toxic green/red colors could bring more smiles to the fold – Turbo executing a great crossover sound that stands on the edge of thrash, punk and NWOBHM/heavy metal. Broke & Ugly could be your soundtrack when needing an ideal wind down from your back breaking, seemingly never over work week. 8.5/10” – Dead Rhetoric

“Turbo are fast, they’re crass, and they’re here to kick your ass… As a whole, “Broke & Ugly” is peak speed and thrash metal with a party-hard overtone. But I think the comparison to Motörhead is a little heavy-handed. After listening to the gem of East Coast Canadian metal, I’m fired up to see what Turbo does next. 9/10″ – Metal Temple​
​
​“This rocks a lot. The vocalist’s gritty approach delivers surprisingly catchy and memorable vocal melodies, and the occasional backing vocals are often reminiscent of mid-80s “party” metal, very upbeat and singalong-inducing. The guitar work has everything people like in old heavy metal, a rather raw style filled with cool solos and riffs that stick in your head long after they’re over. You’d tell me this was released more than 40 years ago and I would believe you. A fun time from beginning to end. 4/5″ – The Metal Crypt​
​
​“”Broke & Ugly” may have been a little tight in terms of playing time, but with the incredible hit rate of one hundred percent, you can forgive that. When punk and thrash still spoke a language, the whole thing sounded like this album. The fact that a band would ever come close to OVERKILL in terms of sound technology says more than enough! Yes! Noisy thrash, melodic punk, classic setup – what a great record! 9/10.” – Power-Metal.de ​
​
​“entertaining, refreshingly lively, dynamic, far too good to be bad. Massively punching Kick Ass- Heavy Metal n’ Rock n’ Roll on all sides, which hits the eye in a straight line, brutally, snotty, until it hits the chest, where it hurts. Snots, tubes, rocks and rolls straight to the limit! 8/10” – FFM-Rock

“the band is insanely tight, with Frizzle and fellow six stringer Lindsey Dicks really giving it some violence riff wise and soloing like their lives depended on it. Similarly, the rhythm section of Sylvain Coderre (d) and Henry MacDonald take no prisoners and submit to no-one in their ability to hold things together at high velocity. Very impressive. As we get deeper into the twenty first century, bands are running out of ways to repackage, remake and remodel, so the freshness with which Turbo approach the task in hand has to be applauded. This is fun to listen to – and it certainly sounds like the band had fun getting the album down, and sometimes a bit of joie de vivre is all any of us need. But when you are able to mix that in with a killer technique and a sharp ear for a metal tune well, good times await!” – Sentinel Daily

“Canada’s Turbo label their music Nitro-Rock; On the evidence of the submitted album, Broke & Ugly, it would seem that Nitro rock is in fact an almighty mashup of styles, all rendered at high speed and with little regard for personal danger (in my day we used to call that Crossover-Ed). If that description excites you, then the album is going to send you into paroxysms of joy…” – Sentinel Daily​
​
​“Turbo’s second full length album is the equivalent of getting into a newly juiced up hotrod, the roof reeled back in, as you’re flooring it down the highway until your smoke trails combust. From start to finish, Turbo live up to their name in droves and then some with energy that cannot be denied and a plethora of tracks that offer much to be remembered. Though boasting a full nine tracks, Broke & Ugly doesn’t even eclipse a full half hour and therefore opens itself up for numerous relistens. It starts up, gets you in the mood to kick some butt, yet doesn’t attempt to overstay its welcome to any degree. For me personally, this style of speed metal can be a vast hit or miss but I thoroughly enjoyed my time with this record, and during its duration I was brought on board with Turbo’s infectious power. Furthermore, I’d wish to visit their first record, and am excited to see what they do for a third, prospective release; I merely hope it’s not another four years because this is really good, fun material that anyone can get behind. A refreshing break from crushing, defeating extreme metal is sometimes needed, and Turbo are one fine cocktail.” – The Razor’s Edge​
​
​“Turbo is a band that gives me associations to two very different bands and the earlier stages of both of those bands output, and that is Turbonegro and Iron Maiden respectively. If you can imagine the early death punk of the former combined with certain aspects of the Di’Anno era of the latter combined into a whole, you probably won’t be too far off from the kind of landscapes explored by Canadians Turbo. And chances are good that you’ll find this tight and uptempo album to be a rewarding experience if that description comes across as tantalizing.” – The Viking in the Wilderness​
​
​“this album is just the perfect encapsulation of fun” – Brutally Delicious

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Streaming Now! Bay Area Death Thrashers ABSOLUTE DARKNESS’ “Witness To A Dying World”

  • October 22, 2026
  • by Asher
  • · Absolute Darkness · Music News

NEWS RELEASE

Montreal, QC – October 22, 2026

Streaming Now! Bay Area Death Thrashers ABSOLUTE DARKNESS’ “Witness To A Dying World”

Sophomore Album Out Oct 23rd, 2026

L-R- Orson Sojo – Bass, Ron Dorn – Rhythm Guitar/Lead Vocals, Scott Russell – Drums, Douglas Vetter II – Lead Guitar/Backup Vocals

Photo Credit: Eddie Granillo

Bay Area death/thrash metal outfit Absolute Darkness is set to release its sophomore full-length album, “Witness To A Dying World”, on October 23, 2026. Blending the aggression of classic Bay Area thrash with the precision and weight of modern death metal, the album marks a defining moment in the band’s evolution and serves as the first Absolute Darkness release written collaboratively by the band’s entire current lineup.
​
Ahead of the official release, fans will be able to hear the album in its entirety when MetalInsider premieres an exclusive full album stream, giving listeners an early opportunity to experience the band’s most ambitious work to date.

Listen to the album in full via MetalInsider HERE.​
​
Continuing the progression established on 2021’s “Failure Of State,” “Witness To A Dying World” delivers a relentless mix of crushing riffs, layered guitar harmonies, memorable solos, and socially conscious storytelling. Across ten tracks, Absolute Darkness confronts themes of corruption, propaganda, authoritarianism, war, addiction, homelessness, and societal decline, all presented through character-driven narratives rather than direct commentary.
​
One of the album’s standout moments comes in the form of a faithful yet distinctly personal cover of Vio-lence’s classic “World In A World.” For guitarist and vocalist Ron Dorn, the track serves as both a tribute to the Bay Area thrash scene that helped shape him and a celebration of one of his favorite songs from Vio-lence‘s “Oppressing the Masses” era.
​
​“I grew up in the San Francisco Bay Area and spent a lot of time going to shows when Vio-lence, Death Angel, and Forbidden were all local bands on the rise. When we decided to record ‘World In A World,’ my goal wasn’t to reinvent it. I wanted to stay as faithful to the original as possible while taking advantage of modern recording technology. The goal was never to improve on the original, just to celebrate a song that meant a lot to me growing up in the Bay Area while putting our own stamp on it,” explains Ron Dorn (Guitar / Lead Vocals).
​
The album represents a major creative milestone for the band. While “Failure Of State” introduced much of the lineup fans know today, much of that material was written before the current configuration was fully established. “Witness To A Dying World” marks the first time every member contributed significantly to the songwriting process from the beginning.
​
​“This is the first album written by our current lineup from the ground up. Everyone contributed ideas throughout the writing process, and the songs benefited from having four people shaping them instead of one. It still sounds like Absolute Darkness, but it’s a stronger, more cohesive album because of that collaboration,” says Dorn.
​
Musically, “Witness To A Dying World” draws influence from thrash metal, melodic death metal, and traditional death metal while maintaining a focus on memorable songwriting, harmonized guitars, and dynamic arrangements. Fans of Slayer, Testament, Vio-lence, At The Gates, and The Crown will find plenty to appreciate throughout the record’s aggressive yet melodic approach.
​
The album also showcases the strongest production in the band’s history. Building upon the lessons learned from previous releases, Absolute Darkness enlisted engineer Harry Ahlas to help bring the record’s expansive songwriting and layered performances to life.
​
​“The album is aggressive, energetic, and doesn’t let up for very long. We worked hard to make sure every song had something memorable, whether it’s a riff, a guitar harmony, a solo, or the back-and-forth vocal parts. I want people to enjoy the music first and then, if they choose to dig deeper, there’s another layer to discover in the lyrics,” adds Dorn.
​
From the war-torn devastation of “Attritional Warfare” to the opioid epidemic tragedy portrayed in “Snake Oil” and the uncompromising social commentary found throughout the album, “Witness To A Dying World” captures a band operating at its creative peak while remaining firmly rooted in the spirit of Bay Area metal.

Recommended for fans of Testament, Vio-lence, Exodus, At The Gates, The Crown, and Amon Amarth, “Witness To A Dying World” will be available on October 23rd, 2026.

Album order – https://absolutedarkness1.bandcamp.com/album/witness-to-a-dying-world

Spotify – https://open.spotify.com/artist/5m4EIiSaE9xGPPCs6PzNGR​

Videos:

“Above The Law” – https://www.youtube.com/watch?v=5v6BRGFcnXY

​“Attritional Warfare” – https://www.youtube.com/watch?v=Kbh5jvhBQtQ​

“Snake Oil” – https://www.youtube.com/watch?v=KGU2h8LqiKM

​

Track Listing:​
1. Above The Law – 3:56
2. Attritional Warfare – 3:50
3. World Decay – 3:28
4. Snake Oil – 4:14
5. Different Illegally – 3:33
6. Loyalty To Me – 3:32
7. I Guess I Die – 3:59
8. Big Lies – 3:51
9. Extreme Accountability – 3:34
10. World In A World (Vio-lence Cover) – 4:13
Album Length: 38:21

Band Lineup:​
Ron Dorn – Guitar/Lead Vocals
Douglas Vetter II – Lead Guitar/Backup Vocals
Orson Sojo – Bass
Scott Russell – Drums

More info:

​https://www.facebook.com/BandAbsoluteDarkness​

​https://www.instagram.com/absolutedarkness_band/​

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“Absolute Darkness go straight for the throat with aggressive riffs, awesome grooves that will make you bang your head, and seriously neckbreaking thrashy riffs. This offering absolutely slams.” – Review Score: 8.15/10 – Drako’s Death Metal News & Reviews

“Combining death/thrash influences… stronger production values that hopefully will garner more buzz and attention.” – Dead Rhetoric (Failure Of State 2022)

“Part album, part call to arms… a rabble-rousing affair and a slamming indictment of modern-day society.” – The Headbanging Moose (Failure Of State 2022)

—
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0 Ottawa’s CAPITAL PUNISHMENT Festival Announces Full 2026 Lineup! w/ The Creepshow, Beyond Creation, Hellripper, The Damn Truth, Bad Waitress and lots more!

  • October 20, 2026
  • by Asher
  • · Capital Punishment Festival (Ottawa) · Music News

NEWS RELEASE

Montreal, QC – October 20, 2026

Ottawa’s CAPITAL PUNISHMENT Festival Announces Full 2026 Lineup!

Featuring Bad Waitress, Beyond Creation, The Creepshow, The Damn Truth, Hellripper, DBC, Warsenal, BornBroken, Entropy, Reanimator, Duskwalker, BARF, Ghoulunatics, and many more!

Capital Punishment Festival has unveiled its full lineup for 2026, returning to Ottawa’s ByWard Market from November 26 to 29, 2026, across four cornerstone live music venues: 27 Club, Dominion Tavern, Rainbow Bistro, and Avant-Garde Bar. Presented by Chord Productions and supported by Ottawa Tourism, the festival continues its mission of showcasing Canada’s thriving underground music community through four days of metal, punk, hardcore, rock, alternative, and extreme music.
​
Marking its largest edition to date, Capital Punishment Festival will feature more than 80 artists from across Canada performing on multiple stages throughout the ByWard Market. Festival-goers can experience every performance with an all-access festival pass priced at just $50, making it one of the country’s most affordable destination music festivals.
​
​“Events such as Capital Punishment play an important role in strengthening Ottawa’s profile as a dynamic cultural destination,” says Michael Crockatt, President & CEO of Ottawa Tourism.
​
​“Ottawa Tourism supports this unique music experience through its Nightlife Tourism Development Fund for its efforts in attracting visitors, animating our ACE District, and drawing music enthusiasts from across the region and beyond to enjoy our diverse music ecosystem. By bringing together acclaimed underground artists and local talent, the festival creates opportunities for visitors to explore the city, discover local businesses and venues, and contribute to the economic activity that helps sustain a vibrant and welcoming downtown experience,” adds festival organizer Christina Kasper of Chord Productions.
​
Headlining the 2026 edition are progressive death metal innovators Beyond Creation, psychobilly legends The Creepshow, acclaimed rock outfit The Damn Truth, and Scotland’s blackened speed metal force Hellripper. They join an extensive lineup of Canadian underground talent including Bad Waitress, DBC, BARF, Ghoulunatics, Insurrection, Entropy, Reanimator, Global Holocaust, Thunderkok, Warsenal, BornBroken, Duskwalker, Human Compost, Mortuary Slab, Gland, Hatred Reigns, Last Retch, Dissentient, Raider, A Scar For The Wicked, Catastrophic Hemorrhage, Soulthief, Northwalk, Peer Pressure, This Hell With You, This Disaster, Lost, Feral Union, Mindreader, Ratpiss, Acid Rot, Shroud, The Scepter, Sociably High, Glom, Pop Culture Icons, Goat!, Backyard Witchcraft, Rotual, Hempress, Drofnosura and many more.

With performances spanning all four venues over four nights, Capital Punishment Festival offers a diverse cross-section of Canada’s heavy and independent music scenes while bringing fans, artists, and industry together in the heart of downtown Ottawa.
​
​Festival passes are $50, and individual show tickets are available now at: https://ottawacapitalpunishment.eventbrite.ca​
​
Facebook Event:
https://www.facebook.com/events/2032256174123331​

FREE VENDOR MARKET

We are looking for vendors for our free meat market at St Brigid’s Cultural and Event Centre on Saturday, November 28, from 1-4 p.m.

Reserve your free table here: https://forms.gle/bvtFpKe4amZa1kp77​

HOTEL

Need a hotel in the heart of the action for Capital Punishment? The festival has partnered with Courtyard Marriott Ottawa to offer you a discounted price that includes a full festival pass. Get your package here: https://www.marriott.com/offers/capital-punishment-festival-off-253896/yowcy-courtyard-ottawa-downtown​

INCLUDED WITH YOUR FESTIVAL PASS​
Access to all concerts
15% off guitar repairs from Pitty Lake Guitar Repairs​
15% off at Tredici​

INTERESTED IN VOLUNTEERING? Capital Punishment Festival is looking for volunteers to help with marketing and production. In exchange, you get free Chord Productions concert tickets. HERE.

CAPITAL PUNISHMENT Festival 2026 Lineup:​
​
​THURSDAY, NOVEMBER 26
RAINBOW BISTRO (76 Murray St)
​
Single show ticket $25 – https://badwaitress.eventbrite.ca/​
All Ages + parent or guardian / 6 pm
Bad Waitress
The Divetones
Pop Culture Icons
Goat
​
​THURSDAY, NOVEMBER 26
DOMINION TAVERN (33 York St)
​
19+/ 6 pm
Single show ticket $20- https://bornbrokenott.eventbrite.ca/​
BornBroken
Insanity of Sorrow
Nature Plead Revenge
Ghost of A King
Bury The Past
​
​FRIDAY, NOVEMBER 27
DOMINION TAVERN (33 York St)
​
19+/ 7 pm
Single show ticket $35 – https://hellripper.eventbrite.ca/​
Hellripper
Warsenal
The Scepter
Shroud
Dismal Aura
​
​FRIDAY, NOVEMBER 27
AVANT-GARDE BAR (33 BESSERER St)
​
19+/ 7 pm
Single show ticket $20 – https://guhntwei.eventbrite.ca/​
Gun Twei
Rat Piss
Jetsam
The Vanishing Act
Acid Rot
​
​FRIDAY, NOVEMBER 27
THE 27 CLUB (27 YORK St)
​
19+/ 8 pm
Single show ticket $30 – https://lostott.eventbrite.ca/​
Lost
Sociably High
Glom
​
​FRIDAY, NOVEMBER 27
THE 27 CLUB (27 YORK St)
​
19+/ 11 pm
Single show ticket $15 – https://mindreaderottawa.eventbrite.ca/​
Mindreader
Touched Fables
Glom
​
​SATURDAY, NOVEMBER 28
DOMINION TAVERN (33 YORK St)
​
19+/ 6 pm
Single show ticket $30 – https://dbcott.eventbrite.ca/​
DBC
Entropy
Reanimator
Global Holocaust
Thunderkok
Drowning In Blood
Dr. Bob’s Wrestling
​
​SATURDAY, NOVEMBER 28
THE 27 CLUB (27 YORK St)
​
19+/ 6 pm
Single show ticket $25 – https://thedamntruth.eventbrite.ca/​
The Damn Truth
The Creep Show
Feral Union
The Space Between
Rising Flame
Refuse
​
​SATURDAY, NOVEMBER 28
AVANT-GARDE BAR (33 BESSERER St)
​
19+/ 7 pm
Single show ticket $20 – https://duskwalker.eventbrite.ca/
Duskwalker
Human Compost
Mortuary Slab
Abysmal Whore
Dethrone
​
​SUNDAY, NOVEMBER 29
THE 27 CLUB (27 YORK St)
​
19+/ 5:30 pm
Single show ticket $30 – https://beyondcreation.eventbrite.ca/​
Beyond Creation
Insurrection
Gland
Hatred Reigns
Last Reich
Dissentient
Bitter
​
​SUNDAY, NOVEMBER 29
THE DOMINION TAVERN (33 YORK St)
​
19+/ 6 pm
Single show ticket $30 – https://barfott.eventbrite.ca/​
BARF
Ghoulunatics
Raider
A Scar For The Wicked
Catastrophic Hemorrhage
Dr. Bob’s Wrestling
​
​SUNDAY, NOVEMBER 29
THE RAINBOW BISTRO (76 MURRAY St)
​
All ages with parent or guardian/ 6 pm
Single show ticket $20 – https://scarfold.eventbrite.ca/​
Scarfold,
Soulthief
Northwalk
Peer Pressure
This Diaster
This Hell With You
​
​SUNDAY, NOVEMBER 29
AVANT-GARDE BAR (33 BESSERER St)
​
19+/ 7 pm
Single show ticket $15 – https://drofnosura.eventbrite.ca/​
Drofnosura
Rotual
Hempress
Backyard Witchcraft

Capital Punishment Festival 2026​
Presented by Chord Productions
Supported by Ottawa Tourism
November 26–29, 2026
Ottawa, ON – ByWard Market
​Venues:​
Rainbow Bistro (76 Murray St.)
Dominion Tavern (33 York St.)
27 Club (27 York St.)
Avant‑Garde Bar (135 Besserer St.)

More info: https://ottawacapitalpunishment.com​

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
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0 Newfoundland Thrash WITHIN THE REALM Unleash “Spiral of Terror” From Debut Album “…Of Systemic Decay” Out End of Oct 2026

  • October 20, 2026
  • by Asher
  • · Music News · Within The Realm

NEWS RELEASE

Montreal, QC – October 20, 2026

Newfoundland Thrash WITHIN THE REALM Unleash “Spiral of Terror” From Debut Album “…Of Systemic Decay” Out End of Oct 2026

Following the release of their first single “Into the Night,” Newfoundland thrash metal force WITHIN THE REALM are set to unveil their next offering, “Spiral of Terror,” the second single from their forthcoming debut full-length album “…Of Systemic Decay” out October 30th.
​
While “Into the Night” paid tribute to heavy metal’s enduring spirit and sense of community, “Spiral of Terror” dives into far darker territory. The track explores the harrowing journey of a young person struggling with trauma, addiction, and fear while attempting to escape the grip of their past. Musically, the song showcases the band’s signature blend of old-school thrash aggression, memorable hooks, and dynamic songwriting shaped by decades of metal influence.
​
​“‘Spiral of Terror’ is one of the heavier and more emotionally charged songs on the album. It’s about facing personal demons and the terrifying downward spiral that can happen when trauma and addiction take hold. We wanted the song to feel intense and overwhelming while still delivering the energy and power that metal fans expect,” says bassist and lyricist Rick White.
​
Born from a shared passion for heavy metal and brotherhood, WITHIN THE REALM emerged with a mission to create music that reflects the many branches of the metal genre while staying rooted in the spirit of classic thrash. Their sound is self-described simply as “Within the Realm of METAL,” combining influences from legendary acts such as Slayer, Megadeth, Sacred Reich, Sacrifice, and Sepultura with elements drawn from across the metal spectrum.
​
Recorded with a deliberately raw and unfiltered approach, “…Of Systemic Decay” captures the energy of a live performance without modern studio excess.
​
​“We wanted a fast, thrash-driven record with an honest, unpolished sound. No click tracks, no autotune, just real performances and real metal,” explains guitarist and vocalist Geoff Waye.
​
The album’s themes range from paranormal phenomena, UFO conspiracies, government deception, and societal manipulation to personal struggles, resilience, and the unifying power of heavy metal culture. The album artwork reflects these concepts through an image of a decaying government structure standing amid an apocalyptic landscape, symbolizing the corruption and systemic decline explored throughout the record.
​
Featuring members whose resumes include Newfoundland metal acts Category VI, Triskelyon, Artach, Oberon, Festered Corpse, Sacrament A.D., Rapid Burial, Corporal Punishment, Last Soul Down, Jaded Truth, and Winterhearth, WITHIN THE REALM bridges decades of local metal history. The band’s roots stretch back to the mid-1990s when White and Waye first performed together in the St. John’s metal band Oberon, bringing a wealth of experience and chemistry into the project.
​
Although “…Of Systemic Decay” revisits material originally written between 2017 and 2019, the band views the album not as a look backward, but as a foundation for the future.
​
​“We’ve all grown as musicians and as friends while making this record. It feels great to finally have these songs recorded after nearly ten years. I’m incredibly proud of the production, and I hope fans connect with it as much as we do,” says drummer Mike Ryan.
​
With “Spiral of Terror,” WITHIN THE REALM continue to showcase the depth and variety found throughout “…Of Systemic Decay,” proving that their debut is more than a tribute to thrash metal’s golden era. It is a statement of intent from a band determined to carry that legacy forward through raw passion, powerful songwriting, and unwavering authenticity.
​
Listen to “Spiral of Terror” at https://www.youtube.com/watch?v=FVk4z5wFJK0

​and the first single “Into the Night” (music video) at https://www.youtube.com/watch?v=JymvTQLfBh4

​

Track Listing:
​
1. Sixth Sense – 4:13
2. Endless Life – 4:59
3. Spiral of Terror – 5:39
4. Hidden Agenda – 5:05
5. Homicidal Sacrifice – 4:12
6. The Hydra – 5:26
7. The Information is Out – 5:16
8. Into The Night – 4:24
Album Length – 37:56
​
​More info:

​https://www.facebook.com/WithinTheRealmOfMetal​

-30-​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rising Bay Area Prog Metal BABY ON A RAMPAGE Unveils New Video “Failure of One’s Name” From New EP “Forgive My Figure” Out Nov 2026

  • October 16, 2026
  • by Asher
  • · Baby On A Rampage · Music News

NEWS RELEASE

Montreal, QC – October 16, 2026

Rising Bay Area Prog Metal BABY ON A RAMPAGE Unveils New Video “Failure of One’s Name” From New EP “Forgive My Figure” Out Nov 2026

Co‑produced with Scott Proctor (Five Finger Death Punch touring member; Machine Head/Testament tech; Amongst Thieves; State Line Empire)

Photo Credit – Akira Replica – IG @akira.replica

Bay Area progressive metal upstarts Baby On A Rampage are proud to unveil their powerful new music video for “Failure of One’s Name,” the latest single from their forthcoming EP “Forgive My Figure,” due out November 12, 2026.
​
The release follows the debut single and music video “Reclaim,” the first glimpse into the band’s forthcoming EP “Forgive My Figure,” co-produced alongside Scott Proctor (Five Finger Death Punch touring member; Machine Head/Testament tech; Amongst Thieves; State Line Empire), whose expertise in harmonies and arrangement helped shape the band’s increasingly sophisticated sound. Showcasing a clear progression in both songwriting and musicianship, the new record finds Baby On A Rampage expanding beyond the groundwork laid on their debut full-length, “Fall With Disgrace,” produced by Michael Rosen (Testament, AFI, Less Than Jake). With bigger melodies, deeper emotional weight, and a more refined modern metal approach, “Forgive My Figure” captures a band coming into its own and confidently defining its identity.
​
​“This is easily our most musically and melodically developed release so far. We’ve moved beyond the more straightforward metal influences of our earlier material and embraced a sound that is both more dynamic and more melodic. The songs still hit with dark, aggressive, and heavy verses, but they open up into massive, vocal-driven choruses packed with layers, harmonies, and emotion. We’ve put a lot of attention into the details, creating what I like to call a lot of ‘ear candy’ throughout the record. While our last album explored a wide range of styles and directions, this EP feels more cohesive. Each song has its own identity, but they all belong to the same musical world. It feels like we’ve finally locked into who we are as a band and found a stronger sense of our own sound,” says Ash Lee (lead guitar and lead vocals).
​
The newly released video for “Failure of One’s Name” showcases one of the EP’s most personal and emotionally charged songs. Written from different personal perspectives within the band, the track explores identity, grief, self-discovery, and healing.
​
​“Failure of One’s Name is a song inspired by my personal experience as a trans woman and coming to terms with my identity. For so long, it existed as a piece of me that lived in the dark, only manifesting when I felt thoroughly concealed. It represents the darkest moments that shaped who I am and those that led me onto the path towards healing,” adds EP drummer Lyra Renninger.
​
For Ash Lee, the song takes on a different but equally personal meaning:
​
​“For me, this song is about finding yourself after a big loss of that sense of self. When my uncle died, I felt like I had lost a huge chunk of who I was. The song is about trying to figure out how to find yourself and feel whole again, realizing that ultimately you have to discover your true self from within.”​
​
Musically, “Failure of One’s Name” highlights the band’s growth as songwriters, balancing crushing heaviness with expansive melody and atmosphere while delivering one of the most emotionally resonant moments on the EP.
​
​Watch and listen to the music video at https://www.youtube.com/watch?v=n6AqmEfI3oE

​Spotify – https://open.spotify.com/track/7MkN6fPtRHyoK8D9LkyXQU

​

What began as a youth band assembled through the renowned Bay Area music program Bandworks has evolved into one of the region’s most exciting emerging heavy acts. The members of Baby On A Rampage first met between the ages of nine and eleven, bonding over a love of Metallica, Green Day, Primus, and eventually more advanced influences such as Gojira, Mastodon, Tool, Slipknot, Lamb of God, Rage Against the Machine, and Muse. Since then, the group has progressed from school rehearsals to extensive touring across the Pacific Northwest, Canada, the Southwest, Texas, and the West Coast, surpassing 100 shows while still in their teens.
​
With “Forgive My Figure,” Baby On A Rampage deliver their most accomplished and mature release yet, showcasing a band that has already found its identity while still pushing forward creatively.

Recommended for fans of Gojira, Revocation, Mastodon, Baroness, and Strapping Young Lad, “Forgive My Figure” will be available on all digital platforms as of November 12, 2026.

Bandcamp – https://babyonarampage.bandcamp.com​

Music Video – “Reclaim” at https://www.youtube.com/watch?v=NDvwwrxoU6U​

Track Listing:​
1. Intro (0:56)
2. Immaculate Teeth (4:32)
3. My Tragedy (3:21
4. Reclaim (5:48)
5. Failure of One’s Name (4:29)

EP Band Lineup:​
Ash Lee: Guitars, Vocals
John Muir: Bass, Vocals
Lyra Renninger: Drums

Live Band Lineup:​
Ash Lee: Lead guitar, Vocals
John Muir: Bass, Vocals
Lucas Garske: Rhythm guitar
Mona Iris: Drums

More info:

​https://www.babyonarampage.com/​

​https://www.facebook.com/profile.php?id=61577134441189​

​https://www.instagram.com/baby_on_a_rampage​

-30-​

​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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