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Category: Music News

0 Out Now! Canadian Metal Veterans FORESHADOW (ft. members Augury, Vantablack Warship, Arseniq33) Unleash EP “Here Down On Earth”

  • October 2, 2026
  • by Asher
  • · Foreshadow · Music News

NEWS RELEASE

Montreal, QC – October 2, 2026

Out Now! Canadian Metal Veterans FORESHADOW (ft. members Augury, Vantablack Warship, Arseniq33) Unleash EP “Here Down On Earth”

Top – L-R- Patrick Loisel (Vocals, Guitar), Kurtis Clifford (Bass)

Bottom – L-R – Patrick Knup (Guitar), Pierre Pitre (Drums)

Canadian metal veterans Foreshadow are proud to announce the official release of their long-awaited EP, “Here Down On Earth,” available now on all major digital platforms as of October 2nd, 2026.
​
Originally conceived during the late 1980s and first recorded as a demo in 1991, “Here Down On Earth” breathes new life into some of the band’s earliest and most ambitious material. Rather than simply remastering the original recordings, Foreshadow chose to completely re-record the songs, delivering the intensity and aggression they originally envisioned over three decades ago.

The release serves as a time capsule from a pivotal era in both the band’s history and the world around them.
​
​“These songs were written in the late ’80s and first recorded in the early ’90s. We were already aiming for a heavier sound relative to that era’s standards. I listen to current bands that are similar, and we sound as aggressive as if we were 35 years younger. We are aged 50 to 56; it doesn’t show an iota!” says Patrick Loisel (Guitars and Vocals).
​
​Foreshadow‘s origins date back to friendships forged years before the band’s official formation. Loisel first met bassist Kurt Clifford in 1984 and drummer Pierre in 1986. After informal jam sessions throughout the late ’80s, the group formally launched Foreshadow in 1990 with the goal of creating and recording original music. The lineup was completed in 1992 when longtime supporter and music store co-worker Patrick Knup joined as the band’s fourth member and second guitarist.
​
Initially rooted in thrash metal, Foreshadow quickly expanded beyond genre boundaries, incorporating influences from groove metal, funk, extreme metal, and progressive sounds. Their diverse musical palette would later help pave the way for members’ involvement in respected acts including Augury, Vantablack Warship, Arseniq33, and Clearwater Deathblow.
​
The five-track EP blends Foreshadow‘s late 1980s songwriting with a modern, heavier production. Musically, the release moves between death metal, thrash, and groove-infused aggression, showcasing both the band’s early creativity and their evolved sound. Lyrically, the songs tackle themes of nuclear devastation, political oppression, environmental destruction, warfare, and humanity’s repeating social failures. The title track, “Here Down On Earth,” serves as the EP’s centerpiece, bringing together the record’s overarching themes of violence, intolerance, and societal decline.
​
​“The lyrics were initially written in the late 1980s and address a lot of social tensions and environmental concerns. The current moral panics we see now are, to me, the continuation of what had me blow a fuse in the 1980s, so these songs re-emerging is like the best timing ever,” adds Loisel.
​
The new recordings also showcase significant musical evolution. While the original demo was recorded in E-flat tuning, the current release is tuned down to B, creating a considerably heavier sonic foundation. Combined with decades of musical experience, the result is a powerful modernization of Foreshadow‘s earliest work while preserving its original spirit.
​
Delivering an aggressive blend of thrash, groove, and extreme metal that remains both nostalgic and contemporary, Foreshadow not only reclaims a forgotten chapter of their history but also demonstrates that powerful music and meaningful messages remain timeless.

Recommended for fans of Forbidden, Testament, Slayer, Carcass, Pantera, Helmet, and Augury, “Here Down On Earth” is available at the following links:

Spotify – https://open.spotify.com/album/2pz6uQ5mMfcl2iLzJZ4ZMA

​Bandcamp – https://foreshadow.bandcamp.com/

​

Lyric Video – “This Harvest That You’ve Sown” – https://www.youtube.com/watch?v=VDWvLce3jo8

​

Show Dates:​
Oct 17 – O’Sim Irish Pub – Salaberry-de-Valleyfield, QC
Oct 24 – Turbo Haus – Montreal, QC

Track Listing:​
1. Y? – 6:17
2. Decretei – 3:40
3. This Harvest That You’ve Sown – 4:39
4. As Heroes Die – 7:01
5. Here Down To Earth – 8:46
EP Length: 30:26

Band Lineup:​
Patrick Loisel – Vocals, Guitar
Kurtis Clifford – Bass
Pierre Pitre – Drums
Patrick Knup – Guitar

More Info – https://www.facebook.com/foreshadowmtl​

-30-​

​

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0 Band Submissions Now Open! WACKEN METAL BATTLE USA 2027 – One Band To Conquer Them All! To Play Wacken Open Air!

  • October 2, 2026
  • by Asher
  • · Music News · Wacken Metal Battle USA

NEWS RELEASE

Montreal, QC – October 2, 2026

Band Submissions Now Open! WACKEN METAL BATTLE USA 2027

One Band To Conquer Them All! To Play Wacken Open Air 2027

One band to conquer them all! WACKEN METAL BATTLE USA band submissions for 2027 battles are now open!

Unsigned and independent American bands from across the country will have the opportunity to battle it out for one to play the world’s most prestigious and largest already sold-out metal festival, Wacken Open Air.

Band submissions are now open as of October 1st and run until December 1st, 2026.

WMBU organizer Eric Dow (Fatal Illness Management, Helsott, M-Theory Audio) comments on the upcoming 2027 battles:

“I am very excited and motivated for the 2027 Battle. I am always looking for ways to grow the team and improve in general. This year, the National Final will be held at the Tampa Metal Meeting fest hosted by me and Jerry from Piox Promotions. I have added several new city promoters, including Ty from Mad With Power Fest, who will be adding Madison for the first time in US Battle history. We have added Omar from The Metal Mixtape as the new social media manager and new Seattle promoter. Omar from Ghost Cult Magazine was behind the scenes last year but will now take over as the New York promoter. Same with Jersey from Andromeda Productions…he was helping last year with Atlanta and will now take over as the main promoter. Adding the new additions to our already amazing team, the future for the Wacken Metal Battle USA is brighter than ever!”

American bands interested in participating can apply at https://www.metal-battle.com/usa/​

This year’s battles will be hosted across the United States in the following areas listed below:

The National Final will be held on June 19th, 2027, as part of the Tampa Metal Meeting 2027 Fest at The Brass Mug in Tampa, Florida.
​​
Southwest Region:
​
Los Angeles, California
Orange County, California
Inland Empire, California
Bay Area, California
Sacramento, California
San Diego, California
Las Vegas, Nevada
​
​Pacific Northwest Region:​
Portland, Oregon
Seattle, Washington
​
​Midwest Region:​
Madison, Wisconsin
​
​Northeast Region:​
New York, New York
Wilmington, Delaware
​
​Southeast Region:​
Atlanta, Georgia
Central Florida
​
​Texas Region:
​
Austin, Texas
Houston, Texas
San Antonio, Texas
Dallas, Texas

For the past eight years of battles (2017–2019, 2022–2026), Wacken Metal Battle USA has held nationwide rounds to crown one independent metal band and send them to perform at the world’s largest metal festival, Wacken Open Air in Wacken, Germany. The festival marked its 30th anniversary in 2019, with the 2020 and 2021 editions canceled due to COVID. As the global metal community continues to surge, Wacken Open Air 2027 will celebrate its 36th edition from July 28–31, and is already sold out. More than 50 bands have been announced, including Electric Callboy, Five Finger Death Punch, Helloween, Heaven Shall Burn, Halestorm, DragonForce, Napalm Death, Jinjer, Knocked Loose, Kanonenfieber, Belphegor, Dethklok, and Blue Medusa, among others. Full details here.

Live Video – 2026 WMBU Champion – Gannondorf at Wacken Open Air – https://www.youtube.com/watch?v=K3Ez7OcFleQ

​

Previous WMBU national winners: Gannondorf (2026 – San Diego), Mourning High (2025 – Southern California / Arizona), Cascade Effect (2024 – San Diego), Fadrait (2023 – San Diego), Mythraeum (2022 – San Diego), Monarch (2019 – San Diego), Voices of Ruin (2018 – Anaheim), and Corpse Hoarder (2017 – Philadelphia).

The 2027 WMBU champion will receive the following:
– A slot at the 2027 Wacken Open Air Festival.
– Full professional backline provided.
– $1,000 USD towards flights to Germany.
– VIP camping at the festival.

Wacken Metal Battle USA is part of an international competition in which bands from across the country battled for the chance to join more than 30 other national champions and represent the USA in a global clash of rising talent at the world’s largest outdoor metal festival, Wacken Open Air. For over a decade, these battles have been hosted at the festival, giving independent bands the opportunity to showcase their power on an international stage and compete for multiple prizes.

How it works:​
​Participating cities will host qualifying rounds plus a city final organized by a local city concert promoter, where one band will move forward to the American national final (date and city to be determined). The winner of the national final will advance to perform at Wacken Open Air 2027 and compete against the winners of international bands from around the globe in a major international battle. All bands will be judged during battle rounds by respected local music industry representatives.

About the 2026 National:

WMBU National 2026 – Gannondorf

Photo Credit – C.Huerta.Photos​

One band had conquered them all. Wacken Metal Battle USA proudly crowned San Diego’s GANNONDORF as the 2026 champions. The band seized a coveted performance slot at Wacken Open Air, one of the world’s most iconic and influential metal festivals, and advanced to the international Wacken Metal Battle, where rising bands from across the globe unleashed their headbanging, mosh‑ready power before a massive sea of metalheads gathered from every corner of the world.

The Wacken Metal Battle USA 2026 National Final brought together the top six bands from across the country after months of battles in cities nationwide. Representing the fiercest underground metal the United States has to offer, the final contenders were FATE DEFINED (Spokane, WA), NEMESIS (Houston, TX), GANNONDORF (San Diego, CA), RAMTHA (St. Petersburg, FL), THE VICTORIOUS DEAD (New York, NY), and THROUGH THE OCULUS (Apple Valley, CA).

After taking the stage on June 13th at Brick By Brick in San Diego, CA, before a crowd of metal‑hungry fans and a panel of industry judges including Rod Kukla (Silver Lining Music), Martin Koller (Prophecy Productions / SPKR Media), and Kelly McLauchlin (Pessimist), only one band could claim the title of WMBU 2026 Champion. GANNONDORF delivered with unrelenting fury, winning over both judges and fans to seize the crown.

Listen to all the USA national final bands on the WMBU 2026 Final Spotify Playlist:

​https://open.spotify.com/playlist/14751T41YocZkJCVUJWcjL​

More info:​
​Metal-Battle.com​
​MetalBattleUSA.com​
​
Facebook.com/metalbattleusa​.official​
​X.com/MetalBattleUSA​
​Instagram.com/wmbusa.official​

– 30 –

Sponsors / Partners:​
Fatal Illness Management
Dean Guitars
Bravewords
Metal-Rules
V13
GhostCultMag
Come And Take It Productions
Andromeda Productions
Distilled Entertainment
Piox Promotions
Tampa Bay Metal Scene
Last Light Presents
Mad With Power
The Metal Mixtape
BrokenNeckRadio
Asher Media Relations

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#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Avant-Garde Cinematic Doom LIMINAL SPIRIT Announces New Album “Forfeiture Hymns” Out Nov 2026; Streaming First Single “The Initiate”

  • October 2, 2026
  • by Asher
  • · Liminal Spirit · Music News

NEWS RELEASE

Montreal, QC – October 2, 2026

Avant-Garde Cinematic Doom LIMINAL SPIRIT Announces New Album “Forfeiture Hymns” Out Nov 2026

Streaming First Single “The Initiate”

Milwaukee’s one-man cinematic doom metal project Liminal Spirit will release its highly anticipated new full-length album, “Forfeiture Hymns,” on November 6th, 2026, unveiling the next chapter in the project’s ever-expanding conceptual mythology.
​
The project is the work of multi-instrumentalist Jerry Hauppa (Northless, Ara, Acanthrophis, Deorbit), who combines the melodic sensibilities developed through years in extreme metal with a microtonal guitar blended with a cinematic doom, industrial, and drone-driven framework.
​
​“I wanted to do a project that utilized my sense of melody established through various extreme metal outlets but through the lens of a more doom/industrial/drone approach to create music that felt like it was exposing a kind of purgatory, with each song guiding the listener through that purgatory into a place more grounded by the end,” says Hauppa.
​
This fourth studio recording and second full-length, “Forfeiture Hymns” represents Liminal Spirit‘s most ambitious and extreme work to date. While previous releases explored hypnotic drone-based environments, the new album pushes further into a musical language informed by death metal, industrial music, electronic textures, and psychologically charged storytelling.
​
At the center of “Forfeiture Hymns” is the continuation of the narrative introduced on the acclaimed previous album, “Unwell.” While “Unwell” chronicled the final days of the troubled character Phillip Hastings within the confines of a nursing home, the new album broadens the scope dramatically by tracing his life from birth onward.
​
Rather than focusing directly on Phillip himself, “Forfeiture Hymns” tells its story through the perspectives of individuals whose lives have been irrevocably altered by him. Each song documents a different character driven toward suicide following encounters with Phillip, creating a sprawling concept album that examines influence, guilt, abuse, obsession, and the devastating ripple effects of human actions.
​
​“Each track is the story of one of those people and how his influence steered them toward ending their lives. To flesh out the record, I had to create all of these people and develop their motivations, which I then used to create the melodic characteristics of each song,” adds Hauppa.
​
Designed as a challenging and immersive listening experience, “Forfeiture Hymns” is intentionally confrontational while remaining deeply melodic and memorable. Every composition serves the story, with musical motifs recurring throughout the album and connecting not only individual songs but also previous Liminal Spirit releases.
​
With “Forfeiture Hymns,” Liminal Spirit continues to blur the boundaries between concept album, psychological horror, and extreme music, delivering a challenging yet immersive work that rewards repeated exploration.

“My hope is that this record resonates with people. It’s the most extreme demonstration of the style so far, but it’s also the most memorable,” adds Hauppa.

To introduce listeners to this complex narrative world, Liminal Spirit is unveiling the lead single “The Initiate”. A track that follows Tommy Pearson, a young boy desperate to join a group of children led by Phillip. What begins as a seemingly innocent initiation ritual spirals into tragedy, mirrored musically through a progression that moves from playful, childlike melodies into frantic and increasingly chaotic territory.

“The track plays out to depict a playful nature that reflects a children’s playground, but builds to a frantic pace as Tommy is desperate for aid with his wounds and approval of the rest of the club,” adds Hauppa.

Listen to “The Initiate” at the following link: https://www.youtube.com/watch?v=d0KOVfvvHRI

​

Recommended for fans of Skepticism, Jesu, Nine Inch Nails, Shape of Despair, Confessor, Anata, and Cynic, “Forfeiture Hymns” will be available on all digital platforms on November 6, 2026.

Album pre-order: https://liminalspirit.bandcamp.com/album/forfeiture-hymns​

Track Listing:​
1. A Mother’s Instinct (Catherine Hastings, d. 9/24/1937)- 4:25
2. Unwanted (Phillip Hastings Sr., d. 6/12/1938)- 6:00
3. The Initiate (Tommy Pearson, d. 3/03/1951)-5:13
4. Three (Marianne Tierney, d. 4/19/1953)- 5:10
5. Apoptosis (Elizabeth and Christopher Collins, d. 11/20/1963)- 4:13
6. Ensnarer’s Lament (Detective Michael Thornton, 6/01/1978)- 5:00
7. Two (Francine Hastings, d. 10/24/1981)- 4:40
8. Do No Harm (Alice Weaver, 2/17/2015)- 5:21
9. Sins of the Father (Johnathon Hastings, d. 2/20/2015)- 5:18
10. The Parting Glass (Madeline Hastings-Everett, d. 12/5/2025)- 2:23
11. Four (Constance Greene, b. 8/28/2026)- 0:51

Album Recording Credits:​
• All songs performed by: Jerry Hauppa
• All songs written by: Jerry Hauppa
• Produced by: Jerry Hauppa
• Mixed by: Jerry Hauppa
• Mastered by: Jeff Wojtysiak
• Album Artwork by: James Becker

Album Band Lineup:​
Jerry Hauppa- Kite guitar, fretless guitar, bass guitar, synthesizer, violin, vocoder, sampling

More Info:​
​https://www.facebook.com/people/Liminal-Spirit/61575618106702/​
​https://www.instagram.com/liminal_spirit_mke​

-30-

“I love when an artist goes all-in for an idea. And sometimes art is not meant to be enjoyed, so much as experienced. It transports you to that invisible realm of mind and imagination, reflecting in this case something truly horrific: a journey through purgatory. There are jagged edges everywhere, shapes and forms that make no sense, and dizzying dissonance from microtonal guitars. If you feel unsettled, that’s the point.” – Doomed and Stoned (2026 – The Initiate song premiere)

“The song we’re premiering, “A Better Place“, is that closing track. In its narrative, Phillip passes into a purgatory where he is judged for his actions, and ultimately cast into hell — not the better place he hoped for. The music manifests this denouement with sounds of mangling discordance and ruthless pounding. The hammering and thudding beats don’t create an easy rhythm, but instead generate a pattern that takes away any sense of balance. Shrill ethereal tones rise up and strangely quiver from within the dissonant, mangling morass of sonic oppressiveness. Wailing vocals rise up too, adding to the song’s hallucinatory and haunting ingredients. The experience is unsettling and unearthly. Warbling spoken words come and go. The dense backing noise is cruel and searing as well as abysmal. The pounding is as vehement as it is destabilizing — until it vanishes, yielding to a cacophonous and indeed hellish finale in which the music itself seems to descend. Siren-like bursts of sound and tormented screams close out the nightmare.” – No Clean Singing (2025 Unwell)

“The title track from this latest concept EP – being released on Halloween – from Milwaukee-based multi-instrumentalist Jerry Hauppa is an appropriately unsettling exploration of themes such as memory, guilt and spiritual reckoning delivered via a fusion of progressive doom metal with avant-garde narrative techniques, crafting what the composer and musician describes as “seance music”, a genre-defying sonic ritual meant to stir movement between spiritual realms:” – THE ÜBER RÖCK SINGLES CLUB DAILY PICK – LIMINAL SPIRIT (Oct 11, 2025 – Unwell)

“Fusing Progressive Doom Metal with avant-garde narrative techniques to create a genre defying sonic ritual meant to stir movement between spiritual realms with title track “Unwell”” – Metal Noise (Unwell 2025)

“A portrait painted by multi instrumentalist Jerry Hauppa in Progressive Doom Metal and avant-garde narrative techniques, the record plays out the deterioration of Phillip’s memory, culminating in death and spiritual judgment before he is cast into hell for all eternity. Known for his work with Deorbit, Hauppa performs the piece using guitar, microtonal guitar, bass, violin, synth, vocoder and drum programming having written, produced and mixed. They call it a genre defying sonic ritual meant to stir movement between spiritual realms….. If someone is needed to write the soundtrack to the next Silent Hill incarnation then Hauppa has just submitted his curriculum vitae” – Metal Noise (Unwell 2025)

“Unwell is a fearless act of musical necromancy. It’s unsettling, artful, and deeply personal—doom metal with a philosopher’s pen and a filmmaker’s eye. Fans of Jesu, Skepticism, and Cynic will find much to admire here, but Liminal Spirit ultimately exists in its own spectral orbit.” – See Rock Live Magazine (Unwell – 2025)
​
​
​“It’s dense. It’s dark. It demands your full attention. But give it that, and you’ll walk away changed—or at least slightly disturbed. Fans of Skepticism, Kayo Dot, or anyone who enjoys having their psyche gently disassembled: this one’s for you.”- Metalpapyjeff (Unwell 2025)

“I would characterize this is something for Metal fans who think outside the box and don’t need to be spoon fed the typical Metal sound. ” – Metal Temple (Unwell 2025)

“Capturing the desolation of dementia and the abject terror and helplessness of cognitive and bodily decline in an artful way – in sound format – is no easy feat, nor must it have been a light affair. RATING: I give it a 4/5… They deserve to be heard and meditated on. But I love it – I love the concept and the overall delivery – and I wish more people would hear it and think on what it’s trying to tell them!” – Hails Webzine (Unwell 2025)

“Artistically unsettling, for fans of musical curiosity with strange, slightly noisy atmospheres on the edges.” – Music Journalist – Olivier Piot (Unwell 2025)

“It’s dense. It’s dark. It demands your full attention. But give it that, and you’ll walk away changed—or at least slightly disturbed. Fans of Skepticism, Kayo Dot, or anyone who enjoys having their psyche gently disassembled: this one’s for you.”- Metalpapyjeff (Unwell 2025)

“Unwell is a fearless act of musical necromancy. It’s unsettling, artful, and deeply personal—doom metal with a philosopher’s pen and a filmmaker’s eye”- seerocklive.com (2025 Unwell)​
—
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0 Out Now! ESHTADUR Unleashes New Album “In Darkness All Shadows Gone” and Video “Soy Real”

  • October 2, 2026
  • by Asher
  • · Liminal Spirit · Music News

NEWS RELEASE

Montreal, QC – October 2, 2026

Out Now! ESHTADUR Unleashes New Album “In Darkness All Shadows Gone” and Video “Soy Real”

Colombian melodic black/death metal band ESHTADUR unleashes their new full-length album “In Darkness All Shadows Gone” on October 2nd, 2026, via Rockshots Records, together with the new single and official music video “Soy Real”.

Watch “Soy Real” – Official Music Video: https://www.youtube.com/watch?v=quUjf_GZG-g

​

Listen to “In Darkness All Shadows Gone”: https://lnk.to/lT5gN0​

Following the singles “Into The Woods”, “August’s Burdens”, “Omen Of Millennia” and “Thunderground”, the album brings together twelve tracks developed over four years, completing a musical and conceptual journey built around mysticism, transformation and inner transmutation.

Recorded with the Caldas Symphonic Orchestra, “In Darkness All Shadows Gone” combines melodic black and death metal with symphonic arrangements, layered vocals, Tuvan throat singing, folk-rooted elements and atmospheric passages. Heavy riffing and dark melodies remain at the core of ESHTADUR’s sound while orchestral and cinematic textures broaden the scope of the record.

At the centre of the album stands The Crow, a shamanic figure moving between existence, death, the void and the unknown. Acting simultaneously as master and apprentice, The Crow travels through darkness in search of knowledge, confronting suffering, isolation, fear and illusion. Drawing upon mysticism, occult symbolism, cosmic philosophy, ancestral knowledge and human emotion, the twelve compositions follow this journey from the opening “Age of Antumbra” to its final chapter, “Soy Real”.

Frontman Jorg August comments:

“We worked on this material for four years. It is a long album with twelve tracks, symphonic arrangements, a real orchestra, many vocal layers, and Tuvan voices. At times, it felt like a giant puzzle, but everything finally came together. We are proud of the result and grateful to everyone who helped us build it. A crow is calling.”

Released alongside the album, “Soy Real” represents the final stage of the initiate’s journey. After confronting suffering, illusion, pride, fear, and mystery, the seeker removes every mask and accepts themselves completely. The song becomes a declaration of authenticity, transparency, and self-realization. The one who completes this path becomes a transcended Crow – a being who no longer hides behind illusion but exists fully and truthfully.

Dark, heavy, melodic, and emotional, “Soy Real” closes the record while bringing its central themes of identity and transformation into focus. The track also features a guitar solo by ESHTADUR lead guitarist Camilo Barbosa.

“In Darkness All Shadows Gone” was produced by Jorg August, who wrote the music, lyrics, compositions, and orchestral arrangements. The album was recorded by August at RockStar Studios Colombia, with drums recorded in Poland by Michal Lysejko (Dieth). The Caldas Symphonic Orchestra was recorded by SPL at Batuta’s Theater in Manizales, Colombia.

The record was mixed and mastered by Tomasz “Zed” Zalewski, with Chris Clancy handling mixing and mastering for “Fire Above Mountain Below” and “Umbra”. Cover artwork was created by Valesia Obscura. Guest performances include guitar solos by Christopher Malmström (Darkane) on “August’s Burdens” and “Old Shaman Blind,” Richie Brown (I Am Morbid) on “A Black Winged Waltz” and “Ruler of the Lake,” and Hubert Wiecek (Banisher) on “Fire Above Mountain Below.” Camilo Barbosa performs the guitar solos on “Omen Of Millennia” and “Soy Real.”

For fans of: Septicflesh, Dissection, At The Gates.

“In Darkness All Shadows Gone” is available now as of October 2nd, 2026 via Rockshots Records.

Album Order: https://rockshots.eu/products/eshtadur-in-darkness-all-shad

Spotify – https://open.spotify.com/album/4mEV3yaRgKqAliXWT5FRnA?si=bqanT4RfRr6S6XZklt5biA

​

Track Listing:​
1. Age of Antumbra – 2:00
2. Into The Woods – 4:41
3. Umbra – 6:22
4. August’s Burdens – 4:59
5. Fire Above Mountain Below – 5:08
6. Old Shaman Blind – 5:08
7. Thunderground – 3:40
8. Ruler of the Lake – 5:14
9. A Black Winged Waltz – 9:23
10. Nebulae (Virgo) – 5:09
11. Omen of Millennia – 3:56
12. Soy Real – 5:11
​
​ESHTADUR are:
Jorg August – Vocals, guitars
Camilo Barbosa – Lead guitars
Andres Gonzalez – Bass
David Lopez – Drums

More info:

​https://rockshots.eu/​

​https://www.facebook.com/EshtadurOfficial/​

​https://www.instagram.com/eshtadur/​

BIOGRAPHY:

Founded in Colombia and active since 2007, ESHTADUR combines Gothenburg-influenced death metal, black metal, and classical composition with an interest in poetry, mysticism, existence, and cosmogony. The band has toured extensively across Europe and North America, sharing stages with artists including Behemoth, Deicide, Vader, Hate, and Exodus, and appearing at events such as 70000 Tons of Metal, Rock al Parque, and Grita Fest.

-30-

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0 Cosmic Metal THE ASTRAL PROPHETS Launch New Video “Invasion” ft. Jeff Black (Glyph); Debut Album “Invasion” Out October 30th

  • October 1, 2026
  • by Asher
  • · Astral Prophets · Music News

NEWS RELEASE

Montreal, QC – October 1, 2026

Cosmic Metal THE ASTRAL PROPHETS Launch New Video “Invasion” ft. Jeff Black (Glyph)

Debut Album “Invasion” Out October 30th

Top L-R: Kyle Summers (Drums) | Harley D’Orazio (Guitars/Vocals) | Terry Savage (Bass/Vocals)
Bottom L-R: Staci Allen (Lead Vocals) | AJ Bergin (Guitars/Vocals)
Photography Credit: Brad, YYC Visual Media

Canadian cosmic storytellers The Astral Prophets are preparing metal fans for the “Invasion” of their debut album out October 30th with the release of their latest lyric video for the title track. The song is a powerhouse featuring punchy riffs that will get your heart pumping and a dueling guitar solo between TAP’s AJ Bergin and Jeff Black from Glyph.

Bergin comments on the title track:

“I wrote the main riff for this one, intending to trade ideas back and forth with Terry. After I sent the initial riff, he quickly built out the verse, pre-chorus, and chorus. While I got sidetracked, Terry came up with a killer acoustic riff that evolved into one of the fastest and most challenging parts on the record. Terry also drew inspiration from Lazerwitch, exploring humanity’s dependence on technology and vulnerability to a more advanced race. We also have Jeff Black from Glyph featured on this song, trading some dueling guitar solos. I had the pleasure of being in Scythia briefly with Jeff, but never got a chance to work with him on a track until now. I am super proud of getting him on this song and will treasure it forever!”

Get ready for the “Invasion” at the following links:

Lyric Video – https://www.youtube.com/watch?v=BBXCUZVTrqQ

​Spotify – https://open.spotify.com/track/1awxr9j7MgpTz7pUv9UQDU

​

Born from the ashes of the acclaimed folk metal act Scythia, The Astral Prophets have spent the past several years forging a sound all their own. Combining crushing groove metal, soaring power metal melodies, infectious hooks, and futuristic storytelling, the band has dubbed their unique style “Power Groove.”

Since emerging in 2019, The Astral Prophets have steadily built momentum with fan-favorite singles including “Firewall,” “USB Humanity,” and “Lazerwitch,” followed by their 2023 EP “Anywhere But Here.” Now, with a revitalized lineup featuring vocalist Staci Allen, guitarist Harley D’Orazio, drummer Kyle Summers, guitarist AJ Bergin, and bassist/songwriter Terry Savage, the band is ready to deliver its most ambitious release yet.

“Invasion” is a cinematic journey through a dystopian universe filled with alien civilizations, advanced technology, cosmic warfare, and deeply human emotions. Across eight tracks, the album explores themes of anger, retribution, love, longing, madness, and survival through a distinctly sci-fi lens.

Musically, “Invasion” represents the culmination of everything The Astral Prophets have been building toward. The band has pushed further into heavier territory while expanding their sound with layered synths, symphonic elements, immersive sound design, and unforgettable riffs.

“We wanted to bring an album that improves upon our already unique style. During our EP, we started to dial in our sound, but now we’re delivering an LP in our full form. The riffs are stronger, the leads are melodic and smooth, the drums are driving, and Staci’s vocals are more powerful than ever.” says guitarist AJ Bergin.

The album features the explosive title track, “Invasion,” a relentless metal anthem highlighted by a guest appearance from Jeff Black of Glyph, who trades blazing guitar solos with Bergin. Other standout tracks include the anthemic “Power of the Rift,” the high-energy rocker “Into Nothing,” and the epic cosmic journey “Trail of Broken Stars.”

The album’s artwork depicts Earth’s final days as a colossal alien mothership emerges from a wormhole to begin the systematic takeover and terraforming of the planet, perfectly capturing the record’s overarching narrative and apocalyptic scope.

Recommended for fans of Unleash the Archers, Amaranthe, Volbeat, and Battle Beast, “Invasion” will be available on all digital platforms on October 30th, 2026.

First Single – “Into Nothing” – https://www.youtube.com/watch?v=yPLxl6flAP8​

Show Dates:​
Oct 30 – Calgary, AB – Festival Hall (Album Release Show) w/ Victoria Lies, Cabraakan, Kyle Pullan

Track Listing:​
1. Target Locked – 4:24
2. Power of the Rift – 4:08
3. Invasion ft. Jeff Black – 4:06
4. Into Nothing – 4:46
5. A Trail of Broken Stars – 4:46
6. World Eater – 4:35
7. Hyperdrive – 4:47
8. Inside the Hyperdrive – 3:37

More info: https://hyperfollow.com/astralprophets​

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0 Ottawa’s HALCYON DRIFT Unveils Debut Single “I Made Do”

  • October 1, 2026
  • by Asher
  • · Halycon Drift · Music News

NEWS RELEASE

Montreal, QC – October 1, 2026

Ottawa’s HALCYON DRIFT Unveils Debut Single “I Made Do”

L-R: Guillaume Parisien – Clean Vocals, Matt Pilon – Lead Guitar, Mikey Trottier – Drums, Matt Senneville – Rhythm Guitar, Matt Zephyr – Scream Vocals

Photo Credit – Roxanne Morin

Ottawa’s rising metalcore/djent act Halcyon Drift has officially launched their debut single “I Made Do,” marking the beginning of a project years in the making. Known for crafting heavy music that feels like a journey, each song a chapter, each album a world, Halcyon Drift enters the Canadian metal scene with a sound that is balanced, aggressive, beautiful, story‑oriented, and complex.
​
​“I Made Do” is the band’s first step into the public eye, and its artwork reflects that: a simple, striking band photo meant to introduce the faces behind the music.

“This music is from us to you, and we wanted listeners to know who we are from the very first release,” says scream vocalist Matt Zephyr.
​
​“I Made Do” blends hardcore energy, djent precision, and hip‑hop‑infused rhythm, creating a unique sonic identity that stands apart from the modern metalcore wave. Lyrically, the track centers on resilience through adversity, a theme the band believes most listeners will connect with.
​​
“It’s the perfect song to mosh to, but it’s also something people can feel. It’s about pushing through when life hits hard,”
adds Zephyr.
​
Listen to “I Made Do” at the following links:

Spotify – https://distrokid.com/hyperfollow/halcyondrift/i-made-do​

Video – https://www.youtube.com/watch?v=VDU6HI11IB8

​

Halcyon Drift’s formation is rooted in friendship, loss, and unfinished beginnings. Zephyr and guitarist Matt Pilon first played together at age 15 in a project called Below Bloodshed alongside their close friend and drummer Diego Bussières, who passed away in 2020. Years later, the two reunited to “finish what we started,” rewriting old songs with new skill and discovering a sound that felt alive.
​
That spark led them to recruit clean vocalist Guillaume Parisien, whose tone is unlike anything typically heard in the metal scene. With drummer Mikey Trottier (also of Holly Acres) and rhythm guitarist Mathieu Senneville completing the lineup, Halcyon Drift spent two years writing three full albums ready to go, refining their identity, and building the world they’re now ready to share.
​
​Halcyon Drift is also gearing up for live performances during the rest of 2026 and more leading into 2027. Their sets rise and fall like a storyline, pulling the audience through emotional peaks and valleys with synced lighting, cinematic transitions, and high‑energy stage presence.

More info:

​https://www.facebook.com/HalcyonDriftOttawa​

​https://www.instagram.com/halcyondriftband​

​https://www.tiktok.com/@halcyondriftottawa​

-30-

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0 SHROUD Unleashes Ferocious Cover of NIFELHEIM’s “Storm of the Reaper” + Canadian Tour w/ HELLRIPPER “Goatkraft & Granite Canada 2026”

  • October 1, 2026
  • by Asher
  • · Music News · Shroud

NEWS RELEASE

Montreal, QC – October 1, 2026

SHROUD Unleashes Ferocious Cover of NIFELHEIM’s “Storm of the Reaper”

Tour Dates w/ HELLRIPPER “Goatkraft & Granite Canada 2026”

Debut Album “Pax Nocturna” Out Now!

L-R – Justin Cournoyer – Bass, Matteo Conti – Guitar and Vocals, Zack Osiris – Drums, Jordan Barillaro – Guitar

Montreal blackened thrash band Shroud has released a new cover of “Storm of the Reaper”, a fierce tribute to Swedish cult legends Nifelheim and a nod to one of the band’s earliest shared influences. The track arrives as Shroud continues to ride the momentum of their debut album “Pax Nocturna,” released this past June, and as they prepare to hit the road for their upcoming Canadian tour with Hellripper this coming November.
​
​Shroud’s decision to cover “Storm of the Reaper” comes from deep admiration for Nifelheim’s legacy and the song’s impact on the band’s formation and identity.
​
​“We wanted to pay homage to the legendary Blackened Thrash Metal band Nifelheim from Sweden. Storm of the Reaper is an absolute banger with old‑school heavy metal elements twisted into black metal, and it’s a huge influence on all of us in Shroud. It’s also a nod to lyricist Erik Danielsson, frontman of Watain, another major influence. We perform this live often and wanted to pay it forward with our own spin. It was a major song that Zack Osiris and I, Matteo Conti, bonded over when forming Shroud. Storm of the Reaper is legendary and a staple of Blackened Thrash Metal.”​
​
The band’s rendition stays true to the track’s feral spirit while injecting Shroud’s signature intensity, razor‑edged riffs, venomous vocals, and the raw, ritualistic energy that has defined their rise in Canada’s extreme‑metal underground.

Shroud’s cover arrives on the heels of their debut full‑length “Pax Nocturna,” a blackened thrash assault praised for its speed, atmosphere, and conceptual depth. The album introduced listeners to the band’s evolving universe of dark, violent, and occult storytelling.
​
The release of “Storm of the Reaper” sets the stage for Shroud’s upcoming Canadian dates with Scotland’s speed‑metal powerhouse Hellripper for the “Goatkraft & Granite Canada Tour”. Fans can expect Shroud to perform the cover live, where it has already become a crowd‑igniting staple.

Listen to Shroud‘s cover version of “Storm of the Reaper” at the following links:

Spotify – https://open.spotify.com/track/5ypzud248uB53eLL72aXpw

​YouTube – https://www.youtube.com/watch?v=uEKNl16Zceo

​

Recommended for fans of Watain, Dissection, Hellripper, Skeletonwitch, and Necrophobic, “Pax Nocturna”, released on June 4th, 2026, is available now on all digital platforms, CD, and vinyl.

CD / Vinyl – https://shroudmtl.bandcamp.com/album/pax-nocturna​

Add to your Spotify playlist – https://open.spotify.com/album/5dfAWpVKaWlsdSBYNZ8L1H​

All Creation – https://www.youtube.com/watch?v=m4okttHfnlg​

The Eternal Void – https://www.youtube.com/watch?v=JJ56_laldDc​

Tour Dates: Hellripper w/ Shroud​
Nov 25 – Montreal, QC – Piranha Bar
Nov 26 – Quebec City, QC – La Source De La Martiniere
Nov 27 – Ottawa, ON – Dominion Tavern (Capital Punishment Festival)
Nov 28 – Toronto, ON – Supermarket Bar & Variety

Track Listing:​
1. Pax Nocturna (0:43)
2. The Eternal Void (5:09)
3. The Zealot (5:15)
4. Merciless Tyrants (5:59)
5. Darkest Night (4:45)
6. Diablivion (5:28)
7. Death Blows Over (4:18)
8. All Creation (5:29)
9. Abaddon (7:55)
Album Length: 45:05

Album and Live Band lineup:​
Matteo Conti – Guitar and Vocals
Jordan Barillaro – Guitar
Zack Osiris – Drums
Justin Cournoyer – Bass

More info:

​https://www.facebook.com/profile.php?id=100086688022343​

​https://www.instagram.com/shroud.mtl​

About: Emerging from the depths below, Shroud formed in 2022 when Conti and Osiris began writing together during the pandemic. With the later addition of Barillaro and Cournoyer, the band’s lineup solidified into a unit defined by technical skill, raw aggression, and a shared vision of darkness. Their sound of blistering riffs, thunderous drums, and vocals echoing through the void has quickly earned them recognition as one of Montreal’s most promising extreme‑metal acts. Now, with Pax Nocturna, Shroud is ready to unleash its full power.

Album Recording Credits:​
– All songs performed by: Matteo Conti, Zack Osiris, Jordan Barillaro, Justin Cournoyer
– All songs written by: Matteo Conti and Zack Osiris
– Produced by: Shroud and Jordan Barillaro
– Mixed by: Jordan Barillaro
– Album Art by: Justin Cournoyer
– Mastered by: Tore Stjerna

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“Imagine the ferocity, the grit and attitude of ‘Power n Pain’ era Whiplash, add the nocturnal melodic majesty of Necrophobic, and then a heaping helping of D-beat (always appreciated). Vicious, limb twitchin’ and about as infectious as something you believe you might have picked up on a recent European vacation, but wish you hadn’t. Recc for fans of SkeletonWitch, Necrophobic, Hellripper and others who successfully manage to imbue ragin’ Thrash insanity with an exquisite sense of darkness. This scatches the itch, then successfully obliterates it!” 94/100 – Cult Metal Flix​
​
​“the Canadians are beyond any doubt and have put together a debut album that not only packs a serious punch in terms of aggression but also delivers enough memorable moments to perfectly balance frenzy, speed, and punchiness.” – PowerMetal.de ​
​
​“There’s almost a black ‘n’ roll thing going on here, with some cool rocking solos that snap you out of the blackened onslaught here and there. There’s no shortage of heaviness here, and I love how Shroud have mixed the old and the new throughout the album; you never really know what’s going to hit you next. Lots of energy, not many parts to give you rest, Pax Nocturna is one of those albums that tortures your speakers and makes the house shake. Good stuff (duh).” – The Metal Crypt​
​
​“A definite early AOTY candidate with strong claims, 5 star Black/Thrash!… There’s a high amount of crushing chugging riffs across this full length and the leadwork is absolutely scorching across the board, shreddy solos with that classic heavy metal, Thrash phrasing with a few mid-paced ones thrown in that are topped off with a couple of whammy bar accents and tremolos in them. Some of these riffs just will absolutely pummel you, as they’re fast and unrelenting as hell; also, there’s one or two solos that appear in a single track too. The vocals on this aren’t just high black metal screams, but there’s creepy deep spoken word vocals, chants and a few death growls also; if you’re into absolutely groove filled Blackened Thrash then absolutely look no further than this masterpiece, absolutely don’t sleep on it, a definite AOTY contender personally. Rating: 10/10!” – Drako’s Metal Reviews​
​
​“With Pax Nocturna , SHROUD makes a striking statement that will allow them to carve out a prime spot among the new Canadian bands to watch.” – Ondes Chocs​
​
​“Some nice thrash with plenty of fury and speed beyond it. Rip-roaring riffs that will have your neck moving, I assure you. Vicious vocals also work here as they fit the music rather well. Production is good and solid, and those thrashy riffs just ripped my soul apart and in two. With thrash, for me it is the riffs, the speed and intensity, and this had it all. This will just pound you into the ground, showing little or no mercy. Thrash crushes.” – Chris Forbes – Extreminal​
​
​“Shroud’s debut is a vicious blackened thrash release with scorching guitar work, relentless percussion and a grim philosophical core.” – Heavy Metal Darkness​
​
​““Pax Nocturna” is a solid album of high-energy thrash packed with razor-sharp riffs. The guitars cut right to the bone, the drums pound relentlessly, and the bass rumbles like never before. This honest, sincere, and effective record, with its raw and brutal energy, is well worth discovering. ” – Music Waves​
​
​“Shroud’s debut is thus a classic representative of the product DIY (Do It Yourself), when the band’s actors are talented enough to provide for themselves… The debut work “Pax Nocturna” is an impressive example of modern blackened thrash.” – MetalForever​
​
​“The debut album from the thrash/death newcomers goes hard from start to finish! Right from the opener ‘The Eternal Void’ this thing is heavy, urgent and awesome, and it keeps its momentum for its full 45-minute runtime. The fact that it’s only nine songs in that time as well means that everything gets time to breathe, and everyone in the band gets time to shine. Highlights include ‘Merciless Tyrants’, ‘Diablivion’ and the epic closer, but the whole album is great from start to finish! It certainly won’t be everyone’s cup of tea, but if you are into the heavier end of metal, this is absolutely worth a spin. The band have a bright future ahead of them, and in years to come people will look at this release as their big launching pad. 8.5/10” – Overtone Magazine​
​
​“Shroud’s latest offering, ‘Pax Nocturna’, is a relentless onslaught of blackened thrash metal that will leave listeners in awe of its sheer intensity. The album exudes a dark and foreboding atmosphere, with haunting melodies and aggressive riffs that create a sense of impending doom. Standout tracks such as ‘The Zealot’ and ‘Merciless Tyrants’ showcase the band’s ability to seamlessly blend black metal fury with thrash metal aggression. The production quality on ‘Pax Nocturna’ is top-notch, with every instrument cutting through the mix with clarity and power. This album marks a significant progression in Shroud’s career, solidifying their position as one of the leading forces in the extreme metal scene.” – MetalStorm.com.au​
​
​““Fans of extreme metal will find a record crafted for them. It’s intense, tightly executed, and overflowing with raw energy. Its lyrical depth explores philosophy, anti‑religion, the abyss and the darkest corners of human existence. The overarching concept is Satanic Gnosticism, a rejection of imposed order and corrupt leadership, and an embrace of the chaos from which humanity originates.” – The Black Metal Archive​
​
​“Shroud have delivered a lean, mean, and deliciously dark debut that proves traditional, blackened speed insanity is alive and thriving.” – VM Underground​
​
​“Montréal, Québec’s Shroud have released a perfect blending of two extreme genres. Black metal elements of demonic, screechy vocals, tremolo picking, and black and roll beats. Then you have the Thrash tempo changes, galloping riffs, and break-neck speed sections. This album grabbed me by the back of the head and slammed my face into the concrete a dozen times during the first track. It’s not all sound barrier breaking speeds though. There are sections of clear black metal. Down tempo sections. Pure thrash. And every combination of the two sub-genres.” – Mike On Metal​
​

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0 SHORES OF NULL Unveils New Video “Homesick” The Title Track of New Album Out Mid-October 2026 via Dusktone

  • October 1, 2026
  • by Asher
  • · Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – October 1, 2026

SHORES OF NULL Unveils New Video “Homesick” The Title Track of New Album Out Mid-October 2026 via Dusktone

Album Out October 16th, 2026 via Dusktone

Album Guests – Natalie Koskinen (Shape of Despair) and Shaun MacGowan (My Dying Bride)

Shores of Null – Photo Credit – Francesco Esposito

Italian melodic death doom visionaries Shores of Null have released “Homesick,” the latest single and title track from their forthcoming album set for release on October 16, 2026, via Dusktone. Following the previously released singles “Two Mountains,” “Son of the Tide,” and “Bleed to Life,” the new track offers one of the album’s most intimate and emotionally powerful moments while revealing the record’s thematic heart.
​
​“Homesick was the very first song written for the album, and in many ways it set the emotional direction for everything that followed. I still remember Raffaele coming up with the opening riff while we were on tour with Swallow The Sun back in 2023 and playing it during soundchecks almost every day. From that moment on, it felt like the seed from which the entire record would grow. Because of that, it couldn’t be anything other than the title track,” says vocalist Davide Straccione (vocals).
​
Musically, it’s one of the album’s most reflective and introspective moments. Lyrically, the song revolves around the contradiction contained within the very idea of homesickness itself: the longing to return to something familiar while knowing that what we call ‘home’ may also be the source of our pain. The recurring line ‘My home is dangerous’ embodies that tension between attraction and repulsion, while the question ‘Will I return?’ remains deliberately unanswered. After all, what is home? For some, it’s a place of comfort and safety. For others, it may be a place marked by war, violence, abuse, or painful memories. And yet, for better or worse, it remains home, and a part of who we are.
​
Serving as the emotional centerpiece of the album, the title track captures the tension between nostalgia and trauma, comfort and danger, belonging and exile. Its reflective atmosphere and haunting melodies showcase a more introspective side of Shores of Null while maintaining the band’s trademark balance of crushing heaviness and emotional depth.

Watch and listen to the lyric video for “Homesick” at https://www.youtube.com/watch?v=vPnsdVeyvWU

​Spotify – https://open.spotify.com/artist/76lKNyW77arKg42qdDO9Sm

​

Their upcoming album “Homesick” follows the critical success of 2023’s “The Loss Of Beauty” and finds Shores of Null delivering what may be their most mature and focused work to date. Conceived as a complete listening experience, the album explores longing, loss, anger, vulnerability and the search for belonging across ten meticulously crafted tracks. Produced by Marco “Cinghio” Mastrobuono, the record refines every aspect of the band’s sound, blending doom metal, gothic atmospheres, atmospheric black metal and melodic death metal into a cohesive and deeply immersive whole.
​
​“Homesick is probably the most honest representation of who Shores Of Null are today. Behind this record lies a meticulous amount of writing, rewriting, and pre-production work, to the point that entire sections and arrangements were completely reworked whenever we felt the songs demanded it,” adds Straccione.​
​
​
At its core lies the idea of home as something deeply ambiguous: a place of comfort and belonging, but also of fear, pain, and memories we can never fully leave behind. The album explores that tension between attraction and repulsion, nostalgia and trauma, asking what home really means when it can be both a sanctuary and a curse.
​
The album also features special guest appearances from Natalie Koskinen (Shape Of Despair) on “The Numbing Void” and Shaun MacGowan (My Dying Bride), whose violin performances further enrich the album’s emotional landscape.
​
​Recommended for fans of Paradise Lost, Amorphis, Swallow the Sun, Katatonia, and Borknagar, “Homesick” is available for pre-order (Vinyl, CD, Digital) at the following links:

​https://www.dusktone.org/​

​https://dusktone.bandcamp.com/album/homesick​

Music Video – “Two Mountains” – https://www.youtube.com/watch?v=YGa75zQf3T4​

Music Video – “Bleed to Life” – https://www.youtube.com/watch?v=s825Pn_EOLg​

Lyric Video – “Son of the Tide” – https://www.youtube.com/watch?v=t7OWUN07V2w​

Tour Dates:​
15/10/2026 – Joy Station, Sofia (BU) w/ Swallow The Sun
16/10/2026 – Temple, Athens (GR)
21/10/2026 – Quantic, Bucharest (RO) w/ Swallow The Sun
21/11/2026 – Live Club, Trezzo Sull’Adda, MI (IT) w/ Messa
26/11/2026 – Pitcher, Dusseldorf (DE) w/ Decembre Noir
27/11/2026 – Elfer, Frankfurt (DE) w/ Decembre Noir
28/11/2026 – From Hell, Erfurt (DE) – Birth Of Death Festival w/ Decembre Noir
05/12/2026 – The Garage, Malta – The Conjuring Fest w/ Weeping Silence, Ponte Del Diavolo
25/03/2027 – Rockefeller/John Dee, Oslo (NO) – Inferno Metal Fest w/ Kampfar, MGLA and more

Track Listing:​
1. Allies Before Defeat – 4:35
2. Two Mountains – 4:34
3. Bleed to Life – 4:09
4. Homesick – 5:31
5. Son of the Tide – 4:18
6. Dreaming of a Scar – 5:08
7. Society Is the Murderer – 4:30
8. The Numbing Void – 6:18
9. Another Breath – 3:52
10. Disappear – 4:33
Album Length: 47:32

Album and Live Band Line-up:​
Davide Straccione – Vocals
Gabriele Giaccari – Guitars
Raffaele Colace – Guitars
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

For more info:

​https://www.shoresofnull.com/​

​https://www.facebook.com/shoresofnull​

​https://www.instagram.com/shoresofnull​

About:

Formed in Rome in 2013, Shores of Null emerged from a shared passion for gothic and doom music between longtime friends Davide Straccione (vocals) and Gabriele Giaccari (guitars), who had previously toured together in separate bands before laying the foundations for what would become Shores of Null. Rounded out by Raffaele Colace (guitars), Matteo Capozucca (bass) and Emiliano Cantiano (drums), the band has steadily built a reputation as one of Italy’s most distinctive metal acts through acclaimed releases including “Quiescence,” “Black Drapes For Tomorrow,” “Beyond The Shores (On Death And Dying)” and “The Loss Of Beauty.”
​
Known for combining blackened aggression, gothic melancholy, death-doom weight, and soaring melody, Shores of Null have shared stages with acts such as Swallow The Sun, Draconian, and Avatarium, while appearing at major festivals including Hellfest, Rock Imperium, and 70000 Tons of Metal.

– 30 –

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0 LOUD AS HELL OPEN AIR FESTIVAL Opens Band Submissions for 2027 Lineup! Canada’s Heaviest Badlands Gathering!

  • September 30, 2026
  • by Asher
  • · Loud As Hell Festival · Music News

NEWS RELEASE

Montreal, QC – September 30, 2026

LOUD AS HELL OPEN AIR FESTIVAL Opens Band Submissions for 2027 Lineup!

Canada’s Heaviest Badlands Gathering!

July 30th – Aug 1st – Camping & Extreme Music In Alberta’s Badlands – Drumheller, AB

Hashtags #LAHXV, #LAHOA, #LAHOA2027

Where the rocks are heavy and so is the metal, Canada’s loudest gathering returns to Alberta’s Badlands. Celebrating its 15th anniversary in 2027, LOUD AS HELL OPEN AIR FESTIVAL is back with another unforgettable weekend of crushing performances, freak shows, burlesque acts, clinics, vendors, and, of course, dinosaurs.
​
From July 30 to August 1, 2027, Drumheller, Alberta, will once again become the epicenter of extreme music as one of Western Canada’s premier metal festivals takes over the Badlands. In a landscape once ruled by dinosaurs, thousands of metalheads from across Canada and around the globe will gather to unleash a roar of their own.
​
​Band submissions for the 2027 edition will be open from October 1st to October 31st. This is your band’s chance to perform alongside some of Canada’s heaviest acts and make your mark on one of the country’s most unique festival stages. Bring the noise to the Badlands, where the roar of metal echoes louder than ever.
​
​Bands interested in performing can apply at: https://loudashell.ca/​

“As Western Canada’s festival season heats up, Loud as Hell Open Air stands out as an absolute heavy hitter.” – Broken Neck Radio

“Nestled in the sun-baked badlands of Drumheller, Loud As Hell has long held the crown as one of Western Canada’s premier heavy metal pilgrimages.” – Metal-Rules

“Metal music takes over Drumheller… If metal is your music of choice, Drumheller is the place to be this weekend. The Loud as Hell open-air festival showcases a diverse roster of independent and signed acts from across North America.” – Global News Edmonton (Video Interview)​
​
Early Bird tickets go on sale December 1, 2026.
​
Secure your spot before prices rise and join us for the loudest weekend of the summer. Set against the breathtaking backdrop of Alberta’s Badlands, Loud As Hell Open Air Festival returns with earth-shaking riffs, relentless performances, and enough volume to wake the dinosaurs.
​
The 2026 edition featured Fallujah, Allegaeon, Summoning the Lich, Gravemass, Crimson Shadows, Starkill, Super Monster Party, Mourning High, Edge of Paradise, and many more.

Live Video – SlimBzTV – ALLEGEON at LAH 2026 – https://www.youtube.com/watch?v=6uX7XWNM2hY

Live Video – SlimBzTV – Summoning The Lich at LAH 2026 – https://www.youtube.com/watch?v=EXs9aEh9OHA

​Live Video – SlimBzTV – Starkill at LAH 2026 – https://www.youtube.com/watch?v=RcZJ9AlTstY

​

LAH 2026 Lineup Spotify Playlist – https://open.spotify.com/playlist/1Nbkvo4kG0ePTcsCVl2V2T​
​
Year after year, LAH continues to grow, drawing metal fans from across Canada and beyond for a weekend of unforgettable performances, campground camaraderie, and pure moshing mayhem among the hoodoos of Drumheller, AB. As one of the country’s most distinctive heavy music destinations, the festival delivers a one-of-a-kind experience where prehistoric landscapes and extreme metal collide.

Since launching in 2012, Loud As Hell Open Air Festival has cemented its place as a cornerstone of Canada’s extreme music scene, showcasing hundreds of bands from across the country and around the world, save for a brief pause in 2020 due to the COVID-19 pandemic. Over the years, the festival has hosted heavyweights like Revocation, First Fragment, Beyond Creation, Striker, Green Jelly, The Convalescence, Jungle Rot, Narcotic Wasteland, Into Eternity, Goatwhore, Fit for An Autopsy, Archspire, Unleash The Archers, Protest the Hero, AngelMaker, and many more, drawing metalheads from coast to coast for a weekend of sonic devastation.

In 2027, Loud As Hell returns for its 15th edition, presented by Loud As Hell Productions, Jurassic Ink Custom Tattoo, Prairie Fire Events, and Asher Media Relations. Renowned for delivering one of the most punishing lineups in Western Canada, the festival promises another unforgettable experience packed with crushing performances, freak shows, burlesque acts, clinics, vendors, and yes, dinosaurs. Loud As Hell isn’t just a festival. It’s a full-throttle celebration of metal mayhem.

More info:
​
LoudAsHell.ca​
​Facebook.com/LoudAsHellFestival​
X: @LoudAsHellFest
Instagram: @LoudAsHellFestival
​Social Media Hashtags #LAHXV, #LAHOA, #LAHOA2027

LAH Partners:​
WCMFA – Western Canadian Metal Festival Alliance
Asher Media Relations
Bravewords
Metal-Rules
Absolute Underground Mag
Ghost Cult Magazine
This Day In Metal
Valley Brewing
Canalta Hotels
Neighbours’ Corner Pub
Prairie Fire Productions Ltd
CFUV 101.9 Thrash Can
Slimbztv
High Voltage TV
Through The Looking Glass Photography
Heavy Metal A Way Of Life
QMR (Queen Metal Radio)
BrokenNeckRadio

– 30 –

What the press is saying:

“Nestled in the sun-baked badlands of Drumheller, Loud As Hell has long held the crown as one of Western Canada’s premier heavy metal pilgrimages. For its 14th edition, the festival is delivering its most ambitious, face-melting lineup to date—headlined by technical death metal powerhouse Fallujah, a long-awaited return from Allegaeon, and opening-night chaos from Summoning the Lich.” – Metal-Rules

“Drumheller metal festival Loud as Hell continues international growth… The Loud as Hell Festival began in Drumheller in 2012. What began as a small indoor gathering of heavy metal enthusiasts has turned into a three-day outdoor summer festival at the Dinosaur Downs Speedway… As the festival has grown in popularity, so has the desire for bands to participate. In recent years, the festival selection committee has reviewed about 500 submissions of metal bands from across the globe…. While the nearly 1,000 people the festival draws on average are made up of metal fans from central Alberta, Bourrie said that it is beginning to draw international visitors as well, from the U.S., Norway, Germany, and Sweden.” – Stettler Independent / Red Deer Advocate​
​
​“Located an hour and a half east of Calgary is the town of Drumheller, Alberta. With a population in the neighborhood of 8000 and existing smack dab in the middle of Canada’s desert and dinosaur country, it’s not a place one would immediately associate with any sort of metal scene, let alone a big-ass outdoor metal fest. But that’s where you’d be wrong. Going into its 11th year, the Loud as Hell Festival is set to roll on August 4-6th with the likes of Narcotic Wasteland, Jungle Rot and Incite headlining three days of metallic fun featuring 40 or so bands, including The Convalescence, Gorgatron, Necronomicon, Untimely Demise, Eyes of Perdition and more.” – Decibel Magazine

“Western Canada’s loudest heavy metal festival brings fans to town more known for dinos than drum solos.” – CBC Calgary

“What’s more metal than the badlands? Drumheller, AB, is known for being the dinosaur capital of the world — but it’s also the home of the Loud as Hell festival, an event celebrating none other than the loudest music known to man (and, by proxy, prehistoric reptile).” – Exclaim!

“Loud as Hell – one of Canada’s top underground metal festivals – was a metal family reunion. If you walked around the grounds, where tents covered the landscape like flowers, you would experience concert goers laughing, hugging and just enjoying the moment. The music played non-stop and the people were some of the best you’ll meet. What else do you need? If you’re a metalhead fan, mark it down for next year because this is a concert you don’t want to miss.” – Blackfalds Life

“Headbanger alert: Loud As Hell festival to ramp up the volume” – Calgary Herald

“Nevermind the bug spray and sun tan lotion, as August approaches Drumheller residents should stock up on earplugs.” – Calgary Herald

“Loud As Hell returns to the southern Alberta city for its seventh year and as its name implies, will rock the city to its core.” – Calgary Herald

“Loud as Hell has celebrated eight years in the Badlands to date, with acts from all over the world-shattering the peace and quiet of the hills in a camping and music extravaganza.” – Hanna Herald

“Drumheller with its dinosaur bones is the site of the annual Loud as Hell heavy metal festival Friday through Sunday. Dozens of the heaviest bands known to Man will be taking the stage, many of them Canadian” – Gig City​
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 Northern Irish Pagan Metal Pioneers WAYLANDER New Video “Hy Brasil (Isle Of Mists)” From New Album “Mac Tíre – Son of the Land” Out Nov 2026

  • September 30, 2026
  • by Asher
  • · Music News · Waylander (Rockshots Records)

NEWS RELEASE

Montreal, QC – September 30, 2026

Northern Irish Pagan Metal Pioneers WAYLANDER New Video “Hy Brasil (Isle Of Mists)”

New Album “Mac Tíre – Son of the Land” Out Nov 2026

Northern Irish Pagan Metal pioneers WAYLANDER return with “Hy Brasil (Isle Of Mists)”, the second single from their forthcoming album “Mac Tíre – Son of the Land”, due for release on November 6th, 2026. Blending extreme metal with traditional Irish influences, the band will appeal to fans of Skyclad, Eluveitie and Korpiklaani.

Following the release of “Macha”, WAYLANDER delves deeper into the folklore and ancient mysteries of their homeland with a song inspired by “Hy Brasil”, the fabled island said to lie hidden in the mists off the west coast of Ireland.

Shrouded in mystery for centuries, “Hy Brasil” has long captured the imagination of those drawn to tales of lost lands and the unknown. WAYLANDER channels that sense of wonder into a track that brings together metal intensity and traditional elements, providing a fitting musical backdrop to one of Ireland’s most enduring legends.

“A tale of a mysterious island off the west coast of Ireland.” – WAYLANDER

“Hy Brasil (Isle Of Mists)” offers another glimpse into “Mac Tíre – Son of the Land”, an album shaped by the Irish landscape, ancient traditions and the relationship between people and the land.

Formed in Northern Ireland in 1993, WAYLANDER have spent more than three decades developing a distinctive sound that combines extreme metal with traditional instrumentation and themes rooted in mythology, history and pagan spirituality.

With “Mac Tíre – Son of the Land”, the band continues that journey, carrying their established musical and cultural identity into a new chapter.

Listen to “Hy Brasil (Isle Of Mists)” – https://lnk.to/rudEhf

​

Watch the official video – https://www.youtube.com/watch?v=yTp6-yjc4sw

​

Pre-order “Mac Tíre – Son of the Land” (release date Nov 6th, 2026):
​https://rockshots.eu/products/waylander-mac-tire-son-of-the-land-cd​

Track Listing:​
1. When The Land Speaks – 4:12
2. Macha – 5:28
3. Ages of Éireann – 5:50
4. Hy Brasil (Isle of Mists) – 5:47
5. Sliabh Gullion – 6:16
6. Our Once Wooded Isle – 6:44
7. Mallachtaí – 4:52
8. Signs and Symbols – 6:22
9. She of the Sorrows – 7:58
Album Length: 51:29

WAYLANDER is:
Ard Chieftain O’Hagan: Vocals
Tor Dennison: Electric Guitars
Connor Murray: Bass Guitar, Backing Vocals
Lee McCartney: Drums and Percussion
Dave Briggs: Whistles, Irish Bouzouki, Bodhran, Uilleann Pipes, Backing Vocals
Saul McMichael: Electric and Acoustic Guitars, Backing Vocals
​​
Guest Musicians
​
John Ryan: Fiddle, Cello
Lily Maria: Voice of Deirdre
Nicole Quinn: Additional Voicing

For more info:

​https://rockshots.eu/​

​https://www.instagram.com/waylander.official/​

​https://www.facebook.com/clanwaylander/​

About:

Northern Irish Pagan Metal pioneers Waylander have spent more than three decades forging their own path through the worlds of Celtic, Folk and Extreme Metal. Since forming in 1993, the band has become renowned for blending crushing metal aggression with authentic Irish folk instrumentation, mythology and pagan themes, helping shape the foundations of the modern Pagan Metal movement.

With acclaimed releases including “Reawakening Pride Once Lost“, “The Light, the Dark and the Endless Knot“, “Honour Amongst Chaos“, “Kindred Spirits” and the epic concept album “Ériú’s Wheel“, Waylander have earned a loyal international following and shared stages with some of the biggest names in Folk and Pagan Metal.

Now the band returns with their forthcoming album “Mac Tíre – Son of the Land” – a powerful new chapter that captures the spirit of Waylander at its most fierce, atmospheric and authentic. Combining savage riffs, soaring Irish melodies, ancient mythology and cinematic storytelling, the album stands as both a tribute to their roots and a bold evolution of their sound.

After more than 30 years, Waylander continues to fly the banner for Pagan Celtic Metal with the same fire and conviction that started it all.
​

-30-

​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | rockshots[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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