MOSH THE ROCK ISLAND METALFEST (Sooke, BC) Opens Band Submissions For 2027 Lineup!
MOSH THE ROCK ISLAND METALFEST 2027
THREE YEARS. LOUDER THAN EVER. THE WEST COAST WILL SHAKE!
SUNDAY, AUGUST 8TH, 2027
FRED MILNE PARK – SOOKE, VANCOUVER ISLAND, BC
The volume is rising, the amps are humming, and the West Coast is preparing for another massive metal takeover! Following an outstanding second year that featured Juno Award-winning Anciients, Vancouver heavy hitters Arrow in the Quiver, international guests The Rising Fall (Chicago, IL), and an impressive lineup of British Columbia’s top underground metal acts, MOSH THE ROCK ISLAND METALFEST is set to return bigger, louder, and heavier than ever for its third explosive edition.
On Sunday, August 8th, 2027, MOSH THE ROCK returns to the beautiful outdoor setting of Fred Milne Park in Sooke, Vancouver Island, BC, bringing together the heavy music community for another full day of crushing riffs, thunderous drums, unforgettable performances, and West Coast metal mayhem!
What started as a celebration of Vancouver Island’s incredible underground metal scene has grown into something much bigger. MOSH THE ROCK is becoming a destination for metalheads, music lovers, families, and festival-goers from across Vancouver Island, the Lower Mainland, and beyond. And we’re just getting started!
Expect another unforgettable open-air festival experience featuring an awesome selection of bands bringing the heavy from across the West Coast and beyond! Special guest surprises you won’t want to miss! An incredible outdoor festival atmosphere, licensed beer garden, and food trucks serving up festival favourites, vendors, and merchandise. All-ages, family-friendly entertainment.
From crushing death metal and thrash to progressive metal, stoner, doom and everything in between, MOSH THE ROCK celebrates the diversity, passion and sheer attitude of independent heavy music.
Whether you’re a lifelong metalhead, a supporter of the underground scene, or discovering the world of heavy music for the first time, there’s a place for you at MOSH THE ROCK!
The search for the next generation of West Coast metal begins now. Band submissions for MOSH THE ROCK 2027 are officially open through November 30th, with the festival seeking exceptional independent and underground metal acts from Vancouver Island, across British Columbia, throughout Canada, and beyond. If you’ve got the songs, the drive, and the live show to leave a lasting impression, MOSH THE ROCK wants to hear what you’ve got.
ALL ARTIST SUBMISSIONS MUST BE MADE THROUGH THE FESTIVAL WEBSITE (deadline Nov 30th): https://www.moshtherock.ca/artist-submissions
MOSH THE ROCK 2027
SUNDAY, AUGUST 8TH, 2027
FRED MILNE PARK
SOOKE, VANCOUVER ISLAND, BC
12 BANDS. ONE STAGE. ONE INCREDIBLE OUTDOOR SETTING. A WHOLE LOT OF METAL!
MOSH THE ROCK isn’t just another festival. It supports independent music, brings communities together, showcases incredible talent, and proves the West Coast underground metal scene is alive, kicking, and louder than ever! THREE YEARS STRONG. THE ROCK NEVER STOPS. MOSH THE ROCK ISLAND METALFEST 2027 – BE THERE WHEN IT GETS LOUD!
Ottawa’s HALCYON DRIFT Honours a Fallen Friend with Powerful New Single and Music Video “Weight of Pain”
L-R: Mikey Trottier – Drums, Matt Zephyr – Scream Vocals, Matt Pilon – Lead Guitar, Guillaume Parisien – Clean Vocals, Matt Senneville – Rhythm Guitar
Photo Credit – Roxanne Morin
Ottawa metalcore newcomers HALYCON DRIFT follow debut single “I Made Do” with an emotional tribute to friendship, loss, and resilience as part of the band’s rollout to its forthcoming debut album. Entitled “Weight of Pain”, this second single and music video deliver a deeply personal tribute wrapped in the band’s signature blend of crushing metalcore, djent-infused grooves, cinematic atmosphere, and emotionally charged storytelling.
At its heart, “Weight of Pain” serves as both a chapter in the conceptual narrative of Halcyon Drift‘s forthcoming album, “The Only Place That’s Ever Felt Like Home,” and a tribute to a friend whose memory inspired the band’s formation.
According to Matt Zephyr (scream vocals), the origins of Halcyon Drift can be traced back more than a decade to a teenage band called Below Bloodshed alongside guitarist Matt Pilon and drummer Diego Bussières.
“Matt and I wanted to get together again to finish what we started. That’s when we wrote ‘Weight of Pain’ from the shell of an old song called ‘Change Your Fate,’ and we dedicated the lyrics to Diego. Upon finishing that song, we realized the project could mean so much more,” explains Zephyr.
Diego tragically passed away in 2020, leaving a lasting impact on his friends and former bandmates. Four years later, revisiting those early musical ideas became the spark that ignited what would become Halcyon Drift.
The song explores the lingering weight of loss, the memories people wish they could revisit, and the challenge of carrying grief forward while holding onto the moments that matter most.
“Weight of Pain is a song that explores memories you wish you could go back to, as well as loss and the burden of it. It’s about wanting to hold on to the good moments while they last and the sadness of the moments you can’t go back to,” says Zephyr.
Musically, the track showcases the diverse identity Halcyon Drift has been developing since its inception. Described by the band as “balanced, aggressive, beautiful, story-oriented, and complex,” the single blends relentless energy with memorable hooks and emotional depth.
“Musically, it’s poignant, the chorus is memorable, the verses are fast and chaotic, the guitar solo is incredible, and the end part is truly heavy and chaotic. There’s something for everyone, all wrapped up in a single song.”
The release follows the success of debut single “I Made Do,” a track centered around resilience and perseverance through adversity. While “I Made Do” introduced listeners to the band’s ability to merge hardcore aggression, djent precision, hip-hop influences, and soaring melodies, “Weight of Pain” reveals a more vulnerable side of Halcyon Drift without sacrificing any of the heaviness.
Founded by longtime friends Matt Zephyr (scream vocals), Matt Pilon (guitar), and Guillaume Parisien (clean vocals), Halcyon Drift spent nearly two years refining its vision before officially launching. During that time, the group completed multiple albums’ worth of material, recruited additional members, and eventually united with rhythm guitarist Mathieu Senneville, drummer Mikey Trottier and bass guitarist Kadeem Pancham, whose addition helped solidify the lineup.
Drawing inspiration from modern metal innovators such as PRESIDENT, Volumes, Issues, Dance Gavin Dance, Architects, Spiritbox, and the broader new wave of metalcore, Halcyon Drift has crafted a sound that balances cinematic songwriting with crushing heaviness.
That cinematic approach forms the backbone of the band’s debut album, “The Only Place That’s Ever Felt Like Home”. Conceived as a continuous story, the record follows protagonist John P. Maxim on a perilous journey across the Arctic Sea in an attempt to return to the person he loves. Along the way, storms, oceans, and isolation become metaphors for grief, uncertainty, fear, and the struggle to preserve one’s identity amid overwhelming adversity.
Within that narrative, “Weight of Pain” serves as the emotional conclusion to the album’s central storyline, bridging the fictional journey of its protagonist with the very real experiences that inspired the band’s creation.
Halcyon Drift‘s commitment to storytelling extends beyond the studio and into their live performances, where synchronized lighting, seamless transitions, and dynamic stage production enhance the emotional impact of their music. The band’s goal is to create more than songs, but complete experiences that transport listeners into the worlds they build.
“The main goal is to take people through a journey. This isn’t just background music. It’s music where you can picture what’s happening when you close your eyes,” says Zephyr.
With “Weight of Pain,” Halcyon Drift transforms personal tragedy into a powerful statement about resilience, memory, and the enduring bonds that continue long after someone is gone.
Streaming Now! Avant-Garde Cinematic Doom LIMINAL SPIRIT New Story Album “Forfeiture Hymns”
Liminal Spirit, the Milwaukee-based one-man project led by multi-instrumentalist Jerry Hauppa (Kite guitar, fretless guitar, bass guitar, synthesizer, violin, vocoder, sampling), will release its new full-length album “Forfeiture Hymns” on November 6th.
Ahead of its official release, fans can experience the record in its entirety through an exclusive full-album stream premiere with Metal Addicts HERE.
A boundary-pushing fusion of extreme metal, industrial textures, drone atmospherics, and cinematic storytelling, “Forfeiture Hymns” continues and expands the dark conceptual narrative introduced on Liminal Spirit‘s acclaimed previous album “Unwell”. While “Unwell” focused on the final days of its central figure, Phillip Hastings, confined to a nursing home, “Forfeiture Hymns” journeys through the entirety of his life and examines the devastating impact he has on everyone around him.
“I wanted to do a project that utilized my sense of melody established through various extreme metal outlets but now through the lens of a more industrial/drone approach. The goal was to create music that felt like it was exposing a kind of purgatory, and each song was an attempt to guide the listener through that purgatory into a place more grounded by the end,” explains Hauppa.
Described as cinematic, epic, expressive, emotive, and jarring, “Forfeiture Hymns” showcases the evolution of Liminal Spirit‘s sound into its most refined and uncompromising form. Influenced by death metal and doom metal while incorporating industrial and electronic elements, the album balances abrasive intensity with a deeply atmospheric and emotionally resonant approach.
“I think it’s the most extreme demonstration of the style so far but also the most memorable. Hopefully it resonates with people,” adds Hauppa.
A true concept album in every sense, “Forfeiture Hymns” follows a meticulously constructed narrative. Each track explores the perspective of an individual whose life has been irreparably altered by Phillip Hastings, eventually leading them toward suicide. Through these interconnected stories, Hauppa examines themes of trauma, influence, guilt, suffering, mortality, and the liminal spaces between life and death. Every aspect of the music serves the narrative.
“I decide what the lyrical story for the album/song will be, and shape the melodic structures from there, as they have to develop what the story is telling. Every record is written from the first note to the last, as they are all concept records,” adds Hauppa.
The album’s striking cover artwork depicts an abstract representation of Madeline Hastings’ death, a pivotal character whose story concludes the record and connects directly to events established on “Unwell”. Musically, the album ties together themes and melodies that have appeared throughout the Liminal Spirit discography, creating a broader narrative arc that stretches across multiple releases while teasing future chapters already envisioned by Hauppa.
Designed to challenge and immerse listeners, “Forfeiture Hymns” offers an experience that is as emotionally unsettling as it is musically adventurous.
“I want it to be confrontational yet provocative enough to maintain interest, as it is deliberately built on what will be an unfamiliar language to most listeners,” says Hauppa.
Liminal Spirit remains a wholly independent and singular artistic vision. Hauppa, known for his work with Northless, Ara, Acanthrophis, and currently active in Deorbit, performs and writes all music for the project himself, continuing to push the boundaries of conceptual extreme music.
Recommended for fans of Skepticism, Jesu, Nine Inch Nails, Shape of Despair, Confessor, Anata, and Cynic, “Forfeiture Hymns” will be available on all digital platforms on November 6, 2026.
Track Listing:
1. A Mother’s Instinct (Catherine Hastings, d. 9/24/1937)- 4:25
2. Unwanted (Phillip Hastings Sr., d. 6/12/1938)- 6:00
3. The Initiate (Tommy Pearson, d. 3/03/1951)-5:13
4. Three (Marianne Tierney, d. 4/19/1953)- 5:10
5. Apoptosis (Elizabeth and Christopher Collins, d. 11/20/1963)- 4:13
6. Ensnarer’s Lament (Detective Michael Thornton, 6/01/1978)- 5:00
7. Two (Francine Hastings, d. 10/24/1981)- 4:40
8. Do No Harm (Alice Weaver, 2/17/2015)- 5:21
9. Sins of the Father (Johnathon Hastings, d. 2/20/2015)- 5:18
10. The Parting Glass (Madeline Hastings-Everett, d. 12/5/2025)- 2:23
11. Four (Constance Greene, b. 8/28/2026)- 0:51
Album Recording Credits:
• All songs performed by: Jerry Hauppa
• All songs written by: Jerry Hauppa
• Produced by: Jerry Hauppa
• Mixed by: Jerry Hauppa
• Mastered by: Jeff Wojtysiak
• Album Artwork by: James Becker
Album Band Lineup:
Jerry Hauppa- Kite guitar, fretless guitar, bass guitar, synthesizer, violin, vocoder, sampling
“I love when an artist goes all-in for an idea. And sometimes art is not meant to be enjoyed, so much as experienced. It transports you to that invisible realm of mind and imagination, reflecting in this case something truly horrific: a journey through purgatory. There are jagged edges everywhere, shapes and forms that make no sense, and dizzying dissonance from microtonal guitars. If you feel unsettled, that’s the point.” – Doomed and Stoned (2026 – The Initiate song premiere)
““Sins of the Father” involves Johnathon Hastings — Phillip Hastings’ own monstrous son. Johnathon is the narrator, describing his disposition of his late father’s belongings. Those belongings include a mysterious locked chest, its terrifying contents, and the effects of the discovery on Johnathon himself. The music is also terrifying, as deeply unsettling as the tale that unfolds through the harshly screamed words. The song also warrants the term “cinematic”, because it does come across like the nerve-racking soundtrack to a horrifying film, one whose horrors do not depend on the supernatural for their chilling effects. In constructing this soundtrack Liminal Spirit creates a changing collage of gleaming, shimmering, and shivering tones, sometimes accented by horn-like fanfares that blare and wail, sounding both demented and ominous. The music is twisted, anxiety-inducing, and hallucinatory but it compulsively draws the listener into its strange intrigues. The song further includes heavy bass tones and slugging drums that are in the forefront of the experience, but the drums have been arranged in ways that enhance the song’s unsettling atmosphere. The beats don’t proceed in simple or straightforward ways but instead suddenly stop and re-start, undergo feverish convulsions, pump like pistons, and pound out off-kilter grooves. Before the song ends, those horn-like tones ring in ways that seem to channel wrenching dismay, crushing fear, hopeless agonies, and crushing grief, and even the mania exhibited in the drumming doesn’t distract from the shattering nature of those feelings” – NoCleanSinging (2026 – Sins of the Father song premiere)
“The song we’re premiering, “A Better Place“, is that closing track. In its narrative, Phillip passes into a purgatory where he is judged for his actions, and ultimately cast into hell — not the better place he hoped for. The music manifests this denouement with sounds of mangling discordance and ruthless pounding. The hammering and thudding beats don’t create an easy rhythm, but instead generate a pattern that takes away any sense of balance. Shrill ethereal tones rise up and strangely quiver from within the dissonant, mangling morass of sonic oppressiveness. Wailing vocals rise up too, adding to the song’s hallucinatory and haunting ingredients. The experience is unsettling and unearthly. Warbling spoken words come and go. The dense backing noise is cruel and searing as well as abysmal. The pounding is as vehement as it is destabilizing — until it vanishes, yielding to a cacophonous and indeed hellish finale in which the music itself seems to descend. Siren-like bursts of sound and tormented screams close out the nightmare.” – No Clean Singing (2025 Unwell)
“A harrowing, inventive and deeply affecting piece of cinematic doom that turns one man’s poisonous legacy into a chorus of lost voices. Liminal Spirit have made their most ambitious statement yet, and it lingers long after the final note fades.” – The Raor’s Edge Rocks
“If you enjoy seeing how a musician can thread a recurring concept throughout multiple albums, please do check this out. The textures stay varied. The dread is successfully sustained throughout the release. The microtonal guitars are effectively otherworldly and fucking creepy. RATING: 4.5/5. I quite enjoyed the originality of this piece and look forward to seeing what that monster Phillip, reincarnated, is going to do on the next release!” – Hails Webzine
“Kite guitar. Fretless guitar. Synth. Vocoder. Sampling. Drum programming. These are the weapons put to good use by Jerry Hauppa in Liminal Spirit. Known for his work with Northless, Ara, Acanthrophis and Deorbit in this project he merges the melodic sensibilities forged in extreme metal with industrial, drone and cinematic textures to create an immersive listening experience that is both unsettling and deeply emotional. ” – Metal Noise
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SARTORI Unveils New Single “Someone To Hold You” ft. MARK BOALS From Upcoming Album “We’re Rising” Out Jan 2027
Rockshots Records is proud to announce the release of “Someone To Hold You”, the second single from SARTORI’s upcoming studio album “We’re Rising”, scheduled for release on January 29th, 2027 on CD, vinyl, and digital formats from Rockshots Records.
Following the debut album “Dragon’s Fire,” guitarist, composer, and virtuoso Andy Sartori continues his musical journey with a record that expands the SARTORI sound into a more melodic, eclectic, and old-school hard rock and heavy metal direction. Featuring the unmistakable voice of Mark Boal,“We’re Rising” marks a significant evolution in the project’s musical identity, combining refined songwriting, memorable melodies, and the neo-classical guitar work that defines Sartori’s style.
Inspired by the golden era of late-’80s hard rock and heavy metal, the album blends neo-classical guitar influences, American power metal energy, and classic melodic rock elements, while retaining the sophisticated arrangements and virtuoso musicianship that have characterized SARTORI‘s sound since the beginning.
The album features legendary vocalist Mark Boals, known for his work with Yngwie Malmsteen, Ring of Fire, and Royal Hunt, alongside Andy A. Sartori on guitars and keyboards, Andre Di Sao Thiago on bass guitar, and Dino Castano on drums. “We’re Rising” was mixed by Kfir Gov at Evil Snail Studios in Austin, Texas, and mastered by Maor Appelbaum, assisted by Zach Kornhauser, at Maor Appelbaum Mastering in California.
Following the first single “Just An Illusion”, SARTORI now unveils “Someone To Hold You”, a track that explores the more accessible and radio-friendly side of the band’s musical identity. Rooted in the timeless spirit of ’80s melodic hard rock, the song combines memorable melodies, the expressive vocals of Mark Boals, and a heartfelt, positive message of love, revealing a different dimension of the upcoming album.
Originally composed by Andy Sartori in the 1990s but never officially released, “Someone To Hold You” has been revisited, rearranged, and rewritten for “We’re Rising”. Conceived with the intention of reaching radio audiences and potentially finding a place in film soundtracks, the song represents a special connection between Sartori’s musical past and present, bringing a long-awaited composition to life in a new form.
Speaking about the single, Andy Sartori comments:
“Someone To Hold You is a more FM-oriented, commercial song compared to the other tracks on the album, with a more positive approach to love. I originally composed it back in the ’90s but never released it. For this album, I decided to rearrange and rewrite it with the intention of reaching radio stations and potentially movie soundtracks. I always knew the right time to record this song would come, and I believe that time is now.”
Discussing the new album, Sartori adds:
“We’re Rising is a different experience compared to the first album, starting with Mark Boals’ fantastic vocals and melodic approach. The new songs are also more eclectic than the ones from the first album, which makes this record a very important step forward for SARTORI.”
With its blend of classic hard rock energy, strong melodic songwriting and refined guitar work, “We’re Rising” brings together different shades of the late-’80s hard rock and heavy metal sound. From the neo-classical influences and powerful arrangements of the band’s heavier material to the more melodic and radio-friendly approach of “Someone To Hold You”, the album showcases the versatility of Andy Sartori’s songwriting and the expressive range of Mark Boals’ vocals.
Recommended for fans of Yngwie Malmsteen (Odyssey era), Rainbow, Axel Rudi Pell, American power metal, ’80s melodic hard rock, and neo-classical melodic metal, listen to “Someone To Hold You” at the following links:
Track Listing:
1. An Army Of One
2. Just An Illusion
3. Little Aria In G Major Part II
4. Renaissance
5. Quest For Glory
6. Someone To Hold You
7. Solitude
8. Savage
9. My Eternal Fight
10. We’re Rising
Sartori Line-up:
Andy A. Sartori: Guitars
Mark Boals: Vocals
Andre Di Sao Thiago: Bass Guitars
Dino Castano: Drums
Biography:
SARTORI is an American virtuoso guitarist and songwriter whose music combines melodic hard rock, neo-classical influences, and traditional heavy metal with a contemporary production approach. Drawing inspiration from artists such as Yngwie J. Malmsteen, Axel Rudi Pell and the timeless sound of Rainbow, he delivers technically accomplished yet highly melodic compositions that balance instrumental virtuosity with memorable songwriting.
Out Now! Newfoundland Thrash Attack WITHIN THE REALM’s Debut Album “…Of Systemic Decay”
Raw, uncompromising, and rooted in the spirit of 80s and 90s metal, Newfoundland’s Within The Realm are proud to announce the release of their debut full-length album, “…Of Systemic Decay,” available everywhere as of October 30, 2026.
After years of refining their sound, writing songs, and building a reputation throughout Newfoundland’s metal community, the band finally delivers a collection of songs that captures their love for classic thrash metal while embracing a broader spectrum of heavy music influences. The result is a raw, honest, and unfiltered album that pays tribute to metal’s golden era while carving out its own identity.
Featuring members with deep roots in the Newfoundland metal scene, including connections to Category VI, Triskelyon, Artach, Oberon, Last Soul Down, Festered Corpse, Sacrament A.D., Rapid Burial, Corporal Punishment, Winterhearth, and Jaded Truth, Within The Realm brings decades of collective experience to a record years in the making.
“We wrote this album with a certain rawness and honesty that came from our love of 80s and 90s metal. Those decades of metal really resonate with and inspire us the most, and we think we truly captured that on this LP,” says bassist Rick White.
Produced and recorded with a strict DIY philosophy, “…Of Systemic Decay” avoids the modern studio polish often found in contemporary metal releases. Instead, the band focused on preserving the energy and imperfections that make heavy music feel alive.
“This is a fast, thrash-driven, DIY-recorded release with a raw, unpolished sound. No click tracks, no autotune, just honest performances meant to capture the intensity of a live setting,” explains guitarist Geoff Waye.
The album features eight tracks that merge aggressive thrash metal foundations with explorations into psychological turmoil, government conspiracies, UFO encounters, societal collapse, and heavy metal culture itself. Songs such as “Sixth Sense”, “Spiral of Terror”, and “Homicidal Sacrifice” delve into themes of trauma, paranoia, and loss of control, while tracks like “Hidden Agenda,” “The Information Is Out,” and “The Hydra” direct their focus outward, examining corruption, manipulation, and systemic oppression.
At the heart of the album lies a recurring theme of resilience and unity. Whether through the metal anthem “Into the Night” or the uplifting message found within “Endless Life,” the record champions heavy metal as a lifelong refuge, brotherhood, and source of strength.
The album’s title and artwork further reinforce its message. Set against a bleak apocalyptic landscape, the cover depicts a decaying government structure as a symbol of societal deterioration and institutional collapse, perfectly complementing the lyrical themes found throughout the record.
Several of the songs have deep roots in the band’s history. Some tracks date back to the group’s original 2017-2019 songwriting period, while others evolved from material originally written during bassist Rick White and guitarist Geoff Waye’s time together in the mid-1990s Newfoundland metal outfit Oberon. The album also introduces brand-new material, including “The Information Is Out,” one of the record’s most ambitious compositions, blending classic thrash aggression with themes of UFO disclosure and conspiracy.
For the band, finally releasing the album represents the culmination of nearly a decade of work.
“It feels great to finally have these songs recorded and released after almost ten years of them being written. Everything happens at the right time, and we’ve all grown as players and as friends to make this record possible. I’m extremely proud of the production and mixing that went into the album,” says drummer and producer Michael Small.
With “…Of Systemic Decay” now available worldwide, Within The Realm stand ready to introduce a new generation of listeners to a sound forged from classic thrash roots, brotherhood, and a lifelong devotion to heavy metal.
Recommended for fans of Slayer, Sacrifice, Sacred Reich, Megadeth, and Sepultura, “…Of Systemic Decay” is available at the following links:
Track Listing:
1. Sixth Sense – 4:13
2. Endless Life – 4:59
3. Spiral of Terror – 5:39
4. Hidden Agenda – 5:05
5. Homicidal Sacrifice – 4:12
6. The Hydra – 5:26
7. The Information is Out – 5:16
8. Into The Night – 4:24
Album Length – 37:56
Album Band Lineup:
Richard Squires (vocals)
Rick White (bass and backing vocals)
Michael Small (drums)
Geoff Waye (guitar)
Des Mason (backing vocals)
Live Band Lineup:
Richard Squires (vocals)
Rick White (bass)
Michael Small (drums)
Geoff Waye (guitar)
More info:
Out Now! THE ASTRAL PROPHETS Deliver Cosmic Power Groove w/ Debut Album “Invasion”
L-R – Kyle Summers (Drums), AJ Bergin (Guitars/Vocals), Staci Allen (Lead Vocals), Harley D’Orazio (Guitars/Vocals), Terry Savage (Bass/Vocals)
Photography Credit: Brad, YYC Visual Media
Power Groove sci-fi metal force THE ASTRAL PROPHETS delivers an explosive journey through cosmic battles, dystopian futures, and unforgettable hooks with the release of their debut full-length album “Invasion,” available now as of October 30, 2026.
Born from the ashes of Calgary progressive folk metal veterans Scythia, The Astral Prophets have spent the last several years refining their signature blend of groove-heavy metal, melodic power metal, hard rock swagger, and science fiction storytelling. After a string of fan-favorite singles and their 2023 EP “Anywhere But Here,” the band now delivers their most ambitious statement to date with “Invasion”.
A thrilling eight-track journey through alien invasions, hyperspace travel, cosmic romance, madness, and technological dystopias, Invasion showcases the band’s evolution into a heavier, more layered, and fully realized force. With crushing riffs, soaring vocals, cinematic synths, intricate guitar work, and infectious hooks, the album pushes The Astral Prophets’ imaginative universe further than ever.
“We wanted to bring an album that improves upon our already unique style. During our EP, we started to dial in our sound, but now we’re delivering an LP in our full form. We brought the music back to our heavier roots. The riffs are stronger, the leads are melodic and smooth, the drums are driving, and Staci’s singing is more ballsy. Every song is amazing in its own right, and we couldn’t be prouder of them,” says guitarist AJ Bergin.
With their cosmic, melodic, riff-driven, sci-fi rock, “Invasion” balances high-energy anthems with emotionally charged storytelling. Themes of anger, causality, retribution, love, longing, and madness are woven throughout the record, all viewed through the lens of The Astral Prophets’ expansive sci-fi universe.
The album features previously released singles “Into Nothing,” “Invasion,” and “Power of the Rift,” each highlighting a different facet of the band’s sound. From the danceable, glam-inspired energy of “Into Nothing” to the crushing title track featuring a guest guitar performance from Jeff Black (Glyph), and the synth-infused anthem “Power of the Rift,” the singles offered fans an early glimpse into the diverse sonic landscape awaiting on the full album.
The album’s striking artwork perfectly encapsulates its apocalyptic themes. Set against a dying Earth ravaged by humanity’s excesses, the cover depicts a colossal alien mothership emerging from a wormhole to terraform the planet while alien fleets descend upon civilization. The imagery sets the stage for the album’s central concept: the arrival of an unstoppable extraterrestrial force and humanity’s uncertain fate in the face of overwhelming technological superiority.
Formed in 2019 by former Scythia members AJ Bergin, Terry Savage, and Celine Derval, The Astral Prophets quickly established themselves as a distinct voice within Canada’s metal landscape. Since then, the band has evolved into its current lineup featuring vocalist Staci Allen, guitarists AJ Bergin and Harley D’Orazio, bassist Terry Savage, and drummer Kyle Summers.
Known for their energetic live performances, synchronized stage movements, and genuine onstage chemistry, The Astral Prophets continue to build a growing following through their passion, musicianship, and commitment to creating a live experience as memorable as their recordings.
For local Calgary fans, the quintet will be performing a dual album release show on October 30th, with Victoria Lies at Festival Hall.
Event info: https://www.facebook.com/events/2518251718670050
With “Invasion” now available worldwide, The Astral Prophets invite listeners to enter their dystopian universe and experience their boldest musical statement yet.
Recommended for fans of Unleash The Archers, Grand Magus, Amaranthe, and Order of Chaos, listen to “Invasion” at the following links:
Show Dates:
Oct 30 – Calgary, AB – Festival Hall (Album Release Show) w/ Victoria Lies, Cabraakan, Kyle Pullan
Track Listing:
1. Target Locked – 4:24
2. Power of the Rift – 4:08
3. Invasion ft. Jeff Black – 4:06
4. Into Nothing – 4:46
5. A Trail of Broken Stars – 4:46
6. World Eater – 4:35
7. Hyperdrive – 4:47
8. Inside the Hyperdrive – 3:37
“I love the band’s genuineness, honesty, and energy the most on the album… They DRIVE those riffs home, and the bass guitar clubs you every inch of that ride. Get ready for an ass-kicking.” 8/10 – Metal-Temple
“Invasion is the most direct thing the band have put out. Staci Allen’s vocals sit high and clean over a rhythm section — Kyle Summers on drums, Savage on bass — that keeps the track moving at a gallop rather than a stomp. Harley D’Orazio and Bergin stack the riffs thick enough to feel symphonic without reaching for an orchestra, and the dual solo is the obvious centrepiece: two guitarists who clearly enjoy being in the same room, neither of them interested in winning.” – See Rock Live Magazine
“The album cover is cool, but it doesn’t necessarily explain much. That leaves me with only one thing to do: hit play! And then… wow. It’s dynamic, powerful, almost danceable, yet undeniably Metal. Fast-paced and incredibly well executed. I’m completely hooked on the vocals. Okay, I hear the cosmic side of it now, and I absolutely love it. This album hits hard. Every time a song ends, I immediately want to hear the next one. Hyperspace, Mr. Spock! The Enterprise is ready for battle during this Invasion: retro lasers blazing and fists flying. Yes, it’s completely over the top, but it’s also incredibly good. We don’t give up. We’re going to push back the bad guys. I’m having an absolute blast with this album, and I’m making sure the neighbors enjoy it too. They’re obviously fans because they’re pounding on the ceiling with excitement! Wow, this is just too good. Let’s do it again. Press play one more time. I can’t even pick a single track as an example because I love them all. This album and this band were a genuine love-at-first-listen experience. A band that deserves to be discovered immediately and played without moderation. 5 picks. I simply can’t rate it any lower.” – WTR Mag
“Spanning eight tracks, Invasion captures a band refining its identity into a more cinematic, direct form. Fans of bands that bridge traditional heavy metal energy with modern groove and atmospheric touches, such as Unleash The Archers or Amaranthe, will find plenty of material to dig into.” – Papy Jeff Metal
“Canada’s The Astral Prophets drop INVASION – 8 blistering tracks of SF influenced heavy metal that rocks with power metal energy, prog complexity and all the fun of old school heavy metal while keeping the sound dramatic. A banger of an album!” – Loud Enough? Magazine
“With Invasion, The Astral Prophets have created a small masterpiece, solid and mature…. Invasion is splendid, varied, and rich in themes… There’s undoubtedly genius here… A truly excellent, interesting and varied debut.” – Metal Shock
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Scotland’s PYROCLAST Sign Worldwide Deal with Rockshots Records
Reissue of Albums “Fractured State” and “No Place for the Damned”
Rockshots Records announces a worldwide partnership with Glasgow-based heavy metal band PYROCLAST, encompassing the international distribution of their latest album, “Fractured State” (released independently by the band on September 4th, 2026), alongside their 2025 debut, “No Place for the Damned”. Both albums will be available in physical format worldwide starting December 11th, 2026.
To mark the announcement, the band has also unveiled the official music video for “Prisoner Game”, a track taken from “Fractured State”.
Regarding the new signing, vocalist Mark Reid states:
“We’ve worked incredibly hard over the years to get our music heard, but there’s only so much you can achieve independently, regardless of how much time and effort you put into it. Signing with Rockshots gives us the opportunity to take that next step, reaching new audiences and bringing our music to parts of the world that would have been difficult for us to reach on our own. What really impressed us throughout our discussions was how much they understood what we’re trying to achieve as a band, and how enthusiastic they were about working with us to make it happen. We’re immensely proud of both No Place for the Damned and Fractured State, and we’re genuinely excited to have Rockshots behind us as we introduce those albums to a much wider audience.”
Formed in 2025 following the final incarnation of Scottish metal band Tantrum, PYROCLAST gave the musicians an opportunity to explore a broader songwriting approach. Rooted in traditional British heavy metal, their sound incorporates power, progressive and thrash influences, combining twin-guitar arrangements, driving rhythms and expressive clean vocals. Their music will appeal to fans of Iron Maiden, Judas Priest and Helloween.
Across eight tracks, “Fractured State” draws on psychology, history, mythology, literature and speculative fiction, with each composition developing its own narrative. This variety is reflected in the music, which moves between direct, riff-driven heavy metal and more intricate arrangements while maintaining a strong melodic foundation.
Among the album’s tracks, “Prisoner Game” explores the relationship between individual identity and the influence of authority, drawing on the Stanford Prison Experiment conducted in 1971 under psychologist Philip Zimbardo. The study placed participants in a simulated prison environment, assigning them the roles of guards and prisoners to examine human behaviour within an artificial hierarchy. Its methodology, ethical implications and conclusions have since been widely criticised and challenged.
Rather than recounting the experiment itself, the song focuses on the psychological questions it raised, particularly how assigned roles, social expectations and power structures can affect individual behaviour.
The subject has also returned to public attention through the Netflix docuseries “The New Stanford Prison Experiment”, a six-part reality-TV reimagining of the original study. Although entirely independent of PYROCLAST‘s music video, the production explores similar questions surrounding authority, group dynamics and human behaviour, highlighting the continuing debate around the experiment more than five decades later.
Speaking about the song, PYROCLAST vocalist Mark Reid explains:
“Prisoner Game is a dark, driving heavy metal track inspired by the Stanford Prison Experiment. It combines an aggressive opening guitar riff with shifting rhythmic sections, melodic vocals, and a large, immediate chorus. The first song written specifically for “Fractured State”, it was also conceived as the opening part of a trilogy exploring psychological experiments involving conformity, obedience, and the influence of authority.”
To Order “Fractured State” here: https://rockshots.eu/products/pyroclast-fractured-state-cd
To Order “No Place For The Damned” here:
https://rockshots.eu/products/pyroclast-no-place-for-the-damned-cd
Track Listing:
1. Pyroclast – 4:30
2. Slaughterhouse – 3:50
3. Break the Tide – 5:08
4. Prisoner Game – 4:52
5. Brought by a Flame – 5:21
6. Beneath the Beyond – 5:25
7. Ozymandias – 5:38
8. Erebus and Terror – 9:36
Total Running Time: 44:20
Pyroclast Line-up:
Mark Reid: Vocals
Barry “Baz” Fitzsimmons: Guitar
Chris Horne: Guitar
Liam Barrie: Bass
Jack Davenport: Drums
PYROCLAST is a Scottish heavy metal band formed in 2025, combining the foundations of traditional heavy metal with progressive ambition, melodic songwriting, and a strong emphasis on storytelling.
Although several members had previously worked together in the final incarnation of Scottish metal band Tantrum, PYROCLAST was established as a new band with its own identity and a broader approach to songwriting. The current line-up comprises Mark Reid on vocals, Baz Fitzsimmons and Chris Horne on guitars, Liam Barrie on bass, with Mark Riches performing drums on the band’s debut album.
Drawing inspiration from history, mythology, psychology, literature and speculative fiction, PYROCLAST resist writing to the expectations of any particular subgenre. Instead, each composition is allowed to develop according to the needs of its story, resulting in music that moves naturally between direct, riff-driven heavy metal and more expansive progressive and narrative pieces.
The band’s developing identity began to gain traction on the live circuit in 2025. Following their appearance at Rockmantic that year, Springfest organiser Kevin Dodson approached the band immediately after their set and invited PYROCLAST to perform at Springfest 2026. That appearance, at Blackpool’s legendary Waterloo Music Bar, put the band in front of a packed audience made up largely of people hearing them for the first time and provided an early indication that their broader, more adventurous approach to heavy metal was connecting with listeners.
Following a well-received appearance at Wildfire Festival in 2025, PYROCLAST were also invited to return as special guests in 2026, despite the festival typically avoiding consecutive-year appearances. Their 2026 schedule further included a main-stage performance to a capacity crowd at Firevolt Festival and an appearance at SavFest, the annual fundraising event supporting suicide awareness.
The band took another significant step forward with the release of the single “Break the Tide”. Its accompanying video was PYROCLAST’s first produced with a professional film crew and went on to attract more than 40,000 views, bringing the band to a substantially wider audience.
On 4th September 2026, PYROCLAST independently released their debut album, “Fractured State“. Spanning eight tracks and more than 44 minutes, the album brought together the musical and lyrical identity the band had developed since its formation, combining traditional heavy metal with progressive scope and subjects ranging across psychology, history, mythology, literature and speculative fiction. The album received a strong response from the international metal press, including a 90/100 rating and Album of the Month from Hell Spawn.
Following the release of “Fractured State“, PYROCLAST signed A worldwide licensing agreement with Rockshots Records. The partnership marks the next stage in the band’s development, expanding the international distribution and promotion of “Fractured State” while allowing PYROCLAST to retain control of their independent direct-to-fan activities.
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Streaming Now! Heavy, Theatrical, And Unapologetic – Canadian Metal Storytellers VICTORIA LIES Unveils Debut Album “Vendetta”
Debut Concept Album “Vendetta” Out Oct 30th, 2026 via Black Cat Records
L-R – Jay Powell (Bass), Chris Koehler (Guitars), Brett Hetherington (Vocals), James Cuncanon (Drums), Rory Fitzsimmons (Guitars)
Photo Credit – Heather Kim
Canadian metalcore storytellers Victoria Lies are excited to announce the release of their debut full-length album, “Vendetta,” due out on October 30, 2026 via Black Cat Records.
Ahead of its official release, fans can experience the album in its entirety through an exclusive full-album stream premiere hosted by Metal Addicts, offering an early dive into the band’s ambitious concept album and the ever-expanding world of Victoria Lies.
Listen to the exclusive album stream via Metal Addicts HERE.
Following the release of the singles and music videos “Red,” “Weaving Webs,” and “Truth and Sugar,”“Vendetta” serves as the culmination of years of songwriting, world-building, and creative experimentation. Combining melodic metalcore, groove-driven heaviness, theatrical storytelling, and unexpected genre-bending elements, the album introduces listeners to a dark narrative universe centered around the enigmatic character of Victoria.
“Musically, I wanted to challenge myself with this album. I didn’t want to repeat myself, and I wanted to incorporate ideas from every corner of music. I wanted to create something that, when you hear it, you know that you are in Victoria’s universe.” explains guitarist Rory Fitzsimmons.
At its core, “Vendetta” unfolds as a story that gradually reveals itself across eleven tracks while also exploring themes rooted in real-world experiences and emotions. Throughout the album, moments of personal reflection intersect with commentary on abuse of power, violence, loss, revenge, and resilience.
“I hope this album captures people’s attention and sparks their imagination through the imagery and stories set in Victoria’s world. While the album explores some heavy and important themes, it’s also meant to be an exciting storytelling musical experience. If listeners find themselves thinking deeply about its message or headbanging to some gnarly riffs, or both, I’d consider that a success.” says vocalist Brett Hetherington.
From the theatrical introduction of opening track “Victoria” to the narrative turning point found in “Red” and the climactic reflections of “Truth and Sugar,” the album continually shifts between crushing aggression, soaring melodies, technical musicianship, and cinematic atmosphere. Songs such as “Laced With Hate” and “Red Lips, Loaded Gun” further expand the record’s storyline, while tracks including “Trial By Fire,” “Weaving Webs,” and “Ravens” tackle broader social and personal themes outside the central narrative.
“This album is the culmination of years of work, tweaking, and working out every detail. The album itself is a cohesive but different experience track by track. Fans of heavier music that want a little something extra will really dig this album.” adds bassist Jay Powell.
Formed in Calgary, Alberta in 2023, Victoria Lies have rapidly emerged as one of Western Canada’s most promising new heavy acts. Driven by a shared vision to create something more immersive than the traditional metalcore experience, the band combines narrative-driven songwriting, theatrical performance elements, and dynamic arrangements into a sound that bridges melodic metalcore, groove metal, modern alternative, and progressive influences.
The band’s live performances further expand the world of “Vendetta,” featuring theatrical elements and choreography brought to life by dancer Sadie Rieb, who portrays the character of Victoria onstage. Having performed throughout Alberta, including appearances at Gatorfest II and Decimate Metalfest, the quintet continues to build a reputation for delivering immersive and memorable live experiences.
For local Calgary fans, the quintet will be performing a dual album release show on October 30th, with The Astral Prophets at Festival Hall.
Event info: https://www.facebook.com/events/2518251718670050
With “Vendetta,” Victoria Lies deliver a debut that is equal parts concept album, emotional journey, and statement of intent. As the first chapter in a larger story, the album establishes a foundation for a universe the band is already preparing to expand on future releases.
Recommended for fans of Bad Omens, Atreyu, AFI, Killswitch Engage, and Dayseeker, “Vendetta” will be available on October 30th, 2026, from Black Cat Records on all digital platforms.
Ottawa, ON progressive metal newcomers CANDOR ZEALOT continue their singles rollout with their third unveiled track and music video, “Dark Desires,” featuring guest vocals from Montreal musician Johnny Franco. The track appears on the band’s upcoming debut EP “Revolt!”, due out December 4, 2026.
Emerging from the creative evolution of former Wacken Metal Battle Canada champions The Slyde, Candor Zealot blends progressive rock, heavy metal, and infectious songwriting into a sound equally informed by Rush, Coheed & Cambria, Dream Theater, Billy Talent, and Megadeth. With “Dark Desires,” the band delivers one of its most melodic and accessible offerings to date while continuing to showcase the technical musicianship and thoughtful lyricism that have become defining traits of the project.
Musically, “Dark Desires” draws inspiration from progressive rock giants Rush and Coheed & Cambria, weaving together melodic dual-guitar arrangements, unconventional song structures, and a mid-tempo pop-rock sensibility.
“Lyrically, this song is an indirect conversation between two people with similar perspectives on interacting and arguing with others on social media platforms. The narrative hints at how this kind of behaviour is ultimately a futile experiment and a waste of one’s time,” explains vocalist and guitarist Nate Silva.
To further elevate the track, Candor Zealot enlisted Montreal vocalist Johnny Franco for a guest vocal appearance, bringing an additional dynamic element to the song’s conversational theme.
Accompanying the single is a lighthearted music video that trades dark subject matter for competitive fantasy. Shot at Danireon Cards & Games in Ottawa, the video follows the band members participating in a Magic: The Gathering tournament under various aliases while chaos unfolds around them.
The clip also features special appearances from Ottawa musicians Troy Huizinga (The Escape Society, Satellite Birdhouse), who performs bass in the video, and Matt Babineau, who appears on drums. The video was shot and directed by Ryan Stacey.
Single Artwork by: Casey Shea / Yardwolves (Instagram: @yardwolves)
The band’s upcoming EP “Revolt!” showcases a wide spectrum of themes and influences, ranging from political commentary and social division to personal struggle, healing, and relationships. Throughout the release, Candor Zealot blends progressive musicianship with memorable hooks and modern hard-rock accessibility.
Candor Zealot is made up of seasoned musicians with deep roots in Canada’s metal scene, including former members of Annihilator and The Slyde. Frontman Nate Silva (vocals/guitar), formerly of The Slyde, is an international touring artist and academic researcher on chiptune music. Guitarist Chris Gagnon, based in Ottawa, is a versatile performer active in eight tribute bands covering acts from Queen to Rage Against the Machine. Drummer Dino Soares, a longtime collaborator with Silva since their teenage years, continues to freelance in Kingston’s music scene. On bass, Alberto Campuzano, formerly of Annihilator, also performs with Toronto’s Metallica tribute act Sandman. Collectively, the band brings decades of experience and a proven pedigree, highlighted by Silva, Soares, and Campuzano’s performance at Wacken Open Air in Germany after winning the 2019 Wacken Metal Battle Canada with The Slyde.
With more material already being planned beyond the debut release, Candor Zealot is positioning itself as one of Ontario’s most promising new progressive metal voices.
Candor Zealot‘s influences span Rush, Billy Talent, Megadeth, Dream Theater, Coheed & Cambria, European metal, pop‑punk, video‑game music, J‑rock, and even K‑pop.
“Revolt!” is due out December 4, 2026 via Slyde Productions.
Track Listing:
1. Revolt! – 4:27
2. All For You – 4:15
3. Dark Desires (ft. Johnny Franco) – 5:25
4. Lie For Country – 3:29
5. Shed The Night – 4:16
6. Hollow (ft. Satellite Birdhouse) – 6:57
EP Length: 28:51
1. The band name “Candor Zealot” was chosen because we wanted to convey the general intentions of our storytelling within the band name: “to be uncompromising in the pursuit of honesty and openness.”
2. Frontman Nate Silva and drummer Dino Soares have been playing music together since they were 14 years old.
3. Nate Silva, Dino Soares, and Alberto Campuzano were former members of the Toronto-based prog metal band THE SLYDE, which won the 2019 Wacken Metal Battle Canada competition and performed at Wacken Open Air in Germany.
4. Guitarist Chris Gagnon currently plays in 8 tribute bands.
5. Nate Silva wrote a thesis paper for his Master’s degree on chiptune artists who incorporate guitar playing into their music.
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““All For You” is the 2nd single for us, showcasing a more radio-friendly side of the band and channeling more angst-ridden inspiration this time around. All For You is for everyone who has experienced emotional and other forms of abuse in a previous relationship and is making peace with it. The vibes here are more akin to Linkin Park or Bring Me The Horizon, and the big guitars and instrumental section give nods to bands like Gojira and Dream Theater.” – Nate Silva – Candor Zealot
““Lie For Country” is our debut single, and we wanted to introduce ourselves with breakneck speed, musical intensity, and a poignant political message. There are influences of Megadeth, Killswitch Engage, Billy Talent, and even System of a Down in this track, and it’s a song about being manipulated and politically indoctrinated without thinking critically. We are proud of this track, and we are pumped to release it!” – Nate Silva – Candor Zealot (2026 – Lie For Country – single)
“In nearly 20 years of working in Rock Radio & Covering Music, I have never heard a band burst onto the scene with such an electric debut track. Candor Zealot is one of Canada’s next great bands” – Patrick Walford – idobi Howl Curator, host of Rock The Walls (2026 – Lie For Country – single)
“Ladies and Gentlemen, allow me to introduce you to Candor Zealot. This new band has just dropped their debut single ‘Lie For Country’ and it’s a monster. Fast and furious progressive metal with deep hooks and a familiar voice with NATE SILVA on lead vocals, ‘Lie For Country’ is a hell of a beginning as the band states plans to release six singles in 2026. Well, bring ’em on fellas cause we’re all about it. Catch Candor Zealot on your Home for the Best New Rock… W-J-O-EEEE – WJOE – Findlay’s Home for Rock & Roll (2026 – Lie For Country – single)
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Slam Is The Only Way! TRAUMATOMY Unleashes New Album “Ascension Of The Ineffable”
Slamming brutal death metal force Traumatomy is unleashing its fourth full-length album, “Ascension Of The Ineffable,” on October 30, 2026, via Gore House Productions.
Over the last several months, the band has offered a glimpse into the record’s devastating power with the release of the singles “Entropic Obliteration” and “Visceral Maceration”, both showcasing the album’s uncompromising brutality, crushing groove, and relentless intensity. Now, listeners can immerse themselves in the complete eight-track assault that further solidifies Traumatomy’s place among the elite names in modern slamming brutal death metal.
Before “Ascension Of The Ineffable” officially drops, fans can experience the album’s first listen through an exclusive stream premiere hosted by MetalInsider.net HERE.
Commenting on the new album, the band states:
“We are very happy with our new album ‘Ascension Of The Ineffable’. We worked on it for two years. We believe fans will love this album for a long time. Konstantin Ogarkov brought a special sound to this album. The sound is raw but at the same time sharp and brutal. The album cover by Jon Zig captured our vision and atmosphere. SLAM IS THE ONLY WAY.”
Written entirely by guitarist and founding member Constantine Chevardin, “Ascension Of The Ineffable” represents the band’s most savage and refined work to date. Faster, rawer, and more punishing than its predecessors, the album pushes Traumatomy‘s trademark blend of primitive slamming brutality into even more extreme territory while maintaining the memorable grooves and crushing breakdowns that have become hallmarks of their sound.
Inspired by the cosmic horror of H.P. Lovecraft and the bleak absurdity of crime television, the album continues the band’s fascination with grotesque storytelling and otherworldly atmospheres. From the opening devastation of “Entropic Obliteration” to the mammoth title track and the climactic closer “Xeno-Homeostasis,” the record delivers a relentless barrage of slam-fueled chaos and precision.
Formed in 2012 by Constantine Chevardin and former Gorevent vocalist Haruka Kamiyama, Traumatomy began as an online studio project before evolving into a full-fledged live act. With the additions of bassist Leonid (Cephalic Impurity) and drummer Ivan in 2018, the band transformed into a touring force renowned for their coordinated stage performance, professionalism, and crushing live presence.
Fueled by beer, riffs, blast beats, and cosmic horror, Traumatomy remains committed to their singular mission: creating monolithic slamming brutal death metal without compromise. “Ascension Of The Ineffable” stands as the definitive expression of that vision.
Recommended for fans of Gorevent, Cerebral Incubation, Disgorge, Epicardiectomy, and Defeated Sanity, “Ascension of the Ineffable” is out on October 30th, 2026, from Gore House Productions.
Track Listing:
1. Entropic Obliteration (3:34)
2. Pervigilium of the Obsolesced Xenolith (3:26)
3. Endoneural Parasitosis (3:07)
4. Repugnant Coalescence (2:55)
5. Ascension Of The Ineffable (2:54)
6. Visceral Maceration (2:34)
7. Autognathic Avulsion (2:43)
8. Xeno-Homeostasis (3:07)
Album Length: 24:15
Album Credits:
All songs performed by Traumatomy
All songs written by Constantine Chevardin
Produced by Constantine Chevardin
Mixed and Mastered by Konstantin Ogarkov
Cover artwork by Jon Zig
Album band line-up:
Constantine – Guitars
Ivan – Drums
Leonid – Bass
Haruka – Vocals
Kirill – Vocals
Live band line-up:
Constantine – Guitars
Ivan – Drums
Leonid – Bass
Kirill – Vocals
“This is a faster, more aggressive and brutal album by the band. I do like the change and the performance on every song is awesome. The album is for those who like their metal a bit harder and darker. This isn’t an album by big name commercial record labels where most of the artist follow a predetermined path and so many of them sound the same. This is Traumatomy they do things their way and for their fans. For me this is a banger of an album and score the perfect 10.” – Project Metal Music
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