Category: Music News

0 THUNDEROR Announces ECMA Nomination and NXNE Performance Supporting New Album “Bleed For It”

May 14, 2026
by Asher
· Music News · Thunderor

NEWS RELEASE

Montreal, QC – May 14, 2026

THUNDEROR Announces ECMA Nomination and NXNE Performance Supporting New Album “Bleed For It”

Thunderor L-R: Brycen Gunn (Bass) | JJ Tartaglia (Vocals, Drums, Keys) | Jonny Nesta (Guitar)
Photo Credit – Rae Chatten

Canadian heavy metal force THUNDEROR is proud to announce a surge of major milestones surrounding the release of their new album “Bleed For It,” out now via Boonsdale Records. The band is celebrating not only the arrival of their ambitious sophomore concept album, but also a wave of recognition and live momentum that underscores their rising impact in the Canadian metal landscape.

Formed in 2020 by multi‑JUNO‑nominated musicians JJ Tartaglia and Jonny Nesta (Skull Fist), THUNDEROR first broke out with their debut Fire It Up (2022), which hit #1 on Earshot’s National Loud Chart. Since then, they’ve toured extensively across Europe, Canada, Mexico, and South America, sharing stages with Airbourne, U.D.O., Enforcer, Night Demon, and more.

In support of their newly released album “Bleed For It,” THUNDEROR is thrilled to announce two major achievements. The band has been nominated for an East Coast Music Award for Loud Release of the Year for their heartfelt and anthemic single “Cape Breton Home.” Full List of nominees here. THUNDEROR will also bring their high‑energy arena‑rock metal to NXNE on June 13 at Bovine Sex Club, performing as part of the Rock & Metal Alliance showcases. Full info here. Both milestones arrive at a pivotal moment for the band, amplifying the excitement surrounding the album’s release and their continued creative evolution.

THUNDEROR recently completed an Eastern Canadian tour supporting Switzerland’s Burning Witches, bringing their theatrical, high‑octane sound to Montreal, Quebec City, Ottawa, and Toronto. The band was also slated for a European tour with Chris Holmes (W.A.S.P.), which was cancelled due to health issues, though new EU dates will be announced when possible.

“Bleed For It” serves as the official soundtrack to Thunderor The Musical, which premiered at the Toronto Fringe Festival in 2025. Set in an alternate 1992, the story follows Bowen, a washed‑up musician and biker, on a final quest for glory alongside his friends Kenzie, Sheenah, and a local friar. Their journey spirals into rivalries, rebellion, romance, and self‑discovery.

“I hope this album inspires listeners to follow their dreams. Let it be the soundtrack to your unbridled life adventures,” says drummer, vocalist, and primary songwriter JJ Tartaglia.

Musically, the album pushes deeper into THUNDEROR’s arena‑rock‑opera identity, anthemic, melodic, emotional, and cinematic. Tartaglia comments:

“The vocals have improved drastically, and the songwriting has matured. There’s more emotion in the music, and the choruses are bigger than ever.”

The tracklist mirrors the musical’s dramatic arc, from the adrenaline of “Pump Up The Volume” and the title track, to the heartfelt “Cape Breton Home,” the rebellious “Streets Of Fire,” and the climactic closer “In The Fire O’ The Heat.”

“Many of these songs began with vocal melodies. I handled the melodies, arrangements, and drums, while Jonny Nesta wrote the guitar parts. It’s a true collaboration, but the story and emotion drive everything,” says Tartaglia.

Influences include Meat Loaf, Van Halen, Night Flight Orchestra, Skull Fist, Ghost, and The Darkness, a modern revival of the arena‑rock spirit built for escape, drama, and big‑stage energy.

“Bleed For It” (released April 17th, 2026) is available from Boonsdale Records at the following links:

Add to your Spotify playlist – https://open.spotify.com/album/4NQDtVArMSioduoVenAJSS

Vinyl – CAN/ Worldwide – https://boonsdale.bigcartel.com/

Europe – LP/CD – https://www.cruzdelsurmusic.com/

Music Video – Get ‘Em Counted – https://www.youtube.com/watch?v=WYe5hnY4xz0

Music Video – One Chance – https://www.youtube.com/watch?v=rnajB7jTY_Q

Music Video – Pump Up The Volume – https://www.youtube.com/watch?v=YfEG-0n0iz4

Track Listing:
1. Pump Up The Volume (3:42)
2. Bleed For It (4:06)
3. Take Me To The Show (4:09)
4. Get ‘Em Counted (3:19)
5. Cape Breton Home (3:33)
6. Streets Of Fire (4:16)
7. One Chance (3:40)
8. DreamQuest (1:29)
9. In The Fire O’ The Heat (4:19)
Total: 33:11

Album and Live Band Line Up:
JJ Tartaglia – Vocals, Drums, Keys
Jonny Nesta – Guitar
Brycen Gunn – Bass

For more info:

https://boonsdalerecords.com/thunderor/

https://www.facebook.com/ThunderorOfficial

https://www.instagram.com/thunderor_official/

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“”Bleed For It” is an album that confirms that Thunderor can turn classic heavy/speed metal into something fresh, energetic and full of character. Originating from the Canadian stage and built on the experience of Skull Fist musicians, the band focuses on a sound based on a motor rhythm, sharp riffs and vocals carrying a spirit of determination. Thematically, the album revolves around perseverance, the fight for dreams and the romanticism of freedom, motifs that perfectly match its driving dynamics. It’s consistent, honest and passionate material that pretends nothing more than what it is.” – W-Mgnieniu-Rocka

“The album offers solid entertainment for fans of energetic rock and metal.. Bleed For It shows the visionaries from Canada in their full strength.” – Metal Underground.at

“a happy metal attitude with modern glam rock in a way that you can still sing along loudly even at three per mille.” – PowerMetal.de

“THUNDEROR’s album is certainly well played, produced and made” – My Revelations

“Thunderor have delivered a record that salutes the golden age of heavy metal while sounding hungry enough to carry that torch forward. It’s riff-loaded, anthem-stuffed, proudly excessive and overflowing with passion. For fans of soaring traditional metal, speed-fuelled riff worship and albums that understand heavy metal should be as exhilarating as it is powerful, Bleed For It is an easy recommendation. This thing doesn’t just play loud. It lives loud.” – Woody’s Rock Reviews

“THUNDEROR stand for catchy, versatile metal and heavy rock.” – Obliveon

“Between heavy metal, punk hooks and touches of rock opera, Thunderor suggest an album different, assumed and above all interesting to explore.” – Eloquence Art

“Entertaining entertainment that focuses on catchiness, catchy choruses and a heavy metal/rock n’ roll feeling with casual beats on all sides. THE DARKNESS/JOURNEY/STEELPANTHER/TNFO fans will enjoy the entertaining Hard n’ Heavy Rock spectacle.” – FFM-Rock

“A drummer who handles lead vocals is always impressive to me, and Tatalia did not disappoint. Although playing a kit with high-mounted symbols and having an energetic playing style, his vocal power did not suffer. He made it seem easy, even though I know it’s not. Nesta and Gunn commanded the front of the stage. It was not hard to tell that these guys enjoy being onstage, as their constant movements and headbanging kept things visually entertaining. However, even the band’s sound alone had the audience hooked. Melodic but heavy, they blend the likes of Heavy Metal, arena rock and even rock opera into something unique but familiar. They utilise their influences without copying, creating a sound of their own. They played multiple tracks from their newest album, Bleed For It, which was being released that night at midnight, celebrating the release with a room filled with music fans who gave them their full attention.” – Metal Talk (Live Review – Toronto 2026 – opening for Burning Witches)

“Thunderor are back with a new fist pumping anthem, the single ‘Pump Up The Volume’ is here and it’s the first track from their forthcoming album “Bleed For It” coming in March. Speedy riffs with plenty of energy to match, ‘Pump Up The Volume’ also pulls in those classic metal vibes and you can almost smell the studded leather. Mix in a blistering 6-string solo and what more could you ask for? Catch it right here on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“The second album has arrived and “Bleed For It” from Thunderor is built for power, fury and fire with no mercy. Lethal riffs everywhere, fist pumping anthems and battle cry lyrics rule this metal offering and the classic 80’s approach really make it a blast. Currently on tour in Canada with Burning Witches and compiling fans at a breakneck pace with their operatic theatrical vision of rock, Thunderor has become a significant force of modern ‘throwback’ metal. Catch tracks from “Bleed For It” on your Home for the Best New Rock… W-J-O-EEEE” – – WJOE – Findlay’s Home for Rock & Roll

“You can hear every second that the band’s album is fun” – Saitenkult

“plenty of catchy, upbeat songs” – Musika

“With improved vocals, bigger choruses, and a cinematic concept, Bleed For It promises to be the band’s most ambitious and emotionally charged release yet, recommended for fans of The Darkness, Skull Fist, Ghost, and Night Flight Orchestra. If you crave escape, adventure, romance, and danger, the band invites you to ride with them into the storm… Best moments of the album: Bleed For It, Get ‘Em Counted and Streets of Fire. Worst moments of the album: None.” – The Headbanging Moose

“Opening track “Pump Up The Volume” has Heavy Metal written all over it” – Metal Temple

“The album is full of surprises, taking the cake “Cape Breton Home”, placed in the center and inviting ballroom dancing with its country air. “Streets Of Fire” also has a different air, with a very Queen-like guitar, a feeling that increases to the brim in “In The Fire O’ The Heat”, the song that closes the album and where the influence of Mercury’s band is more than evident. The instrumental “DreamQuest” with that synth load also breaks the mold. Keyboards, melodies, songs with the air of an anthem and ultimately a journey of sounds behind the heartfelt lyrics that tell the story of “Thunderor The Musical” (the musical theater production of which the album is the soundtrack). “A story of tireless adventures and wild romance, in the face of danger and mortality”. Thunderor breaks the mold.” – Diary of a Metalhead / Diario de un Metalhead

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0 SEVEN METAL SINS Unveils New Video “Eternal Downfall” From New Album “Legacy Of Chaos” Out June 2026

May 13, 2026
by Asher
· Music News · Seven Metal Sins (Rockshots Records)

NEWS RELEASE

Montreal, QC – May 13, 2026

SEVEN METAL SINS Unveils New Video “Eternal Downfall” From New Album “Legacy Of Chaos” Out June 2026

French heavy metal force Seven Metal Sins return with “Eternal Downfall”, the new single taken from the band’s forthcoming debut album “Legacy Of Chaos“, set for release in June 2026.

Following the release of “Hypocrisy” and the recent unveiling of “Wolves Of The Last Dawn”, the new track further consolidates the band’s uncompromising approach to heavy and power metal, combining razor-sharp riffing, commanding vocals, and an atmosphere fueled by tension, urgency, and raw intensity.

Formed in 2024 by former Manigance rhythm section Stéphane Lacoude and Patrick Soria, Seven Metal Sins was born from the desire to return to a more direct, personal, and aggressive vision of metal songwriting. The lineup was later completed by guitarist Antton Iriart, vocalist Claw-G. and guitarist Fred Auclerc, forging a sound rooted in classic heavy metal, power metal, and old-school speed metal traditions while embracing a sharper contemporary edge.

Lyrically, “Eternal Downfall” perfectly reflects the dystopian and socially conscious vision at the core of “Legacy Of Chaos“. Inspired by environmental collapse, authoritarianism, greed, and humanity’s destructive trajectory, the band channels its frustration and rage into a heavy metal framework enriched by dark futuristic imagery and apocalyptic undertones.

The band describes its sound as “powerful – strong – heavy – sharp – huge”, delivering “pure, hard-hitting metal in the vein of cult bands that have marked different eras”.

Produced by Seven Metal Sins, “Legacy Of Chaos” was mixed by Jérémie Garat at Reseda Prod and mastered by Simon Capony at Basalte Studio, while the album artwork and layout were created by Marco Orlando.

Listen: https://lnk.to/S8kIrX

Watch the video: https://www.youtube.com/watch?v=G19LFRxAbs4

For fans of: Accept, Primal Fear, Judas Priest, early Helloween

New album “Legacy Of Chaos” out June 5th, 2026, from Rockshots Records.

PRE ORDER “Legacy Of Chaos“: https://rockshots.eu/products/seven-metal-sins-legacy-of-chaos-cd

First Single – Wolves Of The Last Dawn – https://www.youtube.com/watch?v=X3y7GC60LXo

Track Listing:
1. The Fall (Intro) – 0:57
2. Scars of Injustice – 4:35
3. No Sanctuary – 4:22
4. Hypocrisy – 4:07
5. Eternal Downfall – 4:57
6. Feel the Steel – 4:20
7. Wolves of the Last Dawn – 4:36
8. Beyond the Breaking Point – 4:01
9. Sun Eaters – 5:00
10. Rise of the Phoenix – 3:55
11. King of Sorrow – 6:25

Seven Metal Sins Line-up:
Claw-G.: Vocals
Antton Iriart: Guitars
Frédéric Auclerc: Guitars
Stéphane Lacoude: Bass
Patrick Soria: Drums

More info:

https://rockshots.eu/

https://facebook.com/sevenmetalsins

https://instagram.com/seven_metal_sins.official

BIOGRAPHY:

Seven Metal Sins is a European heavy metal band formed in April 2024 by Stéphane Lacoude (bass) and Patrick Soria (drums), both former members of the French act Manigance. After years of shared experience, the two musicians reunited with a clear intention: to return to a more direct, uncompromising approach to songwriting, rooted in the essence of heavy metal while reflecting a renewed creative vision.

The project quickly gained momentum with the addition of guitarist Antton Iriart, whose compositional input became a central element in shaping the band’s sound. In December 2024, vocalist Claw-G. joined the lineup, bringing a powerful and distinctive voice that added intensity and character to the music. The formation was completed in March 2025 with guitarist Frédéric Auclerc, further expanding the band’s harmonic depth and overall dynamic range.

With this solid lineup in place, Seven Metal Sins began refining their musical identity, built on a combination of classic heavy metal foundations and the energy of power and speed metal. Their sound is defined by sharp, riff-driven structures, galloping rhythms, and a strong melodic sensibility, balanced by a modern production approach that emphasizes clarity and impact.

The band made its official debut with the single “Hypocrisy” in April 2025, marking the first step in a focused creative path that led to the completion of their first full-length album, “Legacy Of Chaos“, set for release on June 5th, 2026, via Rockshots Records.

Lyrically, Seven Metal Sins draws inspiration from the fractures of contemporary society, addressing themes such as environmental decline, social instability, and authoritarian drift. These elements are often framed through dystopian and science fiction imagery, creating a narrative that resonates with both present realities and possible futures.

With “Legacy Of Chaos“, Seven Metal Sins establishes a clear artistic identity: a band rooted in experience, driven by purpose, and committed to delivering heavy metal that is direct, intense, and relevant within today’s landscape.

-30-

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0 Canada’s THE DIVINE PROJECT Storms The Great Escape Festival (UK) + Drops “The Longest Night” Lyric Video

May 13, 2026
by Asher
· Music News · The Divine Project

NEWS RELEASE

Montreal, QC – May 13, 2026

Canada’s THE DIVINE PROJECT Storms The Great Escape Festival (UK) + Drops “The Longest Night” Lyric Video

+ Set To Perform at NXNE (Toronto) June 2026 and New EP “Rebirth” Out Now!

L-R – Derek ‘DRock’ Boshkov (Bass), Ro Stevens (vocals), Eric Divine (Guitar), David T.Anselmo (Guitar), Mitch Greenham (Drums)

Ontario metal force The Divine Project continues its explosive rise with the release of the brand‑new lyric video for “The Longest Night”, the sweeping and emotionally charged closing track from their latest EP “Rebirth.”

The release of the video is in the lead-up to the band’s upcoming performance at this week’s The Great Escape Festival (The Alternative Escape stage) (https://greatescapefestival.com/the-alternative-escape/) in Brighton, UK, on May 15th at The Fiddler’s Elbow, marking a major international milestone for the fast‑ascending Canadian act. Next month, The Divine Project returns home to take the stage at NXNE 2026 in Toronto on June 11th at The Bovine Sex Club (https://www.nxne.com/2026-artists/the-divine-project), further cementing their reputation as one of the most compelling heavy acts emerging from the GTA.

Both performances are part of the Rock & Metal Alliance showcases, marking a significant milestone for the band as they continue their relaunch with a revamped lineup and a sharper, heavier, more defiant sound. Their addition to these festivals follows a surge of momentum, including a successful March run supporting Selias, plus recent shows alongside Eyes Set To Kill, Black Satellite, Awake At Last, Sumo Cyco, and Escape The Fate.

Everything the band is doing in 2026 supports their acclaimed EP “Rebirth,” a four‑track onslaught of technical precision, emotional weight, and unapologetic heaviness. The EP marks the official refurbishment of The Divine Project with its new lineup, frontman Ro Stevens, founder/guitarist Eric Divine, lead guitarist David T. Anselmo, bassist Derek “DRock” Boshkov, and drummer Mitch Greenham.

“We set the goals to reintroduce The Divine Project to the world as a faster, heavier, and more complex band… Rebirth is our new beginning and our way of saying The Divine Project is here to stay,” adds the band.

“The Longest Night” is the EP’s most expansive track, an emotional, cinematic closer that blends tension, heaviness, and catharsis. Musically, it builds from introspective unease into a soaring, anthemic release, showcasing the band’s love for 2000s metalcore, dynamic vocal storytelling, and rhythm‑driven movement.

Lyrically, the song explores the reckoning of a soldier who realizes too late that the cause they fought for was built on lies. It’s not a pro‑ or anti‑war statement, but a human one, an examination of vulnerability, exploitation, and the moment you confront the truth after the damage is done.

The track is a collective favourite among the band, and its title was chosen only a day before the EP’s submission, an instinctive decision that ultimately captured the song’s emotional weight.

Watch and listen to the lyric video for “The Longest Night” at https://www.youtube.com/watch?v=TfMwakVil7g

Across its four tracks, The Revolt, Ruins of Truth, Don’t Startle The Murder, and The Longest Night, “Rebirth” moves through themes of resistance, collapse, danger, and endurance. The EP blends metalcore, djent, nu‑groove, and progressive influences while maintaining a signature sound fans have struggled to categorize, but instantly recognize.

The artwork, featuring an angel forming from dust, symbolizes the band’s rebirth into a new era. As guitarist David explains:

“The name ‘Rebirth’ is inspired by our new line‑up and era… The angel forming up from dust represents breaking through the void.”

The Divine Project has become a staple in the Ontario heavy music scene, known for its explosive live shows and genre‑blending musicianship. Their mission is simple: bring music that’s considered underground or too heavy into the spotlight.

The band’s writing process is a collaborative “hot potato” of ideas, with each member shaping the final product. Everything on “Rebirth” was performed live, with no essential backing tracks, reflecting their commitment to authenticity and raw performance. The band entered the studio in April to begin recording their follow‑up to “Rebirth”. While still unmistakably TDP, the next EP will explore darker, more emotionally lonesome territory.

Recommended for fans of Trivium, Killswitch Engage, Static‑X, Linkin Park, and All That Remains, “Rebirth” was released on November 28, 2025, and is available at the following links:

Add to your Spotify playlist – https://open.spotify.com/album/1ROxx7e7BhrPDtZizNhsNk

Bandcamp – https://thedivineproject.bandcamp.com/album/rebirth

Music Video – The Revolt – https://www.youtube.com/watch?v=suxgZ3EqZtE

Music Video – Don’t Startle The Murder – https://www.youtube.com/watch?v=kQ3fpbeu_f8

Lyric Video – Ruins of Truth – https://www.youtube.com/watch?v=LuZZLCW-8O0

Track Listing:
1. The Revolt (3:46)
2. Ruins Of Truth (3:27)
3. Don’t Startle The Murder (4:18)
4. The Longest Night (5:53)
EP Length: 17:24

EP and Live Band Line Up:
Ro Stevens – Vocals
Eric Divine – Founder/Guitar
David T. Anselmo – Guitar
Derek ‘DRock’ Boshkov – Bass
Mitch Greenham – Drums

More info:

https://www.tdp-official.com/

https://www.facebook.com/thedivineproject/

https://www.instagram.com/TheDivineProject

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“… I’m simply left wanting more. Not from the track itself, but from an EP whose tracks each bring their own texturally layered elements, all melded together in an extraordinary Extended Play recording.” – Jay Broderick, LoudTO, 2025

“You know a band is special when they have a truly unique sound. Those were my thoughts when I gave this EP a listen.” – “Metal” Mike, @black_kross_zine, 2026)

“With a mix of styles and a strong DIY approach, The Divine Project are a band to keep an eye on as they continue to grow beyond the Toronto scene.” – Dayna Szymanski – This Day In Metal

“The Divine Project may not look traditionally Metal but boy can they break it down! ” – Blast Toronto

“The name of their 2025 EP Rebirth is fitting. This album feels like an evolution for the band… Every song has its own distinct identity, albeit with a strong family resemblance of sound…. Ro’s vocal range is wide, able to give you everything from low guttural screams to rich, neo-operatic tenor melodies… It’s an absolutely captivating blend of feral, unrestrained energy and beautiful vocal tone…” – FalseChord

“Coming out to a packed crowd, the songs off Rebirth came to life under the stage lights, signalling a new era for the band… To see them live, expect a high energy set, a rowdy crowd, and some heavy ass music.” – FalseChord

“You ever watch a band and realize halfway through that there’s no safety net? No laptop running stems, no hidden tracks filling the gaps, just five people in a room making every sound you’re hearing with their actual hands? That’s The Divine Project. Ontario. “Rebirth” EP.” – Papy Jeff Metal

“Canadian band The Divine Project released the EP “Rebirth” back in 2025, and this is a production that might be of interest also for fans of progressive metal. Initially we are presented with a band that gleefully enters a more hectic and borderline chaotic landscape of extreme metal oriented escapades, with gruff, distorted vocals and a high level of intensity. But as this EP unfolds one does notice that we get an array of changes and alterations in tempo, while the gruff vocals alternate with a more aggressive hardcore style of delivery as well as clean and melodic vocals in a controlled and more powerful mode of delivery. More delicate interludes and strikingly melodic ones at that too starts entering the framework, and the end result is both varied and at times rather unpredictable. A production to seek out by those who enjoy an expressive band that makes use of powerful and dramatic high intensity statements but also gentler, melodic and atmospheric laden side steps, taking on the metal universe in a manner rather close to a contemporary progressive metal expression on occasion.” – Progressor

“A huge like from me. My take on the EP: From the 1st track till the last one you are taken on a metal roller coaster ride with no breaks. Every song is masterly crafted and performed. This is a killer EP and if you haven’t got it yet, you are missing out on Top tier musicians at their best. Rebirth get a massive yes from me and is on my personal playlist.” – Project Metal Music

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0 Thrash Metal From Reunion Island LOMOR Announces EU Tour Dates + Hellfest; New Album “Sabouk Rouge” Out Now!

May 13, 2026
by Asher
· Lomor (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – May 13, 2026

Thrash Metal From Reunion Island LOMOR Announces EU Tour Dates + Hellfest

New Album “Sabouk Rouge” Out Now! via Rockshots Records

Reunion Island thrash metal trio LOMOR is heading to Europe, launching a run of France and Belgium tour dates in support of their new album “Sabouk Rouge,” with the trek kicking off at Hellfest. This band will be bringing their raw, creole‑infused thrash to some of the region’s most respected stages (dates listed below).

The tour supports their latest album “Sabouk Rouge,” released this past February 2026 via Rockshots Records. Produced by the band, recorded and mixed by Sébastien Camhi at Art Music Studio in France, and mastered by Kai Stahlenberg at Kohlekeller Studio in Germany, “Sabouk Rouge” expands LOMOR’s sonic palette while staying true to their primal thrash roots. With more Creole lyrics woven in at fans’ request, the album strengthens its cultural identity as it shifts through a wide range of moods.

“The tracks are all different, each bringing its own atmosphere. It’s still trash, but with a variety of flavors,” says Eric.

That diversity fuels a record that moves from the title track’s sharp satire of Réunion’s slavery legacy to the grotesque obsession of “Meet Your Meat,” the ritualistic mysticism of “Sanctuary,” and the blistering critique of religion in “La Haine.” The tone lightens with the street‑racing humor of “La Pouss’,” then darkens again with “Panzram,” exploring the roots of a killer’s hatred. The album revisits Eric’s past with a reimagined “Kit Ta Mère” before closing on “Nevroz,” a reversed, tongue‑in‑cheek remake born from a studio joke.

LOMOR has carved its identity as one of the most distinctive metal acts emerging from the Indian Ocean. Their sound, described by guitarist/vocalist Eric Castelnau (Babouk) as “creole thrash old‑school stuff”, fuses classic 80s thrash aggression with the cultural grit and linguistic identity of Réunion Island.

LOMOR began as a deeply personal project for Eric, who formed the band in 2018 after the passing of his cousin and brother, both former bandmates in his earlier project Black Babouk. The name Lomor, meaning “The Deads” in Réunion Creole, stands as a tribute to the people and memories that shaped his musical path.

Joined by drummer Gurvan Cambrai (Typhvs) (also of grind outfit Brvtal trve d’baal) and bassist Micha (member of a local Rage Against the Machine tribute band), the trio has forged a sound rooted in old‑school thrash but sharpened by modern production and raw island energy.

New album “Sabouk Rouge” is now available from Rockshots Records at the following links:

DIGITAL – https://lnk.to/th31Lt

CD ORDER – https://rockshots.eu/SaboukRougeCD

Music Video – Sabouk Rouge – https://www.youtube.com/watch?v=jSBEQJOr754

Music Video – Tantine Lo Clou – https://www.youtube.com/watch?v=fx2FUx0G01c

Music Video – Panzram – https://www.youtube.com/watch?v=388LBe1K7x4

Lomor – Sabouk Tour
17/06 — Hellfest – Clisson (FR)
19/06 — B52 Music Club, Icheteghem (BE)
20/06 — Le Brewpeppes, Lille (FR)
21/06 — Carolo Culture, Charleroi (BE)
25/06 — Axis Musique, Toulouse (FR)
26/06 — Bulle de Son, Lyon (FR)
27/06 — TBA
18/07 — Studiotic, Sainte‑Clotilde (RE)

Track Listing:
1. Sabouk Rouge – 5:13
2. Tantine Lo Clou – 3:40
3. Meet Your Meat – 3:16
4. Sanctuary – 5:17
5. A Shiny Day For A Vampire – 5:14
6. La Haine – 5:06
7. La Pouss’ – 3:07
8. Panzram – 4:29
9. The Ugly, The Bad & The Bastard – 3:02
10. Kit’ Ta Mère – 4:24
11. Nevroz (feat. S. Camhi) – 2:34
Album Length: 45:22

Lomor Line Up:
– Eric Castelnau (aka Babouk) – Vocals & Guitars
– Gurvan Cambrai (aka Typhvs) – Drums
– Mathieu Michalina (aka Micha) – Bass Guitar

More info:

https://rockshots.eu/

https://www.instagram.com/lomor.music

https://www.facebook.com/lomormusic

About: Lomor is a power trio from Reunion Island (France) delivering an explosive blend of old-school thrash, punk, and core metal. Drawing inspiration from Slayer, Testament, and Kreator, the band channels the raw spirit of 80s thrash through modern production and unrelenting stage energy.

Formed in 2018 by Eric Castelnau (vocals, guitars), joined by Gurvan Cambrai (drums) and Mathieu “Micha” Michalina (bass), Lomor quickly became one of the loudest voices in the island’s metal scene. Their first single, “Kanyar L’Enfer” (2021), set the tone for their uncompromising sound, followed by their debut full-length “Perseverance of Sickness” (2022), recorded by Sébastien Camhi (Art Music Studio, France). The album was praised by international outlets like Rock Hard France and Legacy.de for its sharp riffing and fierce authenticity.

In 2023, Lomor hit mainland France for their Kanyar Tour, performing seven shows and sharing stages with Akiavel and Mass Hysteria. They also released the live record “Live on Dock“, capturing the raw, chaotic energy that defines their performances.

Now, with their second studio album “Sabouk Rouge” (out February 2026 via Rockshots Records), Lomor dive deeper into the social and historical themes that shaped their identity, from the brutality of slavery on their island to the universal struggle against human madness and oppression. Recorded again with Sébastien Camhi and mastered by Kai Stahlenberg at Kohlekeller Studio (Germany), the album reaffirms Lomor’s old-school ethos while delivering a powerful, modern punch.

Fueled by adrenaline, rebellion, and Creole pride, Lomor stands as a unique voice in today’s global metal scene, pure thrash from Reunion Island.

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“I’m completely captivated by this trio from Réunion Island, who are likely to make a huge impact on the thrash scene by bringing freshness and originality while respecting the genre’s fundamentals.” – Pavillon 666

“Conclusion: ‘Sabouk Rouge’ is a real treat for all fans of varied, authentic thrash. LOMOR present us with a wide range of riffs, creative drumming, and gritty vocals that will captivate any audience live.4.5/5” – MetalUnderground.at

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0 WACKEN METAL BATTLE CANADA Crowns BORNBROKEN 2026 National Final Champion! Band To Play Wacken Open Air!

May 13, 2026
by Asher
· Music News · Wacken Metal Battle Canada

NEWS RELEASE

Montreal, QC – May 13, 2026

WACKEN METAL BATTLE CANADA Crowns BORNBROKEN 2026 National Final Champion!

Band To Play Wacken Open Air! at International Wacken Metal Battle

Photo Credit – Ryan Rumpel – @rumpelstillcam

Let’s get ready to rumble! Canada has spoken. After months of fierce battles from coast to coast, WACKEN METAL BATTLE CANADA has revealed the 2026 national finalist, showcasing the strongest underground metal emerging from the scene today.

Following intense regional clashes, four bands rose above the rest to earn their place at the national final on May 9th in Montreal, QC, taking over Piranha Bar (680 Ste‑Catherine Ouest). There, they unleashed their might before a crowd of die‑hard metal fans and a judging panel of industry veterans, including Luc Laine (CFLX 95.5 FM – Alerte Metallique), Pierre Beaubien (CIBL 101.5 FM – Décibel Métal), Andrew Wieler (CJLO 1690 AM – Metal Director), Kaje Annihilatrix (Promoter, Freelance Metal Writer, Asher Media), Dany Soucy (Nova Spei, Bam&Co‑Heavy Label, Trois‑Rivières Metalfest), and Patrick Loisel (Augury).

Only one band could claim the crown, and BornBroken emerged victorious as Canada’s 2026 national champion, earning the honour of representing the nation at the 35th anniversary of Wacken Open Air and competing in the international Wacken Metal Battle, where bands from over 30 countries collide in a global showdown.

WMBC organizer JJ Tartaglia comments:

“Congrats to BornBroken, they are sure to tear it up at Wacken this summer and do Canada proud!”

BornBroken‘s guitarist and vocalist, Mike Decker, comments on their crowning:

“Winning the Canadian Wacken Metal Battle still hasn’t fully sunk in. We’ve spent years grinding through clubs, hauling gear through snowstorms, playing to half-empty rooms, and fighting for every inch as a band, so this means more to us than we can really put into words. To now represent Canada at Wacken Open Air is something we will never take for granted.

This win belongs to everyone who’s supported BornBroken over the years. Our families, our friends, the promoters who gave us chances, the people who bought merch when we were struggling to keep moving, and every single person who ever stood in front of the stage and gave us their energy. You carried us here as much as we carried ourselves.

We also want to give respect to every band that was part of this year’s battle. The level of talent, passion, and heart we saw was incredible. We may be the band getting on the plane, but we honestly feel like we’re carrying a piece of every one of those bands with us onto that stage in Germany. In our eyes, everyone who stepped into this battle and gave it everything they had is a winner.

We’re proud, we’re grateful, and we’re ready to give Wacken everything we’ve got…”

The final four who clashed at this year’s national final were:

BORNBROKEN (Montreal, QC) – 2026 National Winner

Music Video – Am I Invisible – https://www.youtube.com/watch?v=j3JXTHX0svI

https://linktr.ee/bornbroken

ASHES OF YGGDRASIL (Lloydminster, AB/SK)

Music Video – Razed to the Ground – https://www.youtube.com/watch?v=QzehFwdqY4I

https://ashesofyggdrasilba.wixsite.com/ashesofyggdrasil

EMPALEMENT (Victoria, BC)

Music Video – Blood Dance Of The Dionysian Covenstead – https://www.youtube.com/watch?v=_Mp6H2vRqx8

https://www.facebook.com/Empalement

GRAVEARTH (Oshawa, ON)

Visualizer – Altered Reality – https://www.youtube.com/watch?v=P0Id6miy7cs

https://linktr.ee/Gravearth

======

WMBC 2026 National Final Playlist: https://open.spotify.com/playlist/1Yizi851LwbShAduRaqHf3

About Metal Battle:

The Wacken Metal Battle is an international metal music contest that culminates at the famous Wacken Open Air festival. It features the top bands from each nation, showcasing fresh and young metal music directly from the underground. The contest is open to unsigned metal bands and has become a significant platform for breaking through the local circuit. The 2026 edition of Wacken Metal Battle Canada is currently underway. The winner will have the opportunity to perform at Wacken Open Air, one of the world’s largest metal festivals, attracting tens of thousands of metal fans from around the globe. For more information and updates, you can visit the official Wacken Metal Battle website – https://www.metal-battle.com/

About Wacken Open Air:
Wacken Open Air is the largest heavy metal festival in the world. Starting with 800 visitors in 1990, nowadays 85,000 fans from all over the world travel to Wacken every year, turning the small village in Schleswig-Holstein into the center of the festival scene for several days. The organizing WOA Festival GmbH is connected to a broad network, including band management, the Wacken Foundation, tour booking, music publishing, Travel & Stay, merchandising distribution, and ticketing. In cooperation with partners, these results in creative solutions and ideas that revolutionize the festival experience, enable technical innovations, and produce extraordinary event concepts. Wacken Open Air 2026 will take place from July 29 to August 1, 2026.

More info:

https://www.facebook.com/WMBCanada.official

https://www.instagram.com/wmbcanada.official/

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Vox & Hops Podcast
The Metal Voice
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0 ACCURSED Unleashes New Single “Sever the Horizon” And Begin Recording for Debut Full-Length

May 8, 2026
by Asher
· Accursed · Music News

NEWS RELEASE

Montreal, QC – May 8, 2026

ACCURSED Unleashes New Single “Sever the Horizon” and Begins Recording for Debut Full-Length

Photographer Credit – Mia Palazzo

Melodic death metal outfit Accursed has released their powerful new single “Sever the Horizon,” a track that not only expands the band’s sonic identity but also serves as the creative catalyst for their forthcoming debut full‑length album. The LP is currently in pre‑production and scheduled to begin recording this summer, with a release date to be announced.

“Sever the Horizon” marks a pivotal moment for Accursed, musically, lyrically, and creatively. Built on intricate guitar work, shifting dynamics, and a heightened sense of compositional precision, the single represents the band’s most ambitious material to date.

“This single is a step forward for us. It’s more technical, more layered, and more deliberate in its composition. It pushes our sound into new territory while staying true to what defines us, and it really sets the tone for where we’re headed with the album,” says guitarist and primary songwriter Dave Lee.

Though written over a year ago, “Sever the Horizon” became the creative spark that shaped the rest of the album. Lyrically, the track explores the story of Richard “Sky King” Russell and the Horizon Air Incident of August 10, 2018, approached through an interpretive and human‑focused lens.

Rather than recounting events or glorifying actions, the band chose to explore the emotional and psychological space Russell may have occupied in his final moments, capturing the surreal beauty, fear, and uncertainty of a widely discussed tragedy.

“We intentionally avoided direct callouts or any attempt to explain or glorify his actions. The focus is on perspective and human experience. It’s a story that resonated with a lot of people when it happened, and we hope that the song connects similarly, maybe offering listeners something to reflect on and relate to in their own struggles,” adds Dave.

Accursed’s upcoming debut album sits at the intersection of melodic death metal, technical death metal, and deathcore, though the band emphasizes that the record is far more cohesive than a list of influences suggests.

Lyrically, the record will span mythology, historical practices, real‑world trauma, horror‑inspired concepts, and politically charged themes. The planned result is a body of work that is intense, unflinching, and intentional, with each track contributing to a larger sense of narrative tension and thematic purpose.

“Once we finalized ‘Sever the Horizon,’ everything else clicked. The songs that made the cut all share a certain weight and atmosphere; they feel like they belong in the same world,” says Dave.

Recommended for fans of The Black Dahlia Murder, At The Gates, Revocation, Wretched, and Angelmaker, “Sever the Horizon” can be heard at the following links:

Spotify – https://open.spotify.com/track/3AP0Geu8hDy6qq4dmIt7Fk

YouTube – https://www.youtube.com/watch?v=Zae4fiYZL-g

Bandcamp – https://accursedct.bandcamp.com/track/sever-the-horizon

In additional news, Accursed will be taking the stage next month on June 6th for the Buffalo Gore Fest. Full details at https://www.facebook.com/events/2486073285145550/

More info: https://linktr.ee/accursedct

About:

Accursed is a Connecticut‑based melodic death metal band formed in 2019. Their sound fuses atmospheric melody, technical aggression, and modern heaviness, resulting in a style that is both familiar and forward‑thinking. Lyrically, the band explores themes of consequence, internal fracture, mythology, trauma, and the quiet violence of everyday existence. With a sharpened lineup and an uncompromising creative vision, Accursed are poised to make a distinct mark on the melodic death metal landscape.

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“Lyrically, this new one is a furious condemnation of Christianity, joining a near-endless line of metal songs with a similar theme. Musically, it’s a hell-raiser too, a furiously vicious melodic death metal discharge. The screamed vocals are hair-raising in their intensity. The riffing blares like sirens, feverishly slashes like blood-crusted swords, and dismally roils. The drums methodically snap and maniacally clatter. The fleet-fingered soloing is exultant but also fluidly sinister. The song proves to be not just hostile but also eventually steeped in misery and dismay. It also proves to be highly groovesome, and good reason to check out Accursed‘s previous releases this year.” -Islander – No Clean Singing – (Beneath A Burning Sky Single 2025)

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0 TORCHIA Unleashes New Album “They Are Born Under Rules of the Darkness” + Kick Off European Tour!

May 8, 2026
by Asher
· Music News · Torchia

NEWS RELEASE

Montreal, QC – May 8, 2026

TORCHIA Unleashes New Album “They Are Born Under Rules of the Darkness” – A Defining Statement of Blackened Melodic Death Metal

+ European Tour May 2026!

Finnish extreme metal force Torchia officially unleashes their fourth studio album “They Are Born Under Rules of the Darkness” today via Rockshots Records, marking the culmination of a campaign that has steadily elevated the band among the most compelling emerging names within the modern European extreme metal landscape.

Following the strong international response to the singles “Stygian Waters”, “Nekromanteion” and “Hellmouth”, the full-length now reveals the complete scope of Torchia’s most ambitious and conceptually cohesive work to date – an album where blackened melodic death metal, gothic horror aesthetics and orchestral grandeur converge into a singular artistic vision.

Hailing from Tampere, Finland, Torchia has spent the last few years refining a distinctive identity rooted in thrash-infused melodic death metal while progressively embracing darker atmospheres, narrative-driven songwriting, and orchestral arrangements. With “They Are Born Under Rules of the Darkness”, the band fully expands the cursed universe introduced across previous releases, transporting listeners into a grim 19th-century vision populated by occult rituals, infernal imagery, supernatural entities, and gothic horror-inspired storytelling.

Produced and mixed by Janne Saksa and mastered by legendary producer Dan Swanö, the album pushes Torchia toward a broader and more atmospheric sonic dimension without sacrificing the aggressive guitar-driven foundation that has defined the band since its inception. The result is a record that balances memorable hooks, crushing riffs, blackened atmospherics, and technical intensity with remarkable precision.

Tracks such as “Hellmouth”, “The Tiamat Machine” and “Sanguine Masquerade” showcase the band’s evolving songwriting approach, where triumphant lead melodies, dark orchestral passages and relentless extreme metal aggression coexist naturally. Meanwhile, songs like “Black Cat” and “Stygian Waters” reconnect with the rawer spirit of Torchia’s earlier material, creating a dynamic and absorbing listening experience that continuously shifts between violence, atmosphere, and melodic grandeur.

Speaking about the album, the band states:

“On ‘They Are Born Under Rules of the Darkness’, the cursed realm of Torchia is more realized than ever before. The strange tales of gothic horror come alive in a shadowed vision of the 19th century.”

And further adds:

“With ‘They Are Born Under Rules of the Darkness, ’ we tried to strike a balance between memorable songwriting and technical aggression. On this album, we are introducing a darker and more expansive soundscape to support the vivid storytelling of the lyrics, yet the musical foundation of Torchia remains in the guitar-driven extreme metal our fans know and love.”

Over the course of the campaign, Torchia has demonstrated a clear artistic evolution from the more traditional thrash-oriented roots of their early years toward a darker and more expansive sound, drawing comparisons to acts such as Behemoth, Cradle of Filth, and Children of Bodom.

With “They Are Born Under Rules of the Darkness”, Torchia does not simply continue the path opened by “Arcane Magicae” – they consolidate it with greater confidence, stronger songwriting, and a far more cohesive conceptual framework, delivering what stands as the band’s definitive statement to date and one of the most distinctive extreme metal releases to emerge from Finland in recent years.

“They Are Born Under Rules of the Darkness” is available now on all digital platforms and physical formats via Rockshots Records.

For fans of Behemoth, Cradle of Filth, and Children of Bodom.

DIGITAL: https://lnk.to/TaBuRotd

ORDER “They Are Born Under Rules of the Darkness” as CD HERE: https://rockshots.eu/products/torchia-they-are-born-under-rules-of-the-darkness-cd

ORDER “They Are Born Under Rules of the Darkness” as LP HERE: https://rockshots.eu/products/torchia-they-are-born-under-rules-of-the-darkness-lp

Music Video – Hellmouth – https://www.youtube.com/watch?v=ic32kbmMlQg

Lyric Video – Stygian Waters – https://www.youtube.com/watch?v=PYW-oQpl7Yo

Music Video- Nekromanteion – https://www.youtube.com/watch?v=QRl4RQ9kgwU

Torchia is proud to announce their “They Are Born Under Rules Of The Darkness” European Tour 2026
With the addition of Berlin

Torchia is proud to announce their “They Are Born Under Rules Of The Darkness” European Tour 2026

With the addition of Berlin and Yverdon, the tour schedule is now complete! The cursed voyage begins with the album release weekend in Helsinki and Turku with Bloody Falls as the supporting act! The journey continues through the Baltics with As the Sun Falls

The band is honored to join the ’True Finnish Samurai Metal’ warriors Whispered in support of their ’Return of the Shogunate European Tour’ together with Scar Of The Sun and Ceremony!

8.5. FI Helsinki, Semifinal #
9.5. FI Turku, Nirvana #
13.5. FI Lahti, Ravintola Torvi *
15.5. LV Liepāja, Fontaine Palace &
16.5. LT Kaunas, Klubas Lemmy &
17.5. LT Vilnius, Paviljonas &
19.5. PL Warsaw, Metal Cave %
22.5. DE Berlin, Die Spirale %
23.5. DE Hamburg, Stellwerk %
24.5. DK Copenhagen, Stengade %
25.5. DE Oberhausen, Helvete %
26.5. CH Aarburg, Musigburg %
27.5. CH Yverdon, Les Citron Masque %
28.5. BE Kortrijk, Club DVG %
29.5. DE Leipzig, Hellraiser %
30.5. CZ Prague, Subzero %
31.5. PL Kraków, Club Gwarek %
13.6. FI Tampere, Kotelo %
# Co-headline with Bloody Fall #
* Lahti Metal BBQ Club with King Satan
& Baltics with As The Sun Falls
% Supporting Whispered with Scar of the Sun and Ceremony

Track Listing:
1. Nekromanteion – 4:23
2. Hellmouth – 4:08
3. Into Hell – 3:38
4. Hellstorm – 3:55
5. Die Amour – 4:12
6. The Tiamat Machine – 5:39
7. Black Cat – 3:19
8. Stygian Waters – 4:05
9. Sanguine Masquerade – 4:46
Album Length: 38:05

Torchia Line-Up:
Nox: Vocals
Villemorte: Lead guitar, Vocals
Henri von Hardy: Guitar
Vulkan: Bass Guitar, Backing Vocals
Vincent Oscar Mill: Drums

More info:

https://www.rockshots.eu/

https://www.instagram.com/curseoftorchia/

https://www.facebook.com/TorchiaOfficial/

About: Formed in Tampere, Finland, Torchia has steadily carved out a distinctive identity within the extreme metal scene by blending thrash-infused melodic death metal with dark fantasy, gothic horror, and cinematic atmospheres. Since their early years, the band has continuously evolved both musically and conceptually, expanding a cursed narrative universe populated by ancient gods, occult practices, and grim mythological visions.

With each release, Torchia has pushed further into darker and more theatrical territory. While their core remains firmly rooted in guitar-driven extreme metal, their sound has grown increasingly cinematic and blackened, incorporating dramatic arrangements and a heightened sense of atmosphere without sacrificing aggression or immediacy. Elements of classic heavy and power metal melody remain a key influence shaping their songwriting approach and reinforcing their dynamic, memorable structures.

Their fourth full-length album, “They Are Born Under Rules of the Darkness“, represents a defining chapter in the band’s artistic journey. Set against a bleak, 19th-century-inspired gothic backdrop, the album brings Torchia’s storytelling to life through vivid tales of horror, superstition, and doom, uniting narrative depth with relentless musical force.

Renowned for their intense and visceral live performances, Torchia have built a strong reputation as a formidable stage act. At the center of the spectacle stands masked frontman Nox, a commanding and symbolic figure who embodies the dark curse at the heart of the band’s identity, guiding audiences deep into Torchia’s shadowed world.

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0 Streaming Now! Vancouver Extreme Groove Metallers WITHOUT MERCY New EP “Infinite Loss” + Title Track Video

May 7, 2026
by Asher
· Music News · Uncategorized · Without Mercy

NEWS RELEASE

Montreal, QC – May 7, 2026

Streaming Now! Vancouver Extreme Groove Metallers WITHOUT MERCY New EP “Infinite Loss” + Title Track Video

L-R – Ryan Loewen – Bass, Alex Friis – Vocals, DJ Temple – Guitars, Matt Helie – Drums

Photo Credit: Shimon Photo – http://www.shimonphoto.com

Canadian extreme metal band Without Mercy will unleash their new EP, “Infinite Loss,” on May 8th, delivering one of the most intentional, intense, and creatively defining statements of their nearly two‑decade career. To mark the release, the band has partnered with Metal Insider for the exclusive premiere of the full EP stream, alongside the debut of the lyric video for the title track, “Infinite Loss.”

The EP arrives following the rollout of previously released singles “Glass” and “The Saint,” each offering a distinct glimpse into the record’s emotional weight, sonic restraint, and thematic depth.

Guitarist DJ Temple describes “Infinite Loss” as the result of a transformative and deliberately uncomfortable creative process:

“This was the first time we left home to make a record. We crossed borders, uprooted our routines, and committed fully to the process by living inside it for ten days. There was no comfort, no distance, and no way to step away.”

The band built the EP around three songs that genuinely excited them, not as singles, but as statements. Every decision had to earn its place.

“The result is something we are proud of, not because it represents a direction we chased, but because it reflects who we were in that moment and what we were willing to commit to,” adds Temple.

For the first time, Without Mercy worked with a producer at a deep structural level, embracing tension, disagreement, and collaboration as essential parts of the process.

“This record exists because we chose to be uncomfortable, to argue honestly, and to stay in the room until it felt right,” says Temple.

Lyrically, “Infinite Loss” is about being hunted, not once, but repeatedly. The threats shift, but they never disappear. Economic pressure, identity, time, survival, and expectation all close in at once. The record speaks to the modern experience across the Americas: not victimhood, but endurance under relentless pursuit.

Musically, the EP mirrors that pressure through repetition, density, and restraint. Riffs sit heavy and suffocating. Rhythms feel physical and deliberate. The aggression is controlled rather than chaotic, creating a sense of inevitability rather than release.

Opening title track, “Infinite Loss,” with its repetition, density, and deliberate pacing, creates a suffocating sense of inevitability. Middle song, “The Saint”, is the EP’s biggest stylistic departure, leaning into space, tension, and unfamiliar structure. EP closer, “Glass”, interconnects riffs inspired by Meshuggah and Alluvial, tightening inward until the outro opens with scale and finality.

Without Mercy was formed in 2007, blending groove, extreme metal, and technical precision into a sound described as “heavy and insightful at the same time.” The band has shared stages with Cattle Decapitation, Aborted, and Death Angel, and has appeared as downloadable content in Rock Band 3, bridging gaming culture and heavy music.

Their discography includes “All Else Fails” (2007), “Without Mercy” (2009), “Reborn” (2014), rereleased as “Mouichido” (2016), and “Seismic” (2020). “Infinite Loss” marks their most focused and intentional work to date, a release built from collapse, rebuilt through discipline, and finished with absolute conviction.

Listen to the full EP “Infinite Loss” and the lyric video for the title track via its premiere on Metal Insider HERE.

EP “Infinite Loss” is available for pre-save at https://ffm.to/infiniteloss

Music Video – The Saint – https://www.youtube.com/watch?v=Le9wnFk5vzM

Track Listing:
1. Infinite Loss – (4:15)
2. The Saint – (3:39)
3. Glass – (3:16)
EP Length: 11:11

EP and Live Band Line Up:
Alex Friis – Vocals
DJ Temple – Guitars
Ryan Loewen – Bass
Matt Helie – Drums

More info:

https://www.withoutmercyband.com/

https://www.facebook.com/withoutmercyband

https://www.instagram.com/withoutmercyband

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““The Saint” is somehow both maniacal and controlled. In its opening couple of minutes it seems to be a carefully calibrated convulsion, discharging its myriad sensations in quick stop-start bursts of seemingly off-kilter but tightly executed mayhem. Those sensations include sledgehammer rhythmic brutishness, shrill and spidery fretwork-delirium, and napalm-strength vocals. The grooves are there — grooves of differing kinds — but they quickly jackhammer listeners in the midst of harrowing howls, scorching screams, and a multitude of fleet-fingered but berserk and discordant string contortions. Moreover, at the 2:18 mark the song suddenly and dramatically changes — indeed, it’s difficult to overstate just how dramatic the change is. In place of all the frenetically bursting frequencies the lead guitar gently rings and seductively warps above gravel-toned bass-lines and steady beats, an interlude that brings hints of jazz fusion to mind. That’s just a quick breather before the song’s intensity blazes again, and yet the segue back into the finale of bludgeoning grooves and squirming guitars is a smooth and near-seamless one.” – No Clean Singing

“Without Mercy’s New Album Is A Whirlwind of Sonic Punishment” – The Pit (Seismic – 2020)

“Right from the start (Uprooted), Without Mercy set the bar high for their extremity, aiming for something far more chaotic. The opening is a mix between the pure grind-death akin to that of Cattle Decapitation, and the math metal sound of Protest the Hero.”- Metal Injection (Seismic – 2020)

“pay witness (I Break The Chain) to their thrashy death metal a la Cattle Decapitation, Meshuggah and Decapitated and watch as they adorn the blast beats and breakdowns with beer guts and brogues.” – Decibel Magazine (Seismic – 2020)

“…To put it simply: the band does an incredible job of blending their grooves with their growls. Between segments of death, doom, and shreddy guitar solos that absolutely slay, there are moments of satisfying melodic breakdowns, and cutting riffs to die for… Seismic is full of lyrics that hold true and poignant meaning while using powerful imagery to evoke epic scenes of turbulent life and painful decay in the minds eye… ground-shaking album. 4/5” – Metal-Rules (Seismic – 2020)

“Overall, two elements really struck me here…one was the level of intensity, and the other the level of musicianship from the band. How they can remain unsigned is a mystery to me. They play with such a tight synergy that it’s almost like they can finish each other’s sentences before they even open their mouth.” – Metal Temple (Seismic – 2020)

“While the heavy metal name generator might have had something to do with what this meaty metal unit called themselves, you can’t say it doesn’t fit. Without Mercy are pretty damn *ahem* merciless and to cap that off, their new album is so aptly titled. Seismic…a relentless powerhouse that is akin to tectonic plates smashing into each other. There is no fucking mercy and it’s fucking glorious. Excuse the swearing but that’s how this album makes you feel. It makes you feel like a beast. It makes you feel capable of taking on the world. It’s chunky, it’s thick, it’s chokingly devastating and undoubtedly one to be remembered.” – Games, Brrraaains & A Head-Banging Life (Seismic – 2020)

“The thrash-stomp modes on “Worthless” ring like a head-on collision between DECAPITATED and BIOHAZARD with a dash of power metal thrown into the solo section. Alex Friis wrings his throat to huge extremes, hopefully leaving tissue intact as he hits agonizing squeals while throwing indictments against former band members — guess on your own who that might entail. DJ Temple’s guitar work on “Worthless” is terrific..” (Mouchido EP 2016) – Blabbermouth

“Vancouver’s Without Mercy is a prime example of how putting in a little bit of elbow grease can result in advantageous outcomes. The quartet play their brand of melodic, groove-laden death metal independently, but refuse to remain held back by a lack in the promotional and money machine backing departments. Over the course of a decade or so, the band has experienced the same highs and lows as most others, but their successes – which include a small handful of recordings, a bigger handful of tours, and appearances in video games – have been felt at a deeper clip because they’ve essentially managed everything themselves.” (Mouchido EP 2016) – Decibel Magazine

“In a word, the music rips. And it also thunders, and punches so fast and hard that it’s like a jackhammer-sized nail gun ramming bolts into concrete at high speed while the operator howls and shrieks for all he’s worth, segmented by a start-stop breakdown that will give your skull a good rattling and lit up by swarming guitar flurries that are as fiery as the torches in the video (Burn).” (Mouchido EP 2016) – No Clean Singing

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0 Greek Folk Melodic Death KOSMOGONIA Shares New “Oblivion” Guitar Playthrough Video For Latest Album “Aella”

May 7, 2026
by Asher
· KOSMOGONIA (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – May 7, 2026

Greek Folk Melodic Death KOSMOGONIA Shares New “Oblivion” Guitar Playthrough Video

Sophomore Album “Aella” Out Now! (Rockshots Records)

Athens-based folk melodic death metal force Kosmogonia have released the official guitar playthrough video for “Oblivion”, a powerful, emotionally charged track from their sophomore album “Aella”.

WATCH THE VIDEO HERE: https://www.youtube.com/watch?v=EPmAvghJ2B0

Listen to single “Oblivion”: https://lnk.to/qJcMfa4z

Driven by aggressive riffing, melodic lead work, and dark pagan atmospheres, “Oblivion” captures the band’s distinctive fusion of melodic death metal ferocity, symphonic arrangements, and evocative folk elements. The playthrough video offers an up-close look at the intricate guitar interplay and dynamic songwriting that shape Kosmogonia’s sound – balancing mythological grandeur with modern extreme metal intensity.

Formed in Athens in 2015, Kosmogonia have steadily established themselves within the European folk and melodic death metal scene through a sound deeply rooted in ancient mythology, pagan traditions, and epic storytelling. Their second full-length album, “Aella,” received strong praise across Europe and Latin America, earning recognition from Metal Hammer Portugal and expanding the band’s international visibility. Through Rockshots Records, the album now reaches a broader international audience while the band simultaneously works on new material for its next studio chapter.

Set in 350 B.C., “Aella” tells a tragic story of war, destiny, and forbidden emotion following the encounter between the Scythian princess Aella and the Greek mercenary Lykon during a brutal conflict between civilizations. Across the album, Kosmogonia combine dual vocal dynamics, atmospheric flute passages, layered orchestrations, and modern melodic death metal aggression into a powerful and immersive listening experience.

For fans of Eluveitie, Ensiferum, Epica, and Nightwish.

Listen to “Aella”: https://lnk.to/w3NtMoYV

Music Video – The Oracle – https://www.youtube.com/watch?v=C6eB8tUV3fQ

Kosmogonia Line Up:

Dimitra LeFay: Vocals
Kostas Magalios: Vocals & Guitar
George Kanellopoulos: Guitars
Odysseus Poulos: Keyboards
Kyriakos Konstantinou: Bass Guitars
Alex Papavangelis: Drums
Ismini Vasileiou: Flute

More info: https://rockshots.eu/
Instagram: https://www.instagram.com/kosmogonia_official/
Facebook: https://www.facebook.com/Kosmogoniafolk

Biography

Formed in Athens in 2015, Kosmogonia fuse folk melodies and symphonic textures with the ferocity of melodic death metal. Founders Kostas Magalios (guitar/vocals) and Christos Drosos (guitar) debuted with the demo “Fallen Pegasus” and, later that year, a self-released EP. After a stylistic shift in 2017 marked by the single “Triiris,” the band built momentum through Greek festival appearances and international radio play. Their debut album, titled “Enthrone the Gods,” released in 2020, earned a 9.1/10 average review score, a Metal Hammer Portugal mention, and multiple chart placements across Europe and Latin America. Despite the pandemic, Kosmogonia accepted an invitation to Hammer Fest XIV in Birmingham – rescheduled to February 2023 – and delivered a standout performance at the O₂ Academy alongside genre stalwarts such as Lordi and Primordial. Now five years on from their formation, the band returned with “Aella” (January 2025), expanding their epic scope with richer orchestrations and guest folk instruments. With strong international press, radio support, and a dedicated fanbase, Kosmogonia stands poised for extensive touring and further mythic adventures.

—
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0 GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Announces Western Canada “This Is The Way 2026 Tour”

May 6, 2026
by Asher
· GraveMass · Music News

NEWS RELEASE

Montreal, QC – May 6, 2026

GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Announces Western Canada “This Is The Way 2026 Tour”

Performing at Loud As Hell Open Air Festival 2026 w/ Fallujah, Allegaeon, Summoning the Lich, Crimson Shadows, Edge of Paradise, and more!

Photo Credit – Derek Carr

L-R – Destroyer of Souls – Drums – Bowels of Hell – Bass – Murderer of Colonizers – Guitar – Mayan Hate – Guitar – Lorde Heathen – Vocals

Fresh off the release of their debut album “This Is The Way,” West Coast extreme‑metal force Gravemass has announced a run of Western Canadian tour dates for summer 2026. The trek, appropriately titled “This Is The Way Tour 2026,” will see the band unleash their ferocious live assault across British Columbia and Alberta from July 31st to August 8th (dates listed below).

The tour follows the eruption of “This Is The Way,” a debut forged from decades of West Coast metal lineage. Featuring members of Zimmers Hole, Punch Drunk, 3 Inches of Blood, Revocation, Just Cause, West of Hell, Savannah, Process, Subversion, and The Golers, Gravemass is the convergence of long‑standing forces within Vancouver’s extreme‑music underground.

Guitarist Mayan Hate, who wrote the album’s music in an intense two‑month burst, describes the project as a natural evolution among lifelong friends.

“We’re all West Coast metal heads who’ve known each other for decades. I wrote the music between breaks in other projects and showed it to Lorde Heathen. He immediately wanted in. From there, we recruited the rest of the band, guys we’ve all known forever.”

Vocalist Lorde Heathen also adds.

“Brutal, angry, fast, dark, and evil, this album delivers exactly that: an unrelenting barrage of sinister riffing, death‑metal vocal ferocity, and rhythmic devastation. It draws from the chaos of the modern world. All the lyrics come from the shit‑hole world order that exists right now.”

While “This Is The Way” was written by Mayan Hate with lyrics by Lorde Heathen, the band confirms that album two is already underway and will be a fully collaborative effort.

Gravemass will also appear at Loud As Hell Open Air Festival 2026, joining a stacked lineup featuring Fallujah, Allegaeon, Summoning the Lich, Crimson Shadows, Edge of Paradise, and more. Festival info is available at https://www.loudashell.ca.

Known for channeling the ferocity of their influences, Slayer, Venom, Morbid Angel, Watain, and Napalm Death, Gravemass promises a live show that is nothing short of a full‑scale assault.

“The live show is where we bring it all together. We want to bring this experience to the masses,” says Lorde Heathen.

With “This Is The Way” unleashed March 6, 2026, via End Game Records Inc., Gravemass now turns its focus to the stage, marking the beginning of a new chapter in West Coast extreme metal. More music, more brutality, and a deeper collaborative evolution lie ahead.

Gravemass – Western Canada – This Is The Way Tour 2026
July 31 – Bridgeview Theater – Kamloops, BC
Aug 1 – Loud As Hell Open Air Festival – Drumheller, AB
Aug 3 – Temple – Edmonton, AB
Aug 4 – The Owl – Lethbridge, AB
Aug 5 – The Royal – Nelson, BC
Aug 6 – The Globe – Nanaimo, BC
Aug 7 – The Lucky Bar – Victoria, BC
Aug 8 – Green Auto – Vancouver, BC

Add to your Spotify Playlist – https://open.spotify.com/album/0ROzZyUacjjY7dC6xOwtg5

Bandcamp – https://gravemass.bandcamp.com/

Videos:

This Is The Way – https://www.youtube.com/watch?v=sR9gy-AD8-E

Fallen – https://www.youtube.com/watch?v=OQ4ws87xOJs

Spitting Hell – https://www.youtube.com/watch?v=r477FZl1VFo

Track Listing:
1. Slaves To Pain – 2:38
2. This Is The Way – 3:45
3. Horned King – 2:54
4. Harvest of Souls – 2:53
5. Spitting Hell – 2:07
6. Black Bell – 2:50
7. Fallen – 3:27
8. Gravemass – 3:51
9. Abandon – 2:01
10. Poison Temple – 3:11
Album Length: 29:41

Album Band Line Up:
Lorde Heathen – Vocals
Mayan Hate – Guitar
Murderer of Colonizers – Guitar
Bowels of Hell – Bass
Destroyer of Souls – Drums

More info:

https://endgamerecords.com/

http://www.gravemass.com/

https://www.facebook.com/people/Grave-Mass/61556695854887/

https://www.instagram.com/gravemass1/

-30-

“Hold on to your hats, buds. Your eyes and ears are in for a blinding treat. Canada’s black/death metal band GraveMass just released the aural assault known as “Fallen.” The song and the video are delightfully overwhelming. ” – Metal Sucks

““Fallen” is a brutal, pummeling track with vocals that range from a guttural growl to a nasal screech, creating a blistering death metal assault. The black-and-white video with its flashing lights and quick cuts combines imagery of nature and religion in a way that perfectly complements the sonic onslaught of the video. It’s a breakneck track that leaves carnage in its wake, and you’ll want to check it out.” – New Noise Magazine

“Gravemass Deliver Evil with Latest Single & Video, “Fallen”” – V13

“Well now, isn’t this one hell of a supergroup? Love the term or loathe it, here it really does count, especially as far as the Canadian metal scene goes. Gravemass are here, and with them comes a vitriolic death metal release that takes elements of the genre’s old-school ferocity and blends it with modern groove and energy. A release that clocks in at just under thirty minutes, ensuring it doesn’t overstay its welcome. Though there’s no short-changing here as we have ten tracks and across them a cacophony of violent, snarling, hyperactive blasts of heaviness that will thrill all those who love extreme metal. I’m one of them and Gravemass really do it for me. I think this is a beast of a record and found myself compelled to head-bang almost all the way through it.” – Games, Brrraaains & A Head-Banging Life

“Originally from Vancouver and including former members of Zimmers Hole, 3 Inches Of Blood, Revocation, and Punch Drunk, Gravemass has only one goal: to offer solid, effective, and slightly crazy death metal. The codes are known, but their interpretation is puzzling, largely due to structures that are more punk than metal and unusual sounds (among other things in the rhythms). And with only ten tracks, totaling twenty-nine minutes, Gravemass leaves little time to understand what is happening. 4/5” – Metallian

“This Is the Way is a flawless debut. It manages to feel nostalgic for the golden era of death metal while sounding fresh, mean, and modern. If you crave music that is “brutal, angry, fast, dark, and evil,” this is your new obsession. Essential Tracks: Slaves to Pain, Horned King, Fallen. 10/10″ – Broken Neck Radio

“Festering, ferocious, and fierce, This Is the Way is nothing short of extreme zealotry — a masterclass in chaos with a sinister edge. It snaps the synapses of the sacred and dives headfirst into the devil within the divine. If you love death, black, and speed metal, then This Is the Way is absolutely for you. As a matter of fact, I now have my own Gravemass name — Fucking Legend. Perfectly apt, if you ask me. This Is the Way by Gravemass is intense and exceptionally powerful. Don’t sleep on this album — word is the second album already has three songs ready to go, with a more collaborative approach already in motion. With their debut now unleashed via End Game Records, Gravemass mark the beginning of a new chapter in West Coast extreme metal — and if this is just the beginning, we’re in for one hell of a ride. The world is going to hell in a fucking handbasket, and Gravemass aren’t afraid to tell you exactly how it is. This Is the Way is the Luciferian aural bible. The end of all that is sacred. The Necronomicon of blackened death metal.” – Crannk

“Honestly, this is half an hour of brutal excellence. From the insane riffing to the thunderous, relentless drumming to the brutal screams, it’s all so good. It almost has a pretty hardcore energy to it too, none of the tracks overstaying their welcome, being balls-to-the-wall and straight to the point! And every song flows pretty excellently; every track being as good as the last! And, for a debut album and a band that seemingly haven’t been around all too long, this is amazing stuff! They should be a lot bigger than they are already, and hopefully this album pushes them to new heights! From the opener to ‘Harvest of Souls’ to the bands namesake track, there are definitely highlights. Though, as I said before, there isn’t a bad track throughout! And it still has an air of epicness throughout that made me even more hooked. They have a VERY bright future ahead of them, and if you are at all into a more death-leaning metal sound, I cannot recommend this enough. It gets an incredibly solid 8.5/10 from us!” – Overtone Magazine

“For me Gravemass made a statement with this album. They are here to stay. They are damn good and delivered a jaw dropping album. This is extreme metal that will blow you away. This album was made for a mosh pit. I give the album the perfect 10.” – Project Metal Music

“A rain shower becomes a thunder storm as the intensity increases dramatically with title track “This Is The Way“, the gang chanted “1, 2, 3, 4!” something that will go down well in the live arena. Soaked in blasphemous rhetoric that bleeds Black Metal inspirations, the band bring the hammer down with enough force to split more than a few skulls. The rhythmic battery feels like a blunt force trauma as the band refuse to re-invent the wheel, instead opting for something of depraved atmospheres that is both dark and insanely good fun. ” – Metal Noise

“The opening notes of “This Is the Way” don’t just set a mood: they trigger a pure survival instinct. As soon as the “1, 2, 3, 4!” gang-chant explodes on the title track, the rest of the world instantly fades away. This isn’t an album you just listen to; it’s an adrenaline surge that hits you full force, and every second of the carnage is a total blast…. If you live for the dark, fast, and visceral, imagine a heavy encounter between Slayer and Morbid Angel in a dark alley, this record is your new obsession for 2026. Get ready, because their appearance at the Loud As Hell festival this summer is already looking like a total field of ruins.” – Papy Jeff Metal

“Basically, I can easily enjoy a record like “This Is The Way” from the first to the last second” – PowerMetal.de

“the album impresses with its energy, solid songwriting and powerful production. For fans of dark, aggressive extreme metal, this album is definitely worth it. Conclusion: »This Is The Way« of GRAVEMASS is a strong album that will delight fans of blackened death metal and deathcore alike.” – MetalUnderground.at

“The production on this one packs a punch but still feels human, which is needed with songwriting like that that just feels sinister in all of the right ways. Gravemass is the kind of band that you spin to forget your troubles, as it just sucks you in for all 10 tracks and almost 30 minutes of length, then you will instantly start it over. We need something like that now more than ever.” – Heavy Debriefings

“With “Fallen,” GraveMass offers a glimpse into what promises to be a searing, unholy debut album. It’s a declaration of intent—and a brutal reminder that Canadian metal is as fierce and alive as ever.” – See Rock Live

—
ASHER MEDIA RELATIONS
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#.514.581.5780
jon[@]ashermediarelations[.]com
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