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Category: Music News

0 Wacken Celebrates Global Warm-Up Party! “One World One Stage,” 35 Shows Will Take Place In 35 Countries On A Single Day!

  • March 26, 2026
  • by Asher
  • · Music News · Wacken Metal Battle Canada · Wacken Metal Battle USA

NEWS RELEASE

Montreal, QC – March 27, 2026

Wacken Celebrates Global Warm-Up Party!

“One World One Stage,” 35 Shows Will Take Place In 35 Countries On A Single Day!

On April 18th, 2026, 35 Wacken warm-up concerts will rock the globe! Almost 24 hours will pass between the first show in Japan and the last in Mexico, all of them filled with the best heavy metal music, with celebrating fans coming together for this special event. A live experience carried by the legendary Wacken spirit.
​
The worldwide party is being organized by various promoters from the global community of the Wacken Metal Battle, the festival’s own band competition, which now includes 102 participating nations. Promoters from 35 of these countries have joined forces for the Wacken anniversary to celebrate the worldwide warm-up party.

“The core idea is to bring the world together and unite it through what we love most: music! That’s what the Metal Battle community stands for, that’s what we stand for, and that’s what Wacken Open Air has represented since day one,” emphasizes festival founder Thomas Jensen.
​
In Germany, the warm-up will be celebrated at Hamburg’s Betty club starting at 8 p.m. The Boston-based band Lansdowne will bring their hook-driven, energetic rock to the Hanseatic city. The international event “One World One Stage” is being organized by Salman U. Syed, who is responsible for the Metal Battle at W:O:A and has been shaping the global networking of the scene for years.

“The sense of unity within the metal scene is strong worldwide, and bands as well as promoters in the individual countries immediately threw themselves into setting a powerful sign of unity while celebrating 35 years of Wacken Open Air together with us!”

The event in Hamburg on April 18th, therefore, seamlessly joins the global chain of parties. The event stands for unity, passion, and heavy metal without borders.
​
Tickets and further information about the warm-up parties around the globe are available here.
​
Additionally, impressions from the shows in all participating countries will be shared during the day via the social media channels of the Wacken Open Air. #oneworldonestage

Each country will present bands in a club selected by the local Metal Battle promoters.

For example, in Canada, Toronto, ON’s The Garrison will host the 2018 Canadian battle champions, Centuries of Decay as guest headliners for the Ontario Final along with Toronto round winners Dawn Vally, Gravearth, and Misothronos. More info here.

And in the USA, Tampa Bay, FL’s The Brass Mug will host the Southeast Regional Final with Endera (Savannah, GA), Nocturnal Dawn (Orlando, FL), Esca (GA / SC), ENDURUS (Tampa, FL), Dead Alive (Nashville, TN), Ramtha (St. Petersburg, FL) with guest co-headliner Psykotribe (Tampa, FL) and headliner Malevolent Creation (Tampa, FL). More info here.

(Phantom Excaliver – Photo Credit: WOA Festival GmbH)

In Tokyo, Phantom Excaliver will perform alongside three other Japanese bands. The musicians won the Wacken Metal Battle in 2023 and joyfully accepted their prize, after their singer briefly fainted. “The line-up at our warm-up party brings together the history, present, and future of the Japanese metal scene,” says Yutaro Shindo, Japan’s Metal Battle promoter.

Organizer Raúl Saavreda from Bogotá is also eagerly anticipating the event in his hometown: “Our warm-up party will be insane! With Tribute2Wacken, the first tribute band dedicated to a festival will perform — playing only songs devoted to the Wacken Open Air.” Additional tribute bands will perform highlights of British Heavy Metal. Saavreda is also the founder of Wacken Latinos, an association of Latin American fans who visit the Holy Ground in northern Germany every year. “A year without W:O:A is unimaginable for me,” he states. “When I first went there in 2019, Wacken changed my life. On the fields, I recharge my batteries — it’s a special time when I reunite with friends and fully devote myself to metal. The festival is my religion.”​
​
Stjepan Juras from Zagreb confirms that most globally active promoters share similarly close ties to W:O:A. The respected music manager, author, and Iron Maiden expert represents Wacken Open Air and Metal Battle in his native Croatia, where he also organizes the warm-up party. “Wacken is not just a festival. The spirit and the community set it apart from other festivals. That’s also thanks to founders Thomas Jensen and Holger Hübner, who celebrate among their fans, maintain close contact with visitors, and are truly part of the scene.”​

Since the very beginning, the motto of both W:O:A organizers has been “By fans for fans!” — and that naturally applies to the 35 warm-up shows on April 18, 2026, as well. “Normally, Wacken welcomes the world,” says founder Holger Hübner. “On this day, it’s the other way around: the world welcomes Wacken — and together we celebrate a global heavy metal party.”​

​Tickets for the Wacken Open Air are available here.
​

​Further press materials, including a list of all participating countries, short interviews with selected Metal Battle promoters, and short biographies of selected bands, can be found here.

About Wacken Open Air:​
Wacken Open Air is the largest heavy metal festival in the world. Starting with 800 visitors in 1990, nowadays 85,000 fans from all over the world travel to Wacken every year, turning the small village in Schleswig-Holstein into the center of the festival scene for several days. The organizing WOA Festival GmbH is connected to a broad network, including band management, the Wacken Foundation, tour booking, music publishing, Travel & Stay, merchandising distribution, and ticketing. In cooperation with partners, these results in creative solutions and ideas that revolutionize the festival experience, enable technical innovations, and produce extraordinary event concepts. Wacken Open Air 2026 will take place from July 29 to August 1, 2026.

​
—
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0 “The Saint” of Mosh Pits! Vancouver’s WITHOUT MERCY Unleashes Explosive Video For New EP “Infinite Loss” Out May 2026

  • March 26, 2026
  • by Asher
  • · Music News · Without Mercy

NEWS RELEASE

Montreal, QC – March 26, 2026

“The Saint” of Mosh Pits! Vancouver’s WITHOUT MERCY Unleashes Explosive Video For New EP “Infinite Loss” Out May 2026

Top – L -R – Alex Friis – Vocals, Matt Helie – Drums, Ryan Loewen – Bass
Bottom – DJ Temple – Guitars
Photo Credit: Shimon Photo – http://www.shimonphoto.com

Vancouver, Canada’s extreme groove metallers Without Mercy return with “Infinite Loss,” a new three‑track EP arriving May 8th, 2026, marking the group’s most focused and intentional work to date. Alongside the announcement, the band is unveiling the EP’s first single, “The Saint,” accompanied by a new music video.

Recorded after uprooting their lives and spending ten days living inside the studio environment, “Infinite Loss” captures a period of intense pressure, creative risk, and uncompromising honesty. For the first time in their career, the band left home to make a record, crossing borders, abandoning routine, and committing fully to the process.
​​
“There was no comfort, no distance, and no way to step away. That isolation mattered. It stripped everything down to what was essential. This record exists because we chose to be uncomfortable, to argue honestly, and to stay in the room until it felt right,”
 says guitarist DJ Temple.
​
​“The Saint” marks the band’s boldest departure yet. Shaped collaboratively between the band and their producer, John Douglass, the track pushes Without Mercy into unfamiliar territory while remaining grounded in the identity they’ve built since 2007.
​
The song explores the question at the heart of artistic evolution: How do you grow without abandoning the foundation that brought you here? Rather than discarding their roots, the band tests their flexibility, stretching them to the breaking point.
​
Lyrically, “The Saint” confronts the idea of being enslaved by the land, “all the different whips, and all the different backs.” Musically, it leans into space, tension, and unpredictable movement, challenging the band’s established direction and ultimately earning its place on the EP by expanding its emotional range.
​
​“Infinite Loss” is built around three songs that the band describes not as singles, but as statements. Each track was chosen only after surviving months of scrutiny, revision, and honest critique, both internally and from its producer. Lyrically, the EP centers on the feeling of being hunted repeatedly by shifting, modern pressures: economic strain, identity, expectation, time, and survival. There is no single antagonist. The threat changes shape, but never disappears.
​
Musically, the record mirrors that tension through weight, repetition, and restraint. Riffs sit long enough to suffocate. Rhythms feel physical and deliberate. The aggression is controlled rather than explosive, creating a sense of inevitability rather than chaos. The result is a release that is confrontational without theatrics, an unfiltered snapshot of a band choosing discipline over convenience and honesty over expectation.
​
The EP’s artwork was created in collaboration with longtime friend Diego Gedoz de Souza, who helped refine the visual direction after early concepts fell short. The final image, a desolate forest with a massive void carved into the earth, reflects the EP’s emotional core: inevitability, loss, and the pull toward something inescapable.

Recommended for fans of Meshuggah, Alluvial, Decapitated, Fit For An Autopsy, and Gojira, watch and listen to the video for the first single, “The Saint,” via its premiere on NoCleanSinging HERE.

Due out on May 8th, 2026, EP “Infinite Loss” is available for pre-save at https://ffm.to/infiniteloss​

Track Listing:​
1. Infinite Loss – (4:15)
2. The Saint – (3:39)
3. Glass – (3:16)
EP Length: 11:11

EP and Live Band Line Up:​
Alex Friis – Vocals
DJ Temple – Guitars
Ryan Loewen – Bass
Matt Helie – Drums

Formed in 2007, Without Mercy is Alex Friis (vocals), DJ Temple (guitars), Ryan Loewen (bass), and Matt Helie (drums). Together, they built their identity on pushing boundaries and refusing comfort. Their sound fuses the weight of groove with the intensity of extreme metal, earning them stages alongside Cattle Decapitation, Aborted, Death Angel, and more.
​
Their discography includes All Else Fails (2007), Without Mercy (2009), Reborn/Mouichido (2014/2016), and Seismic (2020), each release expanding their technical precision, emotional depth, and genre‑defying approach.
​
The band’s evolution is rooted in contrast: four musicians with different influences learning to protect their differences rather than smooth them out. The result is a sound that is dynamic, unyielding, nuanced, textural, and intentional.

More info:

​https://www.withoutmercyband.com/

​https://www.facebook.com/withoutmercyband​

​https://www.instagram.com/withoutmercyband​

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“Without Mercy’s New Album Is A Whirlwind of Sonic Punishment” – The Pit (Seismic – 2020)

“Right from the start (Uprooted), Without Mercy set the bar high for their extremity, aiming for something far more chaotic. The opening is a mix between the pure grind-death akin to that of Cattle Decapitation, and the math metal sound of Protest the Hero.”- Metal Injection (Seismic – 2020)

“pay witness (I Break The Chain) to their thrashy death metal a la Cattle Decapitation, Meshuggah and Decapitated and watch as they adorn the blast beats and breakdowns with beer guts and brogues.” – Decibel Magazine (Seismic – 2020)

“…To put it simply: the band does an incredible job of blending their grooves with their growls. Between segments of death, doom, and shreddy guitar solos that absolutely slay, there are moments of satisfying melodic breakdowns, and cutting riffs to die for… Seismic is full of lyrics that hold true and poignant meaning while using powerful imagery to evoke epic scenes of turbulent life and painful decay in the minds eye… ground-shaking album. 4/5” – Metal-Rules (Seismic – 2020)
​
​
​“Overall, two elements really struck me here…one was the level of intensity, and the other the level of musicianship from the band. How they can remain unsigned is a mystery to me. They play with such a tight synergy that it’s almost like they can finish each other’s sentences before they even open their mouth.” – Metal Temple (Seismic – 2020)

“While the heavy metal name generator might have had something to do with what this meaty metal unit called themselves, you can’t say it doesn’t fit. Without Mercy are pretty damn *ahem* merciless and to cap that off, their new album is so aptly titled. Seismic…a relentless powerhouse that is akin to tectonic plates smashing into each other. There is no fucking mercy and it’s fucking glorious. Excuse the swearing but that’s how this album makes you feel. It makes you feel like a beast. It makes you feel capable of taking on the world. It’s chunky, it’s thick, it’s chokingly devastating and undoubtedly one to be remembered.” – Games, Brrraaains & A Head-Banging Life (Seismic – 2020)

“The thrash-stomp modes on “Worthless” ring like a head-on collision between DECAPITATED and BIOHAZARD with a dash of power metal thrown into the solo section. Alex Friis wrings his throat to huge extremes, hopefully leaving tissue intact as he hits agonizing squeals while throwing indictments against former band members — guess on your own who that might entail. DJ Temple’s guitar work on “Worthless” is terrific..” (Mouchido EP 2016) – Blabbermouth

“Vancouver’s Without Mercy is a prime example of how putting in a little bit of elbow grease can result in advantageous outcomes. The quartet play their brand of melodic, groove-laden death metal independently, but refuse to remain held back by a lack in the promotional and money machine backing departments. Over the course of a decade or so, the band has experienced the same highs and lows as most others, but their successes – which include a small handful of recordings, a bigger handful of tours, and appearances in video games – have been felt at a deeper clip because they’ve essentially managed everything themselves.” (Mouchido EP 2016) – Decibel Magazine

“In a word, the music rips. And it also thunders, and punches so fast and hard that it’s like a jackhammer-sized nail gun ramming bolts into concrete at high speed while the operator howls and shrieks for all he’s worth, segmented by a start-stop breakdown that will give your skull a good rattling and lit up by swarming guitar flurries that are as fiery as the torches in the video (Burn).” (Mouchido EP 2016) – No Clean Singing

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0 Streaming Now! SIEGE PERILOUS’ New Album “Becoming The Dragon” ft. Guests Fabio Lione (Rhapsody, Angra) and Kristin Starkey (Twilight Force, Temperance) + Music Video “Echoes of Home”

  • March 26, 2026
  • by Asher
  • · Music News · Siege Perilous

NEWS RELEASE

Montreal, QC – March 26, 2026

Album Download HERE (for media use only)

Streaming Now! Power Metal Storytellers SIEGE PERILOUS’ Concept Album “Becoming The Dragon” + New Music Video “Echoes of Home”

Album Guests Fabio Lione (Rhapsody, Angra) and Kristin Starkey (Twilight Force, Temperance)

L-R: Mark Girard (Drums) | Eric Fischer (Bass) | Shaughnessy McDaniel (Vocals) | Ryan Flanagan (Guitar) | Scott Hancock (Guitar)

Photographer Credit – Gii Astorga

Denver, CO power-metal storytellers Siege Perilous will be unveiling their long‑awaited debut full‑length concept album, officially on Friday, March 27th, via Crunchtronic Records. And before officially releasing, the band has teamed up with New Noise Magazine for the full-stream premiere of the concept record, along with their new music video for the emotional power ballad “Echoes of Home” ft. Kristin Starkey. The release follows months of anticipation fueled by the band’s earlier singles, including the title track and the Fabio Lione-fronted “As the Dragon Falls.”

“Becoming the Dragon” is a cinematic, story‑driven concept album chronicling the rise, fall, and transformation of the “Child of Prophecy,” a hero who ultimately embraces destiny by becoming the very dragon he was sworn to slay. Across ten tracks, Siege Perilous blends epic riffing, soaring vocals, and symphonic arrangements into a cohesive narrative arc that stands tall among modern power metal concept records. The album features two major guest vocalists who helped shape the band’s identity: Fabio Lione (Rhapsody, Angra) as the voice of the dragon in “As the Dragon Falls”, Kristin Starkey (Twilight Force, Temperance) as the Mystic in “Echoes of Home”.
​
For vocalist Shaughnessy McDaniel, these collaborations are deeply personal:
​
​“Getting to sing alongside one of the voices that got me into metal as a teenager is an indescribable blessing, and having Kristin Starkey rip a power ballad with us is far beyond anything we could have hoped for.”​
​
The newly released video “Echoes of Home” highlights one of the album’s most emotional moments, the “all is lost” chapter of the story. Written during a difficult period when McDaniel’s newborn son was in the NICU, the song channels grief, fear, and hope into a sweeping Jim Steinman-inspired power ballad.
​
​“Those nights going home alone while my wife stayed with our son really fueled the sadness and sense of loss that became the core of ‘Echoes of Home.’ Thankfully, he’s now happy, healthy, and just celebrated his second birthday in February.”​
​
Check out both the album and video on New Noise Magazine HERE.​
​
Formed in Colorado by longtime friends and LARP companions Shaughnessy McDaniel (vocals), Scott Hancock (guitar), and Mark Girard (drums), Siege Perilous grew from a shared passion for fantasy storytelling and the electrifying inspiration of seeing Unleash the Archers live in 2021. Joined by Eric Fischer (bass) and later Ryan Flanagan, the band has evolved into a fully collaborative creative unit. Every track on “Becoming the Dragon: was shaped collectively, with each member contributing to the story beats, arrangements, and narrative flow. The result is a unified musical saga with each chapter standing strong as an individual song.
​
Epic, melodic, powerful, cinematic, and story‑driven, Siege Perilous is recommended for fans of Manowar, Battle Beast, Iron Maiden, Hammerfall, Sabaton, Blind Guardian, Rhapsody, Helloween, and Avantasia.

“Becoming the Dragon” will be available on March 27th, 2026, via Crunchtronic Records on all digital platforms, along with physical CD and Vinyl, plus merch at the following links:

CD + Vinyl (Limited Edition 12″ Vinyl in Draconic Red) – https://siegemetal.bandcamp.com/album/becoming-the-dragon​

Add to your Spotify playlist – https://open.spotify.com/artist/7LbZQwXnTZE0nv3s8aDaSQ​

Music Video – Becoming The Dragon – https://www.youtube.com/watch?v=nzbb6lX-BhM​

Music Video – As the Dragon Falls ft. Fabio Lione – https://www.youtube.com/watch?v=WzMIMvm4wvY​

In additional news, Siege Perilous will also mark the launch of their debut concept album, “Becoming The Dragon,” with a release show in Greeley, CO on April 4th at the Moxi Theater, joined by Starwraith and Wicked Vixen. Full details are available at https://siegemetal.com/album-release-show-april-4-moxi-theater.

Track Listing:​
1. Overture (Instrumental) – (2:37)
2. Ancient Rite – (4:37)
3. As the Dragon Falls (feat. Fabio Lione) – (4:33)
4. Child of Prophecy – (4:05)
5. Shattered Mirage – (4:07)
6. Chieftain – (4:03)
7. Cut Down – (3:01)
8. Echoes of Home (feat. Kristin Starkey) – (4:48)
9. Becoming the Dragon – (5:09)
10. Eschaton – (7:50)
Album Length: 44:54

More info: Siegemetal.com | Facebook.com/siegeband | Instagram.com/siegeperilousmetal | Tiktok.com/@siegemetal​

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“Siege Perilous puts all the notes in the right places and has the chops to be a player in the epic power metal arena… and Becoming the Dragon offers a glimpse of this band’s potential.” – The Metal Crypt
​
“With ‘Becoming The Dragon’, Siege Perilous proves that they are ready for the bigger stage. For fans of Wind Rose, Hammerfall, Sabaton, Blind Guardian, and Iron Maiden, this is a must. This is power metal with heart, brains, and a sword in hand.” – Musika
​
“Becoming The Dragon is an ambitious work that combines epic heavy metal with orchestral elements. Siege Perilous show talent in songwriting and variety of arrangements… The mix of powerful vocals, triple guitar riffing and orchestral interjections makes the album interesting for fans of epic metal,” – MetalUnderground.at
​
““It’s certainly not a lack of ambition, this is a band that clearly sees itself as the natural successors to the true greats of fantasy-based power metal… Guest Fabio Lione… absolutely lays waste to all around him in the role of ‘The Dragon’ on As The Dragon Falls…. They deserve the highest praise for their commitment to the cause if nothing else.” – Sentinel Daily
​
“The 10 tracks keep you on the edge of your seat and even feature a collaboration with Fabio Lione, who deserves to be praised in every way… An album to enjoy!” – Nada Hay Bajo El Sol

“It gives me great pleasure to tell you that Creation’s Call is a blast. Siege Perilous has succeeded in creating what I would call Epic Power Metal for the Working Man. They don’t waste your time with overlong symphonic interludes between tracks, melodramatic narration, or overproduction that tests the limits of your sanity. The band gets right to the point and pulls you into their epic tales of heroic daring immediately. This is a nice breath of fresh air and if this EP is anything to go by, Siege Perilous has a great future ahead of them. Yes, this could be considered power metal but the no-nonsense approach and urgency to the songwriting makes this release absolutely worth checking out for those of us in the NWOTHM scene. Plus, it’s really just a lot of fun. This one is highly recommended. THENWOTHM SCORE: 9/10” – The NWOTHM

“‘Creation’s Call’ never gets boring, even on Heavy Rotation. Five gifted musicians have succeeded in creating a varied EP. The twin guitar solos are convincing the whole time. It’s just a shame that it ends after twenty-one minutes. It makes you wish for a full-length album. And, of course, a thrilling live performance. 9.3/10” – Metalheads Forever Magazine​
​
​“solid power metal style that should satiate any LARP-attendees or Dungeons and Dragons mavens. Keep an eye on this quintet – wield thy sword as they lead the battle charge for more quality power metal from the states. 8/10” – Dead Rhetoric

“There are any number of quality bands like Siege Perilous active right now but the style is popular (and I love it) and these guys are as decent as the next similar act. They lean more the Metal side of the equation using the folk and orchestral moments as flavour, not the main style. CREATION’S CALL is a fine effort and I could easily see them on tour with Brothers Of Metal, All For Metal, Fellowship and other costumed Metal heroes. Worth checking out!” 4/5 – Metal Rules​
​
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0 Only A Few Days Left! TAMPA DEATH FEST Taking Band Submissions For 2026 Lineup

  • March 25, 2026
  • by Asher
  • · Music News · Tampa Death Fest

NEWS RELEASE

Montreal, QC – March 25, 2026

Only A Few Days Left! TAMPA DEATH FEST Taking Band Submissions For 2026 Lineup

Celebrating eight years of delivering some of Florida’s most savage and unrelenting extreme metal, Tampa Death Fest is gearing up for its next chapter, and only a few days remain for bands to throw their name into the ring for the 2026 lineup.

Returning September 4th and 5th to the legendary Brass Mug in Tampa Bay, the festival is currently accepting submissions to fill its final performance slots. Extreme‑metal acts from anywhere in the world are encouraged to apply before the April 1st deadline. TDF continues its mission to showcase the full spectrum of brutality the genre has to offer, highlighting diversity, intensity, and global reach.

Bands can submit their EPKs to: tampabaymetalscene.booking[@]yahoo.com​
​
Since launching in 2019, Tampa Death Fest has cemented itself as a cornerstone of the underground extreme‑metal community. Rooted in the city widely hailed as the Death Metal Capital of the World, TDF continues to unite bands, fans, and local businesses under its guiding mantra: “Strength Through Unity, Unity Through Metal.”
​
Each year, TDF showcases a diverse roster of international, national, and regional acts, offering a platform for rising underground talent to share the stage with established legends. Past editions of TDF have hosted such notable acts as Satan, Venom, Inc, Ringworm, Diabolic, Leishmaniasis (Colombia), Repulsive Vision (UK), Massacre, Atheist, GraveHuffer, Blasphemation, Carpathian Funeral, Kill The Imposter, Sadistic Vision, Nibiru, Merciless Scum, Quiescent Mantis, MRSA, Pantheon, and more.

With an ever‑growing international presence, Tampa Death Fest continues to strengthen connections across Florida and beyond, fostering a spirit of collaboration and community engagement within the metal scene.

Event Details:
​
Dates: September 4–5, 2026
Location: The Brass Mug, Tampa Bay, FL
​
​About Tampa Death Fest:​
Founded in 2019, Tampa Death Fest has grown into a premier event within the extreme metal world. The festival’s mission is to uplift artists, unite fans, and celebrate the culture of heavy music through a shared passion for brutality, creativity, and community.

More Info: https://www.facebook.com/profile.php?id=61577052471967​

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“With Tampa’s legendary death metal scene, I think we can all agree that there should be a fest in this city. There have been a few, but they have come and gone. This includes the three-day Tampa Deathfest that just happened in October 2023. What I like about this Tampa Deathfest is it not only hailed legends, such as Hellwitch and Venom, Inc., but it also represented the local talent we still have here.”- Infernal TV

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0 NYC Thrashers ANOTHER DEMON Signs To Ragebreed Records for Re-Release of EP “As Above So Below” ft. Guest James Murphy (Testament, Death, Obituary)

  • March 25, 2026
  • by Asher
  • · Another Demon · Music News

NEWS RELEASE

Montreal, QC – March 25, 2026

NYC Thrashers ANOTHER DEMON Signs To Ragebreed Records for Re-Release of EP “As Above So Below” ft. Guest James Murphy (Testament, Death, Obituary)

L-R – Frank Tosi – Lead Guitars, Dave English – Drums, Max Capshaw – Vocals, Jun Takeshita – Lead Guitars
Photo Credit: Another Demon​

NYC thrash metal outfit Another Demon will officially re‑release their debut EP “As Above So Below” on April 18th, 2026, through Ragebreed Records, with global distribution handled by Earache Records. Originally unveiled independently, the EP now returns with expanded reach and renewed momentum as the band continues its rapid ascent through the East Coast metal ranks.
​
Formed in 2023, Another Demon has quickly carved out a reputation for a sound they define in five words: Powerful, Fast, Aggressive, Thrashing, Evil. Their music fuses high‑velocity riffing, death‑tinged precision, and a dark atmospheric edge—an approach that feels instantly familiar to fans of classic thrash while pushing into new territory.
​
​“We feel like anyone hearing us for the first time will immediately get what we’re about. Another Demon is the kind of band you can feel instantly familiar with and instantly want more,” says guitarist Frank Tosi.
​
The EP delivers a layered listening experience, offering both surface‑level adrenaline and a deeper emotional catharsis. The band’s collaborative writing process, built on trading riffs, expanding ideas, and prioritizing results over ego, creates songs that feel cohesive, urgent, and alive.
​
A major highlight of “As Above So Below” is “Drawn and Quartered,” featuring a guest solo from legendary guitarist James Murphy (Testament, Death, Obituary), whose presence adds both historic weight and technical ferocity to the record. Across its six tracks, the EP delivers a spectrum of thrash intensity: “Reduced to Ash” erupts with frantic, horror‑driven chaos inspired by The Evil Dead, while “Deaf Gods” channels spiritual collapse and frustration through sharp, unrelenting heaviness. “Skull Vessel” pushes deeper into the band’s darker, riff‑forward territory, and “War March” unfolds as a slow‑burning, cinematic descent, massive, ominous, and ritualistic. The title track, “As Above So Below,” ties the EP together with atmosphere, weight, and precision, capturing the full scope of the band’s vision.
​
​Another Demon is powered by four musicians deeply rooted in the NY/NJ/CT heavy music scene. Bassist and vocalist Max Capshaw, known for his work with Sick Of It All, H2O, Murphy’s Law, and Burn, brings decades of hardcore pedigree and a commanding presence at the front of the band. Frank Tosi, the EP’s primary songwriter, shapes the group’s modern thrash identity with guitar work that is tight, aggressive, and atmospherically driven. Alongside him, guitarist Jun Takeshita blends 80s thrash with the intensity of Japanese punk and metal, expanding the band’s sonic range with speed, melody, and precision. Behind the kit, Dave English delivers dynamic, powerful drumming that fuels the band’s relentless pace and rhythmic complexity. Together, they forge a sound built on heavy riffing, razor‑sharp execution, and a balance of pure aggression and immersive atmosphere, music that hits hard and stays with you long after the final note fades.
​
The tracks on “As Above So Below” were shaped over years of dormancy and renewed creative drive. With a full‑length album currently in development, the band promises an even broader expression of their identity.
​
​“These songs reflect our influences and personal tastes. The full‑length will show even more of our collective personality—our best, our heaviest, and our most honest work,” adds Tosi.

Recommended for fans of Slayer, Testament, Exodus, Overkill, and Immortal, “As Above So Below” is available on the following platforms.

Single Stream – Drawn and Quartered ft. James Murphy (Testament, Death, Obituary) – https://www.youtube.com/watch?v=F7m8elmZ2H8

​

Add to your Spotify Playlist – https://open.spotify.com/artist/3kNaNyl0Lcp2NffXJUwjT6?si=SbY0-uwdTE6jlNyjTIRDJA​

Bandcamp – https://anotherdemon.bandcamp.com/album/as-above-so-below​

Track Listing:​
1. Reduced To Ash – 3:13
2. Deaf Gods – 3:05
3. Skull Vessel – 1:49
4. Drawn and Quartered ft. James Murphy (Testament, Death, Obituary) – 5:42
5. War March – 5:44
6. As Above So Below – 5:45
EP Length: 25:20

EP Band Line Up:​
Max Capshaw – Vocals / Bass
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Frank Vaturina – Session Drums

Live Band Line Up:​
Max Capshaw – Vocals
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Fred Romer – Bass Guitar
Dave English – Drums

More info: https://linktr.ee/another_demon_official​

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“Another Demon is some of the best new Thrash Death out there. Glad to be a part of it. The music shreds and crushes!” – James Murphy of Death/Testament/Obituary/Cancer

“Frank writes great metal. Full of shredding evil guitars and catchy songwriting. I could listen to this all day!” – Karl Sanders of Nile

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0 Canadian Modern Metal BURY THE PAST Introduces Its New Era With Their Heaviest Single “Clarity”

  • March 24, 2026
  • by Asher
  • · Bury The Past · Music News

NEWS RELEASE

Montreal, QC – March 24, 2026

Canadian Modern Metal BURY THE PAST Introduces Its New Era With Their Heaviest Single “Clarity”

L-R – Kris King (Bass) – Patrice Jolicoeur (Guitar) – Charles Morin (Vocals) – Til Dubois (Guitar) – Mathieu Fréchette (Drums)

Photo Credit – Sylvain Courchaine (Eighty Oaks Photography)

Metalcore/Post‑Hardcore outfit Bury the Past has officially dropped their brand‑new single “Clarity,” now available on all major streaming platforms. The track marks a defining moment for the five‑piece Canadian band as they step boldly into a heavier, more modern metal direction.
​
Formed through the natural evolution of guitarist Til Dubois’ creative vision, Bury the Past has grown into a powerhouse collective of musicians from across the Gatineau/Quebec scene. With the addition of drummer Mathieu “Fretch” Fréchette (Fractures & Outlines / Soulthief (Upstate Records) & 2025 Wacken Metal Battle Canada National Finalists), the band found the missing piece that would help shape their new sonic identity.
​
​“Clarity was the first song we wrote together with the latest lineup. It introduced a new drumming style as I joined the band permanently. From fast‑paced verses to slower, heavier sections, the single shows what we’re capable of,” says drummer Mathieu Fréchette.
​
Musically and lyrically, “Clarity” is a turning point. The band leans into a more aggressive, modern metalcore sound while keeping the emotional depth and diversity that define their identity. Though heavier than previous releases, the band emphasizes that Bury the Past refuses to be boxed into a single genre; evolution is part of their DNA.
​
If fans are expecting more intensity, they won’t be disappointed.

“Heavy, catchy, emotional, evolving, diverse, that’s how we’d describe our sound. “I think fans are really going to appreciate the new direction. Having Til back on guitar is a major upgrade, and the writing process has never been smoother,” adds Fréchette.
​
The band’s lyrics, primarily crafted by vocalist Charles Morin with contributions from Til and Kris, draw from everyday struggles, personal experiences, and the universal challenges humanity faces. The result is music that hits as hard emotionally as it does sonically.
​
​Bury the Past pulls inspiration from giants like The Ghost Inside, August Burns Red, The Amity Affliction, Alexisonfire, and Parkway Drive, blending metalcore, modern metal, and post‑hardcore into something uniquely their own.
​
And while their music is serious, the band’s personality is anything but one‑dimensional. From inside jokes like shouting “Tooteeth” (a reference to Til’s cats) to a lineup spanning ages 20s to 50, Bury the Past is a family built on passion, humor, and a shared love for heavy music.
​
With plenty of material already written and waiting for the studio, fans can expect more singles from Bury the Past in the near future.

“Timing is key, but trust us, there’s a lot more coming,” adds Fréchette.

Turn it up, dive in, and hear the new era of Bury the Past. “Clarity” is streaming now on all major platforms.
​
​Add to your Spotify Playlist – https://open.spotify.com/track/58hT043E252gg4jgq2m2fB

​

YouTube – https://www.youtube.com/watch?v=Y7VPu2lWhu8

​

Single Recording Credits:​
• All songs performed by: Bury the Past
• All songs written by: Bury the Past
• Produced by: Tiny Rik Productions
• Mixed by: Tiny Rik Productions
• Mastered by: Tiny Rik Productions

Band Line Up:​
Kris King (Bass)
Patrice Jolicoeur (Guitar)
Charles Morin (Vocals)
Til Dubois (Guitar)
Mathieu Fréchette (Drums)

More info: https://linktr.ee/burythepast​

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​
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0 SEVEN METAL SINS Unveils First Single “Wolves Of The Last Dawn” From New Album “Legacy Of Chaos” Out June 2026

  • March 24, 2026
  • by Asher
  • · Music News · Seven Metal Sins (Rockshots Records)

NEWS RELEASE

Montreal, QC – March 24, 2026

SEVEN METAL SINS Unveils First Single “Wolves Of The Last Dawn” From New Album “Legacy Of Chaos” Out June 2026 via Rockshots Records

Seven Metal Sins unveil “Wolves Of The Last Dawn”, the first single taken from their forthcoming full-length album “Legacy Of Chaos“, set for release on June 5th, 2026, via Rockshots Records.

Listen (Spotify): https://lnk.to/ybAMOx

​

YouTube Stream – https://www.youtube.com/watch?v=X3y7GC60LXo

​

Seven Metal Sins unveil “Wolves Of The Last Dawn”, the first single taken from their forthcoming debut album “Legacy Of Chaos“, set for release on June 5th, 2026 via Rockshots Records.

Formed in 2024 by former Manigance members Stéphane Lacoude (bass) and Patrick Soria (drums), Seven Metal Sins quickly evolved into a fully realized band with the addition of guitarist Antton Iriart, vocalist Claw-G., and guitarist Frédéric Auclerc. Built on experience but driven by a renewed artistic vision, the band channels a direct and uncompromising approach to heavy metal.

“Wolves Of The Last Dawn” stands as a clear introduction to the band’s identity: a high-energy track rooted in classic heavy and power metal, defined by sharp riffing, galloping rhythms, and a commanding vocal performance. The song combines intensity and melodic clarity, delivering an immediate impact while maintaining a strong structural focus.

Lyrically, the track reflects the thematic core of “Legacy Of Chaos“, exploring a world shaped by tension, collapse, and resistance. Through dystopian imagery, the band addresses contemporary issues such as environmental decline, social instability, and the consequences of unchecked power, translating these elements into a direct and evocative narrative.

As the band explains, “This song captures the urgency and tension that run through the entire album. It’s about standing at the edge of collapse and choosing whether to resist or surrender. The imagery of the ‘last dawn’ represents that fragile moment before everything changes.”

Musically, Seven Metal Sins draws from the foundations of classic heavy metal while incorporating the speed and precision of modern power metal. Their sound is built on tight, riff-driven songwriting, dynamic rhythmic shifts, and a balance between aggression and melody, positioning the band within a contemporary yet tradition-aware metal framework.

The single anticipates the release of “Legacy Of Chaos“, an eleven-track debut that delivers a cohesive and high-impact listening experience, combining intensity, structure, and thematic depth. Mixed by Jérémie Garat (Reseda Prod) and mastered by Simon Capony (Basalte Studio), the album presents a powerful and well-defined production that enhances the band’s sonic identity.

With “Wolves Of The Last Dawn”, Seven Metal Sins set the tone for a debut album that does not look back with nostalgia but rather reaffirms the relevance of heavy metal through clarity, energy, and purpose.

For fans of: Accept, Primal Fear, Judas Priest, early Helloween
​
New album “Legacy Of Chaos” out June 5th, 2026, from Rockshots Records.

PRE ORDER “Legacy Of Chaos“: https://rockshots.eu/products/seven-metal-sins-legacy-of-chaos-cd​

Track Listing:​
1. The Fall (Intro) – 0:57
2. Scars of Injustice – 4:35
3. No Sanctuary – 4:22
4. Hypocrisy – 4:07
5. Eternal Downfall – 4:57
6. Feel the Steel – 4:20
7. Wolves of the Last Dawn – 4:36
8. Beyond the Breaking Point – 4:01
9. Sun Eaters – 5:00
10. Rise of the Phoenix – 3:55
11. King of Sorrow – 6:25
​
​Seven Metal Sins Line-up:​
Claw-G.: Vocals
Antton Iriart: Guitars
Frédéric Auclerc: Guitars
Stéphane Lacoude: Bass
Patrick Soria: Drums

More info:

​https://www.rockshots.eu/​

​https://www.facebook.com/sevenmetalsins​

​https://www.instagram.com/seven_metal_sins.official​

BIOGRAPHY:

Seven Metal Sins is a European heavy metal band formed in April 2024 by Stéphane Lacoude (bass) and Patrick Soria (drums), both former members of the French act Manigance. After years of shared experience, the two musicians reunited with a clear intention: to return to a more direct, uncompromising approach to songwriting, rooted in the essence of heavy metal while reflecting a renewed creative vision.

The project quickly gained momentum with the addition of guitarist Antton Iriart, whose compositional input became a central element in shaping the band’s sound. In December 2024, vocalist Claw-G. joined the lineup, bringing a powerful and distinctive voice that added intensity and character to the music. The formation was completed in March 2025 with guitarist Frédéric Auclerc, further expanding the band’s harmonic depth and overall dynamic range.

With this solid lineup in place, Seven Metal Sins began refining their musical identity, built on a combination of classic heavy metal foundations and the energy of power and speed metal. Their sound is defined by sharp, riff-driven structures, galloping rhythms, and a strong melodic sensibility, balanced by a modern production approach that emphasizes clarity and impact.

The band made its official debut with the single “Hypocrisy” in April 2025, marking the first step in a focused creative path that led to the completion of their first full-length album, “Legacy Of Chaos“, set for release on June 5th, 2026, via Rockshots Records.

Lyrically, Seven Metal Sins draws inspiration from the fractures of contemporary society, addressing themes such as environmental decline, social instability, and authoritarian drift. These elements are often framed through dystopian and science fiction imagery, creating a narrative that resonates with both present realities and possible futures.

With “Legacy Of Chaos“, Seven Metal Sins establishes a clear artistic identity: a band rooted in experience, driven by purpose, and committed to delivering heavy metal that is direct, intense, and relevant within today’s landscape.

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0 Out Now! Italian Melodic Death KARMIAN Unleashes New Concept Album “Horror Vacui” – A Haunting Dive Into the Void of the Human Psyche

  • March 20, 2026
  • by Asher
  • · KARMIAN (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – March 20, 2026

Out Now! Italian Melodic Death KARMIAN Unleashes New Concept Album “Horror Vacui” – A Haunting Dive Into the Void of the Human Psyche

Rockshots Records proudly announces the release of Horror Vacui, the new full‑length album from Italian melodic death metal force Karmian, available March 20th. A concept record rooted in true events, “Horror Vacui” marks the band’s most ambitious, introspective, and emotionally charged work to date, a descent into the psychological and existential void behind real acts of murder and moral collapse.
​
​“Horror Vacui is the darkest and most introspective chapter of our journey. A descent into the psychological and existential void that hides behind real acts of murder and madness,” says the band.
​
Recorded, mixed, and mastered at Audiocore Studio by Luca Cocconi and Simone Sighinolfi, the nine tracks on “Horror Vacui” transform true Italian crime cases into harrowing portraits of human fragility, alienation, and the emptiness that breeds violence. Vocalist and lyricist Andrea Bertolazzi approached each story not to sensationalize, but to expose the void beneath the brutality. As he explains:
​​
“We didn’t want to glorify horror; we wanted to expose its roots. This record is about the emptiness that breeds violence, and the fragile humanity that hides beneath.”
​
​
From the tragic collapse of nurse Sonya Caleffi to the cult‑like spiral of the Beasts of Satan, from the myth‑shrouded Alleghe murders to the disturbing obsessions of Marco Mariolini and Gianfranco Stevanin, each track becomes a psychological study rendered through Karmian’s signature blend of aggression, melody, and narrative depth.
​
With “Horror Vacui,” Karmian pushes their sound further than ever. The album fuses Swedish‑influenced melodic death metal with cinematic tension, intricate arrangements, and a raw, live‑driven production approach. Every instrument was recorded acoustically without studio trickery, preserving the band’s trademark authenticity.
​
​“It’s our most mature and intense work to date, melodic death metal meets cinematic tension, raw energy, and psychological storytelling. We wanted the album to leave a lingering sense of inner unease, a discomfort that wounds, but is also exorcised through the act of listening,” adds the band.
​
The result is an album meant not just to be heard, but felt, a visceral experience that lingers long after the final note. The band hopes listeners will explore the layers of meaning, the connections to real events, and the emotional weight embedded in every riff and lyric.
​
​“Horror Vacui” stands as Karmian’s most profound artistic statement, a fusion of philosophy, extreme metal, and psychological exploration. It is a record that challenges, confronts, and compels reflection on the abyss within.

Recommended for fans of The Haunted, Kataklysm, Heaven Shall Burn, At The Gates, early Dark Tranquillity, and early In Flames, “Horror Vacui” is available now as of March 20th, 2026, through Rockshots Records.

CD – “Horror Vacui” – https://rockshots.eu/products/karmian-horror-vacui-cd​

Add to your Spotify playlist – https://open.spotify.com/album/4lEIA86baPxAQIlIq7jCzE?si=4lFqJB9MQQGnYxBluhv5cA

Music Video – Libido Et Mors – https://www.youtube.com/watch?v=qe4bccF7cx4

​Visualizer – Beastmaster Of The Void – https://www.youtube.com/watch?v=-NhBZGSShJE

​Lyric Video – Beyond The Dream Gate – https://www.youtube.com/watch?v=YOH-uCK88qI

​

Track Listing:​
1. One Thousand Shining Bubbles – 06:38
2. Beastmaster of the Void – 03:21
3. Gott Mit Uns Nicht – 04:38
4. The Call of the Abyssal Bell – 06:17
5. Black Magical Soap Opera – 03:54
6. Temple of the Fleshless Goddess – 03:23
7. Libido et Mors – 03:40
8. Beyond the Dream Gate of Fear – 04:16
9. Maker of Angels – 04:43
Album Length: 40:50

Karmian Line-Up:​
Andrea Bertolazzi: Vocals
Andrea Baraldi: Guitars
Michele Perla: Guitars
Luca Marmi: Bass
Nicholas Badiali: Drums

More info:

​https://rockshots.eu/​

​https://www.instagram.com/karmian_official/​

​https://www.facebook.com/KarmianBand/​

BIOGRAPHY:

Originating from Modena, Italy, Karmian stands as one of the most consistent and distinctive voices in Italian melodic death metal, forging a sound that blends raw aggression, melodic nuance, and strong conceptual depth. Their music draws from the sharp-edged intensity of the Swedish tradition while embodying a uniquely Italian sense of drama, history, and emotional resonance.

The band’s earliest incarnation dates back to 2005, when founders Andrea Baraldi, Mauro Leone, and Nicholas Badiali formed a project under the name When the Storm Broke. Though the group disbanded in 2009 after several lineup changes, the experience laid the foundations for what would later become Karmian. In 2011, the founding members revived the project with the addition of vocalist Andrea Bertolazzi, giving rise to the definitive identity of the band and solidifying their path within melodic death metal.

Karmian debuted in 2012 with the EP “Ways of Death”, a conceptual release exploring psychological decline and the “ways of death” – themes that would become central to the band’s artistic identity. Years of touring across Italy and Europe further strengthened their presence within the extreme metal scene, leading to their first full-length album, “Surgere et Cadere” (2018). Rooted in historical and mythological narratives, the album recounts the struggle of the Celtic Boii tribe against the Roman Empire, showcasing the band’s lyrical ambition and intricate musicianship.

Following extensive touring, including performances with Dying Fetus, Mortuary Drape, and Venom Inc., Karmian released “Live at Slaughter Club” (2022), a testament to their intensity and authenticity on stage. After the pandemic years, the lineup evolved with the arrival of Luca Marmi (bass) and Michele Perla (guitars), marking the beginning of a darker, more elaborate creative phase.

This evolution culminates in their most ambitious work to date: the 2026 full-length “Horror Vacui”, recorded at Audiocore Studio with Luca Cocconi and Simone Sighinolfi. The album explores the psychological and existential void behind real acts of Italian murder and madness, transforming nine true-crime cases into allegorical portraits of emptiness, collapse, and human frailty. Musically, “Horror Vacui” expands the band’s soundscape through intricate dual-guitar writing, powerful rhythmic structures, and Bertolazzi’s blend of guttural intensity and narrative expressiveness.

Across their discography, Karmian have built a reputation for merging conceptual storytelling with extreme metal intensity. Whether navigating historical epics or psychological abysses, their work is defined by a commitment to exploring the deeper forces that drive human behavior – resistance, decline, obsession, and the void within. “Horror Vacui” stands as the culmination of this journey: a mature, uncompromising statement of artistic vision, philosophy, and melodic death metal identity.

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0 TAMPA DEATH FEST Announces Band Submissions For 2026 Lineup

  • March 19, 2026
  • by Asher
  • · Music News · Tampa Death Fest

NEWS RELEASE

Montreal, QC – March 19, 2026

TAMPA DEATH FEST Announces Band Submissions For 2026 Lineup

Celebrating eight years of showcasing some of the most debaucherous and brutal extreme metal to roll through the state of Florida. Tampa Death Fest returns for two nights of uncompromising extreme metal on September 4th and 5th at the legendary Brass Mug in Tampa Bay, Florida.

The festival has announced it’s accepting band submissions to fill remaining slots for its 2026 lineup. Bands interested in performing at Tampa Death Fest are encouraged to submit their materials before the April 1st deadline. TDF welcomes extreme-metal acts of all styles and origins, with a commitment to curating a lineup that reflects the genre’s depth, diversity, and global reach.
​
​Bands can apply their EPK at: tampabaymetalscene.booking[@]yahoo.com​
​
Since launching in 2019, Tampa Death Fest has cemented itself as a cornerstone of the underground extreme‑metal community. Rooted in the city widely hailed as the Death Metal Capital of the World, TDF continues to unite bands, fans, and local businesses under its guiding mantra: “Strength Through Unity, Unity Through Metal.”
​
Each year, TDF showcases a diverse roster of international, national, and regional acts, offering a platform for rising underground talent to share the stage with established legends. Past editions of TDF have hosted such notable acts as Satan, Venom, Inc, Ringworm, Diabolic, Leishmaniasis (Colombia), Repulsive Vision (UK), Massacre, Atheist, GraveHuffer, Blasphemation, Carpathian Funeral, Kill The Imposter, Sadistic Vision, Nibiru, Merciless Scum, Quiescent Mantis, MRSA, Pantheon, and more.

With an ever‑growing international presence, Tampa Death Fest continues to strengthen connections across Florida and beyond, fostering a spirit of collaboration and community engagement within the metal scene.

Event Details:
​
Dates: September 4-5, 2026
Location: The Brass Mug, Tampa Bay, FL
​
​About Tampa Death Fest:​
Founded in 2019, Tampa Death Fest has grown into a premier event within the extreme metal world. The festival’s mission is to uplift artists, unite fans, and celebrate the culture of heavy music through a shared passion for brutality, creativity, and community.

More Info: https://www.facebook.com/profile.php?id=61577052471967​

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“With Tampa’s legendary death metal scene, I think we can all agree that there should be a fest in this city. There have been a few, but they have come and gone. This includes the three-day Tampa Deathfest that just happened in October 2023. What I like about this Tampa Deathfest is it not only hailed legends, such as Hellwitch and Venom, Inc., but it also represented the local talent we still have here.”- Infernal TV

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0 Canada’s IRON KINGDOM Unveils First Single “Defenders” From Sixth Album “Shadows and Dust” Out June 2026 + Cross Canada Tour!

  • March 19, 2026
  • by Asher
  • · Iron Kingdom · Music News

NEWS RELEASE

Montreal, QC – March 19, 2026

Canada’s IRON KINGDOM Unveils First Single “Defenders”

Sixth Album “Shadows and Dust” Out June 6th, 2026 via Steel Shark Records

Headline Hometown Show in Vancouver + Cross Canada Tour! and Armstrong Metal Fest, Loud As Hell Open Air Fest

L-R: Max Friesen (Drums) | Chris Osterman (Lead Vocals / Lead Guitar) | Megan Merrick (Lead Guitar) | Leighton Holmes (Bass)

Photo Credit – Cailin Haley

Vancouver, Canada’s traditional heavy metal torchbearers IRON KINGDOM proudly announce the release of “Defenders,” the first single and music video from their upcoming sixth studio album, “Shadows and Dust,” due out June 6, 2026. The album is also being released in partnership with Steel Shark Records (France), which will offer an exclusive EU edition limited to just 300 double‑CD copies. Disc 1 will contain the full “Shadows and Dust” album, while Disc 2 will feature a “Best Of” collection highlighting tracks from Iron Kingdom’s previous five releases. In addition, the label will introduce a third vinyl colour (100 copies) available only to EU fans.

“Defenders” sets the tone for “Shadows and Dust” with a powerful blend of speed, emotion, and classic heavy metal grit. Inspired by the Battle of Gdansk, the track pays tribute to the Polish soldiers who held their ground for seven days against Nazi invasion, an act of courage that deeply resonates with vocalist/guitarist Chris Osterman, whose own family history is tied to the conflict.
​
​“Being that my family is half Polish, this song strikes a chord for me. I imagined what my great‑grandfather experienced riding with the Polish cavalry in WWII, and I also imagined what people in Ukraine must be feeling right now. Even though the song is fast and heavy, it’s very emotional. It speaks to the courage of those who defend their families, their friends, and their way of life,” says Osterman.
​
Musically, “Defenders” channels the band’s signature blend of classic heavy metal, drawing influence from acts like Tyran Pace and Primal Fear, with soaring melodies, galloping riffs, and a relentless sense of urgency.

Watch and listen to the music video for “Defenders” at https://www.youtube.com/watch?v=t3k7tW5-9Os

​
​
​“Shadows and Dust” sees IRON KINGDOM exploring darker lyrical themes, death, hardship, impermanence, while maintaining the triumphant spirit and melodic fire that define their sound.
​
​“This album plays in a dark realm of topics, but I think that’s what will make it accessible to people going through tough times. The music shows hope for a positive way out. It’s a journey from front to back,” adds Osterman.
​
The album’s artwork by Alan Lathwell was inspired by the track “Blood and Steel” and the Malazan Book of the Fallen series by Steven Erikson, depicting an army marching through a harsh, unforgiving landscape, a metaphor for perseverance through adversity.
​
​IRON KINGDOM will celebrate the release of “Shadows and Dust” with a hometown headline show at the Rickshaw Theatre on June 5, delivering the high‑energy, classic‑metal stage show they’ve become known for. Info at https://orangetickets.ca/detalles_evento.php?id_evento=2127​
​
Following the album launch, the band will hit the road across Western Canada with confirmed festival appearances at Armstrong Metal Fest and Loud As Hell Festival.

True North Strong And Heavy Canadian Tour – Iron Kingdom, W.M.D.
https://www.iron-kingdom.com/tour-dates
June 5 – Vancouver, BC – The Rickshaw
July 2 – Nanaimo, BC – The Globe
July 3 – Victoria, BC – Lucky Bar
July 4 – Cumberland, BC – The Waverley
July 5 – Powell River, BC – The Carlson Loft
July 17 – Armstrong, BC – AMF 2026
July 21 – Prince George, BC – Knox Performance Centre
July 23 – Whitehorse, YT – Lefty’s Well
July 24 – Dawson City, YT – The Pit
July 25 – Dawson City, YT – The Pit
July 26 – Whitehorse, YT – TBD
July 28 – Yellowknife, NT – The Underground
July 29 – Fort Smith, NT – Dirty O’ Fergie’s
July 30 – Edmonton, AB – Starlite
July 31 – Drumheller, AB – LAH 2026
Aug 1 – Winnipeg, MB – Park Theatre
Aug 2 – Thunder Bay, ON – Bloom Bar + Lounge
Aug 3 – Sudbury, ON – The Lounge 390
Aug 4 –  London, ON – Supply & Demand
Aug 5 – Waterloo, ON – Maxwells
Aug 6 – Hamilton, ON – TBD
Aug 7 – Toronto, ON – Bovine
Aug 8 – Montreal, QC – Foufounes Electriques
Aug 9 – Sherbrooke, QC – Le Murdoch
Aug 11 – Woodstock, NB – Monteith Manor
Aug 12 – Halifax, NS – Gus’ Pub
Aug 14 – Corner Brook, NL – TBD
Aug 15 – St. John’s, NL – The Rockhouse
Aug 17 – Truro, NS – Marigold Cult. Centre (Lobby)
Aug 18 – Quebec City, QC – L’Anti
Aug 19 – Ottawa, ON – Dominion Tavern
Aug 21 – Saskatoon, SK – Black Cat Tavern
Aug 22 – Calgary, AB – Dicken’s
Aug 23 – Kelowna, BC – Jackknife Brewing

Formed in 2011, IRON KINGDOM have spent over a decade championing the classic heavy metal tradition, drawing influence from legends such as Iron Maiden, Judas Priest, Helloween, The Scorpions, and Rush. Known for their electrifying live performances, intricate musicianship, and unwavering dedication to the genre, the band has toured extensively across Canada, the USA, Europe, and Brazil, sharing stages with acts like Night Demon and Blaze Bayley.
​
​“Shadows and Dust” marks the next chapter in their evolution, an album that blends old‑school metal spirit with fresh energy and emotional depth.

Album Teaser – https://www.youtube.com/watch?v=nmWn8pKOyh0

​

Album pre-order (release date June 6th, 2026) available at the following links:

Official Merch store: https://www.iron-kingdom.com/shop​
Bandcamp: https://iron-kingdom.bandcamp.com/music​

Track Listing:
​
1. Defenders
2. Eternal Emperor
3. Dreamless Sea
4. Deadhouse Gates
5. Line Of Fire
6. Blood And Steel
7. Shadow Of Time
8. Dark Demands
9. Starlight
10. Sacred Fire

For more info:
​
https://www.iron-kingdom.com​
​https://www.facebook.com/ironkingdomofficial​
​https://www.instagram.com/iron_kingdom​
​

– 30 –

“Loads of riffs and melodies some excellent lead breaks and pounding rhythms. This is bonafide, foot on the monitor, fist pumping, horn throwing real metal. I have never heard Iron Kingdom before but on the strength of this I will be obtaining the back catalogue very soon.” – My Global Mind (The Blood of Creation 2022)

“If you haven’t checked out Iron Kingdom’s earlier releases and you dig pure ’80s metal, grab a copy of The Blood of Creation then get ready to hunt down their earlier catalog. You will not be disappointed.” – The Metal Crypt (The Blood of Creation 2022)

“I am compelled to say that IRON KINGDOM most surely outdone themselves with “The Blood Of Creation”… A distinctively distinguished experience in Heavy Metal relishment distils at an epically entrancing adventure, should you desire it… an injection in infectiously venomous momentum most definitely deserves interest – do check it out.” – Metal Temple (The Blood of Creation 2022)

“With The Blood Of Creation, Iron Kingdom have forged a masterpiece that brings tears of joy to the eyes of every traditional metalhead. There is only high-quality material and everyone is encouraged to include this album in their choice of this year’s Top10. ” – Soundmagnet (The Blood of Creation 2022)

“To put a bow on IRON KINGDOM’s The Blood of Creation, it’s dang good, borderline perfect and any fan of hard rock and heavy metal that is slathered with soaring epic vocals, dual guitar rhythm and shredding solo’s layed down on a feather bed of thunderous, galloping and filling chattering drums and bass then go, go, go get you some of this. A monster thank you to Chris for taking the time to chat me up and gift me this glorious CD. Now I need to go and get the back catalog…” – KNAC (The Blood of Creation 2022)

“a barnstorming barrage of blistering heavy metal, highly head bang-able and immensely infectious.” – Metal Gods TV (The Blood of Creation 2022)

“”The Blood of Creation” is a satisfying excursion into metal classicism.” – Wormwood Chronicles (The Blood of Creation 2022)

“This is a solid album of heavy metal delivered in the style that is true to the cause and therefore, what the listener gets here with ‘The Blood of Creation’, is an album which mounts its steeds and charges forward in a cavalry strike as galloping riffage and rhythms never give the listener the chance to let up with tracks such as ‘Queen of the Crystal Throne’, ‘In the Grip of Nightmares’ and ‘Witching Hour’ having some very impressive twin guitar lines. This would impress any fan of Iron Maiden, Riot V and Iced Earth, but also sticks within the remit of trad metal with bands such as Katana, Skelator and Toledo Steel.” – Metal Digest (The Blood of Creation 2022)

“Anyone who likes beautiful and playful melodies, extensive guitar solos, detailed arrangements and double lead guitars will be well served with “The Blood Of Creation”.” – PowerMetal.de (The Blood of Creation 2022)

“The musicianship is solid, the lead work sharp and Osterman’s high-pitched vocals can certainly hit the heights. His soaring shrill delivery on ‘Queen of the Crystal Throne’ demonstrates that perfectly. New drummer Max Friesen makes his recording debut for the band and puts in a sterling effort with some robust and powerful performances.” – Ever-Metal (The Blood of Creation 2022)

“Iron Kingdom created an iron-bound, battle-hardened piece of traditional Heavy Metal that truly made me want to turn the clock back to those long-gone days of glory. Times when metal was just that, the pure joy of a style that was still new, exciting, and powerful. Or to let the band speak in their own words, they “…decided to play metal the way it used to be played in the 70s and 80s.” Well, mission fucking accomplished. Well done, guys.” – Rock Music Raider (The Blood of Creation 2022)​
​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

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