Category: Music News

0 Greek Folk Melodic Death KOSMOGONIA Shares New “Oblivion” Guitar Playthrough Video For Latest Album “Aella”

May 7, 2026
by Asher
· KOSMOGONIA (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – May 7, 2026

Greek Folk Melodic Death KOSMOGONIA Shares New “Oblivion” Guitar Playthrough Video

Sophomore Album “Aella” Out Now! (Rockshots Records)

Athens-based folk melodic death metal force Kosmogonia have released the official guitar playthrough video for “Oblivion”, a powerful, emotionally charged track from their sophomore album “Aella”.

WATCH THE VIDEO HERE: https://www.youtube.com/watch?v=EPmAvghJ2B0

Listen to single “Oblivion”: https://lnk.to/qJcMfa4z

Driven by aggressive riffing, melodic lead work, and dark pagan atmospheres, “Oblivion” captures the band’s distinctive fusion of melodic death metal ferocity, symphonic arrangements, and evocative folk elements. The playthrough video offers an up-close look at the intricate guitar interplay and dynamic songwriting that shape Kosmogonia’s sound – balancing mythological grandeur with modern extreme metal intensity.

Formed in Athens in 2015, Kosmogonia have steadily established themselves within the European folk and melodic death metal scene through a sound deeply rooted in ancient mythology, pagan traditions, and epic storytelling. Their second full-length album, “Aella,” received strong praise across Europe and Latin America, earning recognition from Metal Hammer Portugal and expanding the band’s international visibility. Through Rockshots Records, the album now reaches a broader international audience while the band simultaneously works on new material for its next studio chapter.

Set in 350 B.C., “Aella” tells a tragic story of war, destiny, and forbidden emotion following the encounter between the Scythian princess Aella and the Greek mercenary Lykon during a brutal conflict between civilizations. Across the album, Kosmogonia combine dual vocal dynamics, atmospheric flute passages, layered orchestrations, and modern melodic death metal aggression into a powerful and immersive listening experience.

For fans of Eluveitie, Ensiferum, Epica, and Nightwish.

Listen to “Aella”: https://lnk.to/w3NtMoYV

Music Video – The Oracle – https://www.youtube.com/watch?v=C6eB8tUV3fQ

Kosmogonia Line Up:

Dimitra LeFay: Vocals
Kostas Magalios: Vocals & Guitar
George Kanellopoulos: Guitars
Odysseus Poulos: Keyboards
Kyriakos Konstantinou: Bass Guitars
Alex Papavangelis: Drums
Ismini Vasileiou: Flute

More info: https://rockshots.eu/
Instagram: https://www.instagram.com/kosmogonia_official/
Facebook: https://www.facebook.com/Kosmogoniafolk

Biography

Formed in Athens in 2015, Kosmogonia fuse folk melodies and symphonic textures with the ferocity of melodic death metal. Founders Kostas Magalios (guitar/vocals) and Christos Drosos (guitar) debuted with the demo “Fallen Pegasus” and, later that year, a self-released EP. After a stylistic shift in 2017 marked by the single “Triiris,” the band built momentum through Greek festival appearances and international radio play. Their debut album, titled “Enthrone the Gods,” released in 2020, earned a 9.1/10 average review score, a Metal Hammer Portugal mention, and multiple chart placements across Europe and Latin America. Despite the pandemic, Kosmogonia accepted an invitation to Hammer Fest XIV in Birmingham – rescheduled to February 2023 – and delivered a standout performance at the O₂ Academy alongside genre stalwarts such as Lordi and Primordial. Now five years on from their formation, the band returned with “Aella” (January 2025), expanding their epic scope with richer orchestrations and guest folk instruments. With strong international press, radio support, and a dedicated fanbase, Kosmogonia stands poised for extensive touring and further mythic adventures.

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Announces Western Canada “This Is The Way 2026 Tour”

May 6, 2026
by Asher
· GraveMass · Music News

NEWS RELEASE

Montreal, QC – May 6, 2026

GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Announces Western Canada “This Is The Way 2026 Tour”

Performing at Loud As Hell Open Air Festival 2026 w/ Fallujah, Allegaeon, Summoning the Lich, Crimson Shadows, Edge of Paradise, and more!

Photo Credit – Derek Carr

L-R – Destroyer of Souls – Drums – Bowels of Hell – Bass – Murderer of Colonizers – Guitar – Mayan Hate – Guitar – Lorde Heathen – Vocals

Fresh off the release of their debut album “This Is The Way,” West Coast extreme‑metal force Gravemass has announced a run of Western Canadian tour dates for summer 2026. The trek, appropriately titled “This Is The Way Tour 2026,” will see the band unleash their ferocious live assault across British Columbia and Alberta from July 31st to August 8th (dates listed below).

The tour follows the eruption of “This Is The Way,” a debut forged from decades of West Coast metal lineage. Featuring members of Zimmers Hole, Punch Drunk, 3 Inches of Blood, Revocation, Just Cause, West of Hell, Savannah, Process, Subversion, and The Golers, Gravemass is the convergence of long‑standing forces within Vancouver’s extreme‑music underground.

Guitarist Mayan Hate, who wrote the album’s music in an intense two‑month burst, describes the project as a natural evolution among lifelong friends.

“We’re all West Coast metal heads who’ve known each other for decades. I wrote the music between breaks in other projects and showed it to Lorde Heathen. He immediately wanted in. From there, we recruited the rest of the band, guys we’ve all known forever.”

Vocalist Lorde Heathen also adds.

“Brutal, angry, fast, dark, and evil, this album delivers exactly that: an unrelenting barrage of sinister riffing, death‑metal vocal ferocity, and rhythmic devastation. It draws from the chaos of the modern world. All the lyrics come from the shit‑hole world order that exists right now.”

While “This Is The Way” was written by Mayan Hate with lyrics by Lorde Heathen, the band confirms that album two is already underway and will be a fully collaborative effort.

Gravemass will also appear at Loud As Hell Open Air Festival 2026, joining a stacked lineup featuring Fallujah, Allegaeon, Summoning the Lich, Crimson Shadows, Edge of Paradise, and more. Festival info is available at https://www.loudashell.ca.

Known for channeling the ferocity of their influences, Slayer, Venom, Morbid Angel, Watain, and Napalm Death, Gravemass promises a live show that is nothing short of a full‑scale assault.

“The live show is where we bring it all together. We want to bring this experience to the masses,” says Lorde Heathen.

With “This Is The Way” unleashed March 6, 2026, via End Game Records Inc., Gravemass now turns its focus to the stage, marking the beginning of a new chapter in West Coast extreme metal. More music, more brutality, and a deeper collaborative evolution lie ahead.

Gravemass – Western Canada – This Is The Way Tour 2026
July 31 – Bridgeview Theater – Kamloops, BC
Aug 1 – Loud As Hell Open Air Festival – Drumheller, AB
Aug 3 – Temple – Edmonton, AB
Aug 4 – The Owl – Lethbridge, AB
Aug 5 – The Royal – Nelson, BC
Aug 6 – The Globe – Nanaimo, BC
Aug 7 – The Lucky Bar – Victoria, BC
Aug 8 – Green Auto – Vancouver, BC

Add to your Spotify Playlist – https://open.spotify.com/album/0ROzZyUacjjY7dC6xOwtg5

Bandcamp – https://gravemass.bandcamp.com/

Videos:

This Is The Way – https://www.youtube.com/watch?v=sR9gy-AD8-E

Fallen – https://www.youtube.com/watch?v=OQ4ws87xOJs

Spitting Hell – https://www.youtube.com/watch?v=r477FZl1VFo

Track Listing:
1. Slaves To Pain – 2:38
2. This Is The Way – 3:45
3. Horned King – 2:54
4. Harvest of Souls – 2:53
5. Spitting Hell – 2:07
6. Black Bell – 2:50
7. Fallen – 3:27
8. Gravemass – 3:51
9. Abandon – 2:01
10. Poison Temple – 3:11
Album Length: 29:41

Album Band Line Up:
Lorde Heathen – Vocals
Mayan Hate – Guitar
Murderer of Colonizers – Guitar
Bowels of Hell – Bass
Destroyer of Souls – Drums

More info:

https://endgamerecords.com/

http://www.gravemass.com/

https://www.facebook.com/people/Grave-Mass/61556695854887/

https://www.instagram.com/gravemass1/

-30-

“Hold on to your hats, buds. Your eyes and ears are in for a blinding treat. Canada’s black/death metal band GraveMass just released the aural assault known as “Fallen.” The song and the video are delightfully overwhelming. ” – Metal Sucks

““Fallen” is a brutal, pummeling track with vocals that range from a guttural growl to a nasal screech, creating a blistering death metal assault. The black-and-white video with its flashing lights and quick cuts combines imagery of nature and religion in a way that perfectly complements the sonic onslaught of the video. It’s a breakneck track that leaves carnage in its wake, and you’ll want to check it out.” – New Noise Magazine

“Gravemass Deliver Evil with Latest Single & Video, “Fallen”” – V13

“Well now, isn’t this one hell of a supergroup? Love the term or loathe it, here it really does count, especially as far as the Canadian metal scene goes. Gravemass are here, and with them comes a vitriolic death metal release that takes elements of the genre’s old-school ferocity and blends it with modern groove and energy. A release that clocks in at just under thirty minutes, ensuring it doesn’t overstay its welcome. Though there’s no short-changing here as we have ten tracks and across them a cacophony of violent, snarling, hyperactive blasts of heaviness that will thrill all those who love extreme metal. I’m one of them and Gravemass really do it for me. I think this is a beast of a record and found myself compelled to head-bang almost all the way through it.” – Games, Brrraaains & A Head-Banging Life

“Originally from Vancouver and including former members of Zimmers Hole, 3 Inches Of Blood, Revocation, and Punch Drunk, Gravemass has only one goal: to offer solid, effective, and slightly crazy death metal. The codes are known, but their interpretation is puzzling, largely due to structures that are more punk than metal and unusual sounds (among other things in the rhythms). And with only ten tracks, totaling twenty-nine minutes, Gravemass leaves little time to understand what is happening. 4/5” – Metallian

“This Is the Way is a flawless debut. It manages to feel nostalgic for the golden era of death metal while sounding fresh, mean, and modern. If you crave music that is “brutal, angry, fast, dark, and evil,” this is your new obsession. Essential Tracks: Slaves to Pain, Horned King, Fallen. 10/10″ – Broken Neck Radio

“Festering, ferocious, and fierce, This Is the Way is nothing short of extreme zealotry — a masterclass in chaos with a sinister edge. It snaps the synapses of the sacred and dives headfirst into the devil within the divine. If you love death, black, and speed metal, then This Is the Way is absolutely for you. As a matter of fact, I now have my own Gravemass name — Fucking Legend. Perfectly apt, if you ask me. This Is the Way by Gravemass is intense and exceptionally powerful. Don’t sleep on this album — word is the second album already has three songs ready to go, with a more collaborative approach already in motion. With their debut now unleashed via End Game Records, Gravemass mark the beginning of a new chapter in West Coast extreme metal — and if this is just the beginning, we’re in for one hell of a ride. The world is going to hell in a fucking handbasket, and Gravemass aren’t afraid to tell you exactly how it is. This Is the Way is the Luciferian aural bible. The end of all that is sacred. The Necronomicon of blackened death metal.” – Crannk

“Honestly, this is half an hour of brutal excellence. From the insane riffing to the thunderous, relentless drumming to the brutal screams, it’s all so good. It almost has a pretty hardcore energy to it too, none of the tracks overstaying their welcome, being balls-to-the-wall and straight to the point! And every song flows pretty excellently; every track being as good as the last! And, for a debut album and a band that seemingly haven’t been around all too long, this is amazing stuff! They should be a lot bigger than they are already, and hopefully this album pushes them to new heights! From the opener to ‘Harvest of Souls’ to the bands namesake track, there are definitely highlights. Though, as I said before, there isn’t a bad track throughout! And it still has an air of epicness throughout that made me even more hooked. They have a VERY bright future ahead of them, and if you are at all into a more death-leaning metal sound, I cannot recommend this enough. It gets an incredibly solid 8.5/10 from us!” – Overtone Magazine

“For me Gravemass made a statement with this album. They are here to stay. They are damn good and delivered a jaw dropping album. This is extreme metal that will blow you away. This album was made for a mosh pit. I give the album the perfect 10.” – Project Metal Music

“A rain shower becomes a thunder storm as the intensity increases dramatically with title track “This Is The Way“, the gang chanted “1, 2, 3, 4!” something that will go down well in the live arena. Soaked in blasphemous rhetoric that bleeds Black Metal inspirations, the band bring the hammer down with enough force to split more than a few skulls. The rhythmic battery feels like a blunt force trauma as the band refuse to re-invent the wheel, instead opting for something of depraved atmospheres that is both dark and insanely good fun. ” – Metal Noise

“The opening notes of “This Is the Way” don’t just set a mood: they trigger a pure survival instinct. As soon as the “1, 2, 3, 4!” gang-chant explodes on the title track, the rest of the world instantly fades away. This isn’t an album you just listen to; it’s an adrenaline surge that hits you full force, and every second of the carnage is a total blast…. If you live for the dark, fast, and visceral, imagine a heavy encounter between Slayer and Morbid Angel in a dark alley, this record is your new obsession for 2026. Get ready, because their appearance at the Loud As Hell festival this summer is already looking like a total field of ruins.” – Papy Jeff Metal

“Basically, I can easily enjoy a record like “This Is The Way” from the first to the last second” – PowerMetal.de

“the album impresses with its energy, solid songwriting and powerful production. For fans of dark, aggressive extreme metal, this album is definitely worth it. Conclusion: »This Is The Way« of GRAVEMASS is a strong album that will delight fans of blackened death metal and deathcore alike.” – MetalUnderground.at

“The production on this one packs a punch but still feels human, which is needed with songwriting like that that just feels sinister in all of the right ways. Gravemass is the kind of band that you spin to forget your troubles, as it just sucks you in for all 10 tracks and almost 30 minutes of length, then you will instantly start it over. We need something like that now more than ever.” – Heavy Debriefings

“With “Fallen,” GraveMass offers a glimpse into what promises to be a searing, unholy debut album. It’s a declaration of intent—and a brutal reminder that Canadian metal is as fierce and alive as ever.” – See Rock Live

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 DECIMATE METALFEST (Millet, AB) Announces 2026 Lineup Changes w/ Addition of Headliners RIOT CITY and more! To Join THE CONVALESCENCE, SQUIDHAMMER, FAMOUS STRANGERS, and more!

May 6, 2026
by Asher
· Decimate MetalFest · Music News

NEWS RELEASE

Montreal, QC – May 6, 2026

DECIMATE METALFEST (Millet, AB) Announces 2026 Lineup Changes w/ Addition of Headliners RIOT CITY and more!

To Join THE CONVALESCENCE, SQUIDHAMMER, FAMOUS STRANGERS, and more!

June 26 and 27, 2026: Bringing Heavy Music, Independent Arts, and Community Together in Alberta

Western Canada’s underground metal community will once again come together this summer as Decimate Metalfest returns to the Millet Agriplex Arena on June 26 and 27, 2026, in Millet, AB. What began as a grassroots gathering of heavy music fans has grown into a weekend-long celebration where heavy music, independent arts, and community come together in rural Alberta, welcoming fans, artists, and families of all ages.

DMF announces its recent lineup changes, with RIOT CITY replacing original headliners Glyph, who unfortunately had to bow out of this year’s festival. Also joining this year’s lineup are Calgary youth band Pollux and Edmonton’s Kill the Eclipse, adding to the already stacked lineup featuring The Convalescence, Squidhammer, Famous Strangers, Cries of Blood, alongside a diverse roster of local and regional performers. Overall, 26 performing acts will take the stage over the two days, including touring artists, Canadian metal bands, youth performers, a featured DJ, and specialty entertainers.

Friday evening launches the festival with a powerful night of heavy music, with The Convalescence and Squidhammer co-headlining the night. Saturday expands into a full-day festival experience featuring Riot City headlining alongside up-and-coming bands from Western Canada, youth artists, live performers, and interactive entertainment. The second day also includes a performance by Kill the Eclipse, the “Fundraiser Band,” which is a rotating act selected from bands that participated in DMF‘s fundraising events throughout the year, highlighting the festival’s community-driven spirit. With top-notch production, high-quality sound, professional staging, and access to convenient local amenities in Millet, AB, the festival ensures an unforgettable experience for fans and families.

All performances take place at the Millet Agriplex Arena, with festival activities continuing throughout the weekend, including camping, breakfast events, interactive entertainment, and vendor booths by independent artists.

Official Decimate Metalfest 2026 Spotify Playlist – https://open.spotify.com/playlist/4PtsotZY8YfTAZV0NNBudk

Event Details:
Event: Decimate Metalfest 2026
Dates: June 26 and 27, 2026
Location: Millet Agriplex Arena, Millet, Alberta, Canada
Format: All ages metal and arts festival

Tickets: https://www.decimatemetalfest.com/tickets

Facebook Event: https://www.facebook.com/events/938257911895899

Decimate Metalfest 2026 Lineup:

Friday, June 26, 2026
• The Convalescence (Ohio, USA)
• Squidhammer (Wisconsin, USA)
• Anomalyptic (Edmonton, AB)
• Let It Rot (Michigan, USA)
• Valley of Despair (Edmonton, AB)
• Godfall (Calgary, AB)
• Pollux (Youth Band – Calgary, AB)
• Kilusan (Edmonton, AB)

Saturday, June 27, 2026
• Riot City (Calgary, AB)
• Famous Strangers (Sherwood Park, AB)
• Cries of Blood (Montreal, QC)
• No Faith In Fortune (Vancouver, BC)
• From Beneath (Winnipeg, MB)
• Counterfeit – A Tribute to Limp Bizkit (Calgary, AB)
• Femmes Voyous (Edmonton, AB)
• Spineless (Winnipeg, MB)
• Thousand Frames (Colorado, USA)
• Black Friday (Edmonton, AB)
• Light Drawn In (Edmonton, AB)
• Kill the Eclipse (Edmonton, AB)
• Kleaver (Youth Band – Calgary, AB)
• Desicrate (Youth Band – Edmonton, AB)

Featured Performers
• Birthday Girl – Mistress of Ceremonies (Calgary, AB)
• Lust Dust – Hazzardous Material – Burlesque (Edmonton, AB)
• Harlot – Drag Queen (Calgary, AB)
• DJ Alex Kayne (New York, USA)

Decimate Metalfest is about connection. The all-ages festival brings together musicians, visual artists, performers, and creators from across Canada, the United States, and beyond for two days of crushing riffs, artistic expression, unforgettable performances, and a shared love of underground culture.

The festival’s reach continues to expand each year. For the 2026 edition alone, performer submissions were received from 15 countries, eight Canadian provinces, and 25 US states, highlighting the growing international interest in the event and the strength of Western Canada’s metal community. From youth bands playing their first festival stage to international touring acts, Decimate Metalfest celebrates every generation of the metal and alternative community while creating opportunities for artists of many disciplines to showcase their work.

Decimate Metalfest has become known not only for its music lineup but also for the welcoming environment it creates. The festival brings together longtime metal fans, young families, artists, and first-time festivalgoers in a space that celebrates creativity and community.

Beyond the stage, the festival offers a full weekend experience that includes independent art vendors, free tented camping, fan-favorite air guitar contests for youth and adults, community gatherings, and the traditional Saturday pancake breakfast. Children under 10 attend free, reinforcing the festival’s commitment to accessibility and multi-generational participation.

Built by members of the metal community, for the metal community, and proudly organized and operated by women, Decimate Metalfest continues to challenge expectations while creating a space where everyone is welcome.

Stay Connected

For the latest updates, lineup announcements, and ticket purchases, visit the official Decimate Metalfest website. Follow us on social media to stay in the loop:

More info: https://linktr.ee/decimatemf

Volunteer, Vendor, and Sponsor Applications:
https://www.decimatemetalfest.com

About Decimate Metalfest:
Decimate Metalfest is an annual grassroots heavy music and arts festival held in Millet, Alberta. Created by members of the underground metal community and proudly organized and operated by women, the festival provides a platform for emerging and established artists while celebrating inclusivity, creativity, and independent music culture.

“What started as a small idea has grown into something far bigger than any one of us,” says Decimate Metalfest founder Sloan Voxx. “Seeing artists, volunteers, sponsors, and fans all come together to build this community is incredibly humbling. I am honored to be part of something that brings so many people together and creates a space where anyone can connect through heavy music and feel a sense of belonging. At the end of the day, Decimate Metalfest belongs to the community that built it. Whether you are discovering your first metal band, playing your first festival stage, or returning as a longtime fan, everyone is welcome.”

Decimate Metalfest 2026 is made possible through the support of community partners, sponsors, and industry collaborators who share a commitment to independent music, arts, and community culture.

Partners and Sponsors include:
The Town of Millet, Millet Agriplex, Millet Lions Memorial Campground, Leduc Brewing, Best Copy Shop, Asher Media Relations, Prairie Fire Productions Ltd., Absolute Underground Magazine, 387 Entertainment, Fire Lotus Creative, Rendezvous Pub, Queer YEG, Seeing Red Podcast, Pinecase Mental Health, Broken Neck Radio, Edmonton’s Alternative Music Magazine, Alberta Music, CJSW 90.9FM.

Decimate Metalfest is also a proud member of the Western Canadian Metal Festival Alliance (WCMFA) and is honored to work alongside fellow independent festivals and music organizations that help strengthen the Canadian metal scene, including:
Loud As Hell Open Air Festival
Armstrong MetalFest
Hyperspace Metal Festival
Glacial Mutilation Metal Festival

For press inquiries, interviews, or additional information, please contact us at: info[@]decimetalfest[.]com

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 Prog Metal Newcomers ENTROPIST Introduces Its Concept Album “The Vision” Through “Creation”; Produced by Jamie King (BTBAM, The Contortionist)

May 5, 2026
by Asher
· Entropist · Music News

NEWS RELEASE

Montreal, QC – May 5, 2026

Prog Metal Newcomers ENTROPIST Introduces Its Concept Album “The Vision” Through “Creation”

Produced, Mixed, and Mastered by Jamie King (BTBAM, The Contortionist)

Debut Album “The Vision” Out June 26th, 2026

Clockwise from Top Right: Solomon Smith – Guitars/Backup Vocals, Will Vinson – Guitars, Parker Kitching – Lead Vocals, Jeremy Smith – Bass, Matt Gleason – Drums

Photo Credit – Entropist

Colorado progressive metal outfit Entropist has officially announced their debut full‑length album, “The Vision,” accompanied by the release of their first single and lyric video, “Creation.” The track marks the band’s first official introduction to the metal world, offering a powerful glimpse into the album’s sweeping concept and genre‑spanning sound.

Formed through a decade‑long bond between guitarist/vocalist Solomon Smith, vocalist Parker Kitching, bassist Jeremy Smith, and drummer Matt Gleason, Entropist began in 2013 when the members met as college roommates and neighbors in Greeley, Colorado. After years of jamming, drifting apart, and reconnecting during the COVID era, the band solidified its lineup with the addition of guitarist Will Vinson, whose creativity helped elevate the project into its fully realized form.

“The Vision” is a bold, cinematic progressive metal odyssey built on a dual‑concept narrative: one story set in a fantastical world of demons, celestial beings, and the void, and another grounded in real‑life themes of mental struggle, nihilism, and the search for meaning. Written largely from the perspectives of characters within the story, the album is designed to be experienced from start to finish, with recurring motifs, callbacks, and evolving themes woven throughout.

Musically, the record spans progressive metal, djent, deathcore, metalcore, and post‑hardcore influences, while maintaining a cohesive identity. Fans of Between the Buried and Me, Meshuggah, Opeth, and The Contortionist will find familiar touchpoints, yet Entropist’s voice remains distinctly their own.

To bring the album’s massive sound to life, the band partnered with acclaimed producer Jamie King, whose work with BTBAM and The Contortionist helped define modern progressive metal. His mixing and mastering elevated the album’s intricate compositions into a unified, powerful whole.

The album’s artwork, an impressionist painting by Solomon’s wife, Shannon Bortfeldt, captures the emotional and narrative weight of the album’s opening arcs.

“This album is the culmination of over a decade of work. It contains a personal story that many can relate to, while also containing a crazy esoteric concept for those who are into that sort of thing. It gets really heavy, but has so many unexpected and even victorious moments that truly set it apart,” says guitarist/vocalist Solomon Smith.

Vocalist Parker Kitching adds, “This album is our love letter to metal. When it gets heavy, it gets very heavy, but it also has moments that let you breathe. We want listeners to feel like they’re going on a journey.”

The band’s first single, “Creation,” introduces listeners to the album’s final narrative arc. The track blends bright, triumphant chords, intricate rhythms, soaring vocals, and one of the heaviest breakdowns on the record. Lyrically, it explores themes of building something new, forging meaning, and shaping the world one wants to see.

The lyric video showcases the song’s emotional intensity and conceptual depth, offering fans their first immersive step into the universe of “The Vision.”

Watch and listen to the lyric video for “Creation” via its premiere on TheProgSpace HERE.

Spotify pre-save – https://distrokid.com/hyperfollow/entropist1/creation

“The Vision” is due out on June 26th, 2026, and available for pre-save at the following links:

Album pre-order – https://entropistcolorado.bandcamp.com/

Track Listing:
1. Intense Warmth (4:00)
2. Devour Us (6:34)
3. I Hunger (5:34)
4. The Ritual (8:36)
5. Desert of Limbo (6:04)
6. The Wandering (6:47)
7. Creation (8:49)
8. Revelation (14:12)
Album Length: 1:00:40

Album Recording Credits:
• All songs performed by: Entropist
• All songs written by: Entropist
• Produced by: Jamie King
• Mixed by: Jamie King
• Mastered by: Jamie King
• Album Artwork by: Shannon Bortfeldt

Album Band Line Up:
Solomon Smith – Guitar
Will Vinson – Guitar
Jeremy Smith – Bass
Matt Gleason – Drums
Parker Kitching – Vocals
Cecily Meade – Violin

Live Band Line Up:
Solomon Smith – Guitar
Will Vinson – Guitar
Jeremy Smith – Bass
Matt Gleason – Drums
Parker Kitching – Vocals

More info:

https://entropistband.com/

https://www.facebook.com/EntropistBand

https://www.instagram.com/entropistband

About: Entropist is a Denver‑based progressive metal band blending technical musicianship, emotional storytelling, and genre‑spanning heaviness. After reconnecting during the pandemic and completing their lineup with guitarist Will Vinson, the band has crafted a sound that is ambitious, immersive, and unapologetically metal. They have shared the stage with Nightwraith, So This Is Suffering, Eternal Bloom, The Dawn Chose Orion, WOR, and Fused by Defiance.

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 France’s KINGCROWN Unveils Single “Lost Horizon” From New Album “Moonfall” Out Sept 2026

May 1, 2026
by Asher
· KINGCROWN (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – May 1, 2026

France’s KINGCROWN Unveils Single “Lost Horizon” From New Album “Moonfall” Out Sept 2026

French melodic heavy/power metal band Kingcrown return with “Lost Horizon“, the first single taken from their forthcoming album “Moonfall“, due for release on September 4th, 2026, via Rockshots Records.

Following the strong reception of “Nova Atlantis“, the band opens a new chapter with a track that immediately reinforces their identity while expanding the narrative framework introduced in previous releases.

“Lost Horizon” serves as a direct sequel to “Endless Journey“, continuing a storyline rooted in time distortion and speculative fiction. The track follows a WWII B-17 pilot suddenly caught in a temporal vortex and propelled into the year 2045, merging amazing storytelling with a tightly constructed heavy/power metal framework.

Musically, the single is driven by fast-paced riffing, dynamic vocal delivery, and an anthemic, hook-oriented chorus, balancing immediacy with structural precision. The band’s approach remains firmly grounded in the European heavy/power metal tradition. At the same time, the production handled by Kingcrown and refined through mixing and mastering by Simone Mularoni (Domination Studio) delivers clarity, weight, and definition across the entire sonic spectrum.

Founded by brothers Jo Amore (vocals) and David Amore (drums), former members of Nightmare, Kingcrown have progressively built a cohesive and recognizable identity within the European metal landscape. The current lineup – Jo Amore, David Amore, Sébastien Chabot (bass), Bob Saliba (guitars), and Ced Legger (guitars) – continues to operate with a strong sense of continuity, a key factor in the band’s increasingly focused sound.

With “Moonfall“, Kingcrown further develops a conceptual direction centered on dystopian themes, technological evolution, and the fragility of human existence. Within this context, “Lost Horizon” stands as a fundamental entry point – introducing both the narrative scope and the sonic approach that define the album.

For Fans of: Iron Maiden, Helloween, Gamma Ray, Symphony X, Powerwolf

LISTEN – https://lnk.to/4mhjvC
VIDEO – https://www.youtube.com/watch?v=hJjlw2AZuPs

ALBUM PRE ORDER / PRE SAVE – https://rockshots.eu/products/kingcrown-moonfall-cd

Kingcrown Line Up:

Joe Amore: Vocals
Ced Legger: Guitars
Bob Saliba: Guitars
Seb Chabot: Bass Guitars
David Amore: Drums

More info:

https://rockshots.eu/

https://linktr.ee/kingcrown_off

About:

Kingcrown is a French melodic heavy/power metal band founded by brothers Jo Amore (vocals) and David Amore (drums), both former members of Nightmare.

The project traces its origins back to 2015 with the band Öblivïon, formed following their departure from Nightmare. After the release of Resilience, the group adopted the name Kingcrown in 2018, marking the beginning of a more defined artistic direction rooted in the European heavy/power metal tradition.

From the outset, Kingcrown established a sound built on strong melodic structures, dynamic riffing, and a clear emphasis on songwriting effectiveness. Drawing from the legacy of bands such as Iron Maiden, Helloween, and Gamma Ray, the band combines classic influences with a modern production approach, resulting in a sound that is both accessible and structurally solid.

Following the release of “A Perfect World” (2019) and “Wake Up Call” (2022), Kingcrown entered a new phase with “Nova Atlantis” (2024), released via Rockshots Records. The album marked a clear step forward in terms of cohesion, production quality and conceptual direction, receiving strong feedback from both audiences and specialized media.

Building on this momentum, the band continues its collaboration with Rockshots Records for “Moonfall“, scheduled for release in 2026. The new album further develops Kingcrown’s identity through a more focused songwriting approach and a broader conceptual framework centered on dystopian themes, technological evolution, and temporal dislocation.

The first single, “Lost Horizon“, expands the narrative universe introduced in “Nova Atlantis“, acting as a direct sequel to “Endless Journey” and introducing a time-travel storyline in which a WWII B-17 pilot is propelled into the year 2045. This approach reflects the band’s growing interest in combining structured songwriting with narrative continuity.

Kingcrown’s current lineup – Jo Amore (vocals), David Amore (drums), Sébastien Chabot (bass), Bob Saliba (guitars), and Ced Legger (guitars) – has remained stable across recent releases, contributing to a consistent and cohesive musical direction.

With a steadily evolving discography and a clear artistic vision, Kingcrown has established itself as a credible presence within the European metal scene, balancing melodic immediacy, conceptual depth, and production precision.

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 A Hero’s Journey Begins! Fantasy Metal SIEGE PERILOUS Unveils Video “Child of Prophecy” Off New Album “Becoming The Dragon” Out Now! (ft. guests Fabio Lione, Kristin Starkey)

May 1, 2026
by Asher
· Music News · Siege Perilous

NEWS RELEASE

Montreal, QC – May 1, 2026

A Hero’s Journey Begins! Fantasy Metal SIEGE PERILOUS’ Unveils Video “Child of Prophecy”

New Album “Becoming The Dragon” Out Now!

Album Guests Fabio Lione (Rhapsody, Angra) and Kristin Starkey (Twilight Force, Temperance)

Colorado power‑metal storytellers Siege Perilous have released the brand‑new lyric video for “Child of Prophecy”, a pivotal early chapter from their recently released full‑length concept album “Becoming the Dragon”.

“Child of Prophecy” marks the moment destiny first awakens within the album’s protagonist, a young hero burdened by a prophecy he neither trusts nor understands. Musically, the track blends Iron Maiden‑inspired melodies, galloping riffs, and the band’s signature cinematic flair, setting the emotional foundation for the journey ahead.

The release continues the strong momentum built through earlier singles and media features, including premieres for “As the Dragon Falls” (ft. Fabio Lione), “Becoming the Dragon”, and “Echoes of Home” (ft. Kristin Starkey), as well as the band’s Kickstarter launch.

“Child of Prophecy” has one of the most unusual histories on the album. It was the first track ever written for “Becoming the Dragon” and helped inspire the overarching story, yet during pre‑production, something felt off.

The band had already completed drum tracking, and re‑recording would have derailed the entire budget. Enter guitarist Ryan Flanagan, who re‑arranged the entire song in just a day or two, keeping the original drums intact. The result is a tighter, more powerful version of the track, one that the band is deeply proud to share.

A ten‑part power‑metal epic of destiny, transformation, and myth. “Becoming the Dragon” is a cinematic journey following the “Child of Prophecy”, a young hero who first embraces, then rejects, and ultimately must confront his destiny. The story moves from mystery to tragedy to triumph, with each track reflecting a different emotional and musical landscape.

“Creating a massive, sweeping power metal epic has been a dream since before we even formed this band. Getting to sing alongside Fabio Lione, one of the voices that got me into metal, is an indescribable blessing, and having Kristin Starkey rip a power ballad with us is beyond anything we imagined. This album represents our collective experience, skill, hopes, and dreams as musicians, and we are thrilled for people to hear it finally,” adds vocalist Shaughnessy McDaniel.

Forged in the fires of fantasy and history, Siege Perilous is a Colorado‑based power metal band dedicated to crafting epic, cinematic, story‑driven music. The band was founded by Shaughnessy McDaniel (vocals), Scott Hancock (guitar), and Mark Girard (drums) after years of camaraderie in the same LARP community. Inspired by Unleash the Archers’ 2021 Denver performance, they set out to create their own mythic soundscape. They soon recruited Eric Fischer (bass) of the Celtic folk band The Stubby Shillelaghs and, in 2024, welcomed Ryan Flanagan to complete the lineup.

Their influences include Manowar, Battle Beast, Iron Maiden, Hammerfall, Sabaton, Blind Guardian, Rhapsody, Helloween, and Avantasia.

Watch and listen to the lyric video “Child of Prophecy” at https://www.youtube.com/watch?v=Osryr4LkDf4

Previous videos:

As the Dragon Falls (feat. Fabio Lione) – https://www.youtube.com/watch?v=WzMIMvm4wvY

Echoes of Home ft. Kristin Starkey (Twilight Force, Temperance) – https://www.youtube.com/watch?v=RwdAmsz-Tmk

Becoming The Dragon – https://www.youtube.com/watch?v=nzbb6lX-BhM

Ancient Rite – https://www.youtube.com/watch?v=DKSsUhIQt-E

“Becoming the Dragon” (released March 27th) is available via Crunchtronic Records on all digital platforms, along with physical CD and Vinyl, plus merch at the following links:

CD + Vinyl (Limited Edition 12″ Vinyl in Draconic Red) – https://siegemetal.bandcamp.com/album/becoming-the-dragon

Add to your Spotify playlist – https://open.spotify.com/album/2ij7lZIEXDFMn4I65Slc87

Track Listing:
1. Overture (Instrumental) – (2:37)
2. Ancient Rite – (4:37)
3. As the Dragon Falls (feat. Fabio Lione) – (4:33)
4. Child of Prophecy – (4:05)
5. Shattered Mirage – (4:07)
6. Chieftain – (4:03)
7. Cut Down – (3:01)
8. Echoes of Home (feat. Kristin Starkey) – (4:48)
9. Becoming the Dragon – (5:09)
10. Eschaton – (7:50)
Album Length: 44:54

More info: Siegemetal.com | Facebook.com/siegeband | Instagram.com/siegeperilousmetal | Tiktok.com/@siegemetal

-30-

Siege Perilous Unleashes a Dragon-Slaying Debut – Westword Denver

“Denver, CO power-metal storytellers Siege Perilous launch their full-length Becoming the Dragon, which stands as a genre-defining concept album for the modern era.” – New Noise Magazine

“The debut album from this Colorado band is another fine example of just taking what makes power metal and epic heavy metal work and putting your own spin to it all.. with the excellent production and two awesome guest spots from Fabio Leone and Kristen Starky to give this just a little more cred and you having an album that is for anyone who enjoys the likes of Blind Guardian, Rapsidity, Krilloan, and Evermore. Excellent. Excellent music.” – Heavy Debriefings

“Becoming the Dragon is an excellent album in its own right, and it shows an up-and-coming band making great strides towards becoming a force to be reckoned with. Siege Perilous already had me interested with their previous EP, but this album shows them maturing in their delivery, as well as fleshing out their songwriting and showing signs of the kind of epic, fantasy-themed storytelling they’re capable of. Musically, it’s a very solid album, mostly staying in epic heavy metal territory, with brief flashes of power metal, and while vocalist Shaughnessy McDaniel is a tad unpolished at times, he makes up for it with power, energy and charisma in full supply. It’s obvious this is only the beginning for the band, and they have plenty of untapped potential, but it’s still a strong debut in its own right, and one I can easily recommend for fans of epic heavy metal and fantasy-themed power metal.” – My Global Mind Magazine

“With „Becoming The Dragon“ Siege Perilous follow in the big footsteps of bands like Avantasia, Iron Maiden and Blind Guardian. And the musicians do this extremely well. Great epic, sometimes bombastic sound, strong vocal direction and very good musicians make this debut extremely worth listening to.” – Keep On Rocking Mag

“This is epic Power Metal again, with driving drums and fast guitar solos.” – Metalheads Forever Mag

“The debut album from the epic, Colorado-based power metallers is a true journey from start to finish. From soaring melodies to insane harmonised guitars to the solid drumming and powerful vocals, it’s 44-minutes of grandiose heavy metal through and through! ‘As the Dragon Falls’ (feat. the awesome Fabio Lione) is a huge high point of the album, as is ’Chieftain’ and the epic closing track. It reminds me a lot of Fellowship or even Dragonforce, that epic huge power metal built more for its huge moments and soundscapes. The band are insanely good songwriters, and for this to be a debut album makes it feel like we have some truly special things to come in the next few years! They’re ones to watch, for sure! However, for now, this is an excellent release for anyone into the genre even a little bit!” – Overtone Magazine

“For a debut, ‘Becoming The Dragon’ is a bold and confident statement… undeniably compelling, and a promising sign of greater things to come.” – Metal Rager 666

“Siege Perilous puts all the notes in the right places and has the chops to be a player in the epic power metal arena… and Becoming the Dragon offers a glimpse of this band’s potential.” – The Metal Crypt

“orchestral power metal with a fine story” – FFM-Rock

“All the songs are catchy, well constructed and technically flawless” – Tempiduri

“With ‘Becoming The Dragon’, Siege Perilous proves that they are ready for the bigger stage. For fans of Wind Rose, Hammerfall, Sabaton, Blind Guardian, and Iron Maiden, this is a must. This is power metal with heart, brains, and a sword in hand.” – Musika

“Becoming The Dragon is an ambitious work that combines epic heavy metal with orchestral elements. Siege Perilous show talent in songwriting and variety of arrangements… The mix of powerful vocals, triple guitar riffing and orchestral interjections makes the album interesting for fans of epic metal,” – MetalUnderground.at

““It’s certainly not a lack of ambition, this is a band that clearly sees itself as the natural successors to the true greats of fantasy-based power metal… Guest Fabio Lione… absolutely lays waste to all around him in the role of ‘The Dragon’ on As The Dragon Falls…. They deserve the highest praise for their commitment to the cause if nothing else.” – Sentinel Daily

“The 10 tracks keep you on the edge of your seat and even feature a collaboration with Fabio Lione, who deserves to be praised in every way… An album to enjoy!” – Nada Hay Bajo El Sol

““‘As the Dragon Falls’ is elevated to a completely different level…. The catchy melodies and gripping guitar work are among the highlights of the record…. With the melancholic dark ballad ‘Echoes of Home,’ the band proves their knack for atmospheric arrangements with depth… Kristin Starkey contributes female vocals that give the track a beautifully atmospheric dimension… The gripping, catchy anthem ‘Chieftan’ is another noteworthy and praiseworthy exception.” – Obliveon

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 LUFEH Reveal Exotic, Time‑Shifting New Prog Single “Double Dip” From Sophomore Album “Overwhelmed” Out May 2026

April 30, 2026
by Asher
· Lufeh · Music News

NEWS RELEASE

Montreal, QC – April 30, 2026

LUFEH Reveal Exotic, Time‑Shifting New Prog Single “Double Dip” From Sophomore Album “Overwhelmed” Out May 2026

Photo Credit – Joao Pinheiro

Progressive rock visionaries LUFEH continue their momentum toward the release of their highly anticipated new album, “Overwhelmed,” with the announcement of their third single, “Double Dip.” The track follows the full-length’s soaring title single, “Overwhelmed,” and the explosive first release, “He Commands the Sun and the Stars.” The full album will arrive on May 29th, 2026.

The album’s first two singles have already set the tone for LUFEH’s new chapter, “He Commands the Sun and the Stars”, a rhythmically complex, chorus‑driven prog anthem exploring power, worship, and doubt. “Overwhelmed”, the emotional title track featuring Ginny Luke’s haunting violin, captures the suffocating pace of modern life and the need to slow down before losing control. “Double Dip” now arrives as the next piece of the puzzle, an intricate, exotic, and thematically rich track that further reveals the album’s depth.

Showcasing LUFEH’s signature blend of sophisticated, progressive, refined, modern, and intriguing musicianship while pushing their sound into bold new territory, “Double Dip” is built on a striking interplay between 6/8 and 4/4 time signatures. The song highlights the band’s rhythmic daring and melodic accessibility, an intentional evolution from their previous record, “Luggage Falling Down.”

One of the track’s standout features is the use of the Bulbul Tarang, an exotic string instrument that immediately sets the tone for the song’s theme of duality. Lyrically, “Double Dip” explores the tension of trying to “serve two masters,” capturing the emotional and spiritual conflict of living between opposing forces.

“This track has some really unique rhythmic complexity. We switch back and forth between 6/8 and 4/4, which might keep people guessing at first, but the result is amazing. The Bulbul Tarang in the intro gives it a completely different flavor. Lyrically, it’s about the impossibility of living in two worlds at once,” says founder and drummer Lufeh Batera.

Watch and listen to the music video for “Double Dip” at https://www.youtube.com/watch?v=_vbw_09koSo

Add to your Spotify playlist – https://open.spotify.com/track/3qJvficuPLd0TywUBiwSiL

“Overwhelmed” marks a major creative leap for the band. While their debut album leaned heavily into technical instrumental work, this sophomore record places a strong emphasis on memorable vocal melodies, layered harmonies, and sing‑along choruses, all while preserving the band’s trademark complexity.

The album also introduces LUFEH’s new featured vocalist and electric violinist Ginny Luke, whose powerhouse voice and dynamic violin performances appear on three tracks, including the title song. Her contributions bring a fresh dimension to the band’s sound.

Recorded at the legendary Sunset Sound in Los Angeles and produced by keyboardist Gera Penna, “Overwhelmed” delivers eight meticulously crafted tracks that balance technical mastery with emotional depth.

LUFEH’s lineup reflects a rare bond: most members have been playing together in various forms for over 30 years. Guitarist Deio Tambasco, who joined in 2025, reunites with longtime collaborators Batera and bassist Duca Tambasco, continuing a musical partnership that began in their early band Anno Domini. Despite living on different continents, Batera in Los Angeles and the rest of the band in São Paulo, the group wrote nearly 70% of the album remotely, exchanging ideas daily and refining each track collaboratively.

Recommended for fans of Rush, Dream Theater, Haken, Sleep Token, and Tool, LUFEH‘s new album “Overwhelmed” marks a bold new era, one defined by melody, maturity, and a renewed creative spark.

Album pre-order (Out May 29th, 2026) – Bandcamp – https://lufehband.bandcamp.com/

Track Listing:
1. He Commands The Sun and The Stars – 4:22
2. Breathe – 4:03
3. Double Dip – 4:39
4. Overwhelmed – 4:30
5. Feels Like I’m A Ghost – 5:43
6. Live The New Today – 4:50
7. War of Emotions – 3:50
8. End of the Tunnel – 4:18

Album Recording Credits:
• All songs performed by: Duca Tambasco, Deio Tambasco, Gera Penna, Lufeh Batera, and Ginny Luke
• All songs written by: Duca Tambasco, Deio Tambasco, Gera Penna, and Lufeh Batera
• Produced by: Gera Penna
• Mixed by: Adair Daufembach
• Mastered by: Adair Daufembach
• Album Artwork by: Lufeh Batera

Album and Live Band Line Up:
Duca Tambasco – bass and backing vocals
Deio Tambasco – guitar and backing vocals
Gera Penna – keyboard and backing vocals
Lufeh Batera – Drums
Ginny Luke – vocals (featuring)

More Info:

https://www.lufehband.com

https://www.facebook.com/lufehband

https://www.instagram.com/lufehband/

About:

LUFEH is a progressive rock/metal band blending technical precision with emotional depth and genre‑bending influences. Formed by drummer Lufeh after a long hiatus from music, the band now features guitarist Deio Tambasco, bassist Duca Tambasco, keyboardist/producer Gera Penna, and vocalist/violinist Ginny Luke. Their sound draws inspiration from Dream Theater, Rush, Vola, Tool, Haken, and Brazilian musical traditions.

– 30 –

“Heavy prog shines with the new single ‘He Commands the Sun and the Stars’ from LUFEH. Dream Theater and Shadow Gallery fans will find a lot to love here including a spotlight performance from featured vocalist and electric violinist Ginny Luke. Musically the band doesn’t disappoint with soaring keys, complex percussion, driving riffs, strolling bass lines…all at a high level, which is what is demanded when you enter the sacred space of progressive rock. Just as much a beautiful performance as it is a breathtaking adventure, this track raises expectations for the new album “Overwhelmed” which can’t get here fast enough on May 29th. Catch LUFEH on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“Progressive hard rock’s LUFEH have just released another powerful new single, ‘OVERWHELMED (feat. Ginny Luke)’. The title track from their forthcoming album slated for a May 29th launch, this one is also like the prior single (‘He Commands the Sun and the Stars’), a masterclass of modern prog metal. Hooks that sink deep, superb performances by the band and outstanding songwriting are all on display. The anticipation for the new album is swelling with each single and based on what we’ve heard so far, we’re ready for an exceptional experience. Catch Lufeh on your Home for the Best New Rock…W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“From the riff heavy opener Find My Way to the latest single ‘My World’ and the sharp riffs of closing track The Edge’, these are 20-minute epics condensed into welcome four-minute compositions. It’s an interesting stance for any progressive band but Lufeh have caught it right on the nail. This is an album full of cleverness and maturity. A joy to listen to, Luggage Falling Down’ provides opportunity to marvel at the quality and the playing. In a world which has lost its marbles, this album is a breath of fresh air. 8/10” – Powerplay Magazine UK (2020 – Luggage Falling Down)

“Luggage Falling Down will be a pleasant surprise for those who enjoy their prog on the heavy side, with occasional flourishes of metal, plenty of instrumental workouts, short song formats and a strong foundation in jazz. The eight songs are technical, energetic and always seeking a melodic hook.” – DPRP (2020 – Lugage Falling Down)

“In addition to brevity, there is Luggage Falling Down nothing wrong. Fantastic prog metal, crisply short songs that are still varied. Matching singing in the intersection between James LaBrie And Brendon Boyd as well as terrific guitar and drum inserts. Very entertaining and fun…. Luggage Falling Down a very entertaining record ahead of us. 9 /10 does that for me.” – Sound Magnet

“Anyone starting to get tired of all the cliché album titles and song titles? LUFEH are going their own way and I really like this album title ”Luggage Falling Down”!… I have to say the LUFEH guys have some moves of their own, which makes this album more interesting than most progressive metal albums. The RUSH vibes are not the most obvious ones, but the verse of ”Trial Of Escapade” clearly shows that these guys like the Canadian trio. There’s a smashing guitar solo from Dornellas in this one too.” – Melodic.net – (2020 Luggage Falling Down)

“A track from prog debutants Lufeh now, as I ‘Find My Way’ straight into being earwormed by their Prog metal goodness. Guitar solos that sound like they’ve been written by some of the hard rock greats, with plenty of atmospheric synths and across the board able musicianship means this one was a sure fire hit from the off!” – Uber Rock (2020 Luggage Falling Down)

“This is heavy prog with some strong elements” – Prog Archives (2020 Luggage Falling Down)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 From Loss to Light AS OCEANS DIVIDE Unveil Debut EP in Memory of Bassist Dale Burrows, Reveal First Single “Into The Dying Light”

April 30, 2026
by Asher
· As Oceans Divide · Music News

NEWS RELEASE

Montreal, QC – April 30, 2026

From Loss to Light AS OCEANS DIVIDE Unveil Debut EP in Memory of Bassist Dale Burrows

Reveal First Single “Into The Dying Light”

L-R – Matt McGuire Drums, Thomas Ireland – Guitar, Tom Emmans – Vocals, Eric Camilleri- Guitar

A new force forged from decades of Canadian metal history, As Oceans Divide has announced its self-titled debut EP, arriving July 9th, 2026. Alongside the announcement, the band has released its first single, “Into The Dying Light,” accompanied by a powerful lyric video that introduces their signature blend of aggression, melody, and emotional weight.

The EP marks a major milestone for the band, and a deeply personal one, as it is also being released in memory of bassist Dale Burrows, who passed away suddenly in March 2026. Dale, known for his work in Odium, was a longtime friend, collaborator, and irreplaceable part of the band’s foundation.

“Dale brought an energy and positivity that lifted everyone around him. Moving forward without him has been incredibly hard, but his spirit is in every note of this EP,” the band shares.

As Oceans Divide is composed of seasoned musicians whose roots run deep in the Ontario metal scene, with members previously performing in Bloodshoteye, Aquila, Odium, Atria, Scaithe, Hellfire Syndicate, and more. Their combined history brings undeniable weight, experience, and authenticity to the project. The lineup includes Tom Emmans on vocals (Odium, Atria, Scaithe), Eric Camilleri on guitar (Hellfire Syndicate), Thomas Ireland on guitar and EP producer (Battlesoul, Scaithe), and Matt McGuire on drums (Bloodshoteye, Aquila, Atria, Cowboys From Hell tribute). Together, they channel the spirit of early 2000s metalcore through a modern lens, harmonized guitars, crushing rhythms, soaring melody, and emotionally charged intensity.

Their introductory single, “Into The Dying Light,” is a defining statement for the band as it’s the first song written, the track that shaped their sound, and the perfect introduction to their identity.

Lyrically, it explores regret, internal struggle, and the weight of the past. The repeated line “I walk into the dying light” becomes a moment of both acceptance and defiance, walking the line between surrender and survival.

Musically, the song moves between technical aggression and melodic atmosphere, mirroring the emotional arc of the lyrics. Dynamic vocals shift from intensity to clarity, building toward a cathartic final release.

“It captured exactly what we were trying to do, balancing heaviness with melody and emotion,” says the band.

As Oceans Divide is built around contrast, aggression vs. atmosphere, technicality vs. melody, and collapse vs. resilience. Lyrically, it draws on real experiences, personal battles, and the emotional weight each member carries, especially in the wake of Dale’s passing. Every track is crafted as a journey, with intentional structure and flow designed to pull listeners in and leave a lasting impact.

“We want people to feel something real, whether that’s energy, emotion, or getting lost in the atmosphere of the music.”

Recommended for fans of Killswitch Engage, As I Lay Dying, All That Remains, Unearth, and God Forbid, listen to “Into The Dying Light” at the following links:

Lyric Video – https://www.youtube.com/watch?v=aJd_XF61K7Y

Add to your Spotify playlist – https://open.spotify.com/track/32ag5rO88NHS2Ks6aKBucf

EP pre-order / pre-save (out July 9, 2026) – https://asoceansdivideband.bandcamp.com/

Track Listing:
1. Into The Dying Light – 4:04
2. White Noise – 3:31
3. World Collapse – 3:16
4. Cursed Oblivion – 3:59
5. One Of The Herd – 3:25
EP Length: 18:15

For more info:

https://asoceansdivide.com

https://www.facebook.com/asoceansdivide

https://www.instagram.com/asoceansdivide

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 Streaming Now! LA Extreme Metal Shapeshifters ASHEN HORDE Fifth Studio Album “The Harvest”

April 30, 2026
by Asher
· ASHEN HORDE · Music News

NEWS RELEASE

Montreal, QC – April 30, 2026

Streaming Now! LA Extreme Metal Shapeshifters ASHEN HORDE Fifth Studio Album “The Harvest”

L-R – Trevor Portz – Guitar, Bass, Harmony Vocals – Karl Chamberlain – Vocals – Robin Stone: Drums

Los Angeles extreme metal shapeshifters Ashen Horde will be unleashing their long‑awaited fifth album, “The Harvest,” on May 1st, 2026. Before the album officially releases, they have teamed up with Metal Addicts for its full stream premiere.

LISTEN HERE.

Expanding their genre‑defying approach with their most dynamic and thematically unified work to date, “The Harvest” marks the band’s first full‑length with vocalist Karl Chamberlain, whose wide‑ranging performance pushes the group into new melodic and emotional territory.

The album arrives following a trio of singles that showcased the record’s breadth and intensity. The first single, “Entropy and Ecstasy,” arrived with a music video and introduced fans to the album’s overarching theme of endings, a thread woven throughout the record’s eight tracks. The second single, “Voids in the Ash,” delivered a haunting, grunge‑tinged descent into the final days of Pompeii. Most recently, the band unleashed “Apparition,” the album’s heaviest and most harrowing track, told from the perspective of a ghost condemned to witness humanity’s worst impulses.

Recorded entirely remotely, “The Harvest” represents the full evolution of Ashen Horde from a one‑man endeavor into a fully realized extreme‑metal force. While the band’s earlier albums centered on singular narratives, this record takes a different direction. As guitarist and founder Trevor Portz notes, it isn’t a traditional concept album, but its songs are tied together by a unifying theme: endings. Those endings appear in many forms: societal collapse, mythic destruction, personal downfall, and the natural cycle of decay, expressed through a sound that moves fluidly between black‑metal intensity, death‑metal weight, progressive twists, grunge‑tinged harmonies, and melodic introspection.

Across its eight tracks, the album moves from the slow‑rising, Pagan‑inspired “Autumnal” into the chaotic “Entropy and Ecstasy,” the genre‑blending critique of “Backward Momentum,” and the moody Pompeii narrative of “Voids in the Ash.” “Remnant” delivers a storm‑bound tragedy, while “A Place in the Rot” reflects on mortality through a Swamp Thing lens. “The Apparition” stands as the album’s heaviest and most harrowing moment before the record closes with “The Harvest,” a finale shaped by Iceland’s surreal landscapes and the album’s striking red‑skeleton artwork.

For over 10 years, Ashen Horde has crafted extreme metal that defies easy categorization. Rooted in black and death metal but unafraid to incorporate progressive, melodic, and alternative influences, the band appeals to fans of Opeth, Enslaved, Amorphis, Ihsahn, and other genre‑bending heavyweights.

Album pre-order (release date May 1, 2026) available on limited splatter vinyl and CD (along with t-shirt bundles) on Bandcamp, as well as everywhere digitally – https://ashenhorde.bandcamp.com/album/the-harvest

Add to your Spotify playlist – https://open.spotify.com/artist/6X2Yg7WkfOx0NCuX98FnTb

Music Video – Ecstasy and Entropy – https://www.youtube.com/watch?v=zud62AXzvsw

Music Video – Voids in the Ash – https://www.youtube.com/watch?v=U-tcwbsxNHg

Visualizer – Apparition – https://www.youtube.com/watch?v=R4Doe6X8bZs

Tour Dates:
May 14 – Montclair, NJ – The Meatlocker
May 15 – Wallingford, CT – Cherry Street Station
May 16 – Brattleboro, VT – Midnight’s

Track Listing:
1. Autumnal (6:12)
2. Entropy and Ecstasy (5:47)
3. Backward Momentum (5:21)
4. Voids in the Ash (5:41)
5. Remnant (4:37)
6. A Place in the Rot (4:38)
7. Apparition (4:57)
8. The Harvest (5:46)
Album Length: 43:03

Credits:
Mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios
Artwork by Venus Kohana (venuskohana.com)

Lineup:
Trevor Portz: Guitar, Bass, Harmony Vocals
Karl Chamberlain: Vocals
Robin Stone: Drums

More Info:

https://www.facebook.com/AshenHorde/

https://www.instagram.com/ashenhorde

-30-

“The harvest is coming! The new Ashen Horde album is a multi-faceted journey into every nook and cranny of extreme metal. “The Harvest” is challenging and quirky, but unlike a lot of other progressive/experimental releases, it never loses track of the key ingredient in music – good songwriting. All tracks are well-crafted and interesting in their own right, and the skillful instrumental performances are more like the icing on the cake and not the main focus. Highly recommended!” – Nik Sundin (Dark Tranquillity)

“plenty of listeners will undoubtedly enjoy this, and the musical ability of this outfit is beyond question.” – Musika (2026 – The Harvest)

“The song (Entropy and Ectasy) captures this dichotomy of collapse and exhilaration — of entropy and ecstasy — through a fast-spinning (and head-spinning) kaleidoscope of sound. The moods of the music change along the way, but even the relatively slower and more desolate passages include inventive and intriguing nuances. Karl Chamberlain’s remarkably multi-faceted voice is a perfect match for the remarkably multi-faceted nature of the music. He expels brutal death metal gutturals and ripping black metal screams, but he also sends his singing voice in ravishing upward arcs that are spine-tingling to hear, and down into gloomy troughs. As for the surrounding music, it’s intricate and exhilarating, especially when the band are in full flight, discharging rapidly darting and maniacally swirling notes, incendiary bursts of tremolo’d delirium, or riffing that feverishly slashes with vicious, serrated edges. In less frantic phases, the music dismally groans and throbs, creating a pall of desolation, even when Chamberlain’s voice might be reaching for the clouds. The fretwork also includes angular progressions that generate moods of disorientation and fearfulness, and the song further includes an astonishing guitar solo that all by itself seems to capture the song’s thematic dichotomy of collapse and jubilation. Perhaps needless to say, Robin Stone’s drumming is as constantly changing as everything else, and surgically crafted to match all the other head-spinning, pulse-pounding, and heart-sinking twists in this shapeshifter of a song.” – No Clean Singing

“The Harvest boldly and confidently opens up a new chapter for Ashen Horde. For a rough idea of where The Harvest is coming from, think a mix of Anaal Nathrakh, Enslaved, Ihsahn, In Mourning, and Tómarúm. Indeed, fans of bands like those would do well to make a beeline for The Harvest. Ashen Horde have produced a well-rounded album that’s extremely enjoyable. I think we may have found a real contender for Antimony‘s crown. Time will tell for sure. For now, The Harvest is a top tier album you need in your life. Essential listening.” – Wonderbox Metal

“Antimony; 3/5 rating; “the sound Ashen Horde has developed over three albums is pretty much theirs alone. It’s a dense but accessible approach that rewards both casual listens and sustained attention.” – Angry Metal Guy (2023 – Antimony)

“Equal parts blackened madness, death metal riffing, and clean vocals, “The Neophyte” should get just about anyone stoked for Antimony.” – Metal Injection (2023 – Antimony)

“an amazing odyssey all around and the amount of remarkable coherency as well as the instrumentation work and musicianship is just top notch.” – Metal Purgatory (2023 – Antimony)

“Progression like what Ashen Horde has undergone over the years is what the best tales in the underground are made out of.” – Head-Banger Reviews (2023 – Antimony)

“Fallen Cathedrals; 4.0 rating; “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” – Angry Metal Guy (2019 – Fallen Cathedrals)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 NYC Thrashers ANOTHER DEMON Announces New Show Dates – Supporting Vicious Rumors on Sept 11th in Hamden, CT + New EP “As Above So Below” ft. guest James Murphy (Testament, Death, Obituary)

April 29, 2026
by Asher
· Another Demon · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – April 29, 2026

NYC Thrashers ANOTHER DEMON Announces New Show Dates – Supporting Vicious Rumors on Sept 11th in Hamden, CT

New EP “As Above So Below” ft. guest James Murphy (Testament, Death, Obituary)

L-R – Dave English – Drums, Jun Takeshita – Lead Guitars, Max Capshaw – Vocals, Frank Tosi – Lead Guitars, Fred Romer – Bass

Photo Credit: Michael Corwin

Another Demon has announced two upcoming live performances, including a September 11th show supporting Vicious Rumors at The Cellar On Treadwell in Hamden, CT, and another on May 9th in Peekskill, NY, continuing their push across the Northeast metal circuit as momentum builds behind their latest release.

Show Dates:

May 9 – Peeksill, NY – Slainte – w/ Assault, Shatterhand, Avari

Sept 11 – Hamden, CT – w/ Vicious Rumors, The Unknown, Mutant – info

These shows arrive as the rising thrash force celebrates the official re‑release of their debut EP “As Above So Below,” out now as of April 18th, 2026, via Ragebreed Records, with global digital distribution through Earache Records. Originally issued independently, the EP now returns with expanded reach and renewed visibility, further cementing the band’s fast‑growing presence in the modern thrash landscape.

The re‑release also highlights one of the EP’s defining moments: a guest appearance by legendary guitarist James Murphy (Testament, Death, Obituary) on the track “Drawn and Quartered.” Murphy’s contribution adds a historic stamp of extreme‑metal pedigree to the band’s already razor‑sharp sound.

Another Demon defines their sonic identity in five words: Powerful, Fast, Aggressive, Thrashing, Evil. The band believes the EP’s wider release will resonate strongly with new listeners.

“Those who haven’t heard it yet will feel instantly familiar with what we do, and instantly want more,” says guitarist Frank Tosi.

Crafted from years of dormant ideas and revived creative drive, “As Above So Below” blends classic thrash roots with atmospheric tension, horror‑driven storytelling, and a modern edge. The six tracks form a cohesive descent into horror, dystopia, and spiritual unraveling. From the frantic Evil Dead-inspired chaos of “Reduced to Ash” to the crushing crisis‑of‑faith intensity of “Deaf Gods,” the EP moves through relentless riff‑driven aggression with “Skull Vessel.” Its standout moment, “Drawn and Quartered,” features Murphy’s blistering guest performance. The atmosphere then shifts into ominous, cinematic territory with “War March,” before the title track “As Above So Below” ties the record together through themes of duality, chaos, and spiritual inversion.

Formed in 2023, Another Demon is built from decades of collective experience across the NY/NJ/CT heavy‑music scene. Max Capshaw (Bass/Vocals) brings a hardcore pedigree from Sick of It All, H2O, Murphy’s Law, Burn, and more. Frank Tosi (Lead Guitar) is the primary songwriter, shaping the band’s tight, riff‑forward thrash identity. Jun Takeshita (Lead Guitar) blends 80s thrash with Japanese punk/metal intensity, expanding the band’s melodic and technical range. Dave English (Drums) delivers precision, power, and dynamic rhythmic control.

“The more we’ve played together, the deeper our musical bond has grown. We’ve become a unit that knows how to read each other extremely well,” adds Tosi.

With the EP’s global re‑release and new shows on the horizon, Another Demon is preparing to push further into the U.S. metal circuit. Their next full‑length album is already in development, promising an even broader and more collaborative expression of the band’s identity.

“We write these songs to satisfy our personal tastes and hope the fans appreciate that. The full‑length will show even more of our mutual personality and the best of our brand,” adds Tosi.

Recommended for fans of Slayer, Testament, Exodus, Overkill, and Immortal, “As Above So Below” (released April 18th, 2026) is available now on all major platforms.

Single Stream – Drawn and Quartered ft. James Murphy (Testament, Death, Obituary) – https://www.youtube.com/watch?v=F7m8elmZ2H8

Add to your Spotify Playlist – https://open.spotify.com/artist/3kNaNyl0Lcp2NffXJUwjT6?si=SbY0-uwdTE6jlNyjTIRDJA

Bandcamp – https://anotherdemon.bandcamp.com/album/as-above-so-below

Ragebreed Online Store – https://www.ragebreedstore.net/

Track Listing:
1. Reduced To Ash – 3:13
2. Deaf Gods – 3:05
3. Skull Vessel – 1:49
4. Drawn and Quartered ft. James Murphy (Testament, Death, Obituary) – 5:42
5. War March – 5:44
6. As Above So Below – 5:45
EP Length: 25:20

EP Band Line Up:
Max Capshaw – Vocals / Bass
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Frank Vaturina – Session Drums

Live Band Line Up:
Max Capshaw – Vocals
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Fred Romer – Bass Guitar
Dave English – Drums

More info: https://linktr.ee/another_demon_official

-30-

“Another Demon is some of the best new Thrash Death out there. Glad to be a part of it. The music shreds and crushes!” – James Murphy of Death/Testament/Obituary/Cancer

“Frank writes great metal. Full of shredding evil guitars and catchy songwriting. I could listen to this all day!” – Karl Sanders of Nile

“The balance and brilliance of the four murderous musicians in Another Demon is outstanding. If you love Slayer, Testament, Overkill or Exodus, you’ll hear nods to the greats throughout As Above So Below. It’s a credit to the band — they’ve thrown everything into this release to ensure its place in horror-themed thrash metal. Did I mention James Murphy makes a guest appearance? I know I did… I just wanted to tell you again. I’m a huge James Murphy fan, in case you couldn’t tell. As Above So Below by Another Demon is an absolute must for anyone who loves metal — whether it’s speed, thrash, death or doom. Pick your poison. Put it in your ears and you’ll be bouncing off the walls in no time. My overall thoughts? Fucking loved it. Powerful. Fast. Aggressive. Thrashing. Evil. Five words. No arguments.” – Crannk

“A special highlight is »Drawn and Quartered«, at which James Murphy (TESTAMENT, DEATH, OBITUARY) contributing a solo. The track is a prime example of virtuoso guitar playing and at the same time shows the dark atmosphere ANOTHER DEMON master so well. It is a song that is both technically demanding and emotionally charged, with lyrics that tell of torment, punishment and inner conflict… As Above So Below« is an album that offers a lot to fans of thrash and death metal. Energy, technical precision and a gloomy, atmospheric depth… The album is not for the cautious ears, but for those who want to embark on an intense trip through guitar walls, drum thunder and dark lyrics, it delivers just that, what to expect and sometimes a little more.” – MetalUnerground.at

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

Page 7 of 521

Asher Media Relations Tweets

Tweets by AsherMedia

Asher Media Email Subscription

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Email Address:

Join 2,164 other subscribers