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Category: Music News

0 Newfoundland Thrash WITHIN THE REALM Unveils First Single w/ Video “Into The Night” From Debut Album “…Of Systemic Decay” Out End of Oct 2026

  • September 17, 2026
  • by Asher
  • · Music News · Within The Realm

NEWS RELEASE

Montreal, QC – September 17, 2026

Newfoundland Thrash WITHIN THE REALM Unveils “Into The Night” From Debut Album “…Of Systemic Decay” Out End of Oct 2026

St. John’s, Newfoundland thrash metal force Within The Realm proudly announces the October 30th release of their debut album “…Of Systemic Decay”, a raw, fast, and fiercely old‑school assault forged from the band’s deep roots in 80s/90s thrash. This first full-length delivers a blistering blend of thrash aggression, conspiracy‑charged lyricism, psychological turmoil, and anti‑authoritarian fire. Produced by drummer Michael Small and recorded DIY with no click tracks, no autotune, and no polish, the album embraces the unfiltered honesty of live performance: fast, loud, and unapologetically real.
​
Across its tracks, the record explores internal dread, external oppression, UFO disclosure, societal collapse, and the cathartic power of heavy metal culture. Songs like “Sixth Sense,” “Spiral of Terror,” “Hidden Agenda,” “The Hydra,” and “The Information Is Out” dive into themes of trauma, manipulation, government deception, and unified resistance. Meanwhile, tracks such as “Endless Life” and “Into the Night” celebrate heavy metal as a lifelong sanctuary, brotherhood, and outlet for primal energy.
​
​“We wrote this album with a certain rawness and honesty that came from our love of 80s and 90s metal,” says bassist Rick White. “Those decades inspire us the most, and we truly captured that on this LP,” adds Rick White (bass and backing vocals).
​
​“It feels great to finally have these songs recorded after almost 10 years. Everything happened at the right time; we’ve grown as players and as friends,” adds drummer/producer Michael Small.
​
The first glimpse of the album is the single “Into the Night,” a celebration of everything metal stands for: nostalgia, intensity, and lifelong devotion to the scene from 1985 to today. With its 90s thrash vibe, melodic hooks, and high‑octane energy, the track has already become a fan favorite at live shows.
​
​“It’s a banger track, and it kicks ass. This single gives people the basic idea of what Within The Realm is about,” says Small.
​
The music video amplifies the band’s chemistry, humor, and stage presence, showing a group that takes the music seriously, but never themselves.

Watch and listen at https://www.youtube.com/watch?v=JymvTQLfBh4

​

Within The Realm was formed from bassist Rick White’s desire to play the metal “embedded deep inside our souls” with musicians who felt like brothers. The band name reflects their refusal to stick to one subgenre, embracing every style within the realm of metal. The lineup includes Rick White on bass (Festered Corpse, Sacrament A.D., Oberon, Rapid Burial, Corporal Punishment, Incidium), Geoff Waye on guitar (Category VI, Triskelyon, Artach, Oberon), Mike Small on drums and album producer (Jaded Truth, Winterhearth), and vocalist Richard Squires (formerly Last Soul Down).

Track Listing:
​
1. Sixth Sense – 4:13
2. Endless Life – 4:59
3. Spiral of Terror – 5:39
4. Hidden Agenda – 5:05
5. Homicidal Sacrifice – 4:12
6. The Hydra – 5:26
7. The Information is Out – 5:16
8. Into The Night – 4:24
Album Length – 37:56
​
​More info:

​https://www.facebook.com/WithinTheRealmOfMetal​

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—
ASHER MEDIA RELATIONS
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0 FLAMESTRIKE Unleashes New Single “Unholy March” From Debut Album “The Unholy March” Out Jan 2027 via Rockshots Records

  • September 16, 2026
  • by Asher
  • · Flamestrike (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – September 16, 2026

FLAMESTRIKE Unleashes New Single “Unholy March”​
​
Debut Album “The Unholy March” Out January 29th, 2027 via Rockshots Records

Italian epic power metal band FLAMESTRIKE is ready to march into a new chapter with “Unholy March”, the first single from their forthcoming debut album “The Unholy March”, set for release on January 29th, 2027 via Rockshots Records.

The song throws the listener straight into a dark tale of death, betrayal, and vengeance. “Unholy March” follows a fallen commander who, after making an unholy pact, returns from beyond the grave at the head of an army of the dead. Determined to reclaim his sovereign’s throne by force, his march ultimately brings destruction upon the kingdom and ushers in a new age of darkness.
​
Musically, the track introduces the core identity of FLAMESTRIKE, combining the epic and heroic character of classic power metal with the heavier influences that have shaped the band’s sound.
​
The band comments:
​
“We wrote the kind of epic, powerful, and engaging music that we ourselves would want to hear. Throughout the album you’ll find fantasy worlds, fearless heroes, evil entities, and endless battles, all shaped by the different musical backgrounds that make us who we are as a band.”

Listen to “Unholy March” on all digital platforms: https://lnk.to/A50bp9

​

YouTube – https://www.youtube.com/watch?v=sG5Mox-L_tg

​

Rooted in the European power and epic metal tradition while drawing inspiration from heavier, symphonic, and extreme sounds, FLAMESTRIKE forges a style built around powerful riffs, heroic melodies, and fantasy-driven atmospheres.
​
Their forthcoming debut album “The Unholy March” is not conceived as a single concept story, but its songs share recurring themes of battle, revenge, triumph, and the inevitability of fate. The stories do not always unfold from the perspective of the traditional hero, leaving room for darker characters, defeat, and morally ambiguous outcomes.
​
The band adds:
​
“We want this album to be an immersive listening experience, something capable of transporting the listener directly onto the battlefield or inside the walls of a medieval tavern. Every track remains deeply connected to our epic and symphonic trademark.”
​
Formed in Vercelli, Italy, in 2008, FLAMESTRIKE initially came together through a shared passion for power and epic metal. After starting out performing songs by some of the genre’s defining bands, the musicians gradually began replacing covers with their own material.
​
Their first self-produced EP, “Dark Clouds On The Obsidian Tower”, arrived in 2021. Following several line-up changes, FLAMESTRIKE returned in 2024 with the singles “Where Glory Awaits” and “The Death Scythe Has Come”, both included on the forthcoming album.
​
​For fans of: Blind Guardian, Manowar, Ensiferum
​
In 2026, the band signed with Rockshots Records, setting the stage for the release of their first full-length.
​
​Pre-order “The Unholy March” (Out Jan 29, 2027):
​https://rockshots.eu/products/flamestrike-the-unholy-march-cd​

Track Listing:​
1. Heralds Of The Fallen King – 1:28
2. Unholy March – 4:19
3. Where Glory Awaits – 8:56
4. The Death Scythe Has Come – 4:20
5. Lindisfarne – 5:57
6. Enslaved By The Steel – 5:38
7. Flamestrike – 7:48
8. A Rainy Forest Where The Minstrel Rests… – 2:01
Album Length: 38:40
​
​FLAMESTRIKE is:​
Marco Caputo: Lead Vocals, Backing Vocals, Choirs
Emmanuele Iacono: Electric & Acoustic Guitars
Fabrizio Amapane: Electric & Acoustic Guitars, Choirs
Alessio Marchetto: Bass
Luca Traversa: Drums & Percussion
​
​Album Credits:
​
Recorded at Edge Of Darkness Studio, Robbio, Italy
Produced, mixed, and mastered by FLAMESTRIKE
Cover artwork by Kaijie Huang

More info:

​https://rockshots.eu/​

​https://www.facebook.com/FlamestrikeOfficial​

​https://www.instagram.com/flamestrikeofficial​

BIOGRAPHY:

Formed in Vercelli, Italy, in 2008, Flamestrike grew out of a shared passion for the epic and power metal scene. Their roots can be traced back to the previous year when a group of university students and recent graduates came together to play songs by some of their favourite bands, including Blind Guardian, Hammerfall, Manowar, Virgin Steele and Edguy.

That early incarnation lasted only a few months, but it brought together bassist Marco Caputo and drummer Marco Canella, who would go on to become the founding members of Flamestrike. After recruiting a new line-up, the two officially formed the band in April 2008. The name itself reflected another passion they shared at the time: fantasy literature. While going through a seemingly endless list of characters from their favourite fantasy sagas, they eventually settled on Flamestrike, the name of a dragon from Margaret Weis and Tracy Hickman’s Dragonlance Chronicles.

Initially, the band returned to the stage with a set built around power and epic metal covers, playing venues and events throughout the local area. It was not long, however, before original music began to take over. Between 2009 and 2010, Flamestrike started writing their first songs, firmly rooted in the same epic and power metal tradition that had inspired the band from the beginning.

By the end of 2010, Flamestrike had built up a substantial body of original material, but the departure of three of the five members brought the band’s progress to an abrupt halt. Caputo and Canella remained, and after a brief period of uncertainty, the line-up began to take shape again in early 2011 with the arrival of guitarists Emmanuele Iacono and Alessio Marchetto. At the same time, Caputo expanded his role, taking over lead vocals while continuing to play bass.

This four-piece line-up gave Flamestrike the momentum to move forward, both on stage and as songwriters. In 2012, keyboardist Fabio Sguazzotti joined the band, restoring the line-up to five members and remaining with Flamestrike until 2015.

Another important transition came that same year when Caputo decided to step away from bass and devote himself entirely to vocals. Riccardo Rondolotto subsequently joined as the band’s new bassist, beginning four years of rehearsals, live performances and continued songwriting. In 2019, both Marchetto and Rondolotto eventually left Flamestrike to pursue other musical paths.

Reduced to a three-piece, Caputo, Canella and guitarist Emmanuele Iacono used this transitional period to begin recording the original material that would eventually become the band’s first EP. By mid-2019, Flamestrike had once again completed their line-up with the addition of Fabrizio Amapane on second guitar and Ivan Bovio on bass.

The following two years brought an entirely different challenge. Although the band remained stable and united throughout 2020 and 2021, the disruption caused by the pandemic inevitably slowed down their activities. After almost two years of work, delays and interruptions, October 2021 finally saw the digital release of “Dark Clouds On The Obsidian Tower“, Flamestrike‘s first EP of original material. Featuring five tracks, the release marked the band’s first major step from years of songwriting and live activity towards a fully realised recording project.

In 2022, another chapter in Flamestrike‘s history came to a close when founding drummer Marco Canella left the band for personal reasons after fourteen years. He was succeeded by Luca Traversa, formerly of Alltheniko and a longtime friend of the band. With Traversa behind the kit, Flamestrike began shaping the material that would form their debut full-length album.

The first glimpse of this new chapter arrived in 2024 with two singles: “Where Glory Awaits“, released in March, followed by “The Death Scythe Has Come” in December.

A further line-up change followed in 2025, when Ivan Bovio parted ways with Flamestrike by mutual agreement. His departure opened the door for the return of Alessio Marchetto, who rejoined the band five years after leaving it. This time, however, he returned in a new role, taking over bass duties and bringing a familiar face back into the Flamestrike ranks.

In 2026, Flamestrike reached a new milestone by signing with Italian label Rockshots Records, setting the stage for the release of their debut full-length album in early 2027.

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 SF Bay Area Thrashers ABSOLUTE DARKNESS New Video “Snake Oil” Exposes The Opioid Crisis; New Album “Witness To A Dying World” Out Oct 2026

  • September 16, 2026
  • by Asher
  • · Absolute Darkness · Music News

NEWS RELEASE

Montreal, QC – September 16, 2026

SF Bay Area Thrashers ABSOLUTE DARKNESS New Video “Snake Oil” Exposes The Opioid Crisis

Sophomore Album “Witness To A Dying World” Out Oct 2026

L-R- Orson Sojo – Bass, Ron Dorn – Rhythm Guitar/Lead Vocals, Scott Russell – Drums, Douglas Vetter II – Lead Guitar/Backup Vocals

Photo Credit by Eddie Granillo

San Francisco Bay Area death/thrash metal band Absolute Darkness has released “Snake Oil,” the second single from their forthcoming sophomore album, “Witness To A Dying World,” due out on October 23rd, 2026.

“Snake Oil” follows the band’s first single, “Attritional Warfare” (also available below). The first single set a high bar with a hybrid animated/live‑action video containing over two minutes of original animation.

“It was by far the biggest video project we’ve ever taken on… We wanted to create something that complemented the song and helped tell its story,” says vocalist and guitarist Ron Dorn.

This second glimpse into the band’s new album marks the first full‑song contribution from lead guitarist Douglas Vetter II, blending the band’s signature aggressive thrash with dynamic, breathing sections that heighten the emotional weight of the lyrics from him and Dorn.

“Man, there is so much to this song. Snake oil was pretty much the outside poison (addictive painkillers) that affected my world growing up. Family members on pain management, and me, as a kid, making myself as small as possible. Losing one of my best friends and not being able to be there. The lead-in to it is literally the best way my heart could sing to him and say goodbye, and I miss him. And how all this has poured over me as I try to raise a family and keep it together because of what this poison does to people. That’s what snake oil is to me. There is help out there for people who need it, and this song is to shed light on a much bigger problem that people choose to turn a blind eye to, the opioid crisis,” adds Vetter II.

The band chose a lyric‑video format for the single, but with a cinematic approach, spending a lot of time finding stock footage that matched the story they wanted to tell and visuals that carried the song rather than simply accompanying it.

“Snake Oil” is available now as a lyric‑driven visual experience at https://www.youtube.com/watch?v=KGU2h8LqiKM

​

Bandcamp – https://absolutedarkness1.bandcamp.com/track/snake-oil​

Absolute Darkness’ second full‑length album, “Witness To A Dying World,” deepens their blend of Bay Area thrash and modern death metal, pushing harder into aggressive riffs, layered harmonies, standout solos, and a sharpened sense of social commentary. Lyrically, it confronts corruption, propaganda, authoritarianism, war, addiction, homelessness, and social decay, all told through character‑driven narratives rather than direct lectures, giving the album both impact and humanity. The new record also marks a major milestone for Absolute Darkness; it’s the first album written entirely by the current lineup from the ground up, with every member contributing meaningfully to the songwriting process
​
​“This is an album Absolute Darkness wanted to make for a long time… It finally feels like a complete band effort. Not because it’s heavier or faster than our previous releases, but because everyone contributed to the songwriting in one way or another, and I think that made every song better,” adds Dorn.

The album will also feature a faithful, modernized cover of “World In A World” by Bay Area thrash legends Vio‑lence, paying tribute to the scene that has shaped the band.

Since forming in 2015, Absolute Darkness has continually sharpened both their sound and their production approach. Their 2022 debut full‑length, “Failure Of State,” marked a major leap forward in songwriting and overall sonic quality. Now, with their upcoming sophomore album, “Witness To A Dying World,” the band pushes that evolution even further, delivering high‑energy, aggressive metal while telling character‑driven stories meant to make listeners think as much as they headbang.

Recommended for fans of Testament, Vio-lence, Exodus, At The Gates, The Crown, and Amon Amarth, “Witness To A Dying World” will be available on October 23rd, 2026. Album pre-sale begins October 1st.

First Single:

Animated video – “Attritional Warfare” – https://www.youtube.com/watch?v=Kbh5jvhBQtQ

​

Track Listing:​
1. Above The Law – 3:56
2. Attritional Warfare – 3:50
3. World Decay – 3:28
4. Snake Oil – 4:14
5. Different Illegally – 3:33
6. Loyalty To Me – 3:32
7. I Guess I Die – 3:59
8. Big Lies – 3:51
9. Extreme Accountability – 3:34
10. World In A World (Vio-lence Cover) – 4:13
Album Length: 38:21

Band Lineup:​
Ron Dorn – Guitar/Lead Vocals
Douglas Vetter II – Lead Guitar/Backup Vocals
Orson Sojo – Bass
Scott Russell – Drums

More info:

​https://www.facebook.com/BandAbsoluteDarkness​

​https://www.instagram.com/absolutedarkness_band/​

-30-

“Combining death/thrash influences… stronger production values that hopefully will garner more buzz and attention.” – Dead Rhetoric (Failure Of State 2022)

“Part album, part call to arms… a rabble-rousing affair and a slamming indictment of modern-day society.” – The Headbanging Moose (Failure Of State 2022)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Montreal’s KILLED BY SORROW Unveils “The Burial” Off Debut Album “Empires of Excess” Out Oct 2026

  • September 16, 2026
  • by Asher
  • · Killed By Sorrow · Music News

NEWS RELEASE

Montreal, QC – September 16, 2026

Montreal’s KILLED BY SORROW Unveils “The Burial” Off Debut Album “Empires of Excess” Out Oct 2026

Montreal metal force Killed By Sorrow is gearing up for a massive fall with the release of their full‑length album “Empire of Excess,” officially due out on October 23rd, 2026. The band has already ignited momentum with their first single “Betrayal”, and next in line is “The Burial”, a haunting, slow‑burning track that showcases Killed By Sorrow’s melodic depth and brooding atmosphere.

“The track represents a dark, ritual-like descent into death where silence, decay, and inevitability swallow everything. The living fade, the dead rise, and no one escapes,” adds the band.

Watch and listen to “The Burial” at https://www.youtube.com/watch?v=2QAW0l6NjTg

​Add to your Spotify playlist – https://open.spotify.com/album/5fxp69XMCVvU1mmT1AQYeu

​

“Empire of Excess” represents a major evolution from the band’s earlier EPs “Careless of This Sadness” (2023) and “Time Has Come” (2022), sharpening their production, tightening their songwriting, and deepening the emotional weight of their sound while still holding onto the aggression and intensity that define them.

“The goal of this album is to blend heaviness and melody in a way that pulls listeners into the story behind each track. The raw emotion, the aggressive riffs, the melodic hooks, but with a more mature and refined delivery. Each song is meant to hit hard, connect on a personal level, and leave listeners with the sense that they’ve gone through something meaningful from start to finish,” says rhythm guitarist Sam Ham.

Across ten tracks, “Empire of Excess” moves between high‑speed ferocity, downbeat atmospheres, punk‑rock bursts, melodic transitions, and crushing breakdowns, weaving dark storytelling with emotional struggle, social reflection, and personal introspection. The album unfolds as a series of intense, interconnected chapters, from apocalyptic collapse to inner resilience, forming a cohesive journey driven by heaviness, melody, and raw human emotion.

Killed By Sorrow began as a tight‑knit group of friends channeling the intensity of the music they loved, evolving from basement rehearsals into a serious project once their natural chemistry and shared vision became undeniable. Emerging from Montreal’s South Shore metal scene in the mid‑2000s, the band shaped their identity around the emotional weight of Poison the Well, the razor‑sharp riffing of Unearth, and the melodic precision of Trivium, blending aggression with dynamic, melody‑driven structures.

During these formative years, Killed By Sorrow built a reputation through high‑energy performances across local venues, highlighted by a milestone moment sharing the stage with Swedish hardcore heavyweights Raised Fist, a show that cemented their credibility within the scene.

Recommended for fans of Unearth, Killswitch Engage, Poison The Well, Trivium, and Lamb of God, “Empire of Excess” is due out on October 23, 2026, and available for pre-save/ pre-order at the following links:

Spotify – https://distrokid.com/hyperfollow/killedbysorrow/empire-of-excess​

Bandcamp – https://killedbysorrow.bandcamp.com/​

Previous Single:

“Betrayal” at https://www.youtube.com/watch?v=i0PWyiTedfs

​

Track Listing:​
1. The End is Near – 3:38
2. Empire of Excess – 3:04
3. The Burial – 3:28
4. Betrayal – 3:51
5. Never Give Up – 2:37
6. All My Brothers – 3:18
7. In The Spotlight – 3:17
8. Killed By Sorrow – 3:29
9. Unchained – 3:42
10. Stay In Line – 3:28
Album Length: 33:55

Band Line-up:​
Sébastien Mailloux – Vocals
Martin Bersier-Carpentier – Bass
Tommy Forand – Guitar Lead
Samuel Ham – Guitar Rhythm
Mathieu Lassonde – Drums
​

More info:

​https://killedbysorrow.com/​

​https://www.facebook.com/KilledbySorrow/​

​https://www.instagram.com/killedbysorrowband​

​
​-30-​

“Canadian underground hardcore punks in Killed By Sorrow’s newest single, Betrayal, definitely stays loyal to the metalcore scene by actually sounding like thrash metal tones mixed with a hardcore punk grit and attitude. Heavily distorted rhythms sound closer to your traditional hardcore, but paired with your traditional style of hardcore punk vocals, Betrayal lets you know not to cross Killed By Sorrow. Huge basslines underneath and in-the-pocket drumming made this one an interesting approach in a crowded metalcore genre, and it’s more than worth a few listens.” – Metal Institute of Thrashology (2026)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 DECIMATE METALFEST (Millet, AB) Opens Band Submissions For 2027 Lineup!

  • September 15, 2026
  • by Asher
  • · Decimate MetalFest · Music News

NEWS RELEASE

Montreal, QC – September 15, 2026

DECIMATE METALFEST (Millet, AB) Opens Band Submissions For 2027 Lineup!

Performer submissions open September 15 for Alberta’s grassroots, all-ages heavy music festival

June 25 and 26, 2027: Bringing Heavy Music, Independent Arts, and Community Together in Alberta

The amps might be silent after Decimate Metalfest 2026, but the heart behind the festival is anything but. Work has already begun to bring the noise back even louder.

Performer submissions for Decimate Metalfest 2027 open September 15, 2026, kicking off the search for the bands, artists, and creators who will help shape another weekend of heavy music, art, connection, and community in Alberta. All submissions must be made through the official Decimate Metalfest performer application on the festival website. Applications sent through any other channel will not be reviewed or considered. Submissions close October 15, 2026.​
​
Last year’s call for performers reached farther than ever, with applications for Decimate Metalfest 2026 coming in from 15 countries, 8 Canadian provinces, and 25 U.S. states!
​
For festival founder Sloan Voxx, seeing DMF reach artists across borders is an incredible reminder of just how far this grassroots Alberta festival has come and how much the family surrounding it continues to grow. At the heart of it all are the experiences and memories created when everyone finally comes together.
​
​“What started here in Alberta is reaching people thousands of kilometres away, and that’s pretty incredible to see! Every year we get to welcome back familiar faces while meeting people experiencing Decimate for the first time. Artists, attendees, volunteers, vendors, families, and crew all come together for the weekend. We watch people support each other, make new connections and friendships, share some ridiculous moments, and create memories that continue long after Decimate is over. We’re obviously here because we love heavy music, but Decimate has always been about family and community. Seeing familiar faces come back year after year, welcoming new ones into the family, and watching this community continue to grow is what makes all the work behind Decimate worth it. You can see the photos, watch the videos, and hear the stories, but there’s something about actually being there that you can’t really explain. You have to experience it for yourself,” says Voxx.
​
Heavy music is the heartbeat of Decimate Metalfest, with submissions encouraged from across the spectrum of metal, rock, punk, hardcore, alternative, and everything heavy in between. But DMF isn’t limited to bands. The festival also welcomes youth performers, solo artists, and other entertainers who have something they love to share, including drag performers, dancers, DJs, comedians, magicians, and more.
​
Local, national, and international performers are encouraged to apply!
​
Youth performers are especially encouraged to put their names forward. Giving young musicians a place to share what they love alongside established and touring artists has become one of the most rewarding parts of Decimate Metalfest.
​
“Some of my favourite moments are watching younger performers step onto that stage and absolutely own it,” says Voxx. “They get to share the same stage and be part of the same festival community as artists who have been doing this for years. You can see the nerves, the excitement, and then that moment where it clicks and they’re just up there doing what they love. There’s something pretty incredible about getting to witness that. They’re part of Decimate, just like everyone else,” adds Voxx.
​
With hundreds of applications received each year, every submission represents someone putting a piece of themselves out there. DMF wants to know the people and stories behind the music, not just what’s written in a bio.
​
​“Tell us why we should book YOU! What makes you different? What do you bring to the stage? What have you been working toward? Why do you want to be part of Decimate? Most importantly, be yourself. Every artist brings something different to the Decimate stage, and that’s exactly what makes it interesting. We want to see what makes you uniquely you. Show us who you are. Tell us your story. Let your personality come through. Whether it’s your sound, your live show, your story, or something completely unexpected, show us what makes your band or performance yours.”​
​
And one particularly important piece of advice for applicants: SEND MUSIC AND LIVE PERFORMANCE LINKS!
​
​“Yes, we have received submissions without them. We’re pretty good, but we haven’t unlocked the ability to hear your band telepathically just yet! We want to hear what you sound like, but we also want to see what happens when you step onto a stage. Show us your energy. Show us your connection with the crowd. Show us the moments when you forget about everything else and just get lost in what you’re doing. That’s what live music is all about.”

SUBMISSION DETAILS:

Apply at https://www.decimatemetalfest.com/performer-submission​
Submissions Open: September 15, 2026
Submission Deadline: October 15, 2026
Festival Dates: June 25 – 26, 2027
Location: Millet Agriplex Arena – Millet, Alberta, Canada
All performer applications will be reviewed by the DMF team following the October 15th deadline.

Decimate Metalfest has never been about simply putting bands on a stage. It’s about what happens around that stage, too.
​
Somewhere between the riffs, the pit, the laughter, and the chaos, there are moments when the music and the love behind this community seem to collide. The kind of moments that stop you in your tracks. A crowd singing together. An artist watching another artist from the floor. A kid seeing someone on stage and realizing that could be them one day. Friends finding each other in the pit. Strangers throwing their arms around one another. Sometimes, those moments hit hard enough to bring tears right there in the middle of the crowd. And DMF isn’t afraid to admit that. It’s loud. It’s heavy. It’s a little chaotic. There will be riffs, pits, sore necks, ridiculous stories, and probably a few things nobody will ever fully be able to explain. But underneath all of it, there’s a hell of a lot of heart.
​
​“Decimate has grown, but I never want to lose sight of what made it special in the first place. We can grow the stage, the lineup and the crowd, but that heart has to stay. That’s Decimate, and that’s what we’re building again for 2027,” says Voxx.
​
As preparations for 2027 get underway, Decimate Metalfest is also welcoming conversations with businesses, organizations, and community partners interested in supporting the festival. From helping create opportunities for artists and youth performers to supporting the festival experience itself, partnerships play an important role in helping an independent, grassroots event like DMF continue to grow.
​
Sponsorship and partnership opportunities are available for Decimate Metalfest 2027.
​
​Interested businesses and organizations can connect with the Decimate Metalfest team at www.decimatemetalfest.com/partnership.

​
For the latest updates, lineup announcements, and ticket purchases, visit the official Decimate Metalfest website. Follow us on social media to stay in the loop:​

More info: https://linktr.ee/decimatemf​

About Decimate Metalfest:

Decimate Metalfest is an independent, grassroots, all-ages heavy music and arts festival based in Alberta, Canada.

Built by members of the heavy music community, for the heavy music community, DMF brings together touring artists, underground and emerging bands, youth performers, independent creators, entertainers, families and fans.
​
At its core, Decimate is about giving people a place to share what they love, discover something new, support one another and experience heavy music together.
​
The woman-led festival continues to create opportunities for artists while building a space where longtime metalheads, young families and first-time festivalgoers can all feel like they belong.
​
Because Decimate isn’t just about who plays the stage.
​
It’s about every person who becomes part of the story.
​
​Partners and Sponsors include:​
The Town of Millet, Millet Agriplex, Millet Lions Memorial Campground, Leduc Brewing, Best Copy Shop, Asher Media Relations, Prairie Fire Productions Ltd., Absolute Underground Magazine, 387 Entertainment, Fire Lotus Creative, Rendezvous Pub, Queer YEG, Seeing Red Podcast, Pinecase Mental Health, Broken Neck Radio, Edmonton’s Alternative Music Magazine, Alberta Music, CJSW 90.9FM.
​
Decimate Metalfest is also a proud member of the Western Canadian Metal Festival Alliance (WCMFA) and is honored to work alongside fellow independent festivals and music organizations that help strengthen the Canadian metal scene, including:
Loud As Hell Open Air Festival
Armstrong MetalFest
Hyperspace Metal Festival
Glacial Mutilation Metal Festival

For press inquiries, interviews, or additional information, please contact us at: info[@]decimetalfest[.]com

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0 Canadian Cosmic Metal THE ASTRAL PROPHETS Unleash “Into Nothing” From New Album “Invasion” Out Oct 2026

  • September 15, 2026
  • by Asher
  • · Astral Prophets · Music News

NEWS RELEASE

Montreal, QC – September 15, 2026

Canadian Cosmic Metal THE ASTRAL PROPHETS Unleash “Into Nothing” From New Album “Invasion” Out Oct 2026

Top L-R: Kyle Summers (Drums) | Harley D’Orazio (Guitars/Vocals) | Terry Savage (Bass/Vocals)
Bottom L-R: Staci Stardust (Lead Vocals) | AJ Bergin (Guitars/Vocals)
Photography Credit: Brad, YYC Visual Media

Calgary, AB’s cosmic metal force The Astral Prophets are set to unleash their long‑awaited full‑length album “Invasion,” due out on October 30th, 2026. Alongside the announcement, the band drops the first single and music video, “Into Nothing,” a wild, danceable, riff‑driven blast that introduces fans to the next evolution of their self‑coined genre “Power Groove.”
​
Formed in 2019 by former Scythia members AJ Bergin, Terry Savage, and Celine Derval, The Astral Prophets emerged from a desire to create something heavier, rawer, and more grounded than their folk‑metal origins.

“The concept and theme of the band is designed around the idea of a not‑so‑distant, roboto‑cratic dystopian future. Space, aliens, techno-organic viruses, the works!” adds Bergin.

Over the years, the lineup evolved into its final 2026 form with Staci Stardust (vocals), AJ Bergin (guitars), Harley D’Orazio (guitars), Terry Savage (bass), and Kyle Summers (drums). Together, they refined their sound through early singles like “Firewall,” “USB Humanity,” and “Lazerwitch,” followed by their 2023 EP “Anywhere But Here.”
​
A sci‑fi metal epic built on cosmic storytelling, massive riffs, and layered symphonic textures, their first full-length, “Invasion,” represents the band at full power.

“Invasion is a roller coaster of an album… themes of anger, retribution, causality, and madness, but also love and longing, conveyed with sci-fi and cosmic overtones,” says Bergin.
​
The album artwork depicts Earth on the brink of collapse as an alien mothership tears through a wormhole to terraform the planet, a visual centerpiece for the album’s dystopian universe.
​
Musically, “Invasion” pushes the band’s heavier roots to the forefront, with stronger, more memorable riffs, melodic, smooth leads, driving, high‑energy drumming, and Allen’s most powerful vocal performances to date.

“We wanted to bring an album that improves upon our already unique style. During our EP, we started to dial in our sound, but now we are delivering an LP in our full form. We brought the music back to our heavier roots. The riffs are stronger. The leads are melodic and smooth. The drums are driving, and Staci’s singing is more ballsy! Every song is amazing in its own right, and we couldn’t be prouder of them,” adds the band.

The lead single “Into Nothing” erupts with high‑energy swagger, fusing 80s‑glam attitude with the band’s signature swing‑driven Power Groove. Packed with sassy guitar lines, bold vocal delivery, and an irresistible rhythmic bounce, it’s a track built to move. Lyrically, the song blurs the boundary between dreams and reality, inspired by a vivid moment where Allen dreamed of throwing a punch and felt it land in real life, a surreal spark that shaped the song’s thematic core.
​
Its musical roots stretch back to a tongue‑in‑cheek Scythia track called Fort Make Money, a satirical nod to rig life in Fort McMurray. Savage hammered out the chorus riff within hours, and the band quickly recognized its glam‑rock DNA, echoing the swing and attitude of earlier The Astral Prophets cuts like “Cybernetic Doom” and “Firewall.” When the band first played it live, the bridge, solo, and final chorus were so addictive they looped them repeatedly just for the joy of it.
​
Bergin calls “Into Nothing” his favorite song to perform, a wild, danceable ride that captures everything fun, flashy, and unrestrained about the band’s heavier new era.

Listen to “Into Nothing”:

Video – https://www.youtube.com/watch?v=yPLxl6flAP8

​Spotify – https://open.spotify.com/track/6mFNCS1mHzwOJ4T8l0i2dd​

​Delivering cosmic, melodic, riff‑driven sci‑fi rock that blends power metal, groove metal, and high‑energy performances, “Invasion” will be available on October 30th, 2026.

Show Dates:​
Oct 30 – Calgary, AB – Festival Hall (Album Release Show) w/ Victoria Lies, Cabraakan, Kyle Pullan

Track Listing:​
1. Target Locked – 4:24
2. Power of the Rift – 4:08
3. Invasion ft. Jeff Black – 4:06
4. Into Nothing – 4:46
5. A Trail of Broken Stars – 4:46
6. World Eater – 4:35
7. Hyperdrive – 4:47
8. Inside the Hyperdrive – 3:37

More info: https://hyperfollow.com/astralprophets​

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0 Out Now! Montreal’s OMBRA’s Debut EP “Night Terror” Explores Fear, Collapse, and The Human Condition

  • September 14, 2026
  • by Asher
  • · Music News · Ombra

NEWS RELEASE

Montreal, QC – September 14, 2026

Out Now! Montreal’s OMBRA’s Debut EP “Night Terror” Explores Fear, Collapse, and The Human Condition

Emerging Montreal metal trio OMBRA has officially released their debut EP “Night Terror,” out now as of September 14th, 2026. Rooted in old‑school thrash, sludge, groove metal, and psychedelic rock, the five‑track conceptual project delivers a visceral, front‑to‑back descent into fear, obsession, chemical collapse, and the psychological weight of modern life, blending raw emotion, razor‑sharp riffs, and the band’s signature fusion of horror and real‑world chaos.
​
Formed by lifelong friends Giuseppe “G” Criniti (vocals/guitar), Marco Sisti (guitar/bass), and Nico‑Angelo Sisti (drums), OMBRA evolved naturally from their previous cult acts NRTH and Hidden Pride. The trio grew up together in Lachine, attended the same schools, and came from families who immigrated from Italy together, making the band’s formation feel less like a decision and more like destiny. In late 2020, G and Marco left NRTH to pursue heavier music, and Nico, Marco’s cousin and a respected drummer in the Montreal scene, joined shortly after departing Hidden Pride.
​
A true concept EP about fear, collapse, and the human condition, “Night Terror” was written between 2021 and 2026. The EP reflects the band’s lived experiences and observations of a decade marked by upheaval, media distortion, obsession, war, and emotional collapse. The EP is intentionally designed as a continuous experience from Track 1 “Hysteria” through Track 5 “So It Goes”, each chapter deepening the psychological descent:
​
​“We wrote this EP as a reflection of our own experiences, feelings, and emotions throughout the last few years. The world has gone through so much change, turmoil, and war; this EP is our commentary on some of the major events of the last decade. Our objective is to encourage others to explore their own minds, make their own opinions, and live true to themselves. This EP reflects our thoughts and observations. We encourage all individuals to express themselves freely through art, speech, and any medium they see fit.” – Ombra.

Recommended for fans of Power Trip, High On Fire, Motörhead, Mastodon, Testament, and Rammstein, “Night Terror” is now available on all digital platforms at https://too.fm/eab92od.

Single Streams:

“Blue Dream” – https://www.youtube.com/watch?v=R5UmQA60mlM

​“Stitches” – https://www.youtube.com/watch?v=FimmvegfZ_M​

“Hysteria” – https://www.youtube.com/watch?v=O7mDZ-4uXrY

​

Track Listing:​
1. Hysteria (4:15)
2. Stitches (4:43)
3. Blue Dream (3:46)
4. Night Terror (5:44)
5. So It Goes (3:06)
​
​Album and Live Band Lineup:​
Giuseppe Criniti – Vocals / Lead Guitar
Marco Sisti – Rhythm Guitar / Bass
Nico-Angelo Sisti – Drums

More info:

​https://ombra.band/​

​https://www.instagram.com/@abandcalledombra​

​https://www.facebook.com/people/OMBRA/61582909783052/

-30-​

“Night Terror is a debut EP that knows exactly what it wants to do. OMBRA take Thrash Metal, pass it through Groove, Sludge and psychedelic rock and use it to tell a story that begins with social unrest and ends deep within the human mind. It’s not an album that tries to impress you with technique. It wins you over with intensity, riffs, groove and atmosphere. And most importantly: It’s not five random songs. It’s a journey. From Hysteria to Night Terror. From the outside world to the inside. From control to loss of control. And finally, to acceptance. OMBRA are just taking their first step. But it’s a step that sounds heavy, mature and determined. Darkness doesn’t reside outside the mind. Sometimes it resides within it. And OMBRA have just given it a soundtrack.” – Rock N Roll Town

“OMBRA emerges in ‘Hysteria’ as a force that transforms social chaos into high-impact art. Advancing with the brutality of thrash metal and the structure of hard rock, the track shapes a sound that feels like both a siren and a sentence at the same time. Sharp and relentless, the riffs dialogue with drums that tear through the silence, while the vocals echo indignation and lucidity, a manifesto in the form of distortion. The band builds tension with precision: there is weight, but also clarity; fury, but control.” – Roadie Metal

“Delivering high-quality extreme metal that blends elements of thrash metal with other influences full of raw aggressiveness, a cinematic atmosphere with no soft edges, like a punch to the gut!” – Metal Junkbox

“From the moment we hear the sound of sirens, gunshots, and helicopters flying overhead, we know we’re going to encounter a strong track both in sound and lyrics, because the soundscape they create from the very first seconds already feels dense… the drums and guitar move between agility and the creation of a track full of suspense and tension.” – Poppunkers

‘STITCHES’, the new single from the Canadian trio OMBRA, arrives like an open cut: direct, intense, and impossible to ignore. The song crosses the border between hard rock and thrash metal with aggressiveness, transforming psychological tension into dense and precise sound.” – Roadie Music

“OMBRA is an incredible discovery! A band that shows us metal is more alive than ever… it is the perfect soundtrack to start a mosh and let out all our anger. It maintains brutal riffs worthy of any Metallica fan, an imposing guttural voice… it is 100% recommended!” – End Sessions

“I really felt it wasn’t a song made to sound pretty. It’s dark, heavy, and direct… The story it tells ,a woman who keeps reconstructing herself to fit in, hit me hard… It’s not a song that accompanies you in the background; it’s one that confronts you. It ends and leaves you with that knot in your chest.” – Rockola Indie

“Stitches’ hits hard with a dark and visceral vision of the oversexualization of women and the price of chasing perfection… It is raw, uncomfortable, and impossible to ignore.” – Poppunkers

“Stitches’ explores the limits between obsession, beauty, and self-destruction. The track dives into the mind of someone who seeks perfection at any cost… Musically, it combines aggressiveness and atmosphere, with a fast, dense, and confrontational sound… a sharp and suffocating sonority that amplifies the emotional tension. ‘Stitches’ transforms psychological horror into sonic impact.” – Metal Never Die

“The band delivers one of their darkest and most intense compositions to date. The last single before the release of the EP Night Terror, the track dives deeply into themes such as dependency, paranoia, and the destructive consequences of escaping reality. Combining dense and melodic passages with explosions of weight and aggressiveness, creating a sound experience that is as engaging as it is disturbing.” – Metal Junkbox

‘Blue Dream’ delivers suffocating, volatile metal with heavy riffs depicting psychological terror, chemical dependency, and mental collapse in a dense, cinematic sound.” – Whiplash

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0 Quebec’s NOVA SPEI Returns with a Fierce New Single “Enterré Vivant” and a Revitalized Lineup + Upcoming Album “Trinitas”

  • September 11, 2026
  • by Asher
  • · Music News · Nova Spei (Bam&Co. Heavy) · Uncategorized

NEWS RELEASE

Montreal, QC – September 11, 2026

Quebec’s NOVA SPEI Returns with a Fierce New Single “Enterré Vivant” and a Revitalized Lineup + Upcoming Album “Trinitas”

L-R – Cédrick Charland (Lead Guitarist) | Julien De Carufel (Drums) | Emmanuelle Desbiens-Dubois (Vocal) | Nicolas Dumais-Brouillette (Bass, Vocal) | Dany Soucy (Founder, Rhythm Guitarist)

Photo Credit – Étienne Dionne (Mute Drummer)

Québec modern‑metal powerhouse NOVA SPEI launches a fierce new era with the release of their brand‑new single and video “Enterré Vivant”, a groovy, djent‑driven assault that will be featured on the band’s forthcoming album “Trinitas” due out on November 6, 2026, via Bam&Co-Heavy.​
​
Built around a gripping, Fear‑Factory‑esque guitar groove, “Enterré Vivant” delivers a raw emotional punch, introducing fans to Nova Spei’s revitalized sound and the powerful arrival of vocalist Emmanuelle Desbiens‑Dubois.
​
​“Enterré Vivant” tells the story of someone trapped in a situation they refuse but cannot escape, an emotional metaphor inspired by watching someone close struggle with illness. What began as a personal reflection evolved into a visceral “buried alive” narrative, expressed through pounding rhythms, modern industrial textures, and a vocal performance that transforms the entire structure of the song.
​
The track was born from a single irresistible guitar riff crafted by Dany Soucy, whose groove set the tone for everything that followed. Lyrics were shaped collaboratively by Emmanuelle, Nicolas, and Dany, blending urgency, fear, and the will to survive. Fans will immediately feel the shift of the band’s rebirth with the introduction of female lead vocals, bringing new intensity and emotional depth to Nova Spei’s sound. The band is confident listeners will embrace this transformation and the renewed energy it brings to their music, marking a powerful new chapter in their evolution.
​
The single’s artwork by Filip Ivanovic visually captures the suffocating tension at the heart of the song, an image of someone trapped with no escape.

Recommended for fans of Gojira, Tesseract, Killswitch Engage, Spiritbox, and Architects, watch and listen to “Enterré Vivant”.

Music Video – https://www.youtube.com/watch?v=yJB1wzRomFg

​Add to your Spotify playlist – https://open.spotify.com/album/5eU0Cs7qNVxeaZHLDZR27i

​

NOVA SPEI is a Francophone modern metal band from Québec, known for their groovy, djenty, loud, modern, and unmistakable sound. Formed in 2012 by guitarist Dany Soucy (Legion, Dook), the band has evolved through multiple lineups while performing over 100 shows across Québec and Ontario.
​
Their debut self-titled album (2017) earned strong traction, with singles like “L’homme aux 1000 Sourires” spinning on RadioX 98.1FM, and tracks such as “Ma Muse” blasting through the Bell Centre during Montreal Canadiens games. Their second album “SEQUENTIS” was released in 2021 after pandemic delays, expanding their reach across the province.
​
In 2026, Nova Spei returns fully recharged with a new lineup that features Dany Soucy (Guitar), Nicolas Dumais (Bass), Julien De Carufel (Drums), Cédrick Charland (Lead Guitar), and Emmanuelle Desbiens‑Dubois (Vocals).
​
The band is currently preparing their upcoming album “TRINITAS”, a record that embraces a more organic, raw, and less sequenced approach while staying true to the band’s modern metal roots. The album is produced with Francis Perron (Voivod, Martyr), and mastered by world‑renowned engineer Maor Appelbaum (Faith No More, Halford, Yes).

Previous Singles:

Lyric video “Déraciné” – https://www.youtube.com/watch?v=0xn2xKYt0pc

​Music video “Renaissance” – https://www.youtube.com/watch?v=FagxvgWJTes

​

Track Listing:​
1. Trinitas – 1:38
2. Renaissance – 2:37
3. M’entends-tu!? – 2:16
4. Déraciné – 4:07
5. Hypnose Collective – 3:23
6. Sentence – 3:39
7. Bourreau – 2:53
8. Résonance – 2:03
9. Enterré Vivant – 3:19
10. Aucun Regret – 4:15
11. Traitre – 3:40
12. Vautours – 3:38
13. Draps Blancs – 2:52
Album Length: 40:27

Album and Live Band Lineup:​
Cédrick Charland – Lead Guitarist
Dany Soucy – Founder, Rhythm Guitarist
Emmanuelle Desbiens-Dubois – Vocals
Julien De Carufel – Drum
Nicolas Dumais-Brouillette – Bass, Vocals

For more info:

​https://www.novaspei.com/​

​https://www.facebook.com/NovaSpei​

​https://www.instagram.com/novaspei​

– 30 –

“Une pièce qui a tout ce qui faut pour devenir un classique du métal québécois. Des phrases percutantes et pleine de sens sur une musique lourde à souhait.” – Ondes Chocs

“Nova Spei : Nouvel espoir sur la scène métallique au Québec” – Voir

“Bref un excellent album à se mettre sous la dent ou sous le sapin pour le temps des fêtes ! Supportez notre belle scène du Québec ! ” – Metal Universe (2021 – Sequentis – LP)

“so there they were, twelve times groovy metal in French – from Canada. “Sequentis” by NOVA SPEI offers many an entertaining song. A lot of it certainly ignites live in the mosh pit and causes the crowd to freak out because they know how to get their limbs moving with their riffs and fat grooves… an album that is fun and fans of the good old groove metal should like.” – Stormbringer (2021 – Sequentis – LP)

“”Along with a meticulous display of proficient musicianship, this entire album is not only a credit to its makers, but the multifaceted collection of influences that has firmly planted a seed deep within them over the years, and brings New Hope to both the listener and the band as you peel away the cellophane so to speak. As a result, this album won’t gather dust in any collection, and will keep heads bouncing and feet tapping from sofa to stage.”” – Stargazer Music Magazine (2021 – Sequentis – LP)

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0 Edmonton’s BONEYARD Announces Sophomore Album “Black Static” Out Oct 2026 + Music Video “Before The Fall”

  • September 10, 2026
  • by Asher
  • · Boneyard · Music News

NEWS RELEASE

Montreal, QC – September 10, 2026

Edmonton’s BONEYARD Announces Sophomore Album “Black Static” Out Oct 2026 + Music Video “Before The Fall”

L-R: Jefftimus (Drums), Lezzy Osbourne (Bass Guitar), Garhardt (Lead Guitars), Pamtera (Lead Vocals and Guitars)

Photo Credit – Corrine (Wytchy) Thain

Canadian hard‑rock/metal quartet Boneyard will release their long‑awaited sophomore album, “Black Static,” on October 23rd, 2026, marking a bold new chapter for the band’s evolving sound and lineup.
​
Built on melodic female‑fronted hard rock, traditional heavy metal roots, and the band’s signature storytelling, “Black Static” expands the world Boneyard established on their 2020 debut “Oathbreaker”, a record later re‑released internationally through WormHoleDeath Records and mastered by Grammy‑nominated engineer Maor Appelbaum. Featuring nine dynamic songs ranging from classic metal heaviness to punk‑infused chaos to cinematic Western‑metal storytelling, the new album showcases the creative chemistry of the refreshed lineup, featuring powerful contributions from bassist Lezzy and lead guitarist Garhardt, whose arrival has sparked major anticipation among fans.

“An extension of Oathbreaker, but shaped heavily by the new members involved, Black Static is quite different more diverse, more melodic, and more emotionally charged,” says drummer Jefftimus.

Lyrically, “Black Static” dives into personal trauma, mental health, human trafficking, generational addiction, and grief, while still weaving in hope, resilience, and empowerment. The album’s artwork was once again created by legendary Calgary artist Tom Bagley, who brought their mascot Misty Bone to life on the record’s cover.

The album’s first single, “Before the Fall,” is a melodic‑metal anthem confronting the destructive patterns of global leadership, war, corruption, inequality, and urging unity and change. The video dives into the dark realities of human trafficking and missing and murdered Indigenous persons, blending cinematic grit with emotional weight.
​
​“A song of hope… recognizing atrocities and creating a new way of thinking by helping each other for the future,” adds Pamtera.
​
Listen to “Before The Fall”

Music Video – https://www.youtube.com/watch?v=HPOEcMLX5Xc

​Spotify – https://ffm.bio/boneyard​

Beyond the riffs, Boneyard stands out for its representation: a Métis drummer, a female LGBTQ+ bassist, and a commitment to authenticity and inclusion within the rock and metal scene. Since forming in 2015, Edmonton, AB’s Boneyard has performed across Western Canada at Decimate Metalfest, Pembina River Nights, Metisfest, and more.

Recommended for fans of Halestorm, Saxon, Doro, The Pretty Reckless, and Iron Maiden, “Black Static” will be available on October 23, 2026, digitally and on CD, with a vinyl release to be announced at a later date.

Show Dates:​
Oct 23 – Edmonton, AB – The Rec Room (Album Release Show) w/ Daniel Martin & The Infamous

Track Listing:​
1. Met You in a Dream
2. Left Me to Drown
3. Ready for a Change
4. Not this Way (Joel’s Song)
5. Blood in the Bond
6. Before the Fall
7. Hanging Tree
8. Compass Points to War
9. Before the Fall (Piano Rendition)

Album and Live Band Lineup:​
Pamtera – Lead Vocals, Guitar
Lezzy Osbourne – Bass
Jefftimus – Drums
Garhardt – Lead Guitar

More info: https://linktr.ee/boneyardrocks​

– 30 –

“Boneyard‘s debut record Oathbreaker is the kind of album that gets a little better each time that you listen” – Sleaze Roxx’s Top 10 Albums of 2020

“Solid, enjoyable debut, support the New Wave of Traditional Heavy Metal” – Bravewords

“Boneyard lean a bit more towards the hard rock side of the spectrum but the metal is all there as well” – Metal-Rules

“Rock music from Canada still guarantees quality”- PowerMetal

“What we have here is a female-fronted metal outfit that bathes in the crimson glory of traditional heavy rock and heavy metal”- Metal Roos

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0 Out Now! FEN’s Doug Harrison’s Solo Project SLUG COMPARISON’s New EP “Cold in Cold out”

  • September 10, 2026
  • by Asher
  • · Music News · Slug Comparison

NEWS RELEASE

Montreal, QC – September 10, 2026

Out Now! FEN’s Doug Harrison’s Solo Project SLUG COMPARISON’s New EP “Cold in Cold out”

Doug Harrison – Photo Credit – Peter Wiholm

Canadian (Victoria, BC) songwriter Doug Harrison, best known as the vocalist for progressive rock/metal band Fen, unveils his solo project Slug Comparison’s new EP, “Cold in Cold out,” available everywhere now. The six‑track collection marks a deliberate shift back toward the project’s introspective, atmospheric roots, trading electric urgency for slow‑burn emotional weight.
​
Moving away from the upfront rock production of his 2025 album “A Battle to the End Fought on the Edge of a Knife”, this new offering of “Cold in Cold out” leans into the spacious, layered acoustic textures reminiscent of Fen’s “Trails Out of Gloom” that was released on Ripple Music. Across its six tracks, the EP dwells in a depressive, reflective territory, an environment Harrison admits he’s glad to return to. Harrison encourages listeners to experience the EP in full.
​
​“These songs rely more on mood than hooks. The instant gratification isn’t there. The songs are a slow release. For best results, they should be listened to all in a row, privately, and in headphones,” adds Harrison.
​
The EP’s writing process was an experiment in speed, an attempt to break the long gaps between Fen and Slug Comparison releases. Harrison set out to write and record several songs within a year, ultimately overshooting by only a few months. For the EP, he also collaborated with drummer Randall Stoll (Boulevard, KD Lang, Tom Cochrane), who brought the songs to life in the studio, while Sheldon Zaharko added depth and character through mixing. Harrison handled all writing, arrangement, and instrumentation before drums were added.
​
The EP unfolds as a sequence of stark, emotionally charged vignettes. “Tongue of the Hollow” opens the record with an acoustic homage shaped by a verse riff echoing Nirvana’s “Something in the Way,” lyrically telling the story of a dying man surrounded by bewildered cats and soothed only by the upstairs neighbour’s nightly singing. “To Whom Would You Answer” relives a spiraling closed-door encounter with gatekeepers bent on extracting an assurance of loyalty. “Back to the World” reflects on reconnecting with an old friend who has survived a dark chapter, stirring guilt, hope, and a confrontation with one’s own neglected demons. “Burden of Life” deepens the EP’s somber emotional terrain, while the title track “Cold in Cold out” meditates on the lonely trial of human existence, its pain, exhaustion, fleeting wonder, and the recurring question of how long it all must continue. The closing piece “No Healer” follows a fevered final journey beneath a jungle canopy, surrendering to whatever forces guide the end of one’s existence.

Recommended for fans of Nirvana, Katatonia, Porcupine Tree, The Pineapple Thief, Fen, and Mark Lanegan, “Cold in Cold Out” offers a brooding, introspective journey into Harrison’s most personal and imaginary songwriting yet.

“Cold in Cold Out” is now on all major streaming platforms.

Spotify – https://open.spotify.com/album/6lN49YhB6T8TzH5R7IpBJD

Bandcamp – https://slugcomparison.bandcamp.com/album/cold-in-cold-out

​

Single Stream – Tongue of the Hollow – https://www.youtube.com/watch?v=LUziXxuV0uY

​

Track Listing:​
1. Tongue of the Hollow (4:01)
2. To Whom Would You Answer (3:47)
3. Back to the World (4:03)
4. Burden of Life (4:44)
5. Cold in Cold out (5:31)
6. No Healer (4:36)
EP Length: 26:42

EP Recording Credits:​
• All songs performed by Slug Comparison
• All songs written by Doug Harrison
• Produced by Doug Harrison
• Mixed by Sheldon Zaharko
• Mastered by Brock McFarlane at CPS Mastering
• Album Artwork by Inkantation
• Member of SOCAN
• Canadian Content (MAPL)

EP Lineup:​
Doug Harrison: vocals, guitar, bass, programming, songwriting, production
Randall Stoll: drums

More info:

​https://www.instagram.com/slugcomparison​

​https://www.facebook.com/slugcomparison​

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“A moment with SLUG COMPARISON has always been an emotional and musical exploration from the heart of one of rock’s finest songwriters and Cold in Cold out continues that particular seduction to offer one seriously thrilling and inspiring proposal.” – The Ring Master Review

“so much emotion, so much to ponder, so much complexity even while on the surface seeming so simple.” –Stephen Conrad, Prog Archives
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“a mix of Pink Floyd and Simon & Garfunkel.” –Melodic.net
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“un superbe album.” –Prog Et +

“The album takes us through the self-doubt, denial, and defiance of the artist and is another mini-masterpiece delivered under the Slug Comparison banner. 10/10” –SonicAbuse

“In no way “progressive” in the traditional sense, there is a depth to each composition, and a variation in styles across the album, that rewards careful listening.” –DPRP

“Harrison’s voice tends to have a grungy quality, but it also unfolds in epic, theatrical, or simply beautifully melodic ways.” –Musikreviews (translated from German)

“modern, emotionally rich, and laced with just enough grunge to hit us right in the feels.” –Mandatory Music

“The highlight is a twisted power ballad about having much too much of a good thing (Too Much Love).” –Here Comes the Flood

“progressive and alternative inclinations align with dark rock, punk and other rich hues. It makes for a palette of surprise and unpredictable adventure” –The RingMaster Review

“One of my favourite songs of the year” (about “Bringer of Doom”) –Dutch Progressive Rock Radio

“Simply engulfs the imagination and emotions” -The Ringmaster Reviews

—​
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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