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Category: Music News

0 Canadian Doom/Sludge Filthlords DESTROY MY BRAINS Unleashes Video “Downgrade”; New Album “WILT” Out Aug 2026

  • August 6, 2026
  • by Asher
  • · Destroy My Brains · Music News

NEWS RELEASE

Montreal, QC – August 6, 2026

Canadian Doom/Sludge Filthlords DESTROY MY BRAINS Unleashes Video “Downgrade”

New Album “WILT” Out Aug 14th, 2026

Destroy My Brains – L-R – Rob – Bass, Jarret – Vocals, Guitar, Chase – Guitar, Jadan – Drums

Lloydminster, Canada doom/sludge cult Destroy My Brains have unleashed the official music video for their new single “Downgrade”. The track arrives in support of the band’s upcoming album “WILT,” set for release on August 14th, 2026, marking the final chapter of their long‑running five‑album conceptual saga.

“Downgrade” drags listeners into one of the bleakest narratives on WILT: a punk‑rooted sludge assault that tells the story of a sadistic manipulator leading a supposed friend into addiction, ruin, and overdose.

“Downgrade unfolds a story of two people… ultimately ruining their lives on drugs and overdosing. The manipulator claims to be doing this work of ruin for Satan, and believes the Devil himself is working through him,” adds vocalist/guitarist Jarret.

Musically, the track is a filthy hybrid of DMB’s sludge foundation and their early punk instincts.

“We really wanted something that reminded us of a Misfits song… the song absolutely came together effortlessly and quickly and absolutely is one of our favorite songs on the album,” says Jarret.

The music video, directed by Logan and Phillip of ShadowScape Pictures, brings the song’s themes of degradation and suffering to life with grim, physical intensity. “

“They brought our ideas to life in masterclass fashion… we shot the video in a dirt‑floored unfinished house and even drowned me in a bathtub of completely freezing water, just to add to the pain of the song,” comments Jarrett.

“Downgrade” follows the band’s previous singles “Decontribute” and “OCI”, continuing the rollout toward “WILT”, a record that is an ode to pain, trauma, and hate so thick you can touch it. Riffs on top of riffs, and songs about ruin and degradation.

Destroy My Brains remain one of Canada’s most uncompromising sludge acts, known for corrosive tones, emotionally violent lyrics, and live performances where “people in the front are often pelted by throat chunks, spit, or worse.”

With “WILT,” the band completes the conceptual arc that began with “Worthless” (2018), “InsignifiCan’t” (2020), “Lifeless” (2020), and “Tormented” (2022), a five‑album descent conceived from the very beginning.

“We already picked the titles so the first letters would spell WILT… here we are with the best sounding DMB album to date hands down,” says the band.

Watch the video for “Downgrade” at https://www.youtube.com/watch?v=-ul8Zku8Z4Y

​Spotify – https://open.spotify.com/artist/67kJ5QtfRsT22WZpIZ2NKu​

Recommended for fans of Eyehategod, Crowbar, Buzz-oven, Acid Bath, and Electric Wizard, the album pre-order for “WILT” (release date August 14th, 2026) is available at https://destroymybrains.bandcamp.com/​

Track Listing:​
1. OCI (Obsessive Compulsive Imploder) – 4:32
2. Burn The Virgin – 10:30
3. Decontribute – 7:28
4. Avulsion – 7:08
5. Downgrade – 5:14
6. Spill – 9:30
7. Wilt – 11:40
Album Length: 56:03

More info: https://linktr.ee/destroymybrains​

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““Downgrade,” a five-minute crawl through manipulation, intoxication and deliberate ruin. The track reconnects Destroy My Brains with their punkier instincts without sacrificing the suffocating riffs, corrosive tones and full-throated hostility at the center of their sludge attack.” – Decibel Magazine (Downgrade Premiere)​

“My take on the album: The tracks on the album are hard hitting Doom/Sludge Metal at the next level. The band doesn’t fool around and they let the music do the talking. Brilliantly composed and performed songs that combine to create a special album. I am hugely impressed by the album. A massive yes from me.” – Project Metal Music

“Lyrically, this is a hateful and hopeless screed, the vicious and fatalistic thoughts of someone falling apart and drowning in intoxicants.” No Clean Singing (Decontribute single off Wilt – 2026)

“The riffing swarms like carnivorous insects; the bass brutally thunders; the drums cut like a dismembering ax; and the vocals sound like a screaming person being strangled, in arms with a growling pit bull.” No Clean Singing

“Catharsis has been defined as “the process of releasing, and thereby providing relief from, strong or repressed emotions.” DESTROY MY BRAINS is a vehicle created to do just that.” – Doomed & Stoned (Tormented – 2022)

“a coup de grace of sludgy Crowbar riffs and throat shredding screams of hate” Those Once Loyal (Tormented – 2022)

—
ASHER MEDIA RELATIONS
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0 Alive and Kicking! Toronto’s DAWN VALLY Unleash Punishing “Kneecapper” Video For New EP “Near Death Experience” Out Now!

  • August 5, 2026
  • by Asher
  • · Dawn Vally · Music News

NEWS RELEASE

Montreal, QC – August 5, 2026

Alive and Kicking! Toronto’s DAWN VALLY Unleash Punishing “Kneecapper” Video For New EP “Near Death Experience” Out Now!

Recently coming off a crushing performance at Loud As Hell Open Air Festival in Drumheller, AB, where they tore through the stage alongside Fallujah, Crimson Shadows, Divinity, and more, Toronto’s Dawn Vally has dropped a ferocious new lyric video for “Kneecapper”, in support of the band’s brand‑new and third EP “Near Death Experience,” released July 31st, 2026, a milestone marking the rebirth of one of Canada’s most relentless metalcore acts.
​
Formed in 2007 by brothers Jeff and Joe Bartolo, Dawn Vally has spent nearly two decades forging a sound that’s raw, ferocious, intense, heavy, and brutal. What began as a DIY project burning CDs in their early days has evolved into a fully realized force, now rounded out by guitarist Antonio and new vocalist Zac Emmons, formerly of Pound Of Flesh.
​
​“Kneecapper” is a blistering statement of betrayal, an explosive track aimed at a once‑trusted friend whose indecision and backstabbing cost everything. Musically, it’s one of Dawn Vally’s most punishing offerings to date, with high‑octane riffs, savage breakdowns, and Zac’s emotionally charged vocal delivery.
​
The lyric video amplifies the intensity, pairing the band’s signature brutality with stark, confrontational visuals that mirror the song’s themes of anger, loss, and retaliation.
​
​Watch the lyric video at https://www.youtube.com/watch?v=lzZC9FWBTjE

​

The EP’s title reflects the band’s turbulent years from 2022–2024, an era of internal turmoil that nearly ended Dawn Vally entirely. Instead, the band emerged stronger, channeling the chaos into a record that blends every era of their sound, from the early “Just Please Her” EP’s hard‑rock roots to the ferocious metalcore/hardcore hybrid they’re known for today.
​
Lyrically, “Near Death Experience” is drenched in betrayal, emotional pain, and the psychological fallout of broken trust. Musically, it’s a full‑throttle assault, high‑octane intensity from start to finish.

“This EP is to signify that it was only a near-death experience and not a full-on death of the band,” adds vocalist Zac Emmons.
​
The band has already begun writing the follow‑up to “Near Death Experience”. Fans can expect even more music, more intensity, and more emotional depth as Dawn Vally continues to evolve.

Recommended for fans of Parkway Drive, Lamb Of God, Cancer Bats, and Suicide Silence, “Near Death Experience” is available at the following links:

Bandcamp – https://dawnvallyto.bandcamp.com/album/near-death-experience​

Spotify – https://open.spotify.com/album/7r4Y6txMc7q2IFCFouMKWR

​

Track Listing:​
1. Orange – (2:30)
2. Pray For Me (2:39)
3. Kneecapper (2:50)
4. Second Hand Smoke (2:41)
5. Graves (2:44)

Band Lineup:​
Vocals – Zac Emmons
Bass – Jeff Bartolo
Guitar – Antonio Bratta
Drums – Joe Bartolo

EP Recording Credits:​
• All songs performed by: Dawn Vally
• All songs written by: Dawn Vally
• Lyrics written by: Zac Emmons
• Produced by: Eli Heineman
• Mixed by: Eli Heineman
• Mastered by: Eli Heineman
• EP Artwork by: Zac Emmons
• Member of SOCAN
• Canadian Content (MAPL)

More info: https://linktr.ee/Dawn_Vally​

– 30 –

“Dawn Vally is bringing absolutely punishing music to the forefront of the Canadian music scene” – Kroniknoise Promotions

“Near Death Experience is gonna have audiences on the verge of death themselves with the mosh pits this music creates” – Pitborn Promotions​
—
ASHER MEDIA RELATIONS
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0 Montreal’s OMBRA Detonate Cinematic Thrash Fury w/ “Hysteria” Off Debut EP “Night Terror” Out Sept 2026

  • August 5, 2026
  • by Asher
  • · Music News · Ombra

NEWS RELEASE

Montreal, QC – August 5, 2026

Montreal’s OMBRA Detonate Cinematic Thrash Fury w/ “Hysteria” Off Debut EP “Night Terror” Out Sept 2026

Rising metal trio OMBRA will release their debut EP, “Night Terror,” on September 14th, 2026, delivering a raw, conceptual, front‑to‑back exploration of fear, control, and the darker corners of the human psyche. The band has also unveiled the EP’s first single, “Hysteria,” which features explosive energy, fusing cinematic atmosphere, thrash‑driven aggression, and unapologetic lyrical honesty. The track confronts themes of government control, media influence, and societal panic, setting the stage for the EP’s descent into obsession, chemical collapse, and full mental freefall.
​
​“Hysteria” was initially mixed by JF Dagenais (Kataklysm), adding an extra layer of intensity to the band’s already powerful sound.

Listen to “Hysteria” at the following links:

YouTube – https://www.youtube.com/watch?v=O7mDZ-4uXrY

​Spotify – https://open.spotify.com/track/408K5TQAOB9ZRHnJKzxC4t

​
​
Formed by lifelong friends Giuseppe “G” Criniti (vocals/guitar), Marco Sisti (guitar/bass), and Nico‑Angelo Sisti (drums), OMBRA emerged in late 2020 after G and Marco departed their previous hard‑rock/progressive project NRTH to pursue a heavier, more aggressive sound. Nico, Marco’s cousin and a well‑known drummer in the Montreal scene, joined shortly after leaving Hidden Pride. With all three members having grown up together in Lachine, the band’s formation felt natural, inevitable, and rooted in decades of shared history.
​
Written between 2021 and 2026, OMBRA’s debut record “Night Terror” channels the band’s lived experiences and observations of a world defined by upheaval, media distortion, obsession, chemical escape, and psychological unraveling. Designed as a continuous front‑to‑back journey, the EP builds toward the intense emotional peak of its title track. Across its five songs, “Night Terror” traces a rising arc of mental tension. Opening track “Hysteria” confronts societal panic and media‑driven chaos; “Stitches” plunges into obsession and the painful pursuit of transformation; “Blue Dream” captures chemical escapism collapsing into paranoia and possession; “Night Terror” delivers a visceral mental freefall where everything goes wrong; and “So It Goes” closes the experience with an instrumental moment of acceptance, peace, and forward motion.
​​
“Our goal was to create something honest. The world has gone through so much turmoil in the last decade. Night Terror is our commentary on fear, control, and the human condition. We want listeners to explore their own minds, think for themselves, and express freely,” 
says the band.

The band’s writing process begins with the rhythm section, the “heartbeat”, before expanding through long jam sessions, layered melodies, and extended solos. Every member contributes to the songwriting, though G and Marco handle the majority of the core composition.

Loud, energetic, groovy, and exciting, OMBRA blends old‑school thrash and sludge with modern groove and a touch of psychedelic rock/ They are recommended for fans of Power Trip, High On Fire, Motörhead, Mastodon, Testament, and Rammstein.

“Night Terror” will be available on all digital platforms on September 14, 2026.

EP Pre-Save – https://too.fm/eab92od

Track Listing:​
1. Hysteria (4:15)
2. Stitches (4:43)
3. Blue Dream (3:46)
4. Night Terror (5:44)
5. So It Goes (3:06)
​
​Album and Live Band Lineup:​
Giuseppe Criniti – Vocals / Lead Guitar
Marco Sisti – Rhythm Guitar / Bass
Nico-Angelo Sisti – Drums

More info:

​https://ombra.band/​

​https://www.instagram.com/abandcalledombra​

​https://www.facebook.com/people/OMBRA/61582909783052/​

About: ​
​
OMBRA is a Montreal metal trio formed by lifelong friends Giuseppe “G” Criniti, Marco Sisti, and Nico‑Angelo Sisti. Rooted in old‑school thrash, sludge, groove metal, and psychedelic rock, the band blends heavy riffs with emotional honesty and modern storytelling. Their mission is to encourage listeners to think freely, explore their own minds, and express themselves without compromise.

-30-​

“OMBRA emerges in ‘Hysteria’ as a force that transforms social chaos into high-impact art. Advancing with the brutality of thrash metal and the structure of hard rock, the track shapes a sound that feels like both a siren and a sentence at the same time. Sharp and relentless, the riffs dialogue with drums that tear through the silence, while the vocals echo indignation and lucidity, a manifesto in the form of distortion. The band builds tension with precision: there is weight, but also clarity; fury, but control.” – Roadie Metal

“Delivering high-quality extreme metal that blends elements of thrash metal with other influences full of raw aggressiveness, a cinematic atmosphere with no soft edges, like a punch to the gut!” – Metal Junkbox

“From the moment we hear the sound of sirens, gunshots, and helicopters flying overhead, we know we’re going to encounter a strong track both in sound and lyrics, because the soundscape they create from the very first seconds already feels dense… the drums and guitar move between agility and the creation of a track full of suspense and tension.” – Poppunkers

‘STITCHES’, the new single from the Canadian trio OMBRA, arrives like an open cut: direct, intense, and impossible to ignore. The song crosses the border between hard rock and thrash metal with aggressiveness, transforming psychological tension into dense and precise sound.” – Roadie Music

“OMBRA is an incredible discovery! A band that shows us metal is more alive than ever… it is the perfect soundtrack to start a mosh and let out all our anger. It maintains brutal riffs worthy of any Metallica fan, an imposing guttural voice… it is 100% recommended!” – End Sessions

“I really felt it wasn’t a song made to sound pretty. It’s dark, heavy, and direct… The story it tells ,a woman who keeps reconstructing herself to fit in, hit me hard… It’s not a song that accompanies you in the background; it’s one that confronts you. It ends and leaves you with that knot in your chest.” – Rockola Indie

“Stitches’ hits hard with a dark and visceral vision of the oversexualization of women and the price of chasing perfection… It is raw, uncomfortable, and impossible to ignore.” – Poppunkers

“Stitches’ explores the limits between obsession, beauty, and self-destruction. The track dives into the mind of someone who seeks perfection at any cost… Musically, it combines aggressiveness and atmosphere, with a fast, dense, and confrontational sound… a sharp and suffocating sonority that amplifies the emotional tension. ‘Stitches’ transforms psychological horror into sonic impact.” – Metal Never Die

“The band delivers one of their darkest and most intense compositions to date. The last single before the release of the EP Night Terror, the track dives deeply into themes such as dependency, paranoia, and the destructive consequences of escaping reality. Combining dense and melodic passages with explosions of weight and aggressiveness, creating a sound experience that is as engaging as it is disturbing.” – Metal Junkbox

‘Blue Dream’ delivers suffocating, volatile metal with heavy riffs depicting psychological terror, chemical dependency, and mental collapse in a dense, cinematic sound.” – Whiplash

—
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0 Finland’s AFTER INFINITY Unveils Single “Everlasting Mark” ft. Guest Vocals Sara Strömmer (Shereign) From New Album “Beyond Eternity” Out Oct 2026

  • August 4, 2026
  • by Asher
  • · After Infinity (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – August 4, 2026

Finland’s AFTER INFINITY Unveils Single “Everlasting Mark” ft. Guest Vocals Sara Strömmer (Shereign)

New Album “Beyond Eternity” Out October 23rd, 2026 via Rockshots Records

Featuring Album Guests Paolo Ribaldini (Delain, Leverage, Seraphiel), Aitor Arrastia (Metal de Facto),
Nitte Valo (Dreamtale, ex-Battle Beast), Mika Tauriainen (Entwine, Shamrain),
Sara Strömmer (Shereign, ex-Fear of Domination), Leonard F. Guillan (ex-King Company)

Pre-Order Available Now!

Finnish melodic metal act After Infinity release their new single “Everlasting Mark”, featuring guest vocalist Sara Strömmer of Shereign.

The track offers a heavier, more intense perspective on the band’s upcoming sophomore album, “Beyond Eternity,” due for release on October 23rd, 2026, via Rockshots Records.

Following the bright, synth-driven energy of previous single “Infinite Feeling”, “Everlasting Mark” balances driving melodies with a heavier edge, further expanding the musical spectrum explored across “Beyond Eternity“.

Sara Strömmer‘s performance plays a central role in shaping the track’s character. Her vocals shift from soft and clean passages to aggressive and brutal delivery, emphasizing the contrasts within the composition and reinforcing its balance between melodic accessibility and heavier expression.

Guitarist and songwriter Zsolt Szilagyi comments:

“This song has a lot of cool musical elements: the interplay of synth & guitar in the main riff, some nice bass lines in the verses, and the extraordinary vocals of Sara Strömmer, who showcases her wide range of styles from soft and clean to aggressive and brutal.”

Founded in 2022 by Dreamtale and Frozen Factory guitarist Zsolt Szilagyi, After Infinity blend melodic power metal, heavy metal and progressive influences with layered orchestration, rich synthesizers and dynamic songwriting.

“Beyond Eternity” builds upon the foundations established by the band’s 2024 self-titled debut, moving between fast-paced power metal, heavier progressive compositions, atmospheric interludes and piano-led ballads with each song fulfilling a distinct role within the album.

The record brings together an extensive cast of guest vocalists, including Paolo Ribaldini, Aitor Arrastia, Nitte Valo, Mika Tauriainen, Leonard F. Guillan and Sara Strömmer, while maintaining a cohesive musical identity anchored by Szilagyi‘s songwriting.

Produced by Zsolt Szilagyi, “Beyond Eternity” features orchestrations and synthesizers by Gideon Ricardo and bass performances by Ville Koskinen. Most of the album, including “Everlasting Mark”, was mixed by Benjamin Connelly for Duskswitch Production, while mastering was handled by Jasse Kesti at Kesthouse.
​
​For fans of: Europe, H.E.A.T, Van Halen

Listen / Stream: https://lnk.to/RwRZyK​

YouTube – https://www.youtube.com/watch?v=BwNCInGdaUI

​​
“Beyond Eternity” will be released on October 23rd, 2026 via Rockshots Records.
​Pre-Order:
​https://rockshots.eu/products/after-infinity-beyond-infinity-cd​

Previous Singles:

Lyric Video – King With No Crown – https://www.youtube.com/watch?v=y3z6pfBeDqo

​Visualizer – Infinite Feeling – https://www.youtube.com/watch?v=ypvYh2xGFpQ

​

Track Listing:
​
1. Crooked Carnival feat. Aitor Arrastia (6:52)
2. Infinite Feeling feat. Leonard F. Guillan & Nitte Valo (5:02)
3. King with no Crown feat. Paolo Ribaldini (6:21)
4. Maybe She’s Crying feat. Paolo Ribaldini (5:21)
5. Mortal Vessel (1:58)
6. Everlasting Mark feat. Sara Strömmer (4:58)
7. Eternal Resentment feat. Nitte Valo (3:43)
8. Whisper in the Air feat. Mika Tauriainen (4:03)
9. Hands of Time feat. Aitor Arrastia (11:53)
​
​After Infinity Line-up:​
Zsolt Szilagyi: Guitars, Synths, Drum Programming, Backing Vocals
Gideon Ricardo: Orchestrations, Synths
Ville Koskinen: Bass
​
​Guest Vocalists:​
Paolo Ribaldini (Delain, Leverage, Seraphiel)
Aitor Arrastia (Metal de Facto)
Nitte Valo (Dreamtale, ex-Battle Beast)
Mika Tauriainen (Entwine, Shamrain)
Sara Strömmer (Shereign, ex-Fear of Domination)
Leonard F. Guillan (ex-King Company)

More info:

​https://www.rockshots.eu

​https://www.instagram.com/afterinfinityofficial​

​https://www.facebook.com/afterinfinityofficial​

ABOUT:

After Infinity is a Finnish melodic power and heavy metal project founded in 2022 by guitarist and songwriter Zsolt Szilagyi, known for his work with Dreamtale and Frozen Factory. Built around a flexible and collaborative structure, the band emerged from Szilagyi’s desire to move beyond a purely solo approach and create a dynamic musical environment involving multiple performers.

Rather than relying on a fixed line-up of vocalists, After Infinity developed a distinctive identity by working with a wide range of guest singers, allowing each track to take on its own character while maintaining a cohesive artistic vision.

This approach quickly became a defining element of the project, turning it into a platform where different voices and influences converge.

The band’s sound blends heavy guitar riffs, rich orchestrations, and strong melodic hooks, moving seamlessly between powerful metal compositions and more introspective passages driven by piano and atmospheric textures. Drawing from power metal, heavy metal, and progressive influences, After Infinity aims to deliver a diverse listening experience shaped by contrast, emotion, and compositional depth.

Their self-titled debut album, released in 2024, received positive feedback for its songwriting and musicianship, establishing the project within the contemporary Finnish metal scene. Building on that foundation, the sophomore album “Beyond Eternity” further expands the band’s sonic palette, introducing new guest vocalists and pushing the balance between heaviness, melody, and progressive elements while preserving the core identity that defines After Infinity.

-30-
​

—
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0 Montreal Heavy Metal WOODEN Takes A Bold Progressive Leap Forward w/ New Single “Veil of Mankind”

  • August 1, 2026
  • by Asher
  • · Music News · Wooden

NEWS RELEASE

Montreal, QC – August 1, 2026

Montreal Heavy Metal WOODEN Takes A Bold Progressive Leap Forward w/ New Single “Veil of Mankind”

Montreal heavy metal force Wooden returns this summer with “Veil of Mankind,” the first single from the band’s forthcoming EP, to be released at a later date. Being unleashed August 1st, the track marks the most ambitious and extreme chapter in the band’s evolution, a fast, melodic, progressive metal journey inspired by Plato’s Allegory of the Cave and shaped by the band’s sharpened, collaborative songwriting.
​
Fans can expect a familiar Wooden identity, but pushed into new territory that is heavier, faster, and more musically mature as “Veil of Mankind” delivers a 7‑minute narrative of blistering riffs, soaring melodies, and atmospheric interludes.
​
​“This is by far our most ambitious song. It’s very fast and has a lot more progressive metal influence than the songs on our previous album. It’s heavy, but it has melodic moments where it makes the listener feel like they are floating into another universe, similar to the classics from Pink Floyd,” says guitarist Bilal El‑Khatib.
​
Vocalist Youssef El‑Khatib adds:
​
​“This single feels like a familiar breath of fresh air; it anchors our signature style while expanding on emotional and conceptual reach.”​
​
Originally built around a long acoustic intro, the song sat untouched for months until inspiration struck.
​
​“At first, the song didn’t have a chorus. Eventually the ideas just flew naturally, and the song was finished in two weeks,” says Bilal.
​
The band’s collaborative writing process remains central: Bilal lays the foundation, Youssef pushes vocal and lyrical direction, and the rest of the band shapes the final structure with riffs, drum patterns, and melodic details.
​
The single’s artwork mirrors its conceptual depth, drawing from multiple depictions of Plato’s cave. Wooden requested something “sinister, organic and not overproduced,” ensuring the visual identity reflects the song’s atmosphere.
​
The upcoming EP promises a more progressive‑leaning direction, with intricate compositions and refined musical maturity.
​
Since forming in 2020, Wooden has forged a sound that merges traditional heavy metal with modern intensity, earning them the reputation of a “heavier version of Iron Maiden.” Their debut self-titled album drew international attention and radio support, while their high‑energy, crowd‑driven performances continue to elevate their profile. With earworm riffs, face‑melting solos, groovy bass lines, soaring vocals, and unforgettable audience interaction, Wooden has become a standout presence on the live circuit, including appearances at Wacken Metal Battle Canada, Montreal Power Fest, Sounds From Hell Metal Fest, and a support slot for U.S. touring act The Anchor.
​
Listen to “Veil of Mankind” at the following links:

Spotify – https://distrokid.com/hyperfollow/wooden/veil-of-mankind​

Lyric Video – https://www.youtube.com/watch?v=wM_dudOV0Qc

​

More info: https://linktr.ee/woodenmetalband​

-30-​

’Amazingly well executed – Mixes fast paced moments reminiscent of eighties Speed metal with calibrated vocals and a striking bass/drum duo’’ – Lifecode.666 Magazine

—
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0 Sorcerous Folk Metal HRAFNABLÓT Unfolds Their Icelandic Epic w/ New Video “Dísablót” From Forthcoming Debut Album “Guðlaugar Saga”

  • July 31, 2026
  • by Asher
  • · Hrafnablót · Music News

NEWS RELEASE

Montreal, QC – July 31, 2026

Sorcerous Folk Metal HRAFNABLÓT Unfolds Their Icelandic Epic w/ New Video “Dísablót” From Forthcoming Debut Album “Guðlaugar Saga”

L-R Hrafnablót Line-up | Steingrímur Viðar Karlsson (Guitar) | Ólafur Daði Jónsson (Keyboards) | Hugrún Hanna Stefánsdóttir (Vocals) | Andri Pétur Dalmar (Drums) | Þórgnýr Einar Albertsson (Bass) | Mara Birna Jóhannsdóttir (Guitar)

Photo Credit – Þórgnýr Einar Albertsson

Following the momentum of their first single “Svartigaldur”, a frostbitten, narrative‑driven sea‑shanty metal tale, Iceland’s sorcerous folk‑metal conjurers Hrafnablót proudly release their second single and music video, “Dísablót”, marking the next chapter in the unfolding saga behind the band’s forthcoming debut album “Guðlaugar Saga,” arriving in fall 2026.
​
​“Dísablót was the first song we wrote together as a band. As such, we’ve had a long time to polish and refine it,” says the band.
​
Musically, the track surges with groovy, driving riffs, twin‑guitar harmonies, fast solos, and powerful vocal interplay, capturing the band’s signature blend of folk mysticism and dramatic metal intensity. Lyrically, it opens the album’s story: modern‑day protagonist Guðlaug, shy and alone at a Reykjavík bar after midnight, follows a beckoning fairy (Dís) to what she believes is an afterparty, only to awaken in the Icelandic settlement age, unsure whether she was drugged or transported by ritual.
​
The single’s artwork, illustrated by Ana Nikitina with layout by guitarist Mara Birna Jóhannsdóttir, depicts Guðlaug kneeling in a circle of flames, clutching a taser, encircled by ravens and framed with Icelandic magick runes known as Draumstafir.

Recommended for fans of Ensiferum, Nightwish, Wintersun, Skálmöld, and Eluveitie, listen to “Dísablót” at the following links:

Music Video – https://www.youtube.com/watch?v=7tI34l6OrGc

​Add to your Spotify playlist – https://open.spotify.com/track/7tLMz9VCwdEii8mjs0NZwx

​Bandcamp – https://hrafnablot.bandcamp.com/​

A true epic, their forthcoming debut album “Guðlaugar Saga” blends Icelandic folklore, Sagas, magick, and folk‑metal tradition into a cohesive narrative concept record. The story follows Guðlaug, a modern woman hurled into the settlement age with nothing but her clothes and a taser, navigating battles, celebrations, kidnapping, fate, and the choice between returning home or reshaping history.
​
Sonically, “Guðlaugar Saga” contrasts darkness and light, ugliness and beauty, past and present, weaving together Icelandic folk music, Nordic folk metal, NWOBHM, gothic influences, and extreme metal to create a sound that is sorcerous, folky, dramatic, melodic, and contrasting.
​
The album will feature seven full songs plus two spoken‑word pieces, including the seer’s prophecy in Spádómurinn and the chieftain’s post‑battle reflection in Kappar, meyjar, and komendur. Each track contributes to the overarching Saga, from the celebratory folk‑metal revelry of Fögnuður to the 11‑minute multi‑movement finale Örlagavegur.
​
​Hrafnablót was formed in Reykjavík, Iceland, in fall 2024 and channels the contrasting light and darkness of Icelandic magick, Sagas, and folklore. Their music merges heavy riffs, folk influences, haunting melodies, and both clean and harsh vocals, a sound deeply rooted in Icelandic myth and landscape.
​
Since forming, the band has become a striking presence in Iceland’s live scene, performing at Íslenski rokkbarinn, Lemmy, BIRD, and the Icelandic Sorcery Festival. Their shows are ritualistic experiences, rich with visuals, storytelling, and dramatic intensity.

First Single – “Svartigaldur” at https://www.youtube.com/watch?v=aDPpHb_Qf1s​

For more info:

​https://hrafnablot.is/​

​https://www.facebook.com/hrafnablot/​

​https://www.instagram.com/hrafnablot​
​

-30-

“Iceland’s Hrafnablót and debut single ‘Svartigaldur’ a heavy piece of pagan folk metal; for the tale of a time traveller lashed to Viking mast accused of being a witch. With symphonic metal richness, black metal energy, traditional melodies, theatrical vocal harmonies and soaring, clean female vocals, it’s quite a ride!” – Loud Enough Magazine

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0 Ottawa’s CAPITAL PUNISHMENT Opens Band Submissions For 2026 Festival Dates!

  • July 30, 2026
  • by Asher
  • · Capital Punishment Festival (Ottawa) · Music News

NEWS RELEASE

Montreal, QC – July 30, 2026

Ottawa’s CAPITAL PUNISHMENT Opens Band Submissions For 2026 Festival Dates!

Capital Punishment Festival is now officially opening band submissions for the 2026 edition, taking place November 27–29 across Ottawa’s ByWard Market. Presented by Chord Productions, the third edition expands once again with more venues, more artists, and even more chaos throughout downtown Ottawa.

Supported by Ottawa Tourism, Capital Punishment Fest continues its mission to amplify Canada’s underground heavy‑music community, uniting national acts and rising local talent for three nights of relentless, high‑energy performances. Previous editions have featured Blackguard, First Fragment, Lutharo, Spectral Wound, Martyr, Dopethrone, and many more.

Canadian bands interested in performing at this year’s festival are invited to submit materials for consideration. Capital Punishment Fest is seeking opening‑slot applicants from across the country, from emerging acts to seasoned underground performers ready to level Ottawa. All genres will be considered, including Metal, Punk, Hip Hop, EDM/Goth, Hardcore and Rock.

Band submissions are now open. Artists can apply HERE.

Festival Details:​
Capital Punishment Festival
November 27–28–29, 2026
Ottawa, ON – ByWard Market
Multiple Venues
Presented by Chord Productions
Supported by Ottawa Tourism
​
​More info: https://www.chordproductions.com/capital-punishment.html​

– 30 –

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0 India’s SHIVERWOOD SHADE Explores the Depths of Anger and Isolation in “Divided By Hate” From Debut Album “Escaping Darkness”

  • July 30, 2026
  • by Asher
  • · Music News · Shiverwood Shade

NEWS RELEASE

Montreal, QC – July 30, 2026

India’s SHIVERWOOD SHADE Explores the Depths of Anger and Isolation in “Divided By Hate” From Debut Album “Escaping Darkness”

Top L-R: Shiverwood Shade Line Up | Sayan Pal (Drums) | Saptarshi Basu (Bass) | Manav Kundu(Synth) | Gaurav Ghosh (Lead Vocals) | Monish Mallick (Guitar) | Anupam (Guitar)
Photo Credit – Indranil Chowdhury

Indian alternative/groove metal outfit Shiverwood Shade have released the visualizer for “Divided By Hate”, one of the most explosive and emotionally charged tracks from their debut album “Escaping Darkness.”

“Divided By Hate” stands as the album’s most aggressive moment, an eruption of nu‑metal riffs, industrial tension, and raw emotional catharsis. The track dives deep into the destructive nature of internal and external anger, mirroring the album’s overarching journey from turmoil to resilience.

Watch and listen at https://www.youtube.com/watch?v=d8bcsMfYYiQ

​

Originally formed in Gwalior, Madhya Pradesh, India, Shiverwood Shade first made waves by winning major Indian college festivals including Spring Fest at IIT Kharagpur, IIIT Gwalior, and ITM. After years of evolution, the band underwent a dramatic rebirth, relocating 1,500 kilometres east to Kolkata in 2022 and rebuilding their lineup from the ground up.

This transformation mirrors the emotional narrative of “Escaping Darkness”, leaving behind old worlds, confronting inner turmoil, and forging a new identity with cinematic intensity.

Shiverwood Shade’s sonic identity blends nu‑metal, post‑hardcore, industrial electronics, and dark cinematic atmospheres into a hybrid they describe as Cinematic Metal. Their sound is, in their own words, a heavy electronic collision designed to feel like a movie soundtrack for your darkest thoughts.

Each track on “Escaping Darkness” is built with sweeping orchestral pads, tense synthwave textures, EDM‑style drops, and down‑tuned guitars, creating a soundscape that is both crushing and emotionally immersive. The album is a ten‑track emotional journey through inner conflict, healing, resilience, and personal growth. It blends crushing riffs, cinematic layers, haunting electronics, and soaring melodies, balancing heaviness with vulnerability.

The band explains:

“We wanted to create an album that listeners could experience from beginning to end, a journey through darkness, doubt, resilience, and ultimately hope.”

Recommended for fans of Linkin Park, Bring Me the Horizon, Story of the Year, Breaking Benjamin, and Architects, Shiverwood Shade’s “Escaping Darkness” (released Dec 26, 2025) is available at the following links:

Spotify – https://open.spotify.com/album/5Htt6Dl6p54M4bVfx2rUKl

​Bandcamp – https://shiverwood.bandcamp.com/album/escaping-darkness-album​

Track Listing:​
1. Intro – 1:02
2. Pulling Away – 4:14
3. Facing Darkness – 3:53
4. Holding On – 3:37
5. Crawling Back – 3:54
6. Walking In Circles – 4:50
7. Alone – 3:12
8. Lost – 3:50
9. Haunted – 3:39
10. Divided By Hate – 4:06
11. Break Free – 3:21

Album Band Line-up:​
Gaurav Ghosh – Vocal
Anupam Ghosh-Guitar
Saptarshi Basu-Bass
Manav Kundu-Keys
Sayan Pal-Drums
Monish Mallick-Guitar

Live Band Line-up:​
Gaurav Ghosh – Vocal
Anirban Bhattacharya-Vocal
Anupam Ghosh-Guitar
Saptarshi Basu-Bass
Manav Kundu-Keys
Sayan Pal-Drums
Monish Mallick-Guitar

For more info:

​https://www.shiverwoodshade.com/​

​https://www.facebook.com/swsprod20​

​https://www.instagram.com/shiverwoodshade/​

-30-

“Shiverwood Shade’s song “Pulling Away” begins with melancholy synths before the guitars explode with a powerful mix of punk and nu metal riffs. – Skylight Webzine

“Escaping Darkness: Shiverwood Shade on Chaos, Catharsis, and a Modern Nu‑Metal Pulse” – Wall Mag

“Exploring themes of inner struggle, resilience and transformation, Escaping Darkness balances aggressive riffs with melodic passages and atmospheric synth layers. Tracks such as Crawling Back and Holding On showcase the band’s signature mix of raw intensity and emotional depth”. – Rock Street Journal, India

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0 Reminder – GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Kick-Off Western Canada “This Is The Way 2026 Tour” + Loud As Hell Open Air Fest

  • July 30, 2026
  • by Asher
  • · GraveMass · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – July 30, 2026

Reminder – GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Kick-Off Western Canada “This Is The Way 2026 Tour”

Performing at Loud As Hell Open Air Festival 2026 w/ Fallujah, Allegaeon, Summoning the Lich, Crimson Shadows, Edge of Paradise, and more!

Photo Credit – Derek Carr

L-R – Destroyer of Souls – Drums – Bowels of Hell – Bass – Murderer of Colonizers – Guitar – Mayan Hate – Guitar – Lorde Heathen – Vocals

Fresh off the release of their debut album “This Is The Way,” West Coast extreme‑metal force Gravemass kicks off a run of Western Canadian tour dates for summer 2026. The trek, appropriately titled “This Is The Way Tour 2026,” will see the band unleash their ferocious live assault across British Columbia and Alberta from July 31st to August 8th and includes a performance at this year’s Loud As Hell Open Air Festival with Fallujah, Allegaeon, Summong The Lich, Crimson Shadows, Edge of Paradise and more (dates listed below).
​
The tour follows the eruption of “This Is The Way,” a debut forged from decades of West Coast metal lineage. Featuring members of Zimmers Hole, Punch Drunk, 3 Inches of Blood, Revocation, Just Cause, West of Hell, Savannah, Process, Subversion, and The Golers, Gravemass is the convergence of long‑standing forces within Vancouver’s extreme‑music underground.
​
Guitarist Mayan Hate, who wrote the album’s music in an intense two‑month burst, describes the project as a natural evolution among lifelong friends.

“We’re all West Coast metal heads who’ve known each other for decades. I wrote the music between breaks in other projects and showed it to Lorde Heathen. He immediately wanted in. From there, we recruited the rest of the band, guys we’ve all known forever.”
​
​
Vocalist Lorde Heathen also adds.

“Brutal, angry, fast, dark, and evil, this album delivers exactly that: an unrelenting barrage of sinister riffing, death‑metal vocal ferocity, and rhythmic devastation. It draws from the chaos of the modern world. All the lyrics come from the shit‑hole world order that exists right now.” ​
​
While “This Is The Way” was written by Mayan Hate with lyrics by Lorde Heathen, the band confirms that album two is already underway and will be a fully collaborative effort.
​
Known for channeling the ferocity of their influences, Slayer, Venom, Morbid Angel, Watain, and Napalm Death, Gravemass promises a live show that is nothing short of a full‑scale assault.

“The live show is where we bring it all together. We want to bring this experience to the masses,” says Lorde Heathen.
​
With “This Is The Way” unleashed March 6, 2026, via End Game Records Inc., Gravemass now turns its focus to the stage, marking the beginning of a new chapter in West Coast extreme metal. More music, more brutality, and a deeper collaborative evolution lie ahead.

Add to your Spotify Playlist – https://open.spotify.com/album/0ROzZyUacjjY7dC6xOwtg5

​

Bandcamp – https://gravemass.bandcamp.com/​

Videos:

This Is The Way – https://www.youtube.com/watch?v=sR9gy-AD8-E

​Fallen – https://www.youtube.com/watch?v=OQ4ws87xOJs​

Spitting Hell – https://www.youtube.com/watch?v=r477FZl1VFo

​

Gravemass – Western Canada – This Is The Way Tour 2026​
July 31 – Bridgeview Theater – Kamloops, BC
Aug 1 – Loud As Hell Open Air Festival – Drumheller, AB
Aug 4 – The Owl – Lethbridge, AB
Aug 5 – The Royal – Nelson, BC
Aug 6 – The Globe – Nanaimo, BC
Aug 7 – The Lucky Bar – Victoria, BC
Aug 8 – Green Auto – Vancouver, BC

Track Listing:​
1. Slaves To Pain – 2:38
2. This Is The Way – 3:45
3. Horned King – 2:54
4. Harvest of Souls – 2:53
5. Spitting Hell – 2:07
6. Black Bell – 2:50
7. Fallen – 3:27
8. Gravemass – 3:51
9. Abandon – 2:01
10. Poison Temple – 3:11
Album Length: 29:41

Album Band Line-up:​
Lorde Heathen – Vocals
Mayan Hate – Guitar
Murderer of Colonizers – Guitar
Bowels of Hell – Bass
Destroyer of Souls – Drums

More info:

​https://endgamerecords.com/​

​http://www.gravemass.com/​

​https://www.facebook.com/people/Grave-Mass/61556695854887/​

​https://www.instagram.com/gravemass1/​

-30-

“Hold on to your hats, buds. Your eyes and ears are in for a blinding treat. Canada’s black/death metal band GraveMass just released the aural assault known as “Fallen.” The song and the video are delightfully overwhelming. ” – Metal Sucks​
​
​““Fallen” is a brutal, pummeling track with vocals that range from a guttural growl to a nasal screech, creating a blistering death metal assault. The black-and-white video with its flashing lights and quick cuts combines imagery of nature and religion in a way that perfectly complements the sonic onslaught of the video. It’s a breakneck track that leaves carnage in its wake, and you’ll want to check it out.” – New Noise Magazine​
​
​“Gravemass Deliver Evil with Latest Single & Video, “Fallen”” – V13​
​
​“Well now, isn’t this one hell of a supergroup? Love the term or loathe it, here it really does count, especially as far as the Canadian metal scene goes. Gravemass are here, and with them comes a vitriolic death metal release that takes elements of the genre’s old-school ferocity and blends it with modern groove and energy. A release that clocks in at just under thirty minutes, ensuring it doesn’t overstay its welcome. Though there’s no short-changing here as we have ten tracks and across them a cacophony of violent, snarling, hyperactive blasts of heaviness that will thrill all those who love extreme metal. I’m one of them and Gravemass really do it for me. I think this is a beast of a record and found myself compelled to head-bang almost all the way through it.” – Games, Brrraaains & A Head-Banging Life​
​
​“Originally from Vancouver and including former members of Zimmers Hole, 3 Inches Of Blood, Revocation, and Punch Drunk, Gravemass has only one goal: to offer solid, effective, and slightly crazy death metal. The codes are known, but their interpretation is puzzling, largely due to structures that are more punk than metal and unusual sounds (among other things in the rhythms). And with only ten tracks, totaling twenty-nine minutes, Gravemass leaves little time to understand what is happening. 4/5” – Metallian​
​
​“This Is the Way is a flawless debut. It manages to feel nostalgic for the golden era of death metal while sounding fresh, mean, and modern. If you crave music that is “brutal, angry, fast, dark, and evil,” this is your new obsession. Essential Tracks: Slaves to Pain, Horned King, Fallen. 10/10″ – Broken Neck Radio​
​
​“Festering, ferocious, and fierce, This Is the Way is nothing short of extreme zealotry — a masterclass in chaos with a sinister edge. It snaps the synapses of the sacred and dives headfirst into the devil within the divine. If you love death, black, and speed metal, then This Is the Way is absolutely for you. As a matter of fact, I now have my own Gravemass name — Fucking Legend. Perfectly apt, if you ask me. This Is the Way by Gravemass is intense and exceptionally powerful. Don’t sleep on this album — word is the second album already has three songs ready to go, with a more collaborative approach already in motion. With their debut now unleashed via End Game Records, Gravemass mark the beginning of a new chapter in West Coast extreme metal — and if this is just the beginning, we’re in for one hell of a ride. The world is going to hell in a fucking handbasket, and Gravemass aren’t afraid to tell you exactly how it is. This Is the Way is the Luciferian aural bible. The end of all that is sacred. The Necronomicon of blackened death metal.” – Crannk​
​
​“Honestly, this is half an hour of brutal excellence. From the insane riffing to the thunderous, relentless drumming to the brutal screams, it’s all so good. It almost has a pretty hardcore energy to it too, none of the tracks overstaying their welcome, being balls-to-the-wall and straight to the point! And every song flows pretty excellently; every track being as good as the last! And, for a debut album and a band that seemingly haven’t been around all too long, this is amazing stuff! They should be a lot bigger than they are already, and hopefully this album pushes them to new heights! From the opener to ‘Harvest of Souls’ to the bands namesake track, there are definitely highlights. Though, as I said before, there isn’t a bad track throughout! And it still has an air of epicness throughout that made me even more hooked. They have a VERY bright future ahead of them, and if you are at all into a more death-leaning metal sound, I cannot recommend this enough. It gets an incredibly solid 8.5/10 from us!” – Overtone Magazine​
​
​“For me Gravemass made a statement with this album. They are here to stay. They are damn good and delivered a jaw dropping album. This is extreme metal that will blow you away. This album was made for a mosh pit. I give the album the perfect 10.” – Project Metal Music​
​
​“A rain shower becomes a thunder storm as the intensity increases dramatically with title track “This Is The Way“, the gang chanted “1, 2, 3, 4!” something that will go down well in the live arena. Soaked in blasphemous rhetoric that bleeds Black Metal inspirations, the band bring the hammer down with enough force to split more than a few skulls. The rhythmic battery feels like a blunt force trauma as the band refuse to re-invent the wheel, instead opting for something of depraved atmospheres that is both dark and insanely good fun. ” – Metal Noise​
​
​“The opening notes of “This Is the Way” don’t just set a mood: they trigger a pure survival instinct. As soon as the “1, 2, 3, 4!” gang-chant explodes on the title track, the rest of the world instantly fades away. This isn’t an album you just listen to; it’s an adrenaline surge that hits you full force, and every second of the carnage is a total blast…. If you live for the dark, fast, and visceral, imagine a heavy encounter between Slayer and Morbid Angel in a dark alley, this record is your new obsession for 2026. Get ready, because their appearance at the Loud As Hell festival this summer is already looking like a total field of ruins.” – Papy Jeff Metal​
​
​“Basically, I can easily enjoy a record like “This Is The Way” from the first to the last second” – PowerMetal.de​
​
​“the album impresses with its energy, solid songwriting and powerful production. For fans of dark, aggressive extreme metal, this album is definitely worth it. Conclusion: »This Is The Way« of GRAVEMASS is a strong album that will delight fans of blackened death metal and deathcore alike.” – MetalUnderground.at​
​
​“The production on this one packs a punch but still feels human, which is needed with songwriting like that that just feels sinister in all of the right ways. Gravemass is the kind of band that you spin to forget your troubles, as it just sucks you in for all 10 tracks and almost 30 minutes of length, then you will instantly start it over. We need something like that now more than ever.” – Heavy Debriefings
​
​
​“With “Fallen,” GraveMass offers a glimpse into what promises to be a searing, unholy debut album. It’s a declaration of intent—and a brutal reminder that Canadian metal is as fierce and alive as ever.” – See Rock Live

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0 SHORES OF NULL Explores Solitude and Fate w/ “Son of the Tide” From New Album “Homesick” Out October 2026

  • July 29, 2026
  • by Asher
  • · Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – July 29, 2026

SHORES OF NULL Explores Solitude and Fate w/ “Son of the Tide” From New Album “Homesick” Out October 2026

Album Out October 16th, 2026 via Dusktone

Album Guests – Natalie Koskinen (Shape of Despair) and Shaun MacGowan (My Dying Bride)

Italian melodic death-doom Shores of Null return with “Son of the Tide,” the second single taken from their upcoming album “Homesick,” due out on October 16th, 2026 via Dusktone. Accompanied by a striking lyric video illustrated by longtime collaborator Davide Mancini (Dartworks) and animated by Davide Billia, the track showcases one of the album’s most dramatic and emotionally charged moments.
​
Built on crushing growl‑driven verses and a huge, soaring chorus, “Son of the Tide” explores solitude, fate, and belonging through imagery tied to the sea, an element that has long shaped the band’s aesthetic.

Vocalist Davide Straccione explains:

“The tide becomes a metaphor for the forces that push and pull us through life, confronting us with fear, acceptance, anguish, and peace. The protagonist eventually stops fighting the tide and learns to move with it instead. Finding a fragile sense of peace in the inevitability of his own destiny.”​
​
The single follows the album’s first offering, “Bleed to Life,” and continues to reveal the emotional depth and sonic evolution behind “Homesick”.
​
Watch and listen to the lyric video for “Son of the Tide” – https://www.youtube.com/watch?v=t7OWUN07V2w

​Spotify – https://open.spotify.com/track/3T6GRvhxyd8Fw2mIhQ66xD

​

Out October 16th, 2026 via Dusktone, “Homesick” represents the band’s most mature and focused work to date. Conceived as a complete listening experience, the album moves through longing, loss, anger, vulnerability, and the search for belonging. It captures Shores Of Null at their most confident and emotionally honest, balancing crushing moments with some of the most memorable melodies the band has written to date, enriched by guest appearances from Natalie Koskinen (Shape of Despair) with her vocals on The Numbing Void and Shaun MacGowan (My Dying Bride) on several tracks, including violin on Dreaming of a Scar and The Numbing Void.

“The record is an exploration of the deeply ambiguous nature of ‘home’, a place of comfort and identity, but also of pain, fear, and unresolved memory. It is probably the most honest representation of who Shores of Null are today. Behind this record lies a meticulous amount of writing, rewriting, and pre‑production work. At its core lies the idea of home as something deeply ambiguous: a place of comfort and belonging, but also of fear, pain, and memories we can never fully leave behind,” adds vocalist Davide Straccione.

“Homesick” marks a new milestone for Shores of Null as an immersive, emotionally charged work that expands their sonic universe to follow their acclaimed discography, which includes “Quiescence,” “Black Drapes for Tomorrow,” “Beyond the Shores,” “The Loss of Beauty,” and the 2025 split album with Convocation, “Latitudes of Sorrow”.
​
Recommended for fans of Paradise Lost, Amorphis, Swallow The Sun, Katatonia, and Borknagar, “Homesick” is available for pre-order (Vinyl, CD, Digital) at the following links:

​https://www.dusktone.org/​

​https://dusktone.bandcamp.com/album/homesick​

First Single – “Bleed to Life” – https://www.youtube.com/watch?v=s825Pn_EOLg​

Track Listing:​
1. Allies Before Defeat – 4:35
2. Two Mountains – 4:34
3. Bleed to Life – 4:09
4. Homesick – 5:31
5. Son of the Tide – 4:18
6. Dreaming of a Scar – 5:08
7. Society Is the Murderer – 4:30
8. The Numbing Void – 6:18
9. Another Breath – 3:52
10. Disappear – 4:33
Album Length: 47:32

Album and Live Band Line-up:​
Davide Straccione – Vocals
Gabriele Giaccari – Guitars
Raffaele Colace – Guitars
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

For more info:

​https://www.shoresofnull.com/​

​https://www.facebook.com/shoresofnull​

​https://www.instagram.com/shoresofnull​

About:

Shores of Null are a Rome‑based metal band known for their seamless blend of blackened intensity, gothic‑doom melancholy, and soaring melodic depth. Since forming in 2013, they’ve built a reputation for immersive, emotionally charged songwriting on acclaimed releases such as Quiescence, Black Drapes for Tomorrow, Beyond the Shores, and The Loss of Beauty, supported by major tours and festival appearances across Europe.

Following their 2025 split, Latitudes of Sorrow, the band now enters a new chapter with Homesick (Dusktone, 2026), their most mature and evocative work yet. Featuring guest contributions from Natalie Koskinen (Shape of Despair) and Shaun MacGowan (My Dying Bride), the album explores nostalgia, absence, and the complex meaning of “home,” reaffirming Shores of Null as one of the leading forces in contemporary melodic death‑doom.

– 30 –

​
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