Category: Music News

0 Rockshots Records – Italian Power Metal Veterans HIGHLORD Welcomes New Vocalist Andrea Racco (Soundstorm) w/ Video “Resurrection”

February 13, 2026
by Asher
· Highlord (Rockshot Records) · Music News

NEWS RELEASE

Montreal, QC – February 13, 2026

Italian Power Metal Veterans HIGHLORD Welcomes New Vocalist Andrea Racco (Soundstorm) w/ Video “Resurrection”

Rockshots Records proudly presents “Resurrection”, the new single from Italian power metal veterans Highlord, a track that signals a decisive new compositional chapter in the band’s long-standing career.

“Resurrection” introduces the renewed lineup featuring Andrea Racco (also known for his work with Sound Storm) as the new frontman and immediately establishes a sharper, heavier sonic direction while preserving the unmistakable epic DNA that has defined Highlord for decades.

Thematically, the song captures the fragile equilibrium of modern society, a world suspended between tension and transformation, and translates the urgent need for change into the metaphor of rebirth. “Resurrection” is conceived as a surge of energy breaking through instability: not escapism, but reaction; not nostalgia, but renewal.

Musically, the band embraces a more aggressive and compact approach. The guitar work is tighter and more percussive, built around driving riff structures and dynamic harmonic layering that reinforce the song’s sense of forward momentum. The rhythm section delivers a precise, explosive backbone balancing double-kick propulsion with controlled groove passages that heighten the track’s impact without sacrificing clarity.

Andrea Racco’s performance stands at the center of this evolution. His gritty, powerful vocal delivery, recalling the dramatic intensity associated with classic European power metal, injects a raw, assertive edge into the band’s sound. Yet despite the increased weight and attack, Highlord retain their hallmark melodic sensibility: expansive, emotionally charged choruses open the arrangement into wide harmonic landscapes, ensuring that the song’s epic character remains intact.

Production once again plays a crucial role. “Resurrection” was produced by bassist Massimiliano Flak at Evolution Recording Studios in Turin, resulting in a massive, modern mix that emphasizes punch and definition. The guitars cut with sharp articulation, the low end remains firm and controlled, and the vocal layers sit prominently without overpowering the instrumental interplay. The overall sonic architecture is polished yet forceful – contemporary in impact while rooted in traditional power metal aesthetics.

With “Resurrection”, Highlord does not simply introduce a new lineup; they redefine their expressive coordinates. Heavier, more immediate and rhythmically explosive, yet still melodic and anthemic at heart, the single represents a statement of intent, a rebirth forged in steel, melody and conviction.

DIGITAL: https://lnk.to/rSuR3c
VIDEO: https://www.youtube.com/watch?v=iWRAEAngyaw

For more info:
https://www.rockshots.eu

https://www.facebook.com/highlordmetalband

https://www.instagram.com/highlorditalia/

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0 Quebec’s NOVA SPEI Unveils “Renaissance,” Introducing New Vocalist and Marking the Beginning of Their 2026 Era

February 13, 2026
by Asher
· Music News · Nova Spei (Bam&Co. Heavy)

NEWS RELEASE

Montreal, QC – February 13, 2026

Quebec’s NOVA SPEI Unveils “Renaissance,” Introducing New Vocalist and Marking the Beginning of Their 2026 Era

Photo Credit – Joe Weller (Joe Lacerte)

Trois-Rivières, Quebec modern‑metal force Nova Spei launches a bold new chapter with the release of their explosive new single and video, “Renaissance,” the first glimpse into their upcoming 2026 album “TRINITAS,” due this fall. The track marks the official debut of vocalist Emmanuelle Desbiens‑Dubois, whose arrival signals a powerful rebirth for the band both sonically and creatively.

Formed in 2012 by guitarist Dany Soucy (Dook, Legion, Trois-Rivières MetalFest), Nova Spei has carved out a unique place in the francophone metal landscape with their djent‑infused, modern, and melodic approach. After more than 100 shows across Quebec and Ontario, two albums, and a series of lineup evolutions, 2026 represents a full resurgence, one that “Renaissance” captures with visceral clarity.

Musically and lyrically, “Renaissance” embodies the band’s renewed fire. The track channels the obstacles Nova Spei has faced, the rebuilding that followed, and the determination to return stronger than ever.

“We’re confident listeners will connect with this new chapter of the band, a rebirth shaped by the shift to a more powerful, feminine vocal presence, yet still carrying even greater intensity. The sound feels more organic than our previous album, and we want people to feel the passion and pure joy we pour into creating this music. Releasing Renaissance first made perfect sense. It’s the song that speaks to our fall and our return, so what could be more logical than starting with the track that tells that story?” says the band.

The single’s artwork, created by Filip Ivanovic, visually captures this rebirth, an emergence from a world full of pitfalls, transformed and unbroken.

The addition of Emmanuelle Desbiens‑Dubois in 2025 marks one of the most significant shifts in Nova Spei’s history. Her vocal presence brings a fresh intensity and emotional range, redefining the band’s identity while staying true to their modern metal roots.

Her arrival completes the current lineup with Dany Soucy (Guitar), Nicolas Dumais-Brouillette (Bass), Julien De Carufel (Drums), and Cédrick Charland (Lead Guitar). Together, they’ve forged a sound that is heavier, more organic, and more dynamic than ever.

While Nova Spei’s previous albums were recorded in their own studio, “TRINITAS” marks their first time entering a professional recording environment, an experience that reshaped their entire sonic direction. Producer Francis Perron (Voivod, Martyr) pushed the band toward a more raw, organic sound, shifting their initial modern‑sequenced approach into something more alive and human. Mastering legend Maor Appelbaum (Faith No More, Halford, Yes) unexpectedly joined the project, an opportunity the band describes as surreal and humbling. The result is a sound that blends djent, modern metal, prog, and industrial influences, yet feels more authentic and emotionally charged than anything they’ve released before.

Recommended for fans of Gojira, Tesseract, Killswitch Engage, Spiritbox, and Architects, the music video for “Renaissance” can be seen and heard via its premiere on TheCirclePit YouTube channel at https://www.youtube.com/watch?v=FagxvgWJTes

Add to your Spotify playlist – https://open.spotify.com/track/65AqzF6nYrkUrzhx32udbl

For more info:

https://www.novaspei.com/

https://www.facebook.com/NovaSpei

https://www.instagram.com/novaspei

About: Since their debut in 2017, launched as the opening act for Anonymus on a Quebec tour—Nova Spei has steadily grown into one of the province’s most distinctive francophone metal acts. Their songs have been featured on RadioX 98.1FM and even blasted through the Bell Centre during Montreal Canadiens games.

Their second album, Sequentis, released in 2021 after pandemic delays, expanded their reach and solidified their reputation for high‑energy, modern metal with a francophone edge.

Now, with TRINITAS on the horizon in 2026, Nova Spei is ready to reclaim the stage with renewed purpose.

Known for their dynamic, high‑intensity performances, Nova Spei prides itself on delivering maximum energy with no downtime between songs. Fans can expect the upcoming tour cycle to reflect the same spirit of rebirth that fuels “Renaissance.”

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“Une pièce qui a tout ce qui faut pour devenir un classique du métal québécois. Des phrases percutantes et pleine de sens sur une musique lourde à souhait.” – Ondes Chocs

“Nova Spei : Nouvel espoir sur la scène métallique au Québec” – Voir

“Bref un excellent album à se mettre sous la dent ou sous le sapin pour le temps des fêtes ! Supportez notre belle scène du Québec ! ” – Metal Universe (2021 – Sequentis – LP)

“so there they were, twelve times groovy metal in French – from Canada. “Sequentis” by NOVA SPEI offers many an entertaining song. A lot of it certainly ignites live in the mosh pit and causes the crowd to freak out because they know how to get their limbs moving with their riffs and fat grooves… an album that is fun and fans of the good old groove metal should like.” – Stormbringer (2021 – Sequentis – LP)

“”Along with a meticulous display of proficient musicianship, this entire album is not only a credit to its makers, but the multifaceted collection of influences that has firmly planted a seed deep within them over the years, and brings New Hope to both the listener and the band as you peel away the cellophane so to speak. As a result, this album won’t gather dust in any collection, and will keep heads bouncing and feet tapping from sofa to stage.”” – Stargazer Music Magazine (2021 – Sequentis – LP)

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0 APE VERMIN Push Their Cosmic Sludge Saga Forward w/ New Video “Awakened” From Latest Album “Andromedas Colossus”

February 12, 2026
by Asher
· Ape Vermin · Music News

NEWS RELEASE

Montreal, QC – February 12, 2026

APE VERMIN Push Their Cosmic Sludge Saga Forward w/ New Video “Awakened”

From Latest Album “Andromedas Colossus”

North Carolina’s progressive sludge metal juggernaut Ape Vermin has released a brand‑new lyric video for “Awakened,” the eighth and most explosive track from their latest album, “Andromedas Colossus.” The video was crafted by Kenji Tsunami of Tsunami Films, known for his visual work as well as his role as bassist for Narcotic Wasteland.

“Awakened” stands as the album’s most ferocious statement, a collision of sludge, thrash, and apocalyptic storytelling delivered with the band’s signature weight and intensity. According to guitarist/vocalist Brett Lee, the track represents a pivotal moment in the album’s narrative:

“We’re back, and we’re making up for lost time. Hell has come back to life. The Colossus is awake.”

Kenji Tsunami’s visual interpretation amplifies the track’s themes of cosmic destruction, ancient forces, and the return of something colossal and malevolent. The lyric video mirrors the album’s overarching atmosphere, dark, prophetic, and unrelenting, while giving fans a deeper look into the world Ape Vermin has constructed across the record.

The band describes “Andromedas Colossus” as dynamic, melodic, visceral, and brutally dark, both musically and lyrically. “Awakened” embodies all of these traits, merging machine‑gun double bass, razor‑sharp guitar leads reminiscent of Dimebag Darrell and Kerry King, and enough low‑end force to “destroy planets,” as Lee puts it.

Formed in 2017, Ape Vermin has evolved into a three‑piece force of colossal riffs and amplifier worship. The lineup, Brett Lee (guitar/vocals), Seth Lynn (drums), and Jared Edge (bass), has built a reputation across North America for a no‑frills, high‑volume live show rooted in heaviness and precision.

Tracks on “Andromedas Colossus” were in development for nearly five years, some written immediately after the band’s previous release, “Sonic Monolith.” The album takes listeners on what the band calls an “epic sonic journey,” moving from the crushing opener “Obliteration Imminent” to the atmospheric “Colony,” the prophetic “Solaruss,” the hypnotic instrumental “Pulse Driver,” and the environmentally charged “Mining the Colossus.” The record’s closing tracks, “Unearthing the Artifact” and “Return to Andromeda,” complete a narrative steeped in cosmic horror, mysticism, and the darker corners of the human psyche.

As the band’s personal favorite, “Awakened” represents the album’s thematic eruption. Its lyrics, invoking ten thousand years of slumber, portals of time, and the rebirth of hell, reflect the dark realm Lee has been building in his writing for over a decade. Influenced by outer‑space phenomena, extraterrestrial lore, prehistoric myth, murder, psychedelics, and sci‑fi horror, Ape Vermin’s lyrical world is as expansive as it is sinister.

With influences ranging from High on Fire, Crowbar, Mastodon, Yob, and Conan, the band continues to push sludge metal into new territory, blending doom, thrash, groove, progressive elements, and death‑tinged aggression. Fans can expect even more crushing material on the next LP, which the band confirms is already in motion.

Watch the “Awakened” lyric video via its premiere on Decibel Magazine HERE.

Released on May 17th, 2024, “Andromedas Colossus” can be heard at the following links:

Bandcamp – https://apevermin.bandcamp.com/

Add to your Spotify playlist – https://open.spotify.com/album/1Y5DAyV5AP3hLNSMDfuQkh

Track Listing:
1. Obliteration Imminent – 5:12
2. Colony – 7:00
3. Solaruss – 5:30
4. Pulse Driver – 3:47
5. Mining The Colossus – 8:06
6. Signal Transmissions – 2:45
7. Motherlode – 8:32
8. Awakened – 3:17
9. Unearthing the Artifact – 7:43
10. Return to Andromeda – 7:57

Album/Live Band Line Up:
Guitarist/Vocalist – Brett Lee
Drummer – Seth Lynn
Bassist – Jared Edge

More info: Facebook.com/ProgressiveDoom | Instagram.com/ape_vermin_official

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“Ape Vermin’s Andromedas Colossus is doom to the core. Though a lot for one sitting, it’ll sustain your attention during a long walk or drive. Fans of the genre will find much to relish, be it individual tracks or the whole, and it’s certainly one of the standout albums of the year so far.” – Doomed And Stoned

“Lovers of slow, massive riffs, rejoice! Ape Vermin is here for your daily dose of gnarly Sludge and Doom Metal music!” – Ghost Cult Magazine

“Ape Vermin have delivered a bone-crunching album that pulls no punches with it’s fearless attitude and exploration into SONIC and PSYCHEDELIC manipulation of the highest order.” – Outlaws of The Sun

“if you’re looking to be transported to another crushingly heavy musical universe, Ape Vermin are worth a listen.” – Rough Edge

“These axe-generated discharges alone were the stuff of Tony Iommi’s nightmares, but then the bass-made ferociously fuzz-rich, rhythmic rumbles and intensely explosive drumming sealed the deal. All combined and then topped off with Lee’s caveman-like gutturalized grunting vocals, it was a recipe that could’ve resulted in APE VERMIN being culpable for assault & battery charges.” – Riff Relevant

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0 Rockshots Records – Italian Folk Metal AEXYLIUM Shares New Lyric Video “Eclissi” From Album “Myth of Mankind”

February 11, 2026
by Asher
· Aexylium (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – Feb 11, 2026

Italian Folk Metal AEXYLIUM Shares New Lyric Video “Eclissi” From Album “Myth of Mankind”

Rockshots Records is proud to announce the release of the new lyric video for “Eclissi”, taken from “Myth of Mankind“, the third full-length album by Italian folk metal act Aexylium.

“Eclissi” marks a defining moment in Aexylium’s artistic journey. Musically rooted in the band’s unmistakable fusion of modern metal intensity and traditional folk instrumentation, the track stands out as the first song in the band’s career written entirely in Italian, a deliberate and meaningful choice that reinforces its emotional impact and narrative depth. Layered choirs, wide melodic lines, and a carefully balanced orchestral framework make “Eclissi” one of the most evocative compositions on “Myth of Mankind,” while also enhancing its strong potential in a live setting where audience interaction becomes an integral part of the song’s identity.

Commenting on the track, the band explains that “Eclissi fits perfectly with the musical lines of the album and represents a new expressive space for us. Writing in Italian allowed the lyrics to flow more naturally, strengthening the emotional connection between words and music while the choirs make it especially powerful during live performances.”

The album was recorded, mixed, and mastered by Davide Tavecchia at Twilight Studio, ensuring a powerful yet detailed production that highlights both the band’s metallic core and its rich instrumental textures. The front cover was designed by Gustavo Sazes (Arch Enemy, Machine Head, Amaranthe).”Myth of Mankind” represents the most mature and personal chapter in Aexylium’s discography, addressing introspective and abstract themes while consciously stepping beyond genre stereotypes without losing sight of the band’s roots.

Formed in Italy in 2014, Aexylium have steadily built a strong reputation within the European folk metal scene, performing at major festivals such as Dong Open Air, Tanzt!, and Montelago Celtic Festival and sharing the stage with acts including Blind Guardian, Elvenking, Wind Rose, and TÝR. Following the releases of “Tales From This Land” (2018) and “The Fifth Season” (2021), the band returns with “Myth of Mankind“, an album that fully encapsulates their growth in terms of songwriting, production, and artistic vision.

The lyric video for “Eclissi” offers listeners and media partners a focused insight into one of the album’s most distinctive tracks, highlighting both its linguistic uniqueness and its role within the conceptual and musical framework of “Myth of Mankind“.

Watch and listen to “Eclissi” at https://www.youtube.com/watch?v=P1b0_21hujw

For fans of Eluveitie, Korpiklaani, Amorphis, Folkstone, Alestorm, and Mago de Oz, “Myth of Mankind” (released May 23, 2025) is available digitally and on CD at https://lnk.to/koGz58.

Track Listing:
1 – Fontes et Omnia
2 – The Queen
3 – Hexe
4 – Into Oblivion
5 – In Sorrow
6 – Myth of Mankind
7 – Eclissi
8 – Wild Hunt
9 – Surrender
10 – Northern Lights
11 – Eternity

BAND LINEUP
SAM BIGANZOLI – Vocals
ARIANNA BELLINASO – Vocals
FABIO BUZZAGO – Guitar
LUCA PERRONE – Guitar
GABRIELE CACOCCIOLA – Bass
ALBERTO MEZZANOTTE – Drums
FEDERICO BONOLDI – Violin
LEANDRO PESSINA – Flute
STEFANO COLOMBO – Keyboards

ALBUM CREDITS:
Main Music Composer: Fabio Buzzago
Lyrics: Fabio Buzzago, Gabriele Cacocciola, Samuele Biganzoli
Orchestrations: Fabio Buzzago, Stefano Colombo
Production: Davide Tavecchia, Buzzago Fabio, Stefano Colombo, Alberto Bernasconi
Recording, Mixing, Mastering: Davide Tavecchia (Twilight Studio)
Graphics: Gustavo Sazes

More info:
https://www.rockshots.eu

FOLLOW:
https://www.instagram.com/aexylium_official
https://www.facebook.com/aexylium

ABOUT:

Aexylium was formed in 2014 in Italy, merging the distinctive sound of traditional instruments with the modern intensity of metal.

The band has performed at many renowned European festivals, including Dong Open Air, Tanzt!, Mead & Greed, Montelago Celtic Festival, Malpaga Folk & Metal, Druidia, and more. During these events, Aexylium shared the stage with several notable bands such as Blind Guardian, Elvenking, Wind Rose, Týr, Vision Divine, Furor Gallico, Temperance, and others.

Their debut album, ‘Tales From This Land’ (2018), was released through Underground Symphony Records. It was recorded at Twilight Studio by Davide Tavecchia and mastered by Simone Mularoni (Elvenking, DGM, Secret Sphere, etc.).

In 2021, Aexylium signed a deal with Rockshots Records for their second album, ‘The Fifth Season’. The album was recorded at Twilight Studio with the artwork designed by Jan Yrlund of Darkgrove Design (Testament, Manowar, Korpiklaani). To date, the band has released six music videos as singles.

Compared to the last studio album, the band has welcomed Alberto Mezzanotte (drums), Luca Perrone (Guitar), and the frontman Sam Biganzoli into its lineup.

Aexylium’s partners include Solar Guitars, Footblaster, Liuteria Cocopelli, and Firebird Strumenti Musicali.

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0 LITTLE KING Celebrates 30 Years and Eight Albums with “Lente Viviente” Tour (NM, TX, AZ, MX)

February 9, 2026
by Asher
· Little King · Music News

NEWS RELEASE

Montreal, QC – February 9, 2026

LITTLE KING Celebrates 30 Years and Eight Albums with “Lente Viviente” Tour (NM, TX, AZ, MX)

L-R – Ryan Rosoff (Guitar, Vocals), Tony Bojorquez (Drums), David Hamilton (Bass, Cello),

Photo Credit – Damian Becerra

Little King is hitting the road, bringing three decades of songwriting, storytelling, and sonic exploration to the stage. Formed in 1997, the band’s current tour draws from a deep catalog spanning 8 albums and over 30 years of music, blending thoughtful lyrics, dynamic arrangements, and an unmistakable emotional core that has resonated with audiences across generations.

Released this past September 2025, their most recent album, “Lente Viviente,” has become their most critically acclaimed work in their long history!

Rooted in the American Southwest yet shaped by wide-ranging influences, Little King’s sound reflects long friendships, lived experience, and a refusal to stand still creatively. Their songs move comfortably between intimate reflection and expansive, cinematic moments, music built not for trends, but for connection.

Over the years, Little King has earned international acclaim, with music reaching listeners well beyond regional borders. Their work has been praised for its honesty, depth, and craftsmanship, appealing to fans of art-driven rock who value substance as much as sound.

The band’s full catalog, tour updates, and additional information can be found at www.littlekingtunes.com, with ongoing updates and media available via social media at @littlekingtunes.

Tour Dates – Little King – Lente Viviente
March 6 – Las Cruces, NM – Picacho Peak Brewery
March 7 – Ruidoso, NM – Downshift Brewery
March 8 – El Paso, TX – B-29 Bombers
March 11 – Tempe, AZ – Yucca Tap Room
March 14 – San Carlos, MX (Secret Show…hit @littlekingtunes on social media for details!)

The band’s latest album, “Lente Viviente” (Spanish for “Living Lens”), stands as Little King’s most ambitious project to date. Featuring new members Dave Hamilton on bass and Tony Bojorquez on drums, the record delves into themes of memory, identity, aging, addiction, and resilience. Each song unfolds as a “micro-epic,” blending intricate arrangements with concise, emotionally charged storytelling.

“I want people to take a short, mind-blowing journey…like Musical DMT. The dynamic range of this record will push and pull from the first note to the last,” says frontman Ryan Rosoff.

Across its tracks, “Lente Viviente” reveals a sweeping emotional and musical spectrum. “Catch and Release” and “Dawn Villa” revisit childhood and enduring friendship, while “Pass Through Filters” meditates on aging and addiction. “Kindness for Weakness” explores the fragile balance between vulnerability and strength, and “Who’s Illegal?” confronts immigration and identity with bold conviction. Together, these songs create a cohesive journey, complex yet melodic, that invites listeners to think deeply, feel fully, and return again and again for the complete experience.

Since forming in 1997, Little King has steadily evolved through confidence, technical growth, and relentless creativity. Rosoff, a former Creative Writing major and English teacher, has penned over 65 songs, blending literary depth with progressive rock intensity. With influences ranging from Rush, Porcupine Tree, Pink Floyd, Muse, Led Zeppelin, and Night Verses, Little King’s music resonates with fans of both classic and modern rock.

“Lente Viviente” (released Sept 26th, 2025) is available on digital platforms.

Add to your Spotify playlist – https://open.spotify.com/album/3a3zhTxNkC6u9xaD5gytJe

Music Video – Who’s Illegal? – https://www.youtube.com/watch?v=cTh1THFdij4

Lyric Video – Dawn Villa – https://www.youtube.com/watch?v=Ksxlb2ekYIM

Lyric Video – Catch and Release – https://www.youtube.com/watch?v=Hgt9U547jbw

Track Listing:
1. Catch and Release – 3:22
2. Dawn Villa – 3:42
3. Who’s Illegal? – 3:56
4. Kindness for Weakness – 3:21
5. Sweet Jessie James – 2:42
6. Pass Through Filters – 4:50
7. The Living Lens – 3:37
Album Length: 25:34

For more info: https://littlekingtunes.com/

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“Overall, this band showcased a sophisticated sense of melodies that were not overly complicated, but easy to assimilate as well. Not being familiar with them, I am surprised to learn of their longevity, and you wouldn’t know this was their eight album, because the drive and fire in them is very much alive in their music. 8/10” – Metal Temple

“Little King maintain high intensity from start to finish, achieving a rare balance between complexity and immediacy. Each track has its own identity and emotional range, and the musicianship and production are consistently top-tier. According to Rocky, Lente Viviente is essential listening for prog and heavy-rock fans who miss the spirit of Saga, Rush, and King’s X.” – Metalized

“Seven songs, clocking in at just over twenty-five minutes Little King pack a powerful and melodic cocktail of prog, rock and alternative. If Rush jammed with REM and King’s X it would sound a little like this. Impressive.” – Get Ready To Rock!

“Little King hasn’t just released an album; they’ve crafted an immersive, emotional journey that rewards every listen.” – Jace Media Music

“Long-running Progressive Rock outfit Little King is unveiling “Dawn Villa,” the second single from their highly anticipated eighth studio album, Lente Viviente! A sonic time capsule wrapped in staccato riffs and melodic crescendos, “Dawn Villa” is a heartfelt tribute to frontman Ryan Rosoff’s formative years in Mercer Island, Washington. The track comes from their eighth album Lente Viviente, which is available for pre-order/digital pre-save now at the links below, and releases September 26th, 2025. If you grew up obsessed with the classic seventies prog rock greats like Rush, King Crimson, and Pink Floyd, with a modern flare for drama such as Muse or Neal Morse, Little King deserves your attention! ” – Ghost Cult Magazine

“The album reflects a stylistic maturity that has strengthened over time and a layering of ideas that have, on this occasion, found a stable place. The project’s artistic perspective rests on very solid technical foundations and a strong will to celebrate the traditional principles of classic rock, while also flirting with progressive elements and ultimately making the most of a decidedly pronounced melodic inclination. An absolutely original point of view that has given rise to an elegant and refined sound, capable of effectively combining electric jolts and delicate harmonies in the spirit of a truly contagious passion.” – Rock Hard Italy

“Over nearly three decades, Little King has evolved from the El Paso roots of “Transmountain” to the intricate, personal soundscapes of “Lente Viviente,” blending complex arrangements, strong melodies, and lyrical depth.” – Progressive Rock Journal

“Lente Viviente is as striking as it is arousing and easy to suggest a must for all rock appetites. LITTLE KING seem to know how to feed every instinct and want with their eclectic enterprise and at the same time spring something strikingly new, the proof all there in Lente Viviente.” – The Ringmaster Review

“Tucson progressive rockers’ Little King are gearing up for the release of their 8th studio album, ‘Lente Viviente’ on Sept. 26th and have also just dropped their first single from the album, ‘Catch and Release’. This band truly pushes boundaries and yet makes modern prog rock very accessible. That is a difficult feat and a challenge many bands can’t overcome. But these fellas make it sound very simple, even though the music is quite complex. Similar to YES in that every instrument, including the vocals, all seem to be doing their own thing…but somehow it all works beautifully, and that is what good prog is about. Listen up for Little King on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“”Lente Viviente” is a great release, very short of course, but still atmospheric and moving. Overriding the higher-faster-further mentality in such a playful way deserves respect, and the men deserve it again with their eighth appearance overall.8/10″ – PowerMetal.de

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0 Exitus Stratagem Records – MATT MILLER Announces “3 Shredders Tour” Featuring RENE BENTON, MANUEL & Special Guest BIKO WRIGHT (History Channel’s Alone, Discovery’s Expedition Bigfoot)

February 9, 2026
by Asher
· Matt Miller · Music News

NEWS RELEASE

Montreal, QC – February 9, 2026

MATT MILLER Announces “3 Shredders Tour” Featuring RENE BENTON, MANUEL & Special Guest BIKO WRIGHT (History Channel’s Alone, Discovery’s Expedition Bigfoot)

New Album “Fiber Momentum” Out Now! via Exitus Stratagem Records

L-R – Justice Robinett (Bass), Jordan Kelso (Drums, Synth), Matt Miller (Guitars, Synth), Biko Wright (Vocals)

Photo Credit – Lilly May Everett

Tech‑death guitarist and composer Matt Miller is gearing up to ignite stages across the USA this April with the launch of his 3 Shredders Tour, a high‑octane, guitar‑driven showcase featuring fellow shred titan Rene Benton and explosive guitar virtuoso Manuel Urgiles. Inspired by the spirit of legendary guitar tours like G3, this run brings together three elite players for a night of precision, speed, and boundary‑pushing musicianship.

The tour supports Miller’s latest full‑length LP, “Fiber Tormentum,” a sci‑fi‑infused technical metal odyssey that has already captured attention for its intricate compositions and cinematic scope.

Adding to the excitement, the tour dates will also feature a special appearance from vocalist and survival expert Biko Wright, known for his standout roles on History Channel’s Alone and Discovery’s Expedition Bigfoot. Wright’s presence brings an additional layer of intrigue and crossover appeal, drawing fans from both the metal world and the survivalist TV community.

Matt Miller shares his excitement:

“We are stoked to be hitting the road this April with Manuel Urgiles and Rene Benton, it’s going to be a shred guitar extravaganza! Fans will also get the chance to meet survival expert Biko Wright from the TV shows Alone and Expedition Bigfoot. Keep your eyes peeled for the ticket links and more dates TBA.”

With three world‑class musicians on one bill, the 3 Shredders Tour promises a night of blistering solos, technical mastery, and genre‑bending creativity. Dates listed below with more to be announced.

The 3 Shredders Tour w/ Matt Miller, Rene Benton, Manuel, Biko Wright
April 10 – Reno’s Chop Shop – Dallas, TX
April 11 – Hi-Tone – Memphis, TN
April 12 – SK8 Bar – Kansas City, MO
April 13 – Reggie’s Music Joint – Chicago, IL
April 15 – Driftwood Charbar – Minneapolis, MN
April 16 – Boheme – Sheboygan, WI
April 17 – Alley Cat – Iowa City, IA
April 18 – Gray’s Keg – Lincoln, NE
April 19 – Rockwell Event Center – Amarillo, TX

Matt Miller’s September 2025 release, “Fiber Tormentum” on Exitus Stratagem Records, marks a major creative shift, evolving from an instrumental concept into a full band effort with vocalist Biko Wright, drummer Jordan Kelso, and bassist Justice Robinett.

“I knew it needed vocals and the input of other people to make it come to life,” says Miller.

The album blends technical death metal, power metal, and progressive elements into his heaviest and most melodic work yet, built around a loose sci‑fi concept of an alien species rewriting human DNA, an idea shaped by post‑COVID anxieties.

The late Joshua Nassaru Ward (Voraath) created the album’s striking artwork, depicting the agony of forced transformation, echoing the record’s themes of tension and invasion. Miller’s journey to this point includes launching his solo project in 2020, touring with Rings of Saturn and Possessed, and assembling a lineup with diverse musical backgrounds. Recording the album came with memorable moments from Wright tracking vocals between filming Expedition Bigfoot to the band getting banned from music stores for sampling high‑end instruments. Hidden somewhere on the record is Wright’s triumphant “One Take Willy” shout.

From his early 2017 EP to 2022’s “Monument of Velocity,” Miller has steadily pushed extreme music forward. Now backed by Extreme Management Group and a fully realized band, he continues to expand his sound and ambition.

Recommended for fans of Necrophagist, Symphony X, Wintersun, The Faceless, and Death, “Fiber Momentum” (released Sept 12th) is available on all major platforms through Exitus Stratagem Records.

Digital – https://hypeddit.com/mattmiller/fibertormentum

CD – https://www.exsrmusic.com/store/p/wnn3m10s6beq0pbmnot0e17ghvj629

Music Video – Effecively Neutralized – https://www.youtube.com/watch?v=hJDoR9JL9b8

Band Playthrough – Summoned – https://www.youtube.com/watch?v=5FJxxg_dd2k

Track Listing:
1. Descent into Violence (5:04)
2. Summoned (3:33)
3. Effectively Neutralized (4:53)
4. Blight and Disfigurement (3:23)
5. Maimed Paralyzed Dead (3:12)
6. Horror Beyond Comprehension (3:15)
7. Fiber Tormentum (Instrumental) (3:31)
8. Abiotic Origin (3:14)
Album Length: 30:08

Album Lineup:
Matt Miller (Guitars, Synth)
Jordan Kelso (Drums, Synth)
Justice Robinett (Bass)
Biko Wright (Vocals)

For more info:

Exsrmusic.com | Shreded1.com | Facebook.com/matt.miller.96995238 | Instagram.com/mattmiller630

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“All in all, it’s a fascinating song (Effectively Neutralized) — head-spinning and heart-palpitating but also a heavy-hitter and a conjurer of strange, sinister, and haunting visions. In other words, in the space of just five minutes it pulls off a lot of impressive feats. And the well-filmed and well-edited video for it is a perfect complement, in that it shows us how all these talented performers executed all the impressive accomplishments.” – NoCleanSinging

“Hell yeah. Holy moly canoli. Fiverr to Fiber Momentum, and that was the album. This song is Descent into Violence. Holy moly canoli, dude. Go support, Matt Miller. That was absolutely badass. Total shredding. Jordan, also a homie of mine, your drums are incredible. The new singer, Bo, I love the harsh vocals in the clean. Total is it almost the cleans almost reminded me of Queensryche meets Cannibal Corpse. It’s pretty freaking sweet. And of course, Justice always lays down the heavy bass with the beautiful bass faces. But an absolutely incredible album….Matt Miller, you could find him everywhere. He’s an incredible guitar player, one of the best guitar players of our generation. Remember, this is Fiber Tormentum courtesy of Exitus Stratagem Records. So, a huge shout-out to them as well. Matt Miller has so many more songs. If you guys like this song (Descent into Violence), believe me, this guy is an absolute shred master. Not only does he do like a ton of his own originals, he does a ton of covers, and also he’s just a shred master of all sorts. Just exactly how they say, melodic, technical, and death. But I will definitely say the big thing that stands apart about this whole song is great structure, absolutely shredding on all levels, and the vocals are just 100% one-of-a-kind. And I totally enjoyed it. Guys, I love you guys from the bottom of my heart. This has been Matt Miller with his new song, Descent into Violence. Pick up the new album on September 12, Fiber Tormentum.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel

“The songs on “Fiber Tormentum” are rather good, and make for very interesting listening sessions.” – Metal Temple

“”Fiber Tormentum” is a real killer and so refreshingly creative that you can’t help but toast this previously unknown genius in awe! Cheers! 9/10″ – PowerMetal.de

“Soaring, crushing, ferocious, emotive, and relentless, are words that strongly describe Decrepit Shed. The album has a lot to offer from various metal sub-genres and encompasses the best elements of technical guitar playing while still having well-written songs”. – Brave Words

“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic and brutally heavy. Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.” – Rock’n’ Load

“Even though Miller’s music is instrumental, he likes to think of the guitar as a voice. Which in turn makes him ask what is the guitar saying? He is able to easily convey emotion, tone, and a story even without the use of vocals. Throughout his releases, his music has developed a more modern sound in both the music and the production. Musically the songs are more well written and a lot of the ideas he writes are being accurately represented. He is always trying to push himself as a musician and this is reflected in his discography. Influenced primarily by technical and progressive death metal with a dash of power metal and symphonic metal as well, Matt Miller’s music is recommended for fans of Obscura, Dragon Force, and Racer X” – Metal Sucks

“Mr. Miller can shred like his fingers are on fire” – Ever-Metal.com

“Matt shreds all over this album with guitar solos galore”. – Transcending the Mundane

“Soaring, crushing, ferocious, and emotive, Miller conveys a wide range of tones throughout his instrumental music. It is recommended for fans of Dragon Force, Racer X, and Jeff Loomis” – Metal-Rules

“For guitar enthusiasts, I guess it is a feast for the eyes and ears.” – Antichrist Magazine

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0 Rockshots Records – Out Now! Thrash Metal From Reunion Island – LOMOR Unleashes New Album “Sabouk Rouge” + Drops Ferocious Music Video for Title Track

February 6, 2026
by Asher
· Lomor (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – February 6, 2026

Out Now! Thrash Metal From Reunion Island – LOMOR Unleashes New Album “Sabouk Rouge”

+ Drops Ferocious Music Video for Title Track

Photo Credit – Mikael Thullier

Reunion Island’s rising thrash metal force LOMOR proudly announces the official release of their second full‑length album, “Sabouk Rouge,” out today, as of February 6th, via Rockshots Records. To celebrate the album’s release, LOMOR has unveiled a fierce new music video for the title track. This visual assault channels the record’s themes of historical and modern oppression through the band’s trademark intensity, with its pounding rhythms and razor‑edged lyrics setting the tone for everything “Sabouk Rouge” delivers.

Watch and listen at https://www.youtube.com/watch?v=jSBEQJOr754

Following the momentum of their previous single “Tantine Lo Clou,” LOMOR continues to carve their identity as one of the most distinctive metal acts emerging from the Indian Ocean. Their sound, described by guitarist/vocalist Eric Castelnau (aka Babouk) as “creole thrash old‑school stuff,” blends classic 80s thrash aggression with the cultural grit and linguistic identity of Réunion Island.

LOMOR began as a deeply personal project for Eric, who formed the band in 2018 after the passing of his cousin and brother, both former bandmates in his earlier project, Black Babouk. The name Lomor itself means “The Deads” in Réunion Creole, a tribute to the people and memories that shaped his musical path.

Joined by drummer Gurvan Cambrai (aka Typhvs) (also of grind outfit Brvtal trve d’baal) and bassist Micha (member of a local Rage Against the Machine tribute band), the trio has forged a sound rooted in old‑school thrash but sharpened by modern production and raw island energy.

Produced by LOMOR, recorded and mixed by Sébastien Camhi at Art Music Studio in France, and mastered by Kai Stahlenberg at Kohlekeller Studio in Germany, “Sabouk Rouge” broadens the band’s sound while staying true to their raw, old‑school thrash roots. With more Creole lyrics woven in at fans’ request, the album strengthens its cultural identity as it shifts through a wide range of moods.

“The tracks are all different, each bringing its own atmosphere. It’s still trash, but with a variety of flavors,” says Eric.

That diversity fuels a record that moves from the title track’s sharp satire of Réunion’s slavery legacy to the grotesque obsession of “Meet Your Meat,” the ritualistic mysticism of “Sanctuary,” and the blistering critique of religion in “La Haine.” The tone lightens with the street‑racing humor of “La Pouss’,” then darkens again with “Panzram,” exploring the roots of a killer’s hatred. The album also revisits Eric’s past with a reimagined “Kit Ta Mère” before ending on “Nevroz,” a reversed, tongue‑in‑cheek remake born from a studio joke, a fitting close to an album defined by intensity, identity, and creative edge.

New album “Sabouk Rouge” is now available as of February 6th, 2026, at the following links:

DIGITAL – https://lnk.to/th31Lt

CD ORDER – https://rockshots.eu/SaboukRougeCD

Music Video – Tantine Lo Clou – https://www.youtube.com/watch?v=fx2FUx0G01c

Music Video – Panzram – https://www.youtube.com/watch?v=388LBe1K7x4

Track Listing:
1. Sabouk Rouge – 5:13
2. Tantine Lo Clou – 3:40
3. Meet Your Meat – 3:16
4. Sanctuary – 5:17
5. A Shiny Day For A Vampire – 5:14
6. La Haine – 5:06
7. La Pouss’ – 3:07
8. Panzram – 4:29
9. The Ugly, The Bad & The Bastard – 3:02
10. Kit’ Ta Mère – 4:24
11. Nevroz (feat. S. Camhi) – 2:34
Album Length: 45:22

Lomor Line Up:
– Eric Castelnau (aka Babouk) – Vocals & Guitars
– Gurvan Cambrai (aka Typhvs) – Drums
– Mathieu Michalina (aka Micha) – Bass Guitar

More info:

https://rockshots.eu/

https://www.instagram.com/lomor.music

https://www.facebook.com/lomormusic

About: Lomor is a power trio from Reunion Island (France) delivering an explosive blend of old-school thrash, punk, and core metal. Drawing inspiration from Slayer, Testament, and Kreator, the band channels the raw spirit of 80s thrash through modern production and unrelenting stage energy.

Formed in 2018 by Eric Castelnau (vocals, guitars), joined by Gurvan Cambrai (drums) and Mathieu “Micha” Michalina (bass), Lomor quickly became one of the loudest voices in the island’s metal scene. Their first single, “Kanyar L’Enfer” (2021), set the tone for their uncompromising sound, followed by their debut full-length “Perseverance of Sickness” (2022), recorded by Sébastien Camhi (Art Music Studio, France). The album was praised by international outlets like Rock Hard France and Legacy.de for its sharp riffing and fierce authenticity.

In 2023, Lomor hit mainland France for their Kanyar Tour, performing seven shows and sharing stages with Akiavel and Mass Hysteria. They also released the live record “Live on Dock“, capturing the raw, chaotic energy that defines their performances.

Now, with their second studio album “Sabouk Rouge” (out February 2026 via Rockshots Records), Lomor dive deeper into the social and historical themes that shaped their identity — from the brutality of slavery on their island to the universal struggle against human madness and oppression. Recorded again with Sébastien Camhi and mastered by Kai Stahlenberg at Kohlekeller Studio (Germany), the album reaffirms Lomor’s old-school ethos while delivering a powerful, modern punch.

Fueled by adrenaline, rebellion, and Creole pride, Lomor stands as a unique voice in today’s global metal scene — pure thrash from Reunion Island.

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0 Rockshots Records – Italian Melodic Death KARMIAN New Video “Libido Et Mors” From Upcoming Album “Horror Vacui” Out March 2026

February 6, 2026
by Asher
· KARMIAN (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – February 6, 2026

Italian Melodic Death KARMIAN New Video “Libido Et Mors”

New Album “Horror Vacui” Out March 20th, 2026

Rockshots Records announces the release of “Libido et Mors”, the new single by Italian melodic death metal act Karmian, out now on all digital platforms.

“Libido et Mors” is taken from Karmian’s upcoming full-length album “Horror Vacui“, a dark and uncompromising concept record that explores the psychological and existential void behind real acts of murder and moral collapse.

Following the intensity of the previous single “Beastmaster Of The Void”, this new chapter reveals one of the album’s most disturbing and symbolically charged narratives.

Entirely sung in Italian for the first time in the band’s career, “Libido et Mors” delves into the collision between repressed desire and corrupted faith. Inspired by the historical case of Sister Maria Luisa Ridolfi and the scandal of the Sant’Ambrogio della Massima convent in 19th-century Rome, the song exposes a world where religious devotion becomes a tool for manipulation, abuse, and murder. Ecstasy and control, flesh and doctrine, spirituality and obsession merge into a single language of power, revealing how denial and silence can turn faith into a breeding ground for violence.

Commenting on the track, the band states:

“‘Libido et Mors’ represents a breaking point within “Horror Vacui“. It’s where the spiritual void and the carnal void collide. Writing and performing it in Italian allowed us to strip away any distance and confront this story in the most direct, unsettling way possible.”

Musically, the single highlights Karmian’s ability to balance melodic death metal ferocity with narrative tension. Crushing riffs, oppressive rhythms, and a dramatic vocal delivery reinforce the song’s claustrophobic atmosphere, reflecting the album’s broader vision: melodic death metal as a storytelling tool capable of merging brutality, reflection, and emotional weight.

Recorded, mixed, and mastered at Audiocore Studio by Luca Cocconi and Simone Sighinolfi, “Horror Vacui” marks Karmian’s darkest and most mature work to date.

Each track on the album is inspired by a real Italian criminal case, not to glorify horror but to expose the emptiness, alienation, and moral disintegration that precede violence.

“Libido et Mors” stands as one of the album’s most unsettling portraits, where sacred imagery is corrupted, and redemption wears the face of the abyss – reinforcing the central message of “Horror Vacui“: the most terrifying horror is not external but born from the void within.

For fans of: The Haunted, Kataklysm, Heaven Shall Burn, At The Gates, early Dark Tranquillity, and early In Flames.

DIGITAL: https://lnk.to/cOzTCF

“Libido Et Mors” (Official Music Video): https://www.youtube.com/watch?v=qe4bccF7cx4

New album “Horror Vacui” out March 20th, 2026.

PRE ORDER “Horror Vacui” – https://rockshots.eu/products/karmian-horror-vacui-cd

First Single – Visualizer – “Beastmaster Of The Void”: https://www.youtube.com/watch?v=-NhBZGSShJE

DIGITAL: https://lnk.to/PMCdGh

Track Listing:
1. One Thousand Shining Bubbles – 06:38
2. Beastmaster of the Void – 03:21
3. Gott Mit Uns Nicht – 04:38
4. The Call of the Abyssal Bell – 06:17
5. Black Magical Soap Opera – 03:54
6. Temple of the Fleshless Goddess – 03:23
7. Libido et Mors – 03:40
8. Beyond the Dream Gate of Fear – 04:16
9. Maker of Angels – 04:43
Album Length: 40:50

Karmian Line-Up:
Andrea Bertolazzi: Vocals
Andrea Baraldi: Guitars
Michele Perla: Guitars
Luca Marmi: Bass
Nicholas Badiali: Drums

More info:

https://rockshots.eu/

https://www.instagram.com/karmian_official/

https://www.facebook.com/KarmianBand/

BIOGRAPHY:

Originating from Modena, Italy, Karmian stands as one of the most consistent and distinctive voices in Italian melodic death metal, forging a sound that blends raw aggression, melodic nuance, and strong conceptual depth. Their music draws from the sharp-edged intensity of the Swedish tradition while embodying a uniquely Italian sense of drama, history, and emotional resonance.

The band’s earliest incarnation dates back to 2005, when founders Andrea Baraldi, Mauro Leone, and Nicholas Badiali formed a project under the name When the Storm Broke. Though the group disbanded in 2009 after several lineup changes, the experience laid the foundations for what would later become Karmian. In 2011, the founding members revived the project with the addition of vocalist Andrea Bertolazzi, giving rise to the definitive identity of the band and solidifying their path within melodic death metal.

Karmian debuted in 2012 with the EP “Ways of Death”, a conceptual release exploring psychological decline and the “ways of death” – themes that would become central to the band’s artistic identity. Years of touring across Italy and Europe further strengthened their presence within the extreme metal scene, leading to their first full-length album, “Surgere et Cadere” (2018). Rooted in historical and mythological narratives, the album recounts the struggle of the Celtic Boii tribe against the Roman Empire, showcasing the band’s lyrical ambition and intricate musicianship.

Following extensive touring, including performances with Dying Fetus, Mortuary Drape, and Venom Inc., Karmian released “Live at Slaughter Club” (2022), a testament to their intensity and authenticity on stage. After the pandemic years, the lineup evolved with the arrival of Luca Marmi (bass) and Michele Perla (guitars), marking the beginning of a darker, more elaborate creative phase.

This evolution culminates in their most ambitious work to date: the 2026 full-length “Horror Vacui”, recorded at Audiocore Studio with Luca Cocconi and Simone Sighinolfi. The album explores the psychological and existential void behind real acts of Italian murder and madness, transforming nine true-crime cases into allegorical portraits of emptiness, collapse, and human frailty. Musically, “Horror Vacui” expands the band’s soundscape through intricate dual-guitar writing, powerful rhythmic structures, and Bertolazzi’s blend of guttural intensity and narrative expressiveness.

Across their discography, Karmian have built a reputation for merging conceptual storytelling with extreme metal intensity. Whether navigating historical epics or psychological abysses, their work is defined by a commitment to exploring the deeper forces that drive human behavior – resistance, decline, obsession, and the void within. “Horror Vacui” stands as the culmination of this journey: a mature, uncompromising statement of artistic vision, philosophy, and melodic death metal identity.

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0 Streaming Now! Norway’s Rising Rock Power LILY LÖWE Unveils New Album “Beautiful Disaster”

February 6, 2026
by Asher
· Lily Löwe · Music News

NEWS RELEASE

Montreal, QC – February 6, 2026

Streaming Now! Norway’s Rising Rock Power LILY LÖWE Unveils New Album “Beautiful Disaster”

L-R – Stian Hansen, Patrik K. Svendsen, Lill Sofie Wilsberg, Adrian Sunde Bjerketvedt, Eiliv Sagrusten

Photo Credit – Jarle Nyttingnes

Norwegian hard‑rock force Lily Löwe has officially released her highly anticipated sophomore album, “Beautiful Disaster,” out today, February 6th, 2026, and is now available worldwide.

After a year of momentum built through six singles, “Wild,” “Demons,” “Puppet Master,” “Glitter & Gore,” “Haunted House,” and the newly spotlighted “Love Like This”, the full record arrives as a bold, cinematic, and fiercely melodic statement from one of Norway’s fastest‑rising rock acts.

Rooted in the chaos between strength and vulnerability, “Beautiful Disaster” dives headfirst into the emotional extremes that define Lily Löwe’s sound. The album blends heavy riffs, dark atmospheres, and soaring hooks with raw storytelling inspired by real experiences, transformed into dramatic, larger‑than‑life narratives.

“It’s all killer, no filler, every track hits different, and fans are already loving the singles. We wanted to give listeners a real experience, that feeling of power, emotion, and release you get when music truly hits. This album captures the intensity and vulnerability that define who we are as a band,” says Löwe.

“Beautiful Disaster” moves fluidly between high‑energy anthems and emotionally charged moments, balancing modern production with the heart of classic hard rock. Themes of desire, power, self‑destruction, and transformation run through the record, from the haunting introspection of “Haunted House” to the glam‑punk swagger of “Glitter & Gore” and the cathartic punch of “Demons.”

What began as Lily’s solo project evolved into a full band after her breakout debut at Melodi Grand Prix 2022, where she introduced “Bad Baby” to a national audience. Her debut album LÖWE, produced by Trond Holter, earned critical praise for its punch, attitude, and vocal power.

For “Beautiful Disaster,” Lily brought together some of Norway’s strongest rock musicians: Adrian Sunde Bjerketvedt (Jorn), Patrik Svendsen (Tonic Breed), Stian Hansen (Suicide Bombers), and Eiliv Sagrusten (Invasion). Together, they’ve forged a sound that’s sharper, more dynamic, and more emotionally resonant than ever. The result is an album that hits with cohesion, power, and a signature identity that’s unmistakably Lily Löwe.

Recommended for fans of Wig Wam, Halestorm, and The Pretty Reckless, “Beautiful Disaster” is out now on all digital platforms.

Add to your Spotify playlist – https://open.spotify.com/album/0DgTyPnM06OM4ojFVoQMK1

Music Videos:
Glitter & Gore – https://www.youtube.com/watch?v=6BbJj1HISHI
Puppet Master – https://www.youtube.com/watch?v=9Xs3dLGsyk4
Wild – https://www.youtube.com/watch?v=_cX8I3PDkao

Track Listing:
1. Demons – 2:49
2. Haunted House – 3:26
3. Puppet Master – 2:43
4. Beg For Your Life – 2:54
5. Beautiful Disaster – 2:54
6. Glitter & Gore – 2:36
7. Our Secret – 3:36
8. Wild – 2:48
9. Love Like This – 3:15
Album Length: 27:06

Album Band Lineup:
Lily Löwe / Lill Sofie Wilsberg: Vocal
Adrian Sunde Bjerketvedt: Guitar
Eiliv Sagrusten: Drums
Patrik Svendsen: Bass
Stian Hansen: Guitar

Album Credits:
Album Cover Photo: Jarle Nyttingnes
Mixed and Mastered: Jonas Holteberg Jensen (The Woods Norway)
Mastered for Vinyl: Steve Kitch
Demons – Producers: Ola Frøyen, Oscar Immanuel Mathisen, Jonas Holteberg Jensen
Co-producer: Adrian Sunde Bjerketvedt
Songwriters: Elsbeth Rehder, Ola Frøyen, Lill Sofie Wilsberg, Oscar Immanuel Mathisen, Adrian Sunde Bjerketvedt

More info: https://www.lilylowe.com | https://www.facebook.com/iam.lilylowe/ | https://www.instagram.com/iam_lilylowe

About: Lily Löwe is a Norwegian hard‑rock band blending melodic hooks, heavy guitar riffs, and emotional storytelling. After debuting at Melodi Grand Prix 2022 and releasing their acclaimed first album LÖWE, the band has quickly become one of Norway’s most exciting new rock acts. With Beautiful Disaster, Lily Löwe delivers their most dynamic, modern, and emotionally charged work to date — a powerful step forward for a band built on passion, precision, and unapologetic energy.

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“Beautiful Disaster lives up to its name. The collection of songs is a contradiction that somehow fits together perfectly. Heavy and heartfelt, playful and emotional. As the band puts it, “every track hits different” – and they’re not wrong. With its tight runtime and zero filler, the album proves that Lily Löwe knows exactly who they are and what they want to say. It’s a confident second release from a band that knows its strengths and isn’t afraid to lean into them. ” – Screamer Magazine

“The new album “Beautiful Disaster” from Lily Löwe is almost here and set for a Feb. 6th release date. Along the way leading up to the album have been a string of razor sharp singles and perhaps here comes the best one yet, the fierce and moving ‘Love Like This’. Lowe’s vocals pour out the emotion while also bursting with power and a backdrop of heavy rock. ‘Love Like This’ is exceptional modern rock with lyrics, vocals and deep hooks that will have you locked in from the start. Catch tracks from Lily Lowe on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“Songs get to their (usually pretty memorable) choruses quickly and with a minimum of fuss, and you’ll find yourself absent mindedly humming them as you go about your business without even realising you’ve taken the bait, which is always a good sign. Lily herself oozes star quality… she’s got the voice to back it up.” – Sentinel Daily

“‘Beautiful Disaster’ contains powerful hard rock songs as well as melodic and sensitive songs that are extremely skillfully sung by Lily Löwe.” – Maxazine

“Stonking melodic rocker from Norway’s Lily Lowe. Great vocals, soul and emotion as well as rock energy.” – Loud Enough? Magazine

“Beautiful Disaster feel of heavy riffs, catchy hooks and Löwes signature – powerful vocals with both vulnerability and intensity. The song is about intense and destructive love. It captures the feeling of losing oneself in something dangerous but irresistible – a beautiful storm of passion, pain and self-destruction. With its raw energy and emotional depth is Löwe a name to note.” – HeavyMetal.no

“Löwe has a voice with power, punch, and attitude.” – Norway Rock Magazine

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0 Exitus Stratagem Records – Michigan’s KILLCROWN Detonate Their Debut Single “DEATH” + Performing at Michigan Metal Fest 2026

February 5, 2026
by Asher
· Killcrown (Exitus Stratagem Records) · Music News

NEWS RELEASE

Montreal, QC – February 5, 2026

Michigan’s KILLCROWN Detonate Their Debut Single “DEATH”

+ Performing at Michigan Metal Fest 2026

L-R – Orin Knuppenburg (Guitar), Dave Zaza (Drums), Steve Maple (Vocals), Tyler Walterspaugh (Bass), James Alexander (Lead Guitar)

Photograph Credit: Steve Maple w/ Deathhouse Media

Michigan extreme‑metal juggernaut Killcrown has officially released their long‑awaited debut single, “DEATH,” marking the first glimpse into their upcoming full‑length album set to drop later this year.

Formed by vocalist Steve Maple and guitarist/composer Orin, Killcrown has evolved from their nu‑metal roots into one of the Midwest’s most punishing and uncompromising heavy acts. Their sound, an explosive fusion of deathcore, slam, death metal, and melodic brutality, has earned them a reputation as “the heaviest band” everywhere they perform. With “DEATH,” the band cements that title with authority.

The single was born in a moment of pure creative combustion. Maple recalls receiving a call from Orin demanding that he get over there and listen to this song and write lyrics. Within an hour, Maple had crafted some of the most impactful lines of his career, including a chorus so powerful it stunned the room into silence. The final vocal take captured that day became the version used on the record, raw, immediate, and undeniably ferocious.

“This song is some of our best work to date. We truly feel that people are going to connect with this track. We’ve been told that we are ‘the heaviest band’ so many times that we’re starting to believe it. In all seriousness, this upcoming album is written from a very honest standpoint that is BRUTAL, yet beautiful,” says Maple.

“DEATH” is already gaining traction, spinning on stations such as Q106 WJXQ in Lansing, MI, with early support from Scary F’in Terry and Metal Mandy, longtime champions of the band.

The single’s artwork, a visceral depiction of knives to the face, mirrors the intensity of the music itself. Lyrically and musically, the upcoming album represents Killcrown’s most profound and meticulously crafted work to date. Each track stands as its own piece of violent musical art, shaped by real‑life experiences, emotional lows, and the band’s unwavering commitment to authenticity.

Killcrown’s rise from the small towns of Hastings and Delton to becoming a dominant force in the Michigan metal scene is fueled by grit, passion, and an unrelenting drive to push their sound further. With “DEATH” now unleashed and a full album on the horizon, the band is poised to make their most devastating impact yet.

“DEATH” is available worldwide now at (Spotify) – https://hypeddit.com/killcrown/death

YouTube – https://www.youtube.com/watch?v=oORK4Ek-TNA

YouTube (Radio Edit) – https://www.youtube.com/watch?v=fbfj5ScjSk8

In additional news, Killcrown will also be sharing the stage with Green Jelly, Visitant, Casket Robbery, Hemlock, Narcotic Wasteland, and more at the 2026 edition of Michigan Metal Fest on August 14th and 15th in Battle Creek, MI. For more info on the festival lineup and tickets, please visit https://michiganmetalfest.net/.

For more info:

https://www.exsrmusic.com/

https://www.facebook.com/Killcrown

– 30 –

“Oldschool Death Metal sensibility meets modern aggression” – Terry Stevens, Q106 WJXQ

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