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Out Now! TRISKELYON New Cover Album “Metalmorphosis” Supercharges Timeless Hits Into Metal Fury

  • August 21, 2026
  • by Asher
  • · Music News · Triskelyon

NEWS RELEASE

Montreal, QC – August 21, 2026

Out Now! TRISKELYON New Cover Album “Metalmorphosis” Supercharges Timeless Hits Into Metal Fury

​
Canada’s unstoppable metal force Triskelyon unleashes “Metalmorphosis,” a digital‑only barrage that reforges iconic rock and pop classics into a high‑octane blast of metallic fury. The album is now available on all major digital platforms as of August 21, 2026, via Moribund Records.
​
Founded in 2021 by guitarist and mastermind Geoff Waye (Category VI), Triskelyon has carved a fierce path through the underground with acclaimed singles and albums including “Downfall,” “Artificial Insanity,” “Shattered Elysium,” and “Maelstrom of Chaos.” With “Metalmorphosis,” the band pushes its creative boundaries further than ever, delivering a full‑length collection of crushing cover versions forged from the fires of thrash, speed, power, and traditional heavy metal.
​
Aptly titled, “Metalmorphosis” represents the complete metalization of timeless classics, each track reborn heavier, faster, darker, and more explosive. From the arena‑sized lift of Bryan Adams’ “Summer of ’69” to the brooding tension of Tears for Fears’ “Everybody Wants to Rule the World,” Triskelyon injects razor‑sharp riffing, thunderous rhythms, soaring vocals, and blistering solos into every song. Fan‑favorite covers return as well, including the band’s celebrated renditions of “Hungry Like the Wolf,” “Major Tom (Coming Home),” “It Doesn’t Really Matter,” and “Nobody’s Business.”​
​
Drawing from icons such as Tears for Fears, Pat Benatar, Duran Duran, Billy Idol, Men Without Hats, Men at Work, Platinum Blonde, Peter Schilling, and Bryan Adams, the album stands as both a tribute to the golden age of rock and pop and a declaration of Triskelyon’s limitless creative fire. Each track preserves the unforgettable hooks that made these songs legendary while amplifying them into full‑throttle metallic weapons.
​
More than a covers album, “Metalmorphosis” is a celebration of transformation through metal, a collision of nostalgia and aggression that proves Triskelyon can reshape any musical form into molten steel. As with previous releases, all songs were mixed and mastered by Michael Small, with album artwork by Ellim.

Add to your Spotify playlist – https://open.spotify.com/album/42SL4SDxh88LWrMfhoc2Te

​

Download on Bandcamp – https://triskelyon.bandcamp.com/album/metalmorphosis​

Visualizer – “Heartbreaker” – https://www.youtube.com/watch?v=5H1ljv2GzLk

​

Track Listing:​
1. Everybody Wants to Rule the World (Tears for Fears cover)
2. Summer of 69 (Bryan Adams cover)
3. The Safety Dance (Men Without Hats cover)
4. Overkill (Men at Work cover)
5. Heartbreaker (Pat Benatar cover)
6. Nobody’s Business (Billy Idol cover) <Downfall album>
7. It Doesn’t Really Matter (Platinum Blonde Cover) <Artificial Insanity album>
8. Hungry Like The Wolf (Duran Duran Cover) <Shattered Elysium album>
9. Major Tom (Coming Home) (Peter Schilling Cover) <Maelstrom of Chaos album>

Note: ALL album-released covers are the same except “Major Tom,” which is a remaster (not a remix).

Note: 5 brand new covers packaged with the 4 covers already done into one compilation album!

More info:

​https://www.moribundcult.com/​

​https://www.facebook.com/triskelyonmetal​

​https://www.instagram.com/triskelyonmetal​

– 30 –

“anyone who enjoys metal cover versions will be very well served by “Metalmorphosis.”” – Hellfire Magazin

“thirty‑five minutes of carefree, thoroughly enjoyable fun.” – Metalhead.it (Metalmorphosis 2026)

“One of my favorite albums of the year” ~Brutally Delicious Podcast​
​
​““Hellbound Hellions” follows and is just a great tune. That scream in the beginning and I knew immediately that Pete Healey was back for another album with Waye. The last of the opening trio and it is a slayer. Killer thrash riffs and Healey’s soaring vocals and a really sick solo makes this one of my favorites on the album.4.5/5” – Metal Rules

“It’s refreshing, for once, to discover a thrash band that aren’t geared towards utter devastation but, rather, crafting a record that an audience can simply put on and vibe to. With more than forty-five minutes to work with, the band still stuck to their guns and applied songwriting that saw every minute feel earned and needed for what their performance entailed.” – The Razor’s Edge

“Waye has shown he can write in any metal style and the guys he got together to perform are world class. The production is pretty big too so, if you like Megadeth, Agent Steel, Exodus, Overkill, etc. then there will be something on here that you like. Me? I liked it all! Hopefully, Canadian metal will be taken a bit more seriously with this release.” – My Global Mind

“classical Thrash Metal tracks and many 80s vibes.” – Metal-Temple

“Heavy, pounding, in-your-face, power metal-laced thrash” – Metal Crypt

“A who’s who of musicians in the Canadian Thrash scene! Riffs and soloing are nothing short of fantastic!” – MetalNoise

“Powerful at the right point but also epic, with sharp and anthemic vocal parts” MetalHead.it

“Power-Thrash equipped with murderous riffs on a technically first-class level with changeable exciting vocal variability.” – FFM-Rock

“Minimal filler and maximum melody!” – Heavy Music HQ

“Tighter than a shark’s arsehole and shows that Triskelyon are continuing to do what they do best.” – Metal-Digest

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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