Tag: Heavy metal 2026

0 Out Now! TRISKELYON New Cover Album “Metalmorphosis” Supercharges Timeless Hits Into Metal Fury

August 21, 2026
by Asher
· Music News · Triskelyon

NEWS RELEASE

Montreal, QC – August 21, 2026

Out Now! TRISKELYON New Cover Album “Metalmorphosis” Supercharges Timeless Hits Into Metal Fury

Canada’s unstoppable metal force Triskelyon unleashes “Metalmorphosis,” a digital‑only barrage that reforges iconic rock and pop classics into a high‑octane blast of metallic fury. The album is now available on all major digital platforms as of August 21, 2026, via Moribund Records.

Founded in 2021 by guitarist and mastermind Geoff Waye (Category VI), Triskelyon has carved a fierce path through the underground with acclaimed singles and albums including “Downfall,” “Artificial Insanity,” “Shattered Elysium,” and “Maelstrom of Chaos.” With “Metalmorphosis,” the band pushes its creative boundaries further than ever, delivering a full‑length collection of crushing cover versions forged from the fires of thrash, speed, power, and traditional heavy metal.

Aptly titled, “Metalmorphosis” represents the complete metalization of timeless classics, each track reborn heavier, faster, darker, and more explosive. From the arena‑sized lift of Bryan Adams’ “Summer of ’69” to the brooding tension of Tears for Fears’ “Everybody Wants to Rule the World,” Triskelyon injects razor‑sharp riffing, thunderous rhythms, soaring vocals, and blistering solos into every song. Fan‑favorite covers return as well, including the band’s celebrated renditions of “Hungry Like the Wolf,” “Major Tom (Coming Home),” “It Doesn’t Really Matter,” and “Nobody’s Business.”

Drawing from icons such as Tears for Fears, Pat Benatar, Duran Duran, Billy Idol, Men Without Hats, Men at Work, Platinum Blonde, Peter Schilling, and Bryan Adams, the album stands as both a tribute to the golden age of rock and pop and a declaration of Triskelyon’s limitless creative fire. Each track preserves the unforgettable hooks that made these songs legendary while amplifying them into full‑throttle metallic weapons.

More than a covers album, “Metalmorphosis” is a celebration of transformation through metal, a collision of nostalgia and aggression that proves Triskelyon can reshape any musical form into molten steel. As with previous releases, all songs were mixed and mastered by Michael Small, with album artwork by Ellim.

Add to your Spotify playlist – https://open.spotify.com/album/42SL4SDxh88LWrMfhoc2Te

Download on Bandcamp – https://triskelyon.bandcamp.com/album/metalmorphosis

Visualizer – “Heartbreaker” – https://www.youtube.com/watch?v=5H1ljv2GzLk

Track Listing:
1. Everybody Wants to Rule the World (Tears for Fears cover)
2. Summer of 69 (Bryan Adams cover)
3. The Safety Dance (Men Without Hats cover)
4. Overkill (Men at Work cover)
5. Heartbreaker (Pat Benatar cover)
6. Nobody’s Business (Billy Idol cover) <Downfall album>
7. It Doesn’t Really Matter (Platinum Blonde Cover) <Artificial Insanity album>
8. Hungry Like The Wolf (Duran Duran Cover) <Shattered Elysium album>
9. Major Tom (Coming Home) (Peter Schilling Cover) <Maelstrom of Chaos album>

Note: ALL album-released covers are the same except “Major Tom,” which is a remaster (not a remix).

Note: 5 brand new covers packaged with the 4 covers already done into one compilation album!

More info:

https://www.moribundcult.com/

https://www.facebook.com/triskelyonmetal

https://www.instagram.com/triskelyonmetal

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“anyone who enjoys metal cover versions will be very well served by “Metalmorphosis.”” – Hellfire Magazin

“thirty‑five minutes of carefree, thoroughly enjoyable fun.” – Metalhead.it (Metalmorphosis 2026)

“One of my favorite albums of the year” ~Brutally Delicious Podcast

““Hellbound Hellions” follows and is just a great tune. That scream in the beginning and I knew immediately that Pete Healey was back for another album with Waye. The last of the opening trio and it is a slayer. Killer thrash riffs and Healey’s soaring vocals and a really sick solo makes this one of my favorites on the album.4.5/5” – Metal Rules

“It’s refreshing, for once, to discover a thrash band that aren’t geared towards utter devastation but, rather, crafting a record that an audience can simply put on and vibe to. With more than forty-five minutes to work with, the band still stuck to their guns and applied songwriting that saw every minute feel earned and needed for what their performance entailed.” – The Razor’s Edge

“Waye has shown he can write in any metal style and the guys he got together to perform are world class. The production is pretty big too so, if you like Megadeth, Agent Steel, Exodus, Overkill, etc. then there will be something on here that you like. Me? I liked it all! Hopefully, Canadian metal will be taken a bit more seriously with this release.” – My Global Mind

“classical Thrash Metal tracks and many 80s vibes.” – Metal-Temple

“Heavy, pounding, in-your-face, power metal-laced thrash” – Metal Crypt

“A who’s who of musicians in the Canadian Thrash scene! Riffs and soloing are nothing short of fantastic!” – MetalNoise

“Powerful at the right point but also epic, with sharp and anthemic vocal parts” MetalHead.it

“Power-Thrash equipped with murderous riffs on a technically first-class level with changeable exciting vocal variability.” – FFM-Rock

“Minimal filler and maximum melody!” – Heavy Music HQ

“Tighter than a shark’s arsehole and shows that Triskelyon are continuing to do what they do best.” – Metal-Digest

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0 Out Now! Canada’s Corrosive Prairie Doom/Sludge DESTROY MY BRAINS Unleashes Fifth Album “WILT”

August 14, 2026
by Asher
· Destroy My Brains · Music News

NEWS RELEASE

Montreal, QC – August 14, 2026

Out Now! Canada’s Corrosive Prairie Doom/Sludge DESTROY MY BRAINS Unleashes Fifth Album “WILT”

Destroy My Brains – L-R – Rob – Bass, Jarret – Vocals, Guitar, Chase – Guitar, Jadan – Drums

From the frozen prairies of Lloydminster, Canada, corrosive doom/sludge quartet Destroy My Brains returns with “WILT”, their most vicious, emotionally ruinous, and musically sharpened album. Out as of August 14th, “WILT” marks the final chapter in the band’s long‑planned W.I.L.T. series (Worthless, InsignifiCan’t, Lifeless, Tormented), a five‑album descent into self‑destruction, trauma, and sonic corrosion.

Formed when vocalist Jarret and drummer Jadan decided to turn daily basement jams and a massive bong hit from the Green Spiritual Bastard into a real band, Destroy My Brains have spent years refining their brand of corrosive, melting, abhorrent, Crowbar‑worshipping sludge. Their music has always been a celebration of self‑destruction, a philosophy embedded in the band name itself, and “WILT” pushes that ethos to its bleakest extreme.

Recorded at Doom Tomb Recording Studio, “WILT” is the band’s most accomplished production yet. Every element has been pushed further with its pounding grooves and heavy‑as‑sin chugs. It unleashes soul‑removing drums from Jadan, thick, thunderous bass from Rob, fuzz‑soaked riffs from Chase, and ear‑scorching vocals from Jarret. Destroy My Brains didn’t reinvent their sound; they perfected it. “WILT” is the culmination of everything they’ve ever done, turned louder, darker, and more devastating.

Each track on “WILT” drags the listener deeper into Destroy My Brains’ signature world of ruin, trauma, and corrosive sludge. “OCI” erupts in a frantic OCD‑driven implosion, while “Burn the Virgin” descends into ritual sacrifice and infernal doom. “Decontribute” rejects societal expectations entirely, serving as a manifesto of degeneracy, and “Avulsion” uses the tearing of flesh as a metaphor for lifelong psychological torment. “Downgrade” blends punk and sludge into a tale of manipulation, overdose, and Satanic delusion, captured visually in a chilling ShadowScape Pictures video. “Spill” confronts childhood violence and emotional shutdown. At the same time, the 11‑minute title track “Wilt” stands as the tragic, devastating finale, tackling child abuse with some of the darkest sonic moments in the band’s history.

“As a whole, the album is an ode to pain, trauma, and hate so thick you can touch it. It’s riffs on top of riffs, and songs about ruin and degradation. This album is not lyrically for the average listener, but the music will pull people in without them knowing what the songs are about. I can’t wait to subliminally fuck with people’s minds,” adds Jarret.

Recommended for fans of Eyehategod, Crowbar, Buzzov*en, Acid Bath, and Electric Wizard, Destroy My Brains’ “WILT” is available on all digital platforms as of August 14th, 2026.

Bandcamp – https://destroymybrains.bandcamp.com/

Spotify – https://open.spotify.com/album/0TIFsddpd2wrYazelG9H5M

YouTube (Album Stream) – https://www.youtube.com/watch?v=0QDhuJ9Dxis

Music Video – Downgrade – https://www.youtube.com/watch?v=-ul8Zku8Z4Y

Track Listing:
1. OCI (Obsessive Compulsive Imploder) – 4:32
2. Burn The Virgin – 10:30
3. Decontribute – 7:28
4. Avulsion – 7:08
5. Downgrade – 5:14
6. Spill – 9:30
7. Wilt – 11:40
Album Length: 56:03

More info: https://linktr.ee/destroymybrains

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“If it’s churning, caustic vibes you’re seeking, look no further than the frozen prairies of Canada for DESTROY MY BRAINS. Since 2014, founding members Jarret Beach (vocals, guitar) and Jadan Paluck (drums) have been punching out one roaring album after another, joined by second guitarist Chase Shorter and bassist Rob Hayman for yet another offering, ‘Wilt’ (2026). The the feisty 7 tracker presents a stark view of human nature, confronting the visceral horror of flesh and blood (“Avulsion”), a messed up home life (“Spill,” “Wilt”), Satanic ambitions (“Burn the Virgin”), obsessive thinking patterns (“OCI”), and degeneration framed as social revolt (“Decontribute”)… You may not always be in the mood to rage, but when you are you’ll definitely want Destroy My Brains on deck to lead the charge.” – Doomed and Stoned

““Downgrade,” a five-minute crawl through manipulation, intoxication and deliberate ruin. The track reconnects Destroy My Brains with their punkier instincts without sacrificing the suffocating riffs, corrosive tones and full-throated hostility at the center of their sludge attack.” – Decibel Magazine (Downgrade Premiere)

“Lyrically, this is a hateful and hopeless screed, the vicious and fatalistic thoughts of someone falling apart and drowning in intoxicants.” No Clean Singing (Decontribute single off Wilt – 2026)

“WILT is the perfect end to a massive and sprawling five part album saga which may allow Destroy My Brains to try different musical avenues in the future. You gotta say the guys ultimately deserve that. As they’ve spent a long time bleeding their emotions dry for their “ART” and providing their dedicated fan base with records of amazing quality which will leave you broken down, beaten, physically and mentally exhausted. However, you’ll be glad you’ve listened, survived and experienced a brutal audio experience such as this. As Destroy My Brains have solidified their status as one of the best bands to emerge from the Canadian Heavy Metal underground scene of recent years.” – Outlaws of The Sun

“Some of the most interesting metal exists far outside the usual channels, and Destroy My Brains has been grinding away in the shadows delivering uncut gems… Wilt brings a nine‑year creative arc full circle and promises to be as rife with hate, desperation, and hunger as the Wendigo on the cover… Wilt quickly establishes itself as a far more vicious beast than its predecessors.” – Angry Metal Guy

“My take on the album: The tracks on the album are hard hitting Doom/Sludge Metal at the next level. The band doesn’t fool around and they let the music do the talking. Brilliantly composed and performed songs that combine to create a special album. I am hugely impressed by the album. A massive yes from me.” – Project Metal Music

“‘Avulsion’ and ‘Downgrade’ demonstrate how well Destroy My Brains know how to pace their music compared to many of their peers. The first of them stretches despair in such a way that each new sustained chord physically exhausts the listener, while the second of them injects enough punk venom so that the album won’t just sink in its emotional weight. It’s still sludge, but this time it moves with purpose rather than just resting on your chest for seven minutes and hoping you won’t notice that numbness you feel.” – Ever-Metal

“Ahead of the record, the Lloydminster quartet has shared the video for “Downgrade,” a five-minute crawl through manipulation, addiction and ruin that reconnects the band with the punkier, more direct instincts of their early days without giving up an inch of the suffocating riffs and corrosive tone that built their name.” – See Rock Live Mag

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0 Out Now! SEVEN METAL SINS Debut Album “Legacy Of Chaos”

June 5, 2026
by Asher
· Music News · Seven Metal Sins (Rockshots Records)

NEWS RELEASE

Montreal, QC – June 5, 2026

Out Now! SEVEN METAL SINS Debut Album “Legacy Of Chaos”

French heavy metal force Seven Metal Sins release their debut album, “Legacy Of Chaos,” via Rockshots Records.

Founded by former Manigance members Stéphane Lacoude and Patrick Soria, the band combines classic heavy metal roots with power metal intensity and speed metal energy. Backed by a lineup of experienced musicians, Seven Metal Sins deliver a collection of songs built on powerful riffs, melodic hooks, and dynamic performances.

With “Legacy Of Chaos,” the band presents eleven tracks inspired by the turmoil of the modern world, exploring themes of social instability, environmental crisis, and humanity’s uncertain future through a strong, uncompromising metal approach.

Produced by Seven Metal Sins, “Legacy Of Chaos” was mixed by Jérémie Garat at Reseda Prod and mastered by Simon Capony at Basalte Studio, while Marco Orlando created the album artwork and layout.

For fans of: Accept, Primal Fear, Judas Priest, early Helloween

New album “Legacy Of Chaos” out June 5th, 2026, from Rockshots Records.

CD ORDER“Legacy Of Chaos“: https://rockshots.eu/products/seven-metal-sins-legacy-of-chaos-cd

Add to your Spotify playlist – https://lnk.to/p4EmBvm2

Music Video – Eternal Fall – https://www.youtube.com/watch?v=G19LFRxAbs4

Track Listing:
1. The Fall (Intro) – 0:57
2. Scars of Injustice – 4:35
3. No Sanctuary – 4:22
4. Hypocrisy – 4:07
5. Eternal Downfall – 4:57
6. Feel the Steel – 4:20
7. Wolves of the Last Dawn – 4:36
8. Beyond the Breaking Point – 4:01
9. Sun Eaters – 5:00
10. Rise of the Phoenix – 3:55
11. King of Sorrow – 6:25

Seven Metal Sins Line-up:
Claw-G.: Vocals
Antton Iriart: Guitars
Frédéric Auclerc: Guitars
Stéphane Lacoude: Bass
Patrick Soria: Drums

More info:

https://rockshots.eu/

https://facebook.com/sevenmetalsins

https://instagram.com/seven_metal_sins.official

BIOGRAPHY:

Seven Metal Sins is a European heavy metal band formed in April 2024 by Stéphane Lacoude (bass) and Patrick Soria (drums), both former members of the French act Manigance. After years of shared experience, the two musicians reunited with a clear intention: to return to a more direct, uncompromising approach to songwriting, rooted in the essence of heavy metal while reflecting a renewed creative vision.

The project quickly gained momentum with the addition of guitarist Antton Iriart, whose compositional input became a central element in shaping the band’s sound. In December 2024, vocalist Claw-G. joined the lineup, bringing a powerful and distinctive voice that added intensity and character to the music. The formation was completed in March 2025 with guitarist Frédéric Auclerc, further expanding the band’s harmonic depth and overall dynamic range.

With this solid lineup in place, Seven Metal Sins began refining their musical identity, built on a combination of classic heavy metal foundations and the energy of power and speed metal. Their sound is defined by sharp, riff-driven structures, galloping rhythms, and a strong melodic sensibility, balanced by a modern production approach that emphasizes clarity and impact.

The band made its official debut with the single “Hypocrisy” in April 2025, marking the first step in a focused creative path that led to the completion of their first full-length album, “Legacy Of Chaos“, set for release on June 5th, 2026, via Rockshots Records.

Lyrically, Seven Metal Sins draws inspiration from the fractures of contemporary society, addressing themes such as environmental decline, social instability, and authoritarian drift. These elements are often framed through dystopian and science fiction imagery, creating a narrative that resonates with both present realities and possible futures.

With “Legacy Of Chaos“, Seven Metal Sins establishes a clear artistic identity: a band rooted in experience, driven by purpose, and committed to delivering heavy metal that is direct, intense, and relevant within today’s landscape.

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