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Tag: metal premiere

0 Teenage Modern Prog Metal BABY ON A RAMPAGE Assert Its Identity w/ “Reclaim” From New EP “Forgive My Figure” Out Nov 2026

  • September 3, 2026
  • by Asher
  • · Baby On A Rampage · Music News

NEWS RELEASE

Montreal, QC – September 3, 2026

Teenage Modern Prog Metal BABY ON A RAMPAGE Assert Its Identity w/ “Reclaim” From New EP “Forgive My Figure” Out Nov 2026

Co‑produced with Scott Proctor (Five Finger Death Punch touring member; Machine Head/Testament tech; Amongst Thieves; State Line Empire)

Bay Area progressive modern‑metal band Baby On A Rampage announces the upcoming release of its new EP “Forgive My Figure,” due out on November 12, 2026. Co‑produced with Scott Proctor (Five Finger Death Punch touring member; Machine Head/Testament tech; Amongst Thieves; State Line Empire), the EP marks the band’s most expansive and mature sound to date. It follows the BOAR’s 2025 debut album “Fall With Disgrace” produced by Michael Rosen (Testament, AFI, Less Than Jake).

The lead single “Reclaim”, accompanied by the band’s first official music video, will debut ahead of the band’s performance at the End of the Summer Blowout Fest on September 6 at Field of Dreams Lincoln Theater Garden in Oakland, CA.

“Reclaim” stands as one of Baby On A Rampage’s most powerful compositions. Written entirely by Ash Lee (Guitars, Vocals), the track confronts political violence, colonization, and environmental devastation.

“When I wrote the song, I was definitely bothered by the genocide in Palestine, and it’s very much a song about standing up and taking back, or kind of a call for some sort of revolution, like metaphorically, to take back a government position. Talking about the colonization history of the United States government, and how they’re constantly funding other governments before putting their own people at the forefront of their concerns. I mean, it’s about a lot of different kinds of government overreach, and the later sections are about the genocide of native people and taking their land, and it’s definitely an environmental song.”​
​
Musically, “Reclaim” represents a clear step forward for the band, built as a multi‑section journey rather than a straightforward heavy track. Its verses hit with a dark, commanding intensity, while the clean passage opens into a big, emotional, hopeful swell. The contrast gives the song an almost spiritual lift and an anthemic feel, and it’s become a standout live moment as audiences who have heard it have connected with it immediately.
​
Watch and listen to the music video for “Reclaim” at https://www.youtube.com/watch?v=NDvwwrxoU6U

​Add to your Spotify playlist – https://open.spotify.com/album/7H7cyrVSDYGz6psA7SWWWa

​Bandcamp – https://babyonarampage.bandcamp.com

​

The band’s second offering since recording their original material, “Forgive My Figure,” represents a major leap in their evolution. The band’s writing has matured significantly, resulting in a cohesive sonic identity.

“This is our most musically and melodically complex release so far… a big wall of sound… a lot of ear candy. I think those who have been following us will hear how much we have matured since our first album and are still evolving, particularly since we’re still all teenagers,” adds Lee.

Co‑producer and engineer Scott Proctor helped shape the EP’s broader, more modern metal direction, using his skill in vocal harmonies and layered arrangements to sharpen its impact. His work brought greater focus and emotional definition to the record, while mastering engineer Matt Boudreau added the final depth and clarity.

“Scott has an incredible ear for harmonies and layering, and he pushed the songs to hit harder by stripping away anything unnecessary. His guidance on tracks like ‘Reclaim’ and ‘Failure of One’s Name’ made the arrangements clearer, stronger, and far more impactful,” adds Lee.
​
The EP brings together four thematically heavy tracks, each tackling personal or political conflict. “Immaculate Teeth” confronts the performative nature of American politics and the harm it masks. “My Tragedy” dives into cycles of self‑destruction and the struggle to break free. “Failure of One’s Name” explores identity, grief, and healing, rooted in drummer Lyra Renninger’s experience as a trans woman and Ash Lee’s reflections on loss. “Reclaim” serves as the EP’s centerpiece, merging political urgency with emotional release to create one of the band’s most resonant anthems.

As a teenage modern‑metal band from the East Bay, Baby On A Rampage is known for its dense, melodic, emotionally charged sound. Formed at Bandworks, the group has grown from child prodigies into one of the Bay Area’s most promising young heavy acts. They’ve been compared to Strapping Young Lad, Baroness, Gojira, and Mastodon, while forging a distinct identity rooted in progressive songwriting, theatrical energy, and community‑driven live shows.

The band’s pandemic‑era demo, recorded in Ash’s living room, earned praise from members of Forbidden, Slayer, and other industry veterans. They’ve since toured the Pacific Northwest, Canada, the West Coast, Texas, and the Midwest, surpassing 100 shows by the end of 2025 and continuing to forge on the live front across the USA in 2026.

“Forgive My Figure” will be available on all digital platforms as of November 12, 2026.

Track Listing:​
1. Intro (0:56)
2. Immaculate Teeth (4:32)
3. My Tragedy (3:21
4. Reclaim (5:48)
5. Failure of One’s Name (4:29)

EP Band Lineup:​
Ash Lee: Guitars, Vocals
John Muir: Bass, Vocals
Lyra Renninger: Drums

Live Band Lineup:​
Ash Lee: Lead guitar, Vocals
John Muir: Bass, Vocals
Lucas Garske: Rhythm guitar
Mona Iris: Drums

More info:

​http://www.babyonarampage.com/​

​https://www.facebook.com/profile.php?id=61577134441189​

​https://www.instagram.com/baby_on_a_rampage​

-30-​

​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Out Now! TRISKELYON New Cover Album “Metalmorphosis” Supercharges Timeless Hits Into Metal Fury

  • August 21, 2026
  • by Asher
  • · Music News · Triskelyon

NEWS RELEASE

Montreal, QC – August 21, 2026

Out Now! TRISKELYON New Cover Album “Metalmorphosis” Supercharges Timeless Hits Into Metal Fury

​
Canada’s unstoppable metal force Triskelyon unleashes “Metalmorphosis,” a digital‑only barrage that reforges iconic rock and pop classics into a high‑octane blast of metallic fury. The album is now available on all major digital platforms as of August 21, 2026, via Moribund Records.
​
Founded in 2021 by guitarist and mastermind Geoff Waye (Category VI), Triskelyon has carved a fierce path through the underground with acclaimed singles and albums including “Downfall,” “Artificial Insanity,” “Shattered Elysium,” and “Maelstrom of Chaos.” With “Metalmorphosis,” the band pushes its creative boundaries further than ever, delivering a full‑length collection of crushing cover versions forged from the fires of thrash, speed, power, and traditional heavy metal.
​
Aptly titled, “Metalmorphosis” represents the complete metalization of timeless classics, each track reborn heavier, faster, darker, and more explosive. From the arena‑sized lift of Bryan Adams’ “Summer of ’69” to the brooding tension of Tears for Fears’ “Everybody Wants to Rule the World,” Triskelyon injects razor‑sharp riffing, thunderous rhythms, soaring vocals, and blistering solos into every song. Fan‑favorite covers return as well, including the band’s celebrated renditions of “Hungry Like the Wolf,” “Major Tom (Coming Home),” “It Doesn’t Really Matter,” and “Nobody’s Business.”​
​
Drawing from icons such as Tears for Fears, Pat Benatar, Duran Duran, Billy Idol, Men Without Hats, Men at Work, Platinum Blonde, Peter Schilling, and Bryan Adams, the album stands as both a tribute to the golden age of rock and pop and a declaration of Triskelyon’s limitless creative fire. Each track preserves the unforgettable hooks that made these songs legendary while amplifying them into full‑throttle metallic weapons.
​
More than a covers album, “Metalmorphosis” is a celebration of transformation through metal, a collision of nostalgia and aggression that proves Triskelyon can reshape any musical form into molten steel. As with previous releases, all songs were mixed and mastered by Michael Small, with album artwork by Ellim.

Add to your Spotify playlist – https://open.spotify.com/album/42SL4SDxh88LWrMfhoc2Te

​

Download on Bandcamp – https://triskelyon.bandcamp.com/album/metalmorphosis​

Visualizer – “Heartbreaker” – https://www.youtube.com/watch?v=5H1ljv2GzLk

​

Track Listing:​
1. Everybody Wants to Rule the World (Tears for Fears cover)
2. Summer of 69 (Bryan Adams cover)
3. The Safety Dance (Men Without Hats cover)
4. Overkill (Men at Work cover)
5. Heartbreaker (Pat Benatar cover)
6. Nobody’s Business (Billy Idol cover) <Downfall album>
7. It Doesn’t Really Matter (Platinum Blonde Cover) <Artificial Insanity album>
8. Hungry Like The Wolf (Duran Duran Cover) <Shattered Elysium album>
9. Major Tom (Coming Home) (Peter Schilling Cover) <Maelstrom of Chaos album>

Note: ALL album-released covers are the same except “Major Tom,” which is a remaster (not a remix).

Note: 5 brand new covers packaged with the 4 covers already done into one compilation album!

More info:

​https://www.moribundcult.com/​

​https://www.facebook.com/triskelyonmetal​

​https://www.instagram.com/triskelyonmetal​

– 30 –

“anyone who enjoys metal cover versions will be very well served by “Metalmorphosis.”” – Hellfire Magazin

“thirty‑five minutes of carefree, thoroughly enjoyable fun.” – Metalhead.it (Metalmorphosis 2026)

“One of my favorite albums of the year” ~Brutally Delicious Podcast​
​
​““Hellbound Hellions” follows and is just a great tune. That scream in the beginning and I knew immediately that Pete Healey was back for another album with Waye. The last of the opening trio and it is a slayer. Killer thrash riffs and Healey’s soaring vocals and a really sick solo makes this one of my favorites on the album.4.5/5” – Metal Rules

“It’s refreshing, for once, to discover a thrash band that aren’t geared towards utter devastation but, rather, crafting a record that an audience can simply put on and vibe to. With more than forty-five minutes to work with, the band still stuck to their guns and applied songwriting that saw every minute feel earned and needed for what their performance entailed.” – The Razor’s Edge

“Waye has shown he can write in any metal style and the guys he got together to perform are world class. The production is pretty big too so, if you like Megadeth, Agent Steel, Exodus, Overkill, etc. then there will be something on here that you like. Me? I liked it all! Hopefully, Canadian metal will be taken a bit more seriously with this release.” – My Global Mind

“classical Thrash Metal tracks and many 80s vibes.” – Metal-Temple

“Heavy, pounding, in-your-face, power metal-laced thrash” – Metal Crypt

“A who’s who of musicians in the Canadian Thrash scene! Riffs and soloing are nothing short of fantastic!” – MetalNoise

“Powerful at the right point but also epic, with sharp and anthemic vocal parts” MetalHead.it

“Power-Thrash equipped with murderous riffs on a technically first-class level with changeable exciting vocal variability.” – FFM-Rock

“Minimal filler and maximum melody!” – Heavy Music HQ

“Tighter than a shark’s arsehole and shows that Triskelyon are continuing to do what they do best.” – Metal-Digest

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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