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Category: Music News

0 Rockshots Records: Tolkien Inspired Progressive Rock Orchestra AINUR Shares Single “Spirit of Fire” ft. Roberto Tiranti (Labyrinth), New Album “War of The Jewels” Out March 19th, 2021

  • January 27, 2021
  • by Asher
  • · Ainur (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 27, 2021

For fans of Ayreon, Dream Theater, Nightwish, J.R.R. Tolkien, Lords of The Rings, The Hobbit

Rockshots Records: Tolkien Inspired Progressive Rock Orchestra AINUR Shares Single “Spirit of Fire” ft. Roberto Tiranti (Labyrinth)

New Album “War of The Jewels” Out March 19th, 2021

It’s been 17 years since Ainur thought to transform Tolkien’s masterpiece “The Silmarillion” into music. Each member of the band was lost in his own musical themes inspired by Tolkienian mythology. As if hypnotized, they outrageously composed themes for the main characters and started to imagine this huge concept work to which they still create to this day.

Their next anticipated record “War of The Jewels” is due out March 19th, 2021 (CD+Digital) (Vinyl – June 12th) via Rockshots Records, which sees the band take an interesting evolution in sound from previous releases. Ainur will completely immerse fans in J.R.R.Tolkien’s war atmospheres. They have imagined every story and every battle and recreate them through unique and deep music.

The band comments:

“‘War of the Jewels’ is the eleventh volume of “The History of Middle-Earth”. In Tolkien’s mythology is the tale of the big wars that came out after the creation of the Silmarils by Fëanor. The main theme is the big battles of Beleriand, except for Nirnaeth Arnoediad that will have big space in our next album. The main implied character is Fëanor, the mightiest of the Elves. Musically, it’s a thematic album as all our previous and future ones and you will recognize musical themes that we already used in “From Ancient Times”, “Children of Hùrin” and “Lay of Leithian”; however, the atmospheres are more aggressive and mighty than in the past because the topics we have put in Music this time needed a more powerful musical support.”

The compositional process of “War of The Jewels” has been very long. It started in 2009 (or maybe before) and it ended more or less last year. Ainur sees it as their “rebirth” album. They have been working hard composing and arranging their music to create the best tribute to Tolkien’s histories that they can.

Today, the collective shares the first single off the upcoming full length. Entitled “Spirit of Fire”, the song features Roberto Tiranti (Labyrinth) with narration excerpts by Ted Nasmith.

The band adds:

“When we realized that Roberto (Tiranti) would be a guest on this album, we had no doubt of which song he was perfect for. ‘Spirit of Fire’ is the most iconic track on the album, because it deals with one of the greatest characters that Tolkien has ever invented: Fëanor, the mightiest of Elves. He has a spirit of fire and in this song, Luca (that is the main composer of this one) had the same spirit. Big guitar riffs, chords, and progressions, but also choirs and melodies that are one of Luca’s most characteristic styles. Roberto put the icing on the cake and made this song epic and unforgettable. We are sure it will become an Ainur’s masterpiece in the next years!” 

Fans of Tolkien’s work along with fans of Ayreon, Queen, and John Williams will be surprised by the majesty and the energy of this work.

Listen to “Spirit Of Fire” ft. Roberto Tiranti (Labyrinth) & Ted Nasmith at the following links:

YouTube: https://youtu.be/7i3XlsPVJsI

Spotify: http://spoti.fi/2KJBioZ

Apple Music: https://apple.co/3a3EtjQ

Album pre-order:
CD Digipak – http://bit.ly/Ainur_Digipak

Vinyl – http://bit.ly/Ainur_Vinyl (available on June 12, 2021 – Record Store Day)


Track Listing:
1. Fate Disclosed ft. Ted Nasmith (2:08)
2. Wars Of Beleriand (6:58)
3. Hell of Iron (5:46)
4. Wars Begin (7:01)
5. Kinslaying (The First) ft. Ted Nasmith (7:43)
6. Grinding Ice (8:27)
7. Battle Under The Stars ft. Derek Sherinian (4:39)
8. Spirit Of Fire ft. Roberto Tiranti (Labyrinth) & Ted Nasmith (7:17)
9. The Broidress (3:43)
10. The Great Battle (Or The War Of Wrath) ft. Ted Nasmith (11:58)
11. Apocalypse (4:24)
12. Apocalypse (Acoustic Bonus Track-digital only) (3:46)
Album Length: 1:13:55

Artwork by Felipe Machado (Blind Guardian, Axel Rudi Pell, etc)

Ainur is:
Luca Catalano – Composer, Guitars, Vocals
Marco Catalano – Composer, Drums, Vocals
Alex Armuschio – Composer, Keys, Lead Vocals
Max Clara – Lead Vocals
Roberta Malerba – Lead Vocals
Elena Richetta – Lead Vocals
Giuseppe Ferrante – Bass, Contrabass
Luca Marangoni – Violin
Carlo Perillo – Viola
Daniela Lorusso – Cello
Cristiano Blasi – Flutes
Chiara Marangoni – Horns
Wilma Collo – Lyrics

Discography:
2006 – From Ancient Times
2007 – Children of Hurin
2009 – Lay of Leithian
2012 – Progressive Rock Night (DVD)
2013 – The Lost Tales
2014 – There and Back Again (single)
2019 – Fall of Gondolin (single)
2020 – Shadow from the East (single)
2021 – War of The Jewels

For more info:
Rockshots.eu
Ainur.it
Facebook.com/ainurprogrockorchestra
Instagram.com/ainurprogrockorchestra

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Descend Into Chaos And Doom With “Inverted Illusion” Off Scepter of Eligos’ Upcoming Album “Inverted Illusions”, Song Premiere via Decibel Magazine

  • January 26, 2021
  • by Asher
  • · Music News · Scepter of Eligos

NEWS RELEASE

Montreal, QC – January 26, 2021

For fans of Crowbar, Incantation, The Black Angels, Acid Bath, Celtic Frost, Grave

Descend Into Chaos And Doom With “Inverted Illusion” Off Scepter of Eligos’ Upcoming Album “Inverted Illusions”

Song Premiere via Decibel Magazine

“Inverted Illusions” Out Jan 29th, 2021


L-R – Andrew -Guitar/Vocals, Frank – Drums, Chris – Bass – Photo Credit by Alvino Salcedo

Formed in 2012, Denver’s Scepter of Eligos has been conjuring up heavy, sludge doom metal that is ravaged with death metal overtones and highlighted with psychedelic groove. They are releasing their first full-length album “Inverted Illusions” in 2021 and are tantalizing listeners with a second single, “Inverted Illusion” off the record.

Coined as “psychedelic metal of death”, Scepters of Eligos blur the lines between genres, creating a sound that is powerful, dissonant, and heavy as hell. According to the band, the single “Inverted Illusion” is a sonic injection of adrenaline and LSD: they continue with their take on the album:

“We wanted this collection of songs to represent all the various influences as well as our own individual style which we feel that we are developing. This album is a cohesive representation of the band’s sound, using our favorite elements of various metal subgenres.”

Taking notes from influential bands in a variety of sub-genres including psychedelic rock, death and black metal, Scepter of Eligos formed thanks to having similar ideas of what they wanted from a band, the ability to be fully creative and not have to stick to a strict formula. The result is songs that are always loud and punishing and interesting enough to keep even the most fastidious metalheads enthralled.

Ever entertaining live as well as recorded, Scepter of Eligos is a band to watch; they intend to release more music in the future. Scepters of Eligos are recommended for fans of death metal, doom metal and in particular Disfear, Ufomammut, and Acid Bath.

The single for “Inverted Illusion” can be heard via its exclusive stream on Decibel Magazine HERE.

“Inverted Illusions” comes out on January 29th and available for pre-order on Scepterofeligos.bandcamp.com


Track Listing
1. Reabsorbed (5:46)
2. Biological Possession (5:53)
3. Starless Chasms (4:46)
4. Inverted Illusion (3:24)
5. Procession of Spectres (10:20)
Album Length: 30:10

Album Credits:
All songs written and performed by Scepter of Eligos
Tracks 1-4 Mixed and Mastered by:
Jamie Hillyer at Module Overload Studio
Track 5 Mixed and Mastered by: Felipe Patino at Green Door Recordings
Cover art by: Christina Hunt of Heavy Metal Talisman
Layout by:S.Wyatt Houseman of Hidden Hand Extreme Music Marketing
Logo by: Dennis Lee Hughs of Cythraul Art

For more info:
Facebook.com/scepterofeligos
Instagram.com/scepterofeligos
EPK

About:

Hailing from Denver, Colorado, Scepter of Eligos crashes into listeners in a wave of death, doom, and psychedelic sludge. An amalgamation of heavy styles with an unique spin, Chris Candelario (bass), Frank Candelario (drums), and Andrew Sares (vocals/guitars) work collaboratively to flesh out what they describe as “Psychedelic metal of death”. To accompany their punishing music they craft lyrics based on Sares’ occult practices and readings. They take their name from Aleister Crowley’s description of Eligos; a Goetic demon that is said to appear on a winged horse holding a scepter and a serpent.

Since their conception in 2012, the musical careers of the power trio have been a whirlwind of gigs both on the local and national levels playing with bands such as The Chasm, Manilla Road, Lycus, and Bongripper garnering attention from a variety of metalheads. Thus far they have 3 releases to their name; a demo from 2013, the 2017 single “RIP Martin Eric Ain” and the 2018 EP “MMXVIII”. Pushing onward with grit and determination they will be releasing the full-length “Inverted Illusions” in 2021.

Boasting live performances that are as varied and intriguing as their music, one can expect to be overtaken by the energy and succumb to the gritty, cryptic psychedelic doom Scepter of Eligos channels from the stage.

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records Signs Greece’s Illusory For New Album “Crimson Wreath” Out May 2021

  • January 25, 2021
  • by Asher
  • · Illusory (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 25, 2021

For fans of Iron Maiden, Queensryche, Savatage, Jag Panzer

Rockshots Records Signs Greece’s Illusory For New Album “Crimson Wreath” Out May 2021

Rockshots Records is proud to announce their latest signing of Greece’s Illusory for their third full length “Crimson Wreath” planned for release May 2021. Having opened for such legendary acts Blue Oyster Cult, Warrel Dane, Geoff Tate, and Gus G, the heavy metallers new album is the next step in their widely praised evolution to follow 2016’s Polysllabic (7hard/7us) and 2013’s “The Ivory Tower” (The Leaders Records).

Melodic, riffy, cerebral, and complex “Crimson Wreath” is a very emotional and melodic release, yet heavy and strong at the same time. Both new fans and ones who have been listening to the band for years will indulge themselves in this latest offering of classic, progressive, epic, and thrashy performances. Lyrical themes found on “Crimson Wreath” are mostly anti-war, but the full length also includes a thematic unit consisting of three songs that deal with human loss.

The band comments:

“The band is thrilled! When we look back, from the first minute to the last one, from the moment we pressed “record” on the very first drum tracking, to the latest addition and album wrap-up, we can’t stop thinking about all the things we set and done during those recordings and the long hours of arranging every little album detail. “Crimson Wreath” has become a member of our discography and our most recent brainchild. And we are totally proud of it!”

 

For fans of Iron Maiden, Queensryche, Savatage, Jag Panzer, an album trailer for “Crimson Wreath” can be viewed on Rockshots Records YouTube channel here.

ILLUSORY is:
Dee Theodorou – Vocals
George Papantonis – Guitars
Greg Bakos – Guitars
Niki Danos – Bass
Makis Vandoros – Keyboards
Costas Koulis – Drums

For more info:
Rockshots.eu
Illusoryband.com
Facebook.com/illusoryband
Instagram/illusory_band
Twitter.com/illusoryband
Youtube.com/IllusoryTheBand
Spotify

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Brazil’s Rage In My Eyes Drummer Shares Playthrough For “The Core” Off Latest Album “Ice Cell”

  • January 22, 2021
  • by Asher
  • · Music News · Rage In My Eyes

NEWS RELEASE

Montreal, QC – January 22, 2021

For fans of Helloween, Symphony X, Iron Maiden

Brazil’s Rage In My Eyes Drummer Shares Playthrough For “The Core” Off Latest Album “Ice Cell”

L-R: Magnus Wichmann – Guitar, Pedro Fauth – Bass, Jonathas Pozo – Vocals, Leo Nunes – Guitar, Francis Cassol – Drums
Photo Credit by Mariana Mantovani

Rage In My Eyes drummer Francis Cassol is sharing his latest playthrough video for “The Core”. The track is off their latest 2019 album “Ice Cell”. The video showcases the velocity and technicality Cassol applies in this high speed fist-pumping classic metal sounding song.

Watch the playthrough video here.

Being from southern Brazil, Rage In My Eyes shows a side of the country most people don’t know about. Blending heavy/prog metal with elements of MILONGA (folk music from southern Brazil, Uruguay, and Argentina) to their music along with accordion, the band presents a distinctive brand of metal that is their own. The band’s first album “Ice Cell” was released in August 2019 and was recorded partially in Los Angeles and in their native Porto Alegre, Brazil. The album was produced by Magnus Wichmann at Magneto Studio (Brazil) and Daufembach Studio (USA). It was mixed and mastered in Los Angeles by the renowned Brazilian producer Adair Daufembach. The cover was designed by Tiago Masseti, who has worked with Hibria, Luis Kalil and Daydream XI. The band has also been an opening for Iron Maiden in Porto Alegre, Brazil in October 2019,

The band comments about “Ice Cell”:

“In summary, Ice Cell is a manifesto against the superficiality, inertia, coldness of the human being, his indifference, and his corruptible character. An album that seeks this sincere connection with the truth and musicality of each member, explaining their diverse influences in heavy metal and their South Brazilian and South American roots.”

Prior to their new band name of Rage In My Eyes, the group spent 17 years under the moniker of Scelerata, which had a huge history in the Brazilian heavy metal scenario. The band had three albums released worldwide, including the acclaimed album “The Sniper” – partially recorded in Germany, at the Blind Guardian studio – that featured guest appearances from Paul DiAnno (former Iron Maiden) and Andi Deris (Helloween).

Scelerata was also Paul DiAnno’s official Brazilian backing band from 2009 to 2014, playing 50+ shows with this heavy metal icon.

With this huge background, the musicians are now aiming for the future.

Recommended for fans of Iron Maiden, Helloween, and Symphony X, Rage In My Eyes brings an icy new edge to traditional power metal.

“Ice Cell” is available on Spotify, Apple Music, Amazon.

Music Videos:
Hole In The Shell – YouTube (Live Video Opening for Iron Maiden – Porto Alegre, Brazil)
Death Sleepers – YouTube
Winter Dream – YouTube


Track Listing:
1. Winter Dream (4:46)
2. Surrounded By Black Mirrors (4:16)
3. Dive Deep (4:14)
4. Hole in the Shell (4:35)
5. Death Sleepers (5:02)
6. Inner Fate (3:45)
7. Blank (5:23)
8. The Core (3:39)
9. Soul Gatherer (4:19)
10. Burn The Throne! (4:43)
11. Draft of Illusions (5:03)
Album Length: 49:50

Album Band Line Up:
Jonathas Pozo – Vocals
Magnus Wichmann – Guitar
Leo Nunes – Guitar
Pedro Fauth – Bass
Francis Cassol – Drums
Special Guest on tracks 1, 4 & 5:
Matheus Kleber – Accordion
Special Guest on track 11: Vinícius Möller

For more info:
RageInMyEyes.com
Facebook.com/rageinmyeyes
Instagram.com/rageinmyeyes
Twitter.com/rage_in_my_eyes
EPK

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s As We Suffer Challenge Truths With Invocative Title Track From Upcoming “The Fallen Pillars”, Track Premiere via NewFuryMedia

  • January 21, 2021
  • by Asher
  • · As We Suffer · Music News

NEWS RELEASE

Montreal, QC – January 21, 2021

For fans of Machine Head, Propagandhi, Death by Stereo

Canada’s As We Suffer Challenge Truths With Invocative Title Track From Upcoming “The Fallen Pillars”

Track Premiere via NewFuryMedia

L-R – Ryan Caldwell (Bass), Jason Yocom (Guitar), Matt Caldwell (Vocals), Derik Roblin (Guitar), Chris Nunn (Drums)
Photo Credit – Laura Collins-Music Photography

Ottawa’s As We Suffer are releasing their debut album “The Fallen Pillars” in April of 2021. The preview track for this upcoming release is the title track, which is the most melodic song on the album, but doesn’t sacrifice heavy as it includes a djent vibe, along with aggressive riffs. As We Suffer play with pure passion, which echoes out clearly through their music.

“We cap the record off with our first single and title track. We end the album with this track to symbolize the end of an era of As We Suffer and the advancement into new territory. The Fallen Pillars takes the listener on a journey of the observer, witnessing the chaos all around them, and instead of joining, they decide to venture on a quest of inner truth, even as death brings its pestilence and war. A song of death and destruction but also of growth and rebirth.”

The album is an amalgamation of several heavy subgenres rolled into one. Hovering between metal-infused punk, hardcore, groove metal, and even a little hard rock, listeners go on a journey through each track. The track listing for the album was picked with diversity in mind. Each song stands out in contrast to the last.

The concept album’s theme revolves around the pillars of truth. Each song deals with destructive concepts and beliefs that we, as a society/people, should not prop up as truths. It is a journey of unhealthy and damaging thoughts/emotions that explore existentialism, politics, religious fanaticism, and truth through different styles of heavy music.

Recommended for fans of Machine Head Propagandhi and Death by Stereo, can be heard via its premiere on NewFuryMedia HERE.

Spotify pre-save here.

The complete album will be available in April 2021.


Track Listing:
1. Caustic Paradigm (2:58)
2. Malicious Compliance (3:24)
3. An Open Letter (to the Bleeding Hearts) (2:41)
4. Fucking Relentless (2:28)
5. Invade The Host (3:21)
6. The Great Leveler (3:51)
7. High Tide (3:32)
8. Scatter The Herd (2:25)
9. Shadows Caste In White (4:44)
10. Concrete Fist (2:59)
11. The Fallen Pillars (5:17)
Album Length: 37:46

More Info:
Facebook.com/aswesuffer
Instagram.com/aswesuffer
EPK 

About:
Ottawa, Canada’s As We Suffer started out as a cover band, but quickly delved into writing original material. In the early days they focused on a more metal-infused skate punk vibe with major influence stemming from Pennywise, Strung Out, and NOFX but it very quickly took on a more metal feel. Since 2020, the sound has further morphed into a more metalcore vibe along the lines of early Killswitch Engage and Bullet for my Valentine, while still maintaining a distinct hardcore style.

Four of the original band members have known each other for a long time, with two of the members, vocalist Matt Caldwell and bassist Ryan Caldwell being cousins; together with their long-time friends drummer Chris Nunn and Jason Yocom. The band officially established in 2018 picking a name that represents unity in the existential suffering we all experience. Eventually, they were joined by guitarist Derik Roblin.

The long time comradery between the members enables them to write music organically, trading off who is the primary songwriter for each track. All lyrics are written by M. Caldwell, who aims to tell a story and deliver a message without being too literal or specific, allowing the audience to interpret on their own. Themes are largely infused with existentialism, civil and political unrest.

This organic flow continues to benefit the band when they play, the passionate stage presence is heightened by M. Caldwell’s intensity, R. Caldwell’s slick bass licks, Roblin’s powerful energy, and Nunn’s technical prowess. They bring a unique back-to-basics flavor to each performance, especially through the dynamic nature of each of the band members.

As We Suffer released a demo in 2018 and will follow it up with “The Fallen Pillars” in April 2021.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Prog Power RED CAIN Streaming New Album “Kindred: Act II”, Album Stream Premiere via MetalInsider

  • January 21, 2021
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC – January 21, 2021

For fans of Kamelot, Symphony X, Amaranthe, Powerwolf

Prog Power RED CAIN Streaming New Album “Kindred: Act II”

Album Stream Premiere via MetalInsider

Album Out January 22, 2021


L-R – Tyler Corbett – Guitar, Evgeniy Zayarny – Vocals, Taylor Gibson – Drums – Photo Credit Ravenkin Photography

Canada’s progressive power gothic metal band Red Cain will be unleashing their new album “Kindred: Act II” digitally on Friday, January 22, 2021 with the CD physical release out via Sliptrick Records at a later date this year.

Before it officially drops, the band is sharing with fans its exclusive full stream premiere via MetalInsider HERE.

Described as a vehicle of “Melancholy and Rage” and born out of the emerging music scene of Calgary, AB, 2017 YYC Awards Metal Recording of the Year winner Red Cain is a power/progressive metal project with Russian roots. With intricate songwriting, a heavy yet melodic feel reminiscent of progressive acts, and elements of Slavic myth and Russian paganism in the storytelling tradition of the cult of Veles, Red Cain champion a fluid, dynamic, and unique musical style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience.

The forthcoming sophomore full-length continues and ends the band’s storytelling of their Kindred saga, which began with their 2019’s “Kindred: Act: 1”. Offering a mix of melodies and metallic styles in power, progressive and goth metal, Red Cain continues to deliver epic adventurous songs with tracks like Sunshine (Blood Sun Empire)”, “Demons”, “Kindred” and “Varyag and The Shrike”.

Vocalist Evgeniy Zayarny comments:

“Step forward in the ranks of the Varyag Mstislav, hear the chilling call of the Nameless Exarch, and stand shoulder to shoulder with the Aztec warrior Zalcoatl in the depths of an ancient Ziggurat. Experimental, aggressive, yet melodic and recognizably Red Cain, the second act in the “Kindred” saga sets the bar even higher in the hybrid prog/power style we have made our own.

Inspired by the age-old Slavic rites honouring the Sun and continuing the storytelling tradition of Veles, this album is an amalgam of myths, genres, and emotions – and we could not be more proud to be able to share it with you.

All stories must come to an end – but this is one where the action and intensity is at its peak. This is a story where the stakes are lethal, where the music is loud and the melodies cut deep – where the frozen North wind chills the land and an eldritch specter hangs over the horizon. Above all, this is a story of humanity reaching out toward the Sun, come what may. This is our story of “Kindred” – and we are absolutely fired up to bring you with us on this mad ride.”

Recommended for fans of Kamelot, Symphony X, and Amaranthe, Red Cain is giving fans seven custom pieces of digital art designed by the band along with an immediate download of their goth-rock headbanger“Demons” with album pre-order via their Bandcamp HERE.

Spotify
Lyric Video – “Sunshine (Blood Sun Empire)” – YouTube


Track Listing:
1. Kindred (5:06)
2. Demons (4:40)
3. Precipice of Man (5:18)
4. Baltic Fleet (4:53)
5. Varyag and The Shrike (5:54)
6. Sons of Veles (5:01)
7. Sunshine (Blood Sun Empire) (5:49)
Album Length: 36:45

For more info:
Facebook.com/redcainofficial
Twitter.com/RedCainArmy
Instagram.com/RedCainArmy
EPK

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“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal.  With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage.  I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“Kindred: Act II is a solid offering. It straddles a number of different styles and influences without committing 100% to any of them… any metalhead with a taste for the dramatic should find something rewarding in here.” – The Independent Voice

“an atmosphere between anger and melancholy are exactly what the band is all about. “KINDRED: ACT II” is definitely a really strong album and one only regrets that it ends so early. But as the saying goes : Quality is more important than quantity!” – Metal-Heads.de

“This new album is opened by KINDRED, a brilliant tune with different influences, from power/prog to electro-rock. It’s enriched by an interesting solo, a well-groomed production and cinematic mood.” – HardRockHeavyMetal

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Canada’s The Design Abstract Flirts With The Future With New Album “Technotheism” Out Jan 29th, Streaming Singles “The Apotheosis” and “The Return”

  • January 21, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – January 21, 2021

For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina

Canada’s The Design Abstract Flirts With The Future With New Album “Technotheism” Out Jan 29th

Streaming Singles “The Apotheosis” and “The Return”

Out on January 29, 2021, “Technotheism” is the second full-length album from the band who also have two EPs in their catalogue. For those already familiar with their music, the creative blend of industrial and orchestra continue in “Technotheism”, albeit being even more technical and expansive than the previous releases. The band maintains that this will be the flagship album for them.

The two singles from the album “The Apotheosis” and “The Return” have already been released and are now streaming.

“The Apotheosis” – YouTube (Music Video), Spotify

“The Return” – YouTube (Lyric Video), Spotify

The singles are respectively the second oldest and second newest tracks on the album, and the bulk of the album lands somewhere in the middle in terms of writing and sound. “The Apotheosis” is two minutes packed full of everything The Design Abstract is capable of, and “The Return” is a more open and whimsical track revisiting some of the elements that made the earlier releases work. The band remarks on the singles:

“They were carefully chosen to show the scope of the album at large. “The Apotheosis” was written with the explicit purpose of showing off everything the band could do in one two minute whirlwind. The synth in this track is something very unique and indicative of the character of the band, and the structure is a fresh take on the genre. “The Return” is a triumphant song, littered with innovative, instrument layering and crunchy synth sounds. We really wanted to turn the contrast up so to speak: the guitar work is noticeably more death metal, but the vocals and orchestral passages are more soaring than ever. The outro features a notably unique synth solo, followed by the anthemic chorus.”

The Design Abstract crosses all the lines of the musical spectrum, darting from harsh industrial, soaring orchestral, melodic death complete with guttural screams contrasted with crystal clean singing finished off with a generous serving of synth. Each element is worked into the songs in a unique and comprehensive way.

Recommended for fans of Septicflesh, Scar Symmetry, and Dimmu Borgir, “Technotheism” is suitable for a variety of music fans.

“Technotheism” is out on January 29, 2021. Album pre-order – https://design.bandcamp.com/

More info:
Facebook.com/thedesignabstract
Instagram.com/voiicide
EPK

About:

The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.

A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.

– 30 –

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ASHER MEDIA RELATIONS
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0 Rockshots Records: Victoria K Shares Video Clip “Freaks” From Upcoming DVD “Live Isolation Concert” Due Out Jan 29th

  • January 20, 2021
  • by Asher
  • · Music News · Victoria K

NEWS RELEASE

Montreal, QC – January 21, 2021

For fans of Nightwish, Kamelot, Eluveitie, Lacuna Coil, Within Temptation

Rockshots Records: Victoria K Shares Video Clip “Freaks” From Upcoming DVD “Live Isolation Concert”

“Live Isolation Concert” Out January 29, 2021

Australia’s Victoria K will be releasing their first official DVD “Live Isolation Concert” on January 29, 2021 via Rockshots Records. The top-notch live DVD experience was recorded during the pandemic crisis and includes all the songs from the highly acclaimed debut album “Essentia” unleashed during April 2020.

Leading up to the DVD’s release, Victoria K is sharing the video clip for the track “Freaks”, which can be viewed on Rockshots Records‘ YouTube channel here.

The band adds:

“The song Freaks is based on the book “Freaks” by author Kieran Larwood.  In the book, The Freaks are a band of misfits, trapped in a nightly Victorian sideshow.  The song Freaks, therefore, explores how outcasts don’t fit in with the norms of society and are shunned by others and how these outcasts work through figuring out a way to finally accept and love who they are.

The DVD was the only way we could share a concert of our music with the world during the global pandemic.  It shows how adaptable and resilient we can all be during times of crisis and that nothing can stop the music that brings people together and transcends race, religion, and even a global crisis.  As artists to be able to leave a legacy even during times of global crisis is humbling and a reminder that we can overcome all adversity.  Critically to be able to give something back to the fans for all their support over the years was very important to us and we a grateful for how the album Essentia was received.  So the live isolation show was really a thank you to all our fans and a reminder that together we can get through this pandemic.”

“Freaks” is also available for stream and immediate download via the following links:

Spotify – http://spoti.fi/3q3ezmX

Apple Music – https://apple.co/35pSYgo

The DVD is available for pre-order here: https://bit.ly/VictoriaK_DVD

The live show will be also released as a digital album on the major online stores.


Track Listing:
1. The Haunting
2. Mist Filled Sky
3. Forsaken
4. Humanity
5. Surreal
6. Freaks
7. Shroud of Solitude
8. Lacuna
9. Freedom Uncharted
10. Matrix

Australia’s Victoria K released her debut album “Essentia” on April 24, 2020 via Rockshots Records. The full length was produced by Lee Bradshaw and features special guest Michalina Malisz (Eluveitie).

Album order: here.
Spotify and iTunes here.

Music Videos:
‘Matrix’ here.
‘The Haunting’ here.
‘Forsaken’ here.
‘Lacuna’ here.

The Melbourne singer/songwriter has made her mark on the rock and metal scene with the release of her debut single ‘Monster’ in 2016, featuring guitar work by Brett Garsed (John Farnham Band) along with her 2019 follow up track ‘Lacuna’ distributed in Australia and New Zealand by Warner Music Group (Australia) and is the lead single off the upcoming album.

The single garnered a lot of media praise and created an opportunity for Victoria K to support Swiss folk metal giants Eluveitie for their May 2019 tour date in Melbourne, a performance that had the crowd chanting for an encore.

Although the album was originally a solo project, it has now developed into the current band structure with each member bringing their own energy and experience to the collective.  The band is looking forward to collaborating on future releases.

Victoria K adds:

“I really hope that when our fans and new listeners hear the album they can all find something that they connect with on a deeper level.  Whether that connection is found from within the music itself or from specific lyrics, I really hope they find something familiar, which can connect them to some experience they have had, invoking memories and feelings, eliciting an emotional response.”

Victoria K‘s talented songwriting and compositional influences include Evanescence, Within Temptation, Nightwish and Kamelot amongst other current bands in the European metal scene and her music have been likened to be a blend of these influences. Victoria K has racked up hundreds of thousands of views on YouTube with her own original creations and through featured videos alongside a number of talented musicians covering a plethora of songs. Victoria K‘s covers include Iron Maiden’s “The Trooper”, Nightwish’s “Last Ride of the Day”, Metallica’s “Nothing Else Matters” and Kamelot’s “Insomnia”, the latter of which received attention from the band themselves on Twitter and led to a meeting of talents when the American power metal band found themselves in Melbourne during their 2018 ‘The Shadow Theory’ Australian tour.

Band Line-Up:
Victoria K – Vocals
Sheri Vengeance – Extreme Vocals (Black Like Vengeance, ex. Ne Obliviscaris)
Julia Mammone – Guitar (Enlight)
Martin Kawaler – Bass (Black Like Vengeance, ex Ten Thousand)
James Davies – Drums

For more info:
Rockshots.eu 
Victoriakmusicofficial.com

– 30 –

“Lovers of symphonic metal listen up… because Victoria K is about to put Australia on the map.” – Heavy Magazine

“Victoria K’s vocals are absolutely brilliant, they’re ethereal and infectious” – Buzz Music

“The sense of yearning and resolution in Lacuna is woven with sophistication and skill.” – Hysteria Magazine

“She very quickly won over the crowd and with her voice and great tracks like ‘Lacuna’ and ‘Matrix’ it is very easy to see that she will soon be matching it alongside bands like Evanescence and Nightwish.” – Heavy Magazine

“’Lacuna’ is an atmospheric track in which Victoria showcases her fantastic voice by switching between delicate verses and powerful choruses with total ease.” – Maniacs

 “’Lacuna’ has so much Metal and so much Gothic in it that you’d want to hear it repeatedly if you’re a Metal fan. The music is sharp and powerful, and the song easily flows into your senses.” – FemMetal

 “The latest exciting new talent to emerge from the Melbourne metal scene…” – Sentinel Daily

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Streaming Now! Jeff Pennachio’s Orchestral Soundtrack Rock “Setting The Stage”, EP Stream Premiere via TheProgSpace

  • January 20, 2021
  • by Asher
  • · Jeff Pennachio · Music News

NEWS RELEASE

Montreal, QC – January 21, 2021

For fans of Plini, Dream Theater, Trans Siberian Orchestra

Streaming Now! Jeff Pennachio’s Orchestral Soundtrack Rock “Setting The Stage”

EP Stream Premiere via TheProgSpace

“Setting The Stage” Out January 22, 2021

New York’s Jeff Pennachio (guitarist for Design The Void) is now streaming his debut EP “Setting The Stage” before it officially drops on Friday, January 22, 2021. The three-track collection of progressive instrumental soundscapes paints a diverse and explosive picture suitable for metal aficionados of all sorts.

The EP can be heard in full via its premiere on TheProgSpace HERE.

The three tracks on the EP are intriguing in their differences, yet uphold a cohesiveness amongst them. Pennachio took inspiration from his work with other bands to craft the tracks on this record.

The first track “Wilson Theatre” inspired the album artwork, and became an introduction to the theme and overall song of the second track “Interposition”, which is also the album single. The third track “The Voyager” is somewhat similar to the second, created from a keyboard part. To Pennachio, it particularly reminded him of a finale making it an easy one to finish strong and bring a close to this EP. Pennachio explains the album:

“Although the music I normally compose is in my band Design the Void, I personally believe this is a nice break from prog/death metal, with only a focus on instrumentation. I’m hoping this music will not just be enjoyable, but also sort of develop its own picture for the listener. I’ve always enjoyed music that can represent an image.”

Pennachio found it easy to put together this handful of songs, saying that they sort of wrote themselves at the time of composition. If this release is received well, he says fans can definitely expect another EP within a year or so.

A real treat for anyone who enjoys instrumental rock and intense soundtracks will enjoy Jeff Pennachio especially fans of Plini, Dream Theater and Trans Siberian Orchestra.

“Setting The Stage” EP pre-save links HERE.


Track Listing:
1.Wilson Theater (5:29)
2.Interposition (3:34)
3.The Voyager (4:27)
EP Length: 13:32

More Info:
Official Website: Jeff Pennachio
Facebook.com/Jeff-Pennachio-Guitarist-Composer-105261564849151/
Instagram.com/voidboi2032
EPK

About:
Jeff Pennachio comes from New York State in the USA and besides being known for his guitar playing in Design The Void, he is also releasing his own solo work.

Between 2016 and 2018 he wrote the solo material while in a cover group titled The Stay. The group did not steer in the direction so much of original music, but the inspiration was there to start composing music of this sort. He began working on the tracks as a small compilation for potential future work. After a couple of years had passed, Pennachio has finally taken the time to release this music to the public.

Pennachio writes and records all guitars, drums, bass, and orchestrations and will be continuing on composing music that takes inspiration from soundtracks. He also finds inspiration in bands such as Dream Theater, Plini, and Trans Siberian Orchestra. His debut solo EP “Setting The Stage” is due out January 22, 2021.

– 30-

“You really have to admire what instrumental wizard Jeff Pennachio is doing on his new song, “Interposition”. A multi-instrumentalist that does indeed record every instrument himself (guitars, bass, drums, programming), his new solo EP Setting The Stage drops later this month… While relatively short at under 4 minutes long, the new song does a good job of offering what Jeff is all about – instrumental and progressive goodness that straddles the line between progressive rock and progressive metal with ease.” – New Fury Media

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Cell Press New Music Video “Blacked Out In Verdun”, Video Premiere via IDIOTEQ 

  • January 20, 2021
  • by Asher
  • · Cell Press · Music News

NEWS RELEASE

Montreal, QC – January 20, 2021



For fans of KEN mode, Unsane, Mastodon, Keelhaul

Cell Press New Music Video “Blacked Out In Verdun”

Video Premiere via IDIOTEQ 

EP Out Now! Limited Edition Cassette from Ancient Temple Recordings and No Funeral Records

Lineup (L to R): Sean Arsenian (Guitar, Vox), Joey Cormier (Bass), Mark McGee (Drums), PQ (Vox)

A concoction of noise, sludge, grindcore, and extreme metal, along with anything and everything the band feels like creating, Montreal’s Cell Press (a convergence of talent from well-seasoned musicians (The Great Sabatini, Biipiigwan, I Hate Sally, Architect)) unleashed their self-titled debut EP this past November along with limited editions cassettes released by No Funeral Records and Ancient Temple Recordings.

“This EP sorta sums up what we’re about at this particular moment. Genre people might not be satisfied with our lack of adherence to any one sound for too long, but we didn’t make these songs for those sorts of people. This ep is designed as a broad introduction to the band, and new listeners will hopefully anticipate what else is coming down the pipe in the future. It upholds the high standards Cell Press sets for themselves and each song is quite different from the others.” says the band.

Today, Cell Press shares their latest music video “Blacked Out In Verdun”, a song that can be described as a sort of mish-mash of Helmet and Keelhaul.

Guitarist Sean Arsenian elaborates on how the video came to be:

“My co-worker Morgan Hunt walked into DFA Tattoos for Halloween wearing the llama mask you see in the video. I immediately recruited him to help me with the vague idea I had for it… and then we made him fall down a bunch of times. We paid for his wine, and that was the entire 20$ budget for the video. Morgan found the trash heap to lay down in at the end of the video and did so with zero prompting from us. He’d worked hard that day and deserved a rest.”

Watch the full video via its premiere on IDIOTEQ HERE.

Super loud and vigorous, Cell Press is recommended for fans of Jesus Lizard, Converge, and Botch.

Digital download here.

Limited edition cassette order available from No Funeral Records and Ancient Temple Recordings.

Spotify playlist add here.

Videos:
Desert Breath – YouTube (Music Video)
Piss Police – YouTube (Drum Playthrough)
Dead At OACI  – YouTube (Drum Playthrough)

Track Listing:
1. Piss Police (3:35)
2. Desert Breath (2:52)
3. Blacked Out In Verdun (2:37)
4. Dead At OACI (3:31)
5. My Son Will No The Truth 11:40
EP Length: 24:18

For more info:
Facebook.com/cellpressmtl
Instagram.com/celllpresss
EPK

About:

Cell Press are a Montreal-based band that formed in 2019. They play a sort of burly noise-rock that leans more on the hardcore and metal side of the swamp. They took their name from the 2001 Russian prison documentary “The Mark Of Cain”. The brutal humanity of that film is reflected in the music… on the surface, it’s raw and punishing but there are complexities

and nuances revealed once the surface noise has been embraced. Members have played in a myriad of punk, metal, and hardcore bands such as The Great Sabatini, Biipiigwan, I Hate Sally, The Chariot, Animal Ethics, Architect, Swarm Of Spheres, and Angles. Their self-titled EP is the first offering of tunes. Recorded pre-quarantine in Hamilton at Boxcar Sound Recording

(Sean Pearson), mixed in Oakland at Anti-sleep studios by Scott Evans with the pandemic in full swing… 2 local shows have been logged but any further plans to gig have been halted by Covid-19.

Discography:
2020 – Self Titled – EP

– 30 –

“From the grooves on “Piss Police” to the odd-timed melodic chords of “Blacked Out in Verdun,” everything moves in unexpected ways. All of this is perfectly set to the backdrop of PQ’s uniquely cackled screams… Cell Press is a great sludge metal EP that reminds the listener of the best aspects of this sub-genre. This EP makes the future appear bright for what is to come from this band. 8/10″ – Exclaim!

“You know that feeling, when you spin a new record for the first time and it just fucking destroys you? Well today I am happy to report, Cell Press outta Montreal have truly delivered the goods with their debut self titled EP.  I mean fuck, is it any wonder this band rules, when they can boast members from the likes of The Great Sabatini, Biipiigwan, I Hate Sally, Architect. With their self-titled release, Cell Press give zero fucks about accessibility, instead they focus on delivering punishing aggression with a melting pot of sludge metal, noise rock, and grindcore.” – The Sludgelord

“Warm fuzzy guitar tones bring a touch of the Sabbath to “Piss Police” with broken chords and momentary pauses giving the kind of sound that Raging Speedhorn look for to accompany the rampant venting screams of the vocals that unapologetically roar along during the montage.” – Metal Noise

“Cell Press’s debut self titled EP is definitely an interesting listen. I didn’t expect it to take me on the journey which it did. An aggressive sound runs throughout showing that this band don’t play by the rules, they’re making music the way they want to.” – The Independent Voice

“Noisy and enjoyable, I give this Cell Press effort high marks. I am a Punk fan from the beginning, and I hear those roots here, certainly in the attitude, even if the category is technically off. The disenfranchisement is very appealing. Recommended.” – Flying Fiddle Sticks

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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