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Category: Music News

0 Destroy Demons To Motion Device Drummer’s Cover Of “Cultist Base” From Doom Eternal, Out Now! New Album “Motion Device IV”

  • February 9, 2021
  • by Asher
  • · Motion Device · Music News

NEWS RELEASE

Montreal, QC – February 9, 2021

For fans of Evanescence, Ozzy Osbourne, Dream Theater, Alter Bridge, Muse

Destroy Demons To Motion Device Drummer’s Cover Of “Cultist Base” From Doom Eternal

Out Now! New Album “Motion Device IV”

https://ssl.fbridgecdn.net/users_files/43/57443/md_bandpic_b.jpg
L-R: David Menoudakis (Drums) | Andrea Menoudakis (Bass/Keys) | Sara Menoudakis (Vocals) | Josh Marrocco (Guitars)

The Doom video game franchise has been going strong for almost 30 years, and the adrenaline-packed stomp through hell has one of the most aggressive, recognizable soundtracks to gamers across the globe. Motion Device’s drummer David Menoudakis has taken the world-renowned carnage and warped it into a new form as a drum cover presented on his YouTube channel DrumsByDavid.

On his channel, Menoudakis covers “Cultist Base” from Doom Eternal (2020) combining his drum playing with unique visuals that sets it apart from other drum covers. The video also includes gameplay and extra visual effects adding to the underworld chaos. Menoudakis comments on the video:

“I chose the track because Doom has been one of my favourite games for a long time and the soundtrack (composed by Mick Gordon) is just legendary with gamers who love heavy soundtracks like myself. I put out drum covers on a weekly basis and really enjoy all the tunes and fan requests, but this kind of video allows me to showcase what I can do technically as a drummer and also as a video editor which is something I’m getting into a lot more lately. I’m also learning a lot about sound so pushing the audio boundaries as much as possible is really important to me – I want viewers to hear a great, quality audio mix when they watch one of my drum videos. I really enjoyed putting this together and I plan on doing a lot more of it in the near future.”

Menoudakis plays in the Toronto-based progressive band Motion Device with two of his siblings and their cousin. To date, they have put out four albums so far and received recognition from many big name musicians like Steve Vai, the Scorpions and Alice Cooper to name a few.

“Cultist Base” is recommended for heavy music aficionados and gamers alike, especially those who enjoy Carpenter Brut, Black Crown Initiate, and Ministry.

Watch DrumsByDavid’s “Cultist Base” drum cover right now – https://youtu.be/yRABDQHm5Qo

https://ssl.fbridgecdn.net/users_files/43/57443/motiondoom.jpg

About Menoudakis’ band Motion Device:

Motion Device released their latest album, “Motion Device IV” (or ‘MDIV’ for short) in September 2020. This is the fourth album from the DIY band who recorded, produced, mixed, and mastered the full length by themselves in a studio that was completely crowdfunded by fans around the world. Motion Device says they owe their success so far to their fans and are extremely appreciative of their support through their careers.

From soft to heavy, slow to fast, dreamy to raw, Motion Device is a ‘new school’ progressive rock sound while still keeping some classic metal vibes injected. Diverse, and unique, the band is the perfect addition to the collections of rock and metal fans worldwide. They are especially recommended for fans of Evanescence, Ozzy Osbourne, Dream Theater, Alter Bridge, Muse.

“Motion Device IV” is available digitally on Spotify, Apple Music, Amazon, physical CDs at Motiondevice.net/buy-motion-device-iv-cd/.

Music Videos:
“Blindfold It Away” – YouTube
“VOID” – YouTube

For more info:
Motiondevice.net
Facebook.com/OfficialMotionDevice
Twitter.com/MotionDevice
Instagram.com/officialmotiondevice
EPK

About:
Motion Device is an independent hard rock band from Canada led by vocalist Sara Menoudakis, along with Josh Marrocco on guitar, Andrea Menoudakis on bass/keys, and David Menoudakis on drums.

The formation of the band just seemed to fall into place between the Menoudakis siblings, and their cousin Marrocco. Each member played a key instrument and shared similar musical tastes and inspirations. After starting out as a cover band, they slowly but surely found themselves writing, recording and producing their own music and once that began there was no looking back.

Motion Device has enjoyed recognition since their cover band days including receiving a huge standing ovation at Canada’s Got Talent auditions in 2011 only to be cut just before the live shows because the producers did not want to pay for music royalty rights of the songs they were covering (Zeppelin’s ‘Whole Lotta Love’ and Ozzy’s ‘Crazy Train’). They also received a huge boost in their early days when Ronnie James Dio’s social media team shared the band’s Youtube cover of Black Sabbath’s ‘Heaven and Hell’.

Motion Device has 4 albums out, “Welcome to the Rock Revolution” (2014); “Eternalize” (2015); “Wide Awake” (2017), and “MDIV” (2020). The most recent one was recorded, produced, mixed, and mastered by the band in their own fan-funded recording studio. Thanks to crowdfunding, all of their albums have been completely funded by fans from all over the globe. With over 100,000 social media fans and more than 20 million views on their Youtube channel, they’re quickly becoming one of the brightest up and coming bands in North America.

– 30 –

“Canadian rockers Motion Device turned a series of viral video hits into dedicated fans who are helping them make the music they love.” – Metal Hammer

“Their young age and gender diversity gives them a fresh and unique perspective on the industry, one that doesn’t romanticize the rock and roll of the past. They’re taking DIY, punk rock ethics and applying it to the current music industry, allowing them to find success on their own terms.” – Huffington Post

“Motion Device has been dubbed “the future of rock”.” – CHCH Hamilton

—

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0 Watch A Master At Work With Jeff Pennachio’s Playthrough Of “Interposition”, Debut EP “Setting The Stage” Out Now!

  • February 9, 2021
  • by Asher
  • · Jeff Pennachio · Music News

 

NEWS RELEASE

Montreal, QC – February 9, 2021

For fans of Plini, Dream Theater, Trans Siberian Orchestra

Watch A Master At Work With Jeff Pennachio’s Playthrough Of “Interposition”

Debut EP “Setting The Stage” Out Now!

“Setting The Stage” is the debut solo EP from New York’s Jeff Pennachio (guitarist for Design The Void), containing three instrumental tracks that are composed in the style of fantastical soundtracks, creating an intricate picture that listeners can experience now.

To indulge fans further, Pennachio has recorded a playthrough video of the single “Interposition”. In it, viewers can learn how to play the parts of the song, or simply enjoy watching a talented musician in his element.

Pennachio pays great attention to his individual compositions, weaving cinematic riffs together with layers of orchestral pieces, which finalize in an elaborate symphony suited for a feature film. Thematic presentations along with a good amount of individual moving parts are an aspect of music that Pennachio holds in high regard and wants to continue pursuing. He delves into that thought in more detail:

“This EP is an important release to me as it has really allowed me to show all fans the cinematic approach I have been looking to take towards music. While being in a metal group full time, I have a specific composition structure that I use to approach all new songs. Should this EP be a successful release, it will certainly bring clarity to wanting to compose more of this type of music for all listeners.”

A complex and vivid listening experience, Jeff Pennachio is recommended for fans of Plini, Dream Theatre and Trans Siberian Orchestra.

The playthrough for “Interposition” can be watched on YouTube – https://youtu.be/PTpKfV_Dpnk

“Setting The Stage” was released on January 22, 2021 and is available on digital platforms HERE.

YouTube EP Stream – https://youtu.be/xU998PkaRYM

Track Listing:
1.Wilson Theater (5:29)
2.Interposition (3:34)
3.The Voyager (4:27)
EP Length: 13:32

More Info:
Official Website: Jeff Pennachio
Facebook.com/Jeff-Pennachio-Guitarist-Composer-105261564849151/
Instagram.com/voidboi2032
EPK

About:
Jeff Pennachio comes from New York State in the USA and besides being known for his guitar playing in Design The Void, he is also releasing his own solo work.

Between 2016 and 2018 he wrote the solo material while in a cover group titled The Stay. The group did not steer in the direction so much of original music, but the inspiration was there to start composing music of this sort. He began working on the tracks as a small compilation for potential future work. After a couple of years had passed, Pennachio has finally taken the time to release this music to the public.

Pennachio writes and records all guitars, drums, bass, and orchestrations and will be continuing on composing music that takes inspiration from soundtracks. He also finds inspiration in bands such as Dream Theater, Plini, and Trans Siberian Orchestra. His debut solo EP “Setting The Stage” is due out January 22, 2021.

– 30-

“You really have to admire what instrumental wizard Jeff Pennachio is doing on his new song, “Interposition”. A multi-instrumentalist that does indeed record every instrument himself (guitars, bass, drums, programming), his new solo EP Setting The Stage drops later this month… While relatively short at under 4 minutes long, the new song does a good job of offering what Jeff is all about – instrumental and progressive goodness that straddles the line between progressive rock and progressive metal with ease.” – New Fury Media

“For the music fans who love to deep dive into riveting instrumental tracks with emotion stirring guitar riffs, Jeff Pennachio has something incredible to offer you!” Yesterdaze News

“there are soaring solos and crunching riffs but lots of piano and keyboards too making this more of a progressive rock EP. Of course, it is not so easy when you only have three tracks and 13 minutes available but it promises much for the full album release which I will await with relish.” – Velvet Thunder

“a great taste of what this guy is all about. He clearly is ‘Setting The Stage’ for more to come. With this being an EP, it is just a short example of the talents of Jeff Pennachio. But it leaves you with no doubts about his ability to create quality music, this is perfectly showcased here… Jeff Pennachio is a very talented one man band. 8/10” – Rock Out Stand Out

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Montreal’s Valfreya Sound The Warcall In New Video “Warlords” Off “Promised Land”

  • February 9, 2021
  • by Asher
  • · Music News · Valfreya

NEWS RELEASE

Montreal, QC – February 9, 2021

For fans of Wintersun, Equilibrium, Ensiferum, Finntroll, Dimmu Borgir

Montreal’s Valfreya Sound The Warcall In New Video “Warlords” Off “Promised Land”

Back in 2017, Montreal, Quebec’s Valfreya released the critically acclaimed “Promised Land”, sending a rush of vicious folk metal around the world. Taking all the jolly melodies from the genre, but then making it faster and more aggressive, Valfreya has been weaving Norse mythology into a familiar, yet original tapestry since 2009.

Now, there is a new music video from the band, for the song “Warlords” off the 2017 release. The video channels all the energy that Valfreya brings to the stage, impactful growling, soaring clean vocals, imaginative solos, and of course, plenty of catchy verses to sing along to. The track “Warlords” is an excerpt from the tale that spans the entire concept album, the journey of Eric The Red. Valfreya goes into detail about the album:

“The album is a journey through a lot of emotions and situations, giving life to a host of varied songs, each with a different sound and personality. The story behind the album is about Eric The Red discovering America and how he defies the Gods, but pays a hefty price for that defiance. It’s a step-up in sound quality and has more intricate guitar parts and better-written music that with every listen you can discover parts you hadn’t noticed before. On top of that, we have an original sound and songs! We want to give more to people that enjoy good riffs!”

The world needs astonishing stories as an outlet for strong emotions now more than ever. In the shape of Montreal’s larger-than-life metal warriors Valfreya, it has them! And in their striking vocalist, it has its Valkyrie!

Valfreya is an orchestral folk metal that will entice listeners of Wintersun, Equilibrium, and Ensiferum.

Watch “Warlords” on YouTube: https://youtu.be/k-KFBRVD80A

“Promised Land” along with the rest of Valfreya’s discography is available on Spotify, Bandcamp, and all online major retailers.

The band is presently working on a new full-length, date of release to be determined.

For more info:
Valfreyaofficial.com
Facebook.com/Valfreya.Metal
Instagram.com/valfreya_band
Twitter.com/ValfreyaMetal

About:

The world needs heroes now more than ever. In the shape of Montreal’s larger-than-life metal warriors Valfreya, it has them! And in their striking vocalist Crook, they have their own Valkyrie!.

In 2009, vocalist Crook wanted to play something akin to folk metal, but even more aggressive and fast-paced. Combining Valhalla and the Norse goddess Freya, the band has been creating music and lyrics to revolve around stories inspired by Norse mythology.

Orchestral and death metal with a hint of folk music, the prolific Valfreya has unleashed three well-received EPs (‘First Chronicles’, ‘Acoustic Chronicles’, ‘Acoustic Chronicles Part II’), an impressive 2012 debut album entitled ‘Path To Eternity’ via Maple Metal Records and their self-released second ‘Promised Land’ independently on January 13, 2017.

What you hear on the albums is what you get on stage.  They dress in a fantasy-like Viking fashion to go with their story-telling, which gives an interesting visual aspect while delivering the instrument-playing with precision. Since their inception, Valfreya has satisfied fans with their epic live experiences (200+ shows throughout Canada and the USA) where they have opened for bands like Arkona, Dark Tranquility, Nekrogoblikon, Necronomicon, Korpiklaani, Moonsorrow, Tyr, Insomnium and more!

Valfreya is presently working on their next full-length planned for either late 2021 or early 2022 release.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Rockshots Records: BLUE HOUR GHOSTS Posts Lyric Video “Shine”, New Album “Due” Out February 12, 2021

  • February 8, 2021
  • by Asher
  • · Blue Hour Ghosts · Music News

NEWS RELEASE

Montreal, QC – February 8, 2021

For fans of Katatonia, Porcupine Tree, Amorphis

Rockshots Records: BLUE HOUR GHOSTS Posts Lyric Video “Shine”

New Album “Due” Out February 12, 2021

Alternative prog metal act BLUE HOUR GHOSTS are sharing with fans the latest lyric video for their single “Shine” in support of the upcoming release of their new album “Due” out on February 12th, 2021 via Rockshots Records.

Lyric Video: https://youtu.be/YnXAgF43ZIk
Spotify: https://backl.ink/144204268
CD pre-order: http://bit.ly/Due_CD​
Digital Album pre-save: https://backl.ink/143813663

The band comments on the track:

“Shine is a melancholic andante/mid-tempo rocker with a “grungy” feel, introduced by piano and vocals, before a riveting guitar riff sets on; then, a subtle, atmospheric verse makes way for a truly powerful and dramatic chorus; the song ends with a final climax that brings the listener back to the initial melodies in a circular fashion. The track is literally packed with hooks and melodies that greatly enrich the musical fabric, sustaining Ricky’s wholehearted singing. In spite of its somber tone, the song is about finding the courage to accept our flaws and unlock all the beautiful things we keep inside ourselves, to overcome our fears, our sense of inadequateness or incompleteness, and the cages sometimes relationships bind us to, which can smother our will and diminish our self-esteem. It’s an exhortation to take the initiative, bear the suffering and then find out how an ugly duckling can become a swan, even through pain and waiver.”

BLUE HOUR GHOSTS’ forthcoming  “Due” is the follow up to their 2016 self-titled debut album. Teaming up once again with Giuseppe “Dualized” Bassi (session musician for Fear Factory, Grenouer, Levania, Noveria), BHG‘s “Due” is their sophomore effort continuing their blend of progressive, classic, gothic metal, and alternative rock.

Taking a fresh, powerful, and intense melodic assault, “Due” depicts a wide range of soundscapes ranging from full metal aggression to soft, acoustic atmospheres, passing through infectious and catchy hooks and refrains that will enthrall any music addict, along with sophisticated layered arrangements to satisfy the most demanding palates. Throughout the 9 songs, all the ghosts hiding in the blue hour are made alive in the deep and heartfelt narration provided by both music and lyrics, offering a unique and compelling listening experience.

Keyboardist Simome Pedrazzi comments about the new album:

“With “Due” we are trying to engage new and established fans with an enjoyable, fresh, and yet sophisticated multi-level listening experience. All the nine songs offer an abundance of hooks that can stick into the ear from the first listen and remain impressed into the listener’s mind, stimulating his/her curiosity. There is no room for boredom, as within each song and throughout all the album, powerful and atmospheric sections alternate with each other in a seamless flow, thus keeping the attention high. The variety of musical colours displayed throughout the album and the extreme care we put into obtaining a lush and polished sound will allow for an extremely pleasant sonic experience.”

Previous Singles:
“Walking Backwards” – YouTube (Visualizer)
“On Black Clouds”- YouTube (Music Video)


Track Listing:
1. Walking Backwards (4:01)
2. On Black Clouds (3:45)
3. Dead in August (5:12)
4. Damn Wrong (4:23)
5. Shine (5:19)
6. Fearless (4:00)
7. Lower the Wires (3:57)
8. Disheartened (4:27)
9. Involved/Bored (3:52)
Album Length: 39:00

Album Credits:
Ricky DC – Vocals
Diego Angeli – Guitars
Francesco Poggi – Guitars
Simome Pedrazzi – Keyboards
Matteo Malmusi – Bass
Andrew Gunner – Drums

Produced by Giuseppe “Dualized” Bassi for dysFUNCTION Productions
Recorded and Engineered by Giuseppe Bassi
Mixed and Mastered by Giuseppe Bassi
All music and lyrics written by Blue Hour Ghosts
Additional arrangements, keyboards, sound design and programming by Giuseppe Bassi
Artwork concept and paintings by Blue Hour Ghosts
Band photos by Patrizia Cogliati – Musicphoto
Graphic layout by Francesca Dalla Costa – Secondalinea Officine Creative

Discography:
Blue Hour Ghosts (Buil2Kill Records, 2016)
Do You Believe in Ghosts? (Live) (Buil2Kill Records, 2018)
Due (Rockshots Records, 2021)

More Info:
Rockshots.eu
Facebook.com/bluehourghosts
Twitter.com/bluehourghosts
Instagram.com/bluehourghosts
Bluehourghosts.com

– 30 –

“One of the best debut albums since a while in the melodic metal world. An album complete in itself, but with every track standing strong on its own as well.” – Lords of Metal (NL),  80/100

“A damn strong output, super catchy, with cool melodies and also varied, proggy, exciting and with great vocals, and all this as the debut. All attention!” – Crossfire Metal (DE), 85/100

“This band knows how to rock in a very catchy way!” – White Room (NL)

“Blue Hour Ghosts burst upon the scene with a flaming debut album, bringing out a breath of adrenaline and a compelling mix of modern prog, classic metal, aggressive rock and spine-chilling melodic traits” – Rock Hard Italy (IT), 8/10

“This is really a cool record, nothing is missing! Blue Hour Ghosts succeed right away from their first chapter.” – Metal Hammer (IT), 82/100 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 Rockshots Records: Metal De Facto Release New EP “Legionnaires’ Oaths” + Music Video To Celebrate 1-Year Anniversary of “Imperium Romanum”, EP ft. guests Nitte Valo (Dreamtale, ex-Battle Beast), Juha Kupiainen (De Lirium’s Order) Cover songs: Shakira’s “Whenever Wherever”, Type O Negative’s “My Girlfriend’s Girlfriend, Dohatsuten’s “Ginga Densetsu Weed”

  • February 8, 2021
  • by Asher
  • · Metal De Facto · Music News

NEWS RELEASE

Montreal, QC – February 8, 2021

Rockshots Records:
Metal De Facto Release New EP “Legionnaires’ Oaths” + Music Video To Celebrate 1-Year Anniversary of “Imperium Romanum”

ft. guests Nitte Valo (Dreamtale, ex-Battle Beast), Juha Kupiainen (De Lirium’s Order)

Cover songs: Shakira’s “Whenever Wherever”,

Type O Negative’s “My Girlfriend’s Girlfriend, Dohatsuten’s “Ginga Densetsu Weed”

Finnish power metal band METAL DE FACTO celebrates the 1 year anniversary of their debut album “Imperium Romanum” with the release of a new five-track digital EP “Legionnaires’ Oaths” out now as of February 8th. The EP features a studio and acoustic version of “Legionnaires’ Oaths”, which is off of 2019’s “Imperium Romanum” along with three cover songs, Shakira’s “Whenever Wherever” featuring Nitte Valo (Dreamtale, ex-Battle Beast), Type O Negative’s “My Girlfriend’s Girlfriend” featuring Juha Kupiainen (De Lirium’s Order) and Dohatsuten’s “Ginga Densetsu Weed”, the opening song to an anime series of the same name where the band’s lead singer Mikael sang the song completely in Japanese!

“I used to study as an exchange student in Japan and picked up some of the language back then. My good friend from those times Nikolas Kiili helped out with the pronunciations, and I think the end result turned out real epic with the choirs and everything!” adds Mikael.

In addition to the EP’s release, the band is sharing a new acoustic music video for its title track, which was filmed at the legendary Beaver Bar in Helsinki.

“The bar is very well known to most metalheads in the Helsinki area, and it served as a perfect setting for the tavern-like feel we were looking for this acoustic music video!” comments the band’s lead singer Mikael Salo.

The music video for “Legionnaires’ Oath (Acoustic Version)” can be viewed on Rockshots Records YouTube channel here.

“Legionnaires’ Oaths” is available on Spotify, Apple Music.

“Imperium Romanum” is available on the following platforms:
Vinyl here.
CD here.
Spotify here.
Apple Music here.


Track Listing:

1. Legionnaires’ Oath (4:09)
2. My Girlfriend’s Girlfriend (Type O Negative cover) ft. Juha Kupiainen (3:02)
3. Whenever, Wherever (Shakira Cover) ft. Nitte Valo (3:11)
4. Ginga Densetsu Weed (Dohatsuten Cover) (4:15)
5. Legionnaires’ Oath (Acoustic Version) (3:47)
EP Length: 18:25

For more info:
Rockshots.eu
Facebook.com/metaldefacto
Instagram.com/metaldefacto
Twitter.com/MetalDeFacto

– 30 –

—

ASHER MEDIA RELATIONS
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asher[@]ashermediarelations[.]com
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Instagram @AsherMedia
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0 Canada’s Cavedweller Come At You With The Blistering Brutality Of “Slow Death”, Music Video Premiere via TheCirclePit

  • February 6, 2021
  • by Asher
  • · Cavedweller · Music News

NEWS RELEASE

Montreal, QC – February 5, 2021

For fans of Every Time I Die, Norma Jean, The Chariot, Chelsea Grin, Whitechapel, Traitors

Canada’s Cavedweller Come At You With The Blistering Brutality Of “Slow Death”

Music Video Premiere via TheCirclePit

“Slow Death” is anything but slow; it’s a manic whirlwind of deathcore, complete with a fresh breath of breakdowns, enticing both old and new fans who will feel like they are discovering a new sound. If you took a racing scene from a Nicholas Cage movie and combined it with that scene from The Shining where Jack Nicholson is breaking down that door with an axe, that would be this new track from Fredericton’s Cavedweller.

The band’s EP “Primal” came out in 2020 and this new stand-alone single is devised to whet fans palate before an expected 2021 full-length release.

Cavedweller comments on the song:

““Slow Death” is a song our drummer originally pitched to us. Most of the structure was there, so we just played around with it a little bit, worked out some kinks, played around with time signatures for a little bit, and eventually ended up with the finished product. Lyrically, the song is about being trapped in a cycle of life, living the same day by day routine and schedule until death.”

Looking to leave an impression with this single, Cavedweller chose this fast, heavy hitter to be their first video. It’s abrasive, in your face and the chaos doesn’t relent for a second.

For this track, drummer Sam Brown came up with the core groove initially, and each of the members threw their own spices into it. Pulling inspiration from the heavy side of the spectrum, proggy rhythmically driven influences, and the core subgenre, the result is quick and dirty, high energy good times, and a raw approach to metal.

Groovy and sporadic with a healthy dose of breakdowns, Cavedweller is recommended for fans of Every Time I Die, Norma Jean, and The Chariot.

The video for “Slow Death” can be watched via its premiere on TheCirclePit HERE.

Stream and download available on the following digital platforms:
Cavedweller506.bandcamp.com, Spotify.

For more info:
Facebook.com/CavedwellerNB
Instagram.com/Cavedwellernb
Twitter.com/CavedwellerNB
EPK

About:

Cavedweller is four homies from the small town of Fredericton, New Brunswick, Canada that play groovy riffs, and crushing breakdowns.

Cavedweller is Cujo Bonvie (vocals), Alex Sturgeon (bass), Sam Brown (drums), and Brad Kenny (guitar), four guys who have known each other from the local scene for years. Brown and Sturgeon used to play together in local act Blueprints, and Bonvie was a regular attendee to local shows, and played in a number of local bands, including Dumpster Mummy, Panda Bee Catastrophe, and The Mind Unleashed. Once the four of them started jamming, the chemistry was evident and the rest is history.

In 2019, the band recorded their demo “Free-Sushi” which was followed up in 2020 with the EP “Primal”. The EP was mixed and mastered themselves; guitars were recorded in Sturges room, drums at a friend’s place, and mastered at Kenny’s place. During the recording process at Sturges, a lightsaber battle broke out between Sturge and Kenny to determine whose masters would be the ones released. It was a long and intense battle, but Kenny was ultimately the victor.

There is a wide range of influences coursing through the blood of the band including hardcore, punk, deathcore, and a little bit of prog-metal, and the final result is best suited for fans of Chelsea Grin, Whitechapel, and Traitors.

Cavedweller has played with several bands in their short history and expects to have a full length out by the end of 2021.

Don’t be shy, come show us what you’ve got in the pit!

– 30 –

 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Huge Hails Horns! \m/\m/ Thank You for all the radio love MDs and DJs THE NATIONAL LOUD TOP 20 OF 2020 #7 Woodhawk, #12 Black Pestilence, #16 Fuck The Facts

  • February 5, 2021
  • by Asher
  • · black pestilence · Fuck The Facts · Music News · Woodhawk

Huge Hails Horns! \m/\m/ Thank You for all the radio love MDs and DJs

THE NATIONAL LOUD TOP 20 OF 2020

#7 Woodhawk, #12 Black Pestilence, #16 Fuck The Facts

https://earshot-online.com/charts/2020/loud.cfm

0 Moncton’s Diner Drugs Are Serving Up A Fresh Music Video For The Tasty Track “Need Time”, Music Video Premiere via DoomedandStoned

  • February 5, 2021
  • by Asher
  • · Diner Drugs · Music News

NEWS RELEASE

Montreal, QC – February 5, 2021

 

For fans of Red Fang, Cancer Bats, Alexisonfire, The Bronx, Heart Attack Kids

Moncton’s Diner Drugs Are Serving Up A Fresh Music Video For The Tasty Track “Need Time”

Music Video Premiere via DoomedandStoned


L-R: Jackson Landy (Guitar/Vocals) | Jesse Briggs (Drums) | Chris Lee (Bass/Vocals) | Jordan Fournier (Guitar/Vocals)
Photo Credit – Brock Jorgensen

Diner Drugs from Moncton, Canada has a new music video out for their song “Need Time” off the 2019 album “As Is”. The quartet takes inspiration from stoner rock and punk rock and comes with as much harmony as they do beer. Elegantly self-coined as “mustard moustache muscle car cliché” they have groove and grease for days.

Their first full-length album “As Is” was a more grown-up release than their self-titled debut, and they took a more serious angle, focusing on writing great songs, and put more thought into arranging the parts. Diner Drugs explains their music in their own words:

“We’re a loud and punchy stoner metal band but we also have smooth vocal harmonies that usually catch people off guard. We love playing and even though our overall attitude is we’re pretty chill, we take a lot of time to craft our songs and it’s a group effort when we write so it’s not someone up there playing someone else’s songs.”

Diner Drugs knows how to grab the attention of their listeners and “Need Time” will do just that. A fuzzy wall of sound forms the base layer with energized punk drumming, harsh hardcore vocals, and raucous guitars with the icing on this loud cake of harmonized clean vocals, making it suitable for almost anybody’s taste.

Those looking for another slice of what Diner Drugs is serving up won’t have long to wait, the band suggests there will be another album released in 2021.

Punchy and crunchy, Diner Drugs’ particular flavour of stoner metal is recommended for those with a taste for Red Fang, Cancer Bats, and Alexisonfire.

The video for “Need Time” can be watched via its premiere on DoomedandStoned HERE.

“As Is” was released in September 2019 and available on DinerDrugs.Bandcamp, Apple Music, Amazon, Spotify.


Track Listing:
1. Under Fire (4:18)
2. Need Time (3:57)
3. Gump Truck (3:58)
4. Jack of All Trades (3:08)
5. Medicine (2:37)
6. Rotten Eggs (4:46)
7. Back on the Blues (2:36)
8. Cell Maid (4:43)
Album Length: 30:17

For more info:
SheSaidFeckRecords.com/diner-drugs-epk
Facebook.com/DinerDrugs
Twitter.com/DinerDrugs
Youtube
Instagram.com/DinerDrugs

About:

Diner Drugs is a four-piece stoner metal punk crew, born out of a desire to defeat the boredom of east coast living. Diner Drugs is fast, loud and is always keen to turn up the heat with catchy choruses and deep vocal harmonies while sticking to their deep stoner metal roots.

They’ve developed a reputation for their live performances, keeping themselves steadily on the road, and are now certified road dogs lending east coast support for Cancer Bats and Dead Quiet along with Maritime, Ontario and Quebec support several times over for Heart Attack Kids and local support for heavy hitters Mokomakai and Red Fang.

With two albums under their belts As Is (2019) recorded by Kyle MacDonald of Zaum and their self-titled EP (2017) they have gained immense support and several accolades from their peers and were recipients of the MNB Loud Artist of the Year Award in 2018 and were nominated for MNB Video of the Year Award in 2019.

Since 2009 members of Diner Drugs have been foundations of the Moncton metal scene as former members of Bong Jovi, The Human Comedy, and Savage Young. Diner Drugs as always have no signs of slowing down and already planning for their next record in 2021.

*Their upcoming spring tour with Woodhawk and spring shows in Newfoundland was subsequently canceled due to Covid 19 but with hopes to reschedule for later in 2020/21.

– 30 –

“Jack Of All Trades” uses clever drum timing between guitar riffs which assaults the senses in different ways and rattles your eardrums like an off-balanced washing machine. The skate punk style writing of this track will have you wondering if NOFX and Suicidal Tendencies had a baby.” – Sarah Hellingwerf, The East 

“Diner Drugs is one of those “f&*k all” bands that play heavy, fast and dirty rock.” – Jamie Robash, Divide and Conquer Music 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 The Design Abstract Shares Quarantine Video “Annihilation”, New Sci-Fi Album “Technotheism” Out Now! via Abstrakted Records 

  • February 5, 2021
  • by Asher
  • · Music News · The Design Abstract

NEWS RELEASE

Montreal, QC – February 5, 2021

For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina

The Design Abstract Shares Quarantine Video “Annihilation”

New Sci-Fi Album “Technotheism” Out Now! via Abstrakted Records 

L-R: Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming)
Photo Credit – Tami Martin

Unleashing their melodic death sci-fi escapade “Technotheism” on Jan 29th, Ontario, Canada’s The Design Abstract are sharing with fans their latest video for the track “Annihilation” in support of the full-length. The video was filmed while the band, like many others, are observing Covid 19 quarantine lockdown.

The band comments:

“While we’re in lockdown, we wanted to share Annihilation, which can be best summarized in one word… ‘Violent’… From the gut-wrenching opening bass line to the slap-in-the-face industrial transitions, this song is indisputably the angriest and most irreverent on the album. The ending buildup and breakdown push into deathcore territory while the orchestral parts soar higher than ever.”

Watch and listen to “Annihilation” on YouTube here.

The Design Abstract‘s new album “Technotheism” invokes the futuristic sounds of science fiction, as the band takes a step away from the traditional use of orchestral writing, by making it the soundtrack for anything space or cyberpunk related.

Still, in the experimental age for the band, each song is written completely differently and by different members of the band. “Technotheism” is purely a science fiction story told as such in a monumental thirteen track work of symphonic melodic death metal. It tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. The band explains the album:

“We incorporate a blend of metal, orchestra, and industrial music that hasn’t been done in this way. Nobody can top the orchestral metal masterpieces like Death Cult Armageddon by Dimmu Borgir or Codex Omega by Septicflesh, however, we push this genre into the distant future, with the sounds of a cyberpunk dystopia punctuating every release.

This album is the absolute pinnacle of what the band is currently capable of, which speaks volumes to the fact that most of it was written so long ago. Most metal bands who incorporate orchestral writing do so in a pointedly antiquated way: the goal is to sound a bit archaic. The sound of The Design Abstract is rooted in futuristic science fiction. It’s a classically scored orchestra, but it sounds anything but old fashioned.”

The dramatic, grandiose music is presented in an articulate, but extreme wall of sound suitable for fans of science fiction, and melodic death metal and bands such as Fleshgod Apocalypse, Machina, and Dimmu Borgir.

“Technotheism” is available now via Abstrakted Records on the following digital platforms for stream and download.

YouTube
Bandcamp
Spotify
Apple Music

Previous videos:
“The Apotheosis” – YouTube (Music Video)

“The Return” – YouTube (Lyric Video)


Track Listing:
1. Relentless (2:05)
2. Deus Est Machina (6:33)
3. The Apotheosis (1:54)
4. Among the Stars (1:36)
5. The Resistance (4:37)
6. Voidwalkers (3:46)
7. The Omnisphere (1:32)
8. Data Shield Attack (6:18)
9. The Return (3:41)
10. Elucidate (1:11)
11. Parallel Projection (3:46)
12. Annihilation (3:46)
13. A World of One (4:00)
Album Length: 44:50

More info:
Facebook.com/thedesignabstract
Instagram.com/voiicide
EPK

About:

The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.

A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.

– 30 –

“A symphonic technical death metal masterpiece with an amazing concept to keep you engaged from start to finish \m/” – Heavy New York

“Now for some nerd shit. Technotheism is a concept record about the future that at it’s core is a melodic death metal record, but the band dabbles with electronic elements, technicality, and grand orchestrations throughout. Fans of Last Chance To Reason and really any band Mike Semesky (Ordinance, Raunchy, etc) has been a part of will probably dig this.” – Metal Injection

“The Canadian The Design Abstract continues exactly where the appetizer “Esoteric”, published last year, caused unimagined enthusiasm. As a result, the duo from Ontario cuts even more clearly into the notch of futuristic sci-fi melodic death metal, which lives largely from orchestral and symphonic density, but which also steers very sophisticated and elegant in the right direction… Rarely do you hear such an exciting album that continues to rotate a unique spindle of ideas between melodic and progressive elements. Death metal meets industrial, songs that are staged in a great symphonic and epic breadth. 9.5/10″ ” – Zephyrs Odem

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
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0 Plague Weaver Aggressively Arrogate Attention With “Deicidal Usurper”, Song Premiere via NoCleanSinging, New Album “Ascendant Blasphemy” Out Feb 26th, 2021

  • February 4, 2021
  • by Asher
  • · Music News · PlagueWeaver

NEWS RELEASE

Montreal, QC – February 4, 2021

For fans of Rotting Christ, Varathron, old Samael, Triptykon, Dissection

Plague Weaver Aggressively Arrogate Attention With “Deicidal Usurper”

Song Premiere via NoCleanSinging

New Album “Ascendant Blasphemy” Out Feb 26th, 2021

The second single from the Canadian band Plague Weaver is “Deicidal Usurper” off their upcoming full length “Ascendant Blasphemy” expected in February 2021.

“Ascendant Blasphemy” is the third recording in the band’s catalog, following EPs from 2019 and 2020. This upcoming release contains eight powerful tracks providing a consistent source of non-stop headbanging, classic grim tracks, and other diverse, ambitious tracks. This album aims to invigorate and distress the listener. Plague Weaver explains the single in their own words:

“Deicidal Usurper grabs the listener right out of the gate, reminding them of the earlier tracks. This song has another ambient bridge section, which hangs on just long enough to thrust the listener back into the main riff for the next verse-chorus. The solo in this song is tasteful and proud, with ambient screams feeding the atmosphere behind it. The outro is a bit of a victory-verse feel, winding down into a harpsichord section which introduces the final track.”

The overarching theme of the album is about infernal forces usurping heaven. There are canonical references from many different sources, but all of it swirls together into something that Plague Weaver makes their own. It is important to state that they write all of this from a non-theistic, philosophical/illustrative perspective.

Plague Weaver was created in December 2018. The original idea was to create music in the vein of old school black metal. Recommended for fans of Rotting Christ, (old) Samael, and Varathron.

“Deicidal Usurper” can be heard via its premiere on NoCleanSinging HERE.

The entirety of “Ascendant Blasphemy” will be revealed on February 26, 2021.

Album pre-order via PlagueWeaver.bandcamp.com.

First single – “Nothing Is Sacred” – YouTube (lyric video)
Spotify


Track Listing:
1. Nothing Is Sacred (5;24)
2. Lay Fire (4:34)
3. Blood Runs Not (4:17)
4. Seek To Betray (4:34)
5. Upheaval and Arson (5:29)
6. Of Quivering Doves (4:34)
7. Deicidal Usurper (4:37)
8. In Exitium Caeli (4:41)
Album Length: 38:12

More Info:
Facebook.com/plagueweaver
Instagram.com/plagueweaverband
Twitter.com/plagueweaver
EPK

About:

Plague Weaver is a black/doom metal band hailing from Ontario, Canada. The band was birthed in 2018 as a solo project by RM whom released two EPs, 2019’s self-titled debut and 2020’s ‘Through the Sulphur Eyes’. Both releases displayed traditional black metal roots delivered through a modern, doom-inspired atmosphere.

Joined in 2020 with the addition of new vocalist JC taking care of lyrics and vocal arrangments, Plague Weaver started its next chapter as a duo and quickly began work on creating punishing, grim, riff-driven black metal for the next assault entitled ‘Ascendant Blasphemy’. Set for release in 2021, their first full length is an evolution from its predecessors. More aggressive, and riff-driven but without abandoning Plague Weaver’s doom-inspired roots that can be heard on such tracks as ‘In Exitium Caeli’ and ‘..of Quivering Doves’. Overall, there’s a lot of musical variety across the new record, and a consistency to hold everything together, from start to finish. The album’s lyrics are a loose concept written by JC that follows a series of Satanic philosophies or questions considered from a Satanic perspective, illustrated to a loose fictional ideal. This album aims to invigorate and distress the listener.

“Ascendant Blasphemy” is due out February 2021.

– 30 –

“Plague Weaver’s new single, “Nothing Is Sacred”, comes from the band’s upcoming release Ascendant Blasphemy. If there is any better song to help capture the feeling that everyone around the world has had through 2020, this is it. “Nothing Is Sacred” is a slow burn of death-doom, slow, grudging instrumentals entwined with harsh, raw black metal growls.” – Metal Injection

“From the moaning leads to the slow lurching cadence and the deep monstrous roars, the opening of the title song sounds like the beginning of a death/doom track, but although that oppressive feeling of plague and decay persists, the band also pitch into fits of percussive mayhem, fevered riffing, and vocal madness, and they stitch flickering bits of guitar lunacy into the song as well.” – No Clean Singing (2020 Review –  Through The Sulfur Eyes)

““Through The Sulfur Eyes” is a solid EP… the overall sound that is achieved is impressive… PLAGUE WEAVER has an interesting doom-like black metal sound that works well with layered deep and high-pitched vocals. I think fans of doom metal and black metal aficionados will appreciate this one.” 8/ 10 – Metal Temple (2020 Review –  Through The Sulfur Eyes)

“Through The Sulphur Eyes takes the best from Death, Black and Post Black and uses that metallic cocktail shaker from hell to greatest effect. The outcome is a fiery Extreme Metal piece that made us go for seconds a few times in a row. A true, blazing hot slab of alloy that will please the sturdiest of metalheads.” – Rock Music Raider (2020 Review –  Through The Sulfur Eyes)

“breaking through to listeners in 2020 is a seriously steep hill to climb and bands have to either push the envelope, do something that can’t be found elsewhere, or just amaze and electrify with each release to grab attention and stay relevant. Plague Weaver do all that on Through the Sulphur Eyes and it’s up to you to show them how good a job they’ve done. What I’m saying is, go buy it. Now.” – Nine Circles (2020 Review –  Through The Sulfur Eyes)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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