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Category: EPKs

0 EPK – Junkowl – Making Out With My Death (2020)

  • May 1, 2020
  • by Asher
  • · EPKs · Junkowl

Junkowl – Making Out With My Death (2020)

For fans of Cancer Bats, Every Time I Die, AlexisOnFire, Gallows, Knocked Loose, Underoath

Album Title: Making Out With My Death
Release Date: June 5, 2020
Label: Self-Release
Distribution: Distrokid

Junkowlmtl.com | Facebook.com/junkowlband | Instagram.com/junkowl | YouTube
Spotify | Apple Music | Bandcamp
“2019 Winners of En Route to Heavy Montreal”

“The dirty, fat Stoner Sludge Metal riff of “Snakecharmer” is one designed to be accompanied by a beer and the gut-wrenching roar of “blow your brains out, blow my brains out” that brings it to it to its unnatural conclusion will no doubt be chanted by audiences across all lands as the band hit the road.” – Metal Noise

“Montreal hardcore rock n rollers Junkowl have released their new single ‘Quarantine Us All’, a slick combination of stoner riffs, hardcore energy, and groove metal. It’s ferocious and relentless from the offset, even when it veers out of hardcore territory and into the sludgier moments. It even has some technical moments, although they certainly borrow heavily from their influences (namely Every Time I Die and Cancer Bats) it is a banger in it’s own right, and given some time to breathe and develop I think this band could bring something monumental to the table.” – Backseat Mafia

““Quarantine Us All” – Montreal’s southern rock infused metallers JUNKOWL drop new venomous track” – Idioteq

“the group combines very heavy stoner riffs with the energy of punk rock and hardcore. A group to discover absolutely.” – Mad Breizh

“stoner-like riffs, a bit of a hardcore sound overall.. cool edge to it too.” – Moshtpit Radio – WORT FM 89.9 (Madison, WI)

“Junkowl’s debut album Making Out With My Death is a powerful first offering from the independent hard rock band.  Its musical arrangements join influences from a variety of bands that make the songs in themselves and from one to the next, powerful just from this aspect.  The record’s lyrical themes are just as heavy as its musical content, as noted.  Its sequencing puts the finishing touch to its presentation.  Each noted item is important in its own way.  All things considered, they make the album a work that bodes well for Junkowl’s future.” – Phil’s Picks

“this Montreal band is a whole other thing. Junkowl deals in a slick combination of stoner riffs, hardcore energy, and groovy bass, which has been called ‘party animal blues’. Which makes their debut album “Making Out With My Death” coming June 5, such a curveball.” – Cashbox Canada

“Another one to look for is the crowd pleaser, “10,000 Vultures,” memorable for so many reasons including its earnest bleakness. Overall this album exceeds my expectations. I liked Junkowl the first time I heard them play, and I am bigger fan now. Recommended.” – Flying Fiddle Sticks

“they’ve made a name for themselves in the ol’ Heavy Metal City™ with their energetic performances. And you know they have what it takes, since they won this year’s En Route Vers Heavy and literally earned their spot to perform. So technically speaking, this is gonna be an award-winning performance!” – Forget The Box (Heavy Montreal 2019 preview)

“I had the pleasure of being a judge at En Route Vers Heavy and these guys were my number one choice. I am so happy they won and got to follow their dream. They fucking destroyed.” – Bucketlist Music Reviews

Quick Facts:
1. In 2019, Junkowl won ‘En Route Vers Heavy Montreal’ a competition between nearly 200 bands. Junkowl won their first-round at Turbo Haus, and then again at the finals at L’astral landing them a spot at Heavy Montreal.

2. 10,000 Vultures was the first song Junkowl ever wrote and it was completed after their first jam together. Almost all the lyrics were freestyle during that jam.

L-R – Dominic Labrie – Drums, Jesse Frechette – Vocals, Marco Larosa – Guitar, Samuel Matte- Bass
Photo Credit – Alexandre Guay

Heavy, sexy, and southern. Those are the best words to describe Montreal’s Junkowl.

Formed in 2017, their unique blend of groove metal, stoner, and hardcore is matched with high energy ‘in your face’ performances. A year earlier Jesse Frechette (vocals) met Dom Labrie (drums) and after a few jams they picked up Marco Larosa (guitar) and Samuel Matte (bass) and the rest is history. The writing process is a collaborative one, with melodies and vocals usually forming on the spot.

Moving through the underground music scene, Junkowl quickly made a name for themselves when they won the 2019 ‘En Route Vers Heavy Montreal’; a competition between nearly 200 bands, landing them a spot at that year’s edition of renowned metal festival Heavy Montreal.

On June 5th, 2020, they  will release their debut album, “Making Out With My Death”, a 10 track record full of sultry and powerful songs about past regrets and self-destructive behaviour. It includes the band’s favourite “10,000 Vultures”, the first song Junkowl ever wrote, which was completed after the first jam together. Almost all the lyrics were freestyle during that jam.

With no sign of slowing down, Junkowl has more tunes in the works and pouring passion into their live performances and newly recorded tunes. Stay tuned for party animal blues; fat spliffs and heavy riffs.

 

[Download Album Cover | Download Album Lyrics]

Album Title: Making Out With My Death
Release Date: June 5, 2020
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Snakecharmer (3:57)
2. Quarantine Us All (2:27)
3. Shake Me (2:49)
4. Dead Hooker (4:39)
5. Little Scum (4:53)
6. Crawling Up My Feet (3:45)
7. Sickness Lives (2:48)
8. Relapse (3:47)
9. Straitjacket (3:57)
10. 10,000 Vultures (4:03)
Album Length: 37:10

Album Credits:
• All songs performed by: Junkowl
• All songs written by: Junkowl
• Produced by: Junkowl
• Mixed by: Francis Major
• Mastered by: Pierre Remilliard
• Album Artwork by: Yann Black
• Canadian Content (MAPL)

Album and Live Band Line Up:
Jesse Frechette – Vocals
Dominic Labrie – Drums
Samuel Matte- Bass
Marco Larosa – Guitar

Discography:
2020 –  Making Out With My Death (LP)

Shared Stage with:
Billy Bio, The Great Sabitini, Mountain Dust, Gutser, Junko Daydream, Venomenon, Many, Thy Will Be Done

Tour and Festivals:
2019 – Heavy Montreal, Montreal, QC

0 EPK – Rebel Priest – R’LYEH HEAVY (2019)

  • April 28, 2020
  • by Asher
  • · EPKs · Rebel Priest

Rebel Priest – R’LYEH HEAVY (2019)

For fans of AC/DC, Airbourne, Motorhead, ZZ Top, Guns n Roses, Motley Crue

Album Title: R’LYEH HEAVY
Release Date: November 22, 2019
Label: Scrape Records
Distribution: Scrape Records  

RebelPriestofficial.com | Facebook.com/rebelpriestofficial | Instagram.com/rebelpriestofficial | YouTube 

Rebelpriest.bandcamp.com | iTunes | Scraperecords.com/tag/rebelpriest

“Reminded me of the early Iron Maiden Days” – Metal-Temple

“This record is full of gritty, down ‘n’ dirty fun with a spiked metal grip” – Bravewords

“Great stuff for cracking open a cold one and blasting down the highway at an illegal rate of speed” – Rebelx

REBEL PRIEST have been a driving force on Canada’s West Coast rock/metal scene since forming in 2015, winning BEST ROCK BAND in 2017 and 2018 at The Whammys – an independent awards ceremony held in Vancouver, BC.

REBEL PRIEST have stormed the coastal concert stages, headlining their own shows and supporting international acts Udo Dirkschneider (ACCEPT), LORDI, DIAMOND HEAD, Hank Von Hell, FLOTSAM AND JETSAM and THE LAZYS. They have become a regular fixture at Vancouver’s annual Bowie Ball, performing David Bowie covers for the benefit of The Canadian Cancer Society.

Combining NWOBHM with elements of Sleaze and Thrash, the REBEL PRIEST sound has been often described as Thrash n’ Roll. Frontman Jayme Black comments: “We’ve been called Trash n Roll, or Thrash Rock, but we just call ourselves Rock n Roll. A hideously deformed creature of superhuman Rock n Roll.”

L-R – Nate Pole – Drums – Vocals,  Jayme Black – Bass – Vocals,  Benny Kemp – Guitar – Vocals

[Download Album Cover | Download Album Lyrics]

Album Title: R’LYEH HEAVY
Release Date: November 22, 2019
Label: Self-Release
Distribution: Scrape Records

Track Listing:
1. The Summoning (2:50)
2. Electric Lady (3:49)
3. Sleeping Like A Hangman (4:22)
4. Elm St. (3:40)
5. Snake Eyes (3:35)
6. Emperor (4:47)
7. Lighten The Load (3:57)
8. Dead End World (4:19)
Album Length: 31:18

Album Credits:
• All songs performed by: Rebel Priest
• All songs written by: Rebel Priest
• Produced by: Rebel Priest
• Recorded by Cecil English
• Mixed Nate Pole
• Engineer Sean March
• Album Artwork by:  Fabricio Rezende
• Canadian Content (MAPL)

Album and Live Band Line Up:
Benny Kemp – Guitar – Vocals
Nate Pole – Drums – Vocals
Jayme Black – Bass – Vocals

Discography:
2019 –  R’LYEH HEAVY
2019 – Japan Tour Sampler
2017 – Enabler (EP)
2017 – Dead Alive @ SBC  (Live Album)  
2016 – Coat Check Girl (single)
2016 – Self-Titled

Shared Stage With:
Lordi, Diamond Head, Grim Reaper, Night Demon, Flotsam & Jetsam, Dirkschneider (Accept), Hank Von Hell, Wailin’ Al Walker, amongst others.

 
Tour and Festivals:
2019 – Kappunk – Tokyo, Japan
2019 – Vancouver Rock Fest, Van

 

0 EPK – Féleth – Depravity (2020) (DeadPop Records)

  • April 20, 2020
  • by Asher
  • · EPKs · Feleth

Féleth – Depravity (2020)

For fans Sylosis, Dying Fetus, Cryptopsy, Archspire, Shadow of intent, Cattle Decapitation

Album Title: Depravity
Release Date: May 22, 2020
Label: DeadPop Records

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Facebook.com/FelethBand | Instagram.com/felethband | Youtube | Spotify

“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today
“Depravity the newest album from Feleth is one brutal album full of riffs and hooks to keep even the most particular entertained. Feleth mix the roots of the Norwegian metal scene, with the death metal tone they strive for to create some well crafted blackened death metal, similar to that of Shadow of Intent.” – Metal Injection
“With a melting pot of ideas, yet rooted in delivering a head-smashing and neck-destroying style of metal, Féleth are aggressive newcomers to a scene that constantly looks to surprise… Féleth deliver heavy and extreme noise so very well.” 9/10  – Games, Brrraaains & A Head-Banging Life
“straight up heaviness and brutality, tech offerings and melodic atmopsheres, and enjoyable groove.” – Dead Rhetoric
“Féleth does death metal fast and aggressive, reigning in their impressive technical chops for maximum impact, keeping their riffs (and songs, for that matter) relatively short and to the point. They strike a pretty even balance between chunky chords and caustic melodies, most of which are designed to coax headbanging than to impress with virtuosity. The album is front-loaded with catchy bangers, saving the more technical and weird bits for the latter half.” – Tolet Ov Hell
“Overall, Depravity is a solid debut album by Feleth. It’s strongest moments are when they keep things simple, delivering brutal and thunderous death metal that would probably wake the dead. The guitars are the best bit, they sound huge and aggressive, effectively transmitting the anger and hatred in their young Norwegian hearts.” – Abrasive Noise
“The new Feléth album is a big melting pot of all things good in modern death metal… They serve up tech death esque song structures and solos with the beautiful harmonies of melodic death metal and the crushing riffs of a brutal death metal banger. It’s an eclectic listen for sure. There are catchy parts here and there that make the record memorable and add to its replay value. The vocalist on here does an amazing job and the production value is high… Great record!” – Zax Record Reveiws

Photo Credit: Charlotte Tangen

Féleth’s debut album “Depravity” is finally here.

Féleth – A Death Metal band from the North of Norway, far above the arctic circle – create heavy, melodic music, transcending the traditional limits of the genre. Influenced by a unique blend of Death Metal, Thrash, Deathcore, Rock and even elements of Jazz.

Féleth have gained a fantastic reputation in the local scene. Being named one of Alta’s best bands, regardless of genre (“ET AV ALTAS BESTE BAND, UANSETT SJANGER”; Altaposten 2019/02/25).

With songs like Swan Song showing off their Deathcore influences, the epic Dissolution jumping from Death Metal to Jazz, to Black Metal seamlessly, and Pale Tongue transforming from in your face Death Metal to a beautiful ambient soundscape. This is a band that isn’t just for fans of Death Metal. Even featuring vocals from singer / songwriter, Petter Carlsen on the album.

Lyrically the album pulls away from traditional Death Metal tropes, to also criticize capitalism, pollution, fake news and the depravity of humanity at large. And musically features beautiful melodic leads, heavy chugging guitars, bass solo’s, fast intricate drum work and the huge vocal range of lead singer, Espen Dagenborg.

The album was mixed and mastered by Death Metal legend, Christian Donaldson, Cryptopsy’s guitarist and head engineer of The Grid Productions. Recently working with some of the best the genre has to offer including; Shadow of Intent, Ingested, The Agonist and Beyond Creation to name a few.

Album Title: Depravity
Release Date: May 22, 2020
Label: DeadPop Records

Track Listing:
1. Ember (4:12)
2. Hollow Words (3:26)
3. Ravenous (4:11)
4. Arise (4:18)
5. Dissolution (4:12)
6. Pestilence (4:42)
7. Pale Tongue (5:48)
8. Swan Song (4:48)
Album Length: 35:40

Album Credits:
Mixing & Mastering: Christian Donaldson
Producer & Recording engineer: Liam Knott
Artwork: Eric Hyrcza at Kahinienn Graphix

Lyrics by: Espen Dagenborg
Music by: Espen Dagenborg,  Alexander Stamnes, Thomas Nyvoll, Brage Ingebrigtsen Westgaard and Aleksander Alsen

Band Members:
Vocals: Espen Dagenborg
Guitar: Alexander Stamnes
Guitar: Thomas Nyvoll
Bass: Brage Ingebrigtsen Westgaard
Drums: Aleksander Alsen

0 EPK – CHAKA – Neanderthal Tales (EP) (2019)

  • April 20, 2020
  • by Asher
  • · CHAKA · EPKs

CHAKA – Neanderthal Tales (EP) (2019)

The Neanderthal Tales EP is a return to Heavy Metal’s original allure: brutality. It consists of Cro-Magnon Cave Metal mixed with Heavy Metal and Hardcore Punk Rock elements. This EP features tales of: Kamikaze attacks, a history of weapons from the Dawn of Man until modernity, embracing evolution and finally; hemispheres in conflict.

For fans Celtic Frost, Slayer, Voivod, Death, Possessed

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Album Title: Neanderthal Tales
Release Date: December 7, 2019
Label:  Satan Wears Suspenders, Inc.

NeanderthalTales.com | Facebook.com/NEANDERTHALTALES | Twitter.com/kidferal | Instagram.com/sokollmark

Chaka2.bandcamp.com | Spotify | iTunes | Amazon | CD Baby

“Ladies and gentlemen the year is 2020 and with the new year comes the birth of the latest rock sub-genre…. CAVE METAL!  Mark Sokoll… bassist of Darkside NYC (as well as the highly-underrated Terminal Confusion from way back in the day) is the main brain behind this four0song, ten minute debut which has its share of backstories… “Flak” leads off (check out the video) with a fuzzy bass and some straight outta da cave styled vocals. With so many styles of metal out there to be had cave metal is not that bad of a self-description to be honest with you. What I like about “Neanderthal Tales”is that these songs mix shit up… there is no singular pattern that they stick to. Just for that this EP gets some bonus points.” – In Effect Hardcore Magazine

 

[Download EP Cover | Download EP Lyrics]

Album Title: Neanderthal Tales
Release Date: 12/07/19
Label:  Satan Wears Suspenders, Inc.

Track Listing:
1. Flak (2:43)
2. The Battle Hath Begun (3:28)
3. Anthroapology (2:32)
4. Defekt (1:19)
EP Length: 10:04

Album Credits:
• All songs performed by: Mark S. Sokoll
• All songs written by: Mark S. Sokoll
• Produced by: CHAKA
• Mixed by: Seth Abelson
• Mastered by: Seth Abelson
• Album Artwork by: Tydal Canon

EP Band Line Up:
Mark S. Sokoll: Bass guitar and vocals
Ty Canon: All guitars
Jim Sullivan: Drums
Rick Beenders: Drums
Rich O’Brien; Drums

Live Band Line Up:
Mark S. Sokoll: Bass guitar and vocals
Ty Canon: All guitars
Jim Sullivan: Drums

Discography:
Neanderthal Tales EP 12/07/19

Shared stage with:
Agnostic Front, Obituary, War Zone, DRI, Hirax, Murphy’s Law, Hatebreed, All Out War, The Accused.

Tour and Festivals:
2014 – Black and Blue Bowl 2014
2015 – This is Hardcore (PA) 2015
2015 – European Tour 15 dates 2015
2018 – Leperfest (Ypres, Belgium) 2018

Photo Credit – Phothomas.be

BIO:

CHAKA is a side-project from Darkside NYC’s bassist, Mark Sokoll. Their sound is in the vein of old Celtic Frost, Venom, Cro-Mags, and Black Sabbath.

Mark has been playing the bass guitar since 1986 which is the same year he joined Terminal Confusion (NYHC). After playing bass guitar and singing background vocals for numerous other punk and Metal bands in the NYC scene,(Hypoxia, Leeway, The Downlow NYHC, F*Bomb,etc.)

Mark released his first solo EP in December of 2019 titled “Neanderthal Tales”.
Neanderthal Tales is a four-song EP written exclusively by Mark, who was joined by Ty Canon (all guitars) and three different drummers (two of whom are current members of DarksideNYC). Ty also contributed a six-string bass guitar track for the song, “Anthroapology”, as well as providing all of the artwork for the EP and designing the website. Jim Sullivan played drums on two tracks and first recorded with Mark in 2005.

CHAKA’s music is described as “Cro-Magnon Cave Metal mixed with hardcore Punk Rock elements. “This EP features tales of Kamikaze pilot attacks, a history of weapons from the Dawn of Man until modernity, embracing evolution, and finally: hemispheres in conflict.

In Effect Hardcoremagazine described the EP, in part, as:“ Perhaps what Metalheads in leather vests marching down the street with torches would use as their theme songs” and “Gives off a Carnivore vibe with that heavy, heavy bass sound”.

The Neanderthal Tales EP is a return to brutal Heavy Metal with a primal barrage of prehistoric power. Let the regression begin!

Please visit http://www.neanderthaltales.com to hear the full EP for free, to watch the video for the first single, “Flak”, and to check out all things CHAKA.

0 EPK – Fractures & Outlines – Kerosene (single) (2020)

  • April 20, 2020
  • by Asher
  • · EPKs · Fractures & Outlines

Fractures & Outlines – Kerosene (single) (2020)

For fans of Obey The Brave, Alexisonfire, Silverstein, A Day To Remember

Release Date: May 8, 2020

Label: Self-Release

Distribution:  Distrokid

Artist representation (PR) = Jon Asher – asher(@)ashermediarelations.com

Social Media: Facebook | Instagram | Youtube 

Sales Links: Bandcamp | iTunes | Spotify

“FRACTURES & OUTLINES are very talented band. Their music ability is put out as if it were a parade from album start to album finish.” – Metal Temple

“‘’End Of The World’’ throws me back into my emo-phase right away. I am LOVING it! The music is very dynamic, fast and diverse. I like the clean vocals and the growls together. ‘’Echoes’’ starts with high pitched screams, and that is when I was completely sold. The chorus has an original twist to it, there is somewhat of a breakdown in the drumline when you hear ‘’ECHOES’’” – Lyrical Spell Magazine

“Try and fight your way through this album without stopping; you’ll find yourself “Defenseless.”” – PureGrainAudio

“if you are into the post hardcore scene then this album is for you!… As amazing as the album is, I’d be willing to wager that the live experience would be even better. I hope they manage to make it out to SoCal one day or even Vegas I’d love to attend one of their concerts!” – The Music Below

“Overall, Fractures & Outlines debut album provides a more than enjoyable throwback to old-school metalcore and screamo but with their more varied and melodic sound and optimistic lyrics they do add an energetic breath of fresh air to both subgenres. ” – Belgian Metal Shredder

“ce groupe a le mérite d’avoir une excellente dynamique et d’être une équipe bien liée. Ils sont charismatiques et les gars ont du plaisir sur scène, ce qui pour moi est un incontournable pour offrir un excellent show! Leur album, Defenseless sorti en mai 2019, nous transporte dans divers thèmes tous reliés à nos luttes et nos démons intérieurs. Des thèmes lourds de sens, mais amenés musicalement avec brio.” – Ondes Chocs (Live Review – FarmFest 2019)

“An interesting choice to the lineup, as the other bands were of the deathcore / melodic metal genre. However, what they lacked in genre similarity they made up for in energy. This was highlighted by their cover of Alexisonfire “This Could Be Anywhere in the World“, which I and the crowd were taken aback by. Not only did they do the cover well, but they got the crowd engaged and were eager to mosh and singalong to it.” – Splice Media Group

[Download Cover Artwork | Download Single Lyrics]

Track Listing:
Kerosene (single) (3:17)

Song Credits:
• All songs performed by: Fractures and outlines        
• All songs written by: Fractures and outlines
• Produced, Mixed and Mastered by: Dark Moon Productions
• Single Cover Artwork by: Nicholas Boudreault

Band Line Up:
Maxime Rondeau (Lead Guitar)
Mathieu Frechette (Drums / Vocals)
Nicholas Boudreault (Main Vocals)
Maurice Emond Jr. (Bass)
Eric Desormeaux (Rhythm Guitar / Scream Vocals)  

Discography:
2020 – Kerosene (single)
2019 – Defenseless – LP
2017 – Checkmate – EP  

Shared Stage with:
Mass Hysteria, War of Ages, Blind Witness, Obey The Brave, Affiance, Kamakazi, Rouge Pompier, Story Untold, Sworn Enemy, Cardinals Pride, Bearings

Tours and Festivals:
2019 – FarmFest – Vankleek Hill, ON
2018 – Hullfest – Gatineau, QC
2017 – Floodfest – Gatineau, QC

L-R – Maxime Rondeau (Lead Guitar) Mathieu Frechette (Drums / Vocals) Nicholas Boudreault (Main Vocals) Maurice Emond Jr. (Bass) Eric Desormeaux (Rhythm Guitar / Scream Vocals)

Photo Credit: Jessy Dwyer of DwyerJ Photography

Ripping out of Gatineau, Canada, Fractures & Outlines are a post-hardcore band with influences ranging from Silverstein, No Use For A Name and Killswitch Engage.

The band came together in 2014 and work tirelessly planting their feet in the local underground music scene. Intrepidly, they created their first EP ‘Checkmate’ in 2017, which was met with solid acclaim from various publications.

As a team, the band work on each song together crafting heavy hooks, catchy choruses and brutal breakdowns with lyrical themes about internal struggle and having to fight your own demons. Working to further develop a sound that is their own, they hit the studio in 2018 to start work on their 10 track full length ‘Defenseless’ released in May 2019.

Now in 2020, a year after the release of their full length, the band returns with their follow up single “Kerosene”. The band teamed up once again with producer Joe Lyko (Dark Moon Productions) and are ready to set the moshpit ablaze to an even hotter soundtrack.

The band adds about the track:

“A political song about uprising against the establishment; burning down what was built before us so we can rebuild it again. It is a song about unification and brotherhood, and not being afraid to fight for a better world. It features anthemic choruses and fast-paced, aggressive verses, as well as featuring Salem Trials frontman Jericho Spencer-Champagne.”

The single will be available on all digital platforms for stream and download as of May 8, 2020.

0 EPK – Paradise – Self-Titled (2020)

  • April 18, 2020
  • by Asher
  • · EPKs · Paradise

Paradise – Self-Titled (2020)

For fans of Clutch, Queens of The Stone Age, KYUSS, Volbeat, Foo Fighters

Album Title: Self-Titled
Release Date: March 13, 2020
Label: Vega Musique
Distribution: Vega Musique

Paradiserockband.com | Facebook.com/paradiserockmtl | Instagram.com/paradiserockmtl | Youtube

Spotify | Paradiserockband.bandcamp.com | iTunes | Google Play

Back in the summer of 2002, co-founders and fellow guitar players, Frank Kelly and Jet Phil recruited good friends Mike Plant (Sword) and drum god Michel “Away” Langevin (Voivod) to release Paradises 1st album “Rock Anthropologists on the Kon Tiki Voyage”. Summer of 2004, the usual suspects were rounded-up including a collaboration of Voivod’s late but great Denis “Piggy” D’Amour to work on Paradise’s follow-up record “Hotel”. Now in 2020, composed of Frank Kelly (guitars), Fred Kelly (bass), RL Black (vocals), Fred Crew Grrr (guitars) and Mat Hias (drums), Paradise, like a phoenix that is reborn from its ashes, have released a new eponymous album that sways on the line between hard stoner rock and pure heavy metal that was mixed and mastered by Kevin Jardine of  Slaves On Dope. From the opening piece and future classic “Straight From Hell” to the album closer “Free in Exile”, Paradise delivers an album where the balance between catchy riffs, attitude, intensity, and melodies is perfect.

“Fans of melodic heavy rock, there’s a new sheriff in town!” – Jano Lapin

“Solid, driving Hard Rock from the quagmires of Quebec!” – Reek Of STOOM

“Brilliant from start to finish !” – Stoner Rock Army

“A record that growls like a hungry beast” – ARP Média  

“The synergy of this quintet gives the listener a proper kick in the ass needed to remember why we fell in love with the format. They also lend proof as to why heavy metal is the cornerstone of the myriad of hard rock subgenres. Blistering guitar riffs, thundering drums, and of course ample swipes at stuffy establishment rules.” – Boston Rock Radio

“The album opens with “Straight From Hell” and it is an adrenaline high. It is an unmistakable straight forward rock construction of verse-bridge-chorus, repeat, repeat, and the dial is set on stadium anthem. RL Black’s vocals are about as rock and roll as you can get – strong clean singing with a gruff edge. The lead breaks are short to fit in with the song structure, and they are pretty metal. I like the brand they have going here. It is great driving music, great drinking music. I would be stoked to see Paradise on the list of bands at a festival because you can just feel from these songs that they are going to put on a good show on stage.”  – Flying Fiddlesticks Music Blog

[Download Album Cover | Download Album Lyrics]

Album Title: Self-Titled
Release Date: March 13, 2020
Label: Vega Musique
Distribution: Vega Musique

Track Listing:
1. Straight From Hell (3:37)
2. Hitting On All Sixes (3:53)
3. Who Do You Wanna Be (3:35)
4. One Of A Kind (4:34)
5. Never Cry Again (3:33)
6. Low Down And Shaking (4:59)
7. Barn Burner (3:37)
8. Long Gone (2:54)
9. Away From You (3:30)
10. Free In Exile (4:03)
Album Length: 38:20

Album Credits:
• All songs performed by: Paradise
• All songs written by: Paradise & Richard Eusanio
• Produced by: Paradise
• Mixed by: Kevin Jardine (uplift studio)
• Mastered by: Kevin Jardine (uplift studio)
• Album Artwork by: RL Black

Album and Live Band Line Up:
– Fred Crew Grr (Guitar)
– Fred Kelly (Bass)
– R.L. Black (Vocals)
– Matt Hias (Drums)
– Frank Kelly (Lead Guitar)

Discography:
2020 – Paradise
2005 – Hotel
2002 – Rock Anthropologists on the Kon Tiki Voyage

 

Past Radio Charts:
#4 on the loud national chart – March 31, 2020 (Earshot)

 

L-R – Fred Crew Grr (Guitar), Matt Hias ( Drums), Fred Kelly (Bass), R.L. Black (Vocals), Frank Kelly (Lead Guitar)

 Photo Credit – R.L.Black

Montreal summer of 2002. First, they got drunk, then proceeded to forge “volcanic rock” and chose a name: Paradise. The next day, they came up with a title for their first album: Rock Anthropologists on the Kon Tiki Voyage. Obviously they were still drunk. Co-founders and fellow guitar players, Frank Kelly and Jet Phil, still thinking that they had a great concept on their hands, started the rock riff machine and came up with a bunch of kick-ass rock and roll. Pretty soon, every track was assigned a title and, what do you know, they were all taken from a Kon-Tiki drink menu. It all made a lot of sense…

Still, without any lyrics to complete the recipe, they set out to find someone crazy enough to work on their project. Through a mutual friend, rock promoter François Lalancette, they were introduced to singer-songwriter Richard Eusanio who was more than crazy enough to jump in feet first. Within days, the record started to take shape. By this time, also on board was guitar master and Sword’s axeman Mike Plant. Paradise was happening… 

Frank and Phil then recruited good friends, underground icon Xavier Caféine and drum god Michel “Away” Langevin of Voivod, to help out. Pretty soon Paradise became big and loud… 

The record was then sent to Glen Robinson (Voivod, Tea Party) to be mixed and mastered. Fall of 2002 Paradise came alive with the release of Rock Anthropologists on the Kon Tiki Voyage.

Summer of 2004: The boys were now ready for another roller-coaster ride. The usual suspects were rounded-up, including bass man Fred Kelly. Now transported from the beaches of the South Pacific to the famous and even infamous hotels of this world, they began to work on Paradise’s follow-up “Hotel”. Everybody was ready for the trip.

During the sessions in the summer of 2004, they were blessed with the inspirational collaboration of Voivod’s guitar pioneer, the late but great Denis “Piggy” D’Amour who left his stamp on a couple of titles before losing his battle to illness in august of 2005. Mixed and mastered again by Glen Robinson, Paradise’s Hotel was released in the winter of 2005 and once again it all made a lot of sense.

2019: With the will of the volcanic rock gods, the resurrection of Paradise was inevitable. Today composed of Frank Kelly (guitars), Fred Kelly (bass), Blacky (vocals), Fred Crew Grrr (guitars) and Mat Hias (drums), Paradise, like a phoenix that is reborn from its ashes, releases a new eponymous album that sways on the line between hard rock and pure heavy metal (mixed and mastered by Kevin Jardine from Slaves On Dope). From the opening piece and future classic “Straight From Hell” to the final “Free in Exile”, through “Hitting On All Sixes” and “Long Gone”, Paradise delivers an album where the balance between catchy riffs, attitude, intensity, and melodies is perfect.

So all you rockers, metalheads and soon to be converts should be prepared for a ride through hell, with Paradise.

0 EPK – Alizarin – The Last Semblance (2020)

  • April 18, 2020
  • by Asher
  • · Alizarin · EPKs

Alizarin – The Last Semblance (2020)

For fans Opeth, Haken, Porcupine Tree, Alice in Chains, Nevermore 

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Album Title: The Last Semblance
Release Date: July 2020
Label: Self-Release  

Alizarinmusic.com | Facebook.com/alizaringroup | Instagram.com/alizarinband | Twitter.com/alizarinband | Youtube

Alizarinband.bandcamp.com | Spotify | iTunes | Amazon

“While some of the material is more fitting to be described as “cinematic rock” due to the instrumental muzak feel of the songs’ structure, this album possesses the punch of a Dream Theater release and the momentum of a King Crimson record.” – Metal Injection 

“‘Cast Zenith’ is music that has intelligence and depth, music that takes the listener on an involving journey. This is a great start from this impressive trio and one which promises much for the future, Alizarin are a band that we definitely need to keep an eye on.” – Prog Radar 

“Creating songs that can grip the standard listener and help expand their ideas and thoughts on what music should and can be. That’s what makes great prog truly great, and on that note the debut album Cast Zenith is a great album by a fantastic band.” – Metal Assault 

“There is a lightness, space and confidence on this album, and it certainly doesn’t come across as a self-released debut, but rather from guys who have been around the block. Jazzy prog metal (love the distorted chorded fretless bass on “Anomaly”) which is worth hearing.” – Progressor 

“There is plenty of variety on this all-instrumental debut. Alizarin have produced a stunning debut, showing compositional chops and instrumental prowess.” – Progressive Rock Fanatics

L-R: Jon Damon (Drums) | Josh Kay (Guitars & Vocals) | Avelino Ramirez (Keyboards) | Terran Fernandez (Bass & Backing Vocals) 
Photographer credits: Rob Aft & Christian Robles

Alizarin – Cinematic rock/metal centered around brooding melodies, wrapped in epic compositions. 

Born out of the forward-thinking inclinations of guitarist/vocalist Josh Kay in late 2017, Alizarin is on a mission to explore unconventional rock music. In addition to Kay, the group consists of Jon Damon on drums, Terran Fernandez on bass guitar, and Avelino Ramirez on keyboard. Alizarin is based in Los Angeles, CA and endeavors to create compelling, dramatic music that defies rock expectations. 

Alizarin released their first full-length album, titled ‘Cast Zenith’, in 2018 and is preparing to release their new album ‘The Last Semblance’ in Summer 2020. Unlike their strictly instrumental debut record, this sophomore release features prominent vocals throughout. Rich harmonies and baritone resonance from Kay’s voice add a new dimension to the music, allowing the band’s sound to expand to truly uncharted territory.  

‘The Last Semblance’ covers a wide spectrum of sonic landscapes and emphasizes the melodic journey over deliberate technique. Although Kay is the chief songwriter of Alizarin, the compositions on the new record focus on a balance of each instrument, with less of an emphasis on the domination of guitar solos and a greater exploration of what each musician is capable of. The album draws influence from such groups as Porcupine Tree, Haken, Alice in Chains, Opeth, Portishead, and many more. The results are a sound that is challenging to define, pensive, and often at the crossroads of melody and dissonance.  

Keep your eyes and ears peeled for Alizarin on social media and wherever the future of music lives. 

Album Title: The Last Semblance
Release Date: July 2020
Label: Self-Release

Track Listing:
1. Elegy Simulacra (7:55)
2. Fathom (6:53)
3. A Wreath of Temperance (6:40)
4. Velvet Margin (5:12)
5. Heirloom (5:35)
6. Zero Sum (7:03)
7. Attenuation (10:36)
8. The Ivory Silo (8:48)
Album Length: 58:46

Album Credits:
• All songs performed by: Alizarin  
• All songs written by: Josh Kay
• Produced by: Josh Kay and Alizarin
• Mixed by: Josh Kay
• Mastered by: Jamie King
• Album Artwork by: Josh Kay

Album and Live Band Line Up:
Josh Kay – Guitars and vocals
Jon Damon – Drums  
Terran Fernandez – Bass and backing vocals
Avelino Ramirez – Keyboards

Discography:
2018 – Cast Zenith  
2020 – The Last Semblance

Shared Stage with:
Gloryhammer, Intronaut, Night Verses, Thrailkill, Karas, Sha Nova, The Vox Arcanum, Aether Realm, Novareign, The End of An Age, Solar Haze, Coevality, Aura

Past Features
Metal Injection – Riley’s Top Albums of 2018 Honorable Mention

Artist Endorsements:
Josh Kay – Iconic Guitars, Swiss Picks
Terran Fernandez – ISP Technologies, Darkglass Electronics

0 EPK – Cryptonight – The Black Ritual (2020)

  • April 12, 2020
  • by Asher
  • · Cryptonight · EPKs

Cryptonight – The Black Ritual (2020)

Album Title: The Black Ritual
Release Date: April 13, 2020
Label: Self-Release

For fans of Vildhjarta, Catacombs, Humanity’s Last Breath, Black Tongue, Meshuggah

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Facebook.com/CryptonightBandOfficial | YouTube | Instagram.com/the.cryptilian

Spotify | iTunes | Amazon | CD Baby

THE BLACK RITUAL HAS BEGUN… Presenting the debut eight track album from Toronto Djoom (djent+doom) metal band Cryptonight. All of the music on the album is an audial horror movie is unlike anything you’ve ever heard before. The full length played on 8-string guitars tuned to Eb is inspired by actual vivid nightmares experienced by members of Cryptonight at various points in their lives. There are also many influences and Easter eggs from video games, such as Bloodborne, Resident Evil, Diablo, and Final Fantasy X. 

Mixing and Mastering were done by Anthony DiGiacomo at Deep Resonance Studio.

Due to the uniqueness of their sound, Cryptonight categorizes themselves into their own sub-genre of metal called Djoom. This is a combination of Djent and Doom.

Cryptonight plans to play their very first show in the smallest city in Ontario… Latchford. They believe that nobody has ever done this before, and it represents their strategy of contrasting social normalities and going against the grain. It will likely be an outdoor show in a Veteran’s park.

[Download Album Cover | Download Album Lyrics]

Album Title: The Black Ritual
Release Date: April 13, 2020
Label: Self-Release

Track Listing:
1. The Black Key (1:26)
2. The Black Door (6:45)
3. Shadow Walk (5:05)
4. Abstersion (2:53)
5. The Dickens (2:12)
6. Abhorrent Bestowal (2:41)
7. Precariosa (2:45)
8. The Black Ritual (5:24)
Album Length: 29:15

Album Credits:
• All songs performed by: Jeremy Jackson Wells and Cassandra Xavier
• All songs written by: Jeremy Jackson Wells and Cassandra Xavier
• Produced by: Jerm’s Productions
• Mixed by: Anthony DiGiacomo at Deep Resonance Studio
• Mastered by: Anthony DiGiacomo at Deep Resonance Studio
• Album Artwork by: Kyle Anderson
• Member of SOCAN
• Canadian Content (MAPL)

Album Band Line Up:
Jeremy Jackson Wells (Jekyll): Guitars, Male Vocals, Drums, Bass, Keyboards, Additional Samples
Cassandra Xavier (The Cryptilian): Female Vocals, Keyboards, Additional Samples

Live Band Line Up:
Jeremy Jackson Wells (Jekyll): Guitars, Male Vocals
Cassandra Xavier (The Cryptilian): Female Vocals
Bass: TBA
Drums: TBA

Discography:
2020 – The Black Ritual

0 EPK – Plague Weaver – Through The Sulphur Eyes (2020)

  • April 11, 2020
  • by Asher
  • · EPKs · PlagueWeaver

Plague Weaver – Through The Sulphur Eyes (2020)

EP Title: Through The Sulphur Eyes
Release Date: January 10, 2020
Label: Self-Release

For fans of Rotting Christ, Varathron, old Samael, Triptykon, Dissection

Publicist – Jon Asher – asher[@]ashermediarelations[.].com

Facebook.com/plagueweaver | Twitter.com/plagueweaver | YouTube   

Plagueweaver.bandcamp.com | Spotify | iTunes  

““Through The Sulfur Eyes” is a solid EP… the overall sound that is achieved is impressive… PLAGUE WEAVER has an interesting doom-like black metal sound that works well with layered deep and high-pitched vocals. I think fans of doom metal and black metal aficionados will appreciate this one.” 8/ 10 – Metal Temple

“From the moaning leads to the slow lurching cadence and the deep monstrous roars, the opening of the title song sounds like the beginning of a death/doom track, but although that oppressive feeling of plague and decay persists, the band also pitch into fits of percussive mayhem, fevered riffing, and vocal madness, and they stitch flickering bits of guitar lunacy into the song as well.” – No Clean Singing

“breaking through to listeners in 2020 is a seriously steep hill to climb and bands have to either push the envelope, do something that can’t be found elsewhere, or just amaze and electrify with each release to grab attention and stay relevant. Plague Weaver do all that on Through the Sulphur Eyes and it’s up to you to show them how good a job they’ve done. What I’m saying is, go buy it. Now.” – Nine Circles

“Through crawling malignancy is how Plague Weaver approach their art, and these songs are filled with grim mood and malevolent auras” Indy Metal Vault

“There’s a darkness running throughout Through the Sulphur Eyes that is quite powerful… The riffs are weighty, drenched in a toxic malaise, yet also possessing the razor-sharp cutting edge of underground black metal. It’s a captivating combination, that moves forward at a steady, relentless pace. What really lingers though is a feeling of uncleanliness; this music is corrosive, carrying with it a taint of infection and, well, plague.” – The Sound Not The Word

“”Plague Weaver” are a collection of melancholic and sorrowful tunes that drag you deep into hell.” – Absit Omen (self-titled EP review)

RM of Plague Weaver

Photo credit : Paulina Murawska

Plague Weaver is Black/Doom metal from Canada; created in December 2018 by RM. The original idea was to create music in the vein of old school Black metal mixed with other musical influences coming from Death/Doom metal.

Black metal mixed with a sickening atmosphere is what’s in store for listeners as the solo project of RM; it is the musical interpretation of RM’s vision of the world, philosophy, the occult, and general experiences. It is the culmination of over 25 years of travel through metal /dark ambient/ experimental music RM has created.

A debut self-titled EP was released in 2019 and is followed up in 2020 with the EP “Through The Sulphur Eyes”.

Plague Weaver is a solo project, but there are plans to create a live lineup for performances.

[Download EP Cover | Download EP Lyrics]

EP Title: Through The Sulphur Eyes
Release Date: January 10, 2020
Label: Self-Release

Track Listing
1. Through The Sulphur Eyes (4:38)
2. The Traveller (4:20)
3. Descent (4:24)
4. Unchained (5:22)
5. Alchemy (4:51)
EP Length: 23:37

EP Credits:
• All songs performed by: Plague Weaver / session vocal : Rad Zarei
• All songs written by: RM
• Produced by:RM
• Mixed by:RM
• Mastered by: RM
• Album Artwork by: Wintershadow
Album Band Line Up: RM
Live Band Line Up: TBA

Discography:
2020 – Through the Sulphur Eyes EP
2019  – Plague Weaver EP

0 EPK – Sven Gali – “3” (2020) (RFL Records)

  • April 7, 2020
  • by Asher
  • · EPKs · Sven Gali

Sven Gali – “3” (2020) (RFL Records)

For fans of Motley Crue, Guns and Roses, Skid Row (old records), Breaking Benjamin (new single)

Album Title: “3”
Release Date: June 12, 2020
Label: RFL Records
Distribution: AMPED

Sven Gali links: SvenGali.ca | Facebook | Youtube | iTunes | Google Play | CD Baby | Spotify

RFL Records Links: RFLRecords.com | Facebook | Twitter | YouTube | Instagram

“3 is full of heavy, chugging riffs and howled choruses, mixing the melodies of ’80s hard rock with the aggression of ’90s metal” – Exclaim!

“The time is now for Sven Gali to rock our world once again, with their short and sweet brand new EP being a solid statement that although the band might have been gone for a while, they still have a lot of fuel to burn in the name of Rock N’ Roll.” – The Headbanging Moose

“It’s a banger and a return befitting of their iconic status in the metal.” – Games, Brrraaains & A Head-Banging Life

“‘Now’ is a brand new track which rises up and dives down throughout, via some funky bass work and nice riffs before reaching a belting crescendo where Wanless let’s rip and roars his vocal.” – Metal Planet Music

“modern metal, and some groovin’ hard rock. Cool catchy music.” WORT 89.9 FM – Mosh Pit Radio (Madison, WI)

“They’ve got the loud/quiet/loud thing down to perfection… An idea that they understand the past but want to look to the future.” – Maxmium Volume Music

“a modern yet ass kicking five piece outfit that sound ready for the future.” – Headbangers Lifestyle

“These guys cover several bases sonically at the same time, giving them an edge – and an unexpected addition to my summer listening!” – 100 Percent Rock

“Of course, 3 leaves you wanting more. Maybe it’s a teaser for more stuff to come from Sven Gali? ” – Boston Rock Radio

“SVEN GALI have proved that, even after a twenty something year absence, they still know how to rock!” – Rock Out Stand Out

“I was super excited to be given the opportunity to review 3. I remember picking up their debut album when it was first released and being blown away then. In 2020, I have been reminded of that overwhelming feeling. The songs are extremely well written and do not sound dated at all. When June 12th rolls around, grab yourself a copy of this killer EP.” – I’m Music Magazine

“Musically, it is still a juicy mix of hard rock and heavy metal, with some even harder passages” Metalized Magazine (DK)

“And thank God the Canadians have mostly found their hard rock sound again…’3′ is the first bundled sign that Sven Gali is obviously up to something again” – Stormbringer

“Astonishing twirling sounds and gusts of psych commotion envelope the splendid and absolutely shaking tracks on each through and through.” – MoshPitNation

“If your music with more attitude than a pissed off Cobra then “3” is for you, it doesn’t disappoint at all!” – The Metal Gods Meltdown

“Crunchy guitar runs, rich grooves and a good knack for exciting songs come together here… `3` gives hope for a good, third album” – Streetclip 

“Welcome back Canadian rock blokes!… Frank, Wanless and bassist Shawn Minden are all Sven Gali originals, and it’s this spine that gives the band it’s pleasing link between ancient and modern… Good to have them back, and worth a listen, if you like a well-played rock song.” – The Rock Pit

“Sven Gali is back. That is obvious. These Canadians show at 3 that they are ready to really treat the listener to that third long player. Hard rock in its full glory.” – White Room Reviews

“My tip on this entertaining EP is the Smasher Now . There is no better way to play melodic hard rock with a noble metallic alloy. That makes a whopping 9/10.” Sound Magnet

Signing with RFL Records & Entertainment, SVEN GALI will be releasing their new EP entitled “3” on June 12, 2020. Known for their fusion of 80s screaming hard rock and 90s blazing metal, the new EP features their two previous released singles “Kill The Lies” (2018) and “You Won’t Break Me (2019) both produced by David Bendeth  (Paramore, Breaking Benjamin, Bring Me The Horizon) along with new tracks “Now” and “Hurt” produced by Jon Howard (Threat Signal). 

SVEN GALI built a name fast with their live shows; drawing growing crowds on the Canadian and US circuit while building their songwriting chops and a wild reputation. David Bendeth signed the band to BMG Music Canada in 1991 and produced the self-titled debut, released in 1992.

The masterful debut album includes the hit, which was the MuchMusic Best Metal Video award of 1993, “Under The Influence” and the emotional sweet balladry of “Love Don’t Live Here Anymore”, a song that came no. 6 CanCon song of 1993. Following their profound release, the band was nominated for Hard Rock Album of the Year and Most Promising Band by Canada’s most prestigious music awards, the Junos. SVEN GALI also went gold in Canada that year.

Following extensive touring worldwide, being a major event on stages with legends (April Wine / Foreigner / Pearl Jam / Def Leppard), SVEN GALI didn’t stop there, and continued their journey with the release of their sophomore, “In Wire”, in 1995.

Just recently, after a long time in the shadows, Twenty-five years after their debut album went Gold in Canada, in 2018 SVEN GALI came back rockin’, kicking out the jams with the modernized edged rock covered in metal with an early version of “Kill The Lies” and “You Won’t Break Me” in 2019.

It appears that SVEN GALI are here to take on the 00s, and it has been evident with sold out Canadian shows in 2018 and 2019 and a promise to continue to play solo and festival dates in North America and Europe through 2020 and beyond.

SVEN GALI is:
Dave Wanless – Vocals
Andy Frank – Guitars
Shawn Minden – Bass
Sean Williamson – Guitars
Dan Fila – Drums

EP Title: “3”
Release Date: June 12, 2020
Label: RFL Records
Distribution: AMPED

 

Track Listing:
1. Kill The Lies
2. You Won’t Break Me
3. Now
4. Hurt
EP Length:

EP Credits:
“Kill The Lies” & “You Won’t Break Me” – Produced & Mixed by David Bendeth / Engineered by Brian Robbins, Mastered by: Ted Jenson – Sterling Sound NYC
“Now” & “Hurt” – Produced & Mixed by Jon Howard & Sven Gali
Members of SOCAN
MAPL / CANCON
Recording and Live Band Line Up:
Dave Wanless (Vocals)
Andy Frank (Guitar)
Sean Minden (Bass)
Dan Fila (Drums)
Sean Williamson (Guitar)

Discography:
2020 – “3” (EP) (RFL Records)
2019 – You Won’t Break Me (single)
2018 – Kill The Lies (single)
1995 – In Wire (BMG, RCA)    
1992 – Sven Gali (BMG, RCA)

Shared Stage w:
I Mother Earth, April Wine, Foreigner, Candlebox, Pearl Jam and Def Leppard, lots other Canadian acts

Tours and Festivals:
Toured extensively in Canada, US, and Europe in early to mid 90’s

Music Placements:
1993 – Labatt’s Genuine Draft TV commercial featuring the band (speaking and music)

Past Radio Charts:
Love Don’t Live Here Anymore was 1993’s nr 6 Cancon song of the year

Award Nominations:
1993 – Juno Award Nomination – Rock Album of The Year
1993 – Juno Award Nomination – Most Promising Group
1993 – Much Music Best Metal Video – Under The Influence – Watch here.

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