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Category: EPKs

0 EPK – The Design Abstract – Technotheism (2021)

  • January 19, 2021
  • by Asher
  • · EPKs · The Design Abstract

EPK – The Design Abstract – Technotheism (2021)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

For fans Septicflesh, Scar Symmetry, Dimmu Borgir, Fleshgod Apocalypse, Machina

Album Title: Technotheism
Release Date: Jan 29th, 2021
Label: Abstrakted Records                
Distribution: Distrokid

Facebook.com/thedesignabstract | Youtube | Instagram.com/voiicide

Design.bandcamp.com | Spotify

The Design Abstract is a two-piece sci-fi-themed symphonic melo-death band from Ontario, Canada consisting of Logan Mayhem (guitar, songwriting, synth programming), and Voiicide (bass, vocals, scoring, additional sampling/programming). The band formed with a single goal: to create a blend of industrial-influenced symphonic metal that had never been done before. Since the debut album Emanate in 2017, The Design Abstract has sought to shed the antiquated tendencies of orchestral metal bands, instead pushing far into the future conceptually and lyrically. With each subsequent release (Corrupt in 2019 and Esoteric in 2020), the band pushed further into “melodic death metal” territory, brandishing more comprehensive riffs, technical drum writing, and more guttural vocals, but never lost the industrial-electronic edge or the massive and dramatic orchestral passages. The cumulation of this sound is their latest album Technotheism due out Jan 29, 2021.

A grandiose display of musicality, technicality, and narrative, the sophomore full length is a monumental 13-track work of symphonic melodic death metal that tells a cyberpunk story of a group of rebels fighting to regain control of Earth. It ranges from technical guitar work to atmospheric electronic passages, and just about everything in between. One thing you’ll notice about Technotheism is how it’s structured and how it all flows together. The pattern of the types of tracks, the order, and their function was very carefully planned out in a way that few albums are.  

[Download Album Cover | Download Album Lyrics]

Album Title: Technotheism
Release Date: Jan 29th, 2021
Label: Abstrakted Records                
Distribution: Distrokid

Track Listing:
1. Relentless (2:05)
2. Deus Est Machina (6:33)
3. The Apotheosis (1:54)
4. Among the Stars (1:36)
5. The Resistance (4:37)
6. Voidwalkers (3:46)
7. The Omnisphere (1:32)
8. Data Shield Attack (6:18)
9. The Return (3:41)
10. Elucidate (1:11)
11. Parallel Projection (3:46)
12. Annihilation (3:46)
13. A World of One (4:00)
Album Length: 44:50

Album Credits:
• All songs performed by: Voiicide & Logan Mayhem
• All songs written by: Voiicide & Logan Mayhem
• Produced by: Voiicide @ Abstrakted Records
• Mixed by: Voiicide @ Abstrakted Records
• Mastered by: Voiicide @ Abstrakted Records
• Album Artwork by: Roger Creus
• Canadian Content (MAPL)

Album Band Line Up:
• Voiicide – bass, songwriting, scoring/programming, lyrics, vocals
• Logan Mayhem – guitars, additional songwriting, sampling
• Guitar solos on track 2 by Luke Robinson
• Guest vocals on track 2 by Megurine Luka

Discography:
2021 – Technotheism – LP
2020 – Esoteric EP
2019 – Corrupt EP
2017 – Emanate – LP
(as band name ‘Design.’)
2016 – Catharsis – LP
2013 – Apotheosis

 

0 EPK – Matt Chanway – Unrelenting (single) (2021)

  • January 18, 2021
  • by Asher
  • · EPKs · Matt Chanway (Guitar Shredder)

Matt Chanway – Unrelenting (single) (2021)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Progressive Instrumental Metal

For fans of Plini, Scale The Summit, Animals As Leaders, CHON

Release Date: TBA
Label: Self-Release

Facebook.com/MattChanway | Instagram.com/MattChanway | Youtube

Spotify | MattChanway.Bandcamp | Amazon

“Solo artist Matt Chanway is a shredder whose instrumental compositions elicit comparisons to Conquering Dystopia, Alluvial, and the like. It becomes immediately evident that the dude knows his way around a fretboard (having studied guitar performance at the University of West London), but his widdely-woo is tasteful enough so as to not become tiresome, with care taken to first craft a sick riff to wail over. You can watch the maestro at work in this playthrough of “The Receiver of Wisdom” – a ditty from his debut self-titled album released on Christmas day 2016. A fine gift suited for even Jesus himself.” – Geargods

“Matt’s self-titled solo debut is proof of his versatility and prowess as a musician… quite impressed by his new material” – Progzilla (Album Review – Self-Titled 2016)

“if you find bands like Megadeth, Revocation and guitarists such as Jeff Loomis to be up your alley, Matt Chanway’s debut effort is absolutely your cup of tea and you would be well-advised to give it a spin. A compelling debut in every aspect.” – Metal Assault (Album Review – Self-Titled 2016)

“‘Eyes in the Sky’, just WOW! This is my ultimate favorite track in this album. Drums and guitars parts are just awesome. I love the guitar riff so much, and how the drums breaking-it over it. It’s just stunning. Also, the next part took me back to my beloved 80s metal era! I really felt the guitar here was the vocalist, not just a string instrument doing some melodies. The solo of this track took an oriental mode, which helped the track output very much indeed.” – Rock Era Magazine (Album Review – Self-Titled 2016)

“You can hear the love of playing the guitar that emanates from the fingers of this extremely talented player with song after song of thrills and heavy shredding.” – Altered Frequencies (Album Review – Self-Titled 2016)

“This is not an album just for shredders, it’s for anyone who wants an album of great metal that will get your head banging and wear your air guitar out.” – The Ripple  Effect (Album Review – Self-Titled 2016)

“Burstfire solos, frantic time signatures, complicated riffing and the like are all signposts of an artist who wants to see how far he can go. Unsurprisingly, this ambition pays off. The release could stand on its own as proof that Matt could play alongside the world’s greatest in shred guitar.” – Prog Sphere Magazine (Album Review – Self-Titled 2016)

“The progressive metal genre never ceases to provide scores of insanely skilled guitar-slingers, and Vancouver’s Matt Chanway can now be recognized as another mind-blowing practitioner of the style.” – Guitar.com

“This is not an album just for shredders, it’s for anyone who wants an album of great metal that will get your head banging and wear your air guitar out.” -The Ripple Effect (Album Review – Self-Titled 2016)

Release Date: TBA
Label: Self-Release

Track Listing: Unrelenting (4:59)

Single Credits:
Song is written by Matt Chanway
Produced, mixed, mastered by Dan Yakimow
Musicians:
Guitar – Matt Chanway
Drums – Mike Mallais
Bass – Colin Gradin

Matt Chanway is a Canadian guitarist, instructor, and session musician from Vancouver BC. His debut album was released in 2016 to critical acclaim, and not long after finished as a finalist in Guitar Idol, the world’s foremost guitar competition showcasing the top emerging players on the planet. In 2019, Chanway released the follow-up single “The Beyond”, once again to high praise. Holding a Fellowship in music performance from the University of West London, Matt teaches guitar and theory full-time in his hometown Vancouver BC.

Matt’s playing is inspired by a combination of the old and new school, with rock guitar players from the ’80s, modern progressive “shredders” such as Dan Mongrain and Jeff Loomis, as well as 70’s jazz-rock musicians John Mahavishnu and Al Di Meola. Fans of challenging, progressive, intense instrumental music – artists such as Plini, Alluvial, Tony Macalpine, Animals As Leader – will enjoy Chanway’s music.

Now in 2021, Chanway returns with a fresh new single entitled “Unrelenting”, an upbeat, shredtacular track to take listeners on a wonderful sonic adventure of instrumental progressive metal showcasing his authentic guitar themes, and addictive riffs. Plans for more music in 2021 is already in the works, and Chanway looks forward to sharing his Razor-sharp passages meld with soaring solos.

Discography:
2021 – Unrelenting (single)
2019 – The Beyond (single)
2016 – Self-Titled (LP)

2019 – The Beyond (single)

 

0 EPK – As We Suffer – The Fallen Pillars (2021)

  • January 18, 2021
  • by Asher
  • · As We Suffer · EPKs

EPK – As We Suffer – The Fallen Pillars (2021)

Publicist – Jon Asher – asher(@)ashermediarelations(.)com

For fans of Machine Head, Propagandhi, Death by Stereo

Album Title: The Fallen Pillars
Release Date: April 2021
Label: Self-Release
Distribution: TBA

Facebook.com/aswesuffer | Instagram.com/aswesuffer

L-R – Ryan Caldwell (Bass), Jason Yocom (Guitar), Matt Caldwell (Vocals), Derik Roblin (Guitar), Chris Nunn (Drums)
Photo Credit – Laura Collins-Music Photography

Ottawa, Canada’s As We Suffer started out as a cover band, but quickly delved into writing original material. In the early days they focused on a more metal-infused skate punk vibe with major influence stemming from Pennywise, Strung Out, and NOFX but it very quickly took on a more metal feel. Since 2020, the sound has further morphed into a more metalcore vibe along the lines of early Killswitch Engage and Bullet for my Valentine, while still maintaining a distinct hardcore style.

Four of the original band members have known each other for a long time, with two of the members, vocalist Matt Caldwell and bassist Ryan Caldwell being cousins; together with their long-time friends drummer Chris Nunn and Jason Yocom. The band officially established in 2018 picking a name that represents unity in the existential suffering we all experience. Eventually, they were joined by guitarist Derik Roblin.

The long time comradery between the members enables them to write music organically, trading off who is the primary songwriter for each track. All lyrics are written by M. Caldwell, who aims to tell a story and deliver a message without being too literal or specific, allowing the audience to interpret on their own. Themes are largely infused with existentialism, civil and political unrest.

This organic flow continues to benefit the band when they play, the passionate stage presence is heightened by M. Caldwell’s intensity, R. Caldwell’s slick bass licks, Roblin’s powerful energy, and Nunn’s technical prowess. They bring a unique back-to-basics flavor to each performance, especially through the dynamic nature of each of the band members.

As We Suffer released a demo in 2018 and will follow it up with “The Fallen Pillars” in April 2021.

Album Band Line Up:
Matt – Vocals
Chris – Drums
Ryan – Bass
Derik – Guitar
Jason – Guitar

Live Band Line Up:
Matt – Vocals
Chris – Drums
Ryan – Bass
Derik – Guitar

Discography:
2021 – The Fallen Pillars (LP)
2018 – Demo

Shared Stage With:
Living with Lions, Venom Prison, Fates got a Driver, Call it Home

 

Album Title: The Fallen Pillars
Release Date: April 2021
Label: Self-Release
Distribution: TBA

Track Listing:
1. Caustic Paradigm (2:58)
2. Malicious Compliance (3:24)
3. An Open Letter (to the Bleeding Hearts) (2:41)
4. Fucking Relentless (2:28)
5. Invade The Host (3:21)
6. The Great Leveler (3:51)
7. High Tide (3:32)
8. Scatter The Herd (2:25)
9. Shadows Caste In White (4:44)
10. Concrete Fist (2:59)
11. The Fallen Pillars (5:17)
Album Length: 37:46

Album Credits:
• All songs performed by: As We Suffer
• All songs written by: As We Suffer
• Produced by: Dark Moon Productions
• Mixed by: Dark Moon Productions
• Mastered by: Dark Moon Productions
• Album Artwork by:
• Canadian Content (MAPL)

Album Band Line Up:
Matt – Vocals
Chris – Drums
Ryan – Bass
Derik – Guitar
Jason – Guitar

0 EPK – Maitreya – Hyper Reels (2021)

  • January 12, 2021
  • by Asher
  • · EPKs · Maitreya

EPK – Maitreya – Hyper Reels (2021)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

For fans of The Contortionist, Between the Buried and Me, Protest the Hero, Periphery

Album Title: Hyper Reels
Release Date: June 25, 2021
Label: Self-Release

Maitreyametal.com | Facebook/MaitreyaMetal | Instagram.com/maitreyametal | YouTube

MaitreyaMetal.bandcamp.com | Spotify | Apple Music

“Their musical abilities were astounding, and I believe they could have been each individually the most technically capable with their instruments of those performing that night.” – Metal Master Kingdom

“Lead-heavy, yet at the same time musically complex, Maitreya’s music is sonic baptism, taking the listener from the fire pits to the icy peaks. The band’s self-titled album weaves an intricate melodic narrative, where both headbanging metal-heavy riffs and reflective vocal lines co-exist in the vortex of sonic alchemy, presented to the listener in its raw, unfiltered elemental form.” – Dentata Music

BAND STORY ANGLES / FUN FACTS

1. The band met their vocalist at a chance encounter at a grocery store because of an Intervals band t-shirt. The group existed as an instrumental project for a couple of years prior to rebranding with the addition of vocals. Guitarist Matt McCabe & Drummer Steve McMillan went out to grab some groceries when vocalist Matt Cutrara stirred up some conversation over a band t-shirt they were wearing. Not long after Matt came out to a rehearsal and the rest is history

2. All the songs on Hyper Reels are the original demo titles. After so long of calling them by those titles they just stuck.

3.  In the early years, the band learned approximately 100 cover songs to take gigs as a cover band. The process of learning rock & metal hit songs helped teach the band valuable lessons in crafting songs.

4. The rhythm section of the band all went to the same high school. The band started in 2011 as an instrumental project. The project went on hiatus while Mark was studying music abroad. The band formed as Maitreya with the addition of vocalist Matt Cutrara in 2016.

5. 2 weeks prior to the band performing at the first round of Toronto’s Wacken Metal Battle, guitarist Mark Wylie underwent surgery for oral cancer.

Download Album Cover | Download Album Lyrics

Album Title: Hyper Reels
Release Date: June 25, 2021
Label: Self-Release

Track Listing:
1. Catalyst (7:23)
2. Departed (6:04)
3. Radical (5:31)
4. Summit (4:31)
5. Invaders (6:18)
6. Bloom (4:26)
7. Pilgrim (4:44)
8. Flesh Engine (4:31)
9. Hyper Reels (0:57)
10. Iswara (4:27)
Album Length: 48:56

Album Credits:
• All songs performed by: Maitreya
• All songs written by: Maitreya
• Produced by: Maitreya
• Mixed by: Zane Hawley
• Mastered by: Phillip Self
• Album Artwork by: Justin Totemical
• Member of SOCAN
• Canadian Content (MAPL)

Album and Live Band Line Up:
Matt McCabe – Guitar
Steve McMillan – Drums
Matt Cutrara – Vocals
Lyam Morrison – Bass
Mark Wylie – Guitar

About The Album:
Hyper Reels is a collection of dialogues exploring parallels between human consciousness and technological advancement. The music peaks and valleys to the polarities of turbulent and serene emotions of the human psyche. Cues throughout the record reflect the integration of man and machine.

Track by track explained by the band:

1. Catalyst: Catalyst was the last song we wrote for the album and became an instant favourite. We believe it shows the full array of sounds in one song. Catalyst features signature Maitreya song devices like; riff-heavy sections, clean-ambient moments, big breakdowns, melodic lead passages, anthemic chorus vocals, a drum solo and progressive exploratory song structure. We wrote this song about Mark and his catalyzing role in bringing the band together, Mark’s dedication to the band in being able to organize various elements of writing, recording, and performance cannot be understated. In the same spirit, this is a song that has a very grateful and optimistic tone.

2. Departed: Departed keeps the energy high and is the most technically complex song on the record. Departed borrows some operatic influence and is one of the more progressive songs. The lyrical ideas stem from AI fiction such as Westworld, The Matrix, and Blade Runner, with themes of questioning consciousness and revelations about the nature of truth.

3. Radical: Radical is about a human who integrates his body and mind with technological upgrades, then regrets his decisions after the artificial intelligence takes control of his consciousness. Radical showcases our signature spin on the traditional metalcore sound. Utilizing the archetypal story of someone getting what they wish for in a more negative way than they had imagined, like a genie, or the Twilight Zone. This song has a more angry and oppressive tone to reflect the struggle of the character getting consumed by his own technological greed.

4. Summit: Summit is an exploration of the concept of spiritual value, and the way that giving time and attention to things gives them power. At times we give this power to things or concepts which do not add positivity to our lives but instead hollow and degrade our existence. Inspired by the novel American Gods by Neil Gaiman and the show of the same name. The song also touches on the themes of tradition versus postmodernism; Do we trust in the concrete past or look to the future, free from constraint?

5. Invaders: Invaders is a song questioning the place and impact of technology in our world. Do things that make life easier make us better as a whole society? Does the ability to distract ourselves from our lives with an ever-growing industry of media help us, or does it make the very things we’re distracted from grow and ultimately hinder our personal growth? Is there a way back to the way life was before, or are we stuck now with the culture of dissociation and distraction. The impact of technology has had is viscerally felt by the band, having been part of the last generation to grow up without it for the majority of childhood. No one on the planet can predict how technology will affect humanity as a whole, for the better or for the worse. Technology has been so useful in creating connection and intimacy, while also encouraging distraction and apathy. We name drop Black Mirror in this song as a snarky reference to the show that encompasses the more pessimistic side of this technological commentary.

6. Bloom: Dreams are something we all share, whether it’s a pleasant walk through a garden with a long lost friend, a surreal inversion of mundane life, or a horrific run in with an unknowable evil, we all have them at some time. As universal as dreams themselves is the wish to control these experiences. Bloom explores this idea, through the eyes of a dreamer who finds themselves tormented until they gain control. Inspired by the concept of lucid dreaming, and the imaginative power that dreams hold. Drowning in your own consciousness can be quite scary, and we try to capture some of that energy in a creative way.

7. Pilgrim: Pilgrim has one of the more broad scoped lyrics concepts in the album. It talks about social trends and the kind of philosophy which organizes our society. Our society is organized in a way that leads many to feel imprisoned and trapped within the social norms and systemic structures that exist. This song seeks to emulate both the feelings of imprisonment, as well as a more positive vision for our collective societal future.

8. Flesh Engine: The original inspiration for Flesh Engine came after seeing Meshuggah live while tripping on acid. The moshpit seemed to engulf the entire room, the band was like a mechanical engine that churned all the bodies into the room into a massive turbine. Flesh Engine is a big ol’ love letter to identity philosophy as well as a lil sprinkling of cartesian dualism. Commenting on how identity can be defined as the sum of one’s memories and experiences. The song also comments on how prevalent overthinking is and also representing negative thought spirals that are an unproductive waste of thought. The energy of the song feels frustrated, the frustration of figuring out one’s identity, as well as one’s own mind.

9. Hyper Reels: A manifesto compilation of seed messages from songs spanning our discography.

10. Iswara: Similar to Pilgrim, Iswara deals in a broad societal commentary. This time specifically reflecting on the culture of fear that exists and rules most of the world. At a time when capitalism and consumerism are dominant powers, our spiritual selves are left starving for genuine meaning and purpose. This song reflects the plight of the average soul, trying to live without fear, and focusing on the things we do have, rather than what is absent.

L-R: Matt McCabe (Guitar), Steve McMillan (Drums), Matt Cutrara (Vocals), Lyam Morrison (Bass), Mark Wylie (Guitar)

Photo Credit – Jon Butler

Maitreya (may-trey-ah)

Maitreya is a progressive-metalcore band located in Whitby, Ontario. Maitreya has been active in the Oshawa metal scene since 2016.  In the early days, they took up residency at a local pub, and they have built a solid regional following through live performance. They are currently focused on expanding their reach online.

The self-titled debut album – released August 2017 – provided the band opportunities to reach new markets across the GTA with a well-received product that sold out in off-stage sales. Maitreya showcased at Kitchener Metalfest, Wacken Metal Battle Toronto, 5/4 Fest as well as supporting the successful challenge for the Guinness World Record for Longest Concert (Stouffville, 2017). The band has leveraged their voice on stage raising funds for Sick Kids Hospital, Grand River Regional Cancer Centre, and United Way Toronto.

Maitreya’s polished sound reflects the unitive chemistry and evolution of the group. With wall-of-sound, riff-heavy through-composed works, guitarists/songwriters Mark Wylie & Matt McCabe include textural and harmonic palettes to create a wide sonic soundscape in the genre. Bassist, Lyam Morrison, and drummer, Steve McMillan, carve out space for groove-centric drum and bass interplay deftly navigating metric modulations, tempo changes, and polyrhythmic maneuvers. New works feature a dramatic and theatrical approach to the delivery of Matt Cutrara’s vocal performance. The lore of futuristic/hyperreal themes in sci-fi TV shows like Black Mirror & Westworld shape thematic commentaries on the impact and aftereffects of technological integration with human consciousness.

Maitreya is a brotherhood; a collaborative expression of the human experience. The music acts as a mirror reflecting the dualistic states of nature contrasting loving, blissful, and uplifting vibrations and the dark, turbulent inertia of ones’ deepest fears. Maitreya doesn’t shy away from these emotions, instead uses them to catapult the music into expansive themes and new territories that expand the listener’s perspective of metal-genre boundaries.

Maitreya originates from Sanskrit, translating to future buddha. Through this bodhisattva character, the band anthropomorphizes metaphysical concepts, spirituality & mysticism, science fiction aspects, and entheogenic experiences present in their music.

Recording and production for the sophomore album, Hyper Reels, is currently in its completion stage and set for release in 2021.

Album and Live Band Line Up:
Matt McCabe – Guitar
Steve McMillan – Drums
Matt Cutrara – Vocals
Lyam Morrison – Bass
Mark Wylie – Guitar

Discography:
2017 – Self-Titled LP
2019 – Colonize – Single
2021 – Hyper Reels LP

Shared Stage with:
Arkona, Valfreya, Throne to the Wolves, Creatures, Vodnik, Atria, Raider, Lutharo, AEpoch, Vesperia, Sanguine Glacialis, Fallen Legion, The Divided Line, Devouring Saturn, Pillars of Autumn, The Frame Defect, Mount Abora, The Dead Centuries, Pantomime, Bodhi Jar, Kraign, Kavara, Decatur, Kohlit, Adversus, Please Stand By, God Helmet, Rolodex Darko, Kozen, Sixteen Loko, The Animist, Telomere, Her Majesty the King, and more

Tour and Festivals:
2017 – 5/4 fest – Toronto, ON
2018 – Wacken Metal Battle – Toronto, ON
2018 – Kitchener Metalfest – Kitchener, ON

0 EPK – Manuel Barbará – Moonrise (2021)

  • January 9, 2021
  • by Asher
  • · EPKs · Manuel Barbara

EPK – Manuel Barbará – Moonrise (2021)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

For fans Dream Theater, Keith Merrow, Periphery, Tesseract, Jeff Loomis

Facebook.com/8stringalchemy | Instagram.com/8stringalchemy  | YouTube

8stringalchemy.bandcamp.com | Spotify | Apple Music

Album Title: Moonrise
Release Date: March 19, 2021

Track Listing
1. Moonrise (5:08)
2. The God Complex (6:08)
3. Children of Prometheus (4:54)
4. Mirrors I – Image (5:10)
5. Mirrors II – Silver (3:48)
6. Mirrors III – Reflection (4:20)
7. The Nightmare Weaver (6:15)
Album Length: 35:45

Album Credits
– All Songs Performed by: Manuel Barbará, Nick Thorpe, Joey Ferretti
– All Songs Written by: Manuel Barbará
– Produced by: Manuel Barbará and Charles Henry-Volk
– Mixed and Mastered by: Charles Henry-Volk
– Album Art: Annie Tohill
– Drums Recorded by Benny Grotto and Sam Stallings at Mad Oak Studios

Album Band Lineup:
Manuel Barbará – Guitars, Programming
Nick Thorpe – Bass
Joey Ferretti – Drums

Discography
2021 – Moonrise

Manuel Barbará is a New Jersey based musician and composer with a passion for progressive metal and contemporary classical music. He is a graduate of Berklee College of Music where he earned a degree in guitar Performance and Composition.

He was not born into a musical family. He did not grow up surrounded by music, and he did not dream of being a musician from a young age. In fact, despite taking piano lessons as a child, he rarely thought of music even as a recreational activity. For most of his teenage years, he intended to pursue a Computer Science career. However, inspired by bands such as Iron Maiden and Pink Floyd he took up guitar at the age of sixteen. Under the tuition of renowned guitar teacher Matt Mills, he successfully auditioned for Berklee less than three years later.

Metal drew him in with its complexity and sophistication, energy and passion. Through it, he found a gateway into the classical tradition. He has had the opportunity to study both of these styles under mentors such as Joe Stump, Jon Finn, Shaun Michaud, Norm Zocher, Marti Epstein, and Arnold Friedman.

Precision, structure, discipline, and ambiance, characterize both his guitar playing and his compositional style. Drawing from his eclectic musical background he takes equal inspiration from bands like Periphery, Tesseract, and Dream Theater as well as from instrumental guitarists like Tony MacAlpine and Paul Wardingham and composers such as Dubussy, Bartók, Pärt, and Stravinsky.

Taking his training as a classical composer and applying it to this style of modern metal that he loves so much, and going beyond the standard Yngwie “neo-classical metal” influence, Barbara will present his debut album “Moonrise” this coming March 2021.
Barabra adds:
“This music has been part of my own little universe for so long, and I am beyond excited to share it with the world. The process of making the album has been an epic journey, a learning experience, and a trial by fire all wrapped into one and I am looking forward to bringing it to an audience. The purpose of music for me, after all the craft and technique and study are done, is to draw the listeners in and allow them to experience totally new worlds. The details of those worlds will be up to each individual person, but I hope the audience will join me on this small adventure I’ve prepared.”
Much of the writing of the full length was done during the very early days of his training in classical composition and he has even more music to come (unrecorded, as of yet) that is much more refined and elaborate in its use of compositional techniques and harmonic language.

0 EPK – Jeff Pennachio – Setting The Stage (EP) (2021)

  • January 2, 2021
  • by Asher
  • · EPKs · Jeff Pennachio

Jeff Pennachio – Setting The Stage (EP) (2021)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

For fans of Plini, Dream Theater, Trans Siberian Orchestra

EP Title: Setting The Stage
Release Date: January 22, 2021
Label: Self-Release
Distribution: Distrokid

Jeff Pennachio (wixsite.com) | Facebook | Instagram.com/voidboi2032

“You really have to admire what instrumental wizard Jeff Pennachio is doing on his new song, “Interposition”. A multi-instrumentalist that does indeed record every instrument himself (guitars, bass, drums, programming), his new solo EP Setting The Stage drops later this month… While relatively short at under 4 minutes long, the new song does a good job of offering what Jeff is all about – instrumental and progressive goodness that straddles the line between progressive rock and progressive metal with ease.” – New Fury Media

Jeff Pennachio – Photo Credit – Jason Checkla Photography

Jeff Pennachio comes from New York State in the USA and besides being known for his guitar playing in Design The Void, he is also releasing his own solo work.

Between 2016 and 2018 he wrote the solo material while in a cover group titled The Stay. The group did not steer in the direction so much of original music, but the inspiration was there to start composing music of this sort. He began working on the tracks as a small compilation for potential future work. After a couple of years had passed, Pennachio has finally taken the time to release this music to the public.
 
Pennachio writes and records all guitars, drums, bass, and orchestrations and will be continuing on composing music that takes inspiration from soundtracks. He also finds inspiration in bands such as Dream Theater, Plini, and Trans Siberian Orchestra. His debut solo EP “Setting The Stage” is due out January 22, 2021.

EP Title: Setting The Stage
Release Date: January 22, 2021
Label: Self-Release
Distribution: Distrokid

Track Listing:
1.Wilson Theater (5:29)
2.Interposition (3:34)
3.The Voyager (4:27)
EP Length: 13:32

EP Credits:
• All songs performed by: Jeff Pennachio
• All songs written by: Jeff Pennachio
• Produced by: Joshua Johnson
• Mixed by: Joshua Johnson
• Mastered by: Joshua Johnson
• Album Artwork by: Entruvia

Album Band Line Up:
Jeff Pennachio – Guitars, Drums, Bass, Orchestrations, Programming

0 EPK – Malice Divine – Self-Titled (2021)

  • December 29, 2020
  • by Asher
  • · EPKs · Malice Divine

EPK – Malice Divine – Self-Titled (2021)

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Album Title: Malice Divine
Release Date: February 19, 2021
Label: Self-Release 

Facebook.com/malicedivineband | Instagram.com/malicedivineofficial | YouTube

Malicedivine.bandcamp.com | Spotify | Apple Music

Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

Toronto, Canada’s Malice Divine is a solo project contrived by Ric Galvez who had always had the dream of entire creative control. He wanted to expand beyond being known as just as a lead guitarist. Galvez has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Galvez has a major in music from York University and through Malice Divine he shows off his prowess across instruments. His lyrics are inspired by psychology, spirituality, and divination, as well as personal experiences especially those involving the overcoming of obstacles and hardships using the resulting verses as a form of empowerment.

The first offering from Malice Divine, a self-titled full length, comes in 2021 with Dylan Gowan (Vesperia, Iomair) playing session drums. There are plans to flesh out a live lineup for Divine Malice when the time is right.

What people can expect from seeing Malice Divine live is highly aggressive black and death metal inspired music with shreddy and virtuosic guitar solos adding a melodic layer that isn’t common in the genre.

Malice Divine’s self-titled debut album is due out February 19, 2021.

Album Title: Malice Divine
Release Date: February 19, 2021
Label: Self-Released  

Track Listing:
1. Somnium Lucidus (2:00)
2. Quantum Manifestation (7:11)
3. Malicious Divinity (5:54)
4. Triumphant Return (5:35)
5. Into Subconscious Depths (8:02)
6. Ancient Visions (6:14)
7. In Time (8:11)
8. Intuitive Realization (3:40)
9. The Transcendence Of Isolation (9:46)
Album Length: 56:37

Album Credits:
• All songs performed by: Malice Divine
• All songs written by: Ric Galvez • Produced by: Ric Galvez & Tyler Williams
• Mixed by: Tyler Williams
• Mastered by: Lasse Lammert
• Album Artwork by: Pzycho Eka (Pzychopart)
• Canadian Content (MAPL)

Album Band Line Up:
Ric Galvez – Vocals/Guitars/Bass
Dylan Gowan – Drums (Session)

Discography:
2021 – Self-Titled LP

0 EPK – Plague Weaver – Ascendant Blasphemy (2021)

  • December 22, 2020
  • by Asher
  • · EPKs · PlagueWeaver

EPK – Plague Weaver – Ascendant Blasphemy (EP) (2021)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

For fans of Rotting Christ, Varathron, old Samael, Triptykon, Dissection

Album Title: Ascendant Blasphemy
Release Date: February 26, 2021
Label: Self-Release

Facebook.com/plagueweaver | Instagram.com/plagueweaverband | Twitter.com/plagueweaver | YouTube   

Plagueweaver.bandcamp.com | Spotify | iTunes

“From the moaning leads to the slow lurching cadence and the deep monstrous roars, the opening of the title song sounds like the beginning of a death/doom track, but although that oppressive feeling of plague and decay persists, the band also pitch into fits of percussive mayhem, fevered riffing, and vocal madness, and they stitch flickering bits of guitar lunacy into the song as well.” – No Clean Singing (2020 Review –  Through The Sulfur Eyes)  

““Through The Sulfur Eyes” is a solid EP… the overall sound that is achieved is impressive… PLAGUE WEAVER has an interesting doom-like black metal sound that works well with layered deep and high-pitched vocals. I think fans of doom metal and black metal aficionados will appreciate this one.” 8/ 10 – Metal Temple (2020 Review –  Through The Sulfur Eyes)

“Through The Sulphur Eyes takes the best from Death, Black and Post Black and uses that metallic cocktail shaker from hell to greatest effect. The outcome is a fiery Extreme Metal piece that made us go for seconds a few times in a row. A true, blazing hot slab of alloy that will please the sturdiest of metalheads.” – Rock Music Raider (2020 Review –  Through The Sulfur Eyes)

“breaking through to listeners in 2020 is a seriously steep hill to climb and bands have to either push the envelope, do something that can’t be found elsewhere, or just amaze and electrify with each release to grab attention and stay relevant. Plague Weaver do all that on Through the Sulphur Eyes and it’s up to you to show them how good a job they’ve done. What I’m saying is, go buy it. Now.” – Nine Circles (2020 Review –  Through The Sulfur Eyes)

“Through crawling malignancy is how Plague Weaver approach their art, and these songs are filled with grim mood and malevolent auras” – Indy Metal Vault

“There’s a darkness running throughout Through the Sulphur Eyes that is quite powerful… The riffs are weighty, drenched in a toxic malaise, yet also possessing the razor-sharp cutting edge of underground black metal. It’s a captivating combination, that moves forward at a steady, relentless pace. What really lingers though is a feeling of uncleanliness; this music is corrosive, carrying with it a taint of infection and, well, plague.” – The Sound Not The Word (2020 Review –  Through The Sulfur Eyes)

Download Album Cover | Download Album Lyrics

Album Title: Ascendant Blasphemy
Release Date: February 26, 2021
Label: Self-Release

Track Listing:
1. Nothing Is Sacred (5;24)
2. Lay Fire (4:34)
3. Blood Runs Not (4:17)
4. Seek To Betray (4:34)
5. Upheaval and Arson (5:29)
6. Of Quivering Doves (4:34)
7. Deicidal Usurper (4:37)
8. In Exitium Caeli (4:41)
Album Length: 38:12

Album Credits:
• All songs performed by: Plague Weaver
• All songs written by: RM/JC
• Produced by: RM
• Mixed by:RM
• Mastered by:RM
• Album Artwork by: Gustave Dore
• Canadian Content (MAPL)

Album Band Line Up:
JC – voc
RM – guitars/bass/keyboards

Discography:
2019 – “Plague Weaver” EP
2020 – “Through the Sulphur Eyes” EP
2021 – “Ascendant Blasphemy” LP

=====================================================================

The album described as a whole by the band: 
Ascendant Blasphemy is a pretty cold journey from start to finish. The album’s tracks are quite diverse in terms of tempo, and sonic tone. There are equal parts mid and fast-paced tracks, with a couple of slow, doomy ones near the end, to help bring everything to a close. This album confidently pulls the listener in a few choice directions. With confident composition, the instrumentals lay a framework for powerful, diverse, and seemingly uncontrolled vocals. The riff-driven style is bound to attract some death metal listeners in addition to BM heads looking for something grim to bang their heads to.

Track by track explained by the band:
1 – Nothing Is Sacred
The album opener. This song starts off with a low-mid tempo, as it attempts to welcome the listener. The track quickly explodes into the verse sections with a faster tempo and more energetic vocals. The bridge introduces some extra guitar leads, and prepares the listener for the repetitive outro vocals, repeating the phrase ‘Nothing is Sacred. Let it be done.’

2 – Lay Fire
‘Lay Fire’ is a great example of just how fast, mean, and cold Plague Weaver can be. The main riffs ‘run’ at a comfortable pace along with the vocals, eventually winding down into a darker, wider-sounding bridge, complete with ambient screams. This tempo and mood carry the song to its end.

3 – Blood Runs Not
This song is a mid-tempo crusher! A consistent blastbeat carries the main riffs, with vocals that creep slowly, maintaining a powerful tone that really aids the sonic space in the verse sections. The bridge is a slower, more punishing section. Vocals here were delivered especially raw. This part is revisited at the end of the song, with lyrics aiming to condemn someone/something – “Blood runs not. Your neck spills lies, instead.”

4 – Seek to Betray
Starting fast and grim, then transitioning to a satisfying mid-tempo roll. The two main riffs of this song compliment each other perfectly. The vocal writing and recording process was particularly fun. There are a lot of rhythms and tonal changes here that don’t show up in the other tracks.

5 – Upheaval and Arson
Another great fast-mid tempo song. This is one of the more exciting tracks on the album. Lots of power in the low growls, with the intention of creating a ‘sharper’ tone in the verse sections. These vocals are just angry. Musically, this song is one of the more satisfying ones. With trading riffs and a tasteful solo to help bring the track to a close, it stands with ‘Lay Fire’ and ‘Deicidal Usurper’ as one of the faster, meaner songs.

6 – ..of Quivering Doves
Hello doom. This is one that hearkens back to the previous EP’s doomier songs – A definite evolution of that style. This song should signal to the listener that the album is nearing a close, as it (along with the final track) aims to illustrate some kind of aftermath. It was also the perfect sonic aesthetic to attach the image of ‘quivering doves’ to. This song is a desolate winter, where doves lay and quiver, helplessly dying along with the hope that they represent.

7 – Deicidal Usurper
Aaaaaand we’re back to fast, grim, and mean! Deicidal Usurper grabs the listener right out of the gate, reminding them of the earlier tracks. This song has another ambient bridge section, which hangs on just long enough to thrust the listener back into the main riff for the next verse-chorus. The solo in this song is tasteful and proud, with ambient screams feeding the atmosphere behind it. The outro is a bit of a victory-verse feel, winding down into a harpsichord section that introduces the final track.

8 – In Exitium Caeli
The final track is hypnotic doom and gloom. ‘In Exitium Caeli’ is a second imagining of the aesthetic ideas left with the listener in ‘..of Quivering Doves’ – the final realization of those ideas. It seemed perfectly fitting to introduce such a song with the line “There is nothing.” – Sometimes the most basic imagery feels the best. The song continues on, with a repeating riff and a consistent drumbeat. The song ends with hypnotic guitar leads along the vocals chanting “Exitio Caeli” – “Destroy the sky” or in this case, “Destroy heaven”.

L-R – JC – Vocals, RM – Guitars/Bass/Keyboards

Plague Weaver is a black/doom metal band hailing from Ontario, Canada. The band was birthed in 2018 as a solo project by RM whom released two EPs, 2019’s self-titled debut and 2020’s ‘Through the Sulphur Eyes’. Both releases displayed traditional black metal roots delivered through a modern, doom-inspired atmosphere.

Joined in 2020 with the addition of new vocalist JC taking care of lyrics and vocal arrangments, Plague Weaver started its next chapter as a duo and quickly began work on creating punishing, grim, riff-driven black metal for the next assault entitled ‘Ascendant Blasphemy’. Set for release in 2021, their first full length is an evolution from its predecessors. More aggressive, and riff-driven but without abandoning Plague Weaver’s doom-inspired roots that can be heard on such tracks as ‘In Exitium Caeli’ and ‘..of Quivering Doves’. Overall, there’s a lot of musical variety across the new record, and a consistency to hold everything together, from start to finish. The album’s lyrics are a loose concept written by JC that follows a series of Satanic philosophies or questions considered from a Satanic perspective, illustrated to a loose fictional ideal. This album aims to invigorate and distress the listener.

“Ascendant Blasphemy” is due out February 26, 2021.

0 EPK – Rage In My Eyes- Ice Cell (2019)

  • December 21, 2020
  • by Asher
  • · EPKs · Rage In My Eyes

EPK – Rage In My Eyes- Ice Cell (2019)

For fans of Helloween, Symphony X, Iron Maiden

Album Title: Ice Cell
Release Date: August 14, 2019
Label: Self-Release
Distribution: Self-Release

RageInMyEyes.com | Facebook.com/rageinmyeyes | Instagram.com/rageinmyeyes | Twitter.com/rage_in_my_eyes | Youtube.com/RageInMyEyes

Spotify | Apple Music | Deezer | Amazon | Youtube Music | Google Play

[Download Album Cover | Download Album Lyrics]

Album Title: Ice Cell
Release Date: August 14, 2019
Label: Self-Release
Distribution: Self-Release

Track Listing:
1. Winter Dream (4:46)
2. Surrounded By Black Mirrors (4:16)
3. Dive Deep (4:14)
4. Hole in the Shell (4:35)
5. Death Sleepers (5:02)
6. Inner Fate (3:45)
7. Blank (5:23)
8. The Core (3:39)
9. Soul Gatherer (4:19)
10. Burn The Throne! (4:43)
11. Draft of Illusions (5:03)
Album Length: 49:50

Album Credits:
• All songs performed by: Rage In My Eyes
• All songs written by: Rage In My Eyes
• Produced by: Magnus Wichmann
• Mixed by: Adair Daufembach at Daufembach Studios, Hollywood, CA, USA
• Mastered by: Adair Daufembach at Daufembach Studios, Hollywood, CA, USA
• Album Artwork by: Tiago Masseti

Album Band Line Up:
Jonathas Pozo – Vocals
Magnus Wichmann – Guitar
Leo Nunes – Guitar
Pedro Fauth – Bass
Francis Cassol – Drums
Special Guest on tracks 1, 4 & 5:
Matheus Kleber – Accordion
Special Guest on track 11: Vinícius Möller

Live Band Line Up:
Jonathas Pozo – Vocals
Magnus Wichmann – Guitar
Leo Nunes – Guitar
Pedro Fauth – Bass
Francis Cassol – Drums  

L-R: Magnus Wichmann – Guitar, Pedro Fauth – Bass, Jonathas Pozo – Vocals, Leo Nunes – Guitar, Francis Cassol – Drums

Photo Credit by Mariana Mantovani

RAGE IN MY EYES is a heavy metal band from Brazil. The band’s first album was recorded in 2017 and 2018, partially in Los Angeles and partially in their native Porto Alegre, Brazil. For 17 years the band went under the name Scelerata, which had a huge history in the Brazilian heavy metal scenario. The band had three albums released worldwide, including the acclaimed album “The Sniper” – partially recorded in Germany, at the Blind Guardian studio – that featured guest appearances from Paul DiAnno (former Iron Maiden) and Andi Deris (Helloween).

Scelerata was also Paul DiAnno’s official Brazilian backing band from 2009 to 2014, playing 50+ shows with this heavy metal icon. With this huge background, the musicians are now aiming for the future. RAGE IN MY EYES introduces to the world a unique kind of music. Being from southern Brazil, the band shows a side of the country most people don’t know about. Blending heavy/prog metal with elements of milonga – which is a music genre from southern Brazil, Uruguay and Argentina – the band presents a never-heard metal before.

In the albums “Darkness and Light” (2006) and “Skeletons Domination” (2008) (released as Scelerata), the band had already inserted instruments such as accordion in their songs. Renowned gaucho musician Renato Borghetti recorded the harmonica on the band’s first album and accordionist Matheus Kléber was featured on the second album. In the new song, “Death Sleepers” there is again the participation of accordionist Matheus Kleber. This is a trend that should improve in the near future. This mix of styles occurs naturally, depending on the roots of the band. Magnus Wichmann, guitarist and composer of the band, is the grandson of the legendary gaucho musician Teixeirinha.

Guitarist Magnus Wichmann, the grandson of acclaimed Southern Brazilian folk musician Teixeirinha, highlights the arrangements of milonga and accordion present on the album: “In previous albums we had already added these elements and we saw that they combined very well with our style and compositions, and best of all, is that fans have approved these experiments. We want to present something new and, in the future, we will come up with more ideas.”

RAGE IN MY EYES’ new album, entitled “Ice Cell”, has just been made available on all digital platforms. “Ice Cell” was recorded between 2017 and 2018 in the cities of Los Angeles (USA) and Porto Alegre (Brazil) and was produced by Magnus Wichmann at Magneto Studio (Brazil) and Daufembach Studio (USA). It was mixed and mastered in Los Angeles by the renowned Brazilian producer Adair Daufembach. The cover was designed by Tiago Masseti, who has worked with Hibria, Luis Kalil and Daydream XI. According to the band, the graphic art seeks to show the mascot Sage in a darker mood: “We wanted to present a more realistic Sage, with a strong expression and at the same time that seemed marked by life; we brought him closer to us.”.

Drummer Francis Cassol’s recent move to the United States has helped the band strengthen relationships with producer Adair Daufembach. “Recording here in the US with Adair was an amazing experience. We have achieved impressive results in terms of sound, and I’m sure it will please our fans and metal fans in general.” Jonathas Pozo (vocals), Magnus Wichmann, and Leo Nunes (guitars), and Pedro Fauth (bass) keep the Brazilian base active and are setting the stage for the opening show for Iron Maiden on October 9 at Gremio Stadium in Porto Alegre.

“Ice Cell” is an independent release, initially out only on digital download and streaming platforms, as Jonathas Pozo explains: “We recently had a successful crowdfunding campaign that surpassed the goal and allowed us to make the ‘Death Sleepers’ video. We are looking into the possibility of a new campaign for a physical album distribution, offering different kits and packages to the fans.”

Artist Endorsements:
Drummer Francis Cassol is endorsed by: Paiste Cymbals, Aquarian Drumheads, Orbian Drums, C. Ibañez Drumsticks and Urbann Boards Drummer Shoes

Discography:
Under new band name Rage In My Eyes:
2019 – Ice Cell
2020 – I Don`t Want To Say Goodbye (single, tribute to Andre Matos)  

Under previous band name Scelerata:
2006 – Darkness & Light
2008 – Skeletons Domination
2012 – The Sniper

Shared Stage with:
Iron Maiden, Deep Purple, Kamelot, Gamma Ray, Angra, Edguy

Tour and Festivals:
2020 – Roadie Crew Online Festival
2020 – Bode Online Metal Fest
2019 – Opening for Iron Maiden – Porto Alegre, Brazil
2014 – Motorcycle Rock Cruise with Paul Di’anno as backing and opening band– 2 shows
2013 – Brazilian Tour with Paul Di’anno as backing and opening band – 12 shows
2011 – Brazilian Tour with Paul Di’anno as backing and opening band – 11 shows
2010 – Brazilian Tour with Paul Di’anno as backing and opening band – 19 shows
2009 – Brazilian Tour with Paul Di’anno as backing and opening band – 10 shows

0 EPK – Drown In The Abyss – Rising From The Tides (single) (2020)

  • December 16, 2020
  • by Asher
  • · Drown In The Abyss · EPKs

EPK – Drown In The Abyss – Rising From The Tides (single) (2020)

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

For fans of Shadow of Intent, Lorna Shore, Signs of The Swarm, Thy Art Is Murder

Single Title: Rising From The Tides
Release Date: December 18, 2020
Label: Self-Release    
Distribution: Distrokid

Facebook.com/drownintheabyss | Instagram.com/Drownintheabyss | YouTube

Bandcamp | Spotify | Apple Music | Amazon

“‘Rising From The Tides’ is the first song we wrote, with the help of Chris Wiseman from Shadow Of Intent and Currents. This has been a pretty long process because of some life events, but a very fun and informative one. I used to produce Hip-Hop beats and this is way different. In Hip-Hop, everything is a pattern that repeats itself with minor changes in different sections, in metal, it’s a whole new level of production. You have so many things to write, arrange, and mix. This was for me a big learning experience and this upcoming album is going to help me a lot on my producing/mixing journey.” – Alexandre Lavoie – Guitars

About:

Drown In The Abyss was formed in Québec, Canada by Alexandre Lavoie. An unrelenting barrage of chaos and brutal riffs, it takes form as a symphonic deathcore band with lyrical themes primarily revolving around huge creatures of the abyss invading dry land.

Born in Abitibi-Témiscamingue, Québec, Lavoie started producing music in 2017 making hip-hop beats. His passion for metal and playing guitar slowly came back and he left the hip hop genre for something more brutal and epic. Film music has always been one of the most inspiring music genres for him, so he wanted to introduce the orchestra behind the brutal riffs.

After playing guitar for nearly seven years, he decided to form his own band with the help of his vocalist friend, Sam Caron. Thus Drown In The Abyss was born. Part horror, part orchestra, but entirely heavy, the band is a force to be reckoned with.

In 2021, they will release their introductory album “Rising From The Tides” and on December 18, 2020, they will reveal the debut single and the title track, which was co-produced by Chris Wiseman (Shadow of Intent) plus mixed and mastered by Christian Donaldson (Cryptopsy).

Single Title: Rising From The Tides
Release Date: December 18, 2020
Label: Self-Release    
Distribution: Distrokid

Track Listing:
1. Rising From The Tides (4:27)

Single Credits:
• All songs performed by: Alexandre Lavoie, Sam Caron
• All songs written by: Sam Caron
• Produced by: Alexandre Lavoie, Chris Wiseman
• Mixed by: Christian Donaldson
• Mastered by: Christian Donaldson
• Album Artwork by: Ryan Bittner
• Logo – Caelan Stokkermans
• Canadian Content (MAPL)

Single Recording Band Line Up:
Alexandre Lavoie – Guitars
Sam Caron – Vocalist

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