Category: EPKs

0 EPK – As Oceans Divide – Self-Titled (2026)

April 30, 2026
by Asher
· As Oceans Divide · EPKs

EPK – As Oceans Divide – Self-Titled (2026)

Publicist – Jon Asher – jon[@]ashermediarelations.com

For fans of Killswitch Engage, As I Lay Dying, All That Remains, Unearth, God Forbid

“This record came from a very real place for all of us. It’s a reflection of everything we’ve experienced over the past while, personally and as a band, and that naturally shaped both the sound and the message. There was no interest in forcing a concept. It was more about being honest and letting the music speak for where we were at.”

“We wanted to create something that people can sit with from start to finish and actually feel. There’s a lot of contrast throughout the album, heavy, aggressive moments balanced with melody and atmosphere, but it all serves the same purpose. Nothing is there just for the sake of it.”

“Lyrically, it deals with struggle, loss, and confronting what’s beneath the surface, but also finding a way to push through that. Musically, it’s more focused and dynamic than anything we’ve done before. Every part is intentional.”

“At the end of the day, this album is about feeling something real. Whether that’s intensity, reflection, or release, we want people to connect with it in their own way.”

Asoceansdivide.com | Facebook.com/asoceansdivide | X.com/as_oceansdivide

Youtube.com/@AsOceansDivide | Instagram.com/asoceansdivide

Asoceansdivideband.bandcamp.com | Spotify

[Download EP Cover | Download EP Lyrics]

EP Title: Self-Titled
Release Date: July 9, 2026
Label: Self-Release
Distribution: DistroKid
Genre: Metalcore
Location of Band: Ontario, Canada

Track Listing:
1. Into The Dying Light – 4:04
2. White Noise – 3:31
3. World Collapse – 3:16
4. Cursed Oblivion – 3:59
5. One Of The Herd – 3:25
EP Length: 18:15

EP Recording Credits:
• All songs performed by: As Oceans Divide
• All songs written by: As Oceans Divide
• Produced by: Thomas Ireland
• Mixed by: Thomas Ireland
• Mastered by: Thomas Ireland
• Album Artwork by: Mikio Murakami (Silent Q Design)
• Are you a Member of SOCAN
• Canadian Content (MAPL)

Album Band Line Up:
Tom Emmans – Vocals
Thomas Ireland – Guitar
Eric Camilleri – Guitar
Matt McGuire – Drums

Live Band Line Up:
Tom Emmans – Vocals
Thomas Ireland – Guitar
Eric Camilleri – Guitar
Matt McGuire – Drums
Mark Sorge – Bass

==========================================

About the EP Artwork:

The artwork centers around a crest featuring a sea serpent bound in chains and wrapped around an anchor, set against a violent ocean backdrop. It represents the tension between control and chaos, something powerful trying to break free while being held down.

The serpent symbolizes the emotional weight and intensity that lives beneath the surface, while the chains reflect restraint, internal struggle, and the pressure of carrying that weight. The anchor adds another layer, representing both stability and the feeling of being pulled under, depending on how you look at it.

Visually, it mirrors the balance in our music between aggression and melody. There’s a constant push and pull between heaviness and atmosphere, just like the imagery suggests.

Overall, the artwork captures themes of struggle, depth, and resilience, facing what’s beneath the surface rather than running from it.

About the EP as a whole (LYRICALLY & MUSICALLY):

As a whole, the EP is built around contrast, both lyrically and musically. There’s a constant push between heaviness and melody, aggression and atmosphere, chaos and control. That balance is really at the core of what defines our sound.

Musically, it blends technical, hard-hitting elements with more dynamic and melodic sections, allowing each song to breathe while still maintaining intensity. There’s a strong focus on structure and flow, so every track feels like a journey rather than just a collection of parts.

Lyrically, the album explores themes of internal struggle, loss, resilience, and confronting what lies beneath the surface. A lot of it comes from real experiences, and there’s an emphasis on emotional honesty, turning those moments into something listeners can connect with in their own way.

Everything ties together to create an immersive experience. It’s meant to pull the listener in, hit hard when it needs to, and still leave space for reflection.

Track by Track (LYRICALLY & MUSICALLY):

Into The Dying Light is built around the idea of confronting the end, whether that’s death, inner collapse, or the breaking point of everything someone is carrying, and choosing to face it head-on rather than surrender to it.

Lyrically, the song explores themes of inner struggle, regret, and the weight of the past, with recurring imagery of being pulled down by those experiences. There’s a constant tension between giving in and pushing forward. Lines like “regrets like chains” reinforce that feeling of being held back, while the repeated return to “I walk into the dying light” becomes a statement of acceptance and defiance at the same time.

As the song progresses, that mindset shifts. What starts as something that feels like surrender evolves into resistance, culminating in a refusal to break or disappear. It walks a line between letting go and fighting back, leaving the interpretation open: is it acceptance, transcendence, or survival?

Musically, the track mirrors that journey. It moves between aggressive, technical sections and more melodic, atmospheric moments, allowing the emotion in the lyrics to fully land. The heavier parts drive the sense of urgency and pressure, while the melodic elements create space and depth.

The dynamic vocal performance plays a key role in that contrast, shifting between intensity and clarity to match the emotional weight of each section. Everything builds toward a final release that feels both heavy and cathartic.

Overall, Into The Dying Light sets the tone for the band’s sound, balancing heaviness with melody, and intensity with emotional depth.

==========================================

STORY ANGLES / FUN FACTS ABOUT THE BAND:

1. Matt (Aquila) and Tom’s (Odium) previous bands toured together. Embarked on a journey together all the way to the East Coast and back. Playing shows from Ontario to Quebec, to New Brunswick, all the way to the Bay of Fundy. Aquila and Odium developed a great bond together and have memories we will never forget.

2. Thomas Ireland’s band Battlesoul once showed up to open for Aquila in St.Thomas, Ontario, and blew us away. They wore kilts and put on one of the most intense shows we have ever seen.

3. Eric Camilleri is and once was one of the most established metal promoters in the Hamilton area. Booking acts like Beneath the Massacre, Despised Icon, Arch Enemy, Cryptopsy, and way, way more. He worked under the name Chaos Promotions.

4. Thomas Ireland has been a studio engineer for the past two decades, working with bands like Crimson Shadows, Primalfrost, Vesperia, and the recently reformed Blood of Christ, and many more.
https://exclaim.ca/music/article/icehouse_studio_brings_scandinavian_death_sounds_to_goderich_ontario

5. Matt McGuire also currently plays for Cowboys From Hell, an established Pantera Tribute band. Playing bars and theatres.

==========================================

As Oceans Divide, forged from years of friendship and a shared legacy in Canadian metal, is a new heavy force rising out of Ontario, Canada. Featuring members with roots in recognized acts such as Bloodshoteye, Aquila, Odium, and Battlesoul, the band brings together a lineup of seasoned musicians whose combined history gives their sound undeniable weight and authenticity.

Blending soaring melody with crushing rhythms, As Oceans Divide channels the heart of early 2000s metalcore through a modern lens. Their music moves effortlessly between harmonized guitars, driving mid-tempo anthems, and high-intensity metalcore assaults, all anchored by the dynamic power of vocalist Tom Emmans, the precision of drummer Matt McGuire, the creative foundation of guitarist Eric Camilleri, and the technical mastery of guitarist/producer Thomas Ireland. The result is a sound that is as emotional as it is aggressive, built on experience rather than imitation.

Their upcoming debut release showcases a band with relentless ambition and a clear musical identity, explosive, melodic, and unfiltered. With no interest in boundaries or trends, As Oceans Divide stands poised to carve out their own space, delivering music fueled by brotherhood, history, and two decades of dedication to the craft. This is a band built to leave a mark, and they’re only just getting started.

0 EPK – Nova Spei – Deracine (2026) (single)

April 24, 2026
by Asher
· EPKs · Nova Spei (Bam&Co. Heavy)

EPK – Nova Spei – Deracine (2026) (single)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I really think they will love the rebirth of the band with the change of vocal to the feminine, but even more intense. Into this one, we add some reflection about a sad part of our story…Something more organic than our previous album. Make them feel how passionate and how much fun we can have doing this… The subject of Deracine was important to Emmanuelle, given her background. It’s a topic that is still often silenced by governments, and she wanted to denounce it.” – Nova Spei – Dany Soucy – Founder, Rhythm Guitarist

For fans Gojira, Tesseract, Killswitch Engage, Spiritbox, Architects

NovaSpei.com | Facebook.com/NovaSpei | X.com/NovaSpeiBand | Instagram.com/novaspei | Youtube

Novaspei.bandcamp.com | Apple Music | Spotify

Online Store – www.novaspei.com/marchandise | Bam&Co. Heavy

“Une pièce qui a tout ce qui faut pour devenir un classique du métal québécois. Des phrases percutantes et pleine de sens sur une musique lourde à souhait.” – Ondes Chocs

“Nova Spei : Nouvel espoir sur la scène métallique au Québec” – Voir

“Bref un excellent album à se mettre sous la dent ou sous le sapin pour le temps des fêtes ! Supportez notre belle scène du Québec ! ” – Metal Universe (2021 – Sequentis – LP)

“so there they were, twelve times groovy metal in French – from Canada. “Sequentis” by NOVA SPEI offers many an entertaining song. A lot of it certainly ignites live in the mosh pit and causes the crowd to freak out because they know how to get their limbs moving with their riffs and fat grooves… an album that is fun and fans of the good old groove metal should like.” – Stormbringer (2021 – Sequentis – LP)

“”Along with a meticulous display of proficient musicianship, this entire album is not only a credit to its makers, but the multifaceted collection of influences that has firmly planted a seed deep within them over the years, and brings New Hope to both the listener and the band as you peel away the cellophane so to speak. As a result, this album won’t gather dust in any collection, and will keep heads bouncing and feet tapping from sofa to stage.”” – Stargazer Music Magazine (2021 – Sequentis – LP)

[Download Single Cover | Download Single Lyrics | English Translation of Lyrics]

Band: Nova Spei
Single Title: Déraciné – 4:07
Release Date: April 24, 2026
Label: Bam&Co-Heavy
Distribution: Believe Digital
Genre: Metal
Location of Band: Trois-Rivières, Québec

Single Recording Credits:
• All songs performed by: Nova Spei
• All songs written by: Nova Spei
• Produced by: Nova Spei
• Mixed by: Francis Perron – Radicart Studio (Voivod, Martyr, etc)
• Mastered by: Maor Appelbaum at Maor Appelbaum Mastering – California – U.S.A (Faith No More, Halford, Yes, etc)
• Album Artwork by: Flat Bathtub: Filip Ivanović personal playground
• Member of SOCAN and SOPROQ
• Canadian Content (MAPL)

Band Line Up:
Cédrick Charland – Lead Guitarist
Dany Soucy – Founder, Rhythm Guitarist
Emmanuelle Desbiens-Dubois – Vocal
Julien De Carufel – Drum
Nicolas Dumais-Brouillette – Bass, Vocal

=========================================

About the Single Artwork:

Filip Ivanovic has managed to capture in images what our rebirth is in a world full of pitfalls.

About The Single (LYRICALLY & MUSICALLY):

It mainly speaks of what the First Nations experienced, the uprooting of their values, their origins, and the abuses of the state.

=========================================

BAND STORY ANGLES / FUN FACTS:

1. We started imagining the next album with an approach as modern as Sequentis’s. But Francis Perron showed us how it could all sound much more organic, more raw, the way he worked with Voivod, and our focus completely shifted when we heard his first rough mix.

2. We didn’t know who to contact for mastering the songs, and when we were offered the chance to work with Maor Appelbaum (Faith No More, Yes, etc.), we thought it would never happen, and yet… he said yes and seems to have really liked what he heard! We’re not worthy! hahaha

3. This was the first time Nova Spei had recorded in a professional studio. We had recorded the two previous albums in our own facilities.

=========================================

Photo Credit – Joe Weller (Joe Lacerte)

NOVA SPEI, a French-language metal band from Quebec, launched/presented their first album, “Self-Titled” as the opening act for Anonymus on their December 2017 tour across Quebec. In 2019, they toured most of Quebec’s major cities during the band’s 30th-anniversary tour. By 2025, Nova Spei will have performed over 100 shows to promote the band in Quebec and Ontario.

NOVA SPEI was formed in 2012 by Dany Soucy (guitar) (Dook, Legion). Nicolas Dumais (bass) joined the band in 2014. Julien De Carufel (drums) arrived in August 2021, and it was, finally, in 2025 that Cédrick Charland (lead guitar), as well as Emmanuelle Desbiens-Dubois (vocals), joined the new version of Nova Spei.

In 2017, their first album was produced and recorded in their home studio in Champlain, and mixed, produced, and mastered in France by Anthony Chognard (Smash Hit Combo, CHSprod). Their single “L’homme aux 1000 Sourires” (The Man with 1000 Smiles) is in constant rotation on Quebec City’s RadioX 98.1FM, and their song “Ma Muse” (My Muse), and a few more can be heard during Montreal Canadiens games at the Bell Centre.

2019 marked the beginning of recording for their second album titled SEQUENTIS. The first single, “Qui Sème Le Vent” (Who Sows the Wind), was released in November 2019, but due to the pandemic, the album’s release was delayed by two years, until November 12, 2021.

After some lineup changes, 2026 heralded the return of the full band and the desire to hit the road again. An album titled TRINITAS is therefore in preparation for autumn 2026, with the intention of restarting the party on stage that is Nova Spei.

Band Line Up:
Cédrick Charland – Lead Guitarist
Dany Soucy – Founder, Rhythm Guitarist
Emmanuelle Desbiens-Dubois – Vocals
Julien De Carufel – Drum
Nicolas Dumais-Brouillette – Bass, Vocals

Discography:
2026 – Renaissance (single)
2021 – Sequentis – LP
2017 – Self-Titled LP

Music Placements: Montreal Canadiens games at the Bell Centre

Artist endorsements: Charbonneau Guitars

0 EPK – Paradise – Queen of Mars (single) (2026)

April 23, 2026
by Asher
· EPKs · Paradise

EPK – Paradise – Queen of Mars (single) (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Paradiserockband.com | Instagram.com/paradiserockmtl | Facebook.com/paradiserockmtl | Youtube.com/@paradiserockband5339

Paradiserockband.bandcamp.com | Spotify | Apple Music

“The Canada scene has been fire in recent years, and it’s great to see the spirit of rock ‘n’ roll alive and kicking up there. Think about it: in this jaded era of fake music, here’s a group of five genuinely real, thinking, feeling humans who make music that you can also see live. The vibes are infectious. They call it volcanic rock, and the band’s been at it in some form or another since 2002. After two initial releases in the early part of the century, Paradise returned to the recording studio in 2020 ready for a new beginning. Now following the release of Paradise, they’re bringing all the attitude, energy, riffing, and fuzz to bear in the brand single before us: “Queen of Mars.” Beginning with a splash of pedal-mediated wah, the song picks up a groovy, heart-pounding pace, joined by grinding desert revving perfect for the visuals of the music video. Vocals tell the story in gritty and clean tones of “straying beyond the desert’s edge” and encountering the elusive Queen of Mars, depicted as “a gypsy spirit, wandering this ancient land.” Mysteries abound and you are invited to trip with the band into this strange, electrifying realm. Paradise’s new single comes out on Tuesday, April 28th, so this is your chance to hear it first! Stick it on a playlist with Freedom Hawk, Sandveiss, Bone Church, Kal-El, and Blackwülf. Give ear…” – Doomed and Stoned

“Montreal based hard rock band Paradise have returned after a six year hiatus with a red hot new single, ‘Queen of Mars’. A sci-fi tale ripe with a deep bottom end, driving heavy riffs, percussive rolls, soaring guitar breaks and foreboding vocals, ‘Queen of Mars’ is a fantastic epic in a tidy four minutes. It’s also an impressive return to prominence as Paradise sets the stage with this strong statement. In rotation now on your Home for the Best New Rock… W-J-O-EEEE” -WJOE – Findlay’s Home for Rock & Roll

“Fans of melodic heavy rock, there’s a new sheriff in town!” – Jano Lapin (2020)

“Solid, driving Hard Rock from the quagmires of Quebec!” – Reek Of STOOM (2020)

“Brilliant from start to finish !” – Stoner Rock Army (2020)

“A record that growls like a hungry beast” – ARP Média (2020)

“Riffing melodic hard rock and metal seems to the recipe for Canadians PARADISE, hailing from Montreal. And they do it well!This is a truly giutar driven album including ten songs only, but with energy enough to please you. Among my fave tracks are the cool and heavy riffed ”Who Do You Wanna Be” and the tempo filled ”Away From You” – try to stand still to that one! Like AC/DC on dope, if I exaggerate a bit.” – Melodic.net (2020)

“The synergy of this quintet gives the listener a proper kick in the ass needed to remember why we fell in love with the format. They also lend proof as to why heavy metal is the cornerstone of the myriad of hard rock subgenres. Blistering guitar riffs, thundering drums, and of course ample swipes at stuffy establishment rules.” – Boston Rock Radio (2020)

“The album opens with “Straight From Hell” and it is an adrenaline high. It is an unmistakable straight forward rock construction of verse-bridge-chorus, repeat, repeat, and the dial is set on stadium anthem. RL Black’s vocals are about as rock and roll as you can get – strong clean singing with a gruff edge. The lead breaks are short to fit in with the song structure, and they are pretty metal. I like the brand they have going here. It is great driving music, great drinking music. I would be stoked to see Paradise on the list of bands at a festival because you can just feel from these songs that they are going to put on a good show on stage.” – Flying Fiddlesticks Music Blog (2020)

[Download Single Cover | Download Single Lyrics]

Band: Paradise
Single Title: Queen of Mars – 4:31
Release Date: April 28th, 2026
Label: Self-Release
Distribution: TUNECORE
Genre: Heavy Rock
Location of Band: Montreal, QC, Canada

Single Recording Credits:
• song performed by: R.L. Black, Frank Kelly, Fred Kelly, Freddy Crew Grr, Federico Castrogiovanni
• song written by: Frank Kelly, R.L. Black
• Produced by: Frank Kelly
• Mixed by: Federico Castrogiovanni
• Mastered by: Samuel Plante
• Single Artwork by: R.L. Black
• Member of SOCAN
• Canadian Content (MAPL)

Recording Band Line Up:
François Kelly: Guitar
Frédéric Kelly: Bass
R.L. Black: Vox
Fred Crew Grr: Guitar
Samuel Plante and Federico Castrogiovanni: Drums

Live Band Line Up:
François Kelly: Guitar
Frédéric Kelly: Bass
R.L. Black: Vox
Fred Crew Grr: Guitar
Samuel Plante: Drums

=================================================

About the single:

This song paints a mystical portrait of a timeless, wandering woman, “the Queen of Mars”, who symbolizes freedom, resilience, and transcendence. Moving through a desert that represents both isolation and memory, she exists beyond the limits of time and space, carrying stories, secrets, and a quiet power.

Her journey reflects a spirit that refuses to be confined: she’s both earthly and cosmic. The song suggests transformation and inner strength, someone who turns solitude into sovereignty, becoming almost mythic, even intimidating, as she rises above darkness and control.

In short, it’s about a lone, powerful figure who embodies eternal freedom, mystery, and the ability to transcend time, hardship, and identity.

The music is a hypnotic, cinematic space-rock track that blends atmospheric, heavy guitars with a steady, ritualistic rhythm, creating a sense of lonely grandeur. Its mood is mysterious, introspective, and empowered, evoking the feeling of a mythic figure moving through vast, otherworldly landscapes. Vocals are controlled and poetic, emphasizing storytelling over raw emotion, placing the song stylistically between Hawkwind’s cosmic art-rock, the dreamy textures of Dozer, and the dramatic, cinematic sweep of Muse.

Photo Credit – R.L. Black

Montreal summer of 2002. First, they were swept up in a wildly creative, almost electric state of mind, then proceeded to forge “volcanic rock” and chose a name: Paradise. The next day, still riding that same surge of inspiration, they came up with a title for their first album: Rock Anthropologists on the Kon-Tiki Voyage. Obviously, the creative energy hadn’t worn off. Co-founders and fellow guitar players, Frank Kelly and Jet Phil, convinced they had a great concept on their hands, fired up the rock riff machine and came up with a bunch of kick-ass rock and roll. Pretty soon, every track was assigned a title and, what do you know, they were all taken from a Kon-Tiki drink menu. It all made a lot of sense…

Still without any lyrics to complete the recipe, they set out to find someone crazy enough to work on their project. Through a mutual friend, rock promoter François Lalancette, they were introduced to singer-songwriter Richard Eusanio, who was more than crazy enough to jump in feet first. Within days, the record started to take shape. By this time, also on board was guitar master and the Sword‘s axeman Mike Plant. Paradise was happening…

Frank and Phil then recruited good friends, underground icon Xavier Caféine and drum god Michel “Away” Langevin of Voivod, to help. Pretty soon Paradise became big and loud…

The record was then sent to Glen Robinson (Voivod, Tea Party) to be mixed and mastered. Fall of 2002, Paradise came alive with the release of Rock Anthropologists on the Kon Tiki Voyage.

Summer of 2004: The boys were now ready for another roller-coaster ride. The usual suspects were rounded up, including bass man Fred Kelly. Now transported from the beaches of the South Pacific to the famous and even infamous hotels of this world, they began to work on Paradise’s follow-up “Hotel“. Everybody was ready for the trip.

During the sessions in the summer of 2004, they were blessed with the inspirational collaboration of Voivod‘s guitar pioneer, the late but great Denis “Piggy” D’Amour, who left his stamp on a couple of titles before losing his battle to illness in August of 2005. Mixed and mastered again by Glen Robinson, Paradise’s Hotel was released in the winter of 2005, and once again, it all made a lot of sense.

2019 /2020: With the will of the volcanic rock gods, the resurrection of Paradise was inevitable. The then line-up was composed of Frank Kelly (guitars), Fred Kelly (bass), R.L. Black (vocals), Fred Crew Grrr (guitars) and Mat Hias (drums), Paradise, like a phoenix that is reborn from its ashes, releases a new eponymous album that sways on the line between hard rock and pure heavy metal (recorded, mixed and mastered by Kevin Jardine from Slaves On Dope). From the opening piece and future classic “Straight From Hell” to the final “Free in Exile”, through “Hitting On All Sixes” and “Long Gone”, Paradise delivers an album where the balance between catchy riffs, attitude, intensity, and melodies is perfect.

2026: After years of letting the idea simmer somewhere between myth and memory, Paradise resurfaces, still driven by that same untamed creative force, to finally close the loop. This time, the voyage goes further: an intergalactic expedition where they fully embrace their role as rock anthropologists, digging through the strange, colorful relics of ’60s and ’70s sci-fi culture. Analog futures, cosmic psychedelia, and B-movie dreams reimagined through roaring guitars and hypnotic riffs. Paradise, once again locked into their riff-fueled orbit, set out to translate that retro-futuristic universe into sound. Each track becomes a transmission, a fragment of a larger journey; part nostalgia, part exploration, bringing their Kon-Tiki vision full circle, only now it’s drifting somewhere far beyond the stars.

Discography:
2026 – Queen of Mars (single)
2020 Paradise
2004 Hotel
2002 Rock Anthropologists on the Kon-Tiki Voyage

Shared Stage with:
Sword, Anvil, Sandveiss, Anonymus, Deadwood, Nova Spei, Global Haulocost, Hazytones

Tours and Festivals:
2019: Cuban tour
2024: NXNE – Toronto, ON
2024: Metalagora
2025: Gaspesian Metal Fest

Corporate sponsors/artist endorsements:
Frank Kelly has an artist deal with Reverend Guitars
Samuel Plante has an artist deal with Collision Drumsticks

0 EPK – Tonic Breed – Close In ft. Guest Drums Charlie Engen (Five Finger Death Punch)

April 10, 2026
by Asher
· EPKs · Tonic Breed

EPK – Tonic Breed – Close In ft. Guest Drums Charlie Engen (Five Finger Death Punch)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This is probably the track that’s taken the longest to finish. It’s been sitting with me for years, and it wasn’t until the right people got involved that it finally came together the way it was supposed to.” – Patrik Svendensen – Tonic Breed

Tonicbreed.com | Facebook.com/tonicbreed | YouTube | Instagram.com/tonicbreed

Spotify | Apple Music

Tonic Breed is a Norwegian thrash and heavy metal one-man music project by Patrik K. Svendsen. Until 2019, Tonic Breed was originally a four-piece band, established in Sarpsborg, Norway, in 2006. As of 2022, Tonic Breed has released three albums and one EP. Today, Tonic Breed is constantly reinventing itself in songwriting and guest collaborations, which already include Chris Adler (Lamb of God), Dirk Verbeuren (Megadeth), Björn Strid (Soilwork), and Michael Gilbert (Flotsam and Jetsam).

Discography:
– 2026 – Close In (single) (ft. guest drums Charlie Engen (Five Finger Death Punch, Scale The Summit, Idealogy)
– 2025 – Anew (single) (ft. guest drums Chris Adler (Lamb of God)
– 2025 – The Die Is Cast (single) (ft. guest guitar solo Michael Gilbert (Flotsam and Jetsam)
– 2025 – The Charge (single w/ Darkroot)
– 2024 – Outsold – LP – 10th Anniversary Edition
– 2022 – Fuel the Fire – EP (ft. guests Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam), Björn Strid (Soilwork), Martin Skriubakken (Endezzma), Oliver Palotai (Kamelot)
– 2018 – Install Memory – LP
– 2014 – Outsold – LP
– 2010 – On the Brink of Destruction

[Download Single Cover | Download Single Lyrics]

Band: Tonic Breed ft. guest drums Charlie Engen (Five Finger Death Punch)
Single Title: Close in
Single Length: 05:45
Release Date: April 10, 2026
Label: Self-Release
Distribution: Stream
Genre: Heavy Metal
Location of Band: Norway

Single Recording Credits:
• All songs performed by: Tonic Breed
• All songs written by: Patrik K. Svendsen
• Produced by: Patrik K. Svendsen, Adrian Bjerketvedt
• Mixed by: Adrian Bjerketvedt, Patrik K. Svendsen,
• Mastered by: Steve Kitch
• Single Artwork by: Patrik K. Svendsen

Single Band Line Up:
Patrik K. Svendsen – Vocals, Guitar
Charlie Engen – Drums
Adrian Bjerketvedt – Guitar, Bass
Ben Zimmermann – Orchestra

==========================================

About The Single Artwork:

An obvious inspiration here, to the point we almost can call it a tribute, but with a twist. I wanted to reshape it into something that reflects the themes of the song, almost like a visual interpretation of the weight and atmosphere in the music.

About the single as a whole (LYRICALLY & MUSICALLY):

Musically, it’s a semi-ballad with a lot of layers. There are clean parts, heavier sections, harmonies, choirs, and orchestration. It’s by far the most dynamic thing I’ve done in music.

Lyrically, it deals with loss and what that does to you over time. Not just the moment, but the long-term weight of it.

==========================================

TOP STORY ANGLES / FUN FACTS:

1. Parts of the song were written over 20 years ago

2. Features Charlie Engen (Five Finger Death Punch) on drums

3. One of the first Tonic Breed tracks to explore harmonies, choirs, and a more ballad-driven structure

============================================

What the press has said:

“This is a collection of songs you need to hear, so what are you waiting for? [8/10]” – Metal Noise (2022 – Fuel The Fire)

“The guest musicians really came together on this EP, it’s real luxury material. In short, it is a great return of Patrick as he has been throughout his career with Tonic Breed. If you are fans of Metallica, Testament, Pantera or Slayer, listening to «Fuel the Fire» it is essential this year. Without a doubt I will follow the career of this One Man Band with great interest.” – Broken Tomb (2022 – Fuel The Fire)

“Tonic Breed show that the embers have not gone out and this EP gives them a good old poking, tossing them around and letting the heat build-up. ” – Metal Digest (2022 – Fuel The Fire)

“Tonic Breed reinforces my growing belief that music, and particularly metal, can one day survive and even thrive without need of the corporate machine.” – Metal Disciple (2014 – Outsold – LP)

“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)

“TONIC BREED could easily advance up the ranks thanks to this impressive release.” – Metal Temple (2014 – Outsold – LP)

“10/10. Album of the year 2014.” – The Metal Review (2014 – Outsold – LP)

“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)

0 Protected: EPK – Eminence – Silent March (single) (2026)

April 8, 2026
by Asher
· Eminence · EPKs

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0 EPK – Dirty Shirt – Büntető ft. Besh o droM (2026)

April 3, 2026
by Asher
· Dirty Shirt · EPKs

EPK – Dirty Shirt – Büntető ft. Besh o droM (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Dubioza Kolektiv, Skindred, Bloodywood, Alestorm, The Hu

“We are very happy to have made this collaboration. We love Besh o droM’s music, and it was wonderful to see how open they were to working together with us. One of the highlights was performing the song together at Dirty Fest 2025, and part of the video will include footage from that incredible concert.” – Dirty Shirt

Band: Dirty Shirt
Single Title: Büntető
Length: 3:22
Release Date: April 3, 2026
Label: Dirty Shirt
Distribution: Dirty Shirt
Genre: Rock / Metal / Gipsy / Hungarian
Location of Band: Romania (Dirty Shirt) & Hungary (Besh o droM)

All Links: https://linktr.ee/dirtyshirtband

Dirty-Shirt.com – Facebook.com/DirtyShirtRomania – Twitter.com/dirtyshirtband – Youtube.com/dirtyshirtoriginal

Instagram.com/dirtyshirtband – Tiktok.com/@dirtyshirtband

Dirtyshirt.bandcamp.com – Apple Music – Spotify – Dirty-merch.com – Deezer

Single on all digital platforms – https://ffm.to/bntet

DIRTY SHIRT Dirtylicious Decade Tour
Ticket Info – https://www.ambilet.ro/dirtyshirt/
17.04.2026 – Oldies Pub – Sibiu
19.04.2026 – The Station – Petrosani
08.05.2026 – Log Out – Baia Mare
09.05.2026 – Soho Music Hall – Bistrita
22.05.2026 – Terasa Flex – Arad
23.05.2026 – In Spatele Casei – Timisoara

What the press has said:

“Long time readers will know by now that I am partial to the weirder side of heavy music. Dirty Shirt certainly has my attention this week. They’re like a mix of 6:33, Russkaja, and Turisas. This is bombastic, fun metal with Romanian folk mixed in. ” – Metal Injection

“This album is buoyant, blistering and bolshy; you certainly want to get your dose now!” 8/10 – Powerplay Magazine

“”Whoa! ‘Get Your Dose Now!’ is definitely not your average metal album. It’s simply something that you won’t hear anywhere else. Dirty Shirt is the real deal with extraordinarily talented musicians and a uniqueness that sets them apart from the crowd. If you’re in the market for some new music, this band offers something for everyone, from hardcore metal and thrash to tribal and traditional. It’s like your grandmother’s goulash recipe, a little of this and a little of that, with the end result being magical and inimitable.” – Uber Rock

“Are you bored with your current playlist? Perhaps you are looking for something a bit different than the bands you typically listen to? Then look no further my music-loving friends. Let me introduce you to the Transylvanian folkcore of Dirty Shirt. What started out as a wedding band has morphed into a magical, musical amalgam that blends modern hardcore and nu-metal with traditional acoustic instruments and Eastern European musical influences giving us an entirely new breed of metal with known as Romanian crossover folkcore metal. ” – Uber Rock

“Dirty Shirt did a good job again and ‘Get Your Dose Now!’ is a very nice album to listen to and it deserves a listen.” – Folk-Metal.nl

“with DIRTY SHIRT you have joy in life and fun in music. They ignite a light in the currently dark world. A good mood is guaranteed. So get your dose today, now, get vaccinated against sadness and depression. before it’s too late. – Saitenkult

“This album can be discovered as you listen. It is rich, destabilizing at times, but always fair and imbued with sensitivity. With Get Your Dose , the DIRTY SHIRT surely give us their best album, and it was not easy given the quality of the previous one. No need to write sandwiches about it, you just have to let yourself be seduced. Cheer.” – Among The Living

“Dirty Shirt, Your New Favorite Transylvanian Folk-Core Band ” – Metal Sucks

“DIRTY SHIRT only sound like DIRTY SHIRT.” – Metal Temple

“Is it catchy? Yes. Is it fun? Yes. Is it utterly mental? Yes. Highly recommended” – Metal Observer

“Dirty Shirt are probably one fantastic live band with an immense energy” – Rock Freaks

” “…you’ve never heard anything quite like this before”” – Sonic Abuse

“It’s one of those rare albums where it keeps you glued to your seat just waiting to see what pops up next.” – Heavy Metal Time Machine

“As Monty Python would say, ‘And now for something completely different.’ ” – Music Underground

“this is a band like no other in the music scene now in days in the underground, indie or mainstream scene.” – Vents Magazine

[Download Single Cover | Download Single Lyrics]

Single Recording Credits:
• All songs performed by: Dirty Shirt & Besh o droM
• All songs written by: Besh o droM & Dirty Shirt
• Produced by: Mihai Tivada
• Mixed by: Adrian Uritescu
• Mastered by: Adrian Uritescu
• Single Artwork by: Cristian Balanean

Single Band Line Up:
Dan “Rini” Crăciun – vocals
Robert Rusz – vocals
Ádám Pettik – vocals
Mihai Tivadar – keyboards, guitars
Cristian Bălănean – guitars
Dan Petean – guitars
Pál Novelli – bass
Sergio Ponti – drums
Cosmin Nechita – violin
Gergely Barcza – saxophone, EWI
József Csurkulya – cimbalom
Attila Sidoo – acoustic guitar
Miruna Puiu – backing vocals
Alexandra Joicaliuc – backing vocals
Tea Vișan – backing vocals
Andrei Oltean – flutes
Darius Boșca – clarinet

Live Band Line Up:
Dan “Rini” Crăciun – vocals
Robert Rusz – vocals
Mihai Tivadar – keyboards, guitars
Cristian Bălănean – guitars
Dan Petean – guitars
Pál Novelli – bass
Sergio Ponti – drums
Cosmin Nechita – violin
Miruna Puiu – backing vocals
Alexandra Joicaliuc – backing vocals
Tea Vișan – backing vocals
Andrei Oltean – flutes
Razvan Nechita – violin
Paula Gherasim – violin

=============================================

About The Single Artwork:

The artwork relies on the visual contrast between white industrial stencil-style fonts and a textured background, subtly decorated with geometric folk motifs. This design captures the essence of the song, reflecting the fusion between traditional gypsy folk themes and a powerful modern metal sound.

About the single (LYRICALLY & MUSICALLY):

When we first listened to the Besh o droM version of the song, we immediately felt its incredible energy and the potential to transform it into a rock/metal song. The result is a high-energy track at 194 BPM that blends virtuosic performances on traditional instruments with the raw power of metal. Featuring 16 musicians on the recording, the single offers an intense and festive sound experience. Lyrically, Büntető (The Punisher) is inspired by traditional Hungarian folk themes, telling a vivid story rooted in village life, relationships, and emotions.

Over their 30 years, Dirty Shirt has become one of Eastern Europe’s most original and successful rock/metal bands, known for their explosive fusion of modern heavy music with the vibrant energy of Eastern European traditional sounds. Formed in the mid‑90s as a wedding band, the group has kept its core lineup intact for three decades, evolving into a major international act with a distinctive, genre‑blending identity. Their music draws from metal, hardcore, industrial, funk, world music, and authentic regional folk influences, enhanced by the use of traditional acoustic instruments both in the studio and on stage.

The band gained international attention after winning second place at the Wacken Metal Battle 2014 world final, followed by performances at major European festivals including Hellfest, Wacken Open Air, Pol’and’Rock, Electric Castle, Rockstadt Extreme Fest, Reload Festival, Dong Open Air, and many more. With more than 1000 shows across 17 countries, Dirty Shirt has shared stages with artists such as Megadeth, Godsmack, Gogol Bordello, Skindred, and Orphaned Land.

Their albums have earned widespread critical acclaim, featured in leading publications such as Metal Hammer, Rock Hard, Metalsucks, Angry Metal Guy, Hard Rock Mag, and Metalized. Known for their high‑energy, danceable live performances and cross‑genre appeal, Dirty Shirt continues to expand its international presence while redefining what modern Eastern European metal can sound like.

Recommended for anyone looking for something interesting and lively, Dirty Shirt is for fans of Skindred, Bloodywood, Alestorm, and The Hu.

Discography:
Büntető ft. Besh o droM (2026) (single)
FOMO (2025) (single)
Get Your Dose Now! (2022)
Letchology (2019)
Dirtylicious (2015)
Freak Show (2013)
Same Shirt Different Day (2010)
Very Dirty (2000)

Tours and Festivals:
– Dirty Shirt – 30 Anniversary Tour (2025 – on going, more than 25 shows already announced, in Romania, Hungary, Slovakia, Czech Republic, Poland, Germany and France)
– Motocultor Across Europe Tour (2024): 16 shows in Germany, Netherland, UK, France, Switzerland, Spain and Portugal
– More than 60 shows last year: Motocultor + Romania, Slovakia, Czech Republic, Poland
– Some major festivals last years: Electric Castle 2023 (Ro), Hellfest Open Air 2022 (Fr), Pol’And’Rock 2022 & 2021 (Pl), Reload Festival 2022 (D), Dong Open Air 2022 (D), Wacken Open Air 2019 & 2014 (D), HRH Metal Fest 2019 (UK), Rock Heart 2019 (Cz), Rockstadt Extreme Fest 2018 & 2015 (Ro)

Endorsement:
– Drumeo / Pianote / Guitareo / Singeo
– Two Notes Audio Engineering
– Solar Guitars
– Murat Dyril Cymbals
– Promark Drumsticks
– Evans Drumheads
– Puresound Snare Wires
– Sihi Cymbals
– Meze Audio

0 EPK – Another Demon – As Above So Below (2026) (Ragebreed Records/ Earache Distro)

March 25, 2026
by Asher
· Another Demon · EPKs

EPK – Another Demon – As Above So Below (2026) (Ragebreed Records/ Earache Distro)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“As Above, So Below is really us pulling together everything we love about metal and putting it into one record, but doing it in a way that feels true to our own brand of New York City thrash. Ripping guitar riffs, powerful vocals, and devastating drums all come together to define the sound, while still leaving room for atmosphere, dynamics, and the different influences that shaped us along the way.” – Frank Tosi – Another Demon

For fans of Slayer, Testament, Exodus, Overkill, Immortal

Band: Another Demon
EP Title: As Above So Below
Release Date: April 18, 2026
Label: Ragebreed Records
Distribution: Earache Digital Distribution
Genre: Thrash Metal / Death Metal
Location of Band: New York City

All Links: https://linktr.ee/another_demon_official

Facebook.com/anotherdemonofficial | Instagram.com/another_demon_official | Youtube.com/@Another_Demon_Official

Anotherdemon.bandcamp.com | Anotherdemonofficial.bigcartel.com | Spotify

“Another Demon is some of the best new Thrash Death out there. Glad to be a part of it. The music shreds and crushes!” – James Murphy of Death/Testament/Obituary/Cancer

“Frank writes great metal. Full of shredding evil guitars and catchy songwriting. I could listen to this all day!” – Karl Sanders of Nile

[Download EP Cover | Download EP Lyrics]

Track Listing:
1. Reduced To Ash – 3:13
2. Deaf Gods – 3:05
3. Skull Vessel – 1:49
4. Drawn and Quartered ft. James Murphy (Testament, Death, Obituary) – 5:42
5. War March – 5:44
6. As Above So Below – 5:45
EP Length: 25:20

EP Recording Credits:
• All songs performed by: Another Demon
• All songs written by: Frank Tosi, Max Capshaw
• Produced by: Frank Tosi, Max Capshaw, Richie Kennon
• Mixed by: Richie Kennon
• Mastered by: Barking Dog Studios
• EP Artwork by: Hellforge Metal Art

EP Band Line Up:
Max Capshaw – Vocals / Bass
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Frank Vaturina – Session Drums

Live Band Line Up:
Max Capshaw – Vocals
Frank Tosi – Lead Guitars
Jun Takeshita – Lead Guitars
Fred Romer – Bass Guitar
Dave English – Drums

=============================

About The EP Artwork:

Back when the band first started, Frank built a strong working relationship with artist Moises Alves of Hellforge Metal Art in Brazil. Since then, Moises has become an integral part of the band’s identity. We often refer to him as our honorary fifth member, as nearly every visual element tied to Another Demon has been created by him in one way or another. Drawing direct inspiration from the band’s lyrics and music, Moises has developed artwork that not only reflects the songs’ tone but also helps shape and define the band’s visual identity, giving Another Demon a distinct look that aligns with its New York City Thrash branding. Evil, Gritty, and unmistakably Metal!

About The EP (LYRICALLY & MUSICALLY):

As Above, So Below is a dark and aggressive record built on heavy riffing, fast pacing, and a strong sense of atmosphere. Musically, it stays rooted in thrash metal, but pulls in elements of death metal and dynamic shifts to keep things intense and engaging from start to finish. Lyrically, the album explores themes of horror, punishment, inner conflict, and duality, drawing from classic horror imagery, occult concepts, and darker reflections on human nature. It is meant to feel both chaotic and controlled, giving the listener a full experience rather than just a collection of songs.

Track by Track:

1. Reduced to Ash leans into horror-driven imagery inspired by the cult classic film “The Evil Dead,” pairing fast riffs with a relentless feel.

2. Deaf Gods explores the collapse of one’s faith and the dangers that can be caused through mental instability, driven by tight structure and intensity.

3. Skull Vessel dives into ritualistic and occult themes with a darker and more atmospheric approach.

4. Drawn and Quartered focuses on brutality and paints a picture of the infamous historical punishment, with sharp, aggressive riffing and a punishing pace.

5. War March delivers an evil, commanding, and atmospheric feel, centred around power, control, and destruction.

6. The title track As Above, So Below ties everything together with themes of duality and existence, combining aggression with a more expansive and atmospheric sound to close the record with weight and purpose.

=============================

STORY ANGLES / FUN FACTS ABOUT THE BAND:

1. Max Capshaw began his career in the New York hardcore scene, stepping in as a touring drummer for Sick Of It All during their early rise following their debut album. Though his time with the band was brief, it placed him at the center of a defining moment in the development of New York hardcore.

2. In 2025, Another Demon took on a unique role performing as Prime Evil Tribulation in support of Andy Eichorn, bringing a different dimension of their sound and presence to the stage. That year, the band appeared at major regional events, including the Rock Fantasy 39th Annual Music Festival and the Rage of Armageddon Festival in August, further solidifying their growing reputation in the Northeast.

3. While the experience was a powerful and memorable chapter for the band, the project has since come to a close due to health concerns for Mr Eichorn. Although it was an opportunity the band valued greatly, it also contributed to delays in their recording schedule. Another Demon is now fully refocused on their next release, which is currently targeted for late 2026.

4. At the Rock Fantasy 39th Anniversary Festival, Frank Tosi performed both the Another Demon set and the Prime Evil Tribulation set while playing with a broken finger on his fretting hand, a testament to the band’s mindset and commitment to delivering no matter the circumstances. The show must go on!

5. Jun Takeshita’s style is shaped by both sides of the world. He came up in the Japanese thrash scene in the late 80s and later brought that foundation to New York, blending that precision and intensity with the raw edge of the Northeast metal scene. It gives his playing a sharp, aggressive feel, with a unique character that stands out right away.

6. Dave English brings more than just performance experience to Another Demon. He is also an instructor at School of Rock in Clark, where he works with developing musicians across multiple disciplines. That background adds another layer to his playing, combining technical precision with a deeper understanding of rhythm, structure, and dynamics that translates directly to the band’s sound.

7. Another Demon is currently working toward their next full-length release, projected for late 2026, and while details are being kept close to the chest, the band has hinted at a major surprise. The upcoming record will feature a standout guest musician in a significant role, adding a new dimension to the band’s sound and giving listeners a hint at just how far things are starting to move to the next level.

=============================

L-R – Frank Tosi – Lead Guitars, Dave English – Drums, Max Capshaw – Vocals, Jun Takeshita – Lead Guitars

Photo Credit – Another Demon

Another Demon is built on the foundation of heavy riffing, relentless thrash energy, and moments of dark atmosphere that cut just as deep as the aggression itself. Each member brings a distinct history and voice, forming a band that feels both seasoned and dangerous.

Max Capshaw — Bass / Vocals
At the forefront of Another Demon is Max Capshaw, a veteran of the New York hardcore scene whose presence defines the band’s raw intensity. From early days behind the kit with Sick Of It All to playing with Murphy’s Law, Burn, and as a founding member of H2O, Max brings decades of experience and authenticity. Now stepping into the role of frontman, his delivery is commanding and unfiltered—anchoring the band’s thrash assault with grit, weight, and undeniable attitude.

Frank Tosi — Lead Guitar
The architect behind Another Demon’s sound, Frank Tosi, drives the band with a focused vision of modern thrash—tight, aggressive, and riff-forward. His playing is rooted in precision and structure, delivering sharp, driving rhythms while weaving in darker, atmospheric elements that give the music depth. His return to music was intentional and fully realised, shaping the band into a cohesive and powerful force.

Jun Takeshita — Lead Guitar
Jun Takeshita brings a distinct international edge, fusing 80s thrash influence with the intensity of Japanese punk and metal. His style blends speed, melody, and technical precision, strengthening the band’s dual-guitar attack while adding a unique voice that expands the sonic landscape beyond straight aggression.

Dave English — Drums
Behind the kit, Dave English is the engine driving Another Demon forward. His playing is powerful, precise, and dynamic—equally capable of high-velocity thrash and complex rhythmic movement. With a background across multiple genres, he adds both control and explosive energy, locking the band into a groove that feels relentless yet alive.

Together, Another Demon delivers a modern thrash sound defined by heavy riffing, tight execution, and a balance between pure aggression and immersive atmosphere, music that hits hard and lingers long after the last note.

Shared Stage with: Max Cavalera’s Go Ahead and Die, Nasty Savage, Deceased, Détente, Bloodfeast, Malignancy, Aggression, Skinlab, Shortfuse, Cerebral Hemmorage, Breakker, Electrocutioner

Corporate sponsors/artist endorsements:
Fortin Amplification, Morley Pedals, All Pedal, Valorous Guitar, DC Custom Guitars, Pighog Cables

Tours and Festivals:
Another Demon – Live Performances (2023–2026)
September 11, 2026 – The Cellar on Treadwell – Hamden, CT (with Vicious Rumors, Mutant, Unknown)
April 18, 2026 – The Zone @ Clemson Ragebreed As Above So Below Release Party – Middletown, NY (with Mutant, Death Metallic)
February 7, 2026 – Cherry St. Station – Wallingford, CT (with Blood Feast, Electrocutioner, Maidenhead, Mutant)
August 30, 2025 – The Meadows (Rage of Armageddon Festival VIII) – Brooklyn, NY
July 20, 2025 – Gold Sounds – Brooklyn, NY (with Ranges & Precious Blood)
April 26, 2025 – The Stage @ Roosevelt Hall (Rock Fantasy 39th Anniversary Festival) – Warwick, NY
August 11, 2024 – The Ritz – San Jose, CA
August 10, 2024 – Toot’s Tavern – Crockett, CA
August 9, 2024 – World Famous Doll Hut – Anaheim, CA
(Venomicities Tour with Skinlab & Short Fuse)
2024 – Quinnz Pinz (A Dangerous Metal Meeting) – Middletown, NY
December 30, 2023 – The Kingsland – Brooklyn, NY
October 14, 2023 – Saint Vitus Bar – Brooklyn, NY
September 22, 2023 – Lucky 13 Saloon – Brooklyn, NY

0 EPK – Reign of Echos – Static Vein (single) (2026)

March 24, 2026
by Asher
· EPKs · Reign of Echos · Uncategorized

EPK – Reign of Echos – Static Vein (single) (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Lamb of God, Gojira, Korn, Mudvayne, Trivium

Band: Reign of Echos
Single Title: Static Vein – 3:31
Release Date: March 13, 2026
Label: Self-Release
Distribution: Distrokid
Genre: Metal
Location of Band: Apple Valley, CA

All Links: https://www.linktr.ee/reignofechos

Reignofechos.com | Facebook.com/reignofechos | Instagram.com/reign_of_echos

Spotify | Apple Music

[Download Single Cover | Download Single Lyrics]

Band: Reign of Echos
Single Title: Static Vein – 3:31
Release Date: March 13, 2026
Label: Self-Release
Distribution: Distrokid
Genre: Metal
Location of Band: Apple Valley, CA

Previous Single – Title: “Blindside”
Release Date: January 5, 2026

Singles Recording Credits:
• All songs performed by: Reign Of Echos
• All songs written by: Reign Of Echos
• Produced by: Soundland Recorders
• Mixed by: Billy Baker
• Mastered by: David Donnelly
• Single Artwork by: Crystal Eye Imagery

Single and Live Band Line Up:
Randy Lee – Guitar/Lead Vocals
Robert Gresham – Bass/Backup Vocals
Dustin Reddington – Drums/Backup Vocals

==========================================

About the Single Artwork for Static in Vein:

Eye-catching, Powerful, Original, tells the story of the song/album in a single image.

About the singles:

“Blindside” lyrics convey the emotions of a person who has been betrayed by someone they thought they could trust. While the music takes you on a ride through the anger and frustration of the betrayal, followed by the overcoming of the emotions.

“Static Vein” lyrics tell the story of the struggle of mankind’s battle with inner demons and the continued presence of the darkness that exists in each of us. The music is intertwined with the madness of the story, while darkness and hope fight each other within the musical progression.

==========================================

BAND STORY ANGLES / FUN FACTS:

1. Randy used to go to shows that Dustin played drums at with his former band, “Freak Occurance” years ago, not knowing that they would eventually find the path to work together and create what we have today.

2. Rob and Randy were in two bands together before Reign Of Echos and have played iconic venues throughout California.

3. This is the first band that Randy has written songs for with a 7-string guitar.

4. Randy and Rob met through an ad on Myspace of Rob looking to just jam with someone a long time ago. Randy decided to go and jam, and they have been friends since.

5. Dustin has toured the US with prior bands. The bands eventually had a falling out. Dustin kept his chops up, jamming with friends here and there in the middle of not being in a band. Randy and Dustin, by chance, worked together at a rock quarry, and Randy had asked Dustin if he wanted to join his new project, which became Reign Of Echos. That sparked a new life in Dustin’s musical passion to write and play music again with a band.

==========================================

L-R – Robert Gresham (Bass, BU Vocals), Randy Lee (Guitar, Lead Vocals), Dustin Reddington (Drums, BU Vocals)

Reign of Echos is a Southern California modern metal trio formed in 2025. Delivering a sound that merges crushing heaviness with cinematic atmosphere and emotional intensity. Formed by guitarist and vocalist Randy, and solidified with Rob on bass and backing vocals, and Dustin on drums and backing vocals, the band has quickly evolved into a focused, high-impact unit with a clear identity and vision.

Blending elements of modern metal and nu-metal influence, Reign of Echos creates music that balances aggression and melody, weight and space, designed to hit just as hard live as it does through speakers. Their approach goes beyond songwriting, building an immersive experience through synchronized visuals, lighting, and performance. Driven by precision, energy, and intent, Reign of Echos is not just creating songs—they’re building something bigger.

0 EPK – Lufeh – Overwhelmed (2026)

March 22, 2026
by Asher
· EPKs · Lufeh

EPK – Lufeh – Overwhelmed (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Rush, Dream Theater, Haken, Sleep Token, Tool

Band: Lufeh
Album Title: Overwhelmed
Release Date: May 29, 2026
Label: Self-Release
Distribution: Distrokid
Genre: Progressive Rock
Location of Band: Los Angeles, CA, USA

Lufehband.com | Facebook.com/lufehband | Instagram.com/lufehband | Youtube.com/lufehband

Lufehband.bandcamp.com | Spotify

Heavy prog shines with the new single ‘He Commands the Sun and the Stars’ from LUFEH. Dream Theater and Shadow Gallery fans will find a lot to love here including a spotlight performance from featured vocalist and electric violinist Ginny Luke. Musically the band doesn’t disappoint with soaring keys, complex percussion, driving riffs, strolling bass lines…all at a high level, which is what is demanded when you enter the sacred space of progressive rock. Just as much a beautiful performance as it is a breathtaking adventure, this track raises expectations for the new album “Overwhelmed” which can’t get here fast enough on May 29th. Catch LUFEH on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“Progressive hard rock’s LUFEH have just released another powerful new single, ‘OVERWHELMED (feat. Ginny Luke)’. The title track from their forthcoming album slated for a May 29th launch, this one is also like the prior single (‘He Commands the Sun and the Stars’), a masterclass of modern prog metal. Hooks that sink deep, superb performances by the band and outstanding songwriting are all on display. The anticipation for the new album is swelling with each single and based on what we’ve heard so far, we’re ready for an exceptional experience. Catch Lufehband on your Home for the Best New Rock…W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“From the riff heavy opener Find My Way to the latest single ‘My World’ and the sharp riffs of closing track The Edge’, these are 20-minute epics condensed into welcome four-minute compositions. It’s an interesting stance for any progressive band but Lufeh have caught it right on the nail. This is an album full of cleverness and maturity. A joy to listen to, Luggage Falling Down’ provides opportunity to marvel at the quality and the playing. In a world which has lost its marbles, this album is a breath of fresh air. 8/10” – Powerplay Magazine UK (2020 – Luggage Falling Down)

“Luggage Falling Down will be a pleasant surprise for those who enjoy their prog on the heavy side, with occasional flourishes of metal, plenty of instrumental workouts, short song formats and a strong foundation in jazz. The eight songs are technical, energetic and always seeking a melodic hook.” – DPRP (2020 – Lugage Falling Down)

“In addition to brevity, there is Luggage Falling Down nothing wrong. Fantastic prog metal, crisply short songs that are still varied. Matching singing in the intersection between James LaBrie And Brendon Boyd as well as terrific guitar and drum inserts. Very entertaining and fun…. Luggage Falling Down a very entertaining record ahead of us. 9 /10 does that for me.” – Sound Magnet

“Anyone starting to get tired of all the cliché album titles and song titles? LUFEH are going their own way and I really like this album title ”Luggage Falling Down”!… I have to say the LUFEH guys have some moves of their own, which makes this album more interesting than most progressive metal albums. The RUSH vibes are not the most obvious ones, but the verse of ”Trial Of Escapade” clearly shows that these guys like the Canadian trio. There’s a smashing guitar solo from Dornellas in this one too.” – Melodic.net – (2020 Luggage Falling Down)

“A track from prog debutants Lufeh now, as I ‘Find My Way’ straight into being earwormed by their Prog metal goodness. Guitar solos that sound like they’ve been written by some of the hard rock greats, with plenty of atmospheric synths and across the board able musicianship means this one was a sure fire hit from the off!” – Uber Rock (2020 Luggage Falling Down)

“This is heavy prog with some strong elements” – Prog Archives (2020 Luggage Falling Down)

[Download Album Cover | Download Album Lyrics]

Band: Lufeh
Album Title: Overwhelmed
Release Date: May 29, 2026
Label: Self-Release
Distribution: Distrokid
Genre: Progressive Rock
Location of Band: Los Angeles, CA, USA

Track Listing:
1. He Commands The Sun and The Stars – 4:22
2. Breathe – 4:03
3. Double Dip – 4:39
4. Overwhelmed – 4:30
5. Feels Like I’m A Ghost – 5:43
6. Live The New Today – 4:50
7. War of Emotions – 3:50
8. End of the Tunnel – 4:18

Album Recording Credits:
• All songs performed by: Duca Tambasco, Deio Tambasco, Gera Penna, Lufeh Batera and Ginny Luke
• All songs written by: Duca Tambasco, Deio Tambasco, Gera Penna and Lufeh Batera
• Produced by:Gera Penna
• Mixed by: Adair Daufembach
• Mastered by: Adair Daufembach
• Album Artwork by: Lufeh Batera

Album and Live Band Line Up:
Duca Tambasco – bass and backing vocals
Deio Tambasco – guitar and backing vocals
Gera Penna – keyboard and backing vocals
Lufeh Batera – Drums
Ginny Luke – vocals (featuring)

==================================

The Album Artwork:

“The cover for Overwhelmed is meant to be a literal visual of how the title feels. We wanted to capture that sensation of being completely submerged underwater.

When you’re deep underwater, everything is heavy, quiet, and intense. The silhouette represents that feeling of being ‘under’ it all—whether that’s stress, emotions, or just life in general.

But we also made sure to include the light coming from the surface. To me, that represents hope and the search for air. It really matches the balance of the album: some parts are heavy and complex, while others are more melodic and give you a chance to breathe.”

About the album as a whole (LYRICALLY & MUSICALLY):

“This album is the result of a lot of dedication, maturity, and the realization of a dream come true. Recording at the historic Sunset Sound studio here in LOS ANGELES, where the biggest names in world music recorded their hits, was truly an unforgettable experience. We have impactful songs, heavy ballads, a good dose of double pedal on drums, guitar, bass, and keyboard solos, all mixed with the incredible voice of Genny Luke.”

Track by Track (LYRICALLY & MUSICALLY):

1. HE COMMANDS THE SUN AND STARS
“From a drummer’s perspective, this one is my personal favorite because of how complex the rhythms are. Even with all that technical playing, it still has a really catchy chorus that sticks in your head.

The lyrics are about a powerful man who controls the sun and the stars, but then he’s questioned by the very crowd of people who worship him. It’s definitely one of my favorite tracks on the album.

2. BREATHE
“This song is just a blast to play because it has such a positive, upbeat vibe. It carries a really important message for all of us in our daily lives: just breathe and slow down. We all need that reminder sometimes, and the music really reflects that feeling.”

3. DOUBLE DIP
“This track has some really unique rhythmic complexity. We switch back and forth between 6/8 and 4/4 time, which might keep people guessing at first, but the end result is amazing. One of the highlights is the Bulbul Tarang (a unique string instrument) that we used in the intro. Lyrically, the song is about how it’s impossible to serve two masters and the struggle of living with that kind of duality.”

4. OVERWHELMED
“This is the title track of the album, and it was written by our guitarist, Deio Tambasco. The big highlight here is Ginny Luke’s violin in the intro. Having a violin player with us really transformed the music and turned it into something unique and different.” Lyrically, the song is about that point where you feel like you can’t keep running anymore. It talks about having ‘knots in your head’ and feeling like there’s an ‘overcrowded rat race’ in your soul because of all the distractions in life. The main message is about needing to take a moment to recharge, breathe in, and slow down before you lose control because time is running out.

5. FEELS LIKE I’M A GHOST
“When we were writing this one, we really wanted it to be our version of a Rock Opera. It has so many different moods and atmospheres throughout the song. This is the second track where Ginny Luke joins us on the violin, which adds so much to the sound. It starts very sad and melancholic, but by the end, it transforms into a full-on prog track with some cool odd time signatures.” Lyrically, the song is about the loneliness and exhaustion of being far away from home while a storm is raging. It talks about missing the person you love and feeling like a ‘ghost’ because you’ve sacrificed so much time and years of your life to ‘win the fight’. You’re out in the world, but you feel like a stranger to the people waiting for you at home. It’s a very emotional song about the personal cost of being away from the ones you love.

6. LIVE THE NEW TODAY
I consider this the richest song on the album because of the incredible variety of musical elements. It goes through so many different moods—from very calm and serene moments to heavy sections with double bass Power Metal grooves. It even features solos for the bass, guitar, and violin!

Lyrically, the song is about self-reflection and choosing to live authentically. It talks about looking in the mirror and deciding to let go of the past—what is ‘dead and gone’—so you can find the strength to move forward. Instead of hiding behind blame or projections, it’s about doing what it takes to truly ‘live the new today.’

7. WAR OF EMOTIONS
“This song is a bit different for us. Even though we aren’t a heavy metal band, this one definitely has a ‘metal’ soul. We’re a pretty eclectic group, so we like exploring those heavier sounds, but we used the keyboards and the vocal melodies to make sure the track still felt like it belonged with the rest of the album. Lyrically, the song is about an internal ‘war of emotions’ and the struggle of facing yourself. It describes that moment when truth and illusion start to blur, and you realize your biggest battle is actually against your own reflection. It’s about finally looking at the truth so you can move toward the light.”

8. END OF THE TUNNEL
“We really love the shifts in atmosphere on this track, especially with that Fusion vibe during the keyboard solo in the second half. Another cool detail is the ‘cyclic’ feeling at the very end during the guitar solo—it makes you feel like the tunnel might never end. Lyrically, the song is about going through a spiritual renewal while in the dark and finally seeing that light at the end of the tunnel. It’s about learning from your mistakes and realizing that all the effort and the struggle were worth it, because you come out of the journey stronger and with a much clearer view of life.”

==================================

STORY ANGLES / FUN FACTS ABOUT THE BAND

1. “One thing people find interesting is that we’re all 50-somethings, but we honestly feel like we’re 30! The core of this band has actually been playing together for about 30 years in different ways—sometimes as partners, sometimes as producers, or hiring each other for sessions.

Because we’ve been friends for so long, we have a very deep, honest connection. We might have big disagreements, but it always ends with us hugging it out and crying like schoolkids because we care so much. There is zero ego in this band. Our creative process is like a drawing that passes from hand to hand—everyone adds their own stroke until it has the right colors and depth. We don’t care about ‘owning’ a song; we just want a result that makes us happy.

We also really evolved our sound for this new album. Our first record was mostly built as instrumental music first, and then we added vocals. But for Overwhelmed, we changed everything. We wrote these songs specifically for the vocal melodies. We wanted catchy themes and ‘signatures’ that people can remember—like using the exotic Bulbul Tarang on ‘Double Dip.’ We also brought in more vocal layers and different voices this time to give the album a lot of cool textures. It’s all about making the music feel fluid and comfortable for the listener.”

==================================

Photo Credit – Joao Pinheiro

LUFEH is a sophisticated fusion of progressive rock, metal, and jazz influences, creating a sound that blends technical complexity with deep musical emotion. Founded by drummer Lufeh, the band has evolved over the years, gaining recognition for its unique approach to blending genres and pushing musical boundaries.

In a significant lineup change, LUFEH welcomed Deio Tambasco as the new guitar player in October 2025, replacing Teo Dornellas, who had been with the band from the beginning. Deio, who has been part of Lufeh’s musical journey since 1993 when they first formed their band Anno Domini, brings a wealth of experience and musical depth to the group. In Anno Domini, Deio was the lead guitarist, with Lufeh on drums and Deio’s brother Duca Tambasco on bass. Today, Duca is part of LUFEH as well, continuing his role as the band’s bassist and contributing to the tight rhythm section that defines their sound. The band’s close musical ties continue to thrive, and Deio’s return to the fold feels like a natural progression, reuniting with his long-time musical collaborators.

This latest change comes as LUFEH prepares for the release of their second studio album, Overwhelmed. Recorded at the renowned Sunset Sound in Los Angeles, CA, the album showcases a thrilling mix of progressive rock, fusion, and metal influences. Produced by Gera Penna, LUFEH’s talented keyboardist and back vocalist, Overwhelmed features 8 tracks that are both intricate and emotionally charged, representing the band’s growth and refinement of sound.

Dennis Atlas, who was the original vocalist, is no longer with the band due to scheduling conflicts, but after auditioning four different singers, we are excited to announce that Ginny Luke is our new featured vocalist. She is an incredible talent and also plays the violin on three of our new songs: ‘Overwhelmed,’ ‘Feels I’m a Ghost,’ and ‘Live the New Today.’ Ginny’s powerful voice and her violin have given our sound a whole new dimension. The new album is a huge milestone for us, and we can’t wait for everyone to hear this new chapter of Lufeh.”

“Overwhelmed”, due out on May 26, 2026, is the second album since the release of the debut album “LUGGAGE FALLING DOWN”, released in 2020.

Discography:
2026 – Overwhelmed
2020 – Luggage Falling Down

Shared Stage with: Sons of Apollo

Tours and Festivals:
Sons of Apollo Brazilian Tour in 2022

0 EPK – Bury The Past – Clarity (single) (2026)

March 22, 2026
by Asher
· Bury The Past · EPKs

EPK – Bury The Past – Clarity (single) (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Clarity was the first song we wrote together with the latest lineup. It introduced a new drumming style as Mat ”Fretch” Fréchette joined the band as their permanent drummer. It has a more Metalcore/Modern Metal sound. From fast-paced verses to slower and heavier sections, the single shows what we’re capable of.” – Mathieu Fréchette (Drummer) – Bury The Past

Instagram.com/bury.thepast | Facebook.com/BuryThePast137 | Tiktok.com/@bury.the.past | Youtube.com/@burythepast137

Burythepast.bandcamp.com | Spotify

All Links: https://linktr.ee/burythepast

[Download Single Cover | Download Single Lyrics]

Single Title: Clarity
Length: 3:12
Release Date: February 6th, 2026
Label: Independent
Distribution: Distrokid
Genre: Metalcore/Modern Metal
Location of Band: Gatineau/Quebec/Canada

Single Recording Credits:
• All songs performed by: Bury the Past
• All songs written by: Bury the Past
• Produced by: Tiny Rik Productions
• Mixed by: Tiny Rik Productions
• Mastered by: Tiny Rik Productions
• Single Artwork by: Independent

Band Line Up:
Kris King (Bass)
Patrice Jolicoeur (Guitar)
Charles Morin (Vocals)
Til Dubois (Guitar)
Mathieu Fréchette (Drums)

==============================

About The Single Artwork:

Simple yet effective DIY artwork for all of our tracks as of now. We brainstorm ideas using keywords from our lyrics and make something cool out of it.

About The Single: (LYRICALLY & MUSICALLY):

Clarity is where the band shifted directions a bit. It is a lot more aggressive both lyrically and musically. Although it does not define our genre at all. BTP does not have a ”limit”

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BAND STORY ANGLES / FUN FACTS:
1. Til Dubois was the original drummer for Bury the Past. He’s always been more of a guitarist than a drummer. 2 years later, the band got in touch with Fretch.2. If you ever hear us yell ”Tooteeth” , don’t worry about it. This is an inside joke between us related to Til’s cats. We take our music very seriously, but I’m not sure I can say the same about our everyday lives.3. We’re the 5 best friends with the same love and passion for music, even with our age gaps. From Charles and Kris being in their late 20’s, Fretch in his 30’s, Til’s almost 40, and Pat is turning 50.

==============================

L-R – Kris King (Bass) – Patrice Jolicoeur (Guitar) – Charles Morin (Vocals) – Til Dubois (Guitar) – Mathieu Fréchette (Drums)

Photo Credit – Sylvain Courchaine (Eighty Oaks Photography)

Emerging from Gatineau, Quebec, Bury the Past is a five‑piece Metalcore/Post‑Hardcore band known for their heavy sound, emotional depth, and relentless drive to evolve. The project took shape when guitarist Til Dubois brought together a group of local musicians to bring his musical vision to life. Two years later, the lineup reached its full potential with the arrival of drummer Mathieu “Fretch” Fréchette, a shift that would redefine the band’s musical direction and energy.

Despite spanning multiple generations, from members in their late 20s to nearly 50, Bury the Past operates as a tight‑knit family. Their chemistry is rooted in friendship, humor, and a shared passion for heavy music. (If you ever hear them yell “Tooteeth,” don’t worry, it’s an inside joke about Til’s cats.) Their bond offstage fuels their intensity onstage, creating a live experience built on precision, emotion, and raw power.

Bury the Past describes their sound in five words: Heavy, Catchy, Emotional, Evolving, Diverse.

Drawing influence from The Ghost Inside, August Burns Red, The Amity Affliction, Alexisonfire, and Parkway Drive, the band blends Metalcore, Modern Metal, and Post‑Hardcore into a style that is unmistakably their own. Their songwriting process is collaborative and fluid; every track is built together, always starting with the music before vocalist Charles Morin shapes the lyrical narrative.

Their lyrics explore everyday struggles, personal battles, and the emotional weight of being human. The result is music that hits hard both sonically and thematically.

The band’s evolution accelerated when Til returned to guitar, and Fretch stepped in as the permanent drummer. Both are multi‑instrumentalists, but this lineup shift allowed each member to settle into the role where they excel most. The result: a more modern, aggressive, and polished sound.

Their latest single, “Clarity,” marks the beginning of this new chapter. It was the first song written with the current lineup and showcases the band’s heavier side, fast‑paced verses, crushing breakdowns, and a refined modern metalcore edge. While “Clarity” is intense, it doesn’t define their limits. Bury the Past prides itself on having none.

With more music already written and waiting for the studio, the band promises that this is only the beginning.

Bury the Past’s live shows are defined by energy, tight musicianship, and authenticity. They don’t compare themselves to other bands; they simply aim to deliver the most powerful version of themselves every time they step onstage and pave the way as a rising force in the Quebec heavy music scene.

With a growing discography, a sharpened sound, and a lineup firing on all cylinders, Bury the Past are entering their strongest era yet. Their evolution is ongoing, their creativity is limitless, and their commitment to their craft is unwavering.

Bury the Past is more than a band; it’s a brotherhood, a creative force, and a testament to the power of heavy music to connect, heal, and evolve.

Discography:
– Clarity / February 6th 2026 / Single
– Give it time / July 4th 2025 / Single
– Unwelcomed / February 14th 2025 / Single
– Constant Changes (ft. Rémi Arsenault from Burn The Evidence) / January 18th 2025 / Single
– Slipping Away / October 25th 2024 / Single
– Mad World / June 20th 2024 / Single

Shared Stage with: Cardiac – As We Suffer – Soulthief – Run Terry Run – Ascension Blacklist – Nature Pleads Revenge – Concessions – Insanity of Dorrow – Feed After Midnight – The Jenova Projekt – Under the Influence – Change My Brain With Cakes – Warcall – Gilgamesh – & More

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