• About AMR
  • Festivals & Associations
    • 420 Music & Arts Festival (Calgary, AB)
    • Armstrong Metal Fest (Armstrong, BC)
    • Calgary Metalfest
    • Calgary’s YYC Music Awards
    • Days of The Dead Festival (Red Deer, AB)
    • Loud As Hell Metal Fest (Drumheller, AB)
    • Metalocalypstick Fest (Lone Butte, BC) – Mountains, Camping and the Women of Metal!
    • ShrEdmonton Metal Fest & Conference
    • WACKEN METAL BATTLE CANADA
    • WACKEN METAL BATTLE USA
  • Services (Hire Us!)
  • Subscribe To AMR Artist News & Album Promo

Category: EPKs

0 EPK – Powerload – In The Pocket (2026)

  • June 6, 2026
  • by Asher
  • · EPKs · Powerload

EPK – Powerload – In The Pocket (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of G.B.H., Motorhead, AC/DC, Motley Crue

Band: Powerload
Album: In The Pocket
Release Date: June 26th, 2026
Label: Luv Machine Records (Vinyl), Night Strike Records (Cassette), Nice Load Records & Marital Aid (CD)
Genre: Hard Rock, Metal-Punk, Rock n’ Roll
Location: Edmonton, AB, Canada

“We wanted this album to be almost conceptual of the POWERLÖAD lifestyle. You start the party drinking (Tons Of Tail), maybe you hook up with a chick (Bad Girls), some guy bugs you for blow (The Ballad Of Shit Faced Tony), you go play the gig & rock the night (Chains of Rock n’ Roll), you spend your hard earned gig money gambling after (Stakes Are High), you smoke some weed to even out (Defenders Of The Eighth), you meet another chick (Lapdog Deluxe), time to go home (Drunk In A Taxi Cab). While this isn’t a concept album in actuality, people who’ve heard it typically compare it to The Who’s Tommy or Pink Floyd’s The Wall, mostly because of the musicianship & lyrical themes, which are superior on “In The Pocket”” – Powerload

Facebook.com/POWERLOADYEG | Instagram.com/POWERLOAD.YEG | Youtube.com/@POWERLOADYEG

Powerload.bandcamp.com | Spotify | Apple Music

Band: Powerload
Album: In The Pocket
Release Date: June 26th, 2026
Label: Luv Machine Records (Vinyl), Night Strike Records (Cassette), Nice Load Records & Marital Aid (CD)
Genre: Hard Rock, Metal-Punk, Rock n’ Roll
Location: Edmonton, AB, Canada

Track Listing:
1. Tons Of Tail (2:36)
2. Bad Girls (3:02)
3. The Ballad Of Shit Faced Tony (2:58)
4. Chains Of Rock n’ Roll (2:51)
5. Stakes Are High (So Am I) (3:21)
6. Defenders Of The Eighth (2:42)
7. Lapdog Deluxe (2:20)
8. Drunk In A Taxi Cab (3:25)

Album Recording Credits:
• All songs performed by: Powerload
• All songs written by: Powerload
• Produced by: Powerload & Rob Lawless
• Mixed by: Rob Lawless
• Mastered by: Rob Lawless
• Album Artwork by: Adan Vazquez
• Canadian Content (MAPL)

Band Line Up Album + Live
Shel Shock – Bass, Vocals (Tracks 1, 3, 4, 6)
Brett Michaels – Guitar
Hell Hammered – Drums, Vocals (Tracks 2, 5, 7, 8)

===========================================

About The Album Artwork:

Some company refused to print the artwork on hoodies for us, & they described it this way: “a nude robot in an explicit position. The robot is receiving a ball in her buttocks while she is bent down.”

About the album as a whole (LYRICALLY & MUSICALLY):

SEX, DRUGS, ROCK N’ ROLL.

Track by Track (LYRICALLY & MUSICALLY):

1. Tons of Tail – sounds like it’s about lots of chicks, but it’s actually about lots of cocktails. Sounds like ACDC if they sucked.

2. Bad Girls – Song dedicated to all the badass, strong, independent women we know. Chicks are way cooler than dudes. Sounds kinda like Celtic Frost… if they sucked.

3. The Ballad Of Shit Faced Tony – We wrote this song about this guy that wouldn’t stop asking people for blow in Toronto, & they called him “Shit Face Tony,” but he was just this little dude in a button-up that looked like he just finished the late class at the college. He got in a motorcycle accident a few months ago & is regrowing his organs. Guy rules. Sounds like Powerload to me, baby!

4. Chains Of Rock n’ Roll – This song is about rockin’ & livin’ the life of rock n’ roll like how the best in the biz – the Sunset Strip bands of the 80s did it. Sounds like those bands if they had a singer who couldn’t sing & a guitar player who just started playing a few months ago.

5. Stakes Are High (& So Am I) – This song was a tribute to Motorhead lyrically, with the title lifted from the lyrics of an Uncle Ted song. Kinda just once again sounds like Powerload, we throw all the shit we love into a big ‘ol blender & this is what you get.

6. Defenders Of The Eighth – This song is about smoking weed. I think. Sounds like Inepsy/Motorhead if they sucked.

7. Lapdog Deluxe – This song was inspired by the line in ZZ Top’s “Under Pressure,” “Flippin’ Out With Great Danes,” because, like, what the fuck does that even mean? & why is this chick flipping out with them? Song sounds like we took a dump in the glam rock junk shop & we mean that in the very best way possible.

8. Drunk In A Taxi Cab – this song was inspired by that really shitty time you had too much to drink & had to get in a car to go home. When you do this nightly, you have a lot of time to reflect on it. Sounds like Powerload if Powerload sucked!

===========================================

Fun Facts – Story Angles:

1. We opened up for Sebastian Bach & he got really mad at us for writing “Sebastian Cock” on our set lists. He later apologized & hung out with us for a bit. Baz rules. The full story is on our Instagram.

2. Shel Shock sings Defenders Of The Eighth but is the only band member who doesn’t smoke weed.

3. All 3 members have a third leg.

4. People think the album cover for In The Pocket is AI, but it’s actually an acrylic painting, & we get some really interesting virgins calling us out online.

5. We built a bar in our jam space & it’s called the “Powerlöad Bar & Grill” where we serve booze & hot dogs.

===========================================

L-R: Hell Hammered (Drums/Vocals), Shel Shock (Bass/Vocals), Brett Michaels (Guitar)

Photo Credit – STUDIO VON PHOTOGRAPHY

Straight out of their daddy’s dick, Powerlöad are real-deal rock’n’ rollers. No rules, no wimps, just pure, unadulterated slut rock. Combining elements of all their favourite punk, heavy metal & porno movies, they bring a fresh load to a tired & cookie-cutter scene. EST. 2024.

DISCOGRAPHY:
2026 – IN THE POCKET – LP/TAPE/CD
2025 – SPREAD YOUR LEGS – DIGITAL SINGLE
2025 – 1-900-HOT-LÖAD – 7 INCH SINGLE
2024 – DEMO ‘24 – TAPE

Shared Stage with:
Sebastian Bach, Anvil, The Accused AD, Villain, Toy Tiger, MDOP, Mrsa, Cemetery Girl, Midnite Hellion, Divine Apprehension, Lover, Bottom Line, Revelator, Chinese Medicine, Miesha & the Spanks, Fishlips, Lewd Antics, Kurt Dimer, Qualia, Vargouille, Ol’ Baldy Garret Dale, 2 Shadows, Repugnant Scum, Accidents Happen, Wolfenstein, Nervous Aggression, Sick Ritual, Disaster Relief, Plagued By Fire, Sycatrys, Frenesi, Abuse, Dead Shit Earth, Phrozen, Slug Rust, Bigg Egg, Spike Pit, Butcher’s Dog, World Eaters, Vicious Intent, Blind Tyrant.

Tour and Festivals:
2026 – Weekend Warranty Tour – Western Canada
2026 – Winterruption Festival – Edmonton, AB
2025 – The Hunt For Ogopogo – Western Canada
2025 – Loads Allover Yousa – USA Rust Belt + Toronto, ON
2024 – Rock n’ Roll Safari – Canadian Prairies

0 EPK – The Mourning – If I Die I Die (2026) (single)

  • June 2, 2026
  • by Asher
  • · EPKs · The Mourning · Uncategorized

EPK – The Mourning – If I Die I Die (2026) (single)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We think If I Die I Die will connect with people who have wrestled with fear, anxiety, mortality, and the feeling that their own mind is working against them. It has the progressive metal elements our fans expect, but it also has a very direct emotional center. The phrase itself is blunt and memorable, but its meaning is deeper. It is not about giving up. It is about finally refusing to let fear control your life. We want the listener to feel like they are being pulled through a psychological and spiritual battle. The song starts from a place of fear and pressure, then moves toward surrender and release. By the end, the point is not that death has been defeated in some shallow, easy way. The point is that fear no longer gets to sit on the throne. Musically, we want the track to feel cinematic, intense, melodic, and cathartic. By facing it directly, she conquers the thing that had been ruling her.” – The Mourning

For fans of Lacuna Coil, Amaranthe, Flyleaf, Disturbed, Evanescence

Band: The Mourning
Album Title: If I Die I Die
Release Date: June 2, 2026
Label: Self-Release

 Themourningmusic.com | Facebook.com/themourningmusic | Instagram.com/themourningmusic | Youtube.com/@themourningmusic | TikTok.com/@themourningmusic

Spotify | Themourning.bandcamp.com

“The band blends mid to uptempo grooves while also introducing space and atmosphere in just the right places. Combining melody, technical/progressive musical elements, and harmony lead vocals, I feel this band caters to both musicians and non-musicians alike.” – Todd La Torre (Queensrÿche)“The Mourning masterfully marries classic synth sounds, modern Haken-esque rhythms, and massive vocal hooks into a modern progressive package worthy of every fan’s undivided attention.” – Metal Injection

 

“In a world of clones, The Mourning is a true original and a breath of fresh air.” – Gear Gods

 

“‘Hush’ is a very pleasant surprise. It displays a lot of compositional variety, and offers a strong throwback to prog metal classics while also keeping a unique sound and mixing in unexpected elements. All band members deliver spectacular performances both from a technical and creative standpoint… it is certainly worth your time, and especially given that it’s a debut, I find it very impressive. 8/10” – The Prog Space

 

“With the release of “Hush”, the band continue to showcase their mastery to balance technical prowess with broader thematic appeal. The Mourning will most definitely make a big impact on the prog metal scene today and in the future.” – Metal Epidemic

 

“An impressive first album from a young band with room to grow. Fans of bands like Haken and Distrct 97 will enjoy this album. One to watch.” – Prog Radio
“Hush” a sensory treat that transcends the limits of perception.” – Roadie Metal

 

“US band The Mourning are out with the album “Hush”, and progressive metal is the style explored on this production. It is a distinctly accessible variety of the form we get with this band, with their take on this tradition more often than not revolving around a little bit of an ebb and flow movement. Usually with more delicate parts alternating with more powerful ones, from distinctly contrasting passages to parts that alternate with more of a subtle difference as to the dominant aspects of each of them. With a range in expression from delicate acoustic or semi-acoustic parts to booming and powerful guitar riff driven excursions. The songs will typically revolve around solid melodies rather than technical instrument details, and for my sake I did find some similarities in sound and execution with the more typical heavy metal bands of the 1980s. In this case with the powerful and melodic lead vocals probably having a lot to say for this association to be formed. An album to seek out if you tend to enjoy the more accessible parts of the progressive metal universe.” – The Progressor

=============================================================

Band: The Mourning
Single Title: If I Die I Die – 3:51
Release Date: June 2, 2026
Label: Self-Release
Distribution: TuneCore
Genre: Progressive Metal

Single Recording Credits
All songs performed by: The Mourning
All songs written by: Francesco Pinter and Johnny Ray
Produced by: Alex Nasla
Mixed by: Alex Nasla
Mastered by: Alex Nasla
Single Artwork by: Tullius Heuer
PRO Membership: ASCAP and BMI

 

Single and Live Band Lineup
Nanda Hayek – Female Co-Vocalist
Johnny Ray – Male Co-Vocalist
Alex Nasla – Keyboards
Jason Berlin – Drums
Jason Ashcraft – Guitar
Alon Mei-Tal – Bass
Francesco Pinter – Lead Guitar

=================================================

About the Single Artwork.

The single artwork for If I Die I Die, created by Tullius Heuer, serves as an analogy for a being that was alive but confined inside a cage-like chrysalis, limited by the boundaries that once held it. The moment captured is not death, but rebirth. The creature emerges into a wider perspective, spreading its wings toward new hope. It reflects the heart of the song: shedding fear, letting the old self fall away, and realizing that freedom begins when we stop living inside the prison of dread.

About the single:

Lyrically, If I Die I Die is about overcoming the fear of death and the existential dread that can take over when fear becomes the loudest voice in the room. The song is written almost like a conversation between fear and faith, with one voice trying to keep control and the other trying to break free. Musically, it represents a heavier new direction for The Mourning: progressive metal with a darker, more metal-forward punch, dual vocals, cinematic tension, and a cathartic emotional release.=================================================

Story Angles / Fun Facts About the Band

1. The Mourning made their live debut at 70000 Tons of Metal 2025, sailing from Miami to Ocho Rios, Jamaica. The performance was especially surreal because it was the first time that lineup had played for a paying audience and the first time they had met one another in person. Kerrang! Later, called the band an “outrageously talented new prog collective” and described their 3 a.m. debut as “one of the sets of the weekend.”

2. The band followed 70000 Tons of Metal with Prog on the Ranch 2025 in Brooksville, Florida, continuing to build its presence in the progressive music scene.

3. The Mourning quietly brought Nanda Hayek into the band in October 2025. Rather than announcing it immediately, the band spent months developing the new music, video, and visual identity for If I Die I Die, so the announcement could arrive with a complete creative statement in June 2026.

4. If I Die I Die represents a deliberate shift into a heavier, more metal-forward chapter for The Mourning. The song keeps the band’s progressive and cinematic identity, but brings a darker edge, a stronger dual-vocal dynamic, and a more direct emotional impact.

5. The single’s artwork and music video both center on transformation and confrontation. The artwork shows a creature emerging from a cage-like chrysalis into a wider perspective, spreading its wings toward new hope. The video follows a woman being hunted by death until she finally faces it and realizes fear was the true enemy.

L-R – Alex Nasla, Nanda Hayek, Jason Berlin, Jason Ashcraft, Alon Mei-Tal, Johnny Ray, Francesco Pinter.

Photo credit: Alex Nasla

The Mourning is a progressive metal band now based out of Los Angeles, California, built around cinematic songwriting, soaring dual vocals, intricate musicianship, and deeply human lyrical themes. Founded by vocalist and songwriter Johnny Ray, the band was created to turn personal struggle, spiritual searching, and modern existential weight into music that feels both technically ambitious and emotionally immediate.

After first emerging with the debut EP Theosis, the band’s identity came fully into focus with their full-length album Hush. Created for listeners facing anxiety, depression, loss, trauma, and existential struggle, Hush became the defining release of The Mourning’s first major era. Across songs like “Chaos Machine,” “The Mountain,” “He Cries,” “I Feel The Rain,” “Hush,” “My Own Hell,” and “Smooth Seas,” the album explores the inner storms people carry, the search for meaning, and the possibility of spiritual and emotional release.

Musically, Hush bridged progressive metal, melodic rock, atmospheric passages, intricate guitar work, expressive keyboards, soaring vocal hooks, and a dual-vocal dynamic that gave the record its emotional depth. The album moved through many landscapes, from the uplifting irony of “Chaos Machine” to the spiritual grandeur of “The Mountain,” the sorrow and compassion of “He Cries,” the gratitude of “I Feel The Rain,” and the heavy psychological weight of “My Own Hell.” It was a record built to feel expansive and adventurous while still remaining focused on melody, emotion, and story.

The Hush era also brought together many of the musicians and collaborators who shaped The Mourning’s sound. Alex Nasla produced, mixed, and mastered the album and later became the band’s keyboardist. Francesco Pinter’s guitar work elevated Johnny Ray’s melodies and ideas into a more intricate and emotional progressive-metal space, while Jason Berlin’s drumming gave the album its rhythmic foundation. The album also featured contributions from Eliana Blanchard, Loren Whitaker, Brandon Delpino, and guest musicians including Trey Xavier, Thomas Griggs, Eric Mullins, Graeme Currie, Jeff Pogan, and Charlie Robbins.

Hush helped establish The Mourning beyond their local scene, receiving praise from progressive and metal media. Musipedia of Metal called it “a complex, engaging prog metal album from a band who are extremely talented,” while The Prog Space described it as “a very pleasant surprise” and noted its compositional variety. Other outlets highlighted the band’s philosophical lyricism, dual vocals, emotional weight, and blend of progressive precision with raw feeling.

That momentum carried into 2025, when The Mourning made their live debut aboard 70000 Tons of Metal, sailing from Miami, Florida to Ocho Rios, Jamaica. For the band, the moment was surreal: not only was it their first performance in front of a paying audience, it was also the first time the lineup had met one another in person. Kerrang! called The Mourning an “outrageously talented new prog collective” and described their 3 a.m. debut as “one of the sets of the weekend.” Metal Insider later wrote that the band “left a strong first impression” and offered something “distinctly their own.” The Mourning followed that appearance with a performance at Prog on the Ranch 2025 in Brooksville, Florida.

After Hush and the band’s 2025 live appearances, The Mourning made a deliberate creative shift. While melody, atmosphere, spirituality, and progressive structure remain central to the band’s identity, the next chapter moves in a heavier, more metal-forward direction. In October 2025, the band quietly brought in new female co-vocalist Nanda Hayek, a Brazilian native living in the United States and based in Los Angeles, California. Nanda is also known as the vocalist for Brazilian progressive band OverAlive, and had taken a long sabbatical to complete her Master’s degree and develop her career as a psychotherapist, along with her curiosity about the human psyche and the ultimate question of the meaning of life.

Rather than announcing the change immediately, The Mourning spent the following months developing new material, shaping the visual identity, and preparing the music video for “If I Die I Die.” Releasing June 2, 2026, the single introduces a darker, heavier, and more direct era for the band. Written by Francesco Pinter and Johnny Ray, and produced, mixed, and mastered by Alex Nasla, “If I Die I Die” confronts the fear of death, existential dread, and the exhaustion of living under fear’s control. Its central line, “I’m tired of all this fear, I’m done living in fear,” captures the heart of the song: surrendering fear, shedding the old self, and stepping into something freer.

With Nanda Hayek joining Johnny Ray in the band’s dual-vocal dynamic, The Mourning enters this new chapter with a wider emotional range, a heavier musical direction, and a renewed sense of purpose. “If I Die I Die” is more than a new single. It is the sound of the band carrying the emotional weight of Hush forward while stepping into something heavier, freer, and more fearless.

Discography
2026 – If I Die I Die – Single
2026 – Moment Redux – Single
2024 – Hush – Album
2018 – Theosis – EP

Shared Stage With
The Mourning has shared the stage with many bands, including the following notable artists from the 70000 Tons of Metal 2025 lineup:
Sepultura, Emperor, Symphony X, Stratovarius, HammerFall, Sonata Arctica, Candlemass, Delain, Decapitated, Suffocation

Tours and Festivals Performed
2025 – 70000 Tons of Metal – Miami, FL to Ocho Rios, Jamaica
2025 – Prog on the Ranch – Brooksville, Florida

0 EPK – DieveNoire – The Story of a Gunslinger (2025)

  • May 31, 2026
  • by Asher
  • · Dieve Noire · EPKs

EPK – DieveNoire – The Story of a Gunslinger (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“As a newly formed idea which started in Lariyah’s head without an exact direction, but a large collection of content to create this album into a concept of a gunslinger’s journey, in a very basic old school blues rock way, with a touch of southern gothic feel to it. After encountering Jakob Herrmann, a very well-known and accomplished producer from Gothenburg, Sweden, the demos have been reworked and encouraged to incorporate heavier sounds. Quite proper of a move for the involved musicians’ preferences”. – Dieve Noire

For fans of Clutch, Dorothy, Everybody Loves an Outlaw, Pretty Reckless, Halestorm

 DieveNoire.com | Facebook.com/dievenoire | Youtube.com/@DieveNoire/videos | Instagram.com/dievenoire

Dievenoire.bandcamp.com | Spotify | Apple Music

“The nostalgic whistles, the storytelling approach of singer Lariyah Perrin, and the overall atmosphere of the song take the listener on a hypnotic journey. The song is the band’s third track before they drop their new album, which already seems like it will be a feast for the ears. Pushing the repeat button is the only way when the highly engaging, beautiful song ends.” – New Noise Magazine

“It may be true that Lariyah’s personal and dramatic story pushed her to see life from a somewhat different perspective. Her dark words, at times, attest to this. Through the darkness of West American history, is this some kind of introspection on her part? I will conclude by writing that this album is the result of a fusion of dark blues rock and Southern-gothic rock, carried by an expressive voice, powerful guitars, and a universe where the Wild West meets shadow and rebellion. For this album, 9/10 is essential.” – Rock Meeting

If DieveNoire should be recognised as anything, it should be as an unreckonable cultural force, wielding music as a conduit for their ethos, one that scratches beneath the superficial and strikes at the cerebral. Their latest seminal single, IDGAF, delivers an intimately candid rum-soaked vignette of a soul clawing for freedom through the rebellion of living authentically, sacrilegiously in the eyes of many, yet chasing redemption through defiant selfhood.” – A&R Factory (anrfactory.com)

“Hailing from Elgin, IL DieveNoire is a Dark Blues Rock Band that started from the vision and creation of Lariyah Perrin. Originally, this new endeavor was intended as a solo project. However, after the overwhelmingly positive reception of her debut single, “Gunslinger in Black,” Lariyah decided to form a full five-member, stage-ready band. Since a young age, Lariyah was exposed to none other than Johnny Cash, a key influence. Combining her Slavic roots, which are evident in her vocal style and songwriting with a newfound passion for blues and southern gothic rock, Lariyah began work on the band’s debut album, “The Story of a Gunslinger.”” WGN Channel 9 (Chicago)

Album Title: ‘The Story of a Gunslinger”
Release Date: Sept 5, 2025
Label: Self-Release
Genre: Bluesy Heavy Rock
Location of Band: Illinois/North Carolina

Track Listing:
1. Preacher – 3:36
2. To The Gallows – 3:43
3. Gunslinger in Black – 2:44
4. Streets of New Orleans – 5:04
5. The Graveyard Song – 4:04
6. Morning Star – 4:00
7. These Boots Are Made for Walkin’ – 3:48
8. Spell of White Oleander – 4:55
9. Throughout the Night – 3:28
10. IDGAF – 4:24
Album Length: 39:50

Album Recording Credits:
• All songs performed by: Lariyah Perrin, Lothar Keller, Jakob Herrmann, Jonas Ekdahl
• All songs written by: Lariyah Perrin, Lothar Keller, Jakob Herrmann
• Produced by: Jakob Herrmann (Top Floor Studios, Gothenburg, Sweden)
• Mixed by: Jakob Herrmann (Top Floor Studios, Gothenburg, Sweden)
• Mastered by: Jakob Herrmann (Top Floor Studios, Gothenburg, Sweden)
• Album Artwork by: Lariyah Perrin

SONG CREDITS:
1. Preacher – songwriting: Lariyah Perrin, Jakob Herrmann, Lothar Keller
2. To The Gallows – songwriting: Lariyah Perrin, Jakob Herrmann, Lothar Keller
3. Gunslinger In Black – songwriting: Lariyah Perrin
4. Streets of New Orleans – songwriting: Lariyah Perrin, Jakob Herrmann, Lothar Keller
5. The Graveyard Song – songwriting: Lariyah Perrin, Jakob Herrmann, Lothar Keller
6. Morning Star – songwriting: Lariyah Perrin, Lothar Keller
7. These Boots Are Made For Walkin’ – songwriting: Lariyah Perrin, Jakob Herrmann, Erik Michael
8. Spell of White Oleander – songwriting: Lariyah Perrin, Jakob Herrmann, Lothar Keller
9. Throughout The Night – songwriting: Lariyah Perrin, Jakob Herrmann, Lothar Keller
10. IDGAF – songwriting: Lariyah Perrin, Jakob Herrmann, Lothar Keller

Album Band Line Up:
Lariyah Perrin – Vocals
Lothar Keller – Lead guitars
Josh Perrin – Rhythm guitars
Aaron Esquitin – Drums

Live Band Line Up:
Lariyah Perrin – Vocals
Lothar Keller – Lead Guitars
Josh Perrin – Rhythm Guitars
Aaron Esquitin – Drums
Paul McBride – Bass (joined the band fully after the album release)

================================================

About the Album Artwork:

The album artwork was hand drawn ink ink pencil by the vocalist, Lariyah. The idea was to bring out the tree representing the roots of the beginnings and dead branches, which signify growth with the dead soul, rotten by the world. The wings and snake in the middle are actually a drawing depiction of Lariyah’s motorcycle’s sissy bar, which is made out of steel by a Finnish forge master, as shown in the music video of “These Boots Are Made For Walkin’ “, a cover of Nancy Sinatra.

About the album (LYRICALLY & MUSICALLY):

DieveNoire’s debut album, The Story of a Gunslinger, takes the listener back to an old-style New West, with most of the songs portraying the journey of an outlaw. Each song is styled appropriately to fit its narrative.

The introduction begins with the tribal and simplistically written “Gunslinger in Black,” which continues into “The Spell of White Oleander,” carrying on the story introduced in the previous track. The album fluctuates between energetic, driving songs, emotional ballads, and engaging chant-driven tunes, all while telling the story of the Gunslinger’s travels and his eventual death-row tale, from which he ultimately escapes.

Within the lyrics, there is also his admirer, who follows in his footsteps while being secretly watched over by him in disguise. The character of the Gunslinger eventually becomes a metaphorical and imaginary journey experienced by the woman herself.

The album’s tracks are intentionally not arranged in chronological order, prompting the listener to create their own interpretation of the story, visually set in an old-world landscape filled with bullets, alcohol, and the pursuit of a wanted outlaw who constantly challenges the law.

Track by Track (LYRICALLY & MUSICALLY):

1. Preacher – Gunslinger’s Story Part 5

The most dynamic and fastest track on the album, “Preacher,” opens the record by immediately throwing the listener into the middle of the Gunslinger’s story, leaving no doubt about the blasphemous direction of the album. A woman chasing the outlaw encounters a priest who invites her into a church, a decision that later proves to be his own mistake.

Musically, the song is a driving rock ’n’ roll creation with rhythms reminiscent of 1970s rock, but delivered with a modern heavy-rock approach. Chugging guitar riffs and powerful, rhythmic drums make it a simple yet effective anthem. This song depicts another location in the woman’s search for the Gunslinger and follows the New Orleans chapter of the story, which appears later on the album.

2. To the Gallows – Gunslinger’s Story Part 6

A slower-tempo yet still heavy, rock-driven song, “To the Gallows” features powerful vocal performances in the choruses and softer, storytelling verses. It describes the Gunslinger’s time on death row and his eventual escape despite the crowd chanting for his execution.

The woman following his journey finally speaks up, pleading for his life and offering herself in his place, having realized her emotional connection to him. While the song continues the Gunslinger’s narrative, its chorus also serves as a message of empowerment for the listener.

“Oh yeah, don’t let them own ya, follow your own way, f*** what they say” reflects a personal mantra of Lariyah’s, encouraging perseverance regardless of obstacles. This mindset became the foundation of the song’s theme.

3. Gunslinger in Black – Gunslinger’s Story Part 1

The first release by DieveNoire and the beginning of the concept album, “Gunslinger in Black,” was originally intended as part of a solo project by Lariyah. It served as a showcase of the vision for what was to come.

However, after years spent in the rock and metal scene, she realized it was impossible not to expand the project and involve a full band. As a result, this song remains the most stripped-down and humble piece on the album.

Lariyah incorporated her Slavic roots through chanting in the chorus and combined them with dark, emotional vocals describing the Gunslinger’s first appearance in a tavern. This is the moment when the woman narrating the story sees him for the first time.

4. Streets of New Orleans – Gunslinger’s Story Part 4

Inspired by Lariyah’s love for the city of New Orleans and its unique atmosphere, this song follows the woman’s search for the outlaw through the city. It describes the sights she encounters, including voodoo practitioners and ravens circling overhead, creating a mystical and enchanting world that captivates her.

The ballad’s songwriting is intentionally composed to emphasize the vocal storytelling while highlighting beautiful guitar riffs and tasteful lead guitar work. Its style is easily comparable to 1980s power ballads, making it a perfect fit for the song’s atmosphere.

5. The Graveyard Song – Gunslinger’s Story Part 7

This is one of the eeriest songs on the album, filled with whispers, whistled melodies, and ghostly vocals. The band’s performance is intentionally restrained to place focus on the voice and its plea to be accepted into the underworld after death.

By this point, the woman’s search for the Gunslinger has come to an end due to exhaustion, giving the song a haunting sense of finality.

6. Morning Star – Gunslinger’s Story Part 8

To many listeners, this song appears to be a gentle acoustic ballad featuring dual guitars and soft bass lines, expressing love and devotion to a loved one. However, those who delve deeper into the lyrics will discover that it is actually a plea for death to embrace the soul of the narrator.

“Come to me, come closer to my arms” is not directed toward a lover but toward eternal rest itself. “Enter my realm, let me wipe this fear away” serves as the response from the underworld.

Every lyric in this ballad was inspired by a dream Lariyah experienced while in a coma following her 2015 accident. Having briefly experienced clinical death before being revived, she drew heavily from that experience when writing the song.

“Sync with my soul as the ravens circle low” describes her vision of herself fading away and being placed into a coffin, contrary to what many listeners may initially interpret as a romantic embrace.

This is the most personal and meaningful song in her repertoire. Lariyah considers it the true ending of The Story of a Gunslinger, raising questions about the Gunslinger’s identity. Was he a real person, a spirit, or simply a metaphor? Was the journey truly about him, or about her search for answers regarding life and death?

7. These Boots Are Made for Walkin’

A tribute to Nancy Sinatra’s iconic song, this cover was something Lariyah considered essential. In her view, it perfectly complements the album’s themes of rebellion, individuality, and refusing to conform to society’s expectations.

The strength and attitude represented in Sinatra’s original performance fit naturally within the album’s spirit. Musically, however, this version bears little resemblance to the original. It is significantly slower, infused with a modern blues-rock feel, and built around a foot-stomping groove that invites participation from anyone listening, whether they know the original song or not.

8. Spell of White Oleander – Gunslinger’s Story Part 2

Continuing the story from “Gunslinger in Black,” the woman watching the outlaw in the tavern becomes enchanted by him despite never having directly interacted with him.

White Oleander, one of the world’s most poisonous flowers, is left behind by the Gunslinger for a woman he meets in the tavern. The song is a beautiful ballad that explores the emotional impact of witnessing this powerful moment and the feelings it awakens within the narrator.

Heavy guitars emphasize the song’s sentimental qualities, while increasingly dynamic vocal performances draw the listener deeper into the magic of the experience.

9. Throughout the Night – Gunslinger’s Story Part 3

Another emotional ballad, “Throughout the Night” features memorable guitar melodies and soft vocals interwoven with powerful lyrical moments. It explores the Gunslinger’s inner numbness and resentment toward the world around him.

In this song, unlike others where he rides a horse, he rides a motorcycle, providing a more modern interpretation of the Gunslinger archetype. It serves as a symbolic gesture of defiance against the world and a commitment to living life on his own terms.

The song gradually builds in intensity, creating a beautiful musical progression that encourages listeners to close their eyes, forget their troubles, and leave their burdens behind.

10. IDGAF – Gunslinger’s Story Part 9

This song serves as the conclusion of the outlaw’s journey. The woman who has spent so much time chasing the Gunslinger has finally abandoned her pursuit and come to recognize the flaws of the world and the people around her.

After struggling with alcohol and repeatedly promising herself she would stop, she feels her fate drawing near and ultimately gives up trying to please others or hide who she truly is.

Lariyah wrote this song during one of the lowest periods of her life, when she had lost faith in good fortune and stopped caring about the opinions or expectations of others. It is a true bar song, built on the belief that all one really needs is a guitar and good company to celebrate whatever time remains.

With its simple rhythm, driving energy, and crowd-participation chants centered around the infamous phrase in its title, it stands as one of the album’s most engaging and memorable tracks.

================================================

STORY ANGLES / FUN FACTS ABOUT THE BAND

1. Lariyah at the beginning wanted the band to be just a one-person project with a synth, drums, clap, and stomp with vocals, and keep it more “tribal Slavic” kind of route. Still, after releasing the “Gunslinger in Black,” she felt the void of the rock and metal world she had been in since her teenage years. She made a decision that this must turn into a full band project. She had an initial idea to play rhythm guitar after finding a bass player, knowing that with her basic knowledge of guitars, she could make it work. Shortly after, she found a perfectly fitting musician to play the instruments with a whole different spectrum of skill, she stepped out from the double duty to give room for the seasoned musicians and focused on vocals only.

2. Josh Perrin, rhythm guitarist of DieveNoire, is known for playing bass in Akhlys and is soon to be releasing his personal project of 10 years + in works. Lariyah, who is also his wife, did not want Josh to be a part of the band first, wanting him to fully focus on his first love – black metal. Josh, also having a background in old school, outlaw country, really liked the idea of DieveNoire and wanted to be a part of playing it live with her, without involvement in writing music – purely from, as he claims, being a dirtbag rock’n’roll soul inside. In the future, there is a potential that he might step down and focus on his prioritized music.


3. Lothar Keller, on lead guitar, has been playing music since a child, as his father taught him to play multiple instruments. He is known from bands like Legions of Doom/The Skull, and Sacred Dawn. Lariyah and Lothar became the core members of the band.

4. Lariyah and Josh met Jakob Herrmann during their Halloween trip to New Orleans. Little did they know that he was also on his vacation time, flying from Sweden. Little did they know that Jakob is one of the most respected producers in the metal scene whose work includes albums of In Flames, Machine Head, Devin Townsend, Evergrey, and many more. He also offered to bring DieveNoire’s sound to where it should be and took on the production of “The Story of a Gunslinger”.

5. DieveNoire has no direct influence. Lariyah coming up with the idea of it was mostly listening to black metal and English heavy metal, but in the background, Johnny Cash was always a good escape. The KEY MOMENT when she decided to make her ‘years worth of ideas’ into DieveNoire was when she went to Finland for an extreme metal festival and experienced the same musicians (and friends) who just played on stage to put their shorts, flip-flops, and straw hats on, bring acoustic guitars and shakers, and start playing old-school rock and some country songs in the middle of the night, engaging whoever was listening to them, in this case – metal fans who stayed at the same hotel. The moment was so simple and casual to them, yet so impactful to Lariyah.

6. Ever since Paul McBride, also known from many projects, including the Reticent, has changed the entire feel of the band, which will show in the new releases coming after “The Story of a Gunslinger” album songs.

================================================

L-R – Aaron Esquitin – Drums, Lothar Keller – Lead Guitar, Lariyah Perrin – Vocals,  Paul McBride – Bass, Josh Perrin – Rhythm Guitar,

Photo by Darrelle Esquitin

DieveNoire is a melodic, blues‑driven heavy rock band led by vocalist and visionary Lariyah Perrin, whose storytelling approach and emotional intensity shape the core of the project. What began as a solitary creative idea,  simple beats, haunting vocal lines, and tribal‑tinged blues, quickly evolved into a full‑fledged band with a powerful, dynamic sound.

With the addition of seasoned musicians Josh (Akhlys, Havron), Lothar (The Skull / Legions of Doom), and Paul (The Reticent), DieveNoire transformed from a personal concept into a collaborative force. Their combined backgrounds in black metal, doom, progressive metal, and heavy rock brought unexpected depth and weight to the music, accelerating the band’s evolution.

Their debut album, The Story of a Gunslinger, is a concept‑driven journey born from a vivid dream Lariyah experienced, a cinematic tale set in the old wild west, following a wanted gunslinger whose skill keeps him one step ahead of death. Each track continues the narrative, blending emotion, grit, and a touch of southern‑gothic atmosphere. Other songs on the album step outside the concept, capturing raw moments of personal emotion.

While the album leans into a softer, blues‑rock foundation to highlight Lariyah’s dynamic vocal range, the band’s upcoming singles mark a dramatic shift, heavier, bolder, and more aggressive, reflecting the band’s rapid growth and sharpened identity.

DieveNoire’s writing process is deeply collaborative: Lariyah shapes the vision, lyrics, and melodic direction, while the band builds the musical architecture around it. Songs often undergo multiple transformations before reaching their final form, resulting in a sound that is engaging, emotional, and richly layered.

Onstage, DieveNoire delivers a theatrical, high‑energy performance that amplifies the grit and emotion of their recordings. Vocals take on a harsher, more powerful edge, and the band’s dynamic presence turns each show into a full‑body experience rather than just a listening session.

The album artwork, hand‑drawn by Lariyah, symbolizes the band’s roots and evolution: a tree with living roots and dead branches, wings and a serpent inspired by the custom steelwork on her motorcycle, and imagery that ties directly into the band’s visual world.

After working with renowned Gothenburg producer Jakob Herrmann (Draconian, Thyrfing, Art Nation), the band refined their sound further, embracing heavier textures while preserving the blues‑rock soul at the heart of the project.

DieveNoire stands at the crossroads of storytelling, emotion, and heavy rock, a band unafraid to evolve, experiment, and carve its own path.

Album Band Line Up:
Lariyah Perrin – Vocals
Lothar Keller – Lead guitars
Josh Perrin – Rhythm guitars
Aaron Esquitin – Drums

Live Band Line Up:
Lariyah Perrin – Vocals
Lothar Keller – Lead Guitars
Josh Perrin – Rhythm Guitars
Aaron Esquitin – Drums
Paul McBride – Bass (joined the band fully after the album release)

Discography:
2025 – “The Story of a Gunslinger”

Tours and Fests:
7/16 CHICAGO, IL – LIVE WIRE LOUNGE
7/17 MILWAUKEE, WI – SHANK HALL
7/18 CADOTT, WI – ROCK FEST

Artist Endorsements:
Josh Perrin – Mesa Boogie, Solar Guitars
Lothar Keller – Ernie Ball strings, Pighog cables
Paul McBride – GHS Strings, Arachnid Cabinets, Tsunami Cables

 

0 EPK – Famous Strangers – Self-Titled (2026)

  • May 29, 2026
  • by Asher
  • · EPKs · Famous Strangers

EPK – Famous Strangers – Self-Titled (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Halestorm, Nothing More, Sevendust, Godsmack, Evanescence, Butcher Babies, Bad Omens

“We feel like this debut album will take fans on a journey, feeling many different emotions. Some may not understand what we are trying to do, but by the end hoping that they are surprised, refreshed, and feeling inspired. We hope the lyrics dig deep into parts of them they didn’t know existed or hid away. Opening up their heart and soul, feeling unstoppable and worthy. Whatever they may be doing while listening, we hope this album captivates them, moving deeper into themselves through our music. Feeling the emotional pull through each track. Moments of inspiration and grit to complete surrender of self. With a touch of silliness and definitely some seduction.” – Amanda Kiernan – Vocals – Famous Strangers

Famousstrangersband.com | Facebook.com/FamousStrangersBand | Instagram.com/famousstrangersband

Tiktok.com/@famousstrangersband | Youtube.com/@Famousstrangersband

Spotify | Apple Music | Famousstrangers.bigcartel.com

Add to your Spotify playlist – ​https://distrokid.com/hyperfollow/famousstrangers/ghosts-of-men

“Amanda has a Lee Aaron vibe about her.” – Richard Amery – LA Beat

“Canada’s Famous Strangers return with an incredible new single, a fierce one titled ‘Ghosts of Men’. Right out of the gate, the riffs are lethal and the vocals are up to the task with a mean disposition that fit perfectly. Famous Strangers is a seriously talented band and ‘Ghosts of Men’ is a shining example of their creativity at work with an extended jaw dropping 6-string solo, a wonderful slow down to catch our breath only to come out on the other side finding ourselves in a choke hold of epic proportions. This is modern metal done right, catch it on your Home for the Best New Rock…W-J-O-EEEE – WJOE – Findlay’s Home for Rock & Roll

“Haunting, Stirring and Impactful…those words just keep going through our mind as we take in the new single “I’ll See You In The Stars” from Famous Strangers. This one is quite unique with a powerful intensity that is full of rhythm and achieves the rare feat of fury as a pure form of beauty. We really dig this one and you can catch it on your Home for the Best New Rock…” – WJOE – Findlay’s Home for Rock & Roll (Single – I See You In The Stars – 2025)

““George” by Famous Strangers is not just a song—it’s a full-throttle, unapologetic metal anthem that grips you from the very first crushing drumbeat and refuses to let go. Heavy. Relentless. Unstoppable. This track is a ferocious sonic onslaught, packed with blistering guitar riffs, bone-rattling drums, and a vocal performance that will leave you breathless.” – Switching Styles (Single – George – 2025)

Band: Famous Strangers
Album Title: Self-Titled
Release Date: August 21, 2026
Label: Self-Release
Distribution: Distrokid
Genre: Hard Rock
Location of Band: Edmonton, AB, Canada

Track Listing:
1. Fire Inside – 4:06
2. Ghosts of Men – 4:54
3. Please Her – 4:34
4. As Your Leader – 3:49
5. Desires – 3:50
6. Far Away from Home – 4:18
7. Rain – 9:23
Album Length: 34:57

Album Recording Credits:
• All songs performed by: Famous Strangers
• All songs written by: Famous Strangers
• Produced by: Jeff Kittlitz, Phil Anderson, and Famous Strangers
• Mixed by: Joel Wanasek
• Mastered by: Maor Applebaum
• Single Artwork by: Art Szabo Creative
• Member of SOCAN
• Canadian Content – MAPL

Album Band Line Up:
Jeff Kittlitz – Guitar, BackUp Vocals
Amanda Keirnan – Vocals, Lyrics
Braden Sustrik – Bass, Back Up Vocals
Brian “Beej” Jolly – Drums, Back Up Vocals

========================================================

About the Album Artwork:

We are blessed to have our graphic designer, Art Szabo, working with us. He does a lot more than just our artwork, so we are lucky to have him. For the single “Ghosts of Men,” he put his take on a woman bending down into her reflection, or even a mirrored effect. It looks ominous and ghostly. Even though our video is a very different, separate take on the song, the artwork goes deeper into the lyrical side of things. The isolation. The struggles you feel alone… being “ghosted” when really you yourself almost feel like the ghost! Alone in wonderment and torture of the mind. 

The album artwork for the vinyl is a recreation of our very first promo video, which we put out. Made in an incredibly artistic way. It’s the shot in the video where Braden has his hood on, and he has smoke coming out of his mouth. It’s all black and white, which has been our color scheme. It honestly doesn’t mean anything… I just had the idea and thought it would look cool. Now that everything is said and done, you could definitely put your thoughts on it on what it could represent, and every idea is the correct one. That’s the beauty of art.

About the album:

The album centers around the theme of “knowing your worth.” Much of the songwriting draws from personal experiences, delivering messages about self-love, growth, and moving forward. At its core, it’s a reminder that no matter what you face, you’ll be okay and come out stronger on the other side.

While a couple of tracks explore completely different ideas, like aliens, the overall journey is about where you’ve been and who you can become once you break free from what holds you back, and to get out of your own way.

Musically, it is a diverse journey into heavy grungy riffs, explosive moments, fast pace, and energetic. Leading you into epic breakdowns that bring you into softer atmospheric moments. It’s a taste of everything and takes you all over the place. Pushing boundaries and rules of genres. Definitely thinking outside the box.

Track-by-Track Descriptions

1. Fire Inside

Fire Inside began as a simple progressive metal riff but evolved right up to the studio, where the chorus and ending were finalized. After extensive preproduction, the song truly came together. Lyrically, it’s about grounding the listener in the moment and embracing mistakes to honor the journey that shaped you, while holding onto the peace within.

2. Ghosts of Men

Ghosts of Men began as one of the earliest songs written with the band and was later completely rewritten. Originally shelved, it resurfaced when we wanted a raw rock ripper and quickly morphed into its final form, coming together almost instantly and earning its place on the record. Lyrically, it’s a new and deeply personal track, drawn from real experiences and recurring patterns in my life. It’s raw, vulnerable, and unfiltered, but that’s the point.

3. Please Her

Please Her started as a single rock riff and evolved through preproduction as arrangements shifted, especially once Amanda’s vocals came into the mix. The song eventually came full circle, landing as a straightforward hard rock ‘n’ roll track. The title seems to give it all away… It’s playful and confident, about staying true to yourself, knowing your worth, and making sure your cup is overflowing, because every person deserves to feel that way.

4. As Your Leader

As Your Leader is one of the earliest songs written for the band and has been with us since the beginning, taking on new life as the lineup came together. While it carries a lot of anger and frustration, at its core, it’s about community, connection, and the belief that we’re stronger when we come together, all wanting the same things in the end: peace, health, and the freedom to live fully.

5. Desires

Desires was born from Jeff’s first Bloodstock Festival in the UK, a very rock ‘n’ roll, Motley Crue-style night that sparked both the riff and the story behind it. Written by Jeff Kittlitz, the song captures that instant connection you feel when you lock eyes with someone special.

What started as a wild night turned into something deeper, a love song with a bigger meaning. Bringing it to life has been a blessing, and after taking the time to find the right vocal approach, it finally feels like Amanda is delivering the song the way Jeff intended.

6. Far Away from Home

Far Away from Home was written early on while we were still finding our sound. It started with a punk riff that everyone ran with, keeping the song fun and energetic, a tribute to punk. The chorus evolved significantly from preproduction to recording. Lyrically, it’s about being abducted by aliens! It came from a playful place, and having full creative freedom helped the song come together in a way that felt natural and true.

7. Rain

Rain was written in a small town in England on a rainy day, born from a quiet moment on the couch with an acoustic guitar. What started as a simple blues idea came together back in Canada, becoming the first song that truly pulled Amanda in; her lyrics completed it in a way that felt almost magical. Lyrically, the song digs deep into fear, pain, and feeling trapped, and finding the strength to finally let go and choose yourself. It’s one of our softer tracks, showing another side of the band, and we’re excited to share it on the new record.

========================================================

Fun Facts:

1. The name Famous Strangers came from Jeff driving through the city, listening to Deep Purple’s “Perfect Strangers” on the radio, and passing a restaurant called “Famous Donair.” The two words slammed together and never left.

2. Some of the guitar riffs on the album have been living on Jeff’s hard drive for over a decade. They finally found the right band and the right voice to bring them to life.

3. We record every single jam session. Some of the best moments on this record started as loose ideas over beers that nobody expected to become real songs.

4. Ghosts Of Men was written 3 days before entering the studio and was completed in the studio 

========================================================

L-R – Drums – Brian Jolly, Vocals – Amanda Kiernan, Bass – Braden Sustrik, Guitar – Jeff Kittlitz

Photo by Taryn Leanne

Famous Strangers is a heavy rock band from Sherwood Park, Alberta, rooted in the classics and built for today. Drawing from the fire of Dio, Maiden, Judas Priest, and W.A.S.P. and channeling the intensity of Halestorm, Jinjer, Spiritbox, and Unleash the Archers, the band blends raw power with emotional depth and a sound that refuses to sit still.

The lineup: Amanda Kiernan on lead vocals, Jeff Kittlitz on guitar and backing vocals, Braden Sustrik on bass and backing vocals, and Brian “Beej” Beejerson on drums and backing vocals, brings together over 20 years of collective experience across the Alberta music scene, with roots in bands like Pugnacious, Compromise, This Is War, and The Order of Chaos. What started as a casual jam session turned into something nobody expected… a full creative force with a hunger to share it with the world.

With four singles out, Deep Star, George, I’ll See You in the Stars, and LSC, all recorded in-house and mixed and mastered alongside Phil Anderson, Maor Appelbaum, and Joel Wanasek, the band has been steadily building momentum. Every single release has been accompanied by a music video, filmed and edited by Brad Thompson at Brad Thompson Photography, with George edited and post-produced by Art Szabo Creative. Their Deep Star music video is generating serious buzz, and their debut self-titled album with a vinyl release, lead single, and new music video will be released August 21, 2026

Famous Strangers doesn’t follow a formula. They follow the feeling. Every song lives in its own world… moody, haunting, heavy, honest. Whether they’re on stage or in the studio, it’s about connection, energy, and making music that means something.

Discography:
Self-Titled (LP – Release August 21, 2026)
L.S.C. (Single Release June 3, 2025)
I’ll See You In The Stars (Single Release March 7, 2025)
George (Single Release November 15, 2024)
Deepstar (Single Release (Sept 13, 2024)

Shared Stage with: Three Inches Of Blood, Riot City, Danko Jones, Into Eternity, Revocation, Havok, Born Of Osiris, The Browning, Gravemass, Glyph, Valley Of Despair, Shackled To The Throne, Unending, Per Velum, Squid Hammer, Insurrection, The Devils Sons, Western Death Ballads, Barb Wire Choker, Black Friday, Quietess, Cambie Krostch, Bogue Brigade, Creature Conspire, The Cutoffs, Ditch Pisser, The Myopia Condition, 2L Superpunk, Catapult, Godfall, Oceans Under Stars, Repulse Reprise, Darkend Skies, Amonalyptic, Femme Voyous, and more…..

Tours and Festivals:
2026 – Decimate Metal Fest (Direct Support)
2026 – Western Canadian Album Release Tour Aug of this year
2025 – Decimate Metal Fest
2025 – Armstrong Metal Fest
2025 – Loud As Hell Open Air,
2025 – Grassmass Western Canadian Tour,
2025 – Kittos (Shackled To The Throne) Alberta release tour

0 EPK – DOLL – Snakes and Ladders (2026)

  • May 29, 2026
  • by Asher
  • · DOLL · EPKs · Uncategorized

EPK – DOLL – Snakes and Ladders (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We would say that following the reception we had to the first few songs in the Animal Crackers trilogy, with ‘Shark Bait’ and ‘Bear Claw’, we feel like we’ve hit a stride where our fans expect the unexpected at this point. ‘Snakes and Ladders’ is the final piece, and we think (and hope) its going to be received as a really cool mix of the Doll evolution, going into a D standard tuning as a throw back to the grunge sound of old and incorporating the elements of the new darker tone and feel, sprinkled in with a bunch of harmonics, and of course the signature Christina vocal style, Snakes and Ladders provides the rasp, the drive and the bang to be a banger. We’ve always said this project was about having fun and exploring new sounds and styles. We’re confident that ‘Snakes and Ladders’ will land just as hard—if not harder than Shark Bait or Bear Claw.” – DOLL

For fans of SoftCult, Amyl and the Sniffers, Scowl, Nobro, The Pretty Reckless

Doll.bandcamp.com | Facebook.com/dollband | Spotify | Youtube.com/@insidethedollhouse

All Digital Platforms – https://distrokid.com/hyperfollow/doll14/snakes-and-ladders

What the press has said about DOLL:

!earshot – August 2025 – Top 20 Loud – #5 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

!earshot – August 2025 – Top 200 – #55 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

“#1 Doll – Zach’s Picks of the Week – July 7 – 12, 2025 – Canadian Beats (2025 – Better Days, Better Times)

“In one of the best comeback stories in music in 2025, Canadian Alt-Rock duo DOLL will release their first new collection of material since 2011’s The Ragdoll Diaries… In addition to five slamming originals, DOLL chips in an inspired take on the Deep Purple classic rock anthem – “Smoke On the Water!” “- Ghost Cult Magazine (2025 – Better Days, Better Times)

“Doll sharpens their grit with new muscle and melody. Their return after more than a decade is not a nostalgia trip but a rebirth. The Ottawa band’s forthcoming EP Better Days, Different Times (July 18th) expands their core formula of raw energy and no-frills honesty by inviting new players and broader sonic choices into the mix. But even with cello flourishes and genre jumps, their identity remains firmly intact.” – Amplify The Noise (2025 – Better Days, Better Times)

“The new track ‘Shark Bait’ from Doll is a blast! The world has been celebrating the 50th anniversary of “JAWS” and now we have a brand new punk-fueled bite in the pants to go along with all of the bloody hoopla. ‘Shark Bait’ is basically straight ahead hardcore riffage with razor sharp teeth, fun lyrics and a precursor to their new EP, ‘Better Days, Different Times’ set for a July 18th release. Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll (2025 – Better Days, Better Times)

“DOLL has returned as potent and as impressive as they were before but with greater impact we suggest, Better Days, Better Times quite simply a must exploration for punk and feral rock hearts.” – The Ring Master Review (2025 – Better Days, Better Times)

“Christina Kasper’s changeable voice is impressive.” – Keep On Rocking (2025 – Better Days, Better Times)

“‘Bleeding’ is a colourful mixture of Hard and Alternative Rock, paired with influences from Punk and Gothic, in a very melancholic sounding melody. The powerful voice of singer Christina Kasper dominates like a siren. ” – Metal Heads Forever Magazine (2025 – Better Days, Better Times)

“The Rag Doll Diaries” is the story of a road weary/world weary band with so much to say and share. Its the combination on heartache and despair offered with a hand meant for holding. In other words here is real music for the real world.” – Heavy Metal Time Machine (2013 – The Ragdoll Diaries)

“Doll was conceived as a bridge between punk and rock, a bridge that was fulfilled in the early ’90s by bands like Nirvana and the mid-’90s by Foo Fighters… A good punk band doesn’t write about the joys of picking daisies and Doll is no exception.” – The Whig Standard (Kingston, ON) (2013)

“Doll provides a missing link between punk and rock.” – The Intelligencer (Belleville, ON) (2013)

“The four-piece are definitely reminiscent of the grunge era and have provided a concise four-word biography of the band: “Rock N’ Fucking Roll.” – Exclaim! (2011 – The Ragdoll Diaries)

“One of the most striking aspects of Inside The Dollhouse, after Christina’s whiskey-and-hell voice, is a fictional character by the name of Sally created to carry the songs. A concept completely unexpected given the band’s twentysomething youth, immediately reminiscent of Alice Cooper’s infamous character Steven, introduced on Welcome To My Nightmare in 1975.” – Bravewords (2010 – Inside the Dollhouse)

“The debut from Ottawa’s Doll caught me instantly like a fish on a hook. This is serious music. Dark, intense and magnetic, this is the kind of gritty ’90s grunge that doesn’t fuck around. Fronted by the vocally vicious Christina Kasper, Doll recall an angry and confused era of music devoid of pop but not catchiness. Kasper howls in the vein of Courtney Love and Brodi Dalle, and while the lyrics are simple and not exactly fresh, they are impacting. Songs like “Perfect” deal with trying to live up to society’s standards, while “Sally Lost Her Shoelaces” and “Daddy’s Little Girl” deal with hurt, confusion and heroin against a backdrop of chunky guitars, assaulting drums and badass attitude. Julie-Anne Madore’s backing vocals add a whispered, haunting feel to this record. If the dirty rock’n’roll alone doesn’t reel you in, nothing will.” – Exclaim (2009 – Inside the Dollhouse)

Band: DOLL
Single Title: Snakes and Ladders
Release Date: May 29, 2026
Label: Grunge Never Died, You Did Records
Distribution: DistroKid
Genre: Hard Rock, Punk, Grunge
Location of Band: Ottawa, Ontario

Single Recording Credits:
• All songs performed by: Doll
• All songs written by: Doll
• Produced by: Josh Hart
• Mixed by: Josh Hart
• Mastered by: Josh Hart
• Single Artwork by: Mark Kidd
• Member of SOCAN
• Canadian Content (MAPL)

Single Band Line Up: Pete Kasper, Christina Kasper, Josh Hart

=============================

About The Single Artwork:

Oh, this one is super crazy; it’s almost like we manifested the opportunity by picking the song title to be Snakes and Ladders. We were walking through a thrift store, and out of nowhere, a full-on board game version of the game, with the classic packaging from who knows when. We took a photo of the original box, and it was perfect.

Really makes you wonder, are we living in some video game simulation itself? As soon as you start thinking about something, it always seems to appear in some form, it’s like when you never notice a certain car or shirt, but then the moment you get one, its like you see them non-stop.

Finding that board game, at exactly that moment, it’s a coincidence that just played out so perfectly, there was no point in going a different direction. This was the cover art that was meant to be.

About the single as a whole (LYRICALLY & MUSICALLY):

Musically, Snakes is a real fun one for us to play, we did a lot of harmonics which we never did a lot in the past, we brought in a lot of the classic feel with the in your face quick riffs, and vocally with the performance dialing up the grit and angst in the delivery, it’s a great song to move to and get some issues out.

Lyrically, it’s a classic tale of boy meets girl, girl kills boy. LOL.

Just kidding.

The messaging is an uplifting anthem fighting back against the bullshit, whether that be the snakes in suits that pretend to want to help you, but are just in it for a paycheck. This was our take on hopefully giving some sense that no matter what, you have to be yourself and never give up.

As the song says, “I refuse to play your game.” Remember to always ask questions, keep things in perspective, and don’t just drink the Kool-Aid blindly.

======================================

Fun Facts:

1. Christina and Pete are married.

2. They have been supporting and pioneering the Ottawa local scene by organizing shows in the area for over 20 years.

3. On tour, we always had hot and sour soup in every city.

4. Our first out-of-town runs of shows, we didn’t even have a band van, which we ended up finding late night the day before, purchased off someone privately, and had insured and plated the next morning before driving off in our amazing two-tone brown GMC Safari (RIP), the best van ever created.

5. Everyone was a huge fan of Sonic Youth

==============================================

After a long hiatus, Doll returned in 2025 with a brand‑new album, and they’re keeping the momentum going with a follow‑up 2026 single, “Bear Claw,” releasing January 16th.

Doll is a Canadian alternative rock band from Ottawa, Ontario.

In 2009, Doll released their first album, Inside The Dollhouse. A video was filmed for their debut single, “Daddy’s Little Girl,” which aired on MuchMusic and MusiquePlus. A second video was filmed for their next single, “Sally Lost Her Shoelaces.” Madore left the band a few years later, with Paquette returning to take her place.

In 2011, they released their second album, The Ragdoll Diaries. Two singles and videos emerged from this release: “FMO” and “Youth of Today, Hope for Tomorrow.” The album was issued on both CD and vinyl. Soon after, Alex Vance joined the lineup as the new bassist.

Over the years, Doll has shared the stage with an impressive roster of artists, opening for Three Days Grace, Lacuna Coil, Danko Jones, Spinnerette, Protest the Hero, Band of Skulls, Anvil, Halestorm, SNFU, Hanzel Und Gretyl, Civet, The Creepshow, Die Mannequin, and many more.

Discography:
2025 – Better Days, Different Times
2011 – The Ragdoll Diaries
2009 – Inside the Dollhouse

Tours and Festivals:
2011 – Ottawa Bluesfest
2011 – IndieWeek
2011 – NXNE
2011 – Montebello Rockfest

0 EPK – Pythonic – Laws of Karma (2026)

  • May 29, 2026
  • by Asher
  • · EPKs · Pythonic

EPK – Pythonic – Laws of Karma (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Lamb of God, Morbid Angel, Devildriver, Black Dahlia Murder

Band: Pythonic
EP Title: Laws of Karma
Release Date: July 10, 2026
Label: Self-Release
Distribution: Distrokid
Genre: Groove / Death / Thrash
Location: Saskatoon, SK, Canada

    Pythonicband.com | Facebook.com/pythonicband | Instagram.com/pythonicband | Youtube.com/@pythonicband

Pythonic.bandcamp.com | Spotify | Apple Music

Tour Dates:

May 28 – Regina, SK, Club side of The Exchange
May 29 – The Pas, MB – venue TBA
May 30 – Brandon, MB – The Hall
May 31 – Winnipeg, MB – Sidestage
June 5 – Calgary, AB – The Rock Shop
June 6 – Edmonton, AB – Starlite Room Temple Stage  

“Pythonic’s Decomposition EP: Rebuilt, Refined, and Ridiculously Relentless” – North Sask Music Zine

“A nice blast of heaviness to see out the year. Pythonic throw their all into delivering a memorable showcase of thrashing death metal. An EP of five tracks that shows off plenty of creativity, has moments of exciting flair, and undeniably delivers the hefty ‘one-two’ punch of death crossed with thrash metal. 8/10″ – Games, Brrraaains and A Head-Banging Life (Decomposition – 2025)

“PYTHONIC does command respect. The way they have approached the music is impressive. I hear Metalcore, I get Metal Hardcore, I receive Groove metal and I hear Heavy Metal. Sometimes one of the four, at other times two or more of the four ingredients on offer. And what is even more impressive; they work well together.8/10″ – Metal Temple (Decomposition – 2025)

“Pythonic assuredly on fine footing based on the reinterpretation of older songs for Decomposition. Strap yourself in for a modern mix of groove metal with thrash, death, and metalcore components which leaves you battered, bruised, and craving more.8/10” – Dead Rhetoric

“The first thing that grabs you about this second stab in the dark from Pythonic is Warriner’s shrill screams which are as nasty as a low budget horror movie from the 1980’s but in a good way. That’s not to say he doesn’t have a death growl of course but it’s not all that deep, his preference being to shred your ear canals as he screeches like a lunatic awaiting asylum on opening gambit “Guiltfeeder“. A track with a sinister urge and classy bit of lead towards the end from Hunter, it’s something that has that classic Morbid Angel about it while there can be little doubt the band love a bit of Swedish Death Metal.” – Metal Noise

““EP 1” is a testament to Pythonic‘s dedication to their craft and their refusal to be confined by sub-genre limitations. Each song is a blend of technical prowess and raw emotion, offering listeners a chance to experience the full spectrum of the band’s capabilities. It is recommended for fans of Machine Head, Trivium and Pantera.” – Metal-Rules (EP01 – 2024)

 

“Pythonic comes from Canada with ‘Epica’, a track that features fast-paced guitar riffs, heavy drums and an engaging, torn vocal that delivers to listeners the essence of metal and subverts such as alternative, thrash and even melodic, being perfect to the circle and not to leave anyone standing still.” – Os Garot Os Deliverpool (EP01 – 2024)
 
“Pythonic has an EP for you. Blending Thrash with Old School Swedish Death Metal, the band manages to sound like Entombed but without losing its unique style… So if you have a few minutes of anger to drain, these guys are going to cover you!” – Metal Eclipse Reviews (EP01 – 2024)
 
“Overall I’m a pretty big fan of this record. If you want something that sounds maybe like an Anthrax or a Slayer record then you really want to check this out. The most dynamic and unique part of this EP, in particular is the vocals are double-tracked and they’re very high in the mix which is something that is somewhat different than a lot of the other metal releases this year which I greatly appreciate. If you want something that has a lot of the thrash guitar element then you’re really going to want to check this out. The guitar and drum parts are fantastic, they really keep the songs very tight even though the vocals are very in your face and they’re usually the the first thing that you would notice with this kind of record but overall this is very strong.” – Brutally Delicious (EP01 – 2024)

 

Band: Pythonic
EP Title: Laws of Karma

Release Date: July 10, 2026
Label: Self-Release
Distribution: Distrokid
Genre: Groove / Death / Thrash
Location: Saskatoon, SK, Canada

 

Track Listing:
1. Laws of Karma (3:17)
2. Feed The Flames (3:52)
3. Set You Free (4:07)
4. Sentience (4:36)
5. Venom (2:59)
EP Length: 18:51

 

EP recording credits
All songs performed by Pythonic
All songs written by Pythonic
Produced by Pythonic
Mixed by Reid Paraszczynec / Lucid Distortion Audio
Mastered by Reid Paraszczynec / Lucid Distortion Audio
Album Artwork by Apocalyptic Nuke

 

EP and Live Lineup:
Morgan Warriner – Lead Vocals
Ryan Hunter –  Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Max Hiske – Bass
Jayden Warriner – Drums
==================================================

About the EP Artwork:

The artwork depicts a guy screwed onto a liberty scale in a hell scape background. We called the EP “Laws of Karma,” hence why we used a liberty scale to impale the figure onto. The artwork was done by @apocalyptic.nuke. The model is of no specific person to name, but holds a deep connection to the band as they were served the karma they deserved, as portrayed in the song “Laws of Karma.” The ending verse highlights the main points tying together the art and the song. They go very hand in hand with each other. We also updated our logo for this release to better align with our new direction in sound. The logo was also done by @apocalyptic.nuke. We are quite happy with how the art turned out and think it matches our brutal leanings as of late.

About The EP: Lyrically and Musically

Lyrically answered by Morgan, “Laws of Karma is the first set of music I have written that has been fully me. To say that I am proud of it is an understatement. The entire set of 5 was written when I was in a very dark place, recovering from surgery and being unable to walk/move. The entire album reflects on Vincent’s, Jayden’s, and Morgan’s struggles with disabilities and surgery. We made music to make you move when we ourselves at times could not.”

Musically, these songs have been written over a wide span of time. Lots of personal struggle and hardship can be heard throughout the riffs. These riffs are a culmination of living through life, and on the toughest days, you can still rip out a killer song through the ashes of despair.

Track By Track: Lyrically and Musically

All lyric content answered by Morgan

1. Laws of Karma – The Laws of Karma guide your fate. This speaks no matter how holy a person views themself they will forever be chained to the laws that guide this world. Karma is a real thing, and it comes to bite some people in the ass. Laws of Karma was written about the ex-member of Pythonic who was in the band for many years. It really highlights Vincent’s personal relationship with him, how the band would have people talk to us about his shitty behaviour and lack of respect. We found it fitting to use him as the object of karma.

Musically, this song was written by Ryan. It was one of the first tracks written to start leaning into a heavier sound and has been a part of our live show for many years. The riffs have not changed over the years, as the song is quite a solid piece of work. We saw it fitting to take the song and not change the name from its predecessor, and to keep the structure exactly the same as it rips.

2. Feed the Flames – Feed the Flames is the second half of Liturgy. Everyone talks about summoning the devil, but rarely discusses what the consequences may be. Demons walk this earth. They are greedy, powerful monstrosities that will take anything offered to them and then some. It speaks on the fire’s voice, which is a popular scripture in the bible (Exodus 3:2). Hearing the fire’s command, obeying, and feeding the flame. Only to have the beast take more than what was offered, terrifying those who summoned it. Eventually claiming the person themself. The beast has finally won.

Feed the Flames came to Vincent while he lived in a fairly haunted house. A solid chorus riff mixed with some other weird yet haunting riffs. The jump in the BPM near the end of the track is supposed to capture the franticness of being pursued, and the abrupt stop is you finally being caught. These go hand in hand with the lyrical content of the song. Stopping abruptly right as the lyrics “ The beast has finally won” are being spoken really helps join the music to the lyrics.

3. Set You Free – Set you free from this holy lie is self-explanatory in itself. It speaks of how religion has changed, how it is not true to itself and how so many people have suffered at the hands of “god”. If any book tells you to hate a fellow human being, that book is completely wrong and should be burned. People gather in mass to listen to people who are continuously getting flak and having people come out and speak about how they were sexually abused by a priest. Religions telling us to hate each other have no place in this world. Religion spreads hate, Pedophiles rule the world, and the bible is blasphemy.

Musically, this is another mostly Ryan banger track. This track has been developed over a long period of time and has had many iterations that have been played live. The core riffs of this track never really changed, like the intro and the verse riffs. They were just such solid riffs over the years and got the crowd moving. The rhythm over the solo is also just an absolute demon of a riff. This was another one of the songs that was written around the time of “Laws of Karma” and was a push for us to sound heavier.

4. Sentience – Lyrically, the song ” Sentience ” was written regarding the viewpoint that a majority of society is not sentient yet, what happens when someone gains sentience and questions the current narrative and the internal turmoil of not wanting to understand the way that the world works “, in ignorance there is bliss”. The entirety of sentience is filled with contradictions as well as unrest of questioning one’s very existence; it’s as though sentience itself is calling out to you, telling you that you can not escape it. Its darkened proposition of guiding you through fractured identity and internal struggle really highlights the personal pursuit of inner peace, but never being able to find it.

What makes a person sentient? Why do some people seem although they are not sentient and do not have souls? Some questions may never be answered. Will one ever find inner peace?

Musically, Sentience comes from a very raw, emotionally charged area for Vincent. It was the first song he had written after being able to play guitar again after an almost two-year hiatus due to not being able to physically play. The riffs dug into his psyche at the time of being relieved to be able to play again, but also releasing the tension of will I ever be able to play again and enjoy music as I had prior. The hiatus had brought up questions of whether I should just call it and start selling all my gear? Am I going to lose all my friends in the band, not being able to do what we enjoy together anymore? The existentialism of these questions harboured the riffs for “Sentience”, making it the heavy-hitting headbanging song you hear today.

5. Venom – Lyrically, Venom is about my personal struggles of being in an abusive relationship. How I was hit, tormented, and gaslit. I thought that I had found the one, and if I had just stayed, things would get better. It speaks to my inability to understand why I was ever treated in such a way. When it comes to abuse, there is never a rhyme or a reason for the way someone treats another person. I gave myself like a devotion or sacrifice to a person who sucked me dry of everything. Later on in Venom, it speaks on how I found myself again after finding the truth and how the person only has themself left to betray.

Musically, Venom comes from a very similar place as the lyrics did. Vincent wrote the majority of this song in a half-hour sitting after breaking up with an abusive ex. Gaslighting and mental torment at the pinnacle of having enough is what brings these riffs together with the lyrics. Originally, the riffs were titled “Drain” as Vincent had felt drained by the relationship in every aspect. A true cathartic release of being abused by a partner.

==================================================

Fun Facts:

1. After we played the Into Eternity show this past November, Morgan received some very flattering compliments on his vocals from Stu Block. This had the band very excited. Ryan and Vincent also received a handshake of approval from Matt Cuthbertson on how well our sound and set have come along. It was a very amazing time to share the stage with such legends in the scene and to be noticed by them as well.  

2. Shortly after the amazing Into Eternity show, we got to be the opener for Slaughter Fest in Edmonton. This show was quite a wild ride. Being able to play the main stage at the Starlite Room felt so surreal. As we performed, more and more people just kept flooding in. The response after our set was also amazing. We had people surprised by the fact that we got people to mosh, saying, “It’s like a rule here that no one moshes for the opening band,” yet that rule was broken. We also received very kind words from Sean Watson, the leader of Display of Decay. He said, “Why didn’t you guys tell me you were so good we would have put you in a later slot?” We honestly didn’t think we were that great to be asking for that, but the crowd’s response never lies.

3. Shortly after the Slaughter Fest show, we would be contacted to be on Serenade Metal Fest once again. We donated our set once to the show, as it helps raise funds for cancer and MS research. And we like to help out with benefit shows even when we have a fairly substantial cost input for getting out to Edmonton.

4. Not long after Serenade happened, we were contacted by Exit Wound out of Calgary to do some tour dates with them. We were all very surprised by this and also excited, as some other touring for the spring had fallen through. We were surprised because we had only played with Exit Wound one other time last year, in June at a Saskatoon date for their tour. This was the third show with Morgan on vocals, and during the middle of the set, Morgan was trying to get the hype up for Exit Wound, and with the amount of air he was pushing for vocals, he had a moment of forgetfulness and forgot the name of their band. Lacking experience and oxygen made us look unintentionally a little bad, but we obviously have the chops and demeanor to show that it was an unintentional accident. Exit Wound later went on that night to play a ferocious set and later invited us on some dates for their upcoming tour.

May 28 – Regina, SK, Club side of The Exchange
May 29 – The Pas, MB – venue TBA
May 30 – Brandon, MB – The Hall
May 31 – Winnipeg, MB – Sidestage
June 5 – Calgary, AB – The Rock Shop
June 6 – Edmonton, AB – Starlite Room Temple Stage  

5. After sharing the stage with Brain Stem at Slaughter Fest, we were later joined by them at Serenade. While we were at Serenade, Jess Leduc, the vocalist, came up to us before the show and jokingly said, “We never heard of you guys before Slaughter Fest, now we are on almost every show this year,” because we later would be sharing the stage with them once again during the Edmonton date of the tour with Exit Wound. Brain Stem is also an amazing band, and if you have never listened to them, you should really check them out. They have been on our band’s radar for a while, and it’s nice being able to play with an awesome band, like they are so many times!

==================================================

L-R – Ryan Hunter (Lead Guitar), Morgan Warriner (Vocals), Max Hiske (Bass), Vincent Kohut (Rhythm Guitar & Backing Vocals), Jayden Warriner (Drums) 

Pythonic is a Canadian death-groove metal band hailing from Saskatoon, Saskatchewan. Drawing inspiration from groove and death metal giants like Lamb of God, The Black Dahlia Murder, Morbid Angel, and Devildriver, the band blends crushing riffs with unrelenting energy. Striving for the tightest live sound possible while delivering an electrifying stage presence, Pythonic is truly a sonic force to be reckoned with. Over the years, the band has seen many lineup changes, but two core members have remained constant. Lead guitarist Ryan Hunter, the resident guitar prodigy, shreds some of the grooviest riffs and most blistering solos. Rhythm guitarist Vincent Kohut brings a machine-like precision, combining thick low-end riffing with razor-sharp tremolo picking.

The 2026 and beyond lineup:

Jayden Warriner – skin slapping powerhouse on drums

Morgan Warriner – a vocalist with a beastly range that will leave your head spinning

Max Hiske – locking down the low end and slappin’ da bass with fury

Together, this lineup delivers the full-throttle sonic assault that defines Pythonic.

 

Discography:
2026 – Laws of Karma – EP
2025 – Decomposition – EP
2024 – EP01 – EP
2020 – Negative Thoughts – Single

 

Shared the stage with:
200 Stab Wounds, Beguiler, Art of Attrition, Insurrection, YEGG, Untimely Demise, Ravenwitch, Hatchet, Hazzerd, Into Eternity, Display of Decay, Brain Stem, Age of Ashes, A Modern Prometheus, Cell (MB), Exit Wound, Kelevra, Augurium, Widows Peak, Protosequence, Agony Spawn, Wasted Heretics, deadsunday, Alien to the Ignorant, Balrogath, Kryotic

 

Fests
2026 – Serenade Metal Fest – Edmonton, AB
2025 – Slaughterfest – Edmonton, AB
2025 – Serenade Metal fest – Edmonton, AB
2019 – Shockerfest 26 – Edmonton, AB

0 EPK – Shroud – Pax Nocturna (2026)

  • May 24, 2026
  • by Asher
  • · EPKs · Shroud

EPK – Shroud – Pax Nocturna (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“The album, front to back, is structured to be a ride. Black Metal and Thrash Metal are the driving genres, but we incorporate elements of Death and Melodic Metal as well. It goes fast, sometimes it slows down, but it’s meant to be a rollercoaster of heavy metal that takes you on a journey with a bit of everything while maintaining the sound of ‘Shroud.’” – Matteo Conti – Guitar and Vocals – Shroud

For Fans of Watain, Dissection, Hellripper, Skeletonwitch, Necrophobic

Facebook.com/profile.php?id=100086688022343 | Instagram.com/shroud.mtl

Shroudmtl.bandcamp.com | Spotify

“Imagine the ferocity, the grit and attitude of ‘Power n Pain’ era Whiplash, add the nocturnal melodic majesty of Necrophobic, and then a heaping helping of D-beat (always appreciated). Vicious, limb twitchin’ and about as infectious as something you believe you might have picked up on a recent European vacation, but wish you hadn’t. Recc for fans of SkeletonWitch, Necrophobic, Hellripper and others who successfully manage to imbue ragin’ Thrash insanity with an exquisite sense of darkness. This scatches the itch, then successfully obliterates it!” 94/100 – Cult Metal Flix

“A definite early AOTY candidate with strong claims, 5 star Black/Thrash!… There’s a high amount of crushing chugging riffs across this full length and the leadwork is absolutely scorching across the board, shreddy solos with that classic heavy metal, Thrash phrasing with a few mid-paced ones thrown in that are topped off with a couple of whammy bar accents and tremolos in them. Some of these riffs just will absolutely pummel you, as they’re fast and unrelenting as hell; also, there’s one or two solos that appear in a single track too. The vocals on this aren’t just high black metal screams, but there’s creepy deep spoken word vocals, chants and a few death growls also; if you’re into absolutely groove filled Blackened Thrash then absolutely look no further than this masterpiece, absolutely don’t sleep on it, a definite AOTY contender personally. Rating: 10/10!” – Drako’s Metal Reviews

“With Pax Nocturna , SHROUD makes a striking statement that will allow them to carve out a prime spot among the new Canadian bands to watch.” – Ondes Chocs

“The debut album from the thrash/death newcomers goes hard from start to finish! Right from the opener ‘The Eternal Void’ this thing is heavy, urgent and awesome, and it keeps its momentum for its full 45-minute runtime. The fact that it’s only nine songs in that time as well means that everything gets time to breathe, and everyone in the band gets time to shine. Highlights include ‘Merciless Tyrants’, ‘Diablivion’ and the epic closer, but the whole album is great from start to finish! It certainly won’t be everyone’s cup of tea, but if you are into the heavier end of metal, this is absolutely worth a spin. The band have a bright future ahead of them, and in years to come people will look at this release as their big launching pad. 8.5/10″ – Overtone Magazine

“Shroud’s latest offering, ‘Pax Nocturna’, is a relentless onslaught of blackened thrash metal that will leave listeners in awe of its sheer intensity. The album exudes a dark and foreboding atmosphere, with haunting melodies and aggressive riffs that create a sense of impending doom. Standout tracks such as ‘The Zealot’ and ‘Merciless Tyrants’ showcase the band’s ability to seamlessly blend black metal fury with thrash metal aggression. The production quality on ‘Pax Nocturna’ is top-notch, with every instrument cutting through the mix with clarity and power. This album marks a significant progression in Shroud’s career, solidifying their position as one of the leading forces in the extreme metal scene.” – MetalStorm.com.au

““Fans of extreme metal will find a record crafted for them. It’s intense, tightly executed, and overflowing with raw energy. Its lyrical depth explores philosophy, anti‑religion, the abyss and the darkest corners of human existence. The overarching concept is Satanic Gnosticism, a rejection of imposed order and corrupt leadership, and an embrace of the chaos from which humanity originates.” – The Black Metal Archive

“With Pax Nocturna, the Montreal quartet Shroud delivers a particularly compelling debut album. From the very first notes, the band establishes a strong identity thanks to powerful riffs, inspired solos, and a constant energy that permeates every composition. The tracks are well-constructed and demonstrate a solid mastery of musical composition. The overall effect is both impactful and memorable, showcasing the musicians’ talent. Pax Nocturna serves as an excellent calling card for the band. A name to remember and a release that richly deserves the attention of metal fans.” – World Metallum QC

“Blackened Thrash Metal from the Canadian band Shroud and their newest album called ‘Pax Nocturna’. The combination of Black Metal and Thrash Metal always makes me happy, especially when done right, like this band does. Within the first few songs, they got me hooked immediatetly with their riffs, those are just so fun, addictive and heavy as Hell. It has alot of energy that is cloaked in the Blackened darkness, it fits just so well together. Especially the drums on this album are so clear and well-performed that it blew my mind actually. Vocals too, they are these Black Metal screams of anguish and rage, it’s really sickening in a good way. I could go on and on about this album but check it out for yourself, you’ll understand my hype! Rating: 9,1/10” – Evert’s Band Page Promotion

“Shroud  are  a  very  great  sounding  melodic  mixture  of  black,  death  and  thrash  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  “The  Eternal  Void”  “Darkest  Night”  and  “Abaddon”.  8  out  of  10.” – ADifferentShadeOfBlackMetalZine

Band: Shroud
Album Title – Pax Nocturna
Release date: June 4th, 2026
Label: Self-Release
Genre: Blackened Thrash Metal
Location of band: Montreal, Quebec, Canada

Track Listing:
1. Pax Nocturna (0:43)
2. The Eternal Void (5:09)
3. The Zealot (5:15)
4. Merciless Tyrants (5:59)
5. Darkest Night (4:45)
6. Diablivion (5:28)
7. Death Blows Over (4:18)
8. All Creation (5:29)
9. Abaddon (7:55)
Album Length: 45:05

Album Recording Credits:
– All songs performed by: Matteo Conti, Zack Osiris, Jordan Barillaro, Justin Cournoyer
– All songs written by: Matteo Conti and Zack Osiris
– Produced by: Shroud and Jordan Barillaro
– Mixed by: Jordan Barillaro
– Album Art by: Justin Cournoyer
– Mastered by: Tore Stjerna

Album and Live Band lineup:
Matteo Conti – Guitar and Vocals
Jordan Barillaro – Guitar
Zack Osiris – Drums
Justin Cournoyer – Bass

=========================================================

About The Album Artwork:

It’s a representation of our love and admiration for the occult. The colours themselves, the circular position of the characters involved, the full moon in the center, etc., are influenced by the dark fantasy artworks of Yoshitaka Amano and the Surreal Horror art of Zdzislaw Beksinski. There is also an element of The Lord of the Rings involved with the imagery. It’s symbolic in the sense that the 4 of us (depicted on the left) are at the worship of the Demonic Lord Murmur (on the right), who is the Archduke and Lord of Hell, representing philosophy and music.

About the album as a whole (LYRICALLY & MUSICALLY):

The overall concept of the album is Satanic Gnosticism. It’s the rejection of order and the corruption inflicted upon earth and its people by organized religions and corrupt leaders. It’s embracing the chaos that we naturally come from and acknowledging that we are sons and daughters of the black flame and born from the abyss to which we long to return. A higher form of consciousness and what lies beyond this place. It’s a fuck you to the enemies of the planet and acknowledges we are our own gods and masters, and to embrace that power for ourselves

It’s the fascination and worship of death and the beyond while rejecting what is acceptably taught to most of the world’s population.

It is peace within the night.

It is Pax Nocturna.

Track by Track:

1. Pax Nocturna
The instrumental opening of the album. It features piano and uses the two minor chords heard most often throughout the rest of the album. Meant to be thematic and draws an influence from the intro of Metallica’s ‘Blackened’.

2. The Eternal Void
We used to call this one “The Punk Song” before it was given its official title. It has an element of Punk Rock but presented in a Blackened Thrash fashion. Lyrically, it deals with existentialism and a consistent feeling of emptiness that calls to a presence referred to as ‘The Eternal Void’.

3. The Zealot
The first song Matteo and Zack wrote together. Musically, it was the birth of what would follow as Shroud’s sound. The lyrics’ subject matter is based on the Spanish Inquisition of the Medieval and Renaissance ages, and how terrifying they were towards Christians and Non-Christians alike. There were no rights and no fair trials. Basically, a witch-hunt for anyone who didn’t conform to what the Church at that time believed was the appropriate way to behave as a true Christian. ‘The Zealot’ represents one of its heads, Tomas De Torquemada, who was responsible for sending 10,000. People are unjustly sent to their deaths.

4. Merciless Tyrants
This song’s lyrics are about a Warhammer 40000 faction known as “The Necrons”. They’re an ancient, terrifying race of undead androids driven by their goal to conquer the galaxy. Known for brutal tactics and unending hordes, they are actual merciless tyrants. They have an Egyptian-like theme to them, and the song’s music represents that being heavily based on the Phrygian Scale.

5. Darkest Night
This song’s subject matter deals with the abandonment of one’s faith. Although scary to realize in oneself that there is no higher power or afterlife, there is a sense of relief and liberty in attaining true enlightenment.

6. Diablivion
A song that deals with Religious crusades conquering and colonizing lands to spread the word and faith of their god. It is done in a way that paints the crusaders as the true terrifying oppressors and is told from the perspective of those being subjected to their will.

7. Death Blows Over
A song we used to call “Fasty Thrashy” before its official title. It’s a super fast-paced, all-out assault of Thrash Metal with darker elements that give it a Black Metal vibe. It features lots of guitar solos as well. The subject matter deals with having the worst hangover you can possibly imagine.

8. All Creation
A song that’s about the formation of the Earth. Not the one in the biblical sense, but in the more scientific reality-based version of the Planet forming from dust and debris, being constantly pummeled by asteroids that would eventually form its shape and would cool to have Oceans and Continents.

9. Abaddon
A song about mortality, its subject is about how all things are destined to die, and we do it in a symbolic way through the perspective of one of the lords of Hell, Abaddon. It’s the slowest and longest song on the record, and makes its way to an outro we felt fitting to tie the finale together for Pax Nocturna.

L-R – Justin Cournoyer – Bass, Matteo Conti – Guitar and Vocals, Zack Osiris – Drums, Jordan Barillaro – Guitar

Emerging from the depths below, Shroud is set to make their full-length debut with ‘Pax Nocturna.’

Formed in 2022 by Guitarist/Vocalist Matteo Conti and Drummer Zack Osiris, the band quickly solidified its lineup with the addition of Jordan Barillaro on Guitar and Justin Cournoyer on bass. Each member brought a blend of technical prowess and raw intensity, setting the stage for Shroud’s relentless sonic assault.

Drawing inspiration from the bleak and obscure corners of existence, Shroud embarked on their musical journey, crafting compositions that reflect the darkness and chaos of the human psyche. Their sound, characterized by blistering riffs, thunderous drums, and raspy vocals that echo through the void, resonates deeply within the metal community. Overall, the general perception of the band would be closest to the style of Blackened Thrash Metal.

After honing their craft through intense and electrifying live performances in the Quebec music scene, Shroud is set to unleash their debut album ‘Pax Nocturna’ on June 4th, 2026.

Discography:
2026 – Pax Nocturna (LP)
2024 – The Eternal Void (Single)
2025 – All Creation (Single)

SHARED STAGE WITH:
Exciter, Midnight, Wraith, Goatwhore, Vitriol, Necrofier, Wormwitch, Spiter, Gudsforladt, Tomarumvoid, Angelus Apatrida, Sorguinazia

TOURS AND FESTIVALS
2026 – Speed Trap vol 2, Montreal, CA
2024 – Woods of Gallows V, New York, USA

0 EPK – Levinia

  • May 15, 2026
  • by Asher
  • · EPKs · Levinia

EPK – Levinia 

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Within Temptation, Amaranthe, Nightwish, Lacuna Coil, Delain

“We believe fans will appreciate not only the heaviness, but the versatility. These songs push Levinia into new territory while still maintaining the cinematic drama and emotional weight that listeners know us for.” – Levinia – Vocals – Kourt Henson

Leviniaofficial.com | Facebook.com/LeviniaOfficial | Instagram.com/leviniaofficial 

Tiktok.com/@leviniaofficial | Youtube.com/@leviniaofficial

Spotify | Apple Music

“The mixing was just absolutely incredible for the guitars. I really like that.” (referring to the complex rhythm). This was, I mean, I was super impressed. Really impressed.  I love the chorus. That’s what we really love. (about catchy choruses). I love that. It was so good (about the operatic vocals), super super cool. What a good job. I’m happy that she’s back with her band. They all look like they were having a great time. That was super cool. (about the live setting) I love it. Yeah. Yeah. I love it.” (about headbanging). This was perfect. Right up my alley.” “It was very good. Very high rating. This was really cool, and I’m very happy we did this one.”- YouTube Reaction Video – The Rockin’ Roundtable (2026 – The Thorn (single)

“Overall, Liberation is a thoroughly impressive EP that should find appeal with both the modern metal and symphonic crowds, especially those craving a little extra heaviness in their material. Levinia are onto something great here, best to catch them here at the ground level and watch them explode to the next level in the near future.” – Dead Rhetoric (2018 – Liberation) 

======================================================

““The Blank Page” may be the biggest shock. It opens in a slower, more vulnerable, and almost haunting space, which is not what some listeners may expect at first, but once the chorus hits, it erupts into something crushing. We think that contrast will make it one of the more memorable tracks emotionally.” – Levinia – Vocals – Kourt Henson

Band: Levinia
Single Title: Blank Page – 4:29
Release Date: July 17, 2026
Label: Self-Release
Distribution: Symphonic
Genre: Modern Symphonic Metal
Location of Band: Los Angeles, CA, USA

Single Credits: Blank Page
Vocals – Kourt Henson
Guitars – Alon Mei-Tal
Bass – Chris Collier
Drums – Dylan Suierveld
Writers: Brandon Friesen, Courtney Henson, Alon Mei-Tal, Ben Robinson, and Dylan Lawrence Suierveld

======================================================

About the single artwork:

The Blank Page: The artwork for “The Blank Page” was intentionally designed to mirror the haunting atmosphere established in the music video and within the song itself. Kourt wanted the visual to feel isolated, eerie, and emotionally hollow, almost as if the listener is staring directly into the haunting weight that inspired the track. At the center of the image sits a single house, standing alone in an otherwise desolate space. The house symbolizes isolation and the mental confinement that often accompanies creative paralysis: being trapped with your own thoughts, unable to escape the silence. Paired with that is the image of a burnt page, which serves as a direct representation of destruction within the creative process. Rather than a page filled with ideas, it is ruined, charred, empty, and unusable. Together, those elements create a visual metaphor for writer’s block itself: loneliness, frustration, and the feeling that inspiration has been consumed before it ever had the chance to fully exist. The artwork is sparse, but that emptiness is exactly what gives it its haunting weight.

About the single:

“The Blank Page” was born out of one of the most frustrating parts of the creative process: writer’s block. At the time, Kourt was feeling an immense amount of pressure to produce something meaningful and compelling, but every attempt seemed to hit a wall. What should have been a moment of inspiration instead became a battle with self-doubt, overthinking, and the fear of not being able to create something worthy. Rather than hiding from that frustration, the song leans directly into it. “The Blank Page” captures the mental spiral that artists often face when creativity feels just out of reach: the silence, the pressure, and the growing panic that comes from staring at an empty page waiting for something to come. In many ways, the song became ironically therapeutic: the very struggle of being unable to write became the subject that finally broke the block. It stands as both a reflection on artistic paralysis and a reminder that sometimes the most honest songs come from the moments when nothing seems to flow at all.

======================================================

““Bite” is going to satisfy the listeners who crave Levinia at its heaviest. It is dark, aggressive, and relentless, with a ferocity similar to “Push and Pull,” so we expect fans of our harder material to gravitate toward it immediately.” – Levinia – Vocals – Kourt Henson

Band: Levinia
Single Title: Bite – 3:30
Release Date: June 12, 2026
Label: Self-Release
Distribution: Symphonic
Genre: Modern Symphonic Metal
Location of Band: Los Angeles, CA, USA

Single Credits: Bite
Vocals – Kourt Henson
Guitars – Alon Mei-Tal
Bass – Chris Collier
Drums – Dylan Suierveld
Writers: Brandon Friesen, Courtney Henson, Alon Mei-Tal, Ben Robinson, and Dylan Lawrence Suierveld

======================================================

About the single Artwork:

Bite: The artwork for “Bite” ties directly back into its Dracula inspiration and the darker themes woven throughout the song. At first glance, the image is minimal, but every element is intentional. The single drop of blood serves as the focal point, a clear nod to vampirism, seduction, and the lingering mark left behind after an encounter with something toxic or consuming. More symbolically, that drop of blood represents the shedding of a former self. It signifies the death of vulnerability, passivity, and fear, making way for something stronger to emerge. The image reflects the painful but necessary process of being wounded, changed, and ultimately hardened by the experience. Rather than portraying blood simply as horror imagery, the artwork uses it as a metaphor for rebirth. There is a sense that something has been lost, but something far more resilient has been gained in its place. In that way, the visual becomes an extension of the song itself: dark, elegant, and rooted in transformation.

About the single:

“Bite” was heavily inspired by Dracula, particularly the character of Mina Murray (later Mina Harker). In much of Victorian Gothic and Romantic literature, women are often positioned within the “fragile” or endangered female archetype, figures who are watched, pursued, manipulated, or rendered powerless by the forces around them. Mina initially appears to fit within that tradition; she is threatened, psychologically tormented, and used as a vessel for darkness. However, what makes her compelling is that she ultimately transcends that stereotype. Rather than remaining a passive victim, Mina becomes a symbol of endurance, intelligence, and quiet resilience, playing a crucial role in overcoming the evil that seeks to consume her. “Bite” takes that literary transformation and channels it into a modern emotional context. The song explores the experience of being drained by a toxic force, whether that be a person, a relationship, or a controlling influence, while also discovering the inner strength necessary to fight back. Kourt connected deeply with Mina’s journey, finding parallels between that struggle and her own experiences with the process of reclaiming personal power, especially in the music world. In that sense, “Bite” is not simply a retelling of Dracula, but a reimagining of Mina’s resilience through a darker, modern metal lens.

======================================================

“We think fans are going to have a strong reaction to these upcoming releases because each song reveals a very different side of Levinia. “Silver Tongues” will likely catch listeners by surprise with its groovier, more rhythm-driven feel. It is a bit more restrained melodically on the surface, but the lyrical message is sharp and unsettling, which we think fans will connect with once they sit with the song. Overall, we believe fans will appreciate not only the heaviness but the versatility. These songs push Levinia into new territory while still maintaining the cinematic drama and emotional weight that listeners know us for.” – Levinia – Vocals – Kourt Henson

Band: Levinia
Single Title: Silver Tongues – 3:37
Release Date: May 17, 2026
Label: Self-Release
Distribution: Symphonic
Genre: Modern Symphonic Metal
Location of Band: Los Angeles, CA, USA

Single Credits: Silver Tongues
Vocals – Kourt Henson
Guitars – Alon Mei-Tal
Bass – Chris Collier
Drums – Dylan Suierveld
Writers: Brandon Friesen, Courtney Henson, Alon Mei-Tal, Ben Robinson, and Dylan Lawrence Suierveld

============================================

Describe Single Artwork:

Silver Tongues: The artwork for “Silver Tongues” was inspired by a behind-the-scenes performance photograph of Kourt taken by Matt Martinez of Red Hare Images. In that original shot, he captured a striking moment, an intense, almost piercing glare that perfectly embodied the darker, more scrutinizing tone of the song. That image became the visual jumping-off point for the single’s overall concept. While the woman featured on the final artwork is not literally Kourt, the piece serves as a clear homage to that captured expression and energy. The blonde woman, dressed in black leather, mirrors that same commanding presence, but with an added layer of mystery. Her finger is pressed to her lips in a “shh” gesture, as though she is concealing something from the listener or inviting them into a dangerous secret. That visual choice ties directly into the song’s theme—deception, manipulation, and the seductive nature of voices that appear glamorous on the surface while hiding something much darker underneath. The artwork is meant to feel alluring, confrontational, and slightly unsettling all at once, much like the message behind “Silver Tongues.”

About The Single (LYRICALLY & MUSICALLY):

Silver Tongues: At a deeper level, “Silver Tongues” explores celebrity and influencer worship through almost religious undertones. In modern culture, public figures are often elevated beyond admiration and into something resembling idolatry, placed on pedestals where their opinions, lifestyles, and approval begin to carry more weight than an individual’s own inner compass. People begin following blindly, accepting what is said as truth simply because it comes from someone with visibility, status, or fame. That dynamic becomes spiritually dangerous. The song examines what happens when a person starts placing an idol above themselves, surrendering independent thought, moral judgment, and personal identity in exchange for the false comfort of belonging to whatever narrative that influential voice is selling. It becomes less about inspiration and more about submission. There is a false sense of peace in that blind obedience. Following someone else’s instructions can feel easier than wrestling with one’s own convictions, but that ease comes at a cost: the slow erosion of self. “Silver Tongues” acts as a rebellion against that surrender. It is a rejection of the polished voices that promise certainty while quietly demanding conformity. Beneath the groove and melody, the song is ultimately a warning not to confuse fame with truth or sacrifice individuality at the altar of public influence.

============================================

Fun Facts/Stories

1. Our working titles are all courtesy of Alon, which means they are rarely normal and rarely make any logical sense to anyone but him. You can usually tell exactly where he pulled his inspiration from… and then where his brain took a sharp left turn. For example, we were recently inspired by The Divine Conspiracy’s song Chasing the Dragon, and instead of giving the demo some dark, majestic placeholder name, he lovingly titled it “Pursuing the Worm.” Same energy, significantly less threatening. It sounds less like a symphonic metal anthem and more like an unfortunate gardening problem.

2. One time, we drove out to Las Vegas for a show, and after surviving the performance and the questionable post-show exhaustion, Kourt and our former bassist Arron crashed at a friend’s house. Said friend owned two very important residents: a French bulldog puppy and one full-grown bulldog built like a snoring cement block, who slept downstairs in a crate. The Bassist took the pullout couch, while Kourt slept upstairs.  Now, Kourt is unfortunately a morning person, so while the rest of humanity was unconscious, she got up at dawn to grab some water. The house was dead silent… until she heard this demonic snore. Naturally, her first thought was, “Dear God, the dude is louder than I remember.” She stood there in complete horror, trying to process how one bassist could produce sounds usually associated with a malfunctioning chainsaw. It was only after a few confused seconds that she realized the snoring was not, in fact, our bassist on the couch, though the resemblance was alarmingly believable, but the full-grown bulldog in the crate. To this day, we still maintain that there was a very concerning overlap in their sleep acoustics.

============================================

L-R – Dylan Suierveld – Drums, Alon Mei-Tal – Guitars, Kourt Henson – Vocals, Liam Alexander – Bass

Photo Credit – Dream of Mirrors Photography

Levinia was born from the ashes of Los Angeles power metal outfit Aerius, founded in 2015 by former bandmates John Pinon and Dylan Suierveld. Seeking a fresh start and a more melodic, emotionally resonant sound, the duo launched a new project originally named Lavinium. After laying down the instrumental tracks for their demo EP, they began the search for a lead vocalist who could match their evolving vision. That search ended with the arrival of Kourt Henson, former frontwoman of FifthLaw and a solo artist known for her haunting vocal style, theatrical presence, and lyrical depth.

With Kourt onboard, the trio completed their debut demo EP, Alluring Fear, which dropped in January 2018 to enthusiastic underground acclaim. The band quickly moved forward, teaming up with LA producer Charles Kallaghan Massabo to craft their official debut EP. The transformation in their sound was so profound that they rebranded as Levinia, a name that better reflected their cinematic, genre-blending identity and elevated artistic direction. As their sound continued to evolve, Levinia welcomed Alon

Mei-tal as their full-time lead guitarist and songwriter, joining forces with Kourt to shape the band’s next chapter through a dynamic and emotionally charged creative partnership. Together, the band refined a hybrid metal sound that fuses symphonic grandeur, modern melodic hooks, and raw emotional storytelling.

Most recently, Levinia has begun working with acclaimed producer Brandon Friesen, who is producing their next four singles. This collaboration marks a defining new era for the band, elevating both the sonic depth and production scope of their music while preserving the emotional intensity that defines their identity. The upcoming releases promise a darker, more cinematic evolution of Levinia’s signature sound. Levinia has also recently welcomed Liam Alexander as their new bassist, adding even more depth and low-end power to their expanding musical landscape. The band is set to release four powerful singles, each one unfolding as a chapter in their evolving sonic narrative. With momentum building, a sharpened creative vision, and a renewed production force behind them, Levinia stands poised to make a lasting impact on the modern symphonic metal scene, and they are only just getting started.

Levinia:
Vocals – Kourt Henson
Guitars – Alon Mei-Tal
Bass – Liam Alexander
Drums- Dylan Suierveld

Discography:
2026 – Silver Tongues (Single)
2026 – The Thron (Single)
2018 – Liberation EP
2018 – Alluring Fear EP

SHARED STAGE WITH:
Delain
Edge of Paradise (x2)
Xandria (x2)
Wind Rose
Art Shock
Allegaon
Black Corwn Initiate
Omnium Gatherum
Liliac (x2)
Jacky Vincent
Ahtack
Harlequin
Disrupted Euphoria

0 EPK – Accursed – Sever The Horizon (2026) (single)

  • May 8, 2026
  • by Asher
  • · Accursed · EPKs · Uncategorized

EPK – Accursed – Sever The Horizon (2026) (single)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of The Black Dahlia Murder, At The Gates, Revocation, Wretched, Angelmaker

Accursed.band | Facebook.com/accursedct | Youtube.com/@accursedct | Instagram.com/accursedct

Accursedct.bandcamp.com | Spotify | Apple Music | Accursed-merch.square.site/

“Lyrically, this new one is a furious condemnation of Christianity, joining a near-endless line of metal songs with a similar theme. Musically, it’s a hell-raiser too, a furiously vicious melodic death metal discharge. The screamed vocals are hair-raising in their intensity. The riffing blares like sirens, feverishly slashes like blood-crusted swords, and dismally roils. The drums methodically snap and maniacally clatter. The fleet-fingered soloing is exultant but also fluidly sinister. The song proves to be not just hostile but also eventually steeped in misery and dismay. It also proves to be highly groovesome, and good reason to check out Accursed‘s previous releases this year.” -Islander – No Clean Singing – (Beneath A Burning Sky Single 2025)

Band: Accursed
Single Title: Sever the Horizon – 3:38
Release Date: 5/8/2026
Label: Self-Release
Distribution: Distrokid
Genre: Melodic Death Metal
Location of Band: Connecticut, USA

Single Recording Credits:
• All songs performed by: Accursed
• All songs written by: Dave Lee, Chris Dwyer, Will Devereaux
• Produced by: Dave Lee
• Mixed by: Stephan Hawkes
• Mastered by: Stephan Hawkes
• Album Artwork by: Dimas Aditya
• Member of ASCAP

Album Band Line Up:
Will Devereaux – Vocals
Dave Lee – Guitar
Chris Dwyer – Bass
Ray Zvovushe – Drums

Live Band Line Up:
Will Devereaux – Vocals
Dave Lee – Guitar
Rob Casucci – Guitar
Chris Dwyer – Bass
Ethan Puetzer – Drums

====================================================

About The Single:

Although the writing for Sever the Horizon was completed over a year ago, it became the catalyst for the rest of the album, setting both the tonal direction and the level of compositional complexity that eventually pulled the full track list together. Lyrically, it tells the story of Richard ‘Sky King’ Russell and the Horizon Air Incident of August 10, 2018, approaching it through a more interpretive lens. The song explores the emotional and psychological headspace he may have been in, while surmising the surreal physical experience and the overwhelming beauty and uncertainty of what he was witnessing in his final moments.

We intentionally avoided direct callouts or any attempt to explain or glorify his actions, recognizing that much of it is ultimately unknowable. Instead, the focus is on perspective and wholly human experience within a tragic and widely discussed moment. It’s a story that resonated with a lot of people when it happened, and we hope that the song connects similarly, maybe offering listeners something to reflect on and even relate to in their own struggles.

About The Single Artwork:

We went back and forth on the artwork quite a bit because, honestly, we didn’t have a clear direction right away. We even had Dimas scrap the initial concept and take it in a completely different direction once we realized it didn’t really reflect who we are stylistically.

What we ended up with feels a lot more like a visual metaphor for confronting and battling your inner demons. It ties directly into the core themes of the song and in a lot of ways, says what we’re trying to express without needing to spell it out.

====================================================

BAND STORY ANGLES / FUN FACTS:
1. Who is Justin Dupree? That’s a great question. Honestly, we’ve been asking ourselves that ever since recording our first EP, Ascension.

We were tracking vocals for The Way Out at Hat City Music Productions, and mid-take, the engineer Chris Litwin stops Will and asks him to redo a line, something like, ‘do that Justin Dupree part again’. The actual lyrics are “dust and debris”, but from that moment, it was over.

A legend was born, and now none of us can hear that line any other way.

2. During the recording of our first EP, it felt like the universe was actively testing whether the release was supposed to happen when we thought it was. The first sign came during our final vocal session when lightning struck the studio. We watched it arc from a power strip to a pipe in the room we were standing in. It fried some of the gear, but luckily, all our recordings made it through untouched. Then, just as things moved into mixing and mastering with Studio Wormwood, the Asheville area was hit with historic flooding that devastated the community. We were watching it unfold in real time, not knowing what it meant for the project, but incredibly, the studio itself was spared. At the time, we were anxious to get the music out as quickly as possible, but looking back, it felt like something was telling us to slow down and pay attention. Since then, we’ve tried to be more in tune with that because when we are, things tend to fall into place in ways we can’t really plan for. Opportunities show up out of nowhere, and we’ve learned to just stay ready, trust the process, and keep doing things the right way.

3. At this point, most of the process has moved in-house. All of the guitars, bass, and vocals are tracked out of my home studio, where I also handle the producing, engineering, and reamping. It’s given us a lot more control over the sound and the pace of how we work, which has been huge for dialing things in exactly how we want them.

Drums are the one piece we can’t quite accommodate yet due to space, so we track those at Dexter’s Lab with Nick Bellmore (Many Eyes, Dee Snider, Jasta, and more). It’s a great balance, keeping most of the process in-house while still bringing in someone with his experience to help capture the energy on the drum side.

4. On a long weekend run through Virginia and North Carolina last year, we really tested the limits of Japanese engineering. We hitched a U-Haul trailer to Dave’s Subaru Crosstrek and somehow fit five fully grown adults(?) into it for what ended up being about 25 hours of driving. If you ever get the opportunity to pack half a ton of dudes into a crossover SUV for a road trip… don’t. Just rent the van. Trust me.

====================================================

L-R: Accursed Current Line Up | Rob Casucci (Guitar) | Dave Lee (Guitar) | Will Devereaux (Vocals) | Chris Dwyer (Bass) | Ethan Puetzer (Drums) 

Photographer Credit – Mia Palazzo

Accursed began in 2019 against the urban backdrop of Connecticut as a singular creative reaction to the extremes of modern metal; a project aimed at blending the melodic sophistication of classic melodic death metal with the intensity of contemporary heavy music. 

Across the band’s formative years, the lineup shifted several times, each change refining the group’s direction rather than diluting it. These early transitions were a workshop – players came and went, arrangements were tested, and the band’s songwriting deepened. Rather than slowing momentum, the process strengthened Accursed’s identity, resulting in tighter compositions and a clearer sonic blueprint.

The band’s last single, “Beneath A Burning Sky,” was received extremely well, outperforming their previous releases in the first 3 months and being featured on The Circle Pit’s YouTube channel and on No Clean Singing blog.

In late 2025, Accursed entered a new phase of creative chemistry with a new lineup that will carry the band into the future. Currently putting the finishing touches on pre-production for their debut full-length, Accursed is readying a record that emphasizes dynamic contrasts, harmonized guitar work, and melodic hooks balanced against pummeling rhythm sections and visceral vocals.

Sonically, Accursed sits squarely in the melodic death metal tradition but refuses to be a pastiche. Fans can expect modern production clarity and arrangements that make space for both aggression and atmosphere. Lyrically, the band explores themes of consequence, internal fracture, and the quiet violence of everyday existence, all delivered with concise, evocative imagery that complements the music’s intensity.

Looking ahead, Accursed is focused on finishing the album and not just building on the past but blowing it away entirely. With an uncompromising creative vision, Accursed is poised to make a distinct mark on the melodic death metal landscape.

Discography:
2026 – Sever the Horizon (Single)
2025 – Beneath A Burning Sky (Single)
2025 – Cold (At the Gates Cover) (Single)
2025 – Ascension (EP)

Shared Stage with:
Undeath
Gates to Hell
Crown Magnetar
Gorgatron
Extermination Dismemberment
Jasta
Kruelty
Larcenia Roe
Malignancy
Pessimist
Fires in the Distance
Begat The Nephilim
Burned In Effigy
Fleshbore
Frog Mallet

Tours and Festivals:
2026 – Buffalo Gore Fest – Buffalo, NY
2025 – Connecticut Death Fest – Milford, CT
2024 – Connecticut Death Fest – East Haven, CT
2023 – Connecticut Death Fest – East Haven, CT

0 EPK – Dehumanizing Itatrain Worship – 二次元コンプレックス 2D Complex (2026) (Stillbirth Records)

  • May 7, 2026
  • by Asher
  • · Dehumanizing Itatrain Worship (Stillbirth Records/Gore House Productions) · EPKs

EPK – Dehumanizing Itatrain Worship – 二次元コンプレックス 2D Complex (2026) (Stillbirth Records)

Publicist – Jon Asher – gorehouse[@]ashermediarelations[.]com

US booking: Stillbirth Records
contact[@]gorehouseproductions.com
https://www.instagram.com/stillbirthrecords

EU booking: DF-Booking
lukass[@]df-booking.de
https://www.instagram.com/dfbooking

For Fans of Ingested, Vulvodynia, Within Destruction, 花冷え。, Maximum The Hormone

Band: Dehumanizing Itatrain Worship
Album Title: 二次元コンプレックス 2D Complex
Release Date: July 10, 2026
Label: Stillbirth Records / Gore House Productions
Genre: Brutal Death Metal
Location of Band: China

“On our previous efforts, people probably saw us as just that ‘weird anime slam band’ sampling LoveLive! for shock value. But while making 2D Complex over the last two years, what I want to express has become much more honest and personal. This album is a collection of different interpretations of Otaku culture—the hikikomori anxiety, the rejection of reality, and the process of finding sanctuary in 2D worlds. It’s not just about memes anymore; it’s a real state of mind.

I wanted to create a record that you listen to from front to back, not just a bunch of singles thrown together. We’ve crammed things like J-pop, Blackgaze, and Japanese folk—stuff that shouldn’t really fit—into a Slam framework, but every shift is there to make that ‘distorted vibe’ feel complete. The structures are more complex and diverse than before, but the core is still pure violence and depression. I want fans to walk away feeling our perspective: colorful, but completely nihilistic.” – Kiryu Zhang – Vocals – Dehumanizing Itatrain Worship

Gorehouseproductions.com | Facebook.com/GoreHouseProductionsOfficial | Instagram.com/gorehouseproductions | X.com/GoreHouse | Youtube.com/@Gorehouseproductions-Official

Facebook.com/StillbirthRecords | X.com/stillbirthrecs | Youtube.com/StillbirthRecords | Stillbirthrecords.bandcamp.com

====================================

Facebook.com/DehumanizingItatrainWorship | Youtube.com/@dehumanizingitatrainworship

| Instagram.com/dehumanizing_itatrain_worship | X.com/moduerhaoxian

Dehuitaworship.bandcamp.com | Spotify | Apple Music

“If the only thing the band had was a well-executed gimmick, I likely would have lost interest by now. One of their main strengths is that the core sound would hold up even if the gimmick was taken out.” – The Goat Review

“China’s Dehumanizing Itatrain Worship took the internet by storm with their debut EP μ’Sick.” – MetalSucks

“Dehumanizing Itatrain Worship made a mark on the metal community with head-spinning brutality accompanied” – Unite Asia

“It promises to be the most unusual new track (Eien Parasites) you’ll check out for a while.” – New Noise Magazine (2022)

[Download Album Lyrics | Download Album Cover]

Band: Dehumanizing Itatrain Worship
Album Title: 二次元コンプレックス 2D Complex
Release Date: July 10, 2026
Label: Stillbirth Records / Gore House Productions
Genre: Brutal Death Metal
Location of Band: China

Tracklist:
1. Lucky☆Slam – 1:32
2. Slamonogatari (feat. Andrew Lee from Ripped to Shreds) – 3:57
3. Brutal Panzer  – 3:14
4. Twisted Light (feat. Akihiro Muto from Agent 0) – 3:11
5. 苦痛昇天 (feat. Yui from Earthists.) – 3:03
6. Song of the Neet (feat. Yanchi from 5PM Promise and Matt Yakesh from No Face No Case) – 3:35
7. Utsushiyo – 1:38
8. Yomi (feat. Alan Grnja from Distant) – 4:01
9. 約束 (feat. Niik from Pale) – 5:51
Album Length: 30:03

Album Recording Credits:
• All songs performed by: Dehumanizing Itatrain Worship
• All songs written by: Dehumanizing Itatrain Worship
• Produced by: Izurus, Khezk
• Mixed by: Hiatus Records
• Mastered by: Hiatus Records
• Album Artwork by: Onctps404

Album Band Line Up:
Kiryu Zhang – Vocals
Xenochrist – Guitar
Zen – Bass
Shiru – Drums
Khezk – Composer

Live Band Line Up:
Kiryu Zhang – Vocals
Xenochrist – Guitar
Zen – Bass
Shiru – Drums
Khezk – Composer

==================================================

About The Album Artwork:

Brutal but kawaii

About the album as a whole (LYRICALLY & MUSICALLY):

LYRICALLY

2D Complex pretty much sums it up. For me, this is just how I live.

We moved away from pure gore this time to focus more on anime culture, the hikikomori life, and my own mental state. To be blunt, these Otaku memes are just a shell. What’s actually inside is my pain, my hatred, and a genuine urge for self-destruction.

MUSICALLY

Imagine a car crash in Akihabara, that’s our music in a nutshell.

To be honest, we’ve never been a ‘textbook’ Slam band. Ever since we started heavily sampling LoveLive! in our earlier stuff, our style has always been a bit…weird? For this album, we wanted to lean even harder into the Otaku memes and use Slam as the heaviest possible way to package all these different musical elements.

You’re going to hear pure, neck-snapping Slam riffs, but we also threw in a lot of our own private stashes, everything from J-pop and Blackgaze to Japanese folk. We brought in friends from all over the world to help us finish this, and I want every track to be something that sticks with you. Bottom line: this is an album that refuses to be boring.

Track by Track (LYRICALLY & MUSICALLY):

1. Lucky☆Slam The album’s intro,  a tribute to my favorite anime, Lucky☆Star. It kicks off with a Black Metal riff and slams into a massive breakdown. I thought it’d be a cool way to tell everyone: get ready, I’m going to lose control

2. Slamonogatari This one’s about Nadeko Sengoku from Monogatari. That twisted darkness hidden behind a cute face fits Slam perfectly. The highlight is the melodic Heavy Metal solo from Andrew Lee at the end—honestly, my favorite part of the track.

3. Brutal Panzer Standard Slam, a Brutal Death themed after Girls und Panzer. Just imagine cute girls in tanks crushing everything on the battlefield. Musically, it’s the same vibe; this track was built for the pit.

4. Twisted Light We played around with a lot of glitch sounds and long pig squeals here. We got Akihiro Muto from Agent 0 for a guest spot; his gutturals are absolutely sick. I really want people to feel that “Twisted” vibe through this song.

5. 苦痛昇天 The title of this song means “Ascension in Agony”. A bit of a risky one. We added clean vocals, and it sounds like an anime opening, but the lyrics are actually about self-destruction and pill addiction. Huge thanks to Yui from Earthists. His vocals took this song to a whole new level.

6. Song of the Neet Our 2024 single, written for all the “home guards” (hikikomori) who reject society. Tons of guitar harmonics, plus Yanchi’s spoken word and Matt Yakesh’s screams—this is a true Otaku anthem.

7. Utsushiyo The intro for the next track, “Yomi.” We used a full piano piece to set the atmosphere.

8. Yomi featuring Alan Grnja from the Dutch deathcore heavyweights Distant. We blended in Japanese folk elements here. It’s solemn yet fierce—I think you guys are going to love it.

9. 約束  The title of this song means “promise”.This is the track I put the most heart into. I tried to fit Slam riffs into a Blackgaze/Screamo framework. NIIK (from Pale) killed it with the spoken word, and combined with the atmospheric synths, it’s the final chapter of farewell and self-destruction.

==================================================

STORY ANGLES / FUN FACTS ABOUT THE BAND

1. Our guitarist Xenochrist and bassist Zen are also members of another deathcore band called Leviathan. So we often do “package deal” shows where both bands play together. It’s “hell mode” for their stamina, but it’s a killer deal for the fans and promoters.

2. The band name “Itatrain” actually comes from a viral 2012 incident in Shanghai: a fan was caught kneeling and worshipping a train decorated with “LoveLive!” characters. We thought that kind of fanaticism was both stupid and hilarious at the time, so we decided to name the band after it.

3. The song “Yomi” is actually about the character Acheron from “Honkai: Star Rail,” and the inspiration for “苦痛昇天” came directly from the game “NEEDY GIRL OVERDOSE.”

4. 2026 marks the 10th anniversary of our first EP. What started as a “meme” bedroom project has somehow survived for a decade, and now we’ve even completed tours in Japan and Europe—it’s unbelievable to us.

5. I personally handle most of the band’s visual design, except for the album covers. This includes all the logos, layouts, and merch design. Controlling the art direction is crucial for me to ensure our visual style and music are perfectly in sync.

==================================================

Line Up – L-R – Zen (Bass) | Shiru (Drums) | Kiryu Zhang (Vocals) | Xenochrist (Guitar) | Khezk (Composer)

Photo Credit – Wendy

Dehumanizing Itatrain Worship, the best anime death metal from China. With brainwashing anime-style melodies intertwined with nerve-shredding high-speed blast beats, the band has toured extensively across China, Japan, and Europe, and has appeared on the stages of numerous European metal festivals. Now it’s your turn to fall for this ultimate carnival of moe and brutality.

Discography:
2026 “二次元コンプレックス 2D Complex”
2023 “Otakuslam♡Animecide”
2018 “The Divine Union of Serrated Flesh”
2016 “μ’Sick”

Shared Stage With
Suicide Silence, Stillbirth, Born of Osiris, Waking the Cadaver, Origin, Belphegor, Vulvectomy, Guttural Slug, Disentomb, Cephalotripsy

List Of Tours And Festivals You Have Performed On
2024 – Brutal Impact China Tour – China
2024 – Deathfeast Open Air – Andepnach, Germany
2025 – Otaku Slam Japan Tour – Japan
2025 – Eastsea Metal Fest – Zhejiang, China
2025 – Monster Kill EU Tour – Europe
2025 – Metal Storm Over Luzern Chapter IV – Luzern, Switzerland
2025 – Deathtober Fest – Liège, Belgium
2026 – Shockwave Fest – Shanghai, China

Page 2 of 77
  • 1
  • 2
  • 3
  • 4
  • …
  • 77

Asher Media Relations Tweets

Tweets by AsherMedia

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 2,164 other subscribers

Blog at WordPress.com.

  • Bandcamp
  • Twitter
  • Facebook
  • YouTube
  • Subscribe Subscribed
    • ashermediarelations.com
    • Join 643 other subscribers
    • Already have a WordPress.com account? Log in now.
    • ashermediarelations.com
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar

Loading Comments...