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Category: EPKs

0 EPK – Altersoul – Origins (EP) (2026)

  • October 21, 2026
  • by Asher
  • · Altersoul · EPKs

EPK – Altersoul – Origins (EP) (2026)

Publicist – Jon Asher – jon[@]ashermediarealtions[.]com

“With this EP, we are introducing ourselves with a piece of our past to showcase where we came from and who we are now.” – Altersoul

For fans of Death, Revocation, Gojira, Children of Bodom, Opeth

Band: Altersoul
EP Title: Origins
Release Date:
Label: Self-Release      
Distribution: DistroKid  
Genre: Death Metal
Location of Band: Brockville, ON

Altersoulband.com | Facebook.com/altersoulband | Youtube.com/@altersoulband | Instagram.com/altersoul.band

Altersoul1.bandcamp.com | Apple Music | Spotify

Band: Altersoul
EP Title: Origins
Release Date:
Label: Self-Release      
Distribution: DistroKid  
Genre: Death Metal
Location of Band: Brockville, ON

Track Listing:
1. Abandoned – (5:20)
2. End of Days – (4:09)
3. Beyond the Apocalypse – (5:14)
EP Length: 14:43

EP Recording Credits:
• All songs performed by: Graham Murphy, James Close, Evan Ferguson, Andrew Poskus
• All songs written by: Graham Murphy, James Close, Ryan Clements
• Produced, Mixed, and Mastered by: James Close
• Album Artwork by: Max Southwood and Altersoul
• Member of SOCAN
• Canadian Content (MAPL)

EP Band Lineup:
Graham Murphy – Guitar/Vocals
James Close – Guitar/Vocals/Additional Instruments
Evan Ferguson – Bass
Andrew Poskus – Drums
Additional Guest Recording:
Wenhao Zhou – Piano
Heather Istead – Oboe

Live Band Lineup:
Graham Murphy – Guitar/Vocals
James Close – Guitar/Vocals
Evan Ferguson – Bass
Theo Konrad – Drums

============================================

About the EP Artwork:

[James, Guitar/Vocals] The lyrics of ‘Abandoned’ tell of a man left behind by his loved ones to freeze to death in a barren, snowy landscape, and the final moments of the composition represent his last peaceful breath, when acceptance takes over. When creating the artwork for this track, we chose to focus on the serenity of the nature scene he spends his final moments in, showing the northern lights above him, the trees surrounding him, and the footsteps that led him to his final place where he will become one with nature.

The artwork from our debut album as Ominous Eclipse, ‘End of Days’, designed by Max Southwood, shows a symbol meant to signify an eclipse, in reference to the apocalypse described in the lyrics of the song.

The artwork from our final single as Ominous Eclipse, ‘Beyond the Apocalypse’, shows a collage of our 15 years of friendship and music. It shows photos going all the way from the very first time Ryan introduced me (James) to Graham and Evan (who would join the band more than a decade later), through the years, ending on the final performance at the tribute show to Ryan.

When assembling the artwork for the EP, we combined all three of these concepts into one piece – the forest scene from ‘Abandoned’, the eclipse symbol from ‘End of Days’, and the overlay image of Ryan up in the clouds looking over the scene.

About The EP as a whole (LYRICALLY & MUSICALLY):

Altersoul performed for more than a decade under the name Ominous Eclipse, with Ryan Clements on bass. At our first show in 2014, we closed by performing the first song Graham wrote, the first song James wrote, and the first song Ryan wrote for the band. Shortly after, they became the closing numbers of our first studio album as well.

When Ryan passed away, these songs became even more sentimental. After years of history, they closed out the band’s final set – a bookend for Ominous Eclipse, and our tribute to our brother and bandmate. As we transition from Ominous Eclipse to Altersoul, we give you this EP as a reminder of where we came from.

The ‘Origins’ EP is our return to the songs that made us, recorded for the first time with real drums and real orchestral instruments. It features guest appearances by our friends, including the original drummer of Ominous Eclipse, Andrew. This is our thank you to Ryan, the scene, and everyone who pitched in along the way.

Track by Track (LYRICALLY & MUSICALLY):

[Graham, Guitar/Vocals] ‘Abandoned’ is a symbolic debut for us in that it is a re-recording of a song from our past, which also happens to be the oldest composition in our catalogue. It was originally created as an acoustic guitar piece I wrote around 2009-2010. I remember being heavily influenced by the Norwegian black metal band ‘Immortal’, having just picked up their album ‘All Shall Fall’, which was released around that time. Inspired by that sound, I picked up my cheap acoustic (which can be seen in the music video) and wrote the main guitar part. Years later, when ‘Ominous Eclipse’ was being formed, I arranged the other instruments and made it a full band composition, which was featured on our album ‘End of Days’. When rebranding as Altersoul, we chose this as our first single. The core composition and lyrics remain unaltered, other than a slight timing adjustment at the beginning to add anticipation. James arranged additional orchestral instruments that he recorded himself (plus some by guest musicians), and engineered the track, performing the mixing and mastering. Lyrically, I envisioned a cold and barren climate, devoid of warmth or life, which stems from its black metal influence.

[James, Guitar/Vocals] ‘End of Days’ is the first song I wrote for Ominous Eclipse. As a teenager, I didn’t have a computer at my disposal, and there was one occasion Graham went to play some pick-up hockey with Ryan, leaving his computer unattended. When he returned, there was a composition on his computer titled ‘Song JD wrote in an hour that’s better than anything Graham’s written in his life’. Considering this track became the title track of our debut album, I think the title was justified. It was written in a stream-of-consciousness style in a moment of heavy inspiration, and I feel the new recording of it is true to that emotion.

[James, Guitar/Vocals] ‘Beyond the Apocalypse’ was a punk rock bass riff brought to the table by Ryan when he was trying to get us to be anything but a metal band. Naturally, Graham took that track and made a blisteringly fast thrash tune with a groove metal ending.

============================================

BAND STORY ANGLES / FUN FACTS:

1. This EP guest features our friend Andrew Poskus on drums, who was the original drummer for Ominous Eclipse. Back then, we relied on programmed drums for our releases. His first release for the band, surprisingly, happened a decade after leaving the band.2. The first release of these songs was from Ominous Eclipse’s first album, ‘End of Days’, which is a masterclass in how not to record an album. The guitar parts were recorded in one day, and the vocal parts were recorded in another day. The final note in the solo of the original version of ‘Abandoned’ was punched in the next day, using a Telecaster tuned to standard tuning. The vocals in the original version of ‘Beyond the Apocalypse’ are scratchy and weak because it was the final song of the day that we recorded.

3. When we were first starting as ‘Ominous Eclipse’, our rehearsal space was in the basement of James’s father’s house. Now our main rehearsal and studio space is in James’s (and Evan’s) Attic, in a studio now referred to as ‘The Crack Attic ’, full of instruments. The orchestral parts heard are real instruments recorded by the members of the band.

4. The majority of ‘End of Days’ was written in just over an hour when Graham left his laptop unattended at James’ house. The final breakdown and melodic section of the song came to James as he was mowing his neighbor’s lawn for $10.

5. ‘Beyond the Apocalypse’ was a punk rock bass riff brought to the table by Ryan when he was trying to get us to be anything but a metal band. Naturally, Graham took that track and made a blisteringly fast thrash tune with a groove metal ending.

============================================

L-R: Theo Konrad (drums), James Close (guitar & vocals), Graham Murphy (guitar & vocals), Evan Ferguson (bass)

Altersoul is a progressive death metal band from Brockville, Ontario, forged from both tragedy and renewal. Formed by longtime collaborators James Close (Guitar/Vocals) and Graham Murphy (Guitar/Vocals) after more than a decade performing together as Ominous Eclipse, the band represents a new chapter built upon friendship, perseverance, and an unwavering commitment to creative independence. Rounded out by Evan Ferguson (Bass) and Theo Konrad (Drums), Altersoul carries forward the spirit of its predecessor while exploring a broader and more ambitious musical vision.

The roots of Altersoul stretch back to a group of high school friends who would eventually spend over a decade writing, recording, and sharing stages with major touring acts under the Ominous Eclipse banner. However, after years of lineup changes, the disruption of the pandemic, and the decision to retire the Ominous Eclipse name following bassist and founding member Ryan Clements’ departure, the band began planning a fresh start. What was initially intended as a simple rebrand would ultimately take on much deeper significance.

In August 2024, Ryan Clements tragically passed away. His loss profoundly impacted everyone connected to the band and reshaped their vision for the future. The final Ominous Eclipse performance became both a memorial celebration and a mental health awareness fundraiser, honoring the friend whose presence had united the group from the very beginning.

Seeking a name that acknowledged the past while embracing a new future, the band chose Altersoul, inspired by the Latin phrase “Alter Sol” meaning “A New Sun” or “Second Sun.” Referencing the eclipse imagery associated with their former identity, the name symbolizes rebirth, remembrance, and moving forward while carrying the legacy of those who came before.

Musically, Altersoul refuses to be confined to a single style. Drawing influence from death metal, technical death metal, thrash, black metal, folk metal, progressive metal, doom, and even genres beyond metal, the band crafts songs that shift seamlessly between crushing aggression, cinematic orchestration, technical precision, and emotional atmosphere. Their sound has been described using five defining words:

Authentic. Diverse. Volatile. Inspired. Layered.

Influences including Opeth, Gojira, Mastodon, Children of Bodom, and Dethklok are woven throughout their music, while fans of Death, Revocation, and progressive modern metal will find familiar elements within Altersoul’s dynamic songwriting.

What truly distinguishes Altersoul is their fiercely independent philosophy. Every aspect of the band is self-produced. From recording, editing, mixing, and mastering to artwork, video production, orchestral arrangements, and stage design, the band maintains complete creative control. Their recordings feature real orchestral instrumentation performed by the members and guest musicians, while their live performances incorporate custom-built and programmed lighting systems synchronized to the music.

Their debut release, “Origins,” serves as both a tribute and a mission statement. The EP revisits three foundational compositions from the early Ominous Eclipse catalog: the first song written by Graham Murphy, the first song written by James Close, and the first song contributed by Ryan Clements. Originally recorded with limited resources, these songs have now been reimagined with modern production, real drums, expanded orchestral arrangements, and the experience gained through years of musical growth.

Leading the release is “Abandoned,” the oldest composition in the band’s catalog, originally conceived by Murphy as an acoustic guitar piece inspired by Scandinavian black metal. Re-recorded with lush orchestral arrangements and enhanced production, the song embodies the band’s philosophy of honoring the past while pushing forward. Alongside it are newly realized versions of “End of Days” and “Beyond the Apocalypse,” three songs that collectively represent the creative foundations upon which both Ominous Eclipse and Altersoul were built.

The “Origins” EP also features a special guest appearance by Andrew Poskus, Ominous Eclipse’s original drummer. Ironically, despite having been a member of the band years earlier, this marks the first official release to feature his performance.

For Altersoul, “Origins” is more than a collection of songs. It is a tribute to friendship, a thank-you to the fans who supported them over the years, an acknowledgment of Ryan’s lasting influence, and the bridge between what was and what comes next.

With multiple albums’ worth of unreleased material already completed and a renewed focus on recording and releasing music, Altersoul stands poised to enter the most creative and ambitious era of its career. Honoring its past while embracing the future, the band continues to evolve with the same passion and determination that first brought a group of friends together over a decade ago.

0 Protected: EPK – Moonlight Desires – Totally Tubular 80’s Party Machine (2026) (Infamous Butcher Records)

  • October 21, 2026
  • by Asher
  • · EPKs · Moonlight Desires

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0 EPK – DENIMACHINE – Perfect Illusion (2026) (Grand Hand Records)

  • October 20, 2026
  • by Asher
  • · Denimachine (Grand Hand Records) · EPKs · Uncategorized

EPK – DENIMACHINE – Perfect Illusion (2026) (Grand Hand Records)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“These four songs are a sonic time capsule of everything we’ve lived through since our debut, and they show exactly how far we’ve evolved as a band. We’ve taken this time to dial in our sound and level up our production, blending heavy grooves with fresh, spacey textures that we can’t wait for everyone to hear.” – Denimachine

For fans of Queens Of The Stone Age, Black Sabbath, Wolfmother, Graveyard, TruckFighters

Band: Denimachine
Album Title: Perfect Illusion
Release Date: Nov 27, 2026
Label: Grand Hand Records (Digital), along with the EP on a Split Vinyl with Riff Ratt.
Genre: Stoner Rock, Psychedelic Rock
Location of Band: Calgary, Alberta, Canada

Denimachineband.com | Facebook.com/denimachine | X.com/DenimachineAF | Youtube.com/@Denimachine-d4f | Instagram.com/denimachine

Denimachine.bandcamp.com | Apple Music | Spotify

Band: Denimachine
Album Title: Perfect Illusion
Release Date: Nov 27, 2026
Label: Grand Hand Records (Digital), along with the EP on a Split Vinyl with Riff Ratt.
Genre: Stoner Rock, Psychedelic Rock
Location of Band: Calgary, Alberta, Canada

Track Listing:
1. Tornado – 4:58
2. Grundy – 3:32
3. Edgelord – 5:33
4. Filthy Lucre – 5:44
Total EP Length: 19:47

EP Recording Credits:
• All songs performed by: Denimachine
• All songs written by: Denimachine
• Produced by: Scott Giffin and Denimachine
• Mixed by: Scott Giffin
• Mastered by: Stuart McKillop – Rain City Recorders
• Album Artwork by: Paul Henrik / Trenton Bullard
• Member of SOCAN
• Canadian Content (MAPL)

Album Band Lineup:
Scott Charles (Guitar, Vocals)
Trenton Bullard (Guitar, Vocals)
Brady Side (Bass)
Kevin Ross (Drums)
Scott Giffin (Synth)

Live Band Lineup:
Scott Charles (Guitar, Vocals)
Trenton Bullard (Guitar, Vocals)
Brady Side (Bass)
Kevin Ross (Drums)

=================================================

Describe The EP Artwork:

We reached out to our Friend Paul Henrik, a tattoo artist at Radio Block. Since we were releasing the EP on a split with Riff Ratt, we wanted the art and cover to look like there were two independent parts but also be cohesive.

About the EP as a whole (LYRICALLY & MUSICALLY):

These are four very different songs written over a ten-year span, from our oldest (Tornado) to our newest (Grundy). When we write a new song, we usually play it live a few times over the years, making minor tweaks; then, right before getting into the studio, we make a whole bunch of major tweaks, and then after it’s been recorded and pressed, we make a few more tweaks. After that, it’s done. We recorded in the prairies at OCL Studios with Scott Giffin. We recorded something that sounds heavy but groovy and true to our live sound, with some studio fun.

Track by Track (LYRICALLY & MUSICALLY):

Tornado: Written a long time ago about the Blair Witch Project and a tornado that touched down during a music festival that year. It’s the fastest and thrashiest of the four, inspired by horror movies and Dio.

Filthy Lucre: Came next and is about existential financial woes. It’s got a bit of polish but only to enhance the psych and maximize the catchiness of the chorus.

Edgelord: It’s the most laid-back of the four, but ends as one of our heaviest. We wanted to write something with a lot more groove and to experiment with our edginess.

Grundy: Straight-up rock and roll, inspired by the ascent from a particularly bad bout of depression.

=================================================

=================================================

L-R – Brady Side (bass), Trenton Bullard (guitar, vocals), Kevin Ross (drums), Scott Charles (guitar, lead vocals)

Denimachine – Photo Credit – Josh Sandulak

You could say Denimachine sounds like a barbed-wire tumbleweed ripping across the Western Canadian prairie with a trunk full of fuzz pedals and a cooler full of cheap beer. You could say they’re a hard-rock wrecking crew built on thunderous riffs, highways, campfires, and a lifelong devotion to the altar of Black Sabbath.

But closer to the truth, Denimachine is simply four friends who love loud guitars, heavy grooves, and having a damn good time.

Formed in Calgary, Alberta in 2017, Denimachine emerged organically from years of friendship, shared job sites, and countless hours spent performing in notable local acts including Throne of Vengeance, Frankie McQueen, Falcon, and MANcub. After years of touring and chasing different musical paths, guitarist/vocalists Trenton Bullard and Scott Charles, bassist Brady Side, and drummer Kevin Ross came together looking for something new. What began as a one-off project intended to entertain fellow heshers at the legendary vanner gathering Vantopia quickly evolved into a full-fledged band with a cult following of riff enthusiasts across Western Canada.

Taking their name from the famous 1977 Ford Econoline “Denimachine” van created for a Levi’s promotional contest, the band embraced the vehicle’s free-spirited, blue-collar ethos from day one. Much like its namesake, Denimachine was built for the open road.

Their 2018 Demos EP introduced listeners to their riff-heavy approach, while their self-titled 2020 EP cemented the band’s reputation for combining soaring vocal melodies, fuzzy guitar heroics, and undeniable groove. Drawing influence from Queens of the Stone Age, Black Sabbath, Wolfmother, Graveyard, and Truckfighters, Denimachine balances classic hard rock swagger with modern stoner-rock heaviness, creating songs that feel equally at home blasting through festival speakers or from a dusty garage stereo.

Now, after years of writing, refining, and evolving their craft, Denimachine returns with their most ambitious material yet: Perfect Illusion, a four-song EP arriving November 27, 2026.

Produced from years of growth both personally and musically, Perfect Illusion captures a more mature Denimachine without sacrificing the riff-driven energy that first put them on the map. The EP explores broader sonic territory, incorporating more dynamic arrangements, psychedelic textures, and adventurous songwriting while maintaining the band’s trademark head-bobbing heaviness. The collection spans the band’s entire creative journey, featuring some of their oldest material alongside their newest compositions, showcasing just how far the quartet has come since their earliest jam sessions.

Built through Denimachine’s fully collaborative writing process, every track emerged from the band’s chemistry in the rehearsal room, where riffs evolve through experimentation, live performance, and collective refinement. The result is a record that captures the energy of their renowned live show more faithfully than ever before.

From the tornado-force opener “Tornado”, a fan-favorite staple finally committed to tape after years on stage, to the groove-laden swagger of “Grundy,” the shape-shifting journey of “Edgelord,” and the cosmic exploration of “Filthy Lucre,” Perfect Illusion finds Denimachine pushing their sound into exciting new territory while remaining true to their roots.

At its core, Denimachine remains what it has always been: four friends chasing riffs, sharing beers, and creating the soundtrack for good times. Their songs are designed to be played loud, whether you’re winding down around a campfire, cruising a backroad, or losing yourself in the front row.

Fueled by massive hooks, oversized grooves, and the kind of chemistry that only comes from years of friendship, Denimachine continues to prove that sometimes the best rock and roll isn’t reinvented. It’s simply played with conviction, volume, and a little extra sauce.

Perfect Illusion arrives November 27, 2026, digitally via Grand Hand Records, along with the EP on a Split Vinyl with Riff Ratt.

Denimachine Current Lineup:
Scott Charles (Guitar, Vocals)
Trenton Bullard (Guitar, Vocals)
Brady Side (Bass)
Kevin Ross (Drums)

Discography:
2020 – Denimachine (self-titled EP)
2026 – Perfect Illusion (EP) (Grand Hand Records) released as Solo EP (digitally) and on Split Vinyl with Riff Ratt

Shared Stage with:
Red Fang, Sandrider, Anciients, The Shrine, Castle, Mares Of Thrace, Nightseeker, Riot City, Dopethrone, Hellfire, Screamer, Gone Cosmic, Chron Goblin, Black Thunder, Dead Quiet, Woodhawk

TOURS AND FESTIVALS:
2024 – Cold Bones Fest – Drumheller, AB
2022 – Sled Island – Calgary, AB
2019 – 420 Music & Arts Festival – Calgary, AB
2019 – Sled Island – Calgary, AB
2019 – Woodhawk  2019 Spring Rip – Edmonton, Saskatoon, Invermere, Kelowna
2017 – Big Winter Classic – Calgary AB

Music Placements:
– Without A Pedal – A Bicycle Film About Snowboarding (2026)
– Doomed And Stoned Canada Vol 2 (2021)

0 EPK – Burn The Evidence

  • October 18, 2026
  • by Asher
  • · Burn The Evidence · EPKs

EPK – Burn The Evidence

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of I Prevail, Hollywood Undead, Killswitch Engage, Ice Nine Kills, President

Facebook.com/p/Burn-The-Evidence-100086861292626/ | Instagram.com/burntheevidence_music |

Spotify | Youtube.com/@BurnTheevidencemusic

“Ottawa-Gatineau metal band Burn The Evidence had the honor of opening the inaugural edition of El Gros Fest in Cantley, Quebec. Guitarist Éric Desormeaux described opening a festival’s very first edition as a special privilege.” – Le Droit – 2026

“One of the band’s favourites, this will pull you along on a rollercoaster of emotions, from peace to fear, from joy to sadness, but in the end, you’re going to want more. Crank up the volume and immerse yourself in a distinct brand of metalcore.” – Dropout Entertainment – 2026

“A genuinely catchy and well-produced release… Turn up the volume and immerse yourself in a distinctive brand of metalcore… “‘Night Terror’ is the perfect soundtrack for a horror-filled night or your late-night adventures….Recommended for fans of Bring Me The Horizon, Ice Nine Kills, and Falling In Reverse.” – Metal Universe – 2023

“The Ottawa nu-metalcore band BURN THE EVIDENCE officially released its new album, Case 01, on February 27, 2024. Consisting of nine tracks, the members of BURN THE EVIDENCE guide listeners through a series of crime scenes. The balance between clean vocals and growls is executed effectively, creating a strong mix that will appeal to fans of I PREVAIL. Throughout most of the album, BURN THE EVIDENCE incorporates nu-metal elements that perfectly complement the band’s catchy melodic side, while still delivering solid guitar riffs. Between crime scenes, investigations unfold successfully, and things can get very bloody. Whether it’s the band’s name, the album title, the artwork, or even the lyrics, BURN THE EVIDENCE has created a distinctive atmosphere built around a compelling story and overarching narrative. If you enjoy the approach of ICE NINE KILLS or narrative additions such as movie samples and cinematic touches, you won’t be disappointed. Definitely worth checking out. This album will take you on an emotional roller coaster, from peace to fear and from joy to sadness. But by the end, you’ll still be left wanting more. Listen at your own risk!” – Metal Universe – 2024

L-R – Maxime Rondeau – Lead Guitar, Danny Audette – Bass, Rémi Arsenault – Vocals, Serhii Myronchuk – Drums, Eric Desormeaux – Guitar/Vocals

Photo credit: Eightyoaks Photography – https://www.facebook.com/eightyoaksphotography

 

Hailing from the Ottawa, Ontario, and Gatineau, Quebec region, Burn The Evidence is a rising nu-metalcore force delivering a powerful blend of crushing riffs, infectious melodies, emotional intensity, and immersive storytelling. Formed by seasoned musicians from the local metal scene, the band’s unique identity revolves around the dark worlds of crime scenes, unsolved mysteries, investigations, and cold cases.The project was born when vocalist Rémi Arsenault joined forces with guitarists Eric Desormeaux and Maxime Rondeau, musicians he had admired through their previous work in Fractures & Outlines. With the addition of bassist Serhii and drummer Danny, Burn The Evidence evolved into a creative unit focused on crafting a distinctive musical and visual experience. United by a fascination with mystery and the unknown, the band developed a detective-inspired concept that would become the foundation of its sound and lyrical themes.

Drawing influence from modern metalcore heavyweights such as Bring Me The Horizon, Wage War, I Prevail, Ice Nine Kills, and Killswitch Engage, Burn The Evidence combines aggressive breakdowns, memorable hooks, dynamic clean and screamed vocals, and cinematic atmosphere. Their music explores the emotions surrounding criminal investigations through the perspectives of inspectors, witnesses, and sometimes even the perpetrators themselves. Fear, power, tension, triumph, and uncertainty all play a role in the band’s evolving narrative universe.

A defining aspect of Burn The Evidence is their dedication to creating an immersive experience. Ambient effects, atmospheric samples, cult-like chants, and cinematic elements are carefully woven into their music to enhance the storytelling. Every song serves as a chapter in a larger investigation, inviting listeners to step into the case and uncover the truth alongside the band.

Operating independently, Burn The Evidence writes, records, and produces much of its music in-house at guitarist Eric Desormeaux’s studio. This hands-on approach allows the band complete creative freedom and the ability to meticulously refine every detail without compromise. Their collaborative writing process sees each member contributing ideas, resulting in a sound that continues to grow heavier, tighter, and more mature with every release.

After spending the last several years sharing the stage and logging countless miles together, Burn The Evidence has developed a chemistry that translates directly into both their recordings and live performances. Known for delivering high-energy shows filled with relentless intensity, vocal harmonies, crushing breakdowns, and crowd engagement, the band strives to connect with audiences from the first note to the last.

With their detective-themed universe expanding and their sound evolving at a rapid pace, Burn The Evidence is carving out a unique place in modern metalcore, offering fans not just songs, but an experience where every clue matters and every case has a story to tell.

 

Band Lineup:
Vocals: Remi Arsenault
Rhythm Guitar and Vocals: Eric Desormeaux
Lead Guitar: Maxime Rondeau
Bass: Danny Audette
Drums: Serhii Myronchuk

 

Discography
Case 01 (Album 2025)  
COD3 (single 2024)
Night Terror (single 2023)
Spiral (single 2023)
Bad Influences (single 2023)

 

Shared Stage with:
Stick to your guns, Kaonashi, Mononc Serge et Anonymus, Dropout Kings, Madball, Death before dishonour, Exterio, Kamakazi

 

Tours and Festivals:
Welcome home mini-tour with Nova Spei, De mal en pire, Change my brain with cakes – September 2024 (Trois Rivières, Gatineau, Québec and Sept-Îles)
Victoriaville La causerie – May 2025
Elgros Fest Cantley, Outaouais – July 2025
Cornwall Chaos Fest – August 2025

 

Fun Facts:

1.  We had the chance to hit the first winter storm while going to Sept Isles… man, this road is no joke: cliffs and hills, truck stuck in the hills, nightmare, man. We arrived safe and well, but daammmmnnn that was a scary one.

2. Another one , normally Toronto to Ottawa is around 5 hours drive… again winter madness… we went to Toronto in a 45 centimeter snow storm…took us 6 hours to go we played and took us 9 hour to come back in the night… we are conquering some crazy driving skills here hahaha

3. In general, we have so much fun going out of town to play shows and discover different cities, meeting amazing people, sharing some good poutine, and learning city features, etc.  

0 EPK – Dirty Shirt – A Brighter Day ft. Jethro Tull’s Ian Anderson (single) (2026)

  • October 15, 2026
  • by Asher
  • · Dirty Shirt · EPKs

EPK – Dirty Shirt – A Brighter Day ft. Jethro Tull’s Ian Anderson (single) (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

​“Working with Ian Anderson was an honour and an incredible experience. After he agreed to join us as a guest, I sent him demos of five songs so he could choose whichever he liked best. He picked ‘A Brighter Day’, which was also the song I thought would suit him best. My only request was for him to play the main theme alongside the other acoustic instruments. Beyond that, he had complete freedom. The very next day, his flute tracks arrived, full of melodic ideas and solos, each one better than the last. We kept everything. There was no need to edit any of his parts; it all fitted perfectly. The result was exactly what I’d imagined: a blend of Dirty Shirt and that unmistakable Jethro Tull sound, with Ian’s unique approach to the flute. But he still managed to surprise me. I hadn’t expected the flute to work so well over the heavy riffs in the final section, which is the most aggressive part of the song. Having Ian leave his musical mark on one of our songs means a great deal to me. What impressed me just as much was how open and inventive he remains as a musician. I can’t wait for everyone to hear it!” – Mihai Tivadar, Dirty Shirt composer, producer, and keyboardist

For fans of Dubioza Kolektiv, Skindred, Bloodywood, Alestorm, The Hu

Single Release Date: Oct 16, 2026 (from “Balkansylvania Vol. 1: Roots” Out Jan 2027)

All Links: https://linktr.ee/dirtyshirtband

Dirty-Shirt.com –  Facebook.com/DirtyShirtRomania – Twitter.com/dirtyshirtband –  Youtube.com/dirtyshirtoriginal

Instagram.com/dirtyshirtband – Tiktok.com/@dirtyshirtband 

Dirtyshirt.bandcamp.com – Apple Music – Spotify – Dirty-merch.com – Deezer

Balkansylvania Tour 2027:​
26.12.2026 – Mos Craciun e Rocker – Baia Mare (RO)
27.12.2026 – Mos Craciun e Rocker – Baia Mare (RO)
22.01.2027 – Form Space – Cluj-Napoca (RO)
23.01.2027 – Republic Hub – Targu Mures (RO)
05.02.2027 – MMC – Bratislava (SK)
06.02.2027 – Urban Spot – Banská Bystrica (SK)
19.02.2027 – Quantic – Bucuresti (RO)
20.02.2027 – Rockstadt – Brasov (RO)
17.03.2027 – Snow Fest – Val Thorens (FR)
21.03.2027 – Snow Fest – Deux Alpes (FR)
17.04.2027 – Oldies Pub – Sibiu (RO)
18.04.2027 – Out Events – Oradea (RO)
15.05.2027 – New Cross Inn – London (UK)
25.06.2027 – Brande-Hörnerkirchen – Hörnerfest (D)
29-31.07.2027 – Czaplinek-Broczyno – Pol’and’Rock (PL)
15.10.2027 – B90 – Gdańsk (PL)
16.10.2027 – Słowianin – Szczecin (PL)
More TBA

Single Recording Credits:
• All songs performed by: Dirty Shirt
• All songs written by: Mihai Tivadar & Mathieu di Pilla
• Produced by: Mihai Tivadar & Adrian Uritescu
• Mixed by: Adrian Uritescu & Mihai Tivadar
• Mastered by: Adrian Uritescu
• Album Artwork & Lyric Video Animation by: Anna Vixie Art

Single Band Lineup:
Dan “Rini” Craciun – Vocals
Robert Rusz – Vocals
Mihai Tivadar – Keyboards
Dan Petean – Guitars
Cristian Balanean – Guitars
Cosmin Nechita – Violin
Sergio Ponti – Drums
Miruna Puiu – Backing Vocals
Alexandra Joicaliuc – Backing Vocals
Tea Visan – Backing Vocals
Andrei Oltean – Flutes
Mihai Munteanu – Cimbalom
Sami Lupean – Percussion

Featuring :
Ian Anderson – Flute
Voltaj Academy Choir

==================================

About The Single Artwork:

“Both the artwork and the animation are heavily inspired by the band’s lyrics, sound, and identity. After hearing the song, I felt compelled to explore the suffocating reality of this world drowning in noise and deception. I had the idea of a modern wasteland where smart devices are fused seamlessly with the garbage and everything is burning, while the main character appears to be healing. She is in desperate need of a fresh start and the fire represents cleansing and renewal, an urgent need to cut ties with the negative influences in her life. It’s an internal battle that all of us have to undertake and I wanted to explode that feeling into this piece (with flames, bright colors and Ian Anderson in one of his iconic poses). The collision between fiery orange and cold cyans represents the battlefields of the mind, where opposing thoughts clash more often than we’d like them to. It’s a testament to the quiet but resilient force we carry within ourselves that has the power to shape the world by changing the way we look at it.” – Anna Vixie

About the Single (musically, lyrically)

Musically, it’s a high-energy, catchy song with plenty of good vibes. We particularly like the contrast between that uplifting sound, the innocence of the children’s choir, and the more confrontational message of the lyrics. It was also fascinating to hear how Ian Anderson’s distinctive flute playing blended with our music: his unmistakable Jethro Tull character fits naturally into the Dirty Shirt sound while adding a new dimension.

Lyrically, we challenge the idea that someone else will come and fix everything for us. In a world full of false promises and fake news, the song is a call to take responsibility for our choices, acknowledge our failures, and stop hiding behind excuses. “Burn all the bridges” represents breaking away from that dependence and taking ownership of our direction.

=================================

For over 30 years, Dirty Shirt has stood as one of Eastern Europe’s most original and successful rock/metal acts. Formed in the mid‑90s as a wedding band, they evolved into a genre‑blending powerhouse, fusing modern heavy music with the vibrant energy of Eastern European traditional sounds. Their explosive live shows and innovative approach have taken them to major festivals across Europe, including Hellfest, Wacken Open Air, Pol’and’Rock, Electric Castle, and more, and earned praise from outlets such as Metal Hammer, Rock Hard, Metalsucks, and Hard Rock Mag. Dirty Shirt has performed over 600 shows in 17 countries and shared stages with Megadeth, Godsmack, Gogol Bordello, Skindred, and Orphaned Land.

“Long time readers will know by now that I am partial to the weirder side of heavy music. Dirty Shirt certainly has my attention this week. They’re like a mix of 6:33, Russkaja, and Turisas. This is bombastic, fun metal with Romanian folk mixed in. ” – Metal Injection

“Dirty Shirt, Your New Favorite Transylvanian Folk-Core Band ” – Metal Sucks

“DIRTY SHIRT only sound like DIRTY SHIRT.” – Metal Temple

“Is it catchy? Yes. Is it fun? Yes. Is it utterly mental? Yes. Highly recommended” – Metal Observer

” “…you’ve never heard anything quite like this before”” – Sonic Abuse

“This album is buoyant, blistering and bolshy; you certainly want to get your dose now!” 8/10 – Powerplay Magazine (2022 – Get Your Dose Now!)

“”Whoa! ‘Get Your Dose Now!’ is definitely not your average metal album. It’s simply something that you won’t hear anywhere else. Dirty Shirt is the real deal with extraordinarily talented musicians and a uniqueness that sets them apart from the crowd. If you’re in the market for some new music, this band offers something for everyone, from hardcore metal and thrash to tribal and traditional. It’s like your grandmother’s goulash recipe, a little of this and a little of that, with the end result being magical and inimitable.” – Uber Rock (2022 – Get Your Dose Now!)

“Dirty Shirt did a good job again and ‘Get Your Dose Now!’ is a very nice album to listen to and it deserves a listen.” – Folk-Metal.nl (2022 – Get Your Dose Now!)

“with DIRTY SHIRT you have joy in life and fun in music. They ignite a light in the currently dark world. A good mood is guaranteed. So get your dose today, now, get vaccinated against sadness and depression. before it’s too late. – Saitenkult (2022 – Get Your Dose Now!)

0 EPK – TURBO – Listen… Shut Up! (2026)

  • October 12, 2026
  • by Asher
  • · EPKs · Turbo

EPK – TURBO – Listen… Shut Up! (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We like our music hard, fast, and raw, and that’s the kind of experience we’re trying to give other people. We want to give people the same kind of punch-in-the-gut “this Rollercoaster is more than a bit too fast” feeling that we crave. All of our albums are an homage to the gritty rock-and-roll road-weary lifestyle we lead. It’s funny, though: our first album “Fast as Fvck” felt like it was all about living in squalor and stuff; our second release, “Broke and Ugly,” had this invincible feeling to it like the party was never gonna die, and we’re kind of thinking about this album as kind of the hangover from all that. This album is still a bunch of party anthems, but feels much more like it’s about the consequences of living the life we lead. Musically speaking, it’s still hard, fast, heavy, and packed full of fun – still undeniably classic Turbo. But it feels more mature and refined in a lot of regards. We’re incredibly proud of it.” – Turbo

For fans of Motorhead, W.A.S.P., Kill Cheerleader, ZZ Top, Black Sabbath

Band: TURBO
Album Title: Listen… Shut Up!
Release Date: October 23, 2026
Label: Self-Release
Genre: NWOTHM / THRASH
Location: Halifax, Nova Scotia, Canada

Facebook.com/TURBOFAF | Instagram.com/turboasfvck

Turboasfvck.bandcamp.com | Spotify

Canadian Invasion Euro Tour – Turbo w/ Monteith
22.10 – Hradec, CZ — AC Klub
23.10 – Bratislava, SK — Koncerty na Garážach
24.10 – Louny, CZ — Sféra Louny
25.10 – Bohuslavice, CZ — NOISE Bar
26.10 – Košice, SK — Collosseum Klub
27.10 – Budapest, HU — S8 Underground
28.10 – Krakow, PL — SNY
29.10 – Prague, CZ — Klub FAMU
30.10 – Nuremberg, DE — Blackbox
31.10 – Hamburg, DE — Stellwerk

Band: TURBO
Album Title: Listen… Shut Up!
Release Date: October 23, 2026
Label: Self-Release
Genre: NWOTHM / THRASH
Location: Halifax, Nova Scotia, Canada

Track Listing:
1. Kamikaze – 3:53
2. Don’t Know Me – 3:16
3. Deathwish Labyrinth – 3:42
4. Slut Island – 4:11
5. Best Wishes – 3:07
6. Tell Your Daughter – 3:49
7. Black Wings of Revenge – 4:14
8. Formula One – 4.33
Album Length: 29:50
Album Credits:
All songs performed, written, recorded and mixed by Turbo
Mastered by Jamie King Audio
Artwork by Tim Murray
Member of SOCAN
Canadian Content – MAPL

Lineup:
Evan Frizzle: Vox, Lead & Rhythm Guitar
Lindsey Dicks: Lead & Rhythm Guitar, Back Up Vocals
Donovan Saulnier: Bass, Back Up Vocals
Sylvian Coderre: Drums

Discography:
Fast as Fvck (2020)
Broke & Ugly (2024)
Listen… Shut-Up! (2026)

=======================================================

About The Album Artwork:

This album cover features a plane going down, with two demon girls tossing beer kegs to us and sending us on our way as we party, surf, drive, and drink our way to our next disaster in some crazy death-machine vehicle. Tim Murray does all our artwork, and we give him very little direction and just kinda tell him to go nuts. The guy just GETS us ahaha.

About The Album:

All our albums are an homage to the gritty, road-weary rock-and-roll lifestyle we lead. It’s funny though, our first album “Fast as Fvck” felt like it was all about living in squalor and stuff; our second release “Broke and Ugly” had this invincible feeling to it like the party was never gonna die, and we’re kind of thinking about this album as kind of the hangover from all that. This album is still a bunch of party anthems, but feels much more like it’s about the consequences of living the life we lead. Musically speaking, it’s still hard, fast, heavy, and packed full of fun – still undeniably classic Turbo. But it feels more mature and refined in a lot of regards. We’re incredibly proud of it.

Track By Track:

KAMIKAZE
The album kicks off with this straight-ahead double-kicking speed metal banger, and it’s a wild ride. High-octane shred solos, a wicked midsection, and a stupendous chorus; the works! The lyrics are about just doing what you were meant to do, no matter what. Anything in your way isn’t. Anyone stopping you just isn’t. Nothing can stop you, even if it kills you. One of my favorite tracks on the album.

DON’T KNOW ME
This riff starts with kind of a pool party riff that almost deceives you into thinking the song is gonna be super lighthearted and impish. It isn’t. This song is me writing a note to another self – a guy I used to be and a life I used to live, using drugs, using people, and just overall being a gross piece of shit. I like to give myself friendly little reminders like that. The harsher they are, the better.

DEATHWISH LABYRINTH
This song is a reprieve from our usual upbeat tantrums for a darker and stormier vibe all over it. This song is about being in the throes of heavy addiction; a subject I personally know all too much about. Still flooding with shred, pumping drums, chainsaw vocals, catchy ear-candy hooks, guitar harmonies, all that Turbo stuff you know and love. But there’s a lot of drama in this track.

SLUT ISLAND
There’s one song on every Turbo album where you can tell we only take ourselves so seriously. I think it’d be fair to say this is the track for that. It’s a fun, boppy song that’s catchier than a lot of people are going to want it to be, ahaha. The lyrics are written pseudo-sarcastically, and it’s really just fun to sing and feel throughout. The crowds love this one. Our girlfriends don’t.

BEST WISHES
This. Song. Is. Pissed. And it wants you to know that. When Donny joined the band, he was dating this girl who was annoying at her best, and an absolute nightmare at her worst. We gave her a million chances and tried playing nice, but it was hopeless. She lied constantly, tried to control the band, gaslit our girlfriends about us, came up on stage and yelled at us once; it was absolutely insane to deal with. When we made the first little bit of the song, I tried to think of stuff that pissed me off, and she was the only thing coming to mind; it was so bad. So I did. Donny was uncomfortable about it. Then he got cheated on, and they broke up. He loves it now! We hope you do too, ahaha.

TELL YOUR DAUGHTER
Super catchy ditty with a great main riff, chorus, and solo section. The lyrics are very personal to me, but I made them decidedly vague, so to the listener they’re about whatever you want them to be about – choose your own adventure. I WILL say this is the closest track to something mushy Turbo has ever done. Funny yardstick, but still true.

BLACK WINGS OF REVENGE
From a musical standpoint, we take a lot of our punk edge out of this song and focus on our roots in old-school British metal, I think. I dunno, that’s just how I feel about it when I’m playing it, but it’s a super hammering song. I wrote the lyrics from the perspective of a super good friend I have who’s pretty high up in this city’s criminal underworld. Scariest guy I’ve ever gotten to know, but we’re very dear friends; love hanging with him. But he LOVES getting revenge on people who try to fuck him around, and has described it to me in acute and delicious detail. The feeling is something I think a lot of us can relate to – I know I’ve been there. So my homage to that feeling is writing through his lens as I see it. I don’t have to ask if he approves. I know he does.

FORMULA ONE
Another speedy locomotive of a track with great guitar work and a bunch of ear hooks. The middle train-beat comedown section might be one of my favorite parts on the whole album. This song was written about my run-ins with the law, particularly this one time I took a bunch of weird acid (pretty sure it was called N-bone?), got all weird and did a break-and-enter, and the time avoiding the law thereafter for a couple of years until they caught me. The life I’ve lived will never run out of lyrical subject matter, ahaha. Sorry.

========================================

Fun Facts – Story Angles
1. Both of Turbo’s albums – “Fast as Fvck” and “Broke and Ugly” were almost entirely recorded and produced by guitarist Lindsey Dicks and the rest of the band themselves right in their rehearsal space, with minimal
outside-help.

2. Turbo played 53 shows in one year in 2023. They were on the road almost every weekend to achieve that.

3. In the fall of 2023, Turbo went on a two-week
tour through Mexico, and each member has a strange story about pooping from that trip.

4. Both the band’s singer/guitarist Evan Frizzle and drummer Sylvain Coderre instruct students on how to play their respective instruments.

5. Bassist Henry MacDonald is broke and sexy, currently trying his hand at an
amature-modeling career.

========================================

 

Like your disheveled uncle on Christmas morning, Turbo is loud, reckless, unapologetic, and completely sick of your shit.

Formed in Halifax, Nova Scotia, Turbo was born from a shared frustration among musicians who felt their respective projects weren’t pushing hard enough, playing loud enough, or aiming high enough. What started as a simple desire to create something bigger quickly became a mission statement. Vocalist/guitarist Evan Frizzle, drummer Sylvain Coderre, guitarist Lindsey Dicks, and bassist Henry MacDonald came together with one goal: build a band that would hit harder, move faster, and leave a crater wherever it landed.

Drawing inspiration from Motörhead, W.A.S.P., Judas Priest, Pantera, Kill Cheerleader, and countless influences across the heavy music spectrum, Turbo forged their own signature sound. The band proudly calls it “Nitro-Rock”: a high-octane collision of speed metal, NWOBHM, sleaze rock, hardcore punk, and pure rock and roll swagger.

Since the release of their debut album Fast as Fvck in 2020 and the follow-up Broke and Ugly, Turbo has built a reputation for relentless touring, no-compromise songwriting, and explosive live performances. Their music is aggressive yet memorable, filthy yet polished, and driven by a collaborative writing process where ego is left at the door and every decision serves the song.

Now, Turbo returns with their most focused, ferocious, and infectious release yet: Listen… Shut Up!, arriving October 23, 2026.

Written through the same fully collaborative process that has defined the band since day one, the album captures everything fans have come to love about Turbo while pushing their sound even further. Fueled by real-life experiences, sharp observations, reckless nights, and the everyday chaos that surrounds them, the songs hit with equal parts attitude, honesty, and adrenaline.

Packed with razor-sharp riffs, pounding rhythms, massive hooks, and enough greasy energy to power a small city, Listen… Shut Up! is a statement album from a band operating at full throttle. It doesn’t ask for your attention. It demands it.

Whether on record or on stage, Turbo walks the line between down-to-earth authenticity and absolute spectacle. The result is a raw, visceral experience that connects with audiences as much as it rattles them.

“Greasy. Fast. Slutty. Heavy. Raw.” That pretty much says it all. That pretty much says it all.

Turbo wouldn’t have it any other way.

Turbo is:

Evan Frizzle – Vocals, Guitar
Lindsey Dicks – Guitar
Henry MacDonald – Bass
Sylvain Coderre – Drums

========

What the press has said:

#9 Turbo – !earshot – The National Loud Chart – For the Week Ending: Tuesday, July 30, 2024 
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2024-07-30

“The cartoon-ish cover art with toxic green/red colors could bring more smiles to the fold – Turbo executing a great crossover sound that stands on the edge of thrash, punk and NWOBHM/heavy metal. Broke & Ugly could be your soundtrack when needing an ideal wind down from your back breaking, seemingly never over work week. 8.5/10″ – Dead Rhetoric

“This rocks a lot. The vocalist’s gritty approach delivers surprisingly catchy and memorable vocal melodies, and the occasional backing vocals are often reminiscent of mid-80s “party” metal, very upbeat and singalong-inducing. The guitar work has everything people like in old heavy metal, a rather raw style filled with cool solos and riffs that stick in your head long after they’re over. You’d tell me this was released more than 40 years ago and I would believe you. A fun time from beginning to end. 4/5″ – The Metal Crypt

“”Broke & Ugly” may have been a little tight in terms of playing time, but with the incredible hit rate of one hundred percent, you can forgive that. When punk and thrash still spoke a language, the whole thing sounded like this album. The fact that a band would ever come close to OVERKILL in terms of sound technology says more than enough! Yes! Noisy thrash, melodic punk, classic setup – what a great record! 9/10.” – Power-Metal.de 

“entertaining, refreshingly lively, dynamic, far too good to be bad. Massively punching Kick Ass- Heavy Metal n’ Rock n’ Roll on all sides, which hits the eye in a straight line, brutally, snotty, until it hits the chest, where it hurts. Snots, tubes, rocks and rolls straight to the limit! 8/10” – FFM-Rock

“the band is insanely tight, with Frizzle and fellow six stringer Lindsey Dicks really giving it some violence riff wise and soloing like their lives depended on it. Similarly, the rhythm section of Sylvain Coderre (d) and Henry MacDonald take no prisoners and submit to no-one in their ability to hold things together at high velocity. Very impressive. As we get deeper into the twenty first century, bands are running out of ways to repackage, remake and remodel, so the freshness with which Turbo approach the task in hand has to be applauded. This is fun to listen to – and it certainly sounds like the band had fun getting the album down, and sometimes a bit of joie de vivre is all any of us need. But when you are able to mix that in with a killer technique and a sharp ear for a metal tune well, good times await!” – Sentinel Daily

“Canada’s Turbo label their music Nitro-Rock; On the evidence of the submitted album, Broke & Ugly, it would seem that Nitro rock is in fact an almighty mashup of styles, all rendered at high speed and with little regard for personal danger (in my day we used to call that Crossover-Ed). If that description excites you, then the album is going to send you into paroxysms of joy…” – Sentinel Daily

“Turbo’s second full length album is the equivalent of getting into a newly juiced up hotrod, the roof reeled back in, as you’re flooring it down the highway until your smoke trails combust. From start to finish, Turbo live up to their name in droves and then some with energy that cannot be denied and a plethora of tracks that offer much to be remembered. Though boasting a full nine tracks, Broke & Ugly doesn’t even eclipse a full half hour and therefore opens itself up for numerous relistens. It starts up, gets you in the mood to kick some butt, yet doesn’t attempt to overstay its welcome to any degree. For me personally, this style of speed metal can be a vast hit or miss but I thoroughly enjoyed my time with this record, and during its duration I was brought on board with Turbo’s infectious power. Furthermore, I’d wish to visit their first record, and am excited to see what they do for a third, prospective release; I merely hope it’s not another four years because this is really good, fun material that anyone can get behind. A refreshing break from crushing, defeating extreme metal is sometimes needed, and Turbo are one fine cocktail.” – The Razor’s Edge

“Turbo is a band that gives me associations to two very different bands and the earlier stages of both of those bands output, and that is Turbonegro and Iron Maiden respectively. If you can imagine the early death punk of the former combined with certain  aspects of the Di’Anno era of the latter combined into a whole, you probably won’t be too far off from the kind of landscapes explored by Canadians Turbo. And chances are good that you’ll find this tight and uptempo album to be a rewarding experience if that description comes across as tantalizing.” – The Viking in the Wilderness

“this album is just the perfect encapsulation of a fun” – Brutally Delicious

“in “Broke & Ugly” everything is assault and everything is thrash, with scream and you chant to give that imprint punk and Warrior Soul which makes the offer of the four Canadians even more pleasant and captivating.” – Metallus.it 

“if you want to have fun while frantically shaking your head and listening to a collection of compositions full of nods to NWOBHM, be sure to give “Broke & Ugly” a listen.” – Rockeando

“TURBO is Halifax’s answer to Motorhead…” – The East Mag

“It is a thrash metal rollercoaster of a musical ride that grabs you by the dick and doesn’t let go until bust a riff-inspired ear nut.” – Slickster Magazine 

0 Protected: EPK – Cavernous Maw – The Yeti Approaches the Wall (single) (2026)

  • October 6, 2026
  • by Asher
  • · Cavernous Maw · EPKs

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0 Protected: EPK – Sapraemia

  • October 4, 2026
  • by Asher
  • · EPKs · Sapraemia

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0 EPK – Halycon Drift – I Made Do (single) (2026)

  • October 1, 2026
  • by Asher
  • · EPKs · Halycon Drift

EPK – Halycon Drift – I Made Do (single) (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I Made Do is the story of resilience through adversity, rising above it all & making do with the cards you were given. In the verses, we also explore adversity and describe it, and the chorus rips it all up almost to say, “and you, are you gonna give up?” The instrumental is meant to capture the sense of anger & hopelessness felt in those situations, and the lead guitar sections are truly ethereal, vibey, and intoxicating; they give the song its character! It’s a heavy track, with a heavy subject, but it NEVER stops being captivating & fun to listen to!” – Matt Zephyr – Halycon Drift

For fans of PRESIDENT, Volumes, Issues, Dance Gavin Dance, Architects

Instagram.com/halcyondriftband | Facebook.com/HalcyonDriftOttawa | Tiktok.com/@halcyondriftottawa 

Sales Links: https://distrokid.com/hyperfollow/halcyondrift/i-made-do

Band: Halycon Drift
Single Title: I Made Do – 3:18
Release Date: October 1st, 2026
Label: Self-Release
Genre: Metalcore/Djent
Location of Band: Ottawa, Ontario

Single Recording Credits:
• All songs performed by: Matt Pilon, Matt Senneville, Matt Zephyr, Guillaume Parisien, Mikey Trottier • All songs written by: Matt Pilon, Matt Zephyr, Guillaume Parisien
• Produced by: Matt Zephyr
• Mixed by: Matt Zephyr
• Mastered by: Matt Zephyr
• Single Artwork by: Matt Zephyr

Band Lineup:
Matt Pilon – Lead Guitar
Matt Senneville – Rhythm Guitar
Matt Zephyr – Scream Vocals
Guillaume Parisien – Clean Vocals
Mikey Trottier – Drums

============================================

About the Single Artwork: 

The single artwork is a band photo, but not because we ran out of creativity; it’s because it’s our introduction to the world, and we wanted the artwork to reflect that with our faces on it. This music is FROM US to YOU & we wanted you to know who we are as people while listening to it!

About the single:

I Made Do is a song about the resilience of the human spirit through tough adversity, which is a subject most people can relate to, and it’s got this blend of hardcore-djenty-hiphop that really feels unique.

=============================================

BAND STORY ANGLES / FUN FACTS: 

1. We’ve actually been a band for around 2 years now. The reason it took so long to get this project out is we’ve been looking for a drummer this whole time, interviewed & tried out around 10 different people; unfortunately,  none of them panned out. Then we found Mikey, and it was instantly the best fit, both in his playing and in his personality; he’s such a planner, always looking for ways to improve the project, get us booked on shows, etc.

2. Matt Pilon, Guillaume & I have actually known each other for over 15 years. Guillaume actually used to come swim at my house when we were under 5 years old. Matt Pilon & I flooded my mom’s basement on Christmas in 2016. The washing machine safety feature where the water automatically stops pouring in didn’t work, and there were 3 inches of water in the whole basement- a terrible ordeal, but a funny story now that it’s passed!

3. Matt Senneville & I met in school at TARA, The Audio Recording Academy, and we both used songs from this record to do our final mixing projects! (We also used the studio to record the album, so technically, the  recording of it was also a school project)

=============================================

L-R: Guillaume Parisien – Clean Vocals, Matt Pilon – Lead Guitar, Mikey Trottier – Drums, Matt Senneville – Rhythm Guitar, Matt Zephyr – Scream Vocals

Photo Credit – Roxanne Morin

Halcyon Drift creates heavy, story‑driven music where every track feels like a chapter and every album unfolds like a world. Formed by longtime friends Matt Zephyr and Matt Pilon after the loss of their first drummer and close friend Diego Bussières, the project began as a tribute and quickly evolved into a fully realized creative universe. With the addition of clean vocalist Guillaume Parisien and drummer Mikey Trottier, the band forged a sound that is balanced, aggressive, beautiful, and complex, blending metalcore, djent, hardcore, pop‑punk, and cinematic storytelling.

Led by Zephyr’s nonstop writing engine, Halcyon Drift builds songs from raw emotion, real‑life struggle, and vivid narrative concepts. Their records weave genres to match the rise and fall of their storylines, offering listeners a journey meant to be felt, pictured, and lived through. Onstage, the band delivers a high‑energy, immersive experience with synced lighting, seamless transitions, and a dynamic presence that pulls the crowd into their world.

0 EPK – Johnny Ray – Free My Soul (single) (2026)

  • September 22, 2026
  • by Asher
  • · EPKs · Johnny Ray · Uncategorized

EPK – Johnny Ray – Free My Soul (single) (2026)

Publicist – Jon Asher – Jon[@]ashermediarelations[.]com

Facebook.com/thejohnnyray | Instagram.com/johnnyrayfl | Youtube.com/@johnnyraythemourning | Tiktok.com/@themourningmusic

Spotify

“Vocalist & multi-instrumentalist Johnny Ray (The Mourning, 3 Headed Snake) has just launched his debut solo single ‘Free My Soul’ and it’s downright fantastic. An instant classic of melodic metal with Ray’s undeniable vocal abilities as the focal point along with crunchy riffs and acrobatic guitar solos rule on this mid-tempo monster. Ray describes the track as a conversation between two parts of the self, the subconscious, exhausted and pleading: “Where the hell were you? I’ve been sounding the alarm this entire time,” and the conscious mind finally waking up and responding, “You’re right. I’m here now. I’ll take it from here.” Heady stuff for sure and you’re going to want to hear it over and over…catch ‘Free My Soul’ on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

Band: Johnny Ray
Single Title: Free My Soul
Length: 3:46
Release Date: September 22, 2026
Genre: Heavy/melodic metal
Location: Tampa / Hudson, Florida

Single Credits:
Composed by: Shane Madere and Lance Jarreau
Lyrics: Johnny Ray
Produced by: Shane Madere
Creative direction: Johnny Ray
Vocal production/performance: Johnny Ray
Artwork: Tullius Heuer
Photos: Wayne Herrschaft

Johnny Ray is a vocalist, songwriter, and multi-instrumentalist from Florida, best known as the vocalist and keyboardist for progressive metal band The Mourning, as well as the vocalist for 3 Headed Snake, which features two-time Grammy-nominated guitarist Sin Quirin (formerly of Ministry).

His solo project is a more personal outlet, built around heavy, melodic music and lyrics that deal with what goes on inside of us when life starts taking its toll. Fear, survival, identity, self-neglect, and the fight to take control of your own life are recurring themes, but the songs aren’t meant to tell the listener what to feel.
They’re personal, but there’s enough room for people to hear their own story in them.

The first single, “Free My Soul,” deals with the point where simply surviving isn’t enough anymore, and the realization that eventually you have to show up for yourself.

SOLO PROJECT:
Johnny Ray – vocals, lyrics, vocal production, creative direction
Shane Madere – composition, production
Lance Jarreau – composition

DISCOGRAPHY:
2026 – Free My Soul – Single

OTHER BANDS:
The Mourning (vocals, keys)
3 Headed Snake (vocals)

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