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Category: EPKs

0 EPK – Karmic Link – Dark Metropolis (2018)

  • September 24, 2018
  • by Asher
  • · EPKs · Karmic Link

Karmic Link – Dark Metropolis (2018)

Release Date: October 19, 2018

DISTRIBUTION & LABEL: Rockshot Records

PR Rep – Jon Asher – ashermedia(@)gmail.com

karmiclink.tumblr.com |  Facebook | Youtube | Soundcloud

Bandcamp | Spotify | RockShots Store

Download High Res Photo | Download High Res Album Cover | Download Logo

Karma Link – Dark Metropolis (2018)

Release Date: October 19, 2018
Label & distribution: Rockshots Records

Track Listing:

1. Random Phantom
2. Dark Metropolis*
3. The Tone Of C
4. False Spots On The Highway
5. Your Fire Will Burn For Centuries
6. RiaMa (instrumental)
7. EndLess
8. Lost Magic Alchemy
9. Nostalgia

Album and live line-up
Stathis Kassios: Keys, Vocals, Samples
Evan Hensley: Guitars, Bass
Kim ‘Kimbo’ Gustavsson: Drums, Guitars

Album Credits

  • Produced by Stathis Kassios & Evan Hensley
  • Mixed by Stathis Kassios & George Frangelis at SoundHouse Studios Athens (www.soundhousegr.com)
  • Mastered by George Frangelis at SoundHouse Studios Athens
  • All music & lyrics by Stathis Kassios
  • Artwork & Design by Stathis Ridis (Lucifer’s Child)
  • Photography by Anastasia Michail
  • Guitars & Bass recorded in Nashville (USA) at Twilight Cloud Studio
  • Drums & more guitars recorded in Oslo (Norway) at Pluto Hill Studio
  • Keys recorded in Athens (Greece) at Cyberia Studio
  • Vocals recorded in Athens at SoundHouses Studio
  • Guest vocal appearance in “Dark Metropolis’’ by Vassilis Mazaris (Daylight Misery)
  • Guitars on Random Phantom, Dark Metropolis, Endless, Lost Magic Alchemy, Nostalgia, by Evan Hensley
  • Bass on all tracks by Evan Hensley
  • Drums on Dark Metropolis, The Tone of C, False Spots on the Highway, Your Fire Will Burn for Centuries by Kim ‘Kimbo’ Gustavsson
  • Guitars on The Tone of C, False Spots on the Highway, Your Fire Will Burn for Centuries by Kim ‘Kimbo’ Gustavsson

Album Line Up:
Stathis Kassios – Keyboards, Vocals
Evan Hensley – Guitars, Bass
Kim Kimbo Gustavsson – Drums, Guitars
*Dark Metropolis track features a guest vocal appearance by Vassilis Mazaris (Daylight Misery)

Discography:
UPCOMING RELEASE – Dark Metropolis (2018)
Esoterica (2010)
No Light But Rather Darkness Visible (2008)

L-R – Stathis Kassios (keys and vocals) and Evan Hensley (guitar and bass)
Photo by Anastasia Michail (Photography)

SHORT BIO:

Karmic Link is the brainchild of Stathis Kassios (Nightfall, ex-system Shock) who, after a period of extensive recording and live experience, gave birth to a surrealistic musical project. In 2006, he started experimenting on some songs with Mina G., a charismatic mezzo-soprano, full of karmic ideas. The link was established and the result was mixed and mastered in the famous Tico Tico studios in Finland. The group’s debut album “No Light but Rather Darkness Visible” was released in 2008 with a new lineup consisting of Stathis Kassios, Evan Hensley and Kim Kimbo Gustavsson. Karmic Link so far consists of Mediterranean energy, doses of industrial coldness, atmospheric landscapes, progressive bits, instrumental madness, dark pop tunes, electro breakdowns, funky grooves and hard rock pentatonic moments. Karmic Link’s new album Dark Metropolis (2018) is an album sourcing musicianship from Greece, Norway, and USA, different cultures bound together to offer an alternative metal experience!

LONG BIO:

Karmic Link is the brainchild of Stathis Kassios (Nightfall, ex-system Shock) who, after a period of extensive recording and live experience, gave birth to a surrealistic musical project. In 2006, he started experimenting on some songs with Mina G., a charismatic mezzo-soprano, full of karmic ideas. The link was established and the result was mixed and mastered in the famous Tico Tico studios in Finland. So sinners…beware. Karmic Link so far consists of Mediterranean energy, doses of industrial coldness, atmospheric landscapes, progressive bits, instrumental madness, dark pop tunes, electro breakdowns, funky grooves and hard rock pentatonic moments.

“Karmic Link is promoting thought-provoking concepts, ideas, heretic, and hermetic philosophies to explain today’s chaotic world and the dystopian times to come in a globally connected world…Karmic Link is the bitter yet powerful sound of our personal life’s soundtrack filled with anxiety for the future ruled by technology.” Stathis Kassios

The group’s debut album “No Light but Rather Darkness Visible” was released in 2008 and the concept behind this intriguing title, is questioning the Eastern vs Western modern conflict but from a metaphysical point of view. Guest musicians on the CD include Bob Katsionis (Firewind), who recorded and performed all rhythm and lead guitars, and Jani Liimatainen (Sonata Arctica), who laid down leads on one of the two instrumental songs of the album.

Although coming from a warm Mediterranean country, Greece, Stathis Kassios embarked on a life-changing trip in 2008 in cold Sweden where he met Evan Hensley coming from Nashville, Tennessee and Kim Kimbo Gustavsson who is Swedish. The 3 musicians started jamming and working together with great success in System Shock’s “Urban Rage” album and Karmic Link’s thought-provoking concept studio album ‘’Esoterica’’ released in 2010.

Karmic Link’s new album Dark Metropolis (2018) is an album sourcing musicianship from Greece, Norway, and USA, different cultures bound together to offer an alternative metal experience!

CDs and digital downloads available on Rockshots Records, iTunes, and Spotify.

0 EPK – Atria – New World Nightmare (DEBUT EP) (2018)

  • September 18, 2018
  • by Asher
  • · Atria · EPKs

Atria – New World Nightmare (EP)

For fans of In Flames, Soilwork, Arch Enemy, Trivium

Release Date: November 16, 2018

Label: Self-Release

Distribution: CDN Records

PR Rep – Jon Asher – ashermedia (@)gmail.com

Facebook | Twitter | Instagram | Youtube | Soundcloud | Reverbnation

Sales links: Bandcamp | Distrokid

Download promotional photo | Download album artwork

 

L-R – Tim Ross (guitar), Brent Westmoreland (bass), Tom Emmans (vocals), Matt McGuire (drums), and Travis McGinnis (guitar)

SHORT BIO:

Atria is a anthemic metal band from Ontario, Canada that plays heavy, yet catchy music with prime influences including Lamb of God, Soilwork, Tool and Slipknot. Founded by Tom Emmans (vocals) and Tim Ross (guitar) in August of 2017, they recruited Matt McGuire (drummer), Brent Westmoreland (bass) and Travis McGinnis (guitar) to fill out the lineup and  have played a handful of shows and festivals with a great response and are hungry for more.

 

The debut release for the band, New World Nightmare EP, is due November 16th, 2018 and is just a teaser of what is to be expected from the band. Not just sticking with the usual heavy formula of the genre, they also add plenty of synth and orchestral parts and experiment with varying degrees of technicality. Even as a relatively new band, Atria is finding their place in the Canadian underground scene and making their name known amongst a wide variety of metal fans.

 

LONG BIO:

Atria is a anthemic metal band from Ontario, Canada that plays heavy, yet catchy music with prime influences including Lamb of God, Soilwork, Tool and Slipknot.

Founded by Tom Emmans (vocals) and Tim Ross (guitar) in August of 2017, the band takes its name from a music venue in a nearby city at which Emmans and Ross played their first gig at with a different band. The experiences had at that place resonated enough to be cemented as the band’s moniker. Eventually they recruited Matt McGuire (drummer), Brent Westmoreland (bass) and Travis McGinnis (guitar) to fill out the lineup and  have played a handful of shows and festivals with a great response and are hungry for more.

The debut release for the band, New World Nightmare EP, is due November 16th, 2018 and is just a teaser of what is to be expected from the band. Not just sticking with the usual heavy formula of the genre, they also add plenty of synth and orchestral parts and experiment with varying degrees of technicality. Emmans expands on his vision for the band’s direction: “I’ve always been a fan of catchy choruses. I like when bands can bring something dark and heavy but also give me something to sing along to. We’ve tried to do that with our new single and I think we’ve accomplished that. Also the lyrics have a great deal of depth and personal meaning to them. The rest of the album is much heavier but there are still plenty of good hooks worked in there.”

Even as a relatively new band, Atria is finding their place in the Canadian underground scene and making their name known amongst a wide variety of metal fans.

Atria – New World Nightmare (2018)

Release date: Nov 16, 2018

Track listing
1. New World Nightmare
2. Someone With Me
3. Less Than Equal
4. Follow You Home

EP Length: 24:24

Distribution: CDN Records | Distrokid

Sales link: Bandcamp

 

Album credits
  • All songs were written and performed by Atria
  • Produced and mixed by Jon Howard
  • Mastered by Ryan Smith at Sterling Sound
  • Album Artwork: Mikio Murakami at Silent Q Design

Available on Spotify, ITunes, Amazon, Google Play, iHeartRadio

Mapl and socan-white
 
Album Line up and Live Line Up :
Tom Emmans – Vocals
Tim Ross – Guitar
Travis McGinnis– Guitar
Brent Westmoreland – Bass
Matt McGuire – Drums
 
Discography:
2018 – New World Nightmare (DEBUT)

0 EPK – Dire Peril – Dire Peril – The Extraterrestrial Compendium (2018)

  • September 4, 2018
  • by Asher
  • · Dire Peril · EPKs

Dire Peril – The Extraterrestrial Compendium (LP) (2018)

Release Date: November 9, 2018

Label & distribution: Divebomb Records

For Fans of Iced Earth, Blind Guardian, Symphony X, and Iron Maiden

PR Rep – Jon Asher – ashermedia(@)gmail.com

DirePeril.com |  Facebook | Youtube | Bandcamp

iTunes | Spotify | Amazon | DP Online Store | Divebomb Records

Download High Res Photo | Download High Res Album Cover

“Power metal kings, Songs about sci-fi movies, What more do you need? ” – Metal Injection

“It’s the rare power metal record where the artist is as confident in handling its subtle, reserved material as it is its neck-thrashing, riff-centric centerpieces, and Dire Peril manages both aesthetics with more care than the bulk of bands in its genre. As far as straightforward power metal goes, this may well be the very best that 2018 has to offer. ” – Angry Metal Guy

“a sci-fi infused power metal monster. Ashcraft adds a more galloping, Iced Earth, huge and grand guitar riffing to the mix and of course Yelland’s vocals are phenomenal.” – Metal Marks The Spot

” Dire Peril’s first full-length album is an excellent display of American power metal.”  – Indy Metal Vault

“Bulletproof songwriting, soaring vocals, tremendous solos, exceptional song-to-song variety, and an uncanny ability to be both a little bit tongue-in-cheek and deadly serious at the same time: what in the goddamn hell more could you ask for? This is a marvelous album. ” – Your Last Rites

“this may well be the best Power Metal has to offer in 2018.” – Metal-Temple

“With their full-length debut, The Extraterrestrial Compendium, they have gone above and beyond my expectations, producing one of the best power metal albums of the year, which manages to be both very dynamic and consistently engaging throughout. I especially recommend it for fans of the harder hitting, more guitar driven side of power metal, as there’s a ton of thrash influence here, as well as a fair bit of classic heavy metal and some slight prog leanings. Everything is done well, with vocalist John Yelland giving the best performance of his career, and overall, it’s an amazing album from start to finish.” – My Global Mind

““in its conceptual and musical depth, Dire Peril’s The Extraterrestrial Compendium is rather epic and entertaining guitar-forward power metal…power metal and sci-fi go together like beer and pizza. Get it. You won’t be disappointed.” – Dangerdog Music Reviews

“DIRE PERIL prove that America still has great talent in the Power Metal realm” – Metal-Temple.com


“a wonderful album that will take you on an intergalactic journey through many popular sci fi movies. It is an album that is full of melodic vocals and kick ass guitars. ” – Baby Dolls and Razor Blades


Seven Kingdom Tour Dates w/ Dire Peril
Nov 14 – Cobra Lounge – Chicago, IL
Nov 15 – Riot Room – Kansas City, MO
Nov 17 – Rockhouse Bar & Grill – El Paso, TX
Nov 18 – Rail Club – Ft. Worth, TX
Nov 19 – Come And Take It Live – Austin, TX
Nov 20 – Southport Hall – New Orleans, LA

 

 The Extraterrestrial Compendium (LP) (2018)

Release Date: November 9, 2018
Label & Distribution: Divebomb Records

Track Listing:

01 – Yautja (Hunter Culture)
02 – Planet Preservation
03 – Enemy Mine
04 – The Visitor
05 – Total Recall
06 – Queen of the Galaxy*
07 – Roughnecks
08 – Blood in the Ice
09 – Heart of the Furyan
10 – Altair IV: The Forbidden Planet
11 – Always Right Here
12 – Journey Beyond the Stars**

*Features Brittney Slayes
**Features Arjen Anthony Lucassen

Album Credits:
• All songs performed by: Dire Peril
• All songs written by: Jason Ashcraft and John Yelland excepting Queen of the Galaxy by Jason Ashcraft and Norman Skinner and Journey Beyond the Stars by Jason Ashcraft, John Yelland and Norman Skinner
• Produced by: Jason Ashcraft
• Mixed by: Carlos Alvarez (Dirty Viking Audio Productions)
• Mastered by: Brett Caldas Lima (Tower Studio)
• Album Artwork by: Gwen Vibancos

Album Band Line Up: 
Jason Ashcraft (Guitar, bass)
John Yelland (Vocals)
Featuring Brittney Slayes as guest vocalist on Queen of the Galaxy
Featuring Arjen Anthony Lucassen as a guest 

Live Band Line Up: 
Jason Ashcraft (Rhythm Guitars)
John Yelland (Vocals)
Chelsea McMasters (Bass)
Steven Soderberg (Lead Guitars)
Tom Tierney (Drums)

Discography:
2018 – The Extraterrestrial Compendium 
2016 – The Astronomical Queen of Space and Time (EP Compilation)

L-R –  Jason Ashcraft (rhythm, lead, acoustic, bass guitars) & John Yelland (vocals)

SHORT BIO:

Dire Peril was an idea that goes as far back as Jason Ashcraft’s (guitars, bass) high school years. The band’s name was inspired by a PC game he used to play, called “Vampire: The Masquerade – Bloodline”, which has stuck with him ever since.

Originally formed in 2009, the band went on to create three EPs: Astronomical Minds, Queen of the Galaxy and Through Time and Space, and proceeded to play a handful of local shows, as well as a few out of town gigs. In 2015, feeling like things just weren’t as they should be, Ashcraft decided to take a step back and take a hard look at where the band was headed.

Inspired by all manner of science fiction, especially classic sci-fi movies, Dire Peril regrouped as a double piece; Ashcraft was joined by singer John Yelland, and together they began working on the debut album titled “The Extraterrestrial Compendium,” set for release on November 9, 2018. Recruiting a live line up enabled them to start playing live shows including an upcoming North American tour with Seven Kingdoms allowing the American sci-fi power metal band to reach its final form and share their dark, aggressive adventure with the masses.

 

LONG BIO:

Dire Peril was an idea that goes as far back as Jason Ashcraft’s (guitars, bass) highschool years. The band’s name was inspired by a PC game he used to play, called “Vampire: The Masquerade – Bloodline”, which has stuck with him ever since. Originally formed in 2009 as the name under which Ashcraft used to perform covers, the band wouldn’t see it’s true form until around 2012, when Jason joined forces with the Bay Area powerhouse vocalist Norman Skinner.

The band went on to create three EPs: Astronomical Minds, Queen of the Galaxy and Through Time and Space, and proceeded to play a handful of local shows, as well as a few out of town gigs. In 2015, feeling like things just weren’t as they should be, Ashcraft decided to take a step back and take a hard look at where the band was headed.

Inspired by all manner of science fiction, especially classic sci-fi movies, Dire Peril regrouped as a two piece; Ashcraft was joined by singer John Yelland, and together they began working on the debut album titled “The Extraterrestrial Compendium,” set for release on November 9, 2018.

‘The Extraterrestrial Compendium’ bases each one of its 12 songs on classic sci-fi movies including Predator, Total Recall, Starship Troopers, and E.T. and features guests Brittany Slayes (Unleash the Archers) and Arjen Anthony Lucassen (Ayreon).

Recruiting a live line up enabled them to start playing live shows including large North American tours with Sirenia and Unleash the Archers plus most recently supporting Seven Kingdoms this coming November on select USA tour dates. The American sci-fi power metal band is close to reaching its final form and is now ready to share their dark, aggressive adventure with the masses.

 

Shared Stage with:

Sirenia, Threat Signal, Valinor Excelsior, and Winter’s Wake

Tours and Festivals:
2018 – Sirenia NA Tour (April)
2018 – Seven Kingdoms NA Tour (November)

0 EPK – AZP – A New Beginning (EP)(2018)

  • August 29, 2018
  • by Asher
  • · AZP · EPKs

AZP – A New Beginning (EP) (2018)

Release Date: TBD

DISTRIBUTION: Bandcamp

For Fans of Marty Friedman, Yngwie Malmsteen, Jason Becker, Andy James, Jason Richardson, Marco Sfogli

PR Rep – Jon Asher – ashermedia(@)gmail.com

 Youtube | Bandcamp

Download High Res Photo | Download High Res Album Cover

A New Beginning (EP) (2018)

Release Date: TBD
Label & distribution: Bandcamp

Track Listing:

01. Don’t Contradict The Fates
02. In The Shadow Of A Crumbled Fort
03. Scratch The Surface
04. Colorblind
05. Don’t Turn Away
06. Diversion
07. The Siren Song
08. Hideout
09. Obituary of Common Sense
10. Lint
11. Recoil

Album Credits: 

  • All Music Written/Composed/Co-Produced By Alex Zubair 
  • Mixed/Mastered/Produced By Alex Rise 
  • Artwork By Alex Rise 
  • Logo By Christopher Horst 

Album Recording & Live Line Up:
Alex Zubair (Guitar)

Discography:

DEBUT – A New Beginning (EP) (2018)

L-R –  Alex Zubair (founding members and guitarist)

SHORT BIO:
Alex Zubair has been playing guitar for years and since the disbandment of his two previous acts (Burn to Black and Nephelium) he has channeled his skills into a solo, instrument, self named project. This effort was kicked off in 2015 and showcases plenty of intricate melodic/oriental styled solos that are climatic, groovy, futuristic and intense.

The first release for the Alex Zubair Project is “A New Beginning” a 5 song EP expected at the end of 2018. “This is a new chapter in my life and a new beginning and a collaboration of all my hard work and experience from the past and now. Every track has a unique story to tell.”

LONG BIO:
Alex Zubair has been playing guitar for years and since the disbandment of his two previous acts (Burn to Black and Nephelium) he has channeled his skills into a solo, instrument, self named project. This effort was kicked off in 2015 and showcases plenty of intricate melodic/oriental styled solos that are climatic, groovy, futuristic and intense.

Citing musical influences such as Marty Friedman, Jason Becker, Testament and Megadeth, Alex maintains that he is focused on something modern and different: “I hate comparing cause every band or musicians brings different types of art to the table but this project is unique; it’s all about the shred!”

The first release for the Alex Zubair Project is “A New Beginning” a 5 song EP expected at the end of 2018. “This is a new chapter in my life and a new beginning and a collaboration of all my hard work and experience from the past and now. Every track has a unique story to tell.”

 

Highlights:

Shredders of Metal (Banger TV) (2018)
Nephelium – lead guitarist (1999 – present)

0 EPK – Rapheumets Well – The Elder’s Anthology (Special Edition) (2018) (Test Your Metal Records)

  • August 29, 2018
  • by Asher
  • · EPKs · Rapheumets Well

Rapheumets Well – The Elder’s Anthology (Special Edition)

For fans of Fleshgod Apocalypse, Septic Flesh, Dimmu Borgir, Cattle Decapitation

Release Date: October 26, 2018

Label and Distribution: Test Your Metal Records

Contacts: PR Rep – Jon Asher – ashermedia[@]gmail.com

Album Pre-Order – CD | Digital

Eldersverse.com | Facebook | Twitter | Reverbnation

Soundcloud | Youtube | Last.FM | Instagram | Google +

Bandcamp | iTunes | Amazon | CD Baby

“Hickory, NC’s Rapheumets Well(pronounced Ra-few-mets) is a band heavily steeped in science fiction and fantasy. And when I say heavily, I mean HEAVILY. They slam dunk their lushly orchestral and luxurious symphonic melodic blackened death metal into a fantastical and fantastically creative and complex world that I don’t even want to embarrass myself trying to explain. But, you gotta give mad ol’ props to any band willing to dive head first into something as elaborately conceptual as this costumed and inventive septet have from the off.” – Decibel Magazine

“if you like the theatrical havoc generated by Fleshgod Apocalypse and Dimmu Borgir, for example, you’ll fall in love for the music found in The Exile, the brand new concept album by the symphonic horde known as Rapheumets Well. ” – The Headbanging Moose

“As you’re about to find out, this first song from the new album combines turbocharged death metal vehemence with sweeping orchestral melodies, interweaving blazing drumwork and rapid-fire riffing with cosmic synthesizer vistas and fluid soloing, vicious growls and hair-raising shrieks with a vaulting clean-sung passage that coincides with the protagonist’s decision to end his apathy.” – No Clean Singing

“The Exile brings symphonic elements to more intense and sometimes speedy death metal. Solid bursts of adrenaline, with the symphonies effectively working to provide a balance to these heavier moments, as heard in “The Epic of Darmak.” But the band is more than a one-trick pony, and frequently gives way to other flights of fancy while keeping the death metal sharp…an album that is well-written and enjoyable from start to finish. The potential is there for the band to really spread their wings for album number three.” – Dead Rhetoric

“The Exile is one hell of an intense and adventurous ride, and one that must be experienced if you dig on metal that is several steps to the left of centre.” – The Metal Forge

“Rapheumet’s Well waste no time in getting things going with opening track Ressurecting The Blood Gate, which sets the scene with an acoustic and stripped-back line before swiftly progressing into a heavier and fuller sound, complete with an absolutely stunning symphonic section, and when the vocals kick in, they hit you like a tonne of bricks. There’s so much body and power behind their delivery, and they subsequently leave a real impression on you.” – Soundscpae Magazine

“Interspersing lush orchestral bits into some brutally heavy yet beautifully melodic music, this band has managed to create one of my absolute favorite albums of the year so far.” – Get Ready To Rock!

Track Listing:
1. Resurrecting The Blood Gate
2. Dimensions
3. Crucible of Titans
4. Resurgence
5. Witch of Darkspire
6. The Betrayer (Part One)
7. They Cometh In Fire
8. Distress On The Aberrant Planet
9. Ghost Walkers Exodus

 

Members:
Shay Hecate – Lead Vocals
Taylor Maltba – Clean/Operatic vocals
Hunter Ross – Guitar
Daniel Presnell – Guitar
Alex Rush – Bass/Vocals
Joshua “Nassaru” Ward – Drums, Keys, Vocals
Special Guest:  Aaron Rogers – Keys and Orchestrations
Album Art:  Jakhangir Zeynalov
Discography:
2018 – The Elder’s Anthology (Special Edition) – LP – Test Your Metal Records
2017 – Enders Door – LP – Test Your Metal Records
2016 – The Exile – LP – Test Your Metal Records
2014 – Dimensions – LP

 

Shared stage with:
Black Crown Initiate, Abigail Williams, Abiotic, Enfold Darkness, Abysmal Dawn, Unleash the Archers, Today is the Day, Dying Fetus, Kataklysm, The Faceless, Devil Driver

 

Blending a sound that is a complex mix of classical orchestrations, cosmic synths, and extreme metal to portray the epics of parallel worlds, Hickory, N.C. based Rapheumets Well (Ra-few-mets) bring forth a voyage enriched with lore, fabricated from scratch to show the depth in which represents them as artists.

Inspired by the fictitious universe of the Atai, Rapheumets Well is the name coined to the conscious deity who oversees the anastomosis of the multiverse, the master of portals and inter-dimensional travel.  Being personified as a trickster, Rapheumet often creates chaos for unsuspecting voyagers.  The word “Well” refers to the gravity wells, which like black holes, are catalyst of change and gateways between the cosmic plains.

“We created this name in hopes of personifying a living gateway between dimensions.  We love science fiction and a few of us have extended education and degrees in science.” says drummer Joshua Ward.

Formed in 2008, 2011 and 2012 saw their first two demos followed by their first self release full length ‘Dimensions’ unleashed in 2014 that progressively told a larger story portrayed in a complex saga of the Atai (ancient architects) who aid in the propagation of sentient life throughout the multi-verse. In 2016, they released their highly praised sophomore album ‘The Exile’ via Test Your Metal Records

From the birth of organic matter to great wars that tear the fabric of space/time, the story of Rapheumets Well’s music serves to immerse you into a world of oddities, which was then continued in the band’s third release ‘Enders Door’  unleashed on May 26th, 2017 via Test Your Metal Records.

The synopsis of that album was that in the fifth era of the Avomenian Empire, amidst the planetary ruins of Vaath, a rogue traveler would discover an artifact that would forever change his place in the cosmos.

Upon arriving to retrieve the artifact, it became apparent that Eryos’s brother Nathyiem would never make it to their arranged meeting point.  In departing from the planet Vaath, Eryos received a distress signal from his brothers ship, coming from an uncharted planet.  Upon arriving, he found a odd world inhabited by a mysterious species called the Dreth led by lecherous matriarch named Eishar.  It is here that he would uncover a faced-door, an inter-dimensional gateway to the Ender.

Now in 2018, the band returns with their epic “The Elder’s Anthology (Special Edition)”, a trilogy of sorts featuring selective tracks remixed and remastered from their three albums released over the years, Dimensions (2014), Exile (2016) and Enders Door (2017).

0 EPK – The Castor Troys – Legends Never Die (2018)

  • August 26, 2018
  • by Asher
  • · EPKs · The Castor Troys

The Castor Troys – Legends Never Die (2018)

Release Date: November 9, 2018

Distribution: CD Baby

For Fans of The Offspring, the Headstones, Social Distortion, Rise Against, Monster Truck, The Lazys, The Motorleague

PR Rep – Jon Asher – ashermedia(@)gmail.com

www.thecastortroys.com |  Facebook | Youtube | Twitter | ReverbNation | Soundcloud | Instagram

Bandcamp | Spotify | Itunes

Download High Res Photo | Download High Res Album Cover

“Need a good song to pump you up for a long day? This classic punk-rock track (We Are One) might even fuel you up better than your morning caffeine boost. You’ll be screaming along with these powerful vocals and air-guitaring these riffs all week long.” – Alt Press

“Legends Never Die gets by on its attitude alone. It’s a short one at just six songs and seventeen minutes, but that’s all The Castor Troys really need to get their point across; very punk rock. “We Are One” is all you can ask for in a punk rock song. With ripping guitars, fast rhythm, catchy group vocal chorus, aggressive lyrics, you can’t ask for anything more. It is very reminiscent of The Offspring or Pennywise,and the alt-punk flavour of the mid nineties. “Watch The City Burn” is more of a classic rocker, maybe with a little southern vibe to it. It had me thinking of Ram Jam’s “Black Betty,” at least at the start. It showcases lead vocalist Aaron Walsh’s storytelling capabilities as he spins a yarn about Hamilton and his seeming irreverence for it.” – Bucketlist Music Reviews

“The Legends Never Die EP departs from their debut album and takes their sound to the next level with a tighter chemistry and production. It boasts two full-throttle singles: “Blackout Love” and the follow-up, “We Are One”… Other standout tracks on the EP include “Burn This City Down” and “Wreck of the Bastard”. After a listen, you’re bound to walk away with at least a few songs stuck in your head! ” – LdnReverb

“Writing music that is catchy and instantly memorable, The Castor Troys weave tales in an accessible and uncompromising manner.” – Ignite Music Mag

“Hard rock revival? I fuckin’ hope so! Add another band to the burgeoning list – Ontario’s The Castor Troys. This hard rockin’ quartet infuse their dynamic new EP with strains of punk, country and loads of heavy rock. Adrenaline pumping screaming melodic anthems that only hard rock can deliver.” – Power of Pop

“The artwork for the Legends Never Die EP, that features a leather clad skeleton shifting into high gear in a muscle car, gives you a a fair idea of what to expect from Ontario’s The Castor Troys latest release, and you won’t be disappointed or surprised as this is balls out rock ‘n roll with a punk edge. ” The Punk Site

“They play a kind of anthemic punk rock with hard rock influences thrown in that has as much to do with Rise Against and Ignite as with Monster Truck and Iron Maiden… If you are into hard rockin’ riffs and tons of ooh’s and aah’s, feel free to check out The Castor Troys.” – Punk Rock Theory

“The new release from Canadian rockers The Castor Troys, everything about the EP caught our instincts and wants in a slab of rock ‘n’ roll whilst providing one of the most fiercely enjoyable encounters this year. ” – The Ringmaster Review

“If Legends Never Die is any indication, The Castor Troys are certainly a band to watch out for as they commence to tour across Ontario and potentially beyond in support of an EP that everyone should be listening to. From front to back, Legends Never Die is an exciting thoroughly enjoyable record.” – Canadian Beats

Legends Never Die (EP) (2018)

Release Date: November 9, 2018
Distribution: CD Baby

Track Listing:

1. Blackout Love
2. We Are One
3. Watch the City Burn
4. Legends Never Die
5. Wreck of the Bastard
6. Runnin’ Down a Dream*

Album Credits: 
• All songs performed by The Castor Troys
• All songs written by The Castor Troys except #6 written by Tom Petty, used under license
• Produced by Andre Kaden Black
• Mixed and Engineered by Tal Vaisman
• Mastered by Noah Mintz at Laquer Channel
• Album Artwork by Derrick Castle

Album Recording & Live Line Up:

Aaron Walsh – Lead Vocals
Chris Ledroit – Guitars, Backing Vocals
Matthew Bowker – Bass, Backing Vocals
Bryson Emmons – Drums, Backing Vocals

Discography:

Legends Never Die (EP) (2018)
Come Hell or High Water (LP) (2015)

L-R –  Matthew Bowker (Bass, Backing Vocals), Aaron Walsh (Lead Vocals), Bryson Emmons (Drums, Backing Vocals), and Chris Ledroit (Guitars, Backing Vocals)
Photo Credit: Brandon Taylor

The Castor Troys are a story-telling hard rock band from Hamilton, Ontario. Through lyrics that tell tales of war heroes, bank robbers, and clandestine lovers, this intrepid four-piece peddles true stories and truer fiction. Drawing inspiration from bands like Headstones, Social Distortion, Motörhead, The Offspring, and Iron Maiden, The Castor Troys craft fiery and infectious songs that draw you in and don’t let go.

Taking their band name from a character in a John Woo film, The Castor Troys are a jubilant mix of hard rock, punk, country and southern rock. “Castor Troy was the villain (played by Nicolas Cage) in Face/Off. He was elegant, flamboyant and stylish, instantly likeable, while at the same time single-minded and ruthless in his pursuit of his goals.” expands the band on their choice of name.

Formed in 2013, they released their debut full-length album “Come Hell or High Water” in May of 2015 and their 6 track EP “Legends Never Die” on November 9, 2018. Working with producer Andre Kaden Black and engineer Tal Vaisman (Ascot Royals) has refined the band’s sound and enabled them to capture the fierce energy of their live performance onto record.
 
Proven by becoming the 97.7 HTZ-FM Rocksearch 2018 Finalists, The Castor Troys are a relentless team of stage veterans. They’ve played many festivals including Canadian Music Week and the Burlington Sound of Music Festival Kick-off concert. Writing music that is catchy and instantly memorable, The Castor Troys weave tales in an accessible and uncompromising manner.

Shared The Stage With:
Bush, Live, Headstones, Monster Truck, Trampa, Frank Turner, The Planet Smashers, Silverstein and Crown Lands  

 

Festivals and Tours:

Winona Peach Festival (2018)

Highlights:

97.7 HTZ-FM Rocksearch 2018 Finalists

0 EPK – Malacoda – Restless Dreams (2018) (Rockshots Records)

  • August 24, 2018
  • by Asher
  • · EPKs · Malacoda

Malacoda – Restless Dreams (2018) (Rockshots Records)

For fans of Kamelot, Kataonia, Type O Negative, Dimmu Borgir, Paradise Lost

Release Date: October 19, 2018 (NA) / October 26, 2018 (EU)

Label: Rockshots Records

PR Rep – Jon Asher – ashermedia (@)gmail.com

Rockshots.eu | Malacodametal.com | Facebook | Twitter | Instagram | Youtube

Spotify | iTunes

Tour Dates:
Oct. 20 – Duffy’s Tavern – Toronto, ON (Album Launch Party) – info
Oct. 25 – Piranha Bar – Montreal, QC – info
Oct. 26 – Cafe Dekcuf – Ottawa, ON – info
Oct. 27 – The Atria – Oshawa, ON – info
Oct. 28 – Overtime – Kingston, ON
Nov. 10 – The Absinthe – Hamilton, ON

Following the release of their 2017 EP “Ritualis Aeterna”, Canadian horror inspired symphonic power metallers MALACODA will be releasing a new full length album entitled “Restless Dreams” via ROCKSHOTS RECORDS on October 19th in North America and October 26th in Europe. The album delivers a full musical experience inspired by the horror video game “Silent Hill 2”. MALACODA first introduced their fans to the “Silent Hill 2” storyline with the track “I Got A Letter“, which was featured on the band’s sophomore release “Ritualis Aeterna”.

Inspired by the horror video game “Silent Hill 2”, “Restless Dreams” is a musical journey through dark tormented themes of doubt, loss, guilt and terror. The plot of the album follows a broken man’s journey through the ghost town of Silent Hill after receiving a letter from his dead wife asking him to meet her there. MALACODA brings a fresh interpretation of these themes and artfully bring to life the oppressive, claustrophobic aura of the fog consumed town with deviously clever song-writing and mind-catching lyrics. “Restless Dreams” is a musical release unlike any other. Fans and new listeners alike, prepare for an atmospheric and melodic metal descent into a world of horror and despair. “Restless Dreams” was masterfully mixed by Jon Howard (Threat Signal, Imonolith).

Track Listing:
1. The Fog of Memory (1:24)
2. I Got A Letter (4:40)
3. Wrapped In Laments (3:32)
4. In Static (1:41)
5. Knives (3:27)
6. Mannequin Heart (3:32)
7. Youth Is Innocence (4:17)
8. Doppleganger (4:21)
9. Darkness Leads The Way (2:23)
10. The Labyrinth Within (3:50)
11. Dominance (3:14)
12. Abstract Care (3:47)
13. The Symbol of Pain (7:10)
14. Our Special Place (12:10)
Album Length: 59:33

Album Credits:
Vocals/Guitar/Bass/Keyboards – Lucas DI Mascio
Drums – Michael Farina
Guitar – Daniel Alonzi
Additional Guitars – Cooper Seldon
Guest Vocals on “Doppelganger” – Mohammad Maki
Guest Solo on “Our Special Place” – Tom MacLean

All songs written by Lucas Di Mascio except “Youth is Innocence” written by Lucas Di Mascio & Daniel Alonzi
All lyrics written by Lucas Di Mascio
Produced and Recorded by Lucas Di Mascio at Old Haunt Recording Studio
Mixed by Jon Howard at Woodward Studios
Mastered by Lucas Di Mascio at Watersland Studios

Live Band Lineup:
Lucas Di Mascio – Vocals
Tiny Basstank – Bass
Vlad “The Vampire” Prokhorov – Drums
Mick D Kiss – Guitar

Discography:
2014 – S/T – LP
2016 – Ritualis Aeterna – EP
2018 – Restless Dreams – LP

Left to Right: Tiny Basstank – Bass, Lucas Di Mascio – Vocals, Mick D Kiss – Guitar, Vlad Prokhorov – Drums

SHORT BIO:

Taking their name from a demon from Dante’s ‘Divine Comedy’, Malacoda’s visceral, gothic vision is indeed divine but no laughing matter.

Malacoda was originally intended to just be Lucas Di Mascio’s recording project. Inspired musically by Type O Negative, Katatonia and Paradise Lost, he wanted an outlet for his dark yet romantic musical ideas. He didn’t expect it to get as far as it has, now as 4 piece band with Vlad Prokhorov (drums), Mickey D Kiss (guitarist), Tiny Basstank (bass) in the ranks they continue to paint horrific and beautiful soundscapes. Malacoda has two albums, “Malacoda” (2014), and “Ritualis Aeterna” (2016), in their archives with a darker, more raw Silent Hill inspired concept album “Restless Dreams” set to be released in October 2018.

Full of dark atmosphere, originality and innovation, this is gothic power metal for the 21st century, intelligence and intensity to rival that of their infernal inspirations!

 

LONG BIO:

Taking their name from a demon from Dante’s ‘Divine Comedy’, Malacoda’s visceral, gothic vision is indeed divine but no laughing matter.

Having worked in the music industry for a decade and feeling less than inspired by the overabundance of local thrash and death metal, Malacoda was originally intended to just be Lucas Di Mascio’s recording project. Inspired musically by Type O Negative, Katatonia and Paradise Lost, he wanted an outlet for his dark yet romantic musical ideas. He didn’t expect it to get as far as it has, now as 4 piece band with Vlad Prokhorov (drums), Mickey D Kiss (guitarist), Tiny Basstank (bass) in the ranks they continue to paint horrific and beautiful soundscapes. Malacoda has two albums, “Malacoda” (2014), and “Ritualis Aeterna” (2016), in their archives with a darker, more raw Silent Hill inspired concept album “Restless Dreams” set to be released in October 2018.

Vocalist and composer Lucas, who studied Literature and Religion at University, explains: ‘The reason why I chose Malacoda as a band name was for a few reasons. The book, Dante’s Inferno, was a big influence on me as a teenager and young adult. It’s a very powerful piece of literature. I knew I wanted something from that book as a band name, and it’s one of the many names in the book that lent itself to interesting imagery- when you hear “Malacoda” it doesn’t sound like the name of a demon, it sounds like something more elegant and mysterious than horrifying. I wanted a powerful name that fit not only the sound of the band but also the lyrical themes I touch upon. The idea behind the band has always been to “find the beauty within horror”, and I think Malacoda suits that idea.”

Like the ‘Inferno’ that inspired their name they forge metal without limits in sonic shapes endless and horrifying in equal measure. Malacoda’s music vision shares much in common with Dante’s, they are unafraid to gaze into the abyss, unafraid to be inspired by the myriad of human horrors within and without. They are not blind to the worlds within them waiting to be born. Full of dark atmosphere, originality and innovation, this is gothic power metal for the 21st century, intelligence and intensity to rival that of their infernal inspirations!

 

What the press is saying:

“‘Penny Dreadful’ starts off this 25-minute six track EP and from the off, it feel like the influences of old Hammer Horror movies are rife across all elements of the music. Dark, foreboding and with lyrics to enjoy as well as unsettle, Malacoda have done a good job in the atmospheric storytelling department.” – Powerplay Mag UK

“These sixs track are loaded with immersive tempos, excellent guitar play and plenty of keyboard sounds. The end result reminds me of something between Dimmu Borgir, Nightfall, Moonspell and Kamelot, which obviously means that this music is epic as hell. My favorite track is ‘I Got A Letter’ but there’s a lot of gothic goodness to be found on this thing.” – Merchants of Air

“Its funny how I started listening to this EP straight after reviewing the excellent Devilment Album by Dani Filth and his cohorts , these guys would fit in perfectly with the Cradle of Filth front mans  merry band of Gothic themed demons live and would be an awesome addition to any Devilment / Cradle of Filth tour!” – The Metal Gods Meltdown

“an intoxicating blend of dark, melodic metal on this six track EP Ritualis Aeterna…25 minutes of gothic metal that is morose while melodic, as well as cinematic in terms of presentation and execution.” – Dead Rhetoric

“The result is a six song listening experience that I would simply describe as “Fucking Epic!”..Throughout Di Mascio demonstrates both an incredible vocal range as well as the ability to switch style and technique often many times throughout a single song. This cat can sing! He goes from dark guttural growls to a rich, melodic, almost operatic style on a dime. A standout track for me personally was the ballad, “Linger Here”. A simply beautiful and touching song that for some reason emotionally reminded me of Queensryche‘s “Silent Lucidity”…Ritualis Aeterna is an album that requires full on active listening. I would recommend the aforementioned quality headphones, a candlelit room and possibly a nice big glass of red wine. The complexities of the compositions will be lost if you throw this on as simply background noise and that would be a discredit to the musicianship found within. I totally look forward to seeing this band live on stage. If they can bring this to life live it will be mind blowing!” – Decibel Geek

“Ritualis Aeterna” marks the return of progressive power metal band Malacoda. Keyboard virtuoso Jonah Weingarten (Pyramaze) has joined forces with the band, adding a new potent weapon to the band’s sonic arsenal. “Ritualis Aeterna” is a mix of the band’s existing blend of melody and crunch but with an added dose of dark atmosphere. “Ritualis Aeterna” is Malacoda taking their sound to the next level. It’s much more than an evolution; it’s a rebirth.” – Progressive Music Planet

“when it comes time to create a soundtrack for the macabre, the mix of horror and rock produces some of the most entertaining and enjoyable music to ever reach my ears…The musicianship is supreme throughout…A listen to Ritualis Aeterna is a sonic journey into the horrific with the demon Malacoda as your guide.” – Glacially Musical

“This is a well executed and put together release and if you enjoy some power metal with a little extra touch of darkness to it, this EP is the one for you.” – Cadaver Garden

“The fallen angel of Symphonic and Horror Metal returns with six dark, romantic compositions that will beautifully captivate your metallic mind and heart.” – The Headbanging Moose

“Penny Dreadful kicks off with a compelling chorus and here and there light-filled doom-goth elements, lots of speed and a good dose of catchyness for such a dark track. Malacoda proves that they are far from your standard band and know how to create a unique atmosphere. ” – Wings of Death”

“Malacoda  plays an extremely interesting mix of heavy, power, gothic, black and atmospheric metal.” – Amped-Up

“beautiful EP, full of refined sounds, elegant and very atmospheric in terms of Gothic space and the symphonic and melodic arrangements that also include its Power side” – RTMB Music

“The group will satisfy fans of elegantly symphonic metal and dark colors, even if to get out of the borders of the underground would serve a wing blow, but we are satisfied and promote the Malacoda .” – Metal Eyes Iye Zine

“Malacoda aren’t just a band that excel mainly in their dark and gloomy keyboard atmospheres, as they also hit strong choruses (there are no ten minute epics here, so it’s mainly verse/chorus) in nearly every track that will actually get stuck in your head” – The Grim Tower

“Canadian gothic metallers Malacoda have further expanded their dark gothic vision by including even more literary and visual influences into their sound since their previous release.” – Don’s Metal Reviews

“dark symphonic metal with certain touches of power metal…”I Got A Letter”, maintains that mystical and dark halo, with great settings, where the bent voices acquire a greater presence, having a very catchy chorus.” – Necromance Mag

“The style of “Ritualis Aeterna” is quite unique, Malacoda have found a way to blend the styles of old school Heavy Metal mixed with some Horror tropes into the instrumentals and the use of the keys really helps to push your emotions in the direction the story is trying to make you feel. The real draw here is the vocal style of Lucas Di Mascio, the beautiful blend of haunting Power Metal vocals, almost Manson-style Industrial yells and of course the terrifying Black Metal vocals makes for a very unique experience.” – Five Magics Music

“An artistic way of expressing imaginary act. This could be a movie or a theatre act but it’s expressed as music. If you are into Type O Negative, Marylyn Manson… you may want to check them out, or if you like DARK music that touches you. – The Metal Mag

“What does this 6-track EP mean? For me, a good mix of horror, symphonic power metal, paired with dark atmosphere, originality and innovation. Really good! Add a touch of gothic romance to this mix and you’re ready for the well-seasoned midnight dinner for Helloween. ” – MetalUnderground.at

0 EPK – IOMAIR – Self-Titled (LP) (2018) (Infamous Butcher Records)

  • August 20, 2018
  • by Asher
  • · EPKs · Iomair

IOMAIR – Self-Titled (LP) (2018)

For fans of Eluveitie, Ne Obliviscaris, Tool, Coheed and Cambria, Porcupine Tree, Cynic 

Release Date: September 21, 2018

LABEL: Infamous Butcher Records

DISTRIBUTION: IDLA

Publicist – Jon Asher – ashermedia(@)gmail.com

Itunes | Infamous Butcher Records |  IDLA

Facebook | Instagram | Bandcamp | YouTube | Twitter

Iomair – Self-titled
Release Date: September 21, 2018

Label: Infamous Butcher Records
Distribution: IDLA

Track Listing:
1. Cast Away
2. By Design
3. Dance Of Eternal Insanity
4. Embodiment Of Emptiness
5. What Are You Waiting For?
6. Cavalcade for None
7. Yearning
8. Healing
9. Forever Travelling Within
Album Length:

Album Credits:

  • All songs performed by Iomair
  • All songs were written by Dylan Gowan
  • Produced by Dylan Gowan
  • Engineered by Tyler Williams at Monolithic Studios
  • Mixed by Tyler Williams at Monolithic Studios
  • Mastered by Tyler Williams at Monolithic Studios
  • Album Artwork by Marie Cher

Album Band Line Up:
Dylan Gowan – Composition, Arrangements, Drums, Vocals
Sam Astaroth – Vocals
Tyler Williams – Bass
Morgan Rider – Bass
Gabriel Bateman – Vocals
Laura C. Bates – Violin
Nathan Schiller – Guitar

Live Band Line Up:
Dylan Gowan – Drums, Vocals
Sam Astaroth – Vocals
Tyler Williams – Bass
Gabriel Bateman – Vocals
Laura C. Bates – Violin
Nathan Schiller – Guitar
Mike Amicarelli – Guitar

Discography:

Iomair – Self-Titled (2018)

SHORT BIO:

Iomair, (Scottish Gaelic for the word “Row”) is the experimental and progressive new band created by Drummer/Vocalist/Songwriter Dylan Gowan (Vesperia). The name reflects on Dylan’s Scottish/Irish ancestry and the songs are reflections of personal circumstances present in Dylan’s life.

Established in late 2017 in Scarborough, Ontario, Canada, with the desire to create something progressive and unorthodox, Iomair draws influences from all genres including metal, folk, latin and funk and especially from bands such as Opeth, Cynic and Porcupine Tree. As the primary composer and songwriter for the band, Dylan approaches topics relating to personal struggles that everyone can relate to. “I hope people will find comfort in these songs knowing that you’re not alone with your struggles.”  

The debut self-titled album features nine songs ranging from 4 and a half to 7 minutes in true prog fashion. It will be available September 21, 2018 via Infamous Butcher Records.

LONG BIO:

Iomair, (Scottish Gaelic for the word “Row”) is the experimental and progressive new band created by Drummer/Vocalist/Songwriter Dylan Gowan (Vesperia). The name reflects on Dylan’s Scottish/Irish ancestry and the songs are reflections of personal circumstances present in Dylan’s life.

Established in late 2017 in Scarborough , Ontario, Canada, with the desire to create something progressive and unorthodox, Iomair draws influences from all genres including metal, folk, latin and funk and especially from bands such as Opeth, Cynic and Porcupine Tree. As the primary composer and songwriter for the band, Dylan approaches topics relating to personal struggles that everyone can relate to. “I hope people will find comfort in these songs knowing that you’re not alone with your struggles.”  

After bringing together a who’s who of the Toronto Metal scene to form the recording and live line-ups, each member was given an opportunity to influence the music further. “They each provide their own ideas and interpretation of those songs and helped take the songs to places I thought were impossible.” Dylan explains. This roster of talented and seasoned musicians: Sam Astaroth (vocals), Gabriel Bateman (vocals), Laura C. Bates (violin), Tyler Williams (bass), Mike Amicarelli (guitar), Nathan Schiller (guitar), each with clout in the local music community, have continued to develop the melodic and emotional soundscape depicting the trials of life.

The debut self-titled album features nine songs ranging from 4 and a half to 7 minutes in true prog fashion. It will be available September 21, 2018 via Infamous Butcher Records.

Band Facts:

Dylan is a career drummer who plays live with Vesperia, Hallows Die, Moonlight Desires, Birds of Bellwoods (session drummer).
Co-vocalist Sam Astaroth is well known from his own Toronto-based Metal Supergroup, Astaroth Incarnate.
Violinist Laura C Bates is well known as a co-founder of the band Völur, a doom metal staple of the Toronto scene.

Shared The Stage with:

Protokult, Cellar Darling

Highlights:

Debuted at #45 on the iTunes Metal Chart and peaked at #28

Endorsements:

Dylan Gowan with Murat Diril Cymbals, Los Cabos Drumsticks

0 North Of South – New Latitudes (LP) (2018)

  • August 16, 2018
  • by Asher
  • · EPKs · North Of South

North Of South – New Latitudes (2018)

For fans of Amorphis, Opeth, Novembre, Haken, Evergrey

Release Date: September 28, 2018
Label and Distribution: Rockshots Records

Publicist – Jon Asher – ashermedia(@)gmail.com

www.northofsouth.com (EN) | www.northofsouth.es (EU)

Itunes | Spotify | Rockshots Records Store

Facebook | Instagram | Soundcloud | Bandcamp | YouTube

Release Date: September 28, 2018
Label and Distribution: Rockshots Records

Track Listing:
1. The Human Equation
2. Nobody Knows
3. Balanced Paradox
4. Before We Die
5. Crystal Waters
6. There’s No Glamour In Death
7. Time Will Tell
8. Faith Is Not Hope
9. Montreux

Album Credits

  • María G. Beberide (Backing Vocals on “The Human Equation”, “Nobody Knows” and “Balanced Paradox”)
  • All music and lyrics written by Chechu Gómez
  • Produced by Zoilo Unreal & Chechu Gómez
  • Engineered, mixed and mastered by Zoilo Unreal
  • “New Latitudes” was composed in León, Spain (the very real North of South) and recorded at Zoilo Unreal Studios (Marín, Pontevedra, Spain)
  • Artwork by José Luis González Macías

Live Line-Up
Chechu Gómez (Guitar, Bass, Keyboards and Synths, Vocals & Drum Programming)

Discography
*DEBUT – New Latitudes (LP) (2018)

L-R – Chechu Nos (Guitar and Vocals)

 

SHORT BIO

Spain’s North of South brings to the table a hard to classify metal that could be labeled as Progressive Metal with Jazz, Death, Pop and Latin influences. Founded by guitarist Chechu Gómez (aka “Chechu Nos”), this project is the result of blending and amalgamating completely different elements and influences, such as At The Gates’ melodic punch, Carlos Santana’s Hispanic sounds, Opeth’s compositional deepness, The Police’s rich substrate-Pop, Anathema’s emotional power and Kate Bush’s chameleonic diversity.

Refusing to conform to genre standards and with a passion for his homeland, the first album “New Latitudes” will be released on September 28, 2018, adding an innovative, Mediterranean, and emotional dimension to the metal genre.

 LONG BIO

Spain’s North of South brings to the table a hard to classify metal that could be labeled as Progressive Metal with Jazz, Death, Pop and Latin influences. Founded by guitarist Chechu Gómez (aka “Chechu Nos”), this project is the result of blending and amalgamating completely different elements and influences, such as At The Gates’ melodic punch, Carlos Santana’s Hispanic sounds, Opeth’s compositional deepness, The Police’s rich substrate-Pop, Anathema’s emotional power and Kate Bush’s chameleonic diversity.

Similarly, the literary influence of authors such as Jorge Luis Borges, Orson Scott Card and William Shakespeare can be found in the songs of debut album “New Latitudes”, that, conceptually, gravitates around esoteric subjects like the enigma of time, the human condition, it’s challenges, and our own personal contradictions.

A longtime metal fan and guitar player, Chehu awaited his moment to begin writing his own songs and in 2017, that dream took flight. Situated in the captivating city of  León, Spain, the geographical location influenced Chechu’s decision on his project’s name:  “It makes reference to my city and my country. León is located in the north of Spain (from my country’s perspective) but in the south of Europe (from the continent’s perspective). In some way, the same interpretation is valid from a planetarian perspective as Spain is, more or less, in between what is considered the first and the third world.”

He goes on to explain the unique soundscape that can be found in his  music:

“The most important meaning [of the name] is the metaphorical one: the convergence of different cultures, the contrast of heaviness and melody, the mixing of different musical genres and, finally, the addition of southern/Mediterranean/latin sounds to Metal. You have the solid, hard, metallic element (North) blended with the warm, melodic, groovy ingredient (South).”

Refusing to conform to genre standards and with a passion for his homeland, the first album “New Latitudes” will be released on September 28, 2018, adding an innovative, Mediterranean, and emotional dimension to the metal genre.

CDs and digital downloads available on Rockshots Records, iTunes, and Spotify.

0 EPK – Striker – Play To Win (2018) (Record Breaking Records)

  • August 13, 2018
  • by Asher
  • · EPKs · Striker

Striker – Play To Win (2018) (Record Breaking Records)

Release Date: October 26, 2018

LABEL: Record Breaking Records

DISTRIBUTION: CD Baby

For Fans of Iron Maiden, Judas Priest, Enforcer, Skullfist, Steelwing

PR Rep – Jon Asher – ashermedia(@)gmail.com

Striker-Metal.com | Facebook | Twitter | Youtube | Instagram | Soundcloud

iTunes | Big Cartel | CD Baby

Download High Res Photo | Download High Res Album Cover

STRIKER 2019 North American Tour Dates
w/ Death Angel
May 14 – Oklahoma City, OK – 89th St
May 15 – Lubbock, TX – Jakes
May 16 – Albuquerque, NM – Launchpad
May 17 – Phoenix, AZ – Club Red
May 18 – Los Angeles, CA – Whiskey
May 19 – San Francisco, CA – DNA Lounge
Striker only dates
May 25 – Calgary, AB – Border Crossing – East Town Get Down Festival w/ Anvil, and many others
June 9 – Sault Ste. Marie, ON – Soo Blaster
June 10 – Sudbury, ON – The Asylum
June 11 – Ottawa, ON – Mavericks
w/ Steel Panther
June 14 – Barrie, ON – Mavericks Music Hall
June 15 – London, ON – London Music Hall
June 17 – Thunder Bay, ON – NV Nightclub
June 18 – Winnipeg, MB – Burton Cummings Theatre
June 20 – Saskatoon, SK – Coors Event Centre
June 21 – Medicine Hat, AB – The Cypress Centre
June 23 – Edmonton, AB – Union Hall
June 25 – Grand Prairie, AB – Bowes Event Centre
Striker Headlining Dates
July 2 – Kelowna, BC – Muninn’s Post *with Lost Nebula
July 3 – Vancouver, BC – Astoria *with Lost Nebula
July 5 – Seattle, WA – El Corazon *with Neck of the Woods
July 6 – Portland, OR – High Water Mark  *with Neck of the Woods
July 7 – Eugene, OR – Old Nicks  *with Neck of the Woods
w/ Holy Grail, Bewitcher
July 12 – Phoenix, AZ – Club Red
July 13 – El Paso, TX – The San Carlos Building
July 14 – Austin, TX – Come And Take It Live
July 15 – Dallas, TX – Gas Monkey Bar & Grill
July 16 – Houston, TX – White Oak
July 18 – Orlando, FL – Soundbar
July 19 – Atlanta, GA – Drunken Unicorn
July 20 – Asheville, NC – Mothlight
July 21 – Richmond, VA – The Camel
July 23 – Philadelphia, PA – Kung Fu Necktie
July 24 – Brooklyn, NY – Saint Vitus
July 25 – Boston, MA – Once
July 26 – Montreal, QC – Turbo Haus
July 27 – Toronto, ON – Velvet Underground
July 28 – Detroit, MI – Small’s
July 29 – Chicago, IL – Reggies
July 31 – Denver, CO – Streets Of London
August 1 – Salt Lake City, UT – Metro
August 2 – Las Vegas, NV – Counts Vamp’d
August 3 – San Diego, CA – Brick By Brick
August 4 – Los Angeles, CA – Resident

“Play to Win, which might be their most balanced effort yet. It’s their most catchy, too: the likelihood you’ll be singing along with every song before they finish is very, very high.” – Metal Sucks

“expertly combined killer arena rock choruses with well-done, cleaner verses.” – Metal Injection

“Six albums in six years. That is something almost unheard of, even in the modern era of production that considerably lessens the time needed to record and mix albums. Striker always seems to provide a new album right around when I start to wonder, “Hey, I wonder what Striker is up to?”. PLAY TO WIN is the band’s 6th LP and to my ears, one of their best. Rest assured, the band has not altered their sound. This is still classic metal, mixed with modern elements that continues to leave all pretenders in a cloud of choking dust.” – Metal Rules

“You can hear influences ranging from Dokken to Metallica on Play to Win, and it’s all done with masterful songwriting, performances and production. This is a slick, aggressively-mixed record that drips with excitement and replayability… Striker have produced their best record since City of Gold, and all fans of straight-up hard rock and metal need to own this album.” – Heavy Music HQ

“Striker have knocked this one out of the park and into the stratosphere. You’d be hard-pressed to find a catchier slice of fine cheddar this year, and I’d highly recommend it.” – New Noise Mag

“STRIKER have done it again. They hath given unto thee one monster of a metal album that simply begs to be put on REPEAT.” – Amps And Green Screens   

““Catchy choruses, well-crafted riffs and squealing solos are woven throughout… Play to Win is another solid effort from Striker.” – The Metal Crypt

“Each track is overflowing with riffs and hooks that captivate the listener. Each track stands strong enough on its own, but together create a strong contender for another Juno nomination. This is not an album you should overlook.” – Hellbound

“If you like 80’s rock with big guitars, or metal that’s fun in general, check out Striker and crank it up. You won’t regret it, I promise.” – Diary of A Music Addict

“Blending the music by Iron Maiden with Motley Crüe, Stratovarius and Van Halen, which in the end resulted in sheer awesomeness, Striker offer us the thrilling On The Run, showcasing a brilliant vocal performance by Dan while William keeps extracting that metallic sound we all love form his bass, whereas The Front is another classic song by Striker, also feeling as it was taken from an 80’s Hair Metal album…Striker are a band that keeps winning no matter what with each and every release and the flame of Canadian metal will remain alive and vibrant while we have those skillful metalheads from Edmonton among us, always playing to win. ” – The Headbanging Moose

“Striker gush with so much enthusiasm here, with explosive riffs swirling between the vibrant harmonies and choruses, that it’s hard not to notice…Tracks like “Former Glory” and “Born to Lose” are anthemic, catchy as hell and feature soaring vocals from Dan Cleary and terrific guitar work by Tim Brown…On Striker, the band take a host of influences and hone them into a sound they can call their own.” – Exclaim!

“From the first storm-summoning power chord on the opener Former Glory, Striker (CAN) proves their new album’s initial claim of not dwelling on the past, a high and appropriate cry of “Yeah, I’m back again!”… If you haven’t witnessed this inspiring resurrection of classic metal, the band plays Friday, April 14 at Starlite with Ravenous and Tylor Dory Trio, no doubt sharpened from the faithful overseas audiences.” – Edmonton Journal 
 
“When a band releases an eponymous album it’s a statement of intent, a sign of confidence, everything being as it should be. For make no mistake, Striker are a special band. As the old Metal Gods ascend to Valhalla, new gods will arise. This is Striker’s fifth album and it’s just timeless. Not retro, not looking back, but taking everything that’s uplifting and glorious about heavy metal into 2017 and beyond…this album has to be in every writer and fan’s top ten at the end of 2017.” – Hellbound

“A less balls out, more aggressive record than its predecessor, STRIKER delivers another impressive collection of high energy headbangers….Regardless of what your heavy metal predilections may be, STRIKER offers something for everyone. Super catchy tunes dripping with shred gymnastics and all around technical prowess, Striker deserves a place on any metal fan’s playlist….If you have not experienced Striker yet, this album is a worthy place to start and should appeal to a wide range of fans, particularly followers of the Priest, Anthrax and Maiden.” – Metal Rules

2019 Canadian Loud Charts: Striker – Play To Win
Highlight #11 – National Loud Top 20 of 2018 – (Earshot)
Highlight: #2 – December 2018 – National Top 20 Loud Chart (Earshot)
Highlight #167 on Top 200 – November 2018  – The National Chart (Earshot)
Highlight: #12 – October 2018 – National Top 20 Loud Chart (Earshot)

Track Listing:
1. Heart of Lies (4:04)
2. Position of Power (3:40)
3. Head of Power (4:02)
4. On The Run (3:51)
5. The Front (4:02)
6. Play To Win (3:48)
7. Standing Alone (4:56)
8. Summoner (4:04)
9. Heavy Is The Heart (4:54)
10. Hands of Time (3:46)
Album Length: 41:11

Album Credits:
• All songs performed by Striker
• All songs written by Striker
• Produced by Striker
• Mixed and Mastered by Hendrik Udd at Udd Recording Studios
• Gang Vocals: Lindsay Robinson, John Kennedy, Nathan Schadeck
• Gang Vocals Recorded at The Audio Department
• Guitar, Bass and Vocals Recorded by Dan Cleary at RBR Studios
• Drums Recorded and Performed by Randy Black
• Available on: http://www.striker-metal.com, cdbaby, and all major digital distributors
• Cover Artwork by Elvis Amaral (HipnoFX Audiovisual)

Album Recording Line Up:
Vocals – Dan Cleary
Guitar – Tim Brown
Guitar – Chris Segger
Bass – William Wallace
Drums – Randy Black

Live Line Up:
Vocals – Dan Cleary
Guitar – Tim Brown
Guitar – Chris Segger
Bass – William Wallace
Drums – Adam Brown

Photo Credit: Dana Zuk

Champions in blending classic heavy metal, hard rock, and 80’s hair metal, Canadian shredders STRIKER announce they will be unleashing their sixth studio album “Play To Win” on October 26th via their independent label Record Breaking Records. Revealing their artwork and track listing, the album features 10 fist pounding shredtacular anthems produced by the band plus mixed and mastered by Hendrik Udd (Firewind, Powerwolf, Hammerfall, Delain). The album follows their 2017 self-titled full length that the band supported with tours across Europe and North America with Sonata Arctica, Dark Tranquility, and Warbringer along with festival appearances at 70,000 Tons of Metal, Bang Your Head Festival (Germany) and more to add to their almost 1000 shows performed in their decade plus career. That fifth studio album also garnered them a nomination from Canada’s JUNO awards, the country’s highest music prize, along with wins at the Edmonton Music Awards and Western Canadian Awards.

In support of the release of “Play To Win”, STRIKER are launching a crowd funding campaign along with album pre-order via their official website www.striker-metal.com/shop beginning August 9th.

 

Guitarist Tim Brown comments: 

“Play to Win: if you want to win you have to play the game. Find the rules and break them. This is our 6th album and 3rd independent release. If we followed the rules and listened to the industry people we’d have gone absolutely nowhere. Play To Win is about listening to yourself, following your own path, and playing that 5th ace hidden in your sleeve. This album is designed to light a fire under your ass and get you moving, and we made sure to get the most modern, ear melting sounds possible. It’s all about where metal is going, not where it has been, and this is our soundtrack to success.”

 

CDs and digital downloads available on Striker-Metal.com, iTunes, Amazon, Spotify and CD Baby.

 

2017 Canadian Loud Charts:

Highlight: #4 – The National Loud Top 20 for 2017 (Earshot)

Highlight: #8 – April 2017 – National Top 20 Loud Chart (Earshot)

Highlight: #1 – March 2017 – National Top 20 Loud Chart (Earshot)

Highlight: #1 – February 2017 – National Top 20 Loud Chart (Earshot)

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