Tales of The Tomb – Volume Two : Mendacium (2019) (EP)
For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Blood Red Throne, Psychological Horror Metal / Death Metal / Murder Metal
Release Date: September 27, 2019
“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine
“Volume Two: Mendacium is a non-stop frosty riff fest, delivered on a moose-poutine platter of awesome production thanks to the Canucks over at The Grid. Slapshot your wallets & pick up this death metal gem on September 27.” – TrveNorthReviews
“The EP runs as a mix of fast and mid paced parts to present mosh worth tracks for the pit and notable swing your head around in circles anthems such as Nine Eleven, which is probably my favourite track. The last song on the EP ‘Mermaid in a Manhole’ was an excellent close to to Volume Two and was my next favourite song. All in all, it’s ideal for swinging the head around, roaring, and dripping sweat on to the floor.” – Mosh Nerd Republic
“A beyond stellar composition of subtle but well-structured and musically destructive passages.” – Metal Trenches
“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider
“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review
“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review
Prairie Finalist for Wacken Metal Battle Canada 2016
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
Album Length: 23:44
Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)
Photo Credit – Kylee Thompson Photography
Every town has stories to caution or warn, every police officer has a seen a crime that keeps them awake at night, and every coroner has seen death in ways that the rest of us could never imagine. Murder, conspiracy, supernatural horror, and real-life terror are stains on the cutting room floor where Edmonton-based group Tales of The Tomb paints their canvas.
Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music.
Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (Guitar, Vocals) out of inspiration from the original murder metal band Macabre.
Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.
A sonic attack layered with grinding blast beats, injected with menacing guttural lows — a sound straight from hell with gore-filled lyrics leaving little to the imagination, destroying your ear drums like a corpse is erased in an acid-filled bath.
The band has their eyes poised to victimize their audiences anywhere they can reach. Their debut album Volume One: Morpras EP was released November 27, 2015. The concept album centered around murder and heinous crimes was mixed and mastered by Euro-death metal master Dan Swano (ex-Bloodbath, Unisound) and is just the first of many more sonic crimes to come from Tales of The Tomb.
Their next release, slated for September 27, 2019, is a collection of narratives surrounding government cover-ups, national lies and the heinous crimes committed amongst the shadows. Mixed and mastered by Cryptopsy guitar player and Head Engineer/Owner at The Grid Studios Christian Donaldson. The EP also contains a bonus track about the Japanese horror film Mermaid in a Manhole. Featuring artwork by Tony Midi of Tonymidi Artworks.