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Category: Red Cain

0 Canada’s RED CAIN Unveils New Video “We Are Chaos” Off New Album “NÄE’BLISS” Out April 2023

  • February 15, 2023
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC- February 15, 2023

 

Canada’s RED CAIN Unveils New Video “We Are Chaos” Off New Album “NÄE’BLISS” Out April 2023

L-R – Taylor Gibson (drums), Kalie Yan (bass, vocals), Evgeniy Zayarny (vocals), Samuel Ridout (guitar)

Photo Credit Zak Kelly

During these past few months, Calgary, Canada’s fantasy metal Red Cain has surfaced two singles “Fisher King” and “Blight” and are now ready to share their next “We Are Chaos” with all of them and future tracks to be featured on their forthcoming album entitled “NÄE’BLISS” due out on April 28th. Their third full-length album “NÄE’BLISS” is a homage to the legendary world of Robert Jordan’s fantasy epic “The Wheel of Time” (novel/TV series). With a grimdark edge, down-tuned guitars, death and power prog metal influences, and an unrelenting march forward, “NÄE’BLISS” is a foray into the reverse side of the Wheel of Time story – that of the Forsaken, antagonists, instruments of the Great Lord of the Dark, and the brutal and captivating allure of letting Chaos reign supreme.

The band explains further:

“We are fascinated by antagonists, why they stand against the “common good”, and how they came to fill that role – and when reading the Wheel of Time, there was the same intrigue behind how the very clearly defined “evil” faction in this world justified its existence. Why did the Forsaken willingly join the Shadow? Why do some men and women want the world to burn, and the Wheel to stop spinning? Within such a carefully crafted narrative and beautifully balanced universe, there were puzzling, unexplored gaps that we were determined to delve deeper into.

And of course, fantasy is but a mirror of reality – so outside WoT lore, these questions apply equally well to the world beyond our window. Which of our idols are false, which heroes degenerate, and what history is a compendium of careful lies? It is all too easy to raise your fist against those labeled evil by the multitudes or a voice above while failing to realize you yourself are the instrument of tyranny and corruption.

We are all massive fantasy fans, and for us, Wheel of Time rubs shoulders with LOTR as a genre-defining epic fantasy series that started it all. The world of the Wheel is a brutal, compelling world with multitudes of fascinating characters, and we were particularly interested in exploring its more visceral aspects – an area that begs to be paired with heavy metal. We’ve seen some of our musical icons, like Blind Guardian, successfully go down this path, and it was magnificent to see new musical interpretations of those stories spun out by them – not to mention some bloody good fun.

Now, it is our turn to ride forward in another turn of the Wheel. Enjoy!”

Continuing the experimental nature of the previous single “Blight”, “We Are Chaos” plants its flag firmly in death metal territory, with vocalists Evgeniy Zayarny and Kalie Yan trading off growls amid heavy, groove-laden riffs, backlit by the usual eerie soundscapes, and Samuel Ridout’s staccato guitar work. A plunge into the nature of chaos, promises broken, and a bond that threatens mutual destruction, “We Are Chaos” is very much a new iteration of the core Red Cain sound, and an emphatic musical and visual statement en route to the upcoming album release.

The band adds about the new single:

“Ruminations on chaos. Four rebellious souls plotting against a tyrant. An occult ceremony. A secret waiting to be torn open. Red Cain’s new single + music video “We Are Chaos” brings us back into the universe of the Wheel of Time, into the lair of the Forsaken – the Chosen, as they see themselves – in their resistance to the unending turning of the Wheel.

Under the leadership of the enigmatic Moridin, irreversibly tied to their enemy, the Dragon Reborn, Sammael, Demandred, and Semirhage are the bulwark against the rising tide of the Dragon and his followers, and the decaying status quo that his ascension brings.”

“We Are Chaos” was mastered by Alan Sascha Laskow (Every Hour Kills, ex-Divinity) and mixed by Tyler Corbett, (Sole Audio).

Watch and listen to the music video via its premiere on MetalInsider HERE.

Red Cain is recommended for fans of Kamelot, Symphony X, Myrath, Powerwolf, Mastodon, and The Contortionist.

Red Cain, from Calgary, Canada is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning music videos and concept albums “Kindred: Act I” and “Kindred: Act II”. Red Cain’s first two full albums conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with forthcoming releases.

Red Cain is:
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

For more info: Redcain.ca | Facebook.com/redcainofficial | Instagram.com/redcainarmy | Redcain.bandcamp.com | Spotify

– 30 –

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal. With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage. I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 EPK – Red Cain – Blight (single) (2023)

  • February 6, 2023
  • by Asher
  • · EPKs · Red Cain

EPK – Red Cain – Blight (single) (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Kamelot, Mastodon, Powerwolf, Lord of the Lost, Tesseract

Single Title: Blight
Release Date: Jan 17, 2023
Label: Independent
Distribution: Digital

RedCain.ca | Redcain.bandcamp.com | Facebook.com/redcainofficial | Instagram.com/redcainarmy |  YouTube

Spotify | Apple Music | Amazon

Calgary, Canada’s fantasy prog power metal Red Cain is kicking off the beginning of 2023 with their next The Wheel of Time (novel/TV series) inspired single entitled “Blight” that continues the storyline from their previous single “The Fisher King” released this past November.

An epic and progressive track, “Blight” shreds fans into another voyage of storytelling, vocalist Evgeniy Zayarny explains further:

“Blight is defined as an organic contagion that damages, destroys, or corrupts. In the Wheel of Time universe, where the Dark One touches the world, uncontrolled and aberrant growth sprouts and covers the land, home to malign flora and monstrous fauna. With this track, we moved the needle firmly into the progressive part of our prog power style, delivering an atmospheric, chilling, and dynamic performance meant to mimic the unstoppable advancement of the Blight over the land. Is the Blight a disease or a majestic triumph of organic life without limits? With this Tesseract, Ihsahn, and Insomnium-influenced track, we explore this idea.
​
The concept of “Blight” came out of a question – what is the ideal state in the evolution of organic life? Influenced by authors like Stanislaw Lem and Adrian Tchaikovsky, this has long been a theme in science fiction and is becoming relevant in the modern era. The Blight also plays a key role within the Wheel of Time universe, and the concept sets the stage for a musical exploration from our end where another evolution to our sound likewise takes root.”

“Blight” was mastered by Alan Sascha Laskow (Every Hour Kills, ex-Divinity) and mixed by Tyler Corbett, (Sole Audio).

Single Recording Credits:
• All songs performed by: Red Cain
• All songs written by: Red Cain
• Produced by: Red Cain
• Mixed by: Tyler Corbett
• Mastered by: Alan Sacha Laskow
• Album Artwork by: Red Cain
• Member of SOCAN
• Canadian Content (MAPL)

Recording and Live Band Lineup:
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

Sing

===================================================

“Conceptually, “Fisher King” takes place in the universe of the legendary Wheel of Time fantasy series. It is the throw of the gauntlet by the Dragon Reborn, the Champion of the Light in his prime – a showcase of the kind of monumental inertia that brooks no opposition. Unsettling, bombastic, and unrelenting, this track showcases a musical and lyrical contest of wills between the “Chosen One” archetype, and his antithetical, flawed, yet lethal opponent caught in his unrelenting march.

The concept of the Fisher King comes from Arthurian legend, telling the story of a wounded king unable to act as the protector of his lands, spending his time fishing in a pond, leading to them falling into ruin. The epic and forthright style of this track belies the lyrical theme of self-annihilation and corruption that can take root in those who are raised to be heroes or saviours. Our protagonist, Rand al’Thor, is a monumental force of destruction, inevitable, standing for all that is Good. But this destruction is also within himself – the vessel of the Light can be consumed by that same Light from within – and is personified by his antagonist, the Chosen One of the Shadow. This track is a study of two men, both on a collision course with each other, both doomed and aware of their fate, locked in a mortal conflict that sees no end and spans eons.

“Fisher King”, was written in its original form over 10 years ago, long before Red Cain’s existence as a band – so it was an extremely cool experience to go back to this old track, rewrite, and revitalize it to fit our sound. Much like our upcoming album, “Fisher King” keeps the quintessential Red Cain “melancholy and rage” but takes the death metal influences from “Kindred: Act II” even further, featuring a huge growl-centric chorus, a variety of down tuned, sludgy riffs, and gripping, raw vocal hooks and melodies.” – Red Cain

[Download Single Cover | Download Single Lyrics]

Single Title: Fisher King
Release Date: Nov. 9, 2022
Label: Independent
Distribution: Digital

Track Listing:
1. Fisher King – (5:37)

Single Recording Credits:
• All songs performed by: Red Cain
• All songs written by: Red Cain
• Produced by: Red Cain
• Mixed by: Tyler Corbett
• Mastered by: Alan Sacha Laskow
• Album Artwork by: Red Cain
• Member of SOCAN
• Canadian Content (MAPL)

Recording and Live Band Lineup:
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

===============================================

STORY ANGLES / FUN FACTS:

1. Evgeniy, the frontman, is of joint Russian/Ukrainian descent and was exposed to Slavic paganism from a young age, gaining insight into old ceremonies and spoken word myths, as well as the vast and strange body of Slavic folklore. A lot of these experiences and his love for myth and the exploration of the occult come through in the lyrics and concepts of Red Cain’s music.

2. Red Cain’s first two full albums, “Kindred: Act I” and “Kindred: Act II” conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content.

3. The band members feel strongly in favour of experimentation, whether with genres, resulting in much of the material sitting across multiple genres, not all related to metal; visual elements, with striking and inventive story-based music videos a particular focus; or art and concepts, many of which relate to the clash between the ancient and modern, with more recent material zeroing in on a futuristic design and musical style.

4. Red Cain’s story music videos for “ZERO” and “Juliet” have cumulatively earned the band 17+ international film festival awards, including wins at major festivals such as IndieX FilmFest, Global Shorts, LA Film & Script Festival, Cannes Indies Cinema Awards, and finalist with Toronto Indie Filmmakers Festival, Tokyo International Short Film Festival, and New York Tri-State International Film Festival. The band is currently planning its next feature music video to follow these two successes.

L to R: Samuel Ridout (guitar), Tyler Corbett (guitar), Evgeniy Zayarny (vocals), Kalie Yan (bass, vocals), Taylor Gibson (drums)

Melancholy and Rage

Born out of the vast prairies and snowy peaks of Alberta, Canada, Red Cain is a modern progressive metal project with Eastern European roots. With intricate songwriting, powerful vocals, eerie soundscapes, and strong electronic-backed groove, Red Cain champion a fluid, dynamic, and unique style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience. Described by frontman Evgeniy Zayarny as a vehicle of “Melancholy and Rage”, Red Cain delivers power, flair, thematic Slavic influence, and intricate, lethal edge in their work. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Lord of the Lost, whipped into a venomous new shape. The current incarnation of this Canadian metal band is of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.

Red Cain self-released its debut self-titled EP in North America in 2016 to excellent reviews, and followed this up with two award-winning full-length albums, “Kindred: Act I” in 2019, and AFA-funded “Kindred: Act II” in 2021, working with Sliptrick Records globally to have over 3500+ physical copies sold, as well as over 200,000 digital streams to date. The band has hit #1 on the Canadian National Loud Charts on multiple occasions and is a 1x winner and 3x nominee for the Metal Recording of the Year at the YYC Music Awards.

The band has created 13 videos, of which 2 are full-length, high-production music videos for “ZERO” and “Juliet”. The latter two videos have won 17 awards at international music festivals, including the Berlin Short Film Festival, Venice Shorts, Global Shorts, IndieX FilmFesti, AIFF, and Hollywood Art & Movie Awards, among others. The band has a strong history of collaboration, with a highlight being our work with Juno Award-winning vocalist Kobra Paige of heavy metal band Kobra and the Lotus, on the track “Wing of the Crow”.

Red Cain released our latest album “Kindred: Act II” globally with Sliptrick Records in 2021, with a particular focus on promotion and engagement in the United States and Eastern Europe, where the band has received significant traction in 2020-21. With live performances stunted by COVID, the band has focused strongly on building out the concept behind the two-album “Kindred” arc with non-musical collateral, creating story content and custom art for the album concept.

With a significant upward trend of fan interest for this release, and 100,000 + digital streams, Red Cain has our set sights firmly set on another ambitious and conceptually exciting project, with the next release cycle coming in 2023.

Red Cain is:
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal.  With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage.  I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

“Songs alternate between melodic and more progressive portions in fine fashion. There is also a heroic aspect to the band that assures that they have some variety and also ties them to power metal. The entire affair is uplifting and does a good job getting the listener entranced in the music… a fun album and a very nice way to start the year off. It will also appeal to fans of bands from a number of different sub-genres.” – Heavy Music Headquarters

“the crew here found yet another gem from Red Cain, one filled with cosmic terrors this time. Kindred: Act II provides us with an additional slice of that delicious metal geekery that this band is capable of. A record that makes complexity sound easy, even casual. And that’s a feat not many bands master these days anymore.” – Rock Music Raider

“RED CAIN keep us on our toes right down to the final track Sunshine (Blood Sun Empire). There is a mixture of all sorts going on but again, it flows together seamlessly. It’s complex yet memorable. I knew logically this was the last track of the album but I feel this story is not over yet. Will there be Act III to follow in the next year or so? Who knows, I personally hope there is. Kindred:  Act II was a great introduction to RED CAIN and their sound. From listening to this, it’s easy to see why they have been nominated for awards. I look forward to see how their sound grows and develops from now.” – Rock Out Stand Out

“One of the best aspects, despite the fact that this is prog, is that the music is very easy to get into and enjoy. It is often midtempo, headbobbing music as a general style, and that makes things exceedingly easy for fans in general that prefer normal, song-friendly speeds…  the real big reason to listen is the melodic singing. It makes this listener really curious to find out if the singing can be this good in the live concert. Is this voice for real?! It sounds so good, and strong, and also melodic. It is the thing that takes the band over the top in terms of music and of catching the interest of potential fans. There is an elegance and style to the singing that makes the songwriting attractive and pulls you in to check out more of the music.” – Metal Bulletin Zine

“Kindred: Act II is a solid offering. It straddles a number of different styles and influences without committing 100% to any of them… any metalhead with a taste for the dramatic should find something rewarding in here.” – The Independent Voice

“I think Red Cain took the right chances and put forward an interesting release that will challenge the listeners to catch everything they’ve put into making this album. It’s definitely not a one listen and you’ve got it album. It is a listen multiple times to catch what you missed each time before type of album. Give this one a chance and see if you don’t love it yourself.” – Yesterdaze News

“an atmosphere between anger and melancholy are exactly what the band is all about. “KINDRED: ACT II” is definitely a really strong album and one only regrets that it ends so early. But as the saying goes : Quality is more important than quantity!” – Metal-Heads.de

“This new album is opened by KINDRED, a brilliant tune with different influences, from power/prog to electro-rock. It’s enriched by an interesting solo, a well-groomed production and cinematic mood.” – HardRockHeavyMetal

“a strong progressive mix and very melodic power metal, they are a band of experienced musicians who give us a well-defined, real album with these seven tracks, for lovers of this genre it will be more than good and unique.” – Darkzen Dragon Metal Angels

“The album kicks off with a couple of brilliantly technical and melodic tracks – ‘Kindred’, is heavy and showcases the skillset these guys have at their disposal in true Progressive style. ‘Demons’ is a much more catchy hook-based track, although no less technically capable, but with catchy riffs, melodies and enough commercial bent to pull in a new listener – whilst still playing to that vocal ambidextrousness with a couple of lines that wouldn’t sound amiss on a Marilyn Manson album. And then the album switches style and becomes haunting, moody and totally surprising with the falsetto introduction to ‘Precipice Of Man’, which fools you into thinking it’s a power ballad before belting you around the head with one of the heaviest bass sounds I have heard in a while and a much more extreme vocal sound. These kind of body swerves just keep coming, and are what makes this album such a refreshing change.” – Ever Metal

“Concluding this album is the pure Power Metal entity known as ‘Sunshine (Blood Sun Empire)’. This proves to be an enjoyable ad worthy finale for what has been a brilliant album. ‘Kindred: Act II’ doesn’t include a single bad song and advertises the talent of Red Cain excellently.” – AC Rock Reviews

======

“What we have here is a two headed beast of sad and melancholy music on one side and angry and raging music on the other. The two combine somewhere in the middle with flair for the dramatic and impassioned vocals. This is definitely worth your time if you are looking for something off the beaten path.” – Metal Temple (Kindred Act I Review)

“Red Cain’s first full-length act is a more than solid release that I can warmly recommend if you enjoy the likes of Kamelot, TesseracT and Blind Guardian or just enjoy some good old thinking man’s metal music in general. With a charismatic frontman, well thought out and varied songwriting and a healthy dose of power and energy, Red Cain is a up and coming Canadian act that I’ll sure be keeping my eye on!” – Belgian Metal Shredder (Kindred Act I Review)

“Kindred: Act I is all about raw and unbridled metal power. A thoughtful brand of metal that – for once – does not base itself on mindless growling about the stage along normal lines of metal conduct. Instead they rip the established status quo to pieces and attack with a very unusual metal dish. One that comes with a distinct groove to boot… a very tasty fusion of Progressive and Power Metal that we have rarely seen to date. A metal dish best consumed red-hot. Have some, you will not regret it.” – Rock Music Raider (Kindred Act I Review)

“Symphonic progressive metal with alternative and gothic nuances – Red Cain are well on their way to establishing new territory in story telling and musical match-ups. Kindred: Act Irepresents a fine opening album for these Canadians, and should lend itself well to various multi-media opportunities for live show and film options. The best records connect on a mind, body, and spirit level – and this will be one that should be in the conversation for visionary, forward-thinking effort, proving the ink is not dry on what metal can bring to the table for innovation.” – Dead Rhetoric (Kindred Act I Review)

“I couldn’t be more impressed with this band and album from the opening track “Snake Bouquet” to the last track “Wing Of The Crow” which is an awesome closing track with guest vocals from Kobra Paige of Kobra and The Lotus. This album takes you on an epic and melodic journey, I feel fans of bands from Avatar to Kamelot to Marilyn Manson and anything in between will really love this album.” – Crannk (Kindred Act I Review)

“Red Cain have produced a very awesome album. It sounds and looks very professional, has great riffs and epic melodies. Keep an eye on these guys, they will come very far.” – Lyrical Spell Magazine (Kindred Act I Review)

0 Canada’s RED CAIN Delivers A Progressive Vector of Infection With New Single “Blight”

  • January 17, 2023
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC- January 17, 2023

 

Canada’s RED CAIN Delivers A Progressive Vector of Infection With New Single “Blight”

L to R: Samuel Ridout (guitar), Tyler Corbett (guitar), Evgeniy Zayarny (vocals), Kalie Yan (bass, vocals), Taylor Gibson (drums)

​

Calgary, Canada’s fantasy prog power metal Red Cain is kicking off the beginning of 2023 with their next The Wheel of Time (novel/TV series) inspired single entitled “Blight” that continues the storyline from their previous single “The Fisher King“ released this past November.

An epic and progressive track, “Blight” shreds fans into another voyage of storytelling, vocalist Evgeniy Zayarny explains further:

“Blight is defined as an organic contagion that damages, destroys, or corrupts. In the Wheel of Time universe, where the Dark One touches the world, uncontrolled and aberrant growth sprouts and covers the land, home to malign flora and monstrous fauna. With this track, we moved the needle firmly into the progressive part of our prog power style, delivering an atmospheric, chilling, and dynamic performance meant to mimic the unstoppable advancement of the Blight over the land. Is the Blight a disease or a majestic triumph of organic life without limits? With this Tesseract, Ihsahn, and Insomnium-influenced track, we explore this idea.
​
The concept of “Blight” came out of a question – what is the ideal state in the evolution of organic life? Influenced by authors like Stanislaw Lem and Adrian Tchaikovsky, this has long been a theme in science fiction and is becoming relevant in the modern era. The Blight also plays a key role within the Wheel of Time universe, and the concept sets the stage for a musical exploration from our end where another evolution to our sound likewise takes root.”

“Blight” was mastered by Alan Sascha Laskow (Every Hour Kills, ex-Divinity) and mixed by Tyler Corbett, (Sole Audio).

Listen to “Blight” via its premiere on Sonic Perspectives HERE.

Red Cain, from Calgary, Canada is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning music videos and concept albums “Kindred: Act I” and “Kindred: Act II”. Red Cain’s first two full albums conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with forthcoming releases.

Red Cain is recommended for fans of Kamelot, Symphony X, Myrath, Powerwolf, Mastodon, and The Contortionist.

Red Cain is:​
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

For more info:​
​https://redcain.ca​
​https://www.facebook.com/redcainofficial​
​https://instagram.com/redcainarmy​
​https://redcain.bandcamp.com​
​Spotify​

About:

Melancholy and Rage

Born out of the vast prairies and snowy peaks of Alberta, Canada, Red Cain is a modern progressive metal project with Eastern European roots. With intricate songwriting, powerful vocals, eerie soundscapes, and strong electronic-backed groove, Red Cain champion a fluid, dynamic, and unique style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience. Described by frontman Evgeniy Zayarny as a vehicle of “Melancholy and Rage”, Red Cain delivers power, flair, thematic Slavic influence, and intricate, lethal edge in their work. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Lord of the Lost, whipped into a venomous new shape. The current incarnation of this Canadian metal band is of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.

Red Cain self-released its debut self-titled EP in North America in 2016 to excellent reviews, and followed this up with two award-winning full-length albums, “Kindred: Act I” in 2019, and AFA-funded “Kindred: Act II” in 2021, working with Sliptrick Records globally to have over 3500+ physical copies sold, as well as over 200,000 digital streams to date. The band has hit #1 on the Canadian National Loud Charts on multiple occasions and is a 1x winner and 3x nominee for the Metal Recording of the Year at the YYC Music Awards.

The band has created 13 videos, of which 2 are full-length, high-production music videos for “ZERO” and “Juliet”. The latter two videos have won 17 awards at international music festivals, including the Berlin Short Film Festival, Venice Shorts, Global Shorts, IndieX FilmFesti, AIFF, and Hollywood Art & Movie Awards, among others. The band has a strong history of collaboration, with a highlight being our work with Juno Award-winning vocalist Kobra Paige of heavy metal band Kobra and the Lotus, on the track “Wing of the Crow”.

Red Cain released our latest album “Kindred: Act II” globally with Sliptrick Records in 2021, with a particular focus on promotion and engagement in the United States and Eastern Europe, where the band has received significant traction in 2020-21. With live performances stunted by COVID, the band has focused strongly on building out the concept behind the two-album “Kindred” arc with non-musical collateral, creating story content and custom art for the album concept.

With a significant upward trend of fan interest for this release, and 100,000 + digital streams, Red Cain has our set sights firmly set on another ambitious and conceptually exciting project, with the next release cycle coming in 2023.

– 30 –

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal. With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage. I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canada’s RED CAIN Pay Homage To Wheel Of Time With Music Video For Commanding New Single “Fisher King”

  • November 9, 2022
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC- November 9, 2022

Canada’s RED CAIN Pay Homage To Wheel Of Time With Music Video For Commanding New Single “Fisher King”

L to R: Samuel Ridout (guitar), Tyler Corbett (guitar), Evgeniy Zayarny (vocals), Kalie Yan (bass, vocals), Taylor Gibson (drums)

Red Cain, from Calgary, Canada is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning concept albums and music videos. The next chapter in their ongoing saga is a music video for the single “Fisher King” that conceptually takes place in the universe of the legendary Wheel of Time fantasy series. It comes off a yet-to-be-titled album that is expected sometime next year. The band comments on the single:

“’Fisher King’, was written in its original form over 10 years ago, long before Red Cain’s existence as a band – so it was an extremely cool experience to go back to this old track, rewrite, and revitalize it to fit our sound. Much like our upcoming album, “Fisher King” keeps the quintessential Red Cain “melancholy and rage” but takes the death metal influences from “Kindred: Act II” even further, featuring a huge growl-centric chorus, a variety of down tuned, sludgy riffs, and gripping, raw vocal hooks and melodies.”

Red Cain’s first two full albums, “Kindred: Act I” and “Kindred: Act II” conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with their upcoming release.

“Fisher King” is unsettling, bombastic, and unrelenting, this track showcases a musical and lyrical contest of wills between the “Chosen One” archetype, and his antithetical, flawed, yet lethal opponent caught in his unrelenting march. It is recommended for fans of Kamelot, Mastodon, and Powerwolf.

Watch and listen to “Fisher King” via its premiere on Metal-Rules HERE.​

Red Cain is:​
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

For more info:​
​https://redcain.ca​
​https://www.facebook.com/redcainofficial​
​https://instagram.com/redcainarmy​
​https://redcain.bandcamp.com​
​Spotify​

About:

Melancholy and Rage

Born out of the vast prairies and snowy peaks of Alberta, Canada, Red Cain is a modern progressive metal project with Eastern European roots. With intricate songwriting, powerful vocals, eerie soundscapes, and strong electronic-backed groove, Red Cain champion a fluid, dynamic, and unique style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience. Described by frontman Evgeniy Zayarny as a vehicle of “Melancholy and Rage”, Red Cain delivers power, flair, thematic Slavic influence, and intricate, lethal edge in their work. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Lord of the Lost, whipped into a venomous new shape. The current incarnation of this Canadian metal band is of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.

Red Cain self-released its debut self-titled EP in North America in 2016 to excellent reviews, and followed this up with two award-winning full-length albums, “Kindred: Act I” in 2019, and AFA-funded “Kindred: Act II” in 2021, working with Sliptrick Records globally to have over 3500+ physical copies sold, as well as over 200,000 digital streams to date. The band has hit #1 on the Canadian National Loud Charts on multiple occasions and is a 1x winner and 3x nominee for the Metal Recording of the Year at the YYC Music Awards.

The band has created 13 videos, of which 2 are full-length, high-production music videos for “ZERO” and “Juliet”. The latter two videos have won 17 awards at international music festivals, including the Berlin Short Film Festival, Venice Shorts, Global Shorts, IndieX FilmFesti, AIFF, and Hollywood Art & Movie Awards, among others. The band has a strong history of collaboration, with a highlight being our work with Juno Award-winning vocalist Kobra Paige of heavy metal band Kobra and the Lotus, on the track “Wing of the Crow”.

Red Cain released our latest album “Kindred: Act II” globally with Sliptrick Records in 2021, with a particular focus on promotion and engagement in the United States and Eastern Europe, where the band has received significant traction in 2020-21. With live performances stunted by COVID, the band has focused strongly on building out the concept behind the two-album “Kindred” arc with non-musical collateral, creating story content and custom art for the album concept.

With a significant upward trend of fan interest for this release, and 100,000 + digital streams, Red Cain has our set sights firmly set on another ambitious and conceptually exciting project, with the next release cycle coming in late 2022 with the first single “Fisher King”.

– 30 –

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal. With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage. I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 EPK – Red Cain – Fisher King (single) (2022)

  • October 25, 2022
  • by Asher
  • · EPKs · Red Cain

EPK – Red Cain – Fisher King (single) (2022)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Kamelot, Mastodon, Powerwolf, Lord of the Lost, Tesseract

RedCain.ca | Redcain.bandcamp.com | Facebook.com/redcainofficial | Instagram.com/redcainarmy |  YouTube

Spotify | Apple Music | Amazon 

“Conceptually, “Fisher King” takes place in the universe of the legendary Wheel of Time fantasy series. It is the throw of the gauntlet by the Dragon Reborn, the Champion of the Light in his prime – a showcase of the kind of monumental inertia that brooks no opposition. Unsettling, bombastic, and unrelenting, this track showcases a musical and lyrical contest of wills between the “Chosen One” archetype, and his antithetical, flawed, yet lethal opponent caught in his unrelenting march.

The concept of the Fisher King comes from Arthurian legend, telling the story of a wounded king unable to act as the protector of his lands, spending his time fishing in a pond, leading to them falling into ruin. The epic and forthright style of this track belies the lyrical theme of self-annihilation and corruption that can take root in those who are raised to be heroes or saviours. Our protagonist, Rand al’Thor, is a monumental force of destruction, inevitable, standing for all that is Good. But this destruction is also within himself – the vessel of the Light can be consumed by that same Light from within – and is personified by his antagonist, the Chosen One of the Shadow. This track is a study of two men, both on a collision course with each other, both doomed and aware of their fate, locked in a mortal conflict that sees no end and spans eons.

“Fisher King”, was written in its original form over 10 years ago, long before Red Cain’s existence as a band – so it was an extremely cool experience to go back to this old track, rewrite, and revitalize it to fit our sound. Much like our upcoming album, “Fisher King” keeps the quintessential Red Cain “melancholy and rage” but takes the death metal influences from “Kindred: Act II” even further, featuring a huge growl-centric chorus, a variety of down tuned, sludgy riffs, and gripping, raw vocal hooks and melodies.” – Red Cain

[Download Single Cover | Download Single Lyrics]

Single Title: Fisher King
Release Date: Nov. 9, 2022
Label: Independent
Distribution: Digital

Track Listing:
1. Fisher King – (5:37)

Single Recording Credits:
• All songs performed by: Red Cain
• All songs written by: Red Cain
• Produced by: Red Cain
• Mixed by: Tyler Corbett
• Mastered by: Alan Sacha Laskow
• Album Artwork by: Red Cain
• Member of SOCAN
• Canadian Content (MAPL)

Recording and Live Band Lineup:
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

===============================================

STORY ANGLES / FUN FACTS:

1. Evgeniy, the frontman, is of joint Russian/Ukrainian descent and was exposed to Slavic paganism from a young age, gaining insight into old ceremonies and spoken word myths, as well as the vast and strange body of Slavic folklore. A lot of these experiences and his love for myth and the exploration of the occult come through in the lyrics and concepts of Red Cain’s music.

2. Red Cain’s first two full albums, “Kindred: Act I” and “Kindred: Act II” conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content.

3. The band members feel strongly in favour of experimentation, whether with genres, resulting in much of the material sitting across multiple genres, not all related to metal; visual elements, with striking and inventive story-based music videos a particular focus; or art and concepts, many of which relate to the clash between the ancient and modern, with more recent material zeroing in on a futuristic design and musical style.

4. Red Cain’s story music videos for “ZERO” and “Juliet” have cumulatively earned the band 17+ international film festival awards, including wins at major festivals such as IndieX FilmFest, Global Shorts, LA Film & Script Festival, Cannes Indies Cinema Awards, and finalist with Toronto Indie Filmmakers Festival, Tokyo International Short Film Festival, and New York Tri-State International Film Festival. The band is currently planning its next feature music video to follow these two successes.

L to R: Samuel Ridout (guitar), Tyler Corbett (guitar), Evgeniy Zayarny (vocals), Kalie Yan (bass, vocals), Taylor Gibson (drums)

Melancholy and Rage

Born out of the vast prairies and snowy peaks of Alberta, Canada, Red Cain is a modern progressive metal project with Eastern European roots. With intricate songwriting, powerful vocals, eerie soundscapes, and strong electronic-backed groove, Red Cain champion a fluid, dynamic, and unique style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience. Described by frontman Evgeniy Zayarny as a vehicle of “Melancholy and Rage”, Red Cain delivers power, flair, thematic Slavic influence, and intricate, lethal edge in their work. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Lord of the Lost, whipped into a venomous new shape. The current incarnation of this Canadian metal band is of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.   

Red Cain self-released its debut self-titled EP in North America in 2016 to excellent reviews, and followed this up with two award-winning full-length albums, “Kindred: Act I” in 2019, and AFA-funded “Kindred: Act II” in 2021, working with Sliptrick Records globally to have over 3500+ physical copies sold, as well as over 200,000 digital streams to date. The band has hit #1 on the Canadian National Loud Charts on multiple occasions and is a 1x winner and 3x nominee for the Metal Recording of the Year at the YYC Music Awards.   

The band has created 13 videos, of which 2 are full-length, high-production music videos for “ZERO” and “Juliet”. The latter two videos have won 17 awards at international music festivals, including the Berlin Short Film Festival, Venice Shorts, Global Shorts, IndieX FilmFesti, AIFF, and Hollywood Art & Movie Awards, among others. The band has a strong history of collaboration, with a highlight being our work with Juno Award-winning vocalist Kobra Paige of heavy metal band Kobra and the Lotus, on the track “Wing of the Crow”. 

Red Cain released our latest album “Kindred: Act II” globally with Sliptrick Records in 2021, with a particular focus on promotion and engagement in the United States and Eastern Europe, where the band has received significant traction in 2020-21. With live performances stunted by COVID, the band has focused strongly on building out the concept behind the two-album “Kindred” arc with non-musical collateral, creating story content and custom art for the album concept.

With a significant upward trend of fan interest for this release, and 100,000 + digital streams, Red Cain has our set sights firmly set on another ambitious and conceptually exciting project, with the next release cycle coming in late 2022 with the first single “Fisher King”.

Red Cain is:
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal.  With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage.  I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

“Songs alternate between melodic and more progressive portions in fine fashion. There is also a heroic aspect to the band that assures that they have some variety and also ties them to power metal. The entire affair is uplifting and does a good job getting the listener entranced in the music… a fun album and a very nice way to start the year off. It will also appeal to fans of bands from a number of different sub-genres.” – Heavy Music Headquarters

“the crew here found yet another gem from Red Cain, one filled with cosmic terrors this time. Kindred: Act II provides us with an additional slice of that delicious metal geekery that this band is capable of. A record that makes complexity sound easy, even casual. And that’s a feat not many bands master these days anymore.” – Rock Music Raider

“RED CAIN keep us on our toes right down to the final track Sunshine (Blood Sun Empire). There is a mixture of all sorts going on but again, it flows together seamlessly. It’s complex yet memorable. I knew logically this was the last track of the album but I feel this story is not over yet. Will there be Act III to follow in the next year or so? Who knows, I personally hope there is. Kindred:  Act II was a great introduction to RED CAIN and their sound. From listening to this, it’s easy to see why they have been nominated for awards. I look forward to see how their sound grows and develops from now.” – Rock Out Stand Out

“One of the best aspects, despite the fact that this is prog, is that the music is very easy to get into and enjoy. It is often midtempo, headbobbing music as a general style, and that makes things exceedingly easy for fans in general that prefer normal, song-friendly speeds…  the real big reason to listen is the melodic singing. It makes this listener really curious to find out if the singing can be this good in the live concert. Is this voice for real?! It sounds so good, and strong, and also melodic. It is the thing that takes the band over the top in terms of music and of catching the interest of potential fans. There is an elegance and style to the singing that makes the songwriting attractive and pulls you in to check out more of the music.” – Metal Bulletin Zine

“Kindred: Act II is a solid offering. It straddles a number of different styles and influences without committing 100% to any of them… any metalhead with a taste for the dramatic should find something rewarding in here.” – The Independent Voice

“I think Red Cain took the right chances and put forward an interesting release that will challenge the listeners to catch everything they’ve put into making this album. It’s definitely not a one listen and you’ve got it album. It is a listen multiple times to catch what you missed each time before type of album. Give this one a chance and see if you don’t love it yourself.” – Yesterdaze News

“an atmosphere between anger and melancholy are exactly what the band is all about. “KINDRED: ACT II” is definitely a really strong album and one only regrets that it ends so early. But as the saying goes : Quality is more important than quantity!” – Metal-Heads.de

“This new album is opened by KINDRED, a brilliant tune with different influences, from power/prog to electro-rock. It’s enriched by an interesting solo, a well-groomed production and cinematic mood.” – HardRockHeavyMetal

“a strong progressive mix and very melodic power metal, they are a band of experienced musicians who give us a well-defined, real album with these seven tracks, for lovers of this genre it will be more than good and unique.” – Darkzen Dragon Metal Angels

“The album kicks off with a couple of brilliantly technical and melodic tracks – ‘Kindred’, is heavy and showcases the skillset these guys have at their disposal in true Progressive style. ‘Demons’ is a much more catchy hook-based track, although no less technically capable, but with catchy riffs, melodies and enough commercial bent to pull in a new listener – whilst still playing to that vocal ambidextrousness with a couple of lines that wouldn’t sound amiss on a Marilyn Manson album. And then the album switches style and becomes haunting, moody and totally surprising with the falsetto introduction to ‘Precipice Of Man’, which fools you into thinking it’s a power ballad before belting you around the head with one of the heaviest bass sounds I have heard in a while and a much more extreme vocal sound. These kind of body swerves just keep coming, and are what makes this album such a refreshing change.” – Ever Metal

“Concluding this album is the pure Power Metal entity known as ‘Sunshine (Blood Sun Empire)’. This proves to be an enjoyable ad worthy finale for what has been a brilliant album. ‘Kindred: Act II’ doesn’t include a single bad song and advertises the talent of Red Cain excellently.” – AC Rock Reviews

======

“What we have here is a two headed beast of sad and melancholy music on one side and angry and raging music on the other. The two combine somewhere in the middle with flair for the dramatic and impassioned vocals. This is definitely worth your time if you are looking for something off the beaten path.” – Metal Temple (Kindred Act I Review)

“Red Cain’s first full-length act is a more than solid release that I can warmly recommend if you enjoy the likes of Kamelot, TesseracT and Blind Guardian or just enjoy some good old thinking man’s metal music in general. With a charismatic frontman, well thought out and varied songwriting and a healthy dose of power and energy, Red Cain is a up and coming Canadian act that I’ll sure be keeping my eye on!” – Belgian Metal Shredder (Kindred Act I Review)

“Kindred: Act I is all about raw and unbridled metal power. A thoughtful brand of metal that – for once – does not base itself on mindless growling about the stage along normal lines of metal conduct. Instead they rip the established status quo to pieces and attack with a very unusual metal dish. One that comes with a distinct groove to boot… a very tasty fusion of Progressive and Power Metal that we have rarely seen to date. A metal dish best consumed red-hot. Have some, you will not regret it.” – Rock Music Raider (Kindred Act I Review)

“Symphonic progressive metal with alternative and gothic nuances – Red Cain are well on their way to establishing new territory in story telling and musical match-ups. Kindred: Act Irepresents a fine opening album for these Canadians, and should lend itself well to various multi-media opportunities for live show and film options. The best records connect on a mind, body, and spirit level – and this will be one that should be in the conversation for visionary, forward-thinking effort, proving the ink is not dry on what metal can bring to the table for innovation.” – Dead Rhetoric (Kindred Act I Review)

“I couldn’t be more impressed with this band and album from the opening track “Snake Bouquet” to the last track “Wing Of The Crow” which is an awesome closing track with guest vocals from Kobra Paige of Kobra and The Lotus. This album takes you on an epic and melodic journey, I feel fans of bands from Avatar to Kamelot to Marilyn Manson and anything in between will really love this album.” – Crannk (Kindred Act I Review)

“Red Cain have produced a very awesome album. It sounds and looks very professional, has great riffs and epic melodies. Keep an eye on these guys, they will come very far.” – Lyrical Spell Magazine (Kindred Act I Review)

0 Hails Horns! \m/\m/ Thank You MDs and DJs for your airplay support! Canadian College Radio Loud !earshot charts – February 2021 Top 20 Loud #12 – Malice Divine, #17 – Red Cain, #18 – Maudiir

  • March 11, 2021
  • by Asher
  • · Malice Divine · Maudiir · Red Cain
Hails Horns! \m/\m/
Thank You MDs and DJs for your airplay support!
Canadian College Radio Loud !earshot charts – February 2021
Top 20 Loud
#12 – Malice Divine, #17 – Red Cain, #18 – Maudiir
https://earshot-online.com/charts/2021/February/loud.cfm

 

0 New issue of Absolute Underground mag is out! w/ Interviews Red Cain, Malice Divine, Maudiir w/ Album Reviews Without Mercy, Fuck The Facts and lots more!

  • February 15, 2021
  • by Asher
  • · Fuck The Facts · Malice Divine · Maudiir · Red Cain · Without Mercy
New issue of Absolute Underground Mag is out!
w/ Interviews Red Cain, Malice Divine, Maudiir
w/ Album Reviews Without Mercy, Fuck The Facts
and lots more!
http://absoluteunderground.tv/au-magazine/volume-17/item/475-au-vol-17%E2%80%932-issue-98

0 Canadian Prog Power RED CAIN Shares New Visualizer For “Precipice of Man”, Premiere via Folk N’ Rock, New Album “Kindred: Act II” Out Now!

  • February 15, 2021
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC – February 15, 2021

For fans of Kamelot, Symphony X, Amaranthe, Powerwolf

Canadian Prog Power RED CAIN Shares New Visualizer For “Precipice of Man”

Visualizer Premiere via Folk N’ Rock

New Album “Kindred: Act II” Out Now!


L-R – Tyler Corbett – Guitar, Evgeniy Zayarny – Vocals, Taylor Gibson – Drums – Photo Credit Ravenkin Photography

Canada’s progressive power gothic metal band Red Cain unleashed their new album “Kindred: Act II” digitally this past January with the CD physical release due out via Sliptrick Records later date this year.

Today, the band presents their latest visualizer for their track “Precipice of Man”.

Vocalist Evgeniy Zayarny adds:

“A ballad, but also…not? Certainly the most experimental track on this album, “Precipice of Man” was born out of focusing entirely on capturing the story and atmosphere related to the track from note one, and creating a musical landscape supporting those elements. Utilizing falsetto vocals and electronic touches not found in other tracks, “Precipice of Man” still keeps the weight and urgency of the album, but provides a necessary introspective and cautiously uplifting element.

Within the “Kindred” concept, this is a track that “takes stock” of the world of the album at the time, featuring three parts from the POV of three characters: the opening stanzas from Zalcoatl’s companion Juliet urging him to push on (“take my hand and step out onto the precipice of Man”), the Nameless Exarch’s ominous Latin chants in the middle of the track as he commands his hordes, and Zalcoatl’s meditation on the role of humanity (“all their songs, they weren’t meant for us…but we are all that’s here”). The track hits a crescendo with an uplifting, determined chorus from all our protagonists together – “There is life in the ashes, there is smoke upon the shore – and your weary hands hold the fate of more than you can know” – showing that there is still hope on the journey to the Sun.”

The video can be seen and heard via its premiere on Folk N’ Rock HERE.

Described as a vehicle of “Melancholy and Rage” and born out of the emerging music scene of Calgary, AB, 2017 YYC Awards Metal Recording of the Year winner Red Cain is a power/progressive metal project with Russian roots. With intricate songwriting, a heavy yet melodic feel reminiscent of progressive acts, and elements of Slavic myth and Russian paganism in the storytelling tradition of the cult of Veles, Red Cain champion a fluid, dynamic, and unique musical style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience.

Their new sophomore full-length continues and ends the band’s storytelling of their Kindred saga, which began with their 2019’s “Kindred: Act: 1”. Offering a mix of melodies and metallic styles in power, progressive and goth metal, Red Cain continues to deliver epic adventurous songs with tracks like Sunshine (Blood Sun Empire)”, “Demons”, “Kindred” and “Varyag and The Shrike”.

Vocalist Evgeniy Zayarny comments:

“Step forward in the ranks of the Varyag Mstislav, hear the chilling call of the Nameless Exarch, and stand shoulder to shoulder with the Aztec warrior Zalcoatl in the depths of an ancient Ziggurat. Experimental, aggressive, yet melodic and recognizably Red Cain, the second act in the “Kindred” saga sets the bar even higher in the hybrid prog/power style we have made our own.

Inspired by the age-old Slavic rites honouring the Sun and continuing the storytelling tradition of Veles, this album is an amalgam of myths, genres, and emotions – and we could not be more proud to be able to share it with you.

All stories must come to an end – but this is one where the action and intensity is at its peak. This is a story where the stakes are lethal, where the music is loud and the melodies cut deep – where the frozen North wind chills the land and an eldritch specter hangs over the horizon. Above all, this is a story of humanity reaching out toward the Sun, come what may. This is our story of “Kindred” – and we are absolutely fired up to bring you with us on this mad ride.”

Recommended for fans of Kamelot, Symphony X, and Amaranthe, Red Cain‘s new album “Kindred Act: II” is available on the following digital platforms:
Bandcamp (includes seven custom pieces of digital art designed by the band)
Spotify

Lyric Video – “Sunshine (Blood Sun Empire)” – YouTube


Track Listing:
1. Kindred (5:06)
2. Demons (4:40)
3. Precipice of Man (5:18)
4. Baltic Fleet (4:53)
5. Varyag and The Shrike (5:54)
6. Sons of Veles (5:01)
7. Sunshine (Blood Sun Empire) (5:49)
Album Length: 36:45

For more info:
Facebook.com/redcainofficial
Twitter.com/RedCainArmy
Instagram.com/RedCainArmy
EPK

– 30 –

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal.  With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage.  I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

“Songs alternate between melodic and more progressive portions in fine fashion. There is also a heroic aspect to the band that assures that they have some variety and also ties them to power metal. The entire affair is uplifting and does a good job getting the listener entranced in the music… a fun album and a very nice way to start the year off. It will also appeal to fans of bands from a number of different sub-genres.” – Heavy Music Headquarters

“the crew here found yet another gem from Red Cain, one filled with cosmic terrors this time. Kindred: Act II provides us with an additional slice of that delicious metal geekery that this band is capable of. A record that makes complexity sound easy, even casual. And that’s a feat not many bands master these days anymore.” – Rock Music Raider

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Thank You MDs and DJs for the airplay love! #10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021

  • February 10, 2021
  • by Asher
  • · Red Cain

Thank You MDs and DJs for the airplay love! #10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021

https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2021-02-09

0 Prog Power RED CAIN Streaming New Album “Kindred: Act II”, Album Stream Premiere via MetalInsider

  • January 21, 2021
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC – January 21, 2021

For fans of Kamelot, Symphony X, Amaranthe, Powerwolf

Prog Power RED CAIN Streaming New Album “Kindred: Act II”

Album Stream Premiere via MetalInsider

Album Out January 22, 2021


L-R – Tyler Corbett – Guitar, Evgeniy Zayarny – Vocals, Taylor Gibson – Drums – Photo Credit Ravenkin Photography

Canada’s progressive power gothic metal band Red Cain will be unleashing their new album “Kindred: Act II” digitally on Friday, January 22, 2021 with the CD physical release out via Sliptrick Records at a later date this year.

Before it officially drops, the band is sharing with fans its exclusive full stream premiere via MetalInsider HERE.

Described as a vehicle of “Melancholy and Rage” and born out of the emerging music scene of Calgary, AB, 2017 YYC Awards Metal Recording of the Year winner Red Cain is a power/progressive metal project with Russian roots. With intricate songwriting, a heavy yet melodic feel reminiscent of progressive acts, and elements of Slavic myth and Russian paganism in the storytelling tradition of the cult of Veles, Red Cain champion a fluid, dynamic, and unique musical style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience.

The forthcoming sophomore full-length continues and ends the band’s storytelling of their Kindred saga, which began with their 2019’s “Kindred: Act: 1”. Offering a mix of melodies and metallic styles in power, progressive and goth metal, Red Cain continues to deliver epic adventurous songs with tracks like Sunshine (Blood Sun Empire)”, “Demons”, “Kindred” and “Varyag and The Shrike”.

Vocalist Evgeniy Zayarny comments:

“Step forward in the ranks of the Varyag Mstislav, hear the chilling call of the Nameless Exarch, and stand shoulder to shoulder with the Aztec warrior Zalcoatl in the depths of an ancient Ziggurat. Experimental, aggressive, yet melodic and recognizably Red Cain, the second act in the “Kindred” saga sets the bar even higher in the hybrid prog/power style we have made our own.

Inspired by the age-old Slavic rites honouring the Sun and continuing the storytelling tradition of Veles, this album is an amalgam of myths, genres, and emotions – and we could not be more proud to be able to share it with you.

All stories must come to an end – but this is one where the action and intensity is at its peak. This is a story where the stakes are lethal, where the music is loud and the melodies cut deep – where the frozen North wind chills the land and an eldritch specter hangs over the horizon. Above all, this is a story of humanity reaching out toward the Sun, come what may. This is our story of “Kindred” – and we are absolutely fired up to bring you with us on this mad ride.”

Recommended for fans of Kamelot, Symphony X, and Amaranthe, Red Cain is giving fans seven custom pieces of digital art designed by the band along with an immediate download of their goth-rock headbanger“Demons” with album pre-order via their Bandcamp HERE.

Spotify
Lyric Video – “Sunshine (Blood Sun Empire)” – YouTube


Track Listing:
1. Kindred (5:06)
2. Demons (4:40)
3. Precipice of Man (5:18)
4. Baltic Fleet (4:53)
5. Varyag and The Shrike (5:54)
6. Sons of Veles (5:01)
7. Sunshine (Blood Sun Empire) (5:49)
Album Length: 36:45

For more info:
Facebook.com/redcainofficial
Twitter.com/RedCainArmy
Instagram.com/RedCainArmy
EPK

– 30 –

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal.  With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage.  I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“Kindred: Act II is a solid offering. It straddles a number of different styles and influences without committing 100% to any of them… any metalhead with a taste for the dramatic should find something rewarding in here.” – The Independent Voice

“an atmosphere between anger and melancholy are exactly what the band is all about. “KINDRED: ACT II” is definitely a really strong album and one only regrets that it ends so early. But as the saying goes : Quality is more important than quantity!” – Metal-Heads.de

“This new album is opened by KINDRED, a brilliant tune with different influences, from power/prog to electro-rock. It’s enriched by an interesting solo, a well-groomed production and cinematic mood.” – HardRockHeavyMetal

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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