Posts By Asher

0 EPK – Lufeh – Overwhelmed (2026)

March 22, 2026
by Asher
· EPKs · Lufeh

EPK – Lufeh – Overwhelmed (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Rush, Dream Theater, Haken, Sleep Token, Tool

Band: Lufeh
Album Title: Overwhelmed
Release Date: May 29, 2026
Label: Self-Release
Distribution: Distrokid
Genre: Progressive Rock
Location of Band: Los Angeles, CA, USA

Lufehband.com | Facebook.com/lufehband | Instagram.com/lufehband | Youtube.com/lufehband

Lufehband.bandcamp.com | Spotify”

Heavy prog shines with the new single ‘He Commands the Sun and the Stars’ from LUFEH. Dream Theater and Shadow Gallery fans will find a lot to love here including a spotlight performance from featured vocalist and electric violinist Ginny Luke. Musically the band doesn’t disappoint with soaring keys, complex percussion, driving riffs, strolling bass lines…all at a high level, which is what is demanded when you enter the sacred space of progressive rock. Just as much a beautiful performance as it is a breathtaking adventure, this track raises expectations for the new album “Overwhelmed” which can’t get here fast enough on May 29th. Catch LUFEH on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“From the riff heavy opener Find My Way to the latest single ‘My World’ and the sharp riffs of closing track The Edge’, these are 20-minute epics condensed into welcome four-minute compositions. It’s an interesting stance for any progressive band but Lufeh have caught it right on the nail. This is an album full of cleverness and maturity. A joy to listen to, Luggage Falling Down’ provides opportunity to marvel at the quality and the playing. In a world which has lost its marbles, this album is a breath of fresh air. 8/10” – Powerplay Magazine UK (2020 – Luggage Falling Down)

“Luggage Falling Down will be a pleasant surprise for those who enjoy their prog on the heavy side, with occasional flourishes of metal, plenty of instrumental workouts, short song formats and a strong foundation in jazz. The eight songs are technical, energetic and always seeking a melodic hook.” – DPRP (2020 – Lugage Falling Down)

“In addition to brevity, there is Luggage Falling Down nothing wrong. Fantastic prog metal, crisply short songs that are still varied. Matching singing in the intersection between James LaBrie And Brendon Boyd as well as terrific guitar and drum inserts. Very entertaining and fun…. Luggage Falling Down a very entertaining record ahead of us. 9 /10 does that for me.” – Sound Magnet

“Anyone starting to get tired of all the cliché album titles and song titles? LUFEH are going their own way and I really like this album title ”Luggage Falling Down”!… I have to say the LUFEH guys have some moves of their own, which makes this album more interesting than most progressive metal albums. The RUSH vibes are not the most obvious ones, but the verse of ”Trial Of Escapade” clearly shows that these guys like the Canadian trio. There’s a smashing guitar solo from Dornellas in this one too.” – Melodic.net – (2020 Luggage Falling Down)

“A track from prog debutants Lufeh now, as I ‘Find My Way’ straight into being earwormed by their Prog metal goodness. Guitar solos that sound like they’ve been written by some of the hard rock greats, with plenty of atmospheric synths and across the board able musicianship means this one was a sure fire hit from the off!” – Uber Rock (2020 Luggage Falling Down)

“This is heavy prog with some strong elements” – Prog Archives (2020 Luggage Falling Down)

[Download Album Cover | Download Album Lyrics]

Band: Lufeh
Album Title: Overwhelmed
Release Date: May 29, 2026
Label: Self-Release
Distribution: Distrokid
Genre: Progressive Rock
Location of Band: Los Angeles, CA, USA

Track Listing:
1. He Commands The Sun and The Stars – 4:22
2. Breathe – 4:03
3. Double Dip – 4:39
4. Overwhelmed – 4:30
5. Feels Like I’m A Ghost – 5:43
6. Live The New Today – 4:50
7. War of Emotions – 3:50
8. End of the Tunnel – 4:18

Album Recording Credits:
• All songs performed by: Duca Tambasco, Deio Tambasco, Gera Penna, Lufeh Batera and Ginny Luke
• All songs written by: Duca Tambasco, Deio Tambasco, Gera Penna and Lufeh Batera
• Produced by:Gera Penna
• Mixed by: Adair Daufembach
• Mastered by: Adair Daufembach
• Album Artwork by: Lufeh Batera

Album and Live Band Line Up:
Duca Tambasco – bass and backing vocals
Deio Tambasco – guitar and backing vocals
Gera Penna – keyboard and backing vocals
Lufeh Batera – Drums
Ginny Luke – vocals (featuring)

==================================

The Album Artwork:

“The cover for Overwhelmed is meant to be a literal visual of how the title feels. We wanted to capture that sensation of being completely submerged underwater.

When you’re deep underwater, everything is heavy, quiet, and intense. The silhouette represents that feeling of being ‘under’ it all—whether that’s stress, emotions, or just life in general.

But we also made sure to include the light coming from the surface. To me, that represents hope and the search for air. It really matches the balance of the album: some parts are heavy and complex, while others are more melodic and give you a chance to breathe.”

About the album as a whole (LYRICALLY & MUSICALLY):

“This album is the result of a lot of dedication, maturity, and the realization of a dream come true. Recording at the historic Sunset Sound studio here in LOS ANGELES, where the biggest names in world music recorded their hits, was truly an unforgettable experience. We have impactful songs, heavy ballads, a good dose of double pedal on drums, guitar, bass, and keyboard solos, all mixed with the incredible voice of Genny Luke.”

Track by Track (LYRICALLY & MUSICALLY):

1. HE COMMANDS THE SUN AND STARS
“From a drummer’s perspective, this one is my personal favorite because of how complex the rhythms are. Even with all that technical playing, it still has a really catchy chorus that sticks in your head.

The lyrics are about a powerful man who controls the sun and the stars, but then he’s questioned by the very crowd of people who worship him. It’s definitely one of my favorite tracks on the album.

2. BREATHE
“This song is just a blast to play because it has such a positive, upbeat vibe. It carries a really important message for all of us in our daily lives: just breathe and slow down. We all need that reminder sometimes, and the music really reflects that feeling.”

3. DOUBLE DIP
“This track has some really unique rhythmic complexity. We switch back and forth between 6/8 and 4/4 time, which might keep people guessing at first, but the end result is amazing. One of the highlights is the Bulbul Tarang (a unique string instrument) that we used in the intro. Lyrically, the song is about how it’s impossible to serve two masters and the struggle of living with that kind of duality.”

4. OVERWHELMED
“This is the title track of the album, and it was written by our guitarist, Deio Tambasco. The big highlight here is Ginny Luke’s violin in the intro. Having a violin player with us really transformed the music and turned it into something unique and different.” Lyrically, the song is about that point where you feel like you can’t keep running anymore. It talks about having ‘knots in your head’ and feeling like there’s an ‘overcrowded rat race’ in your soul because of all the distractions in life. The main message is about needing to take a moment to recharge, breathe in, and slow down before you lose control because time is running out.

5. FEELS LIKE I’M A GHOST
“When we were writing this one, we really wanted it to be our version of a Rock Opera. It has so many different moods and atmospheres throughout the song. This is the second track where Ginny Luke joins us on the violin, which adds so much to the sound. It starts very sad and melancholic, but by the end, it transforms into a full-on prog track with some cool odd time signatures.” Lyrically, the song is about the loneliness and exhaustion of being far away from home while a storm is raging. It talks about missing the person you love and feeling like a ‘ghost’ because you’ve sacrificed so much time and years of your life to ‘win the fight’. You’re out in the world, but you feel like a stranger to the people waiting for you at home. It’s a very emotional song about the personal cost of being away from the ones you love.

6. LIVE THE NEW TODAY
I consider this the richest song on the album because of the incredible variety of musical elements. It goes through so many different moods—from very calm and serene moments to heavy sections with double bass Power Metal grooves. It even features solos for the bass, guitar, and violin!

Lyrically, the song is about self-reflection and choosing to live authentically. It talks about looking in the mirror and deciding to let go of the past—what is ‘dead and gone’—so you can find the strength to move forward. Instead of hiding behind blame or projections, it’s about doing what it takes to truly ‘live the new today.’

7. WAR OF EMOTIONS
“This song is a bit different for us. Even though we aren’t a heavy metal band, this one definitely has a ‘metal’ soul. We’re a pretty eclectic group, so we like exploring those heavier sounds, but we used the keyboards and the vocal melodies to make sure the track still felt like it belonged with the rest of the album. Lyrically, the song is about an internal ‘war of emotions’ and the struggle of facing yourself. It describes that moment when truth and illusion start to blur, and you realize your biggest battle is actually against your own reflection. It’s about finally looking at the truth so you can move toward the light.”

8. END OF THE TUNNEL
“We really love the shifts in atmosphere on this track, especially with that Fusion vibe during the keyboard solo in the second half. Another cool detail is the ‘cyclic’ feeling at the very end during the guitar solo—it makes you feel like the tunnel might never end. Lyrically, the song is about going through a spiritual renewal while in the dark and finally seeing that light at the end of the tunnel. It’s about learning from your mistakes and realizing that all the effort and the struggle were worth it, because you come out of the journey stronger and with a much clearer view of life.”

==================================

STORY ANGLES / FUN FACTS ABOUT THE BAND

1. “One thing people find interesting is that we’re all 50-somethings, but we honestly feel like we’re 30! The core of this band has actually been playing together for about 30 years in different ways—sometimes as partners, sometimes as producers, or hiring each other for sessions.

Because we’ve been friends for so long, we have a very deep, honest connection. We might have big disagreements, but it always ends with us hugging it out and crying like schoolkids because we care so much. There is zero ego in this band. Our creative process is like a drawing that passes from hand to hand—everyone adds their own stroke until it has the right colors and depth. We don’t care about ‘owning’ a song; we just want a result that makes us happy.

We also really evolved our sound for this new album. Our first record was mostly built as instrumental music first, and then we added vocals. But for Overwhelmed, we changed everything. We wrote these songs specifically for the vocal melodies. We wanted catchy themes and ‘signatures’ that people can remember—like using the exotic Bulbul Tarang on ‘Double Dip.’ We also brought in more vocal layers and different voices this time to give the album a lot of cool textures. It’s all about making the music feel fluid and comfortable for the listener.”

==================================

Photo Credit – Joao Pinheiro

LUFEH is a sophisticated fusion of progressive rock, metal, and jazz influences, creating a sound that blends technical complexity with deep musical emotion. Founded by drummer Lufeh, the band has evolved over the years, gaining recognition for its unique approach to blending genres and pushing musical boundaries.

In a significant lineup change, LUFEH welcomed Deio Tambasco as the new guitar player in October 2025, replacing Teo Dornellas, who had been with the band from the beginning. Deio, who has been part of Lufeh’s musical journey since 1993 when they first formed their band Anno Domini, brings a wealth of experience and musical depth to the group. In Anno Domini, Deio was the lead guitarist, with Lufeh on drums and Deio’s brother Duca Tambasco on bass. Today, Duca is part of LUFEH as well, continuing his role as the band’s bassist and contributing to the tight rhythm section that defines their sound. The band’s close musical ties continue to thrive, and Deio’s return to the fold feels like a natural progression, reuniting with his long-time musical collaborators.

This latest change comes as LUFEH prepares for the release of their second studio album, Overwhelmed. Recorded at the renowned Sunset Sound in Los Angeles, CA, the album showcases a thrilling mix of progressive rock, fusion, and metal influences. Produced by Gera Penna, LUFEH’s talented keyboardist and back vocalist, Overwhelmed features 8 tracks that are both intricate and emotionally charged, representing the band’s growth and refinement of sound.

Dennis Atlas, who was the original vocalist, is no longer with the band due to scheduling conflicts, but after auditioning four different singers, we are excited to announce that Ginny Luke is our new featured vocalist. She is an incredible talent and also plays the violin on three of our new songs: ‘Overwhelmed,’ ‘Feels I’m a Ghost,’ and ‘Live the New Today.’ Ginny’s powerful voice and her violin have given our sound a whole new dimension. The new album is a huge milestone for us, and we can’t wait for everyone to hear this new chapter of Lufeh.”

“Overwhelmed”, due out on May 26, 2026, is the second album since the release of the debut album “LUGGAGE FALLING DOWN”, released in 2020.

Discography:
2026 – Overwhelmed
2020 – Luggage Falling Down

Shared Stage with: Sons of Apollo

Tours and Festivals:
Sons of Apollo Brazilian Tour in 2022

0 EPK – Bury The Past – Clarity (single) (2026)

March 22, 2026
by Asher
· Bury The Past · EPKs

EPK – Bury The Past – Clarity (single) (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Clarity was the first song we wrote together with the latest lineup. It introduced a new drumming style as Mat ”Fretch” Fréchette joined the band as their permanent drummer. It has a more Metalcore/Modern Metal sound. From fast-paced verses to slower and heavier sections, the single shows what we’re capable of.” – Mathieu Fréchette (Drummer) – Bury The Past

Instagram.com/bury.thepast | Facebook.com/BuryThePast137 | Tiktok.com/@bury.the.past | Youtube.com/@burythepast137

Burythepast.bandcamp.com | Spotify

All Links: https://linktr.ee/burythepast

[Download Single Cover | Download Single Lyrics]

Single Title: Clarity
Length: 3:12
Release Date: February 6th, 2026
Label: Independent
Distribution: Distrokid
Genre: Metalcore/Modern Metal
Location of Band: Gatineau/Quebec/Canada

Single Recording Credits:
• All songs performed by: Bury the Past
• All songs written by: Bury the Past
• Produced by: Tiny Rik Productions
• Mixed by: Tiny Rik Productions
• Mastered by: Tiny Rik Productions
• Single Artwork by: Independent

Band Line Up:
Kris King (Bass)
Patrice Jolicoeur (Guitar)
Charles Morin (Vocals)
Til Dubois (Guitar)
Mathieu Fréchette (Drums)

==============================

About The Single Artwork:

Simple yet effective DIY artwork for all of our tracks as of now. We brainstorm ideas using keywords from our lyrics and make something cool out of it.

About The Single: (LYRICALLY & MUSICALLY):

Clarity is where the band shifted directions a bit. It is a lot more aggressive both lyrically and musically. Although it does not define our genre at all. BTP does not have a ”limit”

==============================

BAND STORY ANGLES / FUN FACTS:
1. Til Dubois was the original drummer for Bury the Past. He’s always been more of a guitarist than a drummer. 2 years later, the band got in touch with Fretch.2. If you ever hear us yell ”Tooteeth” , don’t worry about it. This is an inside joke between us related to Til’s cats. We take our music very seriously, but I’m not sure I can say the same about our everyday lives.3. We’re the 5 best friends with the same love and passion for music, even with our age gaps. From Charles and Kris being in their late 20’s, Fretch in his 30’s, Til’s almost 40, and Pat is turning 50.

==============================

L-R – Kris King (Bass) – Patrice Jolicoeur (Guitar) – Charles Morin (Vocals) – Til Dubois (Guitar) – Mathieu Fréchette (Drums)

Photo Credit – Sylvain Courchaine (Eighty Oaks Photography)

Emerging from Gatineau, Quebec, Bury the Past is a five‑piece Metalcore/Post‑Hardcore band known for their heavy sound, emotional depth, and relentless drive to evolve. The project took shape when guitarist Til Dubois brought together a group of local musicians to bring his musical vision to life. Two years later, the lineup reached its full potential with the arrival of drummer Mathieu “Fretch” Fréchette, a shift that would redefine the band’s musical direction and energy.

Despite spanning multiple generations, from members in their late 20s to nearly 50, Bury the Past operates as a tight‑knit family. Their chemistry is rooted in friendship, humor, and a shared passion for heavy music. (If you ever hear them yell “Tooteeth,” don’t worry, it’s an inside joke about Til’s cats.) Their bond offstage fuels their intensity onstage, creating a live experience built on precision, emotion, and raw power.

Bury the Past describes their sound in five words: Heavy, Catchy, Emotional, Evolving, Diverse.

Drawing influence from The Ghost Inside, August Burns Red, The Amity Affliction, Alexisonfire, and Parkway Drive, the band blends Metalcore, Modern Metal, and Post‑Hardcore into a style that is unmistakably their own. Their songwriting process is collaborative and fluid; every track is built together, always starting with the music before vocalist Charles Morin shapes the lyrical narrative.

Their lyrics explore everyday struggles, personal battles, and the emotional weight of being human. The result is music that hits hard both sonically and thematically.

The band’s evolution accelerated when Til returned to guitar, and Fretch stepped in as the permanent drummer. Both are multi‑instrumentalists, but this lineup shift allowed each member to settle into the role where they excel most. The result: a more modern, aggressive, and polished sound.

Their latest single, “Clarity,” marks the beginning of this new chapter. It was the first song written with the current lineup and showcases the band’s heavier side, fast‑paced verses, crushing breakdowns, and a refined modern metalcore edge. While “Clarity” is intense, it doesn’t define their limits. Bury the Past prides itself on having none.

With more music already written and waiting for the studio, the band promises that this is only the beginning.

Bury the Past’s live shows are defined by energy, tight musicianship, and authenticity. They don’t compare themselves to other bands; they simply aim to deliver the most powerful version of themselves every time they step onstage and pave the way as a rising force in the Quebec heavy music scene.

With a growing discography, a sharpened sound, and a lineup firing on all cylinders, Bury the Past are entering their strongest era yet. Their evolution is ongoing, their creativity is limitless, and their commitment to their craft is unwavering.

Bury the Past is more than a band; it’s a brotherhood, a creative force, and a testament to the power of heavy music to connect, heal, and evolve.

Discography:
– Clarity / February 6th 2026 / Single
– Give it time / July 4th 2025 / Single
– Unwelcomed / February 14th 2025 / Single
– Constant Changes (ft. Rémi Arsenault from Burn The Evidence) / January 18th 2025 / Single
– Slipping Away / October 25th 2024 / Single
– Mad World / June 20th 2024 / Single

Shared Stage with: Cardiac – As We Suffer – Soulthief – Run Terry Run – Ascension Blacklist – Nature Pleads Revenge – Concessions – Insanity of Dorrow – Feed After Midnight – The Jenova Projekt – Under the Influence – Change My Brain With Cakes – Warcall – Gilgamesh – & More

0 Out Now! Italian Melodic Death KARMIAN Unleashes New Concept Album “Horror Vacui” – A Haunting Dive Into the Void of the Human Psyche

March 20, 2026
by Asher
· KARMIAN (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – March 20, 2026

Out Now! Italian Melodic Death KARMIAN Unleashes New Concept Album “Horror Vacui” – A Haunting Dive Into the Void of the Human Psyche

Rockshots Records proudly announces the release of Horror Vacui, the new full‑length album from Italian melodic death metal force Karmian, available March 20th. A concept record rooted in true events, “Horror Vacui” marks the band’s most ambitious, introspective, and emotionally charged work to date, a descent into the psychological and existential void behind real acts of murder and moral collapse.

“Horror Vacui is the darkest and most introspective chapter of our journey. A descent into the psychological and existential void that hides behind real acts of murder and madness,” says the band.

Recorded, mixed, and mastered at Audiocore Studio by Luca Cocconi and Simone Sighinolfi, the nine tracks on “Horror Vacui” transform true Italian crime cases into harrowing portraits of human fragility, alienation, and the emptiness that breeds violence. Vocalist and lyricist Andrea Bertolazzi approached each story not to sensationalize, but to expose the void beneath the brutality. As he explains:

“We didn’t want to glorify horror; we wanted to expose its roots. This record is about the emptiness that breeds violence, and the fragile humanity that hides beneath.”

From the tragic collapse of nurse Sonya Caleffi to the cult‑like spiral of the Beasts of Satan, from the myth‑shrouded Alleghe murders to the disturbing obsessions of Marco Mariolini and Gianfranco Stevanin, each track becomes a psychological study rendered through Karmian’s signature blend of aggression, melody, and narrative depth.

With “Horror Vacui,” Karmian pushes their sound further than ever. The album fuses Swedish‑influenced melodic death metal with cinematic tension, intricate arrangements, and a raw, live‑driven production approach. Every instrument was recorded acoustically without studio trickery, preserving the band’s trademark authenticity.

“It’s our most mature and intense work to date, melodic death metal meets cinematic tension, raw energy, and psychological storytelling. We wanted the album to leave a lingering sense of inner unease, a discomfort that wounds, but is also exorcised through the act of listening,” adds the band.

The result is an album meant not just to be heard, but felt, a visceral experience that lingers long after the final note. The band hopes listeners will explore the layers of meaning, the connections to real events, and the emotional weight embedded in every riff and lyric.

“Horror Vacui” stands as Karmian’s most profound artistic statement, a fusion of philosophy, extreme metal, and psychological exploration. It is a record that challenges, confronts, and compels reflection on the abyss within.

Recommended for fans of The Haunted, Kataklysm, Heaven Shall Burn, At The Gates, early Dark Tranquillity, and early In Flames, “Horror Vacui” is available now as of March 20th, 2026, through Rockshots Records.

CD – “Horror Vacui” – https://rockshots.eu/products/karmian-horror-vacui-cd

Add to your Spotify playlist – https://open.spotify.com/album/4lEIA86baPxAQIlIq7jCzE?si=4lFqJB9MQQGnYxBluhv5cA

Music Video – Libido Et Mors – https://www.youtube.com/watch?v=qe4bccF7cx4

Visualizer – Beastmaster Of The Void – https://www.youtube.com/watch?v=-NhBZGSShJE

Lyric Video – Beyond The Dream Gate – https://www.youtube.com/watch?v=YOH-uCK88qI

Track Listing:
1. One Thousand Shining Bubbles – 06:38
2. Beastmaster of the Void – 03:21
3. Gott Mit Uns Nicht – 04:38
4. The Call of the Abyssal Bell – 06:17
5. Black Magical Soap Opera – 03:54
6. Temple of the Fleshless Goddess – 03:23
7. Libido et Mors – 03:40
8. Beyond the Dream Gate of Fear – 04:16
9. Maker of Angels – 04:43
Album Length: 40:50

Karmian Line-Up:
Andrea Bertolazzi: Vocals
Andrea Baraldi: Guitars
Michele Perla: Guitars
Luca Marmi: Bass
Nicholas Badiali: Drums

More info:

https://rockshots.eu/

https://www.instagram.com/karmian_official/

https://www.facebook.com/KarmianBand/

BIOGRAPHY:

Originating from Modena, Italy, Karmian stands as one of the most consistent and distinctive voices in Italian melodic death metal, forging a sound that blends raw aggression, melodic nuance, and strong conceptual depth. Their music draws from the sharp-edged intensity of the Swedish tradition while embodying a uniquely Italian sense of drama, history, and emotional resonance.

The band’s earliest incarnation dates back to 2005, when founders Andrea Baraldi, Mauro Leone, and Nicholas Badiali formed a project under the name When the Storm Broke. Though the group disbanded in 2009 after several lineup changes, the experience laid the foundations for what would later become Karmian. In 2011, the founding members revived the project with the addition of vocalist Andrea Bertolazzi, giving rise to the definitive identity of the band and solidifying their path within melodic death metal.

Karmian debuted in 2012 with the EP “Ways of Death”, a conceptual release exploring psychological decline and the “ways of death” – themes that would become central to the band’s artistic identity. Years of touring across Italy and Europe further strengthened their presence within the extreme metal scene, leading to their first full-length album, “Surgere et Cadere” (2018). Rooted in historical and mythological narratives, the album recounts the struggle of the Celtic Boii tribe against the Roman Empire, showcasing the band’s lyrical ambition and intricate musicianship.

Following extensive touring, including performances with Dying Fetus, Mortuary Drape, and Venom Inc., Karmian released “Live at Slaughter Club” (2022), a testament to their intensity and authenticity on stage. After the pandemic years, the lineup evolved with the arrival of Luca Marmi (bass) and Michele Perla (guitars), marking the beginning of a darker, more elaborate creative phase.

This evolution culminates in their most ambitious work to date: the 2026 full-length “Horror Vacui”, recorded at Audiocore Studio with Luca Cocconi and Simone Sighinolfi. The album explores the psychological and existential void behind real acts of Italian murder and madness, transforming nine true-crime cases into allegorical portraits of emptiness, collapse, and human frailty. Musically, “Horror Vacui” expands the band’s soundscape through intricate dual-guitar writing, powerful rhythmic structures, and Bertolazzi’s blend of guttural intensity and narrative expressiveness.

Across their discography, Karmian have built a reputation for merging conceptual storytelling with extreme metal intensity. Whether navigating historical epics or psychological abysses, their work is defined by a commitment to exploring the deeper forces that drive human behavior – resistance, decline, obsession, and the void within. “Horror Vacui” stands as the culmination of this journey: a mature, uncompromising statement of artistic vision, philosophy, and melodic death metal identity.

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 TAMPA DEATH FEST Announces Band Submissions For 2026 Lineup

March 19, 2026
by Asher
· Music News · Tampa Death Fest

NEWS RELEASE

Montreal, QC – March 19, 2026

TAMPA DEATH FEST Announces Band Submissions For 2026 Lineup

Celebrating eight years of showcasing some of the most debaucherous and brutal extreme metal to roll through the state of Florida. Tampa Death Fest returns for two nights of uncompromising extreme metal on September 4th and 5th at the legendary Brass Mug in Tampa Bay, Florida.

The festival has announced it’s accepting band submissions to fill remaining slots for its 2026 lineup. Bands interested in performing at Tampa Death Fest are encouraged to submit their materials before the April 1st deadline. TDF welcomes extreme-metal acts of all styles and origins, with a commitment to curating a lineup that reflects the genre’s depth, diversity, and global reach.

Bands can apply their EPK at: tampabaymetalscene.booking[@]yahoo.com

Since launching in 2019, Tampa Death Fest has cemented itself as a cornerstone of the underground extreme‑metal community. Rooted in the city widely hailed as the Death Metal Capital of the World, TDF continues to unite bands, fans, and local businesses under its guiding mantra: “Strength Through Unity, Unity Through Metal.”

Each year, TDF showcases a diverse roster of international, national, and regional acts, offering a platform for rising underground talent to share the stage with established legends. Past editions of TDF have hosted such notable acts as Satan, Venom, Inc, Ringworm, Diabolic, Leishmaniasis (Colombia), Repulsive Vision (UK), Massacre, Atheist, GraveHuffer, Blasphemation, Carpathian Funeral, Kill The Imposter, Sadistic Vision, Nibiru, Merciless Scum, Quiescent Mantis, MRSA, Pantheon, and more.

With an ever‑growing international presence, Tampa Death Fest continues to strengthen connections across Florida and beyond, fostering a spirit of collaboration and community engagement within the metal scene.

Event Details:
Dates: September 4-5, 2026
Location: The Brass Mug, Tampa Bay, FL

About Tampa Death Fest:
Founded in 2019, Tampa Death Fest has grown into a premier event within the extreme metal world. The festival’s mission is to uplift artists, unite fans, and celebrate the culture of heavy music through a shared passion for brutality, creativity, and community.

More Info: https://www.facebook.com/profile.php?id=61577052471967

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“With Tampa’s legendary death metal scene, I think we can all agree that there should be a fest in this city. There have been a few, but they have come and gone. This includes the three-day Tampa Deathfest that just happened in October 2023. What I like about this Tampa Deathfest is it not only hailed legends, such as Hellwitch and Venom, Inc., but it also represented the local talent we still have here.”- Infernal TV

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 EPK – Iron Kingdom – Shadows and Dust (2026)

March 19, 2026
by Asher
· EPKs · Iron Kingdom

EPK – Iron Kingdom – Shadows and Dust (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Helloween, Riot, Iron Maiden, Savatage, Judas Priest

“Our 6th studio release, ‘Shadows And Dust’, although not directly following a theme or concept, most heavily lends itself towards the themes of death and impermanence. The state of the world seems uncertain, and this record does reflect some of that. It takes on loss, pain and struggle; overall, the concepts and topics are really quite heavy and dark. From a musical standpoint, we pushed into some new territory, new modes, and feelings than on previous records, but we feel it was exactly what was needed, and allowed us to deliver something exciting and new for the band. Iron Kingdom specifically creates albums that are intended to be listened to as an album, front to back. It is how we consume music, and it’s how we package the product, so if you truly want to understand what we do best, give it a full listen, and enjoy the ride!” – Iron Kingdom

Band: Iron Kingdom
Album Title: Shadows And Dust
Release Date: June 6th, 2026
Label: Self-Release (NA), Steel Shark Records (EU)
Distribution: Indie Pool (Digital Distributor)
Genre: Traditional Heavy Metal (NWOTHM)
Location of Band: Vancouver, Canada

Note: The album is also being released in partnership with Steel Shark Records (France), which will offer an exclusive EU edition limited to just 300 double‑CD copies. Disc 1 will contain the full “Shadows and Dust” album, while Disc 2 will feature a “Best Of” collection highlighting tracks from Iron Kingdom’s previous five releases. In addition, the label will introduce a third vinyl colour (100 copies) available only to EU fans.

Iron-kingdom.com | Facebook.com/ironkingdomofficial | Youtube.com/c/IronKingdom | Instagram.com/iron_kingdom/ | X.com/iron_kingdom

Iron-kingdom.com/shop | Iron-kingdom.bandcamp.com | Apple Music | Spotify

True North Strong And Heavy Canadian Tour – Iron Kingdom, W.M.D.
https://www.iron-kingdom.com/tour-dates
June 5 – Vancouver, BC – The Rickshaw
July 2 – Nanaimo, BC – The Globe
July 3 – Victoria, BC – Lucky Bar
July 4 – Cumberland, BC – The Waverley
July 5 – Powell River, BC – The Carlson Loft
July 17 – Armstrong, BC – AMF 2026
July 21 – Prince George, BC – Knox Performance Centre
July 23 – Whitehorse, YT – Lefty’s Well
July 24 – Dawson City, YT – The Pit
July 25 – Dawson City, YT – The Pit
July 26 – Whitehorse, YT – TBD
July 28 – Yellowknife, NT – The Underground
July 29 – Fort Smith, NT – Dirty O’ Fergie’s
July 30 – Edmonton, AB – Starlite
July 31 – Drumheller, AB – LAH 2026
Aug 1 – Winnipeg, MB – Park Theatre
Aug 2 – Thunder Bay, ON – Bloom Bar + Lounge
Aug 3 – Sudbury, ON – The Lounge 390
Aug 4 – London, ON – Supply & Demand
Aug 5 – Waterloo, ON – Maxwells
Aug 6 – Hamilton, ON – TBD
Aug 7 – Toronto, ON – Bovine
Aug 8 – Montréal, QC – Foufounes Électriques
Aug 9 – Sherbrooke, QC – Le Murdoch
Aug 11 – Woodstock, NB – Monteith Manor
Aug 12 – Halifax, NS – Gus’ Pub
Aug 14 – Corner Brook, NL – TBD
Aug 15 – St. John’s, NL – The Rockhouse
Aug 17 – Truro, NS – Marigold Cult. Centre (Lobby)
Aug 18 – Quebec City, QC – L’Anti
Aug 19 – Ottawa, ON – Dominion Tavern
Aug 21 – Saskatoon, SK – Black Cat Tavern
Aug 22 – Calgary, AB – Dicken’s
Aug 23 – Kelowna, BC – Jackknife Brewing

“Loads of riffs and melodies some excellent lead breaks and pounding rhythms. This is bonafide, foot on the monitor, fist pumping, horn throwing real metal. I have never heard Iron Kingdom before but on the strength of this I will be obtaining the back catalogue very soon.” – My Global Mind (The Blood of Creation 2022)

“If you haven’t checked out Iron Kingdom’s earlier releases and you dig pure ’80s metal, grab a copy of The Blood of Creation then get ready to hunt down their earlier catalog. You will not be disappointed.” – The Metal Crypt (The Blood of Creation 2022)

“I am compelled to say that IRON KINGDOM most surely outdone themselves with “The Blood Of Creation”… A distinctively distinguished experience in Heavy Metal relishment distils at an epically entrancing adventure, should you desire it… an injection in infectiously venomous momentum most definitely deserves interest – do check it out.” – Metal Temple (The Blood of Creation 2022)

“With The Blood Of Creation, Iron Kingdom have forged a masterpiece that brings tears of joy to the eyes of every traditional metalhead. There is only high-quality material and everyone is encouraged to include this album in their choice of this year’s Top10. ” – Soundmagnet (The Blood of Creation 2022)

“To put a bow on IRON KINGDOM’s The Blood of Creation, it’s dang good, borderline perfect and any fan of hard rock and heavy metal that is slathered with soaring epic vocals, dual guitar rhythm and shredding solo’s layed down on a feather bed of thunderous, galloping and filling chattering drums and bass then go, go, go get you some of this. A monster thank you to Chris for taking the time to chat me up and gift me this glorious CD. Now I need to go and get the back catalog…” – KNAC (The Blood of Creation 2022)

“a barnstorming barrage of blistering heavy metal, highly head bang-able and immensely infectious.” – Metal Gods TV (The Blood of Creation 2022)

“Iron Kingdom brings another solid heavy metal album with the fifth album ‘The Blood of Creation’. Slightly progressive, but especially heavy… Give the band a listen, you will be surprised!” – Metal Experience (The Blood of Creation 2022)

“”The Blood of Creation” is a satisfying excursion into metal classicism.” – Wormwood Chronicles (The Blood of Creation 2022)

“This is a solid album of heavy metal delivered in the style that is true to the cause and therefore, what the listener gets here with ‘The Blood of Creation’, is an album which mounts its steeds and charges forward in a cavalry strike as galloping riffage and rhythms never give the listener the chance to let up with tracks such as ‘Queen of the Crystal Throne’, ‘In the Grip of Nightmares’ and ‘Witching Hour’ having some very impressive twin guitar lines. This would impress any fan of Iron Maiden, Riot V and Iced Earth, but also sticks within the remit of trad metal with bands such as Katana, Skelator and Toledo Steel.” – Metal Digest (The Blood of Creation 2022)

“if you like your music to deliver heavy metal in that classic way with some heavy NWOBHM worship, then this latest offering from Iron Kingdom is a very good shout” – Metal Digest (The Blood of Creation 2022)

““The Blood Of Creation” is a 13-plus-minute epic track that covers the entire spectrum of what Iron Kingdom is and can be. There is Power, Progressive, Thrash, NWOBHM, and NWOTHM. Soaring vocals, hefty guitars, riffs, rhythms, powerful drums, and bass are all on display for this one. The composition is impressive, complex, and very coherent. The transition makes sense, feels like they are timed perfectly, and flows from one element to the next.” – Metal-Zenith (The Blood of Creation 2022)

“Anyone who likes beautiful and playful melodies, extensive guitar solos, detailed arrangements and double lead guitars will be well served with “The Blood Of Creation”.” – PowerMetal.de (The Blood of Creation 2022)

“The musicianship is solid, the lead work sharp and Osterman’s high-pitched vocals can certainly hit the heights. His soaring shrill delivery on ‘Queen of the Crystal Throne’ demonstrates that perfectly. New drummer Max Friesen makes his recording debut for the band and puts in a sterling effort with some robust and powerful performances.” – Ever-Metal (The Blood of Creation 2022)

“the hype is real: “The Blood of Creation” is an overdose of classic power metal, a homage to the late 80’s – 90’s power metal heroes: HELLOWEEN, GAMMA RAY, HEAVEN’S GATE, SCANNER, early CHINCHILA (remember those guys?), EDGUY with a touch of American stuff like RΙΟΤ.” – Forgotten Scroll (The Blood of Creation 2022)

“They are aiming at the classic sound from the 70s and 80s, so if you want something modern then you have nothing to pick up here. The lyrics speak of war, fear, sacrifice and pain. Luckily the music is not that dark though, but rather very uplifting and pleasant, as it’s a more melodic kind of heavy metal that we get from this band, even though there’s some more powerful tracks too…. I like what I hear.” – Hard Rock Info (The Blood of Creation 2022)

“Iron Kingdom created an iron-bound, battle-hardened piece of traditional Heavy Metal that truly made me want to turn the clock back to those long-gone days of glory. Times when metal was just that, the pure joy of a style that was still new, exciting, and powerful. Or to let the band speak in their own words, they “…decided to play metal the way it used to be played in the 70s and 80s.” Well, mission fucking accomplished. Well done, guys.” – Rock Music Raider (The Blood of Creation 2022)

[Download Album Cover | Download Album Lyrics]

Band: Iron Kingdom
Album Title: Shadows And Dust
Release Date: June 6th, 2026
Label:
Distribution: Indie Pool (Digital Distributor)
Genre: Traditional Heavy Metal (NWOTHM)
Location of Band: Vancouver, Canada

Track Listing:
1. Defenders
2. Eternal Emperor
3. Dreamless Sea
4. Deadhouse Gates
5. Line Of Fire
6. Blood And Steel
7. Shadow Of Time
8. Dark Demands
9. Starlight
10. Sacred Fire
Album Length:

Album Recording Credits:
• All songs performed by: Iron Kingdom
• All songs written by: Iron Kingdom
• Co-Produced by: Chris Osterman & Megan Merrick
• Mixed by: Andy Boldt
• Mastered by: Greg Reely at the Green Jacket
• Album Artwork by: Alan Lathwell
• Member of SOCAN
• Canadian Content (MAPL) YES

Album and Live Band Line Up:
Chris Osterman – Lead Guitar / Lead Vocals
Max Friesen – Drums
Megan Merrick – Lead Guitar
Leighton Holmes – Bass Guitar

=============================================

About The Album Artwork:

This album posed a challenge when developing a cover concept. There was no one song that stood out above the rest story-wise, and only a thin through-line connecting them conceptually. The only line connecting the majority of songs was death, and in a smaller way, impermanence. The cover pulls directly from the story told in ‘Blood and Steel’, showing an army marching across an inhospitable environment as some of the soldiers succumb to the elements. The visual was inspired by a scene in the Malazan Book of the Fallen series by Steven Erikson. In the series, an army has to march across a desert to steal a march on an enemy before the enemy knows they are there. During the march, many die, many lose hope, and many don’t understand why they are doing what they are doing. The horrific gamble works, and the army is successful in getting into position in time, but success is often a small comfort to those who have to go through the trial. Life is often like this: we have to go through things that are uncomfortable, even dangerous, to reach the position we need to be to accomplish what it is we are trying to do. Often, we don’t know why until it’s over. Leighton Holmes (Bass Guitar)

About The Album (LYRICALLY & MUSICALLY):
I find this album plays in quite a dark realm of topics, lots of death and hardships. It speaks of some very low points in human emotions, but I also think that’s exactly what will make this album accessible to people going through tougher times, and hopefully a place of hope, and to help them see that they are not alone. The music, I believe, shows hope for a positive way out, and hopefully offers the listener the will to fight on.

I think this is a fantastic collection of songs that will really open up our live sets and offer a plethora of great new tunes to our fans and followers, it comes from a little bit more of a rock n roll edge overall, but there are so many elements hidden within, and I think it will be a real journey to experience it front to back. Chris Osterman (Lead Vocals / Lead Guitar)

Track by Track (LYRICALLY & MUSICALLY):

1. Defenders
Telling the story of the Battle of Gdansk. Brave Polish soldiers stood against the Nazi invaders for 7 days. The Germans expected the fight to take a couple of hours at most. Leighton Holmes (Bass Guitar)

Even though this song is fast and heavy, with great riffs, I find it very emotional as well, and I think it speaks to the courage of those who defend their families, their friends, and their way of life. I think the music shows strength and sadness, but with a strong will to carry on at all costs. I personally found a lot of inspiration from acts such as Tyran Pace and Primal Fear. Chris Osterman (Lead Vocals / Lead Guitar)

2. Line of Fire
A perspective of a guy in a firefight trying to get away, knowing that if he stops, he dies. Leighton Holmes (Bass Guitar)

Megan came into the jam space with just a ripping riff; it felt like something off of an old Megadeth album, so we knew we needed to do something thrashy and just gut-punching. It was all about fast riffs and ripping leads. Chris Osterman (Lead Vocals / Lead Guitar)

3. Eternal Emperor
About a cursed emperor, who returns to life every time he is killed, more powerful but with a more tenuous grip on his sanity. Leighton Holmes (Bass Guitar)

This one we took on more of a harmonic minor scale approach, sort of like what we did with ’Egypt (The End is Near)’, or ‘The Veiled Knight’, it felt just kind of more eerie, and it allowed for some pretty aggressive vocals. Chris Osterman (Lead Vocals / Lead Guitar)

4. Dreamless Sea
A song about regret, lost love, and the impermanence of life. Uses imagery of a decaying garden and a deadly ocean. Leighton Holmes (Bass Guitar)

This one has a few twists in it musically; there’s some very melodic guitar passages, some even get a little bit progressive, the verse is very DIO, to me, and I tried to give the voice a lot of movement across the song. Chris Osterman (Lead Vocals / Lead Guitar)

5. Deadhouse Gates
A mystical gate hidden in a deadly house can allow mortals to ascend to godhood. Based on the Malazan books by Steven Erikson and Ian C. Esselmont. Leighton Holmes (Bass Guitar)

This one is just a total rock n roll song, some great leads and melodies, and just overall, I think very catchy! Chris Osterman (Lead Vocals / Lead Guitar)

6. Blood and Steel
A story about a soldier who finds himself far away from home after a long and seemingly never-ending campaign. Think of a soldier in Alexander the Great’s army surviving all the way to India. Leighton Holmes (Bass Guitar)

Musically, we wanted this song to sort of sound like a march. We went very bass and drum heavy for the verses, and then just added some layering on top with the guitars in strategic spots. It’s a very different song for us, and I think it will add something very special and unique to our live sets. Chris Osterman (Lead Vocals / Lead Guitar)

7. Shadow of Time
A story about an entity that stands outside the flow of time, witnessing events unfold on earth and debating the consequences of getting involved. Leighton Holmes (Bass Guitar)

This one was one of the first songs we wrote for this album; in particular, I found influence from the act, Praying Mantis; it’s a mid-paced rocker with some very NWOBHM vibes. Chris Osterman (Lead Vocals / Lead Guitar)

8. Dark Demands
A cabal of nefarious warlords prey on the desperate, promising much and delivering little. Leighton Holmes (Bass Guitar)

The song was written to sort of warn against signing a bad record deal, haha, but it’s not about any particular experience, just the idea of the ‘man’, kind of coming in and taking his cut, but it’s far bigger a cut than you ever expected.

Musically, this song was Megan’s brainchild, haha, she wanted something evil and dark, and it just hit as a Judas Priest tune from Painkiller. I feel like she succeeded. Chris Osterman (Lead Vocals / Lead Guitar)

9. Starlight
A story about Gil-galad from ‘The Lord Of The Rings’, the last High King of the Noldor. He died at the hands of Sauron during the Last Alliance of Men and Elves. Without Gil-galad, the defeat of Sauron would not have been possible. Leighton Holmes (Bass Guitar)

This one came from an interesting angle. Max really wanted to do something reminiscent of Iron Kingdom’s beginnings; he took a lot of inspiration from Amanda (For those who don’t know, she was our drummer from the first 3 albums + the live EP). And I think Megan was listening to a lot of Angel Witch, haha, so it kind of blended together into what is now ‘Starlight’. Chris Osterman (Lead Vocals / Lead Guitar)

10. Sacred Fire
About the need for compassion, empathy, and for people to embody higher ideals. Especially in dark times. Leighton Holmes (Bass Guitar)

This is possibly my favourite track on the album; it feels like an epic without actually being all that long of a song (to us). There’s a sort of timeless energy to this one, and the riffs are just cool. Lots of DIO and Iron Maiden vibes, and I think it’s going to be an awesome live tune. I think we will be able to play around with the arrangement a bit live as well, I’m pretty excited about it! Chris Osterman (Lead Vocals / Lead Guitar)

=========================================

BAND STORY ANGLES / FUN FACTS:
1. The release of our 6th studio album, ‘Shadows And Dust’ [June 6th 2026], coincides with our 15th anniversary as a band [June 6th 2011]. Historically, it will be the 82nd anniversary of D-Day in WW2 [June 6th 1944], (The day that Allied forces took back the beaches of France and began liberating Europe.) You could say the planets aligned… but we will let the music speak for itself. The 6th album (06.06.26)

2. With the very recent completion of our own home recording studio and rehearsal space. This is the first album we have recorded entirely in one studio space. Every other album to date has been recorded across at least 2 unique spaces.

3. Iron Kingdom is mostly a DIY act, booking our own tours, recording our own records, building our own website, and everything in between. We pride ourselves on hard work and growth. (Of course, not everything can be done ourselves; we hire out for PR, Printing Merchandise, Mixing/Mastering, and some other tasks, but a large majority of the work is done within the group.)

4. With the release of ‘Shadows And Dust’, we will be headlining our release show at one of the larger rooms in Vancouver. ‘The Rickshaw’ (650 capacity), for us this is a monumental step forward, it is the same venue we got to open for headlining bands such as HammerFall, Angra, Sanctuary and so many others, and to feel in some way that we have worked our way up to headline a venue of that size, is very exciting, and we cannot wait to bring our biggest show yet! (The show will be happening on Friday, June 5th, the night before the official release.

5. We are thrilled to soon embark on one of the most extensive tours of Canada, definitely the largest that we as a band have ever done, and to be quite frank, probably likely to be quite rare across any live acts. We will be performing in 9 provinces, and 2 territories crossing over 20,000KM’s of travel, with shows as far North as Dawson City, Yukon, as far East as St. John’s, Newfoundland and as far West as Victoria, British Columbia. Not only will it be filled with incredible shows, bands and fans, but also an awe-inspiring journey to see our massive and beautiful country in one incredible journey.

L-R: Max Friesen (Drums) | Chris Osterman (Lead Vocals / Lead Guitar) | Megan Merrick (Lead Guitar) | Leighton Holmes (Bass)

Photo Credit – Cailin Haley

Forged in Vancouver, Canada, in 2011, Iron Kingdom has spent fifteen years carrying the torch for classic Heavy Metal with unwavering conviction. Inspired by the genre’s titans, Iron Maiden, Judas Priest, Helloween, The Scorpions, and Rush—the band built its identity on electrifying stage presence, intricate twin-guitar harmonies, and a steadfast devotion to the melodic, adventurous spirit of Traditional Metal. As the band puts it, they formed because modern Metal had “forgotten about the melody, the stage show, and the accessibility of the music,” so they chose to “pick up the torch and do it ourselves.”

Iron Kingdom began with guitarist/vocalist Chris Osterman, bassist Leighton Holmes, and drummer Amanda Osterman. After releasing their debut ‘Curse of the Voodoo Queen’ in 2011, the band toured Western Canada and even appeared on Canada’s Got Talent. Guitarist Kenny Kroecher joined shortly before the release of the debut, helping shape the heavier direction that would define their next era.

Their 2013 album ‘Gates of Eternity’ earned international attention and led to a performance at Germany’s Keep It True XVII festival, an early milestone that opened doors to extensive touring across Canada, Europe, and the United States. The band’s momentum continued with the dual 2015 releases ‘Ride for Glory’ and the live EP ‘Unleashed at the Kraken’, though the accompanying tour was marred by a near-fatal vehicle accident that marked a turning point in their lineup and resilience.

Following lineup changes, Iron Kingdom pushed forward with major North American and Brazilian tours, sharing stages with acts like Blaze Bayley and HammerFall.

Guitarist Megan Merrick joined following this period, contributing to the band’s Traditional and Power-Metal-infused sound.

Their 2019 album ‘On the Hunt’ showcased this evolution, supported by a North American tour and a European run cut short only by the onset of COVID-19. Drummer Max Friesen joined in 2020, adding to the group’s Progressive Metal edge and completing the lineup that carries the band into its current era.

In 2022, Iron Kingdom released their fifth studio album, ‘The Blood of Creation’, further cementing their identity as a modern force in Traditional Heavy Metal. The band continued to refine their collaborative writing approach, driven by a collective creative engine where “the best ideas move forward” and every member contributes to the final vision.

Now, in 2026, Iron Kingdom enters a defining moment with the release of their sixth studio album, ‘Shadows and Dust’, arriving June 6, 2026, a date that symbolically aligns with both their 15th anniversary and the 82nd anniversary of D-Day. As the band notes, “The release of our 6th studio album… coincides with our 15th anniversary… You could say the planets aligned.”

‘Shadows and Dust’ marks several firsts and milestones:

It is the first album recorded entirely in the band’s own home studio, a major step in their long-standing DIY ethos.

It showcases a darker, more emotionally charged lyrical landscape, exploring themes of death, impermanence, hardship, and resilience.

Musically, it blends the band’s classic Heavy Metal roots with new textures, progressive touches, and a renewed sense of storytelling.

Its release show will see Iron Kingdom headlining Vancouver’s Rickshaw Theatre, a venue where they once opened for their heroes, now a symbol of how far they’ve climbed.

The album’s creation reflects the band’s collaborative maturity. Songs were developed through jam-based writing sessions, where riffs, lyrics, and concepts evolved organically. As Leighton describes, lyric inspiration often comes from “books, and sometimes movies… as long as it’s thought-provoking,” while Chris emphasizes the band’s commitment to crafting albums that take listeners on a journey.

Across six albums, Iron Kingdom has transformed from a Hard-Rock-leaning young band into a fully realized Traditional Metal powerhouse. Their sound, described by Chris as “Classic, Powerful, Epic, Adventurous, Melodic”, draws from classic Heavy Metal, Power Metal, Progressive Metal, and Neo-Classical influences.

Yet despite their evolution, their mission remains unchanged: to deliver raw, energetic, no-click-track, no-backing-track Heavy Metal with the spirit of the genre’s golden age. Their live shows remain a cornerstone of their identity, “a real force on the live stage,” commanding attention with movement, musicianship, and authenticity.

Fifteen years in, Iron Kingdom stands as one of Canada’s most dedicated champions of Traditional Heavy Metal. Their journey, marked by relentless touring, lineup changes, near-disasters, and triumphant reinventions, has shaped a band that thrives on perseverance and passion.

With ‘Shadows and Dust’, Iron Kingdom enters its next era with sharpened purpose, renewed fire, and a sound that honours the past while forging boldly ahead. Their story is one of endurance, evolution, and the unbreakable power of Heavy Metal.

Discography:
2026 – Shadows And Dust – (LP)
2022 – The Blood Of Creation – (LP)
2019 – On The Hunt – (LP)
2015 – Unleashed At The Kraken (Live In Seattle) – (EP)
2015 – Ride For Glory – (LP)
2013 – Gates Of Eternity – (LP)
2011 – Curse Of The Voodoo Queen – (LP)

Artist Endorsements / Sponsors: Pete Joy – Joystix Rockade in Keokuk, IA – Sticks and Strings

Music Placements: Hockey Night in Canada (Queen Of The Crystal Throne) LIVE TV

Shared Stage with:
Sanctuary, Anvil, HammerFall, Angra, Ross the Boss (Ex-Manowar), Blaze Bayley (Ex-Iron Maiden), Metal Church, Jag Panzer, Flotsam and Jetsam, Skull Fist, Witch Cross, Girlschool, Into Eternity, Tygers Of Pan Tang, Satan, Striker, Visigoth, Riot Act, Riot City, Unleash The Archers,
Night Demon, Burning Witches, Glacier, Iron Fate, Tailgunner, Steel ShockTourts and Festivals:
2024 – Muskelrock Festival – Alvesta, SE
2024 – Horns Up Festival – Trikala, GR
2024 – Decibel Rebel Festival – Kavala, GR
2024 – Helicon Metal Fest – Warsaw, PL
2024 – Heavy Metal Thunder Fest – Pisek, CZ
2024 – GLACIER (USA) – EUROPE TOUR
2023 – British Steel Saturday Night Festival – Fismes, FR
2023 – Rising Fest – Dijon, FR
2023 – STEEL SHOCK (NL) – EUROPE TOUR
2022 – Armstrong Metal Fest – Armstrong, BC, Canada
2022 – Hyperspace Metal Fest III – Vancouver, BC, Canada
2021 – Loud As Hell Fest – Drumheller, AB, Canada
2020 – Full Metal Osthessen – Niederjossa, DE
2018 – Hyperspace Metal Fest I – Vancouver, BC, Canada
2018 – Halloween Havoc Festival – Surrey, BC, Canada
2016 – Metallion Fest III – Vanderhoof, BC, Canada
2016 – Tatuira Festival – Bento Gonçalves, Brazil
2016 – BLAZE BAYLEY (UK) – Brazilian Tour
2015 – Metallion Fest II – Vanderhoof, BC, Canada
2014 – Throwback Metal Fest – Apple Valley, CA, USA
2014 – NIGHT DEMON (USA) – USA TOUR
2014 – Keep It True XVII – Lauda-Konigshofen, DE
2014 – Warm Up Festival – Paris, FR
2014 – Very ‘Eavy Fest – Stadskanaal, NL

0 Canada’s IRON KINGDOM Unveils First Single “Defenders” From Sixth Album “Shadows and Dust” Out June 2026 + Cross Canada Tour!

March 19, 2026
by Asher
· Iron Kingdom · Music News

NEWS RELEASE

Montreal, QC – March 19, 2026

Canada’s IRON KINGDOM Unveils First Single “Defenders”

Sixth Album “Shadows and Dust” Out June 6th, 2026 via Steel Shark Records

Headline Hometown Show in Vancouver + Cross Canada Tour! and Armstrong Metal Fest, Loud As Hell Open Air Fest

L-R: Max Friesen (Drums) | Chris Osterman (Lead Vocals / Lead Guitar) | Megan Merrick (Lead Guitar) | Leighton Holmes (Bass)

Photo Credit – Cailin Haley

Vancouver, Canada’s traditional heavy metal torchbearers IRON KINGDOM proudly announce the release of “Defenders,” the first single and music video from their upcoming sixth studio album, “Shadows and Dust,” due out June 6, 2026. The album is also being released in partnership with Steel Shark Records (France), which will offer an exclusive EU edition limited to just 300 double‑CD copies. Disc 1 will contain the full “Shadows and Dust” album, while Disc 2 will feature a “Best Of” collection highlighting tracks from Iron Kingdom’s previous five releases. In addition, the label will introduce a third vinyl colour (100 copies) available only to EU fans.

“Defenders” sets the tone for “Shadows and Dust” with a powerful blend of speed, emotion, and classic heavy metal grit. Inspired by the Battle of Gdansk, the track pays tribute to the Polish soldiers who held their ground for seven days against Nazi invasion, an act of courage that deeply resonates with vocalist/guitarist Chris Osterman, whose own family history is tied to the conflict.

“Being that my family is half Polish, this song strikes a chord for me. I imagined what my great‑grandfather experienced riding with the Polish cavalry in WWII, and I also imagined what people in Ukraine must be feeling right now. Even though the song is fast and heavy, it’s very emotional. It speaks to the courage of those who defend their families, their friends, and their way of life,” says Osterman.

Musically, “Defenders” channels the band’s signature blend of classic heavy metal, drawing influence from acts like Tyran Pace and Primal Fear, with soaring melodies, galloping riffs, and a relentless sense of urgency.

Watch and listen to the music video for “Defenders” at https://www.youtube.com/watch?v=t3k7tW5-9Os

“Shadows and Dust” sees IRON KINGDOM exploring darker lyrical themes, death, hardship, impermanence, while maintaining the triumphant spirit and melodic fire that define their sound.

“This album plays in a dark realm of topics, but I think that’s what will make it accessible to people going through tough times. The music shows hope for a positive way out. It’s a journey from front to back,” adds Osterman.

The album’s artwork by Alan Lathwell was inspired by the track “Blood and Steel” and the Malazan Book of the Fallen series by Steven Erikson, depicting an army marching through a harsh, unforgiving landscape, a metaphor for perseverance through adversity.

IRON KINGDOM will celebrate the release of “Shadows and Dust” with a hometown headline show at the Rickshaw Theatre on June 5, delivering the high‑energy, classic‑metal stage show they’ve become known for. Info at https://orangetickets.ca/detalles_evento.php?id_evento=2127

Following the album launch, the band will hit the road across Western Canada with confirmed festival appearances at Armstrong Metal Fest and Loud As Hell Festival.

True North Strong And Heavy Canadian Tour – Iron Kingdom, W.M.D.
https://www.iron-kingdom.com/tour-dates
June 5 – Vancouver, BC – The Rickshaw
July 2 – Nanaimo, BC – The Globe
July 3 – Victoria, BC – Lucky Bar
July 4 – Cumberland, BC – The Waverley
July 5 – Powell River, BC – The Carlson Loft
July 17 – Armstrong, BC – AMF 2026
July 21 – Prince George, BC – Knox Performance Centre
July 23 – Whitehorse, YT – Lefty’s Well
July 24 – Dawson City, YT – The Pit
July 25 – Dawson City, YT – The Pit
July 26 – Whitehorse, YT – TBD
July 28 – Yellowknife, NT – The Underground
July 29 – Fort Smith, NT – Dirty O’ Fergie’s
July 30 – Edmonton, AB – Starlite
July 31 – Drumheller, AB – LAH 2026
Aug 1 – Winnipeg, MB – Park Theatre
Aug 2 – Thunder Bay, ON – Bloom Bar + Lounge
Aug 3 – Sudbury, ON – The Lounge 390
Aug 4 – London, ON – Supply & Demand
Aug 5 – Waterloo, ON – Maxwells
Aug 6 – Hamilton, ON – TBD
Aug 7 – Toronto, ON – Bovine
Aug 8 – Montreal, QC – Foufounes Electriques
Aug 9 – Sherbrooke, QC – Le Murdoch
Aug 11 – Woodstock, NB – Monteith Manor
Aug 12 – Halifax, NS – Gus’ Pub
Aug 14 – Corner Brook, NL – TBD
Aug 15 – St. John’s, NL – The Rockhouse
Aug 17 – Truro, NS – Marigold Cult. Centre (Lobby)
Aug 18 – Quebec City, QC – L’Anti
Aug 19 – Ottawa, ON – Dominion Tavern
Aug 21 – Saskatoon, SK – Black Cat Tavern
Aug 22 – Calgary, AB – Dicken’s
Aug 23 – Kelowna, BC – Jackknife Brewing

Formed in 2011, IRON KINGDOM have spent over a decade championing the classic heavy metal tradition, drawing influence from legends such as Iron Maiden, Judas Priest, Helloween, The Scorpions, and Rush. Known for their electrifying live performances, intricate musicianship, and unwavering dedication to the genre, the band has toured extensively across Canada, the USA, Europe, and Brazil, sharing stages with acts like Night Demon and Blaze Bayley.

“Shadows and Dust” marks the next chapter in their evolution, an album that blends old‑school metal spirit with fresh energy and emotional depth.

Album Teaser – https://www.youtube.com/watch?v=nmWn8pKOyh0

Album pre-order (release date June 6th, 2026) available at the following links:

Official Merch store: https://www.iron-kingdom.com/shop
Bandcamp: https://iron-kingdom.bandcamp.com/music

Track Listing:
1. Defenders
2. Eternal Emperor
3. Dreamless Sea
4. Deadhouse Gates
5. Line Of Fire
6. Blood And Steel
7. Shadow Of Time
8. Dark Demands
9. Starlight
10. Sacred Fire

For more info:
https://www.iron-kingdom.com
https://www.facebook.com/ironkingdomofficial
https://www.instagram.com/iron_kingdom

– 30 –

“a barnstorming barrage of blistering heavy metal, highly head bang-able and immensely infectious.” – Metal Gods TV (The Blood of Creation 2022)

“”The Blood of Creation” is a satisfying excursion into metal classicism.” – Wormwood Chronicles (The Blood of Creation 2022)

0 \m/ Thank You Canadian MDs and DJs for the airplay love! \m/\m/ !earshot – The National Loud Chart For the Week Ending: Tuesday, March 17, 2026 #3 Triskelyon, #4 Pythonic | CFBX 92.5FM – Kamloops Loud – #8 Cepheidae Variable, #10 Born Divided | CFOU 89.1FM – Trois-Rivieres Loud – #9 Triskelyon | CIVL 101.7FM – Abbotsford Loud – #5 Triskelyon, #6 Juliet Ruin, #7 Phaeton, #8 MUTANK | CJLO 1690AM – Montreal Loud – #4 Pythonic, #8 Triskelyon | CJSR 88.5M – Edmonton Loud – #7 Outlying | CJSW 90.9FM – Calgary Loud – #4 Pythonic, #8 Triskelyon | CJUM 101.5FM – Winnipeg Loud – #10 Gravewitch | CICK 93.9FM – Smithers Top 30 – #12 Unpunished | CJLO 1690AM – Montreal Top 30 – #17 Pythonic

March 18, 2026
by Asher
· Born Divided · Cepheidae Variable · Gravewitch · Juliet Ruin · MUTANK · Outlying · Phaeton · Pythonic · radio charts · Triskelyon · Unpunished

\m/ Thank You Canadian MDs and DJs for the airplay love! \m/\m/
!earshot – The National Loud Chart
For the Week Ending: Tuesday, March 17, 2026
#3 Triskelyon, #4 Pythonic
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2026-03-17
========
CFBX 92.5FM – Kamloops
Loud – #8 Cepheidae Variable, #10 Born Divided
https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2026-03-17
========
CFOU 89.1FM – Trois-Rivieres
Loud – #9 Triskelyon
https://earshot-online.com/charts/cfou.cfm?intChartTypeID=6&dWeekOfID=2026-03-17
========
CIVL 101.7FM – Abbotsford
Loud – #5 Triskelyon, #6 Juliet Ruin, #7 Phaeton, #8 MUTANK
https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2026-03-17
========
CJLO 1690AM – Montreal
Loud – #4 Pythonic, #8 Triskelyon
https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2026-03-17
========
CJSR 88.5M – Edmonton
Loud – #7 Outlying
https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2026-03-17
========
CJSW 90.9FM – Calgary
Loud – #4 Pythonic, #8 Triskelyon
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2026-03-17
========
CJUM 101.5FM – Winnipeg
Loud – #10 Gravewitch
https://earshot-online.com/charts/cjum.cfm?intChartTypeID=6&dWeekOfID=2026-03-17
========
CICK 93.9FM – Smithers
Top 30 – #12 Unpunished
https://earshot-online.com/charts/cick.cfm?dWeekOfID=2026-03-17
========
CJLO 1690AM – Montreal
Top 30 – #17 Pythonic
https://earshot-online.com/charts/cjlo.cfm?dWeekOfID=2026-03-17

0 Rockshots Records – RIMMAR Shares New Music Video “These Ruins” ft. Marco “Biuller” Bertuccioli (Smelly Boggs, J27, 80’s Sunset Strip)

March 18, 2026
by Asher
· Music News · Rimmar (Rockshots Records)

NEWS RELEASE

Montreal, QC – March 18, 2026

RIMMAR Shares New Music Video “These Ruins” ft. Marco “Biuller” Bertuccioli (Smelly Boggs, J27, 80’s Sunset Strip)

“It’s a dream come true, lasting for years. Now everything can begin”.

With these words, Italian guitarist and composer Marco Rinaldi introduced Rimmar, his visionary solo project. Today, that vision continues to unfold with the release of the new music video “These Ruins”, out now via Rockshots Records, marking a new chapter in the cycle of the latest album “Raises”.

Far from being a traditional band, Rimmar remains a one-man artistic endeavor driven entirely by Rinaldi’s creative direction. As with the entire “Raises” album, “These Ruins” is fully written, composed, and arranged by Rinaldi himself, blending classic, progressive, and industrial metal with synth-driven and electronic elements into a sound that is both modern and distinctly recognizable.

Continuing the conceptual path established by singles “Planet Mars” and “Unreal“, “These Ruins” explores a more introspective dimension within the album’s narrative framework. In comparison, earlier releases focused on rebirth, transformation, and elevation, the new single turns toward the idea of constraint, those invisible forces that bind the individual – and the inner tension required to break free. The result is a track that balances melodic depth and rhythmic impact, expanding the project’s emotional range.

The song features Marco “Biuller” Bertuccioli (Smelly Boggs, J27, 80’s Sunset Strip), whose vocal performance brings a raw and expressive edge, enhancing the track’s intensity and reinforcing its thematic weight. His contribution adds a distinctive character while remaining fully integrated within Rimmar’s sonic identity.

At the core of the project lies a composition-first approach: Rinaldi develops each piece starting from riffs or rhythmic structures, later expanding them through layered arrangements, synth textures, and detailed production work. Lyrics emerge from reflections, dreams, and personal insight, serving the music rather than guiding it – “The word is a servant of music in my case”, he explains.

The music video for “These Ruins” transforms the track’s tension and atmosphere into a striking visual language, reinforcing the project’s identity and narrative through a hybrid sound that fuses metal, electronic elements, and progressive influences.

Watch the official video for “These Ruins” at https://www.youtube.com/watch?v=J4mRkMrC2G8

Originally released on July 4th, 2025, the full-length “Raises” introduced a concept centered on rebirth, transcendence, and emotional elevation, symbolized by the image of a constantly rising volume knob. The record features a cast of exceptional guest performers from the Italian metal scene. Among them, Fabio Lione (Rhapsody of Fire, Angra) appears on two tracks (“Mighty Messenger” and “Vortex”), along with Kyo Calati (MindAheaD), Marco Andreotti (Imagine Dragons tribute), Mattia Fagiolo (White Thunder, Dragonhammer), and Alessandro Cola (Eldritch), each lending their voice and energy to the project.

For fans of Devin Townsend, Pain, Nine Inch Nails, and Faith No More, Rimmar stands at the intersection of power, experimentation, and modern songwriting, continuing to shape a distinctive voice within the contemporary metal landscape.

Digital Album – https://lnk.to/LSOElQT4

CD ORDER: https://rockshots.eu/products/rimmar-raises

Music Video – Mighty Messenger ft. Fabio Lione – https://www.youtube.com/watch?v=e2SbBTPXG6I

Music Video – “Planet Mars” – https://www.youtube.com/watch?v=O2JwJ8UtSO4

Track Listing:
1. Unreal (feat. Mattia Fagiolo)
2. Mighty Messenger (feat. Fabio Lione)
3. These Ruins (feat. Marco Bertuccelli)
4. 8th Sin (feat. Marco Andreotti)
5. Planet Mars (feat. Mattia Fagiolo)
6. Vortex (feat. Fabio Lione)
7. Queen of the Gold (feat. Marco Bertuccelli)
8. Cruel Summer (feat. Kyo Elisa Proietti)
9. Raises

Rimmar Line Up:
Marco Rinaldi: Guitars
Tommy Pellegrini: Rhythm Guitars
Marco Moretti: Drums
Alessandro Cola: Bass Guitar

More info:

– https://rockshots.eu/

– https://www.facebook.com/profile.php?id=100063487690785

– https://www.instagram.com/rimmar_official/

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Ashen Horde – The Harvest (2026)

March 18, 2026
by Asher
· ASHEN HORDE · EPKs

EPK – Ashen Horde – The Harvest (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Opeth, Voivod, Enslaved, Ihsahn, Strapping Young Lad

Band: Ashen Horde
Album Title: The Harvest
Release Date: May 1, 2026
Label: Self-Release
Genre: Extreme Metal
Location: Los Angeles, CA, USA

Facebook.com/AshenHorde | Youtube.com/@Ashenhorde | Instagram.com/ashenhorde

Ashenhorde.bandcamp.com | Apple Music | Ampwall.com/a/ashenhorde | Ashenhorde.bigcartel.com | Spotify

“The harvest is coming! The new Ashen Horde album is a multi-faceted journey into every nook and cranny of extreme metal. “The Harvest” is challenging and quirky, but unlike a lot of other progressive/experimental releases, it never loses track of the key ingredient in music – good songwriting. All tracks are well-crafted and interesting in their own right, and the skillful instrumental performances are more like the icing on the cake and not the main focus. Highly recommended!” – Nik Sundin (Dark Tranquillity)

“The song (Entropy and Ectasy) captures this dichotomy of collapse and exhilaration — of entropy and ecstasy — through a fast-spinning (and head-spinning) kaleidoscope of sound. The moods of the music change along the way, but even the relatively slower and more desolate passages include inventive and intriguing nuances. Karl Chamberlain’s remarkably multi-faceted voice is a perfect match for the remarkably multi-faceted nature of the music. He expels brutal death metal gutturals and ripping black metal screams, but he also sends his singing voice in ravishing upward arcs that are spine-tingling to hear, and down into gloomy troughs. As for the surrounding music, it’s intricate and exhilarating, especially when the band are in full flight, discharging rapidly darting and maniacally swirling notes, incendiary bursts of tremolo’d delirium, or riffing that feverishly slashes with vicious, serrated edges. In less frantic phases, the music dismally groans and throbs, creating a pall of desolation, even when Chamberlain’s voice might be reaching for the clouds. The fretwork also includes angular progressions that generate moods of disorientation and fearfulness, and the song further includes an astonishing guitar solo that all by itself seems to capture the song’s thematic dichotomy of collapse and jubilation. Perhaps needless to say, Robin Stone’s drumming is as constantly changing as everything else, and surgically crafted to match all the other head-spinning, pulse-pounding, and heart-sinking twists in this shapeshifter of a song.” – No Clean Singing

“Antimony; 3/5 rating; “the sound Ashen Horde has developed over three albums is pretty much theirs alone. It’s a dense but accessible approach that rewards both casual listens and sustained attention.” – Angry Metal Guy (2023 – Antimony)

“Equal parts blackened madness, death metal riffing, and clean vocals, “The Neophyte” should get just about anyone stoked for Antimony.” – Metal Injection (2023 – Antimony)

“an amazing odyssey all around and the amount of remarkable coherency as well as the instrumentation work and musicianship is just top notch.” – Metal Purgatory (2023 – Antimony)

“Progression like what Ashen Horde has undergone over the years is what the best tales in the underground are made out of.” – Head-Banger Reviews (2023 – Antimony)

“Fallen Cathedrals; 4.0 rating; “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” – Angry Metal Guy (2019 – Fallen Cathedrals)

[Download Album Cover | Download Album Lyrics]

Band: Ashen Horde
Album Title: The Harvest
Release Date: May 1, 2026
Label: Self-Release
Genre: Extreme Metal
Location: Los Angeles, CA, USA

Track Listing:
1. Autumnal (6:12)
2. Entropy and Ecstasy (5:47)
3. Backward Momentum (5:21)
4. Voids in the Ash (5:41)
5. Remnant (4:37)
6. A Place in the Rot (4:38)
7. Apparition (4:57)
8. The Harvest (5:46)
Album Length: 43:03

Credits:
Mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios
Artwork by Venus Kohana (venuskohana.com)

Lineup:
Trevor Portz: Guitar, Bass, Harmony Vocals
Karl Chamberlain: Vocals
Robin Stone: Drums

Live Line-up:
Trevor Portz: Guitar
Karl Chamberlain: Vocals
Greg Murphy: Drums
Second guitar and bass: TBD

===============================================

About the album artwork:

The cover art was created by an extremely talented artist named Venus Kohana. I actually. discovered her work at an art show at my wife’s work. There were several pieces of hers that I loved, but the image of the two red skeletons really caught my attention. I bought a print of it at the show, and after staring at it for a few days, I realized I wanted it to be the cover art. Even the color scheme fits with the Autumn vibe. I tracked Venus down through Instagram and asked if she’d be down to license it to us. Luckily, she said yes, and I’m so happy about it. It’s unique and cool, and very metal; it even inspired the lyrics to the title track, which closes the album.

About the album as a whole (lyrically and musically):

Unlike the previous four albums, “The Harvest” is not a concept album; however, it does have an overarching theme: endings. For the first time in Ashen Horde’s history (at least when it comes to full-lengths), I didn’t have a single story | wanted to tell. But after I came up with a couple of different lyric ideas, I realized they had a connecting theme. “Entropy and Ecstasy” is about a couple who get a thrill from the tragedy and chaos all around.

“Autumnal” looks at old Pagan beliefs and ceremonies that came with the end of the harvest season; “Backward Momentum” focuses on the seemingly devolution happening across society. Each is rooted in a reaction to something ending, so we leaned on that for the rest of the songs. Karl wrote “Voids in the Ash” about the last days of Pompeii, which was certainly a dramatic end!

Track By Track (lyrically and musically):

1. Autumnal
The music for this song was inspired by Sensorio, an outdoor light installation in Paso Robles, CA. My wife and I were there for a mini vacation, and the overall vibe of the lights spread across the countryside triggered the idea for both the intro melody and lyrics, which are about old Pagan activities that came with the end of the harvest season and coming of Fall. The slow build from quiet to full-on black-metal blast beats seemed like a perfect way to kick off the album.

2) Entropy and Ecstasy
This song, which we chose as the first single and shot a video for, is about a couple who, instead of being terrified by the world collapsing around them, get a thrill from it. I don’t remember what initially sparked the idea, but it’s fair to assume the initial Covid lockdowns had something to do with it! I thought the music, which definitely takes some influence from Voivod, reflected both the chaos of the outside world and the bizarre passion of the couple. This was also the song Karl used for his “audition.” I sent him a demo with some unfinished lyrics, and he sent back his take on it. I was immediately blown away. His vocals on the core melody, “how can we thrive if we expect to survive?” give me chills every time I hear them.

3) Backward Momentum
This is a weird song with a lot of different things going on musically! There’s actually a fair bit of melody buried under some pretty unconventional riffs. There’s definitely Opeth inspiration, particularly using layered clean vocals over some fast blasting. This technique was used on the Lotus Eater from “Watershed,” and I thought the synergy of the extreme and melodic was just super effective. Then you get this riff-heavy, hard rock break in the middle that taps into my love of all things 90s. The extended solo here is probably my favorite on the album, and the one I worked on the hardest.

Lyrically, it’s my angry rant about people seemingly devolving and falling into superstitious and conspiratorial beliefs while ignoring science and rational thinking.

4) Voids in the Ash
Trevor: I wanted something a little more moody and slow, so that drove this song. I didn’t have any idea about what the vocals should sound like, so when Karl came back with this Soundgarden/Alice in Chains-esque melody for the verses, I realized he’d stumbled onto exactly what it needed. Yet again, the contrast of a dark melody with some unconventional riffs makes for a unique listen. Interestingly, the black-metal sounding blast beat parts were not originally intended to be fast, but Robin came up with the idea to go that direction, and the jarring jump from slow to fast was better than what I’d come up with, haha!

Karl: Voids in the Ash is a special track for me. The last one was written and recorded vocally for this record. The song is about Pompeii, told from the perspective of the people of Pompeii and the gods who hated them enough to bury them in ash.

5) Remnant
Trevor: I honestly don’t remember a lot about what inspired the music on this one, other than my love of trying different things. It’s not too fast or progressive, but has a lot of energy.

Karl: Remnant is about a man out hunting in the wilderness when a storm hits. His trail gets destroyed, and he hopelessly wanders until he finds salvation at a stranger’s cabin. He’s taken in, fed, and then the storm picks up again, destroys the cabin, and everybody dies. No happy ending.

6) A Place in the Rot
Trevor: We slow things down again here, and while it’s still heavy, the guitar parts are pretty melodic. The solo at the beginning was sort of an afterthought, but I think it works really well. I get the middle section stuck in my head a lot, which is hopefully an indicator that it’s cool.

The name of the song came from the Swamp Thing series; I’ve always been fascinated by how the Rot contrasts the Green (read the series for more info on what that means). But all I had was the title and no lyrics. I told Karl that’s where the name came from, and he replied, letting me know that he was a huge fan of the series and even had a Swamp Thing “Love and Death” tattoo! It further proved that he was the right choice for the band!

Karl: A Place in the Rot is about Swamp Thing and how our destiny is the soil. In the end, we all die, so live a good life!

7) The Apparition
This is probably the heaviest song on the album. The main riff was inspired by early death metal—basically all the stuff that got me into extreme metal in the first place. But in typical Ashen Horde fashion, that leads right into a strange little riff with an odd rhythm and vaguely 70s feel (at least, that’s how I see it).

The lyrics are sung from the perspective of a ghost who sees people doing truly horrible things, but who is helpless to do anything about it. He wonders if it’s punishment for things he did in life, yet doesn’t recall what he did. Thus. He’s slowly going insane in his eternal prison.

8) The Harvest
The music for this song was inspired by a trip I took to Iceland a few years ago. We were driving through the countryside, and the insane scenery: black beaches, glaciers, and an almost unearthly landscape, was just so awe-inspiring. I can’t explain exactly why it translated to these riffs, but it did! I didn’t realize it at the time, but I hear some definite influence from Demonaz’s album “March of the Norse.” Apparently, some subliminal inspiration crept in!

While I already knew I wanted to have a title track for the album, I wasn’t sure what the lyrics would be about. It wasn’t until I found the cover art that the idea finally came to light. Inspired by the red skeletons, I imagine an entity that’s watching humanity from the shadows, judging how awful and stupid we’ve become. At some point, when things have reached whatever the creature deems to be the absolute end of hope for humanity, it will emerge and devour everything. It’s really a metaphor for the bizarre tendency of humans to go out of their way to destroy themselves and the planet.

=================================================

Fun Facts:

1. Ashen Horde began as a solo project, and Trevor was the only member for the first two albums.

2. Until the filming of the Entropy and Ecstasy video, no two members of the band had ever played (or even mimed) together. The album was recorded completely remotely, with the members never meeting.

3. Obviously, based on the previous statement, the band has never played live! But for the first time since Ashen Horde’s inception in 2013, the band will play its first shows in May.

4. Karl was introduced to Trevor via George Washburn, host of the Metalheads Podcast. Both Trevor and Karl had been on the show at various times, so when Trevor was seeing a new vocalist, George suggested Karl.

5. This is the first Ashen Horde album that isn’t a true concept album. The previous four told (mostly) self-contained stories, but The Harvest is based on an overall theme instead; that being “endings.” We did something similar with the Tintregen EP back in 2019 (the theme there was “agony”), and I like having everything connect in some way.

Photos by @still.squill (Trevor); Photo Dun Right (Karl); unknown (Robin)

For over 10 years, Ashen Horde has been delivering extreme metal that strives to embrace a multitude of metal subgenres without being bound to any one of them. Drawing influence from metal’s crème de la extreme, Ashen Horde has a sound rooted in death and black metal, but can’t truly be called either. Touching on everything from melodic prog to 90s alternative, they’re sure to appeal to fans of prog metal’s elite, from Opeth and Enslaved to Amorphis and Ihsahn.

The band, fronted by guitarist and primary songwriter Trevor Portz, has just completed work on its fifth album, The Harvest. The first full-length to feature new vocalist Karl Chamberlain, The Harvest sees the band expanding on the sound they’ve been building over the last decade. Taking full advantage of Chamberlain’s expansive vocal range, they’ve created an album that is as melodic as it is heavy. From the Voivod-with-blastbeats energy of “Entropy and Ecstasy,” to “Apparition,” which interrupts its brutal death and black metal sections with progressive wanderings, The Harvest epitomizes Ashen Horde’s love of variety. “Voids in the Ash,” with lyrics that examine the fall of Pompeii, combines grunge-inspired harmony vocals with hyperspeed black metal bursts. It’s an album of sharp contrasts, but all through a tight, extreme metal filter.

Breaking tradition from its predecessors, The Harvest is not a concept album; however, the lyrics are linked together by a central theme. Each song explores an aspect of things ending… or approaching an end. Opening track “Autumnal” explores end-of-harvest-season pagan traditions, while “Backward Momentum” takes a look at humanity’s unnatural desire to revert to a more primitive state. It’s not an album about hopelessness, but it does ponder the question of whether endings really are new beginnings, as the saying goes.

Launched as a one-man project in 2013, Ashen Horde has released four critically-acclaimed albums, as well as several EPs and 7” singles. Ashen Horde’s 2019 album, Fallen Cathedrals, received a coveted 4/5 on Angry Metal Guy, with the reviewer stating, “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” The band signed with Transcending Obscurity Records for 2023’s Antimony, which helped elevate the band’s status across the globe. Antimony also made Sick Drummer’s “Favorite Drumming Albums of 2023” list, praising the incredible work of acclaimed drummer Robin Stone.

2025 will also be a banner year for the band, as it will finally see them take to the stage. While the band has existed as a studio-only project previously, the new lineup is ready to bring their brand of chaos to audiences this fall, with tour dates in the works. While The Harvest may be about endings, the band sees this album as a new beginning.

Discography:
The Harvest (full length, 2026)
Decayed (EP, 2024)
Antimony (full length, 2023)
Black Curse (EP, 2021)
Archaic Convictions (single, 2021)
A Semblance of Normalcy (single, 2020)
Tintregen (EP, 2019)
Fallen Cathedrals (full length, 2019)
The Alchemist (7″, 2017)
Nine Plagues (full length, 2015)
Feral (EP, 2015)
Echthros (7″, 2015)
Obcisus (EP, 2014)
Sanguinum Vindicta (full length, 2014)
Ab Initio (EP, 2013)

0 ASHEN HORDE Announces New Album “The Harvest” Out May 2026; Unveil Music Video “Entropy and Ecstasy”

March 17, 2026
by Asher
· ASHEN HORDE · Music News

NEWS RELEASE

Montreal, QC – March 17, 2026

ASHEN HORDE Announces New Album “The Harvest” Out May 2026; Unveil Music Video “Entropy and Ecstasy”

Photos by @still.squill (Trevor); Photo Dun Right (Karl); unknown (Robin)

Los Angeles extreme‑metal shapeshifters Ashen Horde return on May 1st, 2026, with “The Harvest”, their fifth full‑length album and the first to feature new vocalist Karl Chamberlain (Putrefier, Alcyone, Necrotic Remains). Known for weaving black metal, death metal, prog, and 90s‑inspired grit into something unmistakably their own, Ashen Horde push their sound further than ever, embracing melody, chaos, and sharp contrasts across eight thematically linked tracks.

Alongside the album announcement, Ashen Horde have unveiled the first single, “Entropy and Ecstasy”, a whirlwind of jagged riffs, angular Voivod‑like progressions, and Chamberlain’s soaring, chilling vocal hooks. The accompanying video represents a major milestone for the band: despite recording the entire album remotely, this is the first time the members have appeared together on camera.

The first preview to the album, “Entropy and Ecstasy,” captures the album’s core idea: finding exhilaration in collapse. The song follows a couple who thrive on the chaos of a world falling apart, a concept Portz admits was likely sparked by the early COVID lockdowns.

Guitarist and primary songwriter Trevor Portz recalls being floored by Chamberlain’s audition:

“I sent him a demo of ‘Entropy and Ecstasy’ with unfinished lyrics, and he sent back his take. His vocals on the line ‘how can we thrive if we expect to survive?’ still give me chills.”

Listen and watch the music video for “The Harvest” via its premiere on NoCleanSinging HERE.

Add to your Spotify playlist – pre-save – https://show.co/z0ZVdF9

“The Harvest” marks a turning point for Ashen Horde. After a decade as a studio‑driven project, the band is preparing to play its first‑ever live shows in May, coinciding with the album’s release. It’s also the first full‑length to feature Chamberlain, whose dynamic range helped reshape the band’s sonic identity.

While Ashen Horde’s previous four albums were tightly constructed concept records, “The Harvest” takes a different approach. Each track stands alone, yet all orbit the idea of endings, personal, societal, historical, and cosmic.

“I didn’t have a single story this time, but the lyrics kept circling reactions to things ending. From societal collapse to ancient rituals to the last days of Pompeii, everything tied together naturally,” explains Portz.

Musically, the album is a showcase of the band’s eclectic influences. From the opening track, “Autumnal”, a slow-burning ascent into full black‑metal fury, inspired by the Sensorio light installation in Paso Robles. “Backward Momentum” blends Opeth‑style clean‑vocal layering with 90s‑rock riffing and one of Portz’s favorite solos on the album. “Voids in the Ash” pairs grunge‑inflected vocal harmonies with hyperspeed black‑metal bursts, telling the story of Pompeii from both mortal and divine perspectives. “The Apparition” channels early death metal before spiraling into odd‑meter prog weirdness. The title track, “The Harvest,” closes the album with an apocalyptic vision inspired by Iceland’s stark landscapes and the album’s striking cover art.

The album’s cover, featuring two red skeletons locked in an eerie, autumnal tableau, was created by artist Venus Kohana, whose work Portz discovered at an art show. The imagery’s blend of beauty, decay, and ritual perfectly mirrors the album’s themes.

“I bought a print and couldn’t stop staring at it. Eventually, I realized it had to be the cover. It even inspired the lyrics to the title track.”

For over a decade, Ashen Horde has carved out a unique place in extreme metal, refusing to be confined to any single subgenre. Rooted in black and death metal but unafraid to explore melodic prog, 90s alternative, and avant‑garde experimentation, the band appeals to fans of Opeth, Enslaved, Amorphis, Ihsahn, and metal’s more adventurous corners.

Originally founded as a solo project by guitarist and primary songwriter Trevor Portz, Ashen Horde has evolved into a full lineup featuring vocalist Karl Chamberlain and Australian-based drummer Robin Stone (The Amenta, Convulsing).

“The Harvest” represents the band’s most dynamic, collaborative, and ambitious work to date.

Album pre-order (release date May 1, 2026) available on limited splatter vinyl and CD (along with t-shirt bundles) on Bandcamp, as well as everywhere digitally – https://ashenhorde.bandcamp.com/album/the-harvest

Tour Dates:
May 14 – Montclair, NJ – The Meatlocker
May 15 – Wallingford, CT – Cherry Street Station
May 16 – Brattleboro, VT – Midnight’s

Track Listing:
1. Autumnal (6:12)
2. Entropy and Ecstasy (5:47)
3. Backward Momentum (5:21)
4. Voids in the Ash (5:41)
5. Remnant (4:37)
6. A Place in the Rot (4:38)
7. Apparition (4:57)
8. The Harvest (5:46)
Album Length: 43:03

Credits:
Mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios
Artwork by Venus Kohana (venuskohana.com)

Lineup:
Trevor Portz: Guitar, Bass, Harmony Vocals
Karl Chamberlain: Vocals
Robin Stone: Drums

More Info:

https://www.facebook.com/AshenHorde/

https://www.instagram.com/ashenhorde

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“Equal parts blackened madness, death metal riffing, and clean vocals, “The Neophyte” should get just about anyone stoked for Antimony.” – Metal Injection (2023 – Antimony)

“an amazing odyssey all around and the amount of remarkable coherency as well as the instrumentation work and musicianship is just top notch.” – Metal Purgatory (2023 – Antimony)

“Progression like what Ashen Horde has undergone over the years is what the best tales in the underground are made out of.” – Head-Banger Reviews (2023 – Antimony)

“Fallen Cathedrals; 4.0 rating; “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” – Angry Metal Guy (2019 – Fallen Cathedrals)

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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