For the Week Ending: Tuesday, May 19, 2026
https://earshot-online.com/charts/cfou.cfm?intChartTypeID=6&dWeekOfID=2026-05-19
https://earshot-online.com/charts/cfou.cfm?dWeekOfID=2026-05-19
NEWS RELEASE
Montreal, QC – May 22, 2026
Australia’s GREYSTONE CANYON Shares Claymation Cover Video of LED ZEPPELIN Classic “Immigrant Song”
New Album “Something Borrowed…Something New” Out Now!
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Australian hard rockers Greystone Canyon unleash their explosive take on the legendary Led Zeppelin classic “Immigrant Song”, delivering the iconic anthem with raw power, grit, and unapologetic attitude.
The track is taken from the band’s third full-length album “Something Borrowed…Something New”, a record that perfectly captures the authentic spirit of Greystone Canyon: loud, direct, and fiercely organic. Recorded live in a single room without click tracks, heavy editing, or digital manipulation, the album embraces the timeless energy of classic rock records where feel and performance mattered more than sterile perfection.
Rather than reinventing the song, Greystone Canyon chose to honor its primal energy while injecting its own hard-hitting approach into the performance. The result is a version that feels immediate, visceral, and alive, staying true to the essence of the original while carrying the band’s unmistakable personality.
Accompanying the release is a completely handcrafted official video built around a striking claymation concept. Staying true to the album’s old-school philosophy, the animation features plasticine characters and construction-paper backgrounds, with every frame individually photographed to recreate an epic, Viking-inspired journey that perfectly matches the relentless drive of the track.
Claymation characters & animation: Dumindu
Mixed & mastered by: Joel Taylor
Watch the claymation cover video at https://www.youtube.com/watch?v=OKcuHv8BU8I
“Something Borrowed…Something New” combines reimagined classics with brand new original material, creating a record that balances nostalgia, personality, and pure rock energy. It’s an album built on honesty, instinct, and the kind of human performance that modern productions often forget.
For fans of Led Zeppelin, Ozzy Osbourne, and Thin Lizzy.
“Something Borrowed… Something New” was released on December 5th, 2025, from Rockshots Records and is available on all major streaming platforms and physical formats.
CD – https://rockshots.eu/products/greystone-canyon-something-borrowed-something-new-cd
Add to your Spotify playlist – https://open.spotify.com/album/1ZyEq4kWkhDg6RnzCbGKJj
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Track Listing:
1. Doctor, Doctor (UFO cover) – 04:16
2. Just Got Paid (ZZ Top cover) – 03:35
3. Drives Us – 05:06
4. Immigrant Song (Led Zeppelin cover) – 02:21
5. Friend of the Fox – 03:57
6. Suicide (Thin Lizzy cover) – 05:14
7. Hey, Hey, My, My (Into the Black) (Neil Young cover) – 03:22
8. AAF – 1:47
9. Stealing Our Freedom – 04:26
Album Length: 33:54
More info: Rockshots.eu | Facebook.com/greystonecanyon | Instagram.com/greystonecanyon_official
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“An honest record for sure, Something Borrowed…Something New could gain favor for Greystone Canyon as there’s something so timeless about this style. It’s the type of record that enhances your love of heavy music as well as the versatility that has been there since the 70s.8.5/10” – DeadRhetoric
“My take on the album: May people have wondered who will replace AC//DC as the next Hard Rock/Metal band with heavy blues in their music. Greystone Canyon is the answer. Remember the name these guys are going places. Every member of the band have mastered their skills and is a tight unit that complement each other. This a belter of an album. Nothing less than the perfect 10 would do justice to the album.” – Project Metal Music
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NEWS RELEASE
Montreal, QC – May 22, 2026
Out Now! EMBRACE OF SOULS’ New Concept Album “Battle of the Dead”; Streaming New Visualizer “Eversun”
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Embrace Of Souls proudly unveil “The Battle Of The Dead“, the band’s new full-length album and most ambitious work to date, together with the release of the new focus track “Eversun,” further supported by a brand new Official Visualizer. Following the momentum generated by the previously released singles “Desolate Lands” and the album’s title track “The Battle Of The Dead”, the Italian power metal force pushes its artistic vision even further, delivering a record where epic storytelling, symphonic grandeur, and classic European power metal converge into a cohesive and emotionally charged listening experience.
Conceived as an 11-track fantasy concept, “The Battle Of The Dead” unfolds across a medieval world fractured into rival kingdoms where a mysterious plague begins corrupting human souls and slowly drags the continent toward an inevitable war between the living and the dead. Rather than unveiling every detail of the storyline, the band deliberately preserves the narrative’s mystery, inviting listeners to discover its deeper meaning through the interplay between music and lyrics. Themes of power, betrayal, sacrifice, and hope permeate the album, shaping a journey designed to be experienced in its entirety.
Musically, “The Battle Of The Dead” marks a decisive step forward for Embrace Of Souls. Firmly rooted in the legacy of ‘80s and ‘90s heavy and power metal while embracing the epic and symphonic scope of early-2000s European metal, the album delivers a sound that is both commanding and emotionally resonant. Driving guitar work, relentless double-kick rhythms, layered keyboards, and expansive choral arrangements form the backbone of the record, while the dynamic interplay between Giacomo Rossi’s powerful lead vocals and Martina Mazzeo’s operatic performances elevates the material with additional depth, contrast, and theatrical intensity.
Among the album’s standout moments is “Eversun”, the new focus track released alongside the album. Perfectly encapsulating the duality that permeates the entire record, the song balances darkness and melody through a powerful blend of energetic power metal, symphonic textures, and emotionally driven vocal arrangements. Defined by its dynamic pacing, triumphant melodic direction, and dramatic atmosphere, “Eversun” highlights the band’s increasingly mature songwriting approach while preserving the epic spirit that has characterized Embrace Of Souls since its inception.
Founded by drummer and composer Michele Olmi, Embrace Of Souls originally emerged as a studio project created to unite talented Italian musicians under a shared passion for classic heavy and power metal. Over time, the project evolved into a fully established live band, steadily refining its artistic identity while sharing the stage with renowned acts such as Stratovarius, Sonata Arctica, and Rhapsody of Fire.
The album also features a special guest appearance by Morby (Domine), further strengthening the connection with the most authentic tradition of Italian power metal.
The record showcases a particularly refined production, enhanced by the mix and mastering handled by Alessio Garavello at Rogue Studios in London, bringing out both the album’s powerful rhythmic impact and its rich melodic and symphonic atmosphere.
With “The Battle Of The Dead“, Embrace Of Souls deliver their strongest and most complete statement to date: a record conceived not merely as a collection of songs but as a fully interconnected musical and narrative experience where epic power metal, symphonic atmospheres, and emotionally charged storytelling merge into a world waiting to be discovered.
Watch the video – Eversun: https://www.youtube.com/watch?v=eMmtIjk-nHg
and previous videos:
Music Video – Desolate Lands – https://www.youtube.com/watch?v=8TS0sF6CQ2s
Music Video – The Battle Of The Dead – https://www.youtube.com/watch?v=4UivMmjBSIY
“The Battle Of The Dead” releases today, on May 22nd, 2026, in digital format and digipak CD edition, and will be available to be ordered at the following links:
CD DIGIPAK: https://rockshots.eu/products/embrace-of-souls-the-battle-of-the-dead-cd
DIGITAL: https://lnk.to/kwCVof
OFFICIAL MERCH: https://embraceofsoulsband.bigcartel.com/
For fans of: Rhapsody Of Fire, Stratovarius, Sonata Arctica, Nightwish.
RELEASE PARTY: MAY 30th, 2026
Embrace Of Souls will present The Battle Of The Dead live at La Cripta Club (Cusano Milanino, Italy), alongside Derdian, Drakkar and Axe Blade.
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Track Listing:
1. The Battle Of The Dead
2. Eversun
3. The Plague
4. The Gathering
5. Spine
6. Who Can Save Us
7. Betrayal
8. The Dark Lord
9. The War (feat. Morby)
10. Sacrifice
11. Desolate Lands
Line-up:
Giacomo Rossi – Vocals
Martina Mazzeo – Vocals
Edward De Rosa – Guitars
Xavier Rota – Bass
Davide Baldelli – Keyboards
Michele Olmi – Drums
More info:
https://www.rockshots.eu
https://www.instagram.com/embraceofsouls/
https://www.facebook.com/embraceofsoulsofficial/
BIOGRAPHY:
Embrace Of Souls is an Italian power metal band founded by drummer and composer Michele Olmi, conceived with the aim of bringing together talented musicians around a shared vision rooted in collaboration, brotherhood, and a deep passion for classic metal. Initially born as a studio project, the band took shape with the release of their debut album “The Number Of Destiny” in 2021, receiving positive feedback on an international level and notable acclaim in Japan.
Drawing inspiration from ’80s and ’90s heavy and power metal, as well as the epic and symphonic metal of the early 2000s, Embrace Of Souls developed a sound characterized by powerful riffs, epic atmospheres, and strong melodic sensibility. Over time, the project evolved into a full live band, allowing the group to further consolidate its artistic identity and deepen its expressive range.
In 2024, Embrace Of Souls returned with their second full-length album, “Forever Part Of Me,” marking a significant step forward in terms of maturity and songwriting. This phase also introduced important changes within the line-up, bringing renewed energy and a broader musical perspective to the band’s sound.
A key element of this evolution is the current vocal pairing. Giacomo Rossi, already involved in previous releases, now takes on a central role as lead vocalist while Martina Mazzeo, an accomplished soprano vocalist, adds a symphonic and operatic dimension to the band’s music. Together, their voices embody the duality that defines Embrace Of Souls: light and darkness, power and elegance, intensity and emotion.
Having shared the stage with renowned acts such as Domine, Vision Divine, Stratovarius, Sonata Arctica, and Rhapsody Of Fire, Embrace Of Souls continue to refine their identity while looking toward the future. The band is now working on new material, further developing their epic and narrative-driven approach to solidify their presence on the international power metal scene.
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NEWS RELEASE
Montreal, QC – May 21, 2026
WITHOUT MERCY Unleash Lyric Video “The Saint” From New EP “Infinite Loss” Out Now!
Produced by John Douglass (Alluvial, Nile, Nekrogoblikon)
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Top – L -R – Alex Friis – Vocals, Matt Helie – Drums, Ryan Loewen – Bass
Bottom – DJ Temple – Guitars
Photo Credit: Shimon Photo – www.shimonphoto.com
Vancouver extreme metal unit Without Mercy has released the brand‑new lyric video for “The Saint,” the latest visual chapter supporting their newly issued EP “Infinite Loss.” The track follows the band’s earlier lyric video for the EP’s title track and the previously revealed singles “Glass” and the official music video for “The Saint.”
“The Saint” marks one of the most significant creative departures in Without Mercy’s catalogue, a song shaped through deep collaboration between the band and their producer John Douglass (Alluvial, Nile, Nekrogoblikon), built on tension, space, and unfamiliar structure.
“The Saint represents the furthest departure from our usual writing approach. It came from a willingness to step back and let someone we trust help guide the process… Instead of discarding our roots, it tests their flexibility, exploring how far they can be stretched before they break,” adds guitarist DJ Temple.
Released May 8th, 2026, “Infinite Loss” captures Without Mercy at their most focused, intentional, and uncompromising. Written during a period of instability and recorded after uprooting their lives to track the EP abroad, the record documents a band choosing discomfort, honesty, and discipline over convenience.
The EP’s three tracks, “Infinite Loss,” “The Saint,” and “Glass”, were selected not as singles, but as statements. Each survived months of scrutiny, revision, and collective challenge.
“This record exists because we chose to be uncomfortable, to argue honestly, and to stay in the room until it felt right… It is focused, intentional, and real. These songs document a short, intense window of our lives where commitment mattered more than convenience and honesty mattered more than expectation,” says Temple.
Lyrically, “Infinite Loss” is about being hunted, not by a single antagonist, but by the relentless pressures of modern life: economics, identity, time, and survival. The threat shifts, but never disappears.
Musically, the EP mirrors that tension through weight, repetition, and restraint. Riffs sit and suffocate. Rhythms feel deliberate and physical. Aggression is controlled rather than explosive.
The artwork, created in collaboration with artist Diego Gedoz de Souza, reflects this emotional core: a desolate forest, a massive void carved into the earth, stillness above and violence below, a visual entry point into the EP’s world.
Without Mercy was formed in 2007, blending groove, extreme metal, and technical precision into a sound described as “heavy and insightful at the same time.” The band has shared stages with Cattle Decapitation, Aborted, and Death Angel, and has appeared as downloadable content in Rock Band 3, bridging gaming culture and heavy music.
Their discography includes “All Else Fails” (2007), “Without Mercy” (2009), “Reborn” (2014), rereleased as “Mouichido” (2016), and “Seismic” (2020). “Infinite Loss” marks their most focused and intentional work to date, a release built from collapse, rebuilt through discipline, and finished with absolute conviction.
Recommended for fans of Meshuggah, Gojira, Decapitated, Alluvial, and Pantera, experience the new lyric video for “The Saint” via TheCirclePit YouTube channel at https://www.youtube.com/watch?v=4O54Lr9G6ug
Music Video – The Saint – https://www.youtube.com/watch?v=Le9wnFk5vzM
Lyric Video – Glass – https://www.youtube.com/watch?v=C7Ub18HjM_w
Listen to the full EP “Infinite Loss” on all digital platforms at https://ffm.to/infiniteloss
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Track Listing:
1. Infinite Loss – (4:15)
2. The Saint – (3:39)
3. Glass – (3:16)
EP Length: 11:11
EP and Live Band Line Up:
Alex Friis – Vocals
DJ Temple – Guitars
Ryan Loewen – Bass
Matt Helie – Drums
More info:
https://www.withoutmercyband.com/
https://www.facebook.com/withoutmercyband
https://www.instagram.com/withoutmercyband
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“The music was excellent…a potent mixture of aggression and technical precision. Now that I can taste them, I am very much looking forward to a full length from the band.” – Metal-Temple
““The Saint” is somehow both maniacal and controlled. In its opening couple of minutes it seems to be a carefully calibrated convulsion, discharging its myriad sensations in quick stop-start bursts of seemingly off-kilter but tightly executed mayhem. Those sensations include sledgehammer rhythmic brutishness, shrill and spidery fretwork-delirium, and napalm-strength vocals. The grooves are there — grooves of differing kinds — but they quickly jackhammer listeners in the midst of harrowing howls, scorching screams, and a multitude of fleet-fingered but berserk and discordant string contortions. Moreover, at the 2:18 mark the song suddenly and dramatically changes — indeed, it’s difficult to overstate just how dramatic the change is. In place of all the frenetically bursting frequencies the lead guitar gently rings and seductively warps above gravel-toned bass-lines and steady beats, an interlude that brings hints of jazz fusion to mind. That’s just a quick breather before the song’s intensity blazes again, and yet the segue back into the finale of bludgeoning grooves and squirming guitars is a smooth and near-seamless one.” – No Clean Singing
“WITHOUT MERCY With this release they position themselves clearly in the intersection of death metal, groove and metalcore, without completely submitting to any of these genres. The band uses elements of these directions to develop their own language that relies on suspense rather than classic hooks. Conclusion: WITHOUT MERCY succeeds with »Infinite Loss« an impressive statement in the field of death/groove metal, metalcore. 4/5” – Metal Underground Austria
“the controlled aggression and delicious grooves of title track “Infinite Loss” gradually ramp up in their intensity, creating a sense of slow suffocation before the riffs subside to allow for a technical solo of the highest order from DJ Temple. A powerful statement piece that flows in wave like patterns through dark moods, the sonic weight of the music conveys the message without the need for the harsh vocals from Alex Friis. That’s not to say his words are superfluous; on the contrary, they’re the fuel for the fire as the world burns.” – Metal Noise
“we hear a solid force coming through, where riffs are the main ingredient, alongside a brutal and aggressive-sounding voice.” – Musika
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NEWS RELEASE
Montreal, QC – May 21, 2026
IRON KINGDOM’s New Video Opens The “Deadhouse Gates” Ahead of Sixth Album “Shadows and Dust” Out June 2026
Sixth Album “Shadows and Dust” Out June 6th, 2026 via Steel Shark Records
Headline Hometown Show in Vancouver + Cross Canada Tour! and Armstrong Metal Fest, Loud As Hell Open Air Fest
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L-R – Max Friesen (Drums), Leighton Holmes (Bass), Chris Osterman (Lead Vocals / Lead Guitar), Megan Merrick (Lead Guitar),
Photo Credit – Cailin Haley
Vancouver, Canada’s purveyors of heavy metal Iron Kingdom, are charging forward with the next chapter of their upcoming sixth studio album, “Shadows and Dust,” and unveiling their third single and music video, “Deadhouse Gates”.
“Deadhouse Gates” follows the album’s first two singles, “Defenders” and “Blood and Steel,” continuing to showcase the band’s blend of classic heavy metal power, epic storytelling, and electrifying musicianship.
Bassist Leighton Holmes offers a deep look into the single’s literary inspiration:
“Deadhouse Gates is based on Malazan Book of the Fallen by Steven Erikson. The Deadhouse is a seemingly abandoned house in Malaz City that serves as a conduit to other planes of existence and is used by two mortals to ascend to godhood as rulers of Shadow. The song tells the story of ancient power waiting for those worthy, or crafty, enough to gain entry, but warns of the dangers presented to the unprepared. Straying from the path means an eternity of torment and imprisonment, but the chance for power is enticing. The dead trees scattered across the yard of the house hide those that are unsuccessful in their roots. It is a cautionary tale of reach exceeding grasp as well as an inspirational story of striving towards greatness.”
Frontman Chris Osterman adds:
“This one is just a total rock n’ roll song, some great leads and melodies, and just overall, I think very catchy!”
Watch and listen to the video for “Deadhouse Gates” at https://www.youtube.com/watch?v=zBE3s4WRlIw
Add to your Spotify playlist – https://open.spotify.com/track/5YtmnaBqfbJkUBa4s4N42d
“Shadows and Dust” marks a major milestone for Iron Kingdom: their 15th anniversary and their first release under their new label partnership with Steel Shark Records (France), who will offer an exclusive EU edition limited to just 300 double‑CD copies. Disc 1 will contain the full “Shadows and Dust” album, while Disc 2 will feature a “Best Of” collection highlighting tracks from Iron Kingdom’s previous five releases. In addition, the label will introduce a third vinyl colour (100 copies) available only to EU fans. The album arrives June 6, 2026, coinciding with the 82nd anniversary of D‑Day, a symbolic date the band intentionally chose.
Recorded entirely in their newly completed home studio, the album explores themes of mortality, hardship, perseverance, and the search for meaning. Osterman describes the emotional weight behind the record:
“This album plays in quite a dark realm of topics… but I also think that’s exactly what will make this album accessible to people going through tougher times… The music shows hope for a positive way out, and hopefully offers the listener the will to fight on.”
Iron Kingdom will celebrate the album with their biggest hometown headliner yet at Vancouver’s iconic Rickshaw Theatre on June 5, 2026. Info – https://orangetickets.ca/detalles_evento.php?id_evento=2127
“To feel in some way that we have worked our way up to headline a venue of that size is very exciting, and we cannot wait to bring our biggest show yet!”
Following the album’s release, Iron Kingdom will hit the road across Western Canada (dates listed below) with confirmed festival appearances at Armstrong Metal Fest and Loud As Hell Open Air Festival.
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True North Strong And Heavy Canadian Tour – Iron Kingdom, W.M.D.
https://www.iron-kingdom.com/tour-dates
June 5 – Vancouver, BC – The Rickshaw
July 2 – Nanaimo, BC – The Globe
July 3 – Victoria, BC – Lucky Bar
July 4 – Cumberland, BC – The Waverley
July 5 – Powell River, BC – The Carlson Loft
July 17 – Armstrong, BC – AMF 2026
July 21 – Prince George, BC – Knox Performance Centre
July 23 – Whitehorse, YT – Lefty’s Well
July 24 – Dawson City, YT – The Pit
July 25 – Dawson City, YT – The Pit
July 26 – Whitehorse, YT – The 98 Hotel
July 28 – Yellowknife, NT – The Underground
July 29 – Fort Smith, NT – Dirty O’ Fergie’s
July 30 – Edmonton, AB – Starlite
July 31 – Drumheller, AB – LAH 2026
Aug 1 – Winnipeg, MB – Park Theatre
Aug 2 – Thunder Bay, ON – Bloom Bar + Lounge
Aug 3 – Sudbury, ON – The Lounge 390
Aug 4 – London, ON – Supply & Demand
Aug 5 – Waterloo, ON – Maxwells
Aug 6 – Ottawa, ON – Dominion Tavern
Aug 7 – Toronto, ON – Bovine
Aug 8 – Montréal, QC – Foufounes Électriques
Aug 9 – Sherbrooke, QC – Le Murdoch
Aug 11 – Woodstock, NB – Monteith Manor
Aug 12 – Halifax, NS – Gus’ Pub
Aug 14 – Corner Brook, NL – Retro
Aug 15 – St. John’s, NL – The Rockhouse
Aug 17 – Truro, NS – Marigold Cult. Centre (Lobby)
Aug 18 – Quebec City, QC – L’Anti
Aug 19 – Hamilton, ON – Doors Pub
Aug 21 – Saskatoon, SK – Black Cat Tavern
Aug 22 – Calgary, AB – Dicken’s
Aug 23 – Kelowna, BC – Jackknife Brewing
Formed in 2011 in Vancouver, Iron Kingdom carries the flame of classic heavy metal inspired by Iron Maiden, Judas Priest, Helloween, The Scorpions, and Rush. Known for their high‑energy performances, intricate twin‑guitar work, and unwavering DIY ethos, the band has toured extensively across Canada, the USA, Europe, and Brazil, sharing stages with Night Demon, Blaze Bayley, and more.
Their discography includes “Curse of the Voodoo Queen” (2011), “Gates of Eternity” (2013), “Ride for Glory” (2015), “On the Hunt” (2019), and “The Blood of Creation” (2022). “Shadows and Dust” marks the next chapter in their evolution, an album that blends old‑school metal spirit with fresh energy and emotional depth.
Album pre-order (release date June 6th, 2026) available at the following links:
Official Merch store: https://www.iron-kingdom.com/shop
Bandcamp: https://iron-kingdom.bandcamp.com/music
Music Video – Defenders – https://www.youtube.com/watch?v=t3k7tW5-9Os
Lyric Video – Blood and Steel – https://www.youtube.com/watch?v=qb8BIzHT3_Q
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Track Listing:
1. Defenders
2. Eternal Emperor
3. Dreamless Sea
4. Deadhouse Gates
5. Line Of Fire
6. Blood And Steel
7. Shadow Of Time
8. Dark Demands
9. Starlight
10. Sacred Fire
For more info:
https://www.iron-kingdom.com
https://www.facebook.com/ironkingdomofficial
https://www.instagram.com/iron_kingdom
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“Ten tracks leading to a beautiful journey you will wish to live forever. A masterpiece to own with pleasure. Iron Kingdom has arrived on the stardom stairs, and it’s worth it 100/100.” – The Metal Mag
“the entire album is rock-solid from start to finish. If you call yourself a metal fan, this is a mandatory addition to your playlist.” – Broken Neck Radio
“If you only have one selection to convince someone whether they should invest time/money/effort into Iron Kingdom, play them “Shadow Of Time” as it locks into the classic sound they do so well. Winner!” – Mark Gromen – Bravewords
“Iron Kingdom has really taken their stance with hard rock and heavy metal to a standstill, packed with amazement and shining glory in all of its wonder, but making sure the two genres between the NWOBHM and thrash eras are kept in their mighty epic book of ingredients to keep you coming back for more. What can I say? Shadows and Dust is the album we’ve been waiting for this upcoming summer of 2026.” – Echoes and Dust
“After countless tours, line-up changes and even after a serious accident, IRON KINGDOM seem stronger today than ever. With ‘Shadows And Dust’ they deliver exactly the album that traditionalists have been longing for for years. Powerful, melodic, anthemic and rousing, full of great guitar moments and an honest passion for classic heavy metal. If you love IRON MAIDEN, RIOT, HELLOWEEN or SAVATAGE, you should definitely grab it here. The release in all formats as well as via “Steel Shark Records” with vinyl for collectors also fits in with this.” – Saitenkult
“Iron Kingdom’s sixth full-length continues the band’s upward trajectory in a way that is both concise and still varied. Every track has just enough difference between to make them all stand out from one another, while never feeling like they belong to a different artist. 2022’s “Blood of Creation” was an absolute clinic in modern metal perfection, and it would always be a tough act to follow but Iron Kingdom did so with gusto. Masterfully produced and even better performed, “Shadows and Dust” is one of the years best.” – The NWOTHM
“If you enjoy classic heavy metal and want more of that timeless sound, then ‘Shadows and Dust’ will feel very familiar in a good way… it is honest, energetic, and enjoyable from start to finish.” – AfterNoiz
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NEWS RELEASE
Montreal, QC – May 19, 2026
Canada’s Mock‑Rock Cult Heroes SONS OF BUTCHER Unveil Raunch-Fueled Video “Steeltown Handy”
New EP “Skids” Out Now!
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L-R – Doug Borski – Bass/Vocals, Joey Salami – Guitar, Crissy Stixx – Drums, Ricky Butcher – Lead Vocals/Guitar
Photo Credit – Evan Thompson
Canada’s cult mock‑rock legends Sons of Butcher have dropped the brand‑new music video for “Steeltown Handy,” the latest visual installment supporting their newly released EP “Skids,” released this past March 2026. The video continues the band’s expanding skid‑rock universe, following the recent singles “Peppercorn Steak,” “Denim Dreamin’,” and “Makin’ Bacon.”
A pop‑leaning rocker soaked in grit, grime, and Sons of Butcher’s trademark raunch‑comedy charm, “Steeltown Handy” dives into the underbelly of Hamilton’s streets with a chorus built for shouting along. The video leans fully into that world, equal parts sleaze, satire, and skid‑life sincerity, delivering a visual companion as catchy and unhinged as the track itself.
“This EP marks the first time we’ve written songs that aren’t tied directly to the cartoon storyline. Except for ‘Peppercorn Steak,’ these songs come straight from our grease‑clogged hearts. ‘Steeltown Handy’ is pure skid‑anthem energy, wrong in all the right ways,” says frontman Ricky Butcher.
Released on March 27, 2026, “Skids” marks Sons of Butcher’s first major collection since 2020’s “Lockdown in Steeltown” and their first full creative surge since reuniting after a decade‑long hiatus. Produced by longtime collaborator Jordon Zadorozny at Skylark Park, the EP showcases a sharper, more polished version of the band’s signature absurdity.
The four‑track EP includes 4 tracks, “Denim Dreamin’,” a socially acceptable ode to denim culture. “Makin’ Bacon”, a metal‑forward bacon‑worshipping anthem. “Steeltown Handy”, a pop‑rock banger about desperation deals in the gritty city. “Peppercorn Steak” is a fully realized studio version of a fan‑favourite cartoon‑era track. The EP also features drumming by Kellii Scott (Failure), completing a full‑circle moment for the band’s long‑running creative lineage.
Born from their Teletoon animated series, Sons of Butcher fuse absurdist comedy with heavy rock in a proudly self‑proclaimed genre: mock rock. Known for spandex, pepperette‑throwing, chaotic stage antics, and butcher‑shop‑bred humour, the band has built a cult following across Canada.
With “Skids,” Sons of Butcher aren’t just back, they’re carving forward with their most polished and unfiltered work to date.
Watch the video for “Steeltown Handy” at https://www.youtube.com/watch?v=b2ki1ioWm6A
Recommended for fans of Tenacious D, Spinal Tap, Psychostick, and Steel Panther, “Skids” (released March 27th, 2026) is available at the following links:
Add to your Spotify playlist – https://open.spotify.com/album/7M0suHkgLiADLzbMXegRjV
Bandcamp (CD and Digital) – https://sonsofbutcher.bandcamp.com/album/skids
Music Video – Makin’ Bacon – https://www.youtube.com/watch?v=4lnsb7uWp4g
Music Video – Denim Dreamin’ – https://www.youtube.com/watch?v=iZNUtzaO8IY
Music Video – Peppercorn Steak – https://www.youtube.com/watch?v=9tMsBq0GvGg
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Track Listing:
1. Denim Dreamin’ – (3:05)
2. Makin’ Bacon – (2:37)
3. Steeltown Handy – (2:21)
4. Peppercorn Steak – (1:42)
EP Line Up:
Ricky Butcher – Lead Vocals, Guitar
Doug Borski – Vocals, Bass
Kellii Scott – Drums
Jordon Zadorozny – Lead Guitar
Brandon Wars – Lead Guitar
Live Band Line Up:
Ricky Butcher – Vocals, Guitar
Doug Borski – Vocals, Bass
Crissy Stixx – Drums
Joey Salami – Lead Guitar
More Info:
https://www.sonsofbutcher.ca/
https://www.facebook.com/therealsobs
https://www.instagram.com/therealsobs/
-30-
“You can have fun with the SONS OF BUTCHER… solid entertainment awaits you.” – PowerMetal.de (Skids – 2026)
““Skids” is a raw, four‑track eruption of cheap‑meat swagger and skid‑life grit” – Music Life Magazine (Skids – 2026)
“Sons of Butcher return meatier than ever… Unlike many novelty acts, Sons of Butcher proved they had the chops to back up the joke. Fronted by Trevor Ziebarth as Ricky Butcher, the band transformed the cartoon’s crude comedy into a live show filled with spandex, shredded guitar riffs, flying pepperettes, and an onstage meat-tray ritual that has become a bizarre but beloved tradition. Musically, their sound lands somewhere between classic metal, power-pop hooks, and full-throttle comedy rock, often compared to acts like Tenacious D, Steel Panther, Spinal Tap, and Psychostick.” – Hamilton City Magazine (Skids – 2026)
“Originally born from a school project and catapulted into the mainstream via their own animated series, the band has spent over two decades crafting what they call “comedic ear-worm riff rock.” – Switching Styles
“The band haven’t lost their touch for “mock rock” absurdity, swinging from the denim-soaked bounce of “Denim Dreamin’” to the gritty swagger of “Steeltown Handy”…. If you’re a fan of Tenacious D, Psychostick, or Steel Panther, you’ll want to get this one on your radar. ” – Moshville Times
“Keeping with the butcher theme, the band played its fair share of meat-themed tunes such as “Beef & the Chicken” and “Makin’ Bacon” during their high energy set, alongside fan favourites like “Fuck the Shit”, “We Fuckin’ Rule,” and of course, “Sons of Butcher Theme,” all of it delivered with the proper big, dumb rock ‘n’ roll attitude and absolutely zero subtlety. Steeltown skids represent!” – Panic Manual (Live Review – Toronto 2026)
“However one slices it, SONS OF BUTCHER’s long-awaited comeback only further prove that good entertainment has no expiry date.” – KNAC (Live Review – Ottawa 2026)
“After a ten year hiatus, the rock behind Teletoon’s cult animated series, is back as Sons of Butcher release a new 4-track EP, “Skids”. The riffs, thunderous percussion and lyrics are designed to put fun back in rock and that they do. Tracks like ‘Makin’ Bacon’, ‘Steeltown Handy’ and ‘Denim Dreamin” are built for a party and a great reminder that rock should never take itself too seriously. So if you’re lookin’ for a good time listen up for Sons of Butcher on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll (Skids – 2026)
“Be careful, be careful, these Canadians are downright crazy and it starts to show as soon as you look at the cover. They do a crazy ’ Rock n’ Roll fuckin, crazy, humorous, delirious… this EP, well, that’s it, big fuckin’ madness. «Makin’ Bacon», for example, is hilarious, while sending the Caribou to play in the woods. This EP by SONS OF BUTCHER is a big slice of good humor, made by musicians who don’t take themselves seriously. Despite the weather, these guys are still crazy…. A CD for fans of ULTRA VOMIT, NANOWAR OF STEEL and others, in short for fans of joyful Metal. And that gives 4 titles for 4 peaks ! Personally, I’m really a customer.” – WTR Mag (Skids – 2026)
“In its brief runtime, Skids delivers a clear statement: the band hasn’t lost its grit, just sharpened it… Sons of Butcher embraces its original spirit with honesty, energy, and unapologetic attitude… Skids finds meaning in the space between parody and authenticity, where the band has always thrived.” – FirstWave Radio (Skids – 2026)
“Sons Of Butcher prove that after all these years they are still masters at combining sleazy rock, chaos, and pure fun. Anyone who loves dirty guitars, rattling rock, and a hefty dose of self-mockery is in the right place here. The gas pedal stays pressed – and fortunately so.” – Musika (Skids – 2026)
““Skids” stands out as a release with a clear entertainment-driven focus… an immediate and thoroughly enjoyable listening experience.” – MetalWar (Skids – 2026)
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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NEWS RELEASE
Montreal, QC – May 19, 2026
AITTALA Unleash New Performance Video “Blacklisted,” the First to Feature New Bassist Dane Taylor
+ Tour Dates (WV, VA, TN, NC)
New EP “Ill-Gotten Gains” Out Now via Exitus Stratagem Records
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AITTALA Lineup – Gary ‘Smith’ Zeus (Drums), Eric Aittala (Guitar/Vox), Dane Taylor (Bass)
AITTALA (pronounced EYE‑tah‑la) has released the official performance video for “Blacklisted,” the third track from their second EP of 2025, “Ill‑Gotten Gains,” out now on Exitus Stratagem Records.
The clip marks a milestone for the long‑running metal project; it is the first video to feature new bassist Dane Taylor, joining Eric Aittala (guitars/vocals) and Gary “Zeus” Smith (drums). The trio’s chemistry is on full display, delivering a tight, groove‑driven performance that captures the grit and weight of the track.
A groove‑ and sludge‑inspired standout, “Blacklisted” serves as the thematic counterpoint to the EP’s opening tracks “Isolation” and “Ill‑Gotten Gains.” Where those songs explore the chaos created by self‑serving actions, “Blacklisted” flips the perspective, calling out the people who manipulate, exploit, and leave destruction in their wake.
Musically, the song leans into thick riffs, a grinding mid‑tempo pulse, and the band’s signature blend of heaviness and melody. It’s a concise, punishing statement that reinforces why AITTALA’s sound remains difficult to categorize, and impossible to ignore.
Watch the video via its premiere on Metal Addicts HERE.
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Released this past November, “Ill‑Gotten Gains” continues AITTALA’s tradition of blurring metal subgenres, pulling from traditional metal, doom, groove, progressive elements, and more to create a cohesive, emotionally charged experience.
The EP’s lyrics trace a path from chaos to consequence to the search for redemption, examining how people create disorder for personal gain, face the fallout of those choices, and grapple with whether forgiveness is still possible. Each track sharpens that arc: “Isolation” delivers doomy heaviness and shifting time signatures as it confronts consequences; “Ill‑Gotten Gains” rides a bouncing 8‑string riff into the mindset of exploiting chaos; “Blacklisted” uses groove‑sludge grit to call out manipulative behavior; “Ever After” offers a modern metal ballad of internal struggle and uncertain redemption; and “Ashes” leans into traditional heavy metal as it follows someone spiraling downward and pulling others with them.
The EP cover features an updated version of Frank, AITTALA’s long‑running mascot, a cartoon pig head inside a pentagram, created in 2014 for the album “Effigy.” Frank represents the shady figure who helps acquire “ill‑gotten gains”…for the right price. His return on the cover ties directly into the EP’s themes of corruption, consequence, and moral decay.
AITTALA’s sound resists simple labels, blending classic heavy metal, doom, groove, progressive and power metal, thrash, and hard rock into a style that’s distinctly their own. Lyrically, Eric Aittala pulls from the darker edges of human experience, crafting songs that balance heaviness with introspection.
Founded in 1991 in the Netherlands, AITTALA quickly became a staple of the Dutch metal scene, even opening for The Gathering and Sadist after releasing their 1993 EP “Selling Heaven.”
After disbanding and later resurrecting the project in 2008, AITTALA released six full‑length albums between 2009 and 2022, followed by the “Machines” EP (2025). Each release showcases the band’s evolution while preserving their unmistakable core sound.
Recommended for fans of Mastodon, Eyehate God, Baroness, Crowbar, Katatonia, live music enthusiasts can catch AITTALA at the following show dates below.
Aittala Tour Dates (WV, VA, TN, NC)
May 21 – Tilty McFlipperz – Martinsburg, WV
May 22 – The Spot on Kirk – Roanoke, VA
May 23 – Capones – Johnson City, TN
Jun 19 – Cannonball Music Hall – Raleigh, NC
Jul 31 – The Den | Winston – Salem, NC
Aug 7- White Rabbit Pub – Fayetteville, NC
Aug 29 – Scandals Live – Virginia Beach, VA
“Ill-Gotten Gains” (released Nov 21, 2025) is available from Exitus Stratagem Records – https://hypeddit.com/aittala/illgottengains
Music Video – “Isolation” – https://www.youtube.com/watch?v=V5Y_azlkGLg
Music Video – “Ill-Gotten Gains” – https://www.youtube.com/watch?v=IjlP92y_sQg
Lyric Video – “Ever After” – https://www.youtube.com/watch?v=ipo98unZUoQ
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Track Listing:
1. Isolation – 4:22
2. Ill Gotten Gains – 4:20
3. Black Listed – 3:35
4. Ever After – 4:29
5. Ashes – 3:50
EP Length: 20:37
Live lineup:
Eric Aittala – Guitars/Vocals
Gary “Zeus” Smith – Drums
Dane Taylor – Bass
For more info: Exsrmusic.com | Aittala.com | Facebook.com/aittalamusic | Instagram.com/aittalamusic
– 30 –
“Six full-lengths, two EPs, strong and steady since 2008. Dang. What keeps North Carolina trio AITTALA going? Sheer compulsion for music making is my guess. There’s nothing like the experience of the real thing, despite the obscene ease and seductive sophistication of AI fakery. To hear and feel heavy music live from their minds and voices and hands of real human beings just like you – well, there’s just nothing like it. Bands with stubborn longevity like Aittala serve as an inspiration to the scene. Pick up an instrument, get to jamming, let your voice be heard. If this is your first encounter with the band, perhaps “Isolation” is as good an introduction as any. Mysterious strumming, powerful emphatic chords, and wall-shaking disruption clears the path for soulful, soaring guitar soloing and somber Gothic intonations.” – Doomed & Stoned (2025)
“Bookended by “Machines (Prologue)” and “Machines (Epilogue)”, the album’s structure feels like a full-circle journey. One that captures the essence of the band’s evolution. The blend of storytelling and heavy music makes it clear why these tracks were worth bringing back. With Machines, Aittala doesn’t just revisit the past. They make it hit harder than ever.” – Amplify The Noise (2025 – Machines EP)
“Captivatingly versatile, genre-connecting with plenty of attitude. An intensely powerful and emotionally captivating Electric Doom/Heavy/Power HouseTrip that is excellent at combining expansive melodies and atmospheric melancholic heavy touch. 8/10” – FFM-Rock (2025 – Machines EP)
“A pure blast of good tunes flying around for life. A retro llike cover artwork, it matches it all. The atmosphere and the old tunes still ringing after so many years like it was yesterday. A very good album to own with pleasure. Aittala is here to stay, get your dose of good tunes 100/100.” – The Metal Mag (2025 – Machines EP)
“Eric Aittala is obviously nostalgic on ‘Machines’. But that in no way means that the sound is frozen in the past. On the contrary, the production is modern and powerful. The individual songs are thus transferred to the here and now. A good album, even if the band is ‘only’ a duo.” – Metalheads Forever Magazine (2025 – Machines EP)
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – Asher Media
Tweet – AsherMedia
!earshot – The National Loud Chart
For the Week Ending: Tuesday, May 12, 2026
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CFOU 89.1 MHz – Trois-Rivieres
Loud – #4 Thunderor – Boonsdale Records
https://earshot-online.com/charts/cfou.cfm?intChartTypeID=6&dWeekOfID=2026-05-12
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CJSW 90.9 MHz – Calgary
Loud – #5 Haiduk, #6 Grave Mass – End Game Records Inc, #9 Nefastis Rockshots Records
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2026-05-12
NEWS RELEASE
Montreal, QC – May 18, 2026
HELLMETALL Unleashes New Single “Gemona Btg. Doesn’t Exist Anymore”
New Album “Mgla” Out Sept 2026
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HELLMETALL unveil “Gemona Btg. Doesn’t Exist Anymore”, the second single taken from their forthcoming album “Mgla“, set for release on September 4th, 2026, via Rockshots Records.
Emerging from the isolated mountain valley of Resia, on the border between Italy, Austria, and Slovenia, HELLMETALL continue to forge a deeply personal vision of Thrash/Death Metal rooted in memory, identity, and cultural heritage. What sets the band apart is not only the violent fusion of razor-sharp Thrash riffs, Death Metal aggression, and dark melodic undertones but also their uncompromising decision to perform entirely in Resian – the ancient Slavic language still spoken in Val Resia.
Far beyond a stylistic choice, the use of Resian represents the very core of HELLMETALL’s artistic identity. Through this endangered and highly distinctive language, the band forges local history into something visceral and immediate, preserving the voice, memory, and spirit of their homeland through extreme music. As vocalist and founder Daniele Micelli explains, “the project was born from the desire to merge aggressive metal with the folk traditions and cultural heritage of the valley where I grew up“.
Musically, “Gemona Btg. Doesn’t Exist Anymore” perfectly embodies the band’s evolution toward a darker, heavier, and more mature sound. While early HELLMETALL material incorporated stronger folk elements and violin arrangements, “Mgla” pushes the band deeper into Death and Black Metal territories while retaining the melodic sensibility inherited from the musical traditions of Val Resia. The result is a sound defined by crushing riff work, relentless rhythmic intensity, and haunting melodic passages, balancing violence and memorability with remarkable authenticity.
Lyrically, the single continues HELLMETALL’s exploration of the traumatic events that scarred the mountains and borderlands surrounding their homeland during the First and Second World Wars. “Gemona Btg. Doesn’t Exist Anymore” is dedicated to the Alpini soldiers of the 8th Regiment Julia Battalion Gemona. After surviving the Albanian campaign against Greek forces, the battalion was struck by tragedy when the steamship Galilea, carrying the soldiers back toward Italy, was sunk by a British submarine. Most drowned at sea, while many of the survivors were later sent to die on the Russian front.
This historical and emotional depth lies at the heart of “Mgla” – a record whose title, meaning “Fog,” reflects the oppressive atmosphere surrounding the stories narrated throughout the album. Across its tracks, HELLMETALL channel the brutality of war, the oral memories passed down through generations, and the harsh reality of mountain life into an uncompromising sonic assault sung entirely in the language of their ancestors.
Following the release of the album’s title track “Mgla” earlier this year, “Gemona Btg. Doesn’t Exist Anymore” further confirms HELLMETALL as one of the most distinctive and culturally unique acts emerging from the contemporary extreme metal underground.
With an intense live activity already extending beyond Italy into Eastern Europe, including appearances at Austria’s Kaltenbach Open Air and a dedicated Polish mini-tour later in 2026, HELLMETALL are steadily expanding their presence while remaining fiercely connected to the identity and traditions of Val Resia.
“Mgla” will be released on September 4th, 2026.
Spotify – https://lnk.to/AxZae1
YouTube – https://www.youtube.com/watch?v=lqxfiouR51w
PRE ORDER “MGLA“: https://rockshots.eu/products/hellmetall-mgla-cd
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HELLMETALL lineup (“Mgla” era / until October 2025):
Current lineup:
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More info:
https://www.instagram.com/hellmetall_official/
https://www.facebook.com/HellMetAll.Resia
About:
HELLMETALL is a Thrash/Death Metal band from Resia (Udine), a remote mountain valley located at the crossroads between Italy, Austria, and Slovenia. Since their formation, the band has developed a distinctive artistic identity by combining aggressive extreme metal with the cultural heritage and historical memory of their homeland. Their most recognizable trait is the use of Resian – the ancient Slavic language spoken in Val Resia – as the exclusive language for their lyrics, giving their music a unique and deeply authentic character.
Musically, HELLMETALL blends the violence and speed of Thrash Metal with the heaviness of Death Metal, enriched by dark melodic textures inspired by the blend of traditions of their valley. Originally featuring stronger folk elements and violin arrangements, the band has progressively evolved toward a heavier and darker sonic direction, incorporating stronger Death and Black Metal influences while preserving the melodic sensibility that has always defined their sound.
The lyrical concept behind HELLMETALL is deeply rooted in the history of Val Resia and the surrounding border territories. Their songs recount real events connected to the First and Second World Wars, drawing inspiration from local memories, stories passed down through generations, and the personal experiences of their ancestors. Through their uncompromising musical approach and the evocative power of the Resian language, the band transforms historical trauma and mountain folklore into a raw and visceral extreme metal experience.
HELLMETALL released their debut album “Sa Naso Semjo” in 2015, establishing the foundations of their aggressive and culturally distinctive sound. In early 2026, the band unveiled “Mgła“, the title track from their forthcoming second studio album “Mgla“, scheduled for release on September 4th, 2026. The new material marks a significant evolution in both songwriting and production, presenting a darker, more mature, and focused incarnation of the band.
Alongside an intense live activity throughout Italy, HELLMETALL has increasingly expanded its presence across Eastern Europe. Their 2026 schedule includes an Eastern European tour, an appearance at Austria’s Kaltenbach Open Air festival, and a dedicated Polish mini-tour later in the year, further strengthening the band’s growing reputation within the underground extreme metal scene.
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
NEWS RELEASE
Montreal, QC – May 18, 2026
LITTLE KING Announce July West Coast Tour in Support of New Album “Lente Viviente”
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L-R – Tony Bojorquez (Drums), David Hamilton (Bass, Cello), Ryan Rosoff (Guitar, Vocals)
Arizona’s Little King, the dynamic, melodic, progressive, heavy‑rock trio helmed by songwriter‑guitarist Ryan Rosoff, will hit the road this July for a string of West Coast U.S. dates in support of their latest album, “Lente Viviente,” released in September 2025. This run marks the band’s second major tour cycle since completing the record, following their early‑year shows across New Mexico, Texas, Arizona, and even a surprise pop‑up performance in Mexico. (Their full tour diary is available at https://littlekingtunes.com/2026/03/little-king-march-2026-tour-diary-power-shortages-ibuprofen-and-gratitude/.)
In addition to the tour, Little King will reveal a brand‑new single later this summer titled “Opus Perficit,” the first new music to follow “Lente Viviente” and a preview of the band’s next creative chapter.
Rosoff calls Lente Viviente “BY FAR our biggest release,” and the upcoming dates promise to bring that momentum to the West Coast.
“Lente Viviente” represents a major creative leap for the long-running project. With new members Tony Bojorquez (drums) and Dave Hamilton (bass), plus a fresh studio environment, Little King crafted what Rosoff describes as their most accomplished work to date, musically, lyrically, and emotionally.
The album’s title, Spanish for “Living Lens”, is a nod to Rosoff’s video memoir company, LivingLens Memoirs, and sets the thematic tone. Across its tightly constructed “micro-epics,” the record explores memory, identity, perception, and the shifting filters through which we understand ourselves and others.
Fans can expect a listening experience Rosoff likens to “a short, mind-blowing journey…like Musical DMT.”
The album’s lyrics move across a wide emotional and social landscape, touching on themes of childhood and enduring friendship (“Catch and Release,” “Dawn Villa”), immigration and identity (“Who’s Illegal?”), aging and addiction (“Pass Through Filters”), and the balance between strength and vulnerability (“Kindness for Weakness”).
Musically, the record blends progressive rock, hard rock, and melodic hooks with the band’s trademark precision and dynamic push-and-pull. Each track is densely arranged yet concise, with most songs clocking in under four minutes.
Little King’s live reputation is built on meticulous preparation, tight musicianship, and explosive energy. Ryan, Tony, and Dave bring decades of combined experience to the stage, delivering performances that are both technically sharp and emotionally charged.
Fans can expect high‑level musicianship, dynamic setlists, and a live show that’s both polished and unpredictable, what Rosoff describes as “meticulous, rehearsed, and RAGING with push and pull energy…PROS with experience.”
The band will perform across key West Coast cities, bringing “Lente Viviente” to life on stage for the first time.
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Little King – WestCoast USA Tour 2026
July 10 – Ruidoso, NM – Downshift Brewery Riverside
July 12 – Tucson, AZ – Brick Box Brewery w/ The Crown Syndicate and Zold
July 14 – Tempe, AZ – Yucca Tap Room
July 15 – Anaheim, CA – The World Famous Doll Hut
July 16 – San Diego, CA – The Holding Company w/ Stretcher
July 18 – West Hollywood, CA – The Viper Room
July 19 – Pacifica, CA – Winters Tavern w/ The Wandering Jews and Melting Elephants
July 23 – Bisbee, AZ – Gene’s Place
July 25 – El Paso, TX – Lowbrow Palace
With influences ranging from Rush, Porcupine Tree, Pink Floyd, Muse, Led Zeppelin, and Night Verses, Little King’s music resonates with fans of both classic and modern rock. Their new album “Lente Viviente” (released Sept 26th, 2025) is available on digital platforms.
Add to your Spotify playlist – https://open.spotify.com/album/3a3zhTxNkC6u9xaD5gytJe
Music Video – Who’s Illegal? – https://www.youtube.com/watch?v=cTh1THFdij4
Lyric Video – Dawn Villa – https://www.youtube.com/watch?v=Ksxlb2ekYIM
Lyric Video – Catch and Release – https://www.youtube.com/watch?v=Hgt9U547jbw
Studio Video – Keyboard Soldier – https://www.youtube.com/watch?v=VhDSUpl6PW8
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Track Listing:
1. Catch and Release – 3:22
2. Dawn Villa – 3:42
3. Who’s Illegal? – 3:56
4. Kindness for Weakness – 3:21
5. Sweet Jessie James – 2:42
6. Pass Through Filters – 4:50
7. The Living Lens – 3:37
Album Length: 25:34
For more info: https://littlekingtunes.com/
-30-
“Overall, this band showcased a sophisticated sense of melodies that were not overly complicated, but easy to assimilate as well. Not being familiar with them, I am surprised to learn of their longevity, and you wouldn’t know this was their eight album, because the drive and fire in them is very much alive in their music. 8/10” – Metal Temple
“Little King maintain high intensity from start to finish, achieving a rare balance between complexity and immediacy. Each track has its own identity and emotional range, and the musicianship and production are consistently top-tier. According to Rocky, Lente Viviente is essential listening for prog and heavy-rock fans who miss the spirit of Saga, Rush, and King’s X.” – Metalized
“Seven songs, clocking in at just over twenty-five minutes Little King pack a powerful and melodic cocktail of prog, rock and alternative. If Rush jammed with REM and King’s X it would sound a little like this. Impressive.” – Get Ready To Rock!
“Little King hasn’t just released an album; they’ve crafted an immersive, emotional journey that rewards every listen.” – Jace Media Music
“Long-running Progressive Rock outfit Little King is unveiling “Dawn Villa,” the second single from their highly anticipated eighth studio album, Lente Viviente! A sonic time capsule wrapped in staccato riffs and melodic crescendos, “Dawn Villa” is a heartfelt tribute to frontman Ryan Rosoff’s formative years in Mercer Island, Washington. The track comes from their eighth album Lente Viviente, which is available for pre-order/digital pre-save now at the links below, and releases September 26th, 2025. If you grew up obsessed with the classic seventies prog rock greats like Rush, King Crimson, and Pink Floyd, with a modern flare for drama such as Muse or Neal Morse, Little King deserves your attention! ” – Ghost Cult Magazine
“The album reflects a stylistic maturity that has strengthened over time and a layering of ideas that have, on this occasion, found a stable place. The project’s artistic perspective rests on very solid technical foundations and a strong will to celebrate the traditional principles of classic rock, while also flirting with progressive elements and ultimately making the most of a decidedly pronounced melodic inclination. An absolutely original point of view that has given rise to an elegant and refined sound, capable of effectively combining electric jolts and delicate harmonies in the spirit of a truly contagious passion.” – Rock Hard Italy
“Over nearly three decades, Little King has evolved from the El Paso roots of “Transmountain” to the intricate, personal soundscapes of “Lente Viviente,” blending complex arrangements, strong melodies, and lyrical depth.” – Progressive Rock Journal
“Lente Viviente is as striking as it is arousing and easy to suggest a must for all rock appetites. LITTLE KING seem to know how to feed every instinct and want with their eclectic enterprise and at the same time spring something strikingly new, the proof all there in Lente Viviente.” – The Ringmaster Review
“Tucson progressive rockers’ Little King are gearing up for the release of their 8th studio album, ‘Lente Viviente’ on Sept. 26th and have also just dropped their first single from the album, ‘Catch and Release’. This band truly pushes boundaries and yet makes modern prog rock very accessible. That is a difficult feat and a challenge many bands can’t overcome. But these fellas make it sound very simple, even though the music is quite complex. Similar to YES in that every instrument, including the vocals, all seem to be doing their own thing…but somehow it all works beautifully, and that is what good prog is about. Listen up for Little King on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll
“”Lente Viviente” is a great release, very short of course, but still atmospheric and moving. Overriding the higher-faster-further mentality in such a playful way deserves respect, and the men deserve it again with their eighth appearance overall.8/10″ – PowerMetal.de
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
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