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0 Streaming Now! Bay Area Death Thrashers ABSOLUTE DARKNESS’ “Witness To A Dying World”

  • October 22, 2026
  • by Asher
  • · Absolute Darkness · Music News

NEWS RELEASE

Montreal, QC – October 22, 2026

Streaming Now! Bay Area Death Thrashers ABSOLUTE DARKNESS’ “Witness To A Dying World”

Sophomore Album Out Oct 23rd, 2026

L-R- Orson Sojo – Bass, Ron Dorn – Rhythm Guitar/Lead Vocals, Scott Russell – Drums, Douglas Vetter II – Lead Guitar/Backup Vocals

Photo Credit: Eddie Granillo

Bay Area death/thrash metal outfit Absolute Darkness is set to release its sophomore full-length album, “Witness To A Dying World”, on October 23, 2026. Blending the aggression of classic Bay Area thrash with the precision and weight of modern death metal, the album marks a defining moment in the band’s evolution and serves as the first Absolute Darkness release written collaboratively by the band’s entire current lineup.
​
Ahead of the official release, fans will be able to hear the album in its entirety when MetalInsider premieres an exclusive full album stream, giving listeners an early opportunity to experience the band’s most ambitious work to date.

Listen to the album in full via MetalInsider HERE.​
​
Continuing the progression established on 2021’s “Failure Of State,” “Witness To A Dying World” delivers a relentless mix of crushing riffs, layered guitar harmonies, memorable solos, and socially conscious storytelling. Across ten tracks, Absolute Darkness confronts themes of corruption, propaganda, authoritarianism, war, addiction, homelessness, and societal decline, all presented through character-driven narratives rather than direct commentary.
​
One of the album’s standout moments comes in the form of a faithful yet distinctly personal cover of Vio-lence’s classic “World In A World.” For guitarist and vocalist Ron Dorn, the track serves as both a tribute to the Bay Area thrash scene that helped shape him and a celebration of one of his favorite songs from Vio-lence‘s “Oppressing the Masses” era.
​
​“I grew up in the San Francisco Bay Area and spent a lot of time going to shows when Vio-lence, Death Angel, and Forbidden were all local bands on the rise. When we decided to record ‘World In A World,’ my goal wasn’t to reinvent it. I wanted to stay as faithful to the original as possible while taking advantage of modern recording technology. The goal was never to improve on the original, just to celebrate a song that meant a lot to me growing up in the Bay Area while putting our own stamp on it,” explains Ron Dorn (Guitar / Lead Vocals).
​
The album represents a major creative milestone for the band. While “Failure Of State” introduced much of the lineup fans know today, much of that material was written before the current configuration was fully established. “Witness To A Dying World” marks the first time every member contributed significantly to the songwriting process from the beginning.
​
​“This is the first album written by our current lineup from the ground up. Everyone contributed ideas throughout the writing process, and the songs benefited from having four people shaping them instead of one. It still sounds like Absolute Darkness, but it’s a stronger, more cohesive album because of that collaboration,” says Dorn.
​
Musically, “Witness To A Dying World” draws influence from thrash metal, melodic death metal, and traditional death metal while maintaining a focus on memorable songwriting, harmonized guitars, and dynamic arrangements. Fans of Slayer, Testament, Vio-lence, At The Gates, and The Crown will find plenty to appreciate throughout the record’s aggressive yet melodic approach.
​
The album also showcases the strongest production in the band’s history. Building upon the lessons learned from previous releases, Absolute Darkness enlisted engineer Harry Ahlas to help bring the record’s expansive songwriting and layered performances to life.
​
​“The album is aggressive, energetic, and doesn’t let up for very long. We worked hard to make sure every song had something memorable, whether it’s a riff, a guitar harmony, a solo, or the back-and-forth vocal parts. I want people to enjoy the music first and then, if they choose to dig deeper, there’s another layer to discover in the lyrics,” adds Dorn.
​
From the war-torn devastation of “Attritional Warfare” to the opioid epidemic tragedy portrayed in “Snake Oil” and the uncompromising social commentary found throughout the album, “Witness To A Dying World” captures a band operating at its creative peak while remaining firmly rooted in the spirit of Bay Area metal.

Recommended for fans of Testament, Vio-lence, Exodus, At The Gates, The Crown, and Amon Amarth, “Witness To A Dying World” will be available on October 23rd, 2026.

Album order – https://absolutedarkness1.bandcamp.com/album/witness-to-a-dying-world

Spotify – https://open.spotify.com/artist/5m4EIiSaE9xGPPCs6PzNGR​

Videos:

“Above The Law” – https://www.youtube.com/watch?v=5v6BRGFcnXY

​“Attritional Warfare” – https://www.youtube.com/watch?v=Kbh5jvhBQtQ​

“Snake Oil” – https://www.youtube.com/watch?v=KGU2h8LqiKM

​

Track Listing:​
1. Above The Law – 3:56
2. Attritional Warfare – 3:50
3. World Decay – 3:28
4. Snake Oil – 4:14
5. Different Illegally – 3:33
6. Loyalty To Me – 3:32
7. I Guess I Die – 3:59
8. Big Lies – 3:51
9. Extreme Accountability – 3:34
10. World In A World (Vio-lence Cover) – 4:13
Album Length: 38:21

Band Lineup:​
Ron Dorn – Guitar/Lead Vocals
Douglas Vetter II – Lead Guitar/Backup Vocals
Orson Sojo – Bass
Scott Russell – Drums

More info:

​https://www.facebook.com/BandAbsoluteDarkness​

​https://www.instagram.com/absolutedarkness_band/​

-30-

“Absolute Darkness go straight for the throat with aggressive riffs, awesome grooves that will make you bang your head, and seriously neckbreaking thrashy riffs. This offering absolutely slams.” – Review Score: 8.15/10 – Drako’s Death Metal News & Reviews

“Combining death/thrash influences… stronger production values that hopefully will garner more buzz and attention.” – Dead Rhetoric (Failure Of State 2022)

“Part album, part call to arms… a rabble-rousing affair and a slamming indictment of modern-day society.” – The Headbanging Moose (Failure Of State 2022)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 EPK – Altersoul – Origins (EP) (2026)

  • October 21, 2026
  • by Asher
  • · Altersoul · EPKs

EPK – Altersoul – Origins (EP) (2026)

Publicist – Jon Asher – jon[@]ashermediarealtions[.]com

“With this EP, we are introducing ourselves with a piece of our past to showcase where we came from and who we are now.” – Altersoul

For fans of Death, Revocation, Gojira, Children of Bodom, Opeth

Band: Altersoul
EP Title: Origins
Release Date: November 27, 2026
Label: Self-Release      
Distribution: DistroKid  
Genre: Death Metal
Location of Band: Brockville, ON

Altersoulband.com | Facebook.com/altersoulband | Youtube.com/@altersoulband | Instagram.com/altersoul.band

Altersoul1.bandcamp.com | Apple Music | Spotify

Band: Altersoul
EP Title: Origins
Release Date: November 27, 2026
Label: Self-Release      
Distribution: DistroKid  
Genre: Death Metal
Location of Band: Brockville, ON

Track Listing:
1. Abandoned – (5:20)
2. End of Days – (4:09)
3. Beyond the Apocalypse – (5:14)
EP Length: 14:43

EP Recording Credits:
• All songs performed by: Graham Murphy, James Close, Evan Ferguson, Andrew Poskus
• All songs written by: Graham Murphy, James Close, Ryan Clements
• Produced, Mixed, and Mastered by: James Close
• Album Artwork by: Max Southwood and Altersoul
• Member of SOCAN
• Canadian Content (MAPL)

EP Band Lineup:
Graham Murphy – Guitar/Vocals
James Close – Guitar/Vocals/Additional Instruments
Evan Ferguson – Bass
Andrew Poskus – Drums
Additional Guest Recording:
Wenhao Zhou – Piano
Heather Istead – Oboe

Live Band Lineup:
Graham Murphy – Guitar/Vocals
James Close – Guitar/Vocals
Evan Ferguson – Bass
Theo Konrad – Drums

============================================

About the EP Artwork:

[James, Guitar/Vocals] The lyrics of ‘Abandoned’ tell of a man left behind by his loved ones to freeze to death in a barren, snowy landscape, and the final moments of the composition represent his last peaceful breath, when acceptance takes over. When creating the artwork for this track, we chose to focus on the serenity of the nature scene he spends his final moments in, showing the northern lights above him, the trees surrounding him, and the footsteps that led him to his final place where he will become one with nature.

The artwork from our debut album as Ominous Eclipse, ‘End of Days’, designed by Max Southwood, shows a symbol meant to signify an eclipse, in reference to the apocalypse described in the lyrics of the song.

The artwork from our final single as Ominous Eclipse, ‘Beyond the Apocalypse’, shows a collage of our 15 years of friendship and music. It shows photos going all the way from the very first time Ryan introduced me (James) to Graham and Evan (who would join the band more than a decade later), through the years, ending on the final performance at the tribute show to Ryan.

When assembling the artwork for the EP, we combined all three of these concepts into one piece – the forest scene from ‘Abandoned’, the eclipse symbol from ‘End of Days’, and the overlay image of Ryan up in the clouds looking over the scene.

About The EP as a whole (LYRICALLY & MUSICALLY):

Altersoul performed for more than a decade under the name Ominous Eclipse, with Ryan Clements on bass. At our first show in 2014, we closed by performing the first song Graham wrote, the first song James wrote, and the first song Ryan wrote for the band. Shortly after, they became the closing numbers of our first studio album as well.

When Ryan passed away, these songs became even more sentimental. After years of history, they closed out the band’s final set – a bookend for Ominous Eclipse, and our tribute to our brother and bandmate. As we transition from Ominous Eclipse to Altersoul, we give you this EP as a reminder of where we came from.

The ‘Origins’ EP is our return to the songs that made us, recorded for the first time with real drums and real orchestral instruments. It features guest appearances by our friends, including the original drummer of Ominous Eclipse, Andrew. This is our thank you to Ryan, the scene, and everyone who pitched in along the way.

Track by Track (LYRICALLY & MUSICALLY):

[Graham, Guitar/Vocals] ‘Abandoned’ is a symbolic debut for us in that it is a re-recording of a song from our past, which also happens to be the oldest composition in our catalogue. It was originally created as an acoustic guitar piece I wrote around 2009-2010. I remember being heavily influenced by the Norwegian black metal band ‘Immortal’, having just picked up their album ‘All Shall Fall’, which was released around that time. Inspired by that sound, I picked up my cheap acoustic (which can be seen in the music video) and wrote the main guitar part. Years later, when ‘Ominous Eclipse’ was being formed, I arranged the other instruments and made it a full band composition, which was featured on our album ‘End of Days’. When rebranding as Altersoul, we chose this as our first single. The core composition and lyrics remain unaltered, other than a slight timing adjustment at the beginning to add anticipation. James arranged additional orchestral instruments that he recorded himself (plus some by guest musicians), and engineered the track, performing the mixing and mastering. Lyrically, I envisioned a cold and barren climate, devoid of warmth or life, which stems from its black metal influence.

[James, Guitar/Vocals] ‘End of Days’ is the first song I wrote for Ominous Eclipse. As a teenager, I didn’t have a computer at my disposal, and there was one occasion Graham went to play some pick-up hockey with Ryan, leaving his computer unattended. When he returned, there was a composition on his computer titled ‘Song JD wrote in an hour that’s better than anything Graham’s written in his life’. Considering this track became the title track of our debut album, I think the title was justified. It was written in a stream-of-consciousness style in a moment of heavy inspiration, and I feel the new recording of it is true to that emotion.

[James, Guitar/Vocals] ‘Beyond the Apocalypse’ was a punk rock bass riff brought to the table by Ryan when he was trying to get us to be anything but a metal band. Naturally, Graham took that track and made a blisteringly fast thrash tune with a groove metal ending.

============================================

BAND STORY ANGLES / FUN FACTS:

1. This EP guest features our friend Andrew Poskus on drums, who was the original drummer for Ominous Eclipse. Back then, we relied on programmed drums for our releases. His first release for the band, surprisingly, happened a decade after leaving the band.2. The first release of these songs was from Ominous Eclipse’s first album, ‘End of Days’, which is a masterclass in how not to record an album. The guitar parts were recorded in one day, and the vocal parts were recorded in another day. The final note in the solo of the original version of ‘Abandoned’ was punched in the next day, using a Telecaster tuned to standard tuning. The vocals in the original version of ‘Beyond the Apocalypse’ are scratchy and weak because it was the final song of the day that we recorded.

3. When we were first starting as ‘Ominous Eclipse’, our rehearsal space was in the basement of James’s father’s house. Now our main rehearsal and studio space is in James’s (and Evan’s) Attic, in a studio now referred to as ‘The Crack Attic ’, full of instruments. The orchestral parts heard are real instruments recorded by the members of the band.

4. The majority of ‘End of Days’ was written in just over an hour when Graham left his laptop unattended at James’ house. The final breakdown and melodic section of the song came to James as he was mowing his neighbor’s lawn for $10.

5. ‘Beyond the Apocalypse’ was a punk rock bass riff brought to the table by Ryan when he was trying to get us to be anything but a metal band. Naturally, Graham took that track and made a blisteringly fast thrash tune with a groove metal ending.

============================================

L-R: Theo Konrad (drums), James Close (guitar & vocals), Graham Murphy (guitar & vocals), Evan Ferguson (bass)

Altersoul is a progressive death metal band from Brockville, Ontario, forged from both tragedy and renewal. Formed by longtime collaborators James Close (Guitar/Vocals) and Graham Murphy (Guitar/Vocals) after more than a decade performing together as Ominous Eclipse, the band represents a new chapter built upon friendship, perseverance, and an unwavering commitment to creative independence. Rounded out by Evan Ferguson (Bass) and Theo Konrad (Drums), Altersoul carries forward the spirit of its predecessor while exploring a broader and more ambitious musical vision.

The roots of Altersoul stretch back to a group of high school friends who would eventually spend over a decade writing, recording, and sharing stages with major touring acts under the Ominous Eclipse banner. However, after years of lineup changes, the disruption of the pandemic, and the decision to retire the Ominous Eclipse name following bassist and founding member Ryan Clements’ departure, the band began planning a fresh start. What was initially intended as a simple rebrand would ultimately take on much deeper significance.

In August 2024, Ryan Clements tragically passed away. His loss profoundly impacted everyone connected to the band and reshaped their vision for the future. The final Ominous Eclipse performance became both a memorial celebration and a mental health awareness fundraiser, honoring the friend whose presence had united the group from the very beginning.

Seeking a name that acknowledged the past while embracing a new future, the band chose Altersoul, inspired by the Latin phrase “Alter Sol” meaning “A New Sun” or “Second Sun.” Referencing the eclipse imagery associated with their former identity, the name symbolizes rebirth, remembrance, and moving forward while carrying the legacy of those who came before.

Musically, Altersoul refuses to be confined to a single style. Drawing influence from death metal, technical death metal, thrash, black metal, folk metal, progressive metal, doom, and even genres beyond metal, the band crafts songs that shift seamlessly between crushing aggression, cinematic orchestration, technical precision, and emotional atmosphere. Their sound has been described using five defining words:

Authentic. Diverse. Volatile. Inspired. Layered.

Influences including Opeth, Gojira, Mastodon, Children of Bodom, and Dethklok are woven throughout their music, while fans of Death, Revocation, and progressive modern metal will find familiar elements within Altersoul’s dynamic songwriting.

What truly distinguishes Altersoul is their fiercely independent philosophy. Every aspect of the band is self-produced. From recording, editing, mixing, and mastering to artwork, video production, orchestral arrangements, and stage design, the band maintains complete creative control. Their recordings feature real orchestral instrumentation performed by the members and guest musicians, while their live performances incorporate custom-built and programmed lighting systems synchronized to the music.

Their debut release, “Origins,” serves as both a tribute and a mission statement. The EP revisits three foundational compositions from the early Ominous Eclipse catalog: the first song written by Graham Murphy, the first song written by James Close, and the first song contributed by Ryan Clements. Originally recorded with limited resources, these songs have now been reimagined with modern production, real drums, expanded orchestral arrangements, and the experience gained through years of musical growth.

Leading the release is “Abandoned,” the oldest composition in the band’s catalog, originally conceived by Murphy as an acoustic guitar piece inspired by Scandinavian black metal. Re-recorded with lush orchestral arrangements and enhanced production, the song embodies the band’s philosophy of honoring the past while pushing forward. Alongside it are newly realized versions of “End of Days” and “Beyond the Apocalypse,” three songs that collectively represent the creative foundations upon which both Ominous Eclipse and Altersoul were built.

The “Origins” EP also features a special guest appearance by Andrew Poskus, Ominous Eclipse’s original drummer. Ironically, despite having been a member of the band years earlier, this marks the first official release to feature his performance.

For Altersoul, “Origins” is more than a collection of songs. It is a tribute to friendship, a thank-you to the fans who supported them over the years, an acknowledgment of Ryan’s lasting influence, and the bridge between what was and what comes next.

With multiple albums’ worth of unreleased material already completed and a renewed focus on recording and releasing music, Altersoul stands poised to enter the most creative and ambitious era of its career. Honoring its past while embracing the future, the band continues to evolve with the same passion and determination that first brought a group of friends together over a decade ago.

0 EPK – Moonlight Desires – Totally Tubular 80’s Party Machine (2026) (Infamous Butcher Records)

  • October 21, 2026
  • by Asher
  • · EPKs · Moonlight Desires

EPK – Moonlight Desires – Totally Tubular 80’s Party Machine (2026) (Infamous Butcher Records)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This EP is a step in a new direction, promoting the band’s older Ziebarth brother Jay from bass to full-time frontman! We also decided to keep the arrangements of these classics closer to the original 80’s versions to maximize the nostalgic trip. The process of this EP was slightly different this time as Jay selected more mainstream hits that will bring the ladies to the dance floor, while adding his high-energy vocal stylings to more tracks. This collection of songs is an undeniably fun nostalgia bomb but presented with a modern twist!” – Trevor Ziebarth – Vocals, Guitar, Bass – Moonlight Desires

For fans of Sons of Butcher, Danko Jones, Foo Fighters, Me First and the Gimme Gimme’s, The Dirty Nil

Band: Moonlight Desires
EP Title: Totally Tubular 80’s Party Machine
Release Date: Nov. 27, 2026
Label: Infamous Butcher Records
Distribution: Indiepool
Genre: Rock
Location of Band: Hamilton, Ontario, Canada

Moonlightdesires.ca | Facebook.com/moonlightdesires | X.com/MoonlightDesiresBand1 | Youtube.com/massivexplosion | Instagram.com/moonlightdesiresband

Moonlightdesires.bandcamp.com | Spotify | Apple Music

“Moonlight Desires takes delight in taking synth-laden pop hits from the ’80s and turning them into heavy metal monsters.” – The Hamilton Spectator – At The Movies (2020)

“Just the tonic we need in these times, putting a little smile on your face and plenty of riffs for your bucks.” – Get Ready To Rock – At The Movies (2020)

“Moonlight Desires is fun… like, a lot of fun… and everyone should have some fun tonight. So rip it up, everybody Wang Chung tonight!” – V13 – At The Movies (2020)

“I just wish there were more than the four songs on here, because what’s on offer is great. I’ve played the EP on a loop since I popped it on to review it and it’s definitely going to keep on playing. None of the tracks are hugely different from their original recordings, but it doesn’t matter. They’re all just designed for being sung out loud, and you can warble along in the kitchen to these new versions as easily as you could have back when shoulder pads were in fashion… A great little compilation that will raise a smile as much as your singing voice.” – Moshville Times – At The Movies (2020)

“The Canadian band Moonlight Desires, who specialize in turning ’80s pop songs into guitar-driven songs, turn to classic ’80s movie songs for the four track EP At The Movies… It’s a fun blast from the past that will appeal to those of us who saw those movies in the theater when they were originally released along with the younger generation who discovered them via streaming services or cable TV.” – Heavy Music Headquarters  – At The Movies (2020)

Band: Moonlight Desires
EP Title: Totally Tubular 80’s Party Machine
Release Date: Nov. 27, 2026
Label: Infamous Butcher Records
Distribution: Indiepool
Genre: Rock
Location of Band: Hamilton, Ontario, Canada

Track Listing:
1. Take on Me (3:19) (A-ha Cover)
2. Girls Just Wanna Have Fun (2:43) (Cyndi Lauper Cover)
3. Come on Eileen (3:37) (Dexys Midnight Runners Cover)
4. Small Town Boy (2:49) (Bronski Beat Cover)
5. Major Tom (Coming Home) (3:28) (Peter Schilling Cover)
6. Material Girl (3:51) (Madonna Cover)
7. True (4:20) (Spandau Ballet Cover)
EP Length: 24:05

EP Recording Credits:
• All songs performed by: Moonlight Desires
• All songs written by: Various Artists
• Produced and Mixed by: Mitch Bowden
• Mastered by: Bill Hendersen at Azimuth Mastering
• Album Artwork by: Randy Gilbert (Photographer) & Brad Machry (Graphics & Layout)
• Member of SOCAN
• Canadian Content (MAPL)

EP Band Lineup:
Jay Ziebarth – Vocals
Trevor Ziebarth – Vocals, Guitar, Bass
Marco Bressette – Lead Guitar
Mitch Bowden – Lead Guitar
Kellii Scott – Drums

Live Band Lineup:
Jay Ziebarth – Vocals
Trevor Ziebarth – Vocals, Guitar
Mitch Bowden – Lead Guitar
Joey DeLeo – Guitar
Crissy Stixx – Drums

================================================

About the EP Artwork:

Photographer Randy Gilbert came to our music video shoot for A-Ha’s classic “Take On Me”, and he captured a great photo of us posing with a rented DeLorean from “Back to the Future”. We decided it had a great modern 80’s vibe and made it the cover of the EP!

About the EP as a whole (LYRICALLY & MUSICALLY):

This album features a curated collection of 80’s hits, and we did not alter the original lyrics. We took aim at some of the biggest mainstream classics that we thought could handle a heavy rock makeover. We approached these covers in a slightly different way this time, keeping the original arrangements mostly intact instead of a full reimagining like some past albums. The result is these high-octane versions of songs we all know that maintain the original vibes while cranking the intensity up to 10.

Track by Track (LYRICALLY & MUSICALLY):

1. “Take On Me” – This song is basically about the risks of romance and taking a chance on love before the opportunity slips away. It’s also one of the most instantly recognizable 80s hits of yesteryear. Selected by Jay, this jacked-up version gets the EP off to a roaring start. The nostalgia is thick with this one, and we tried to keep the arrangement close to the source material while still making it sound fresh. This song is the match that ignites a full raucous collection of hits.

2. “Girls Just Wanna Have Fun” – A track about female independence never sounded so heavy! Speeding up this bona fide 80’s banger, we tried to prove once again that there’s a wicked alchemy in the marriage of pop and hard rock. Turning synth lines into guitar leads and anthemic choruses into battle calls, this radio staple with a message about women wanting the freedom to enjoy their lives on their own terms becomes amplified by a male voice, while also being a fun and lightly ironic take.

3. “Come On Eileen” – This song about young desire, attraction, and wanting to break free from a dull life is another 80’s earworm that has stood the test of time. Long requested by fans, this track finally gets its metal dip, and features a return to the original Moonlight Desires sound, with vocalist Trevor Ziebarth singing this track. Musically transformed synth parts make for a multi-layered wall of ‘guitarmony’ that helps propel this classic sing-along track into the stratosphere!

4. “Small Town Boy” – This is a song about a gay man leaving his hometown after facing rejection and hostility for the promise of a better life. We decided to use a live version of Bronski Beat’s song to model ours after, because it was a perfectly condensed arrangement. One of the biggest choruses from the decade, this relatable song about feeling like an outsider in your hometown still rips!

5. “Major Tom (Coming Home)” – A fan-written sequel to David Bowie’s ‘Space Oddity ’, this track is the one obscure selection on the EP. The bass line in this song has a standout groove that propels the song toward an explosive chorus and tapestry of lead guitar parts. Chunky guitar riffs and big drums help to keep the momentum while sounding huge and anthemic.

6. “Material Girl” – This undeniable monster hit by Madonna is the heaviest song on the EP. Tuned down to Drop B, the guitars and bass growl as Jay chews the vocals with a fresh tenacity. This metal-leaning revamp of a universally loved song reinforces the infectious party vibe that we were hoping to capture with this EP.  This track has a huge energy that careens into an explosive climax by the end.

7. “True” – This song about struggling to find the words to express feelings of love was a perfect candidate to close out the EP. With a huge and unforgettable chorus, the song was ripe for a gritty adaptation, and we once again kept the arrangement close to ground zero. Why mess with perfection!? This track features some of the biggest guitar tones and hardest-hitting drums, and ends this 80s-soaked grab bag of bangers in an epic fashion!

================================================

STORY ANGLES / FUN FACTS ABOUT THE BAND

1. Kellii Scott of the band Failure was hired to play drums on this EP. He is one of our favourite drummers of all time, and it was an honour to have him grace these tracks with his hard-hitting rhythmic sensibilities.

2. We rented a replica DeLorean car from the “Back to the Future” movie franchise for a music video shoot for the track “Take On Me”. It’s a bit of a comedic video that depicts Jay presenting the vehicle as an option for a new touring vehicle for the band. It was also directed by Rob Lindsay (Air Farce / No Responders Left Behind / Why Horror? / Go-Boy! Memories of a Life Behind Bars).

3. After playing gigs for many years and having bassist Jay Ziebarth take over main vocals for a portion of the set, it was decided that Jay would take on full frontman status for this latest outing. His unmatched live energy could not be contained any longer! With longtime Moonlight Desires live musician Tyler Siroky taking over full-time bass duties, Jay is now the dancer-in-chief leading the live chaos.

================================================

L-R: Joey DeLeo (Guitar) / Crissy Stixx (Drums) / Trevor Ziebarth (Vocals, Guitar) / Jay Ziebarth (Vocals) / Mitch Thompson (Lead Guitar) / Tyler Siroky (Bass)
Photo Credit – Randy Gilbert

Moonlight Desires might only play ’80s cover songs, but dismissing them as just another cover band would be a mistake. Formed by longtime Hamilton, ON musician Trevor Ziebarth (Actor, Writer, and Composer for Teletoon’s cult adult animated series Sons of Butcher), Moonlight Desires transforms beloved synth-driven pop hits into loud, guitar-heavy rock anthems packed with nostalgia, energy, and attitude.

“For those unfamiliar, I created a television show with my brother Jay Ziebarth back in 2005 called Sons of Butcher,” explains Trevor. “The show aired on Teletoon and was sold to over 200 countries worldwide. As a companion to the series, we released comedy rock albums and toured across Canada. During those tours, we’d often perform heavier versions of classic ’80s songs that quickly became fan favourites. The response was so strong that it eventually inspired the formation of Moonlight Desires.”

Paying tribute to their Canadian roots, the band adopted their name from the iconic Gowan hit “Moonlight Desires.”

“I wanted a direct reference to an ’80s song, but I also thought it fit perfectly with the band’s heavier direction,” says Ziebarth,

Since emerging in 2013, Moonlight Desires has steadily built its reputation by reimagining timeless pop classics through a distinctly hard rock lens. Their 2014 debut album, Frankie Goes To Hamilton, delivered a rollicking collection of transformed radio favourites, while 2017’s Just The Hits: 1981-1985 turned classics like Corey Hart’s “Sunglasses at Night” and Level 42’s “Something About You” into crowd-pleasing party rock staples. In 2020, the band embraced cinematic nostalgia with At The Movies, a collection of songs inspired by some of the most beloved films of the decade, including The Breakfast Club, The Goonies, Dirty Dancing, and The Karate Kid.

Now, six years after their last studio release, Moonlight Desires return bigger, louder, and more fun than ever with their new EP, “Totally Tubular 80’s Party Machine”, arriving November 27, 2026 via Infamous Butcher Records.

Featuring high-octane interpretations of beloved classics such as A-ha’s “Take On Me,” Cyndi Lauper’s “Girls Just Want to Have Fun,” Dexys Midnight Runners’ “Come On Eileen,” Bronski Beat’s “Smalltown Boy,” Peter Schilling’s “Major Tom (Coming Home),” Madonna’s “Material Girl,” and Spandau Ballet’s “True,” the EP captures everything fans love about the band: massive riffs, irresistible hooks, and unapologetic nostalgia.

For this release, Moonlight Desires leaned into a more direct approach, preserving much of the original spirit and arrangements of these legendary songs while amplifying the intensity with down-tuned guitars, thunderous drums, and arena-sized choruses. The result is a collection that feels instantly familiar while delivering all the power of a modern hard rock record.

The EP also marks a significant milestone in the band’s evolution, as bassist Jay Ziebarth officially steps into the role of primary frontman. Long recognized for his larger-than-life stage presence and ability to ignite the band’s trademark “dance mosh pits,” Jay now takes center stage, bringing a new level of energy and charisma to both the recordings and live performances. With longtime live member Tyler Siroky taking over bass duties, Moonlight Desires enters its next era with renewed momentum.

Adding to the excitement, acclaimed Failure drummer Kellii Scott plays drums throughout the EP, helping elevate the band’s biggest and most polished production to date. Recorded with longtime producer Mitch Bowden at Mechanical Noise Studios, “Totally Tubular 80’s Party Machine” showcases Moonlight Desires at their most confident and refined.

Known for turning every performance into a celebration, Moonlight Desires continues to blur the line between rock show, retro dance party, and nostalgic time machine. Whether you’re an ’80s music fanatic, a hard rock devotee, or simply looking for an excuse to sing at the top of your lungs, Moonlight Desires delivers a live experience unlike any other.

With bigger production, bigger hits, and a new frontman leading the charge, Moonlight Desires may have finally achieved their ultimate form.

FFO: Me First and the Gimme Gimmes, The Ataris, Foo Fighters, Soundgarden, and anyone who ever made a mixtape from MTV.

EP Band Lineup:
Jay Ziebarth – Vocals
Trevor Ziebarth – Vocals, Guitar, Bass
Marco Bressette – Lead Guitar
Mitch Bowden – Lead Guitar
Kellii Scott – Drums

Live Band Lineup:
Jay Ziebarth – Vocals
Trevor Ziebarth – Vocals, Guitar
Mitch Bowden – Lead Guitar
Joey DeLeo – Guitar
Crissy Stixx – Drums

DISCOGRAPHY:
2014 – Frankie Goes to Hamilton – LP
2017 – Just the Hits: 1981-1985 – LP
2019 – Patio Lanterns – Single
2020 – At the Movies – EP
2026 – Totally Tubular 80’s Party Machine – EP

SHARED STAGE WITH:
Carole Pope
B. A. Johnston
The VaudevillianTOURS AND FESTIVALS:
October 6, 2024 – SIP Niagara Food & Drink Fest– Jordon, ON
August 27, 2022 – Voodoo Rock Fest, Odessa, ON
June 11, 2022 – Concession Streetfest, Hamilton, ON
August 27, 2021 – Music In The Square – Brantford, ON
Aug 2, 2019 – Strummerfest – Waterloo, ON
July 27, 2019 – WTFest – Brantford, ON

0 EPK – DENIMACHINE – Perfect Illusion (2026) (Grand Hand Records)

  • October 20, 2026
  • by Asher
  • · Denimachine (Grand Hand Records) · EPKs · Uncategorized

EPK – DENIMACHINE – Perfect Illusion (2026) (Grand Hand Records)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“These four songs are a sonic time capsule of everything we’ve lived through since our debut, and they show exactly how far we’ve evolved as a band. We’ve taken this time to dial in our sound and level up our production, blending heavy grooves with fresh, spacey textures that we can’t wait for everyone to hear.” – Denimachine

For fans of Queens Of The Stone Age, Black Sabbath, Wolfmother, Graveyard, TruckFighters

Band: Denimachine
Album Title: Perfect Illusion
Release Date: Nov 27, 2026
Label: Grand Hand Records (Digital), along with the EP on a Split Vinyl with Riff Ratt.
Genre: Stoner Rock, Psychedelic Rock
Location of Band: Calgary, Alberta, Canada

Denimachineband.com | Facebook.com/denimachine | X.com/DenimachineAF | Youtube.com/@Denimachineband | Instagram.com/denimachine

Denimachine.bandcamp.com | Apple Music | Spotify

Band: Denimachine
Album Title: Perfect Illusion
Release Date: Nov 27, 2026
Label: Grand Hand Records (Digital), along with the EP on a Split Vinyl with Riff Ratt.
Genre: Stoner Rock, Psychedelic Rock
Location of Band: Calgary, Alberta, Canada

Track Listing:
1. Tornado – 4:58
2. Grundy – 3:32
3. Edgelord – 5:33
4. Filthy Lucre – 5:44
Total EP Length: 19:47

EP Recording Credits:
• All songs performed by: Denimachine
• All songs written by: Denimachine
• Produced by: Scott Giffin and Denimachine
• Mixed by: Scott Giffin
• Mastered by: Stuart McKillop – Rain City Recorders
• Album Artwork by: Paul Henrik / Trenton Bullard
• Member of SOCAN
• Canadian Content (MAPL)

Album Band Lineup:
Scott Charles (Guitar, Vocals)
Trenton Bullard (Guitar, Vocals)
Brady Side (Bass)
Kevin Ross (Drums)
Scott Giffin (Synth)

Live Band Lineup:
Scott Charles (Guitar, Vocals)
Trenton Bullard (Guitar, Vocals)
Brady Side (Bass)
Kevin Ross (Drums)

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Describe The EP Artwork:

We reached out to our Friend Paul Henrik, a tattoo artist at Radio Block. Since we were releasing the EP on a split with Riff Ratt, we wanted the art and cover to look like there were two independent parts but also be cohesive.

About the EP as a whole (LYRICALLY & MUSICALLY):

These are four very different songs written over a ten-year span, from our oldest (Tornado) to our newest (Grundy). When we write a new song, we usually play it live a few times over the years, making minor tweaks; then, right before getting into the studio, we make a whole bunch of major tweaks, and then after it’s been recorded and pressed, we make a few more tweaks. After that, it’s done. We recorded in the prairies at OCL Studios with Scott Giffin. We recorded something that sounds heavy but groovy and true to our live sound, with some studio fun.

Track by Track (LYRICALLY & MUSICALLY):

Tornado: Written a long time ago about the Blair Witch Project and a tornado that touched down during a music festival that year. It’s the fastest and thrashiest of the four, inspired by horror movies and Dio.

Filthy Lucre: Came next and is about existential financial woes. It’s got a bit of polish but only to enhance the psych and maximize the catchiness of the chorus.

Edgelord: It’s the most laid-back of the four, but ends as one of our heaviest. We wanted to write something with a lot more groove and to experiment with our edginess.

Grundy: Straight-up rock and roll, inspired by the ascent from a particularly bad bout of depression.

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L-R – Brady Side (bass), Trenton Bullard (guitar, vocals), Kevin Ross (drums), Scott Charles (guitar, lead vocals)

Denimachine – Photo Credit – Josh Sandulak

You could say Denimachine sounds like a barbed-wire tumbleweed ripping across the Western Canadian prairie with a trunk full of fuzz pedals and a cooler full of cheap beer. You could say they’re a hard-rock wrecking crew built on thunderous riffs, highways, campfires, and a lifelong devotion to the altar of Black Sabbath.

But closer to the truth, Denimachine is simply four friends who love loud guitars, heavy grooves, and having a damn good time.

Formed in Calgary, Alberta in 2017, Denimachine emerged organically from years of friendship, shared job sites, and countless hours spent performing in notable local acts including Throne of Vengeance, Frankie McQueen, Falcon, and MANcub. After years of touring and chasing different musical paths, guitarist/vocalists Trenton Bullard and Scott Charles, bassist Brady Side, and drummer Kevin Ross came together looking for something new. What began as a one-off project intended to entertain fellow heshers at the legendary vanner gathering Vantopia quickly evolved into a full-fledged band with a cult following of riff enthusiasts across Western Canada.

Taking their name from the famous 1977 Ford Econoline “Denimachine” van created for a Levi’s promotional contest, the band embraced the vehicle’s free-spirited, blue-collar ethos from day one. Much like its namesake, Denimachine was built for the open road.

Their 2018 Demos EP introduced listeners to their riff-heavy approach, while their self-titled 2020 EP cemented the band’s reputation for combining soaring vocal melodies, fuzzy guitar heroics, and undeniable groove. Drawing influence from Queens of the Stone Age, Black Sabbath, Wolfmother, Graveyard, and Truckfighters, Denimachine balances classic hard rock swagger with modern stoner-rock heaviness, creating songs that feel equally at home blasting through festival speakers or from a dusty garage stereo.

Now, after years of writing, refining, and evolving their craft, Denimachine returns with their most ambitious material yet: Perfect Illusion, a four-song EP arriving November 27, 2026.

Produced from years of growth both personally and musically, Perfect Illusion captures a more mature Denimachine without sacrificing the riff-driven energy that first put them on the map. The EP explores broader sonic territory, incorporating more dynamic arrangements, psychedelic textures, and adventurous songwriting while maintaining the band’s trademark head-bobbing heaviness. The collection spans the band’s entire creative journey, featuring some of their oldest material alongside their newest compositions, showcasing just how far the quartet has come since their earliest jam sessions.

Built through Denimachine’s fully collaborative writing process, every track emerged from the band’s chemistry in the rehearsal room, where riffs evolve through experimentation, live performance, and collective refinement. The result is a record that captures the energy of their renowned live show more faithfully than ever before.

From the tornado-force opener “Tornado”, a fan-favorite staple finally committed to tape after years on stage, to the groove-laden swagger of “Grundy,” the shape-shifting journey of “Edgelord,” and the cosmic exploration of “Filthy Lucre,” Perfect Illusion finds Denimachine pushing their sound into exciting new territory while remaining true to their roots.

At its core, Denimachine remains what it has always been: four friends chasing riffs, sharing beers, and creating the soundtrack for good times. Their songs are designed to be played loud, whether you’re winding down around a campfire, cruising a backroad, or losing yourself in the front row.

Fueled by massive hooks, oversized grooves, and the kind of chemistry that only comes from years of friendship, Denimachine continues to prove that sometimes the best rock and roll isn’t reinvented. It’s simply played with conviction, volume, and a little extra sauce.

Perfect Illusion arrives November 27, 2026, digitally via Grand Hand Records, along with the EP on a Split Vinyl with Riff Ratt.

Denimachine Current Lineup:
Scott Charles (Guitar, Vocals)
Trenton Bullard (Guitar, Vocals)
Brady Side (Bass)
Kevin Ross (Drums)

Discography:
2020 – Denimachine (self-titled EP)
2026 – Perfect Illusion (EP) (Grand Hand Records) released as Solo EP (digitally) and on Split Vinyl with Riff Ratt

Shared Stage with:
Red Fang, Sandrider, Anciients, The Shrine, Castle, Mares Of Thrace, Nightseeker, Riot City, Dopethrone, Hellfire, Screamer, Gone Cosmic, Chron Goblin, Black Thunder, Dead Quiet, Woodhawk

TOURS AND FESTIVALS:
2024 – Cold Bones Fest – Drumheller, AB
2022 – Sled Island – Calgary, AB
2019 – 420 Music & Arts Festival – Calgary, AB
2019 – Sled Island – Calgary, AB
2019 – Woodhawk  2019 Spring Rip – Edmonton, Saskatoon, Invermere, Kelowna
2017 – Big Winter Classic – Calgary AB

Music Placements:
– Without A Pedal – A Bicycle Film About Snowboarding (2026)
– Doomed And Stoned Canada Vol 2 (2021)

0 Ottawa’s CAPITAL PUNISHMENT Festival Announces Full 2026 Lineup! w/ The Creepshow, Beyond Creation, Hellripper, The Damn Truth, Bad Waitress and lots more!

  • October 20, 2026
  • by Asher
  • · Capital Punishment Festival (Ottawa) · Music News

NEWS RELEASE

Montreal, QC – October 20, 2026

Ottawa’s CAPITAL PUNISHMENT Festival Announces Full 2026 Lineup!

Featuring Bad Waitress, Beyond Creation, The Creepshow, The Damn Truth, Hellripper, DBC, Warsenal, BornBroken, Entropy, Reanimator, Duskwalker, BARF, Ghoulunatics, and many more!

Capital Punishment Festival has unveiled its full lineup for 2026, returning to Ottawa’s ByWard Market from November 26 to 29, 2026, across four cornerstone live music venues: 27 Club, Dominion Tavern, Rainbow Bistro, and Avant-Garde Bar. Presented by Chord Productions and supported by Ottawa Tourism, the festival continues its mission of showcasing Canada’s thriving underground music community through four days of metal, punk, hardcore, rock, alternative, and extreme music.
​
Marking its largest edition to date, Capital Punishment Festival will feature more than 80 artists from across Canada performing on multiple stages throughout the ByWard Market. Festival-goers can experience every performance with an all-access festival pass priced at just $50, making it one of the country’s most affordable destination music festivals.
​
​“Events such as Capital Punishment play an important role in strengthening Ottawa’s profile as a dynamic cultural destination,” says Michael Crockatt, President & CEO of Ottawa Tourism.
​
​“Ottawa Tourism supports this unique music experience through its Nightlife Tourism Development Fund for its efforts in attracting visitors, animating our ACE District, and drawing music enthusiasts from across the region and beyond to enjoy our diverse music ecosystem. By bringing together acclaimed underground artists and local talent, the festival creates opportunities for visitors to explore the city, discover local businesses and venues, and contribute to the economic activity that helps sustain a vibrant and welcoming downtown experience,” adds festival organizer Christina Kasper of Chord Productions.
​
Headlining the 2026 edition are progressive death metal innovators Beyond Creation, psychobilly legends The Creepshow, acclaimed rock outfit The Damn Truth, and Scotland’s blackened speed metal force Hellripper. They join an extensive lineup of Canadian underground talent including Bad Waitress, DBC, BARF, Ghoulunatics, Insurrection, Entropy, Reanimator, Global Holocaust, Thunderkok, Warsenal, BornBroken, Duskwalker, Human Compost, Mortuary Slab, Gland, Hatred Reigns, Last Retch, Dissentient, Raider, A Scar For The Wicked, Catastrophic Hemorrhage, Soulthief, Northwalk, Peer Pressure, This Hell With You, This Disaster, Lost, Feral Union, Mindreader, Ratpiss, Acid Rot, Shroud, The Scepter, Sociably High, Glom, Pop Culture Icons, Goat!, Backyard Witchcraft, Rotual, Hempress, Drofnosura and many more.

With performances spanning all four venues over four nights, Capital Punishment Festival offers a diverse cross-section of Canada’s heavy and independent music scenes while bringing fans, artists, and industry together in the heart of downtown Ottawa.
​
​Festival passes are $50, and individual show tickets are available now at: https://ottawacapitalpunishment.eventbrite.ca​
​
Facebook Event: https://www.facebook.com/events/2032256174123331​

FREE VENDOR MARKET

We are looking for vendors for our free meat market at St Brigid’s Cultural and Event Centre on Saturday, November 28, from 1-4 p.m.

Reserve your free table here: https://forms.gle/bvtFpKe4amZa1kp77​

HOTEL

Need a hotel in the heart of the action for Capital Punishment? The festival has partnered with Courtyard Marriott Ottawa to offer you a discounted price that includes a full festival pass. Get your package here: https://www.marriott.com/offers/capital-punishment-festival-off-253896/yowcy-courtyard-ottawa-downtown​

INCLUDED WITH YOUR FESTIVAL PASS​
Access to all concerts
15% off guitar repairs from Pitty Lake Guitar Repairs​
15% off at Tredici​

INTERESTED IN VOLUNTEERING? Capital Punishment Festival is looking for volunteers to help with marketing and production. In exchange, you get free Chord Productions concert tickets. HERE.

CAPITAL PUNISHMENT Festival 2026 Lineup:

Festival Spotify Playlist – https://open.spotify.com/playlist/0iIMS29Ny1z2x9d5MMRdqf​

​
​THURSDAY, NOVEMBER 26
RAINBOW BISTRO (76 Murray St)​
Single show ticket $25 – https://badwaitress.eventbrite.ca/​
All Ages + parent or guardian / 6 pm
Bad Waitress
GOAT!
20 Paces Apart
Casual Tragedies
​
​THURSDAY, NOVEMBER 26
DOMINION TAVERN (33 York St)​
19+/ 6 pm
Single show ticket $20- https://bornbrokenott.eventbrite.ca/​
BornBroken
Insanity of Sorrow
Nature Plead Revenge
Ghost of A King
Bury The Past
​
​FRIDAY, NOVEMBER 27
DOMINION TAVERN (33 York St)​
19+/ 7 pm
Single show ticket $35 – https://hellripper.eventbrite.ca/​
Hellripper
Warsenal
The Scepter
Shroud
Dismal Aura
​
​FRIDAY, NOVEMBER 27
AVANT-GARDE BAR (33 BESSERER St)
​19+/ 7 pm
Single show ticket $20 – https://guhntwei.eventbrite.ca/​
Gun Twei
Rat Piss
Jetsam
The Vanishing Act
Acid Rot
​
FRIDAY, NOVEMBER 27
DOMINION TAVERN (33 YORK St)
19+/ 11 pm
Single show ticket $15 – https://mindreaderottawa.eventbrite.ca/
Mindreader
Touched Fables
Glom
Override

SATURDAY NOVEMBER 28
MEAT MARKET
(Submit your vendor application)
https://forms.gle/3fGVmvbJCSvGirbH7
St Brigid’s (310 St Patrick st)
1-4 pm, All Ages
FREE
​
​SATURDAY, NOVEMBER 28
DOMINION TAVERN (33 YORK St)
​19+/ 6 pm
Single show ticket $30 – https://dbcott.eventbrite.ca/​
DBC
Entropy
Reanimator
Global Holocaust
Thunderkok
Drowning In Blood
Dr. Bob’s Wrestling
​
​SATURDAY, NOVEMBER 28
THE 27 CLUB (27 YORK St)
​19+/ 6 pm
Single show ticket $25 – https://thedamntruth.eventbrite.ca/​
The Damn Truth
The Creep Show
Feral Union
The Space Between
Rising Flame
Refuse
​
​SATURDAY, NOVEMBER 28
AVANT-GARDE BAR (33 BESSERER St)
​19+/ 7 pm
Single show ticket $20 – https://duskwalker.eventbrite.ca/
Duskwalker
Human Compost
Mortuary Slab
Abysmal Whore
Dethrone
​
​SUNDAY, NOVEMBER 29
THE 27 CLUB (27 YORK St)
​19+/ 5:30 pm
Single show ticket $30 – https://beyondcreation.eventbrite.ca/​
Beyond Creation
Insurrection
Gland
Hatred Reigns
Last Retch
Dissentient
Bitter
​
​SUNDAY, NOVEMBER 29
THE DOMINION TAVERN (33 YORK St)
​19+/ 6 pm
Single show ticket $30 – https://barfott.eventbrite.ca/​
BARF
Ghoulunatics
Raider
A Scar For The Wicked
Catastrophic Hemorrhage
Dr. Bob’s Wrestling
​
​SUNDAY, NOVEMBER 29
THE RAINBOW BISTRO (76 MURRAY St)
​All ages with parent or guardian/ 6 pm
Single show ticket $20 – https://scarfold.eventbrite.ca/​
Scarfold
Soulthief
Northwalk
Peer Pressure
This Disaster
This Hell With You
​
​SUNDAY, NOVEMBER 29
AVANT-GARDE BAR (33 BESSERER St)
​19+/ 7 pm
Single show ticket $15 – https://drofnosura.eventbrite.ca/​
Drofnosura
Rotual
Hempress
Backyard Witchcraft

Capital Punishment Festival 2026​
Presented by Chord Productions
Supported by Ottawa Tourism
November 26–29, 2026
Ottawa, ON – ByWard Market
​Venues:​
Rainbow Bistro (76 Murray St.)
Dominion Tavern (33 York St.)
27 Club (27 York St.)
Avant‑Garde Bar (135 Besserer St.)

More info: https://ottawacapitalpunishment.com​

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 Newfoundland Thrash WITHIN THE REALM Unleash “Spiral of Terror” From Debut Album “…Of Systemic Decay” Out End of Oct 2026

  • October 20, 2026
  • by Asher
  • · Music News · Within The Realm

NEWS RELEASE

Montreal, QC – October 20, 2026

Newfoundland Thrash WITHIN THE REALM Unleash “Spiral of Terror” From Debut Album “…Of Systemic Decay” Out End of Oct 2026

Following the release of their first single “Into the Night,” Newfoundland thrash metal force WITHIN THE REALM are set to unveil their next offering, “Spiral of Terror,” the second single from their forthcoming debut full-length album “…Of Systemic Decay” out October 30th.
​
While “Into the Night” paid tribute to heavy metal’s enduring spirit and sense of community, “Spiral of Terror” dives into far darker territory. The track explores the harrowing journey of a young person struggling with trauma, addiction, and fear while attempting to escape the grip of their past. Musically, the song showcases the band’s signature blend of old-school thrash aggression, memorable hooks, and dynamic songwriting shaped by decades of metal influence.
​
​“‘Spiral of Terror’ is one of the heavier and more emotionally charged songs on the album. It’s about facing personal demons and the terrifying downward spiral that can happen when trauma and addiction take hold. We wanted the song to feel intense and overwhelming while still delivering the energy and power that metal fans expect,” says bassist and lyricist Rick White.
​
Born from a shared passion for heavy metal and brotherhood, WITHIN THE REALM emerged with a mission to create music that reflects the many branches of the metal genre while staying rooted in the spirit of classic thrash. Their sound is self-described simply as “Within the Realm of METAL,” combining influences from legendary acts such as Slayer, Megadeth, Sacred Reich, Sacrifice, and Sepultura with elements drawn from across the metal spectrum.
​
Recorded with a deliberately raw and unfiltered approach, “…Of Systemic Decay” captures the energy of a live performance without modern studio excess.
​
​“We wanted a fast, thrash-driven record with an honest, unpolished sound. No click tracks, no autotune, just real performances and real metal,” explains guitarist and vocalist Geoff Waye.
​
The album’s themes range from paranormal phenomena, UFO conspiracies, government deception, and societal manipulation to personal struggles, resilience, and the unifying power of heavy metal culture. The album artwork reflects these concepts through an image of a decaying government structure standing amid an apocalyptic landscape, symbolizing the corruption and systemic decline explored throughout the record.
​
Featuring members whose resumes include Newfoundland metal acts Category VI, Triskelyon, Artach, Oberon, Festered Corpse, Sacrament A.D., Rapid Burial, Corporal Punishment, Last Soul Down, Jaded Truth, and Winterhearth, WITHIN THE REALM bridges decades of local metal history. The band’s roots stretch back to the mid-1990s when White and Waye first performed together in the St. John’s metal band Oberon, bringing a wealth of experience and chemistry into the project.
​
Although “…Of Systemic Decay” revisits material originally written between 2017 and 2019, the band views the album not as a look backward, but as a foundation for the future.
​
​“We’ve all grown as musicians and as friends while making this record. It feels great to finally have these songs recorded after nearly ten years. I’m incredibly proud of the production, and I hope fans connect with it as much as we do,” says drummer Mike Ryan.
​
With “Spiral of Terror,” WITHIN THE REALM continue to showcase the depth and variety found throughout “…Of Systemic Decay,” proving that their debut is more than a tribute to thrash metal’s golden era. It is a statement of intent from a band determined to carry that legacy forward through raw passion, powerful songwriting, and unwavering authenticity.
​
Listen to “Spiral of Terror” at https://www.youtube.com/watch?v=FVk4z5wFJK0

​and the first single “Into the Night” (music video) at https://www.youtube.com/watch?v=JymvTQLfBh4

​

Track Listing:
​1. Sixth Sense – 4:13
2. Endless Life – 4:59
3. Spiral of Terror – 5:39
4. Hidden Agenda – 5:05
5. Homicidal Sacrifice – 4:12
6. The Hydra – 5:26
7. The Information is Out – 5:16
8. Into The Night – 4:24
Album Length – 37:56
​
​More info:

​https://www.facebook.com/WithinTheRealmOfMetal​

-30-​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Burn The Evidence

  • October 18, 2026
  • by Asher
  • · Burn The Evidence · EPKs

EPK – Burn The Evidence

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of I Prevail, Hollywood Undead, Killswitch Engage, Ice Nine Kills, President

Facebook.com/p/Burn-The-Evidence-100086861292626/ | Instagram.com/burntheevidence_music |

Spotify | Youtube.com/@BurnTheevidencemusic

“Ottawa-Gatineau metal band Burn The Evidence had the honor of opening the inaugural edition of El Gros Fest in Cantley, Quebec. Guitarist Éric Desormeaux described opening a festival’s very first edition as a special privilege.” – Le Droit – 2026

“One of the band’s favourites, this will pull you along on a rollercoaster of emotions, from peace to fear, from joy to sadness, but in the end, you’re going to want more. Crank up the volume and immerse yourself in a distinct brand of metalcore.” – Dropout Entertainment – 2026

“A genuinely catchy and well-produced release… Turn up the volume and immerse yourself in a distinctive brand of metalcore… “‘Night Terror’ is the perfect soundtrack for a horror-filled night or your late-night adventures….Recommended for fans of Bring Me The Horizon, Ice Nine Kills, and Falling In Reverse.” – Metal Universe – 2023

“The Ottawa nu-metalcore band BURN THE EVIDENCE officially released its new album, Case 01, on February 27, 2024. Consisting of nine tracks, the members of BURN THE EVIDENCE guide listeners through a series of crime scenes. The balance between clean vocals and growls is executed effectively, creating a strong mix that will appeal to fans of I PREVAIL. Throughout most of the album, BURN THE EVIDENCE incorporates nu-metal elements that perfectly complement the band’s catchy melodic side, while still delivering solid guitar riffs. Between crime scenes, investigations unfold successfully, and things can get very bloody. Whether it’s the band’s name, the album title, the artwork, or even the lyrics, BURN THE EVIDENCE has created a distinctive atmosphere built around a compelling story and overarching narrative. If you enjoy the approach of ICE NINE KILLS or narrative additions such as movie samples and cinematic touches, you won’t be disappointed. Definitely worth checking out. This album will take you on an emotional roller coaster, from peace to fear and from joy to sadness. But by the end, you’ll still be left wanting more. Listen at your own risk!” – Metal Universe – 2024

L-R – Maxime Rondeau – Lead Guitar, Danny Audette – Bass, Rémi Arsenault – Vocals, Serhii Myronchuk – Drums, Eric Desormeaux – Guitar/Vocals

Photo credit: Eightyoaks Photography – https://www.facebook.com/eightyoaksphotography

 

Hailing from the Ottawa, Ontario, and Gatineau, Quebec region, Burn The Evidence is a rising nu-metalcore force delivering a powerful blend of crushing riffs, infectious melodies, emotional intensity, and immersive storytelling. Formed by seasoned musicians from the local metal scene, the band’s unique identity revolves around the dark worlds of crime scenes, unsolved mysteries, investigations, and cold cases.The project was born when vocalist Rémi Arsenault joined forces with guitarists Eric Desormeaux and Maxime Rondeau, musicians he had admired through their previous work in Fractures & Outlines. With the addition of bassist Serhii and drummer Danny, Burn The Evidence evolved into a creative unit focused on crafting a distinctive musical and visual experience. United by a fascination with mystery and the unknown, the band developed a detective-inspired concept that would become the foundation of its sound and lyrical themes.

Drawing influence from modern metalcore heavyweights such as Bring Me The Horizon, Wage War, I Prevail, Ice Nine Kills, and Killswitch Engage, Burn The Evidence combines aggressive breakdowns, memorable hooks, dynamic clean and screamed vocals, and cinematic atmosphere. Their music explores the emotions surrounding criminal investigations through the perspectives of inspectors, witnesses, and sometimes even the perpetrators themselves. Fear, power, tension, triumph, and uncertainty all play a role in the band’s evolving narrative universe.

A defining aspect of Burn The Evidence is their dedication to creating an immersive experience. Ambient effects, atmospheric samples, cult-like chants, and cinematic elements are carefully woven into their music to enhance the storytelling. Every song serves as a chapter in a larger investigation, inviting listeners to step into the case and uncover the truth alongside the band.

Operating independently, Burn The Evidence writes, records, and produces much of its music in-house at guitarist Eric Desormeaux’s studio. This hands-on approach allows the band complete creative freedom and the ability to meticulously refine every detail without compromise. Their collaborative writing process sees each member contributing ideas, resulting in a sound that continues to grow heavier, tighter, and more mature with every release.

After spending the last several years sharing the stage and logging countless miles together, Burn The Evidence has developed a chemistry that translates directly into both their recordings and live performances. Known for delivering high-energy shows filled with relentless intensity, vocal harmonies, crushing breakdowns, and crowd engagement, the band strives to connect with audiences from the first note to the last.

With their detective-themed universe expanding and their sound evolving at a rapid pace, Burn The Evidence is carving out a unique place in modern metalcore, offering fans not just songs, but an experience where every clue matters and every case has a story to tell.

 

Band Lineup:
Vocals: Remi Arsenault
Rhythm Guitar and Vocals: Eric Desormeaux
Lead Guitar: Maxime Rondeau
Bass: Danny Audette
Drums: Serhii Myronchuk

 

Discography
Case 01 (Album 2025)  
COD3 (single 2024)
Night Terror (single 2023)
Spiral (single 2023)
Bad Influences (single 2023)

 

Shared Stage with:
Stick to your guns, Kaonashi, Mononc Serge et Anonymus, Dropout Kings, Madball, Death before dishonour, Exterio, Kamakazi

 

Tours and Festivals:
Welcome home mini-tour with Nova Spei, De mal en pire, Change my brain with cakes – September 2024 (Trois Rivières, Gatineau, Québec and Sept-Îles)
Victoriaville La causerie – May 2025
Elgros Fest Cantley, Outaouais – July 2025
Cornwall Chaos Fest – August 2025

 

Fun Facts:

1.  We had the chance to hit the first winter storm while going to Sept Isles… man, this road is no joke: cliffs and hills, truck stuck in the hills, nightmare, man. We arrived safe and well, but daammmmnnn that was a scary one.

2. Another one , normally Toronto to Ottawa is around 5 hours drive… again winter madness… we went to Toronto in a 45 centimeter snow storm…took us 6 hours to go we played and took us 9 hour to come back in the night… we are conquering some crazy driving skills here hahaha

3. In general, we have so much fun going out of town to play shows and discover different cities, meeting amazing people, sharing some good poutine, and learning city features, etc.  

0 Rising Bay Area Prog Metal BABY ON A RAMPAGE Unveils New Video “Failure of One’s Name” From New EP “Forgive My Figure” Out Nov 2026

  • October 16, 2026
  • by Asher
  • · Baby On A Rampage · Music News

NEWS RELEASE

Montreal, QC – October 16, 2026

Rising Bay Area Prog Metal BABY ON A RAMPAGE Unveils New Video “Failure of One’s Name” From New EP “Forgive My Figure” Out Nov 2026

Co‑produced with Scott Proctor (Five Finger Death Punch touring member; Machine Head/Testament tech; Amongst Thieves; State Line Empire)

Photo Credit – Akira Replica – IG @akira.replica

Bay Area progressive metal upstarts Baby On A Rampage are proud to unveil their powerful new music video for “Failure of One’s Name,” the latest single from their forthcoming EP “Forgive My Figure,” due out November 12, 2026.
​
The release follows the debut single and music video “Reclaim,” the first glimpse into the band’s forthcoming EP “Forgive My Figure,” co-produced alongside Scott Proctor (Five Finger Death Punch touring member; Machine Head/Testament tech; Amongst Thieves; State Line Empire), whose expertise in harmonies and arrangement helped shape the band’s increasingly sophisticated sound. Showcasing a clear progression in both songwriting and musicianship, the new record finds Baby On A Rampage expanding beyond the groundwork laid on their debut full-length, “Fall With Disgrace,” produced by Michael Rosen (Testament, AFI, Less Than Jake). With bigger melodies, deeper emotional weight, and a more refined modern metal approach, “Forgive My Figure” captures a band coming into its own and confidently defining its identity.
​
​“This is easily our most musically and melodically developed release so far. We’ve moved beyond the more straightforward metal influences of our earlier material and embraced a sound that is both more dynamic and more melodic. The songs still hit with dark, aggressive, and heavy verses, but they open up into massive, vocal-driven choruses packed with layers, harmonies, and emotion. We’ve put a lot of attention into the details, creating what I like to call a lot of ‘ear candy’ throughout the record. While our last album explored a wide range of styles and directions, this EP feels more cohesive. Each song has its own identity, but they all belong to the same musical world. It feels like we’ve finally locked into who we are as a band and found a stronger sense of our own sound,” says Ash Lee (lead guitar and lead vocals).
​
The newly released video for “Failure of One’s Name” showcases one of the EP’s most personal and emotionally charged songs. Written from different personal perspectives within the band, the track explores identity, grief, self-discovery, and healing.
​
​“Failure of One’s Name is a song inspired by my personal experience as a trans woman and coming to terms with my identity. For so long, it existed as a piece of me that lived in the dark, only manifesting when I felt thoroughly concealed. It represents the darkest moments that shaped who I am and those that led me onto the path towards healing,” adds EP drummer Lyra Renninger.
​
For Ash Lee, the song takes on a different but equally personal meaning:
​
​“For me, this song is about finding yourself after a big loss of that sense of self. When my uncle died, I felt like I had lost a huge chunk of who I was. The song is about trying to figure out how to find yourself and feel whole again, realizing that ultimately you have to discover your true self from within.”​
​
Musically, “Failure of One’s Name” highlights the band’s growth as songwriters, balancing crushing heaviness with expansive melody and atmosphere while delivering one of the most emotionally resonant moments on the EP.
​
​Watch and listen to the music video at https://www.youtube.com/watch?v=n6AqmEfI3oE

​Spotify – https://open.spotify.com/track/7MkN6fPtRHyoK8D9LkyXQU

​

What began as a youth band assembled through the renowned Bay Area music program Bandworks has evolved into one of the region’s most exciting emerging heavy acts. The members of Baby On A Rampage first met between the ages of nine and eleven, bonding over a love of Metallica, Green Day, Primus, and eventually more advanced influences such as Gojira, Mastodon, Tool, Slipknot, Lamb of God, Rage Against the Machine, and Muse. Since then, the group has progressed from school rehearsals to extensive touring across the Pacific Northwest, Canada, the Southwest, Texas, and the West Coast, surpassing 100 shows while still in their teens.
​
With “Forgive My Figure,” Baby On A Rampage deliver their most accomplished and mature release yet, showcasing a band that has already found its identity while still pushing forward creatively.

Recommended for fans of Gojira, Revocation, Mastodon, Baroness, and Strapping Young Lad, “Forgive My Figure” will be available on all digital platforms as of November 12, 2026.

Bandcamp – https://babyonarampage.bandcamp.com​

Music Video – “Reclaim” at https://www.youtube.com/watch?v=NDvwwrxoU6U​

Track Listing:​
1. Intro (0:56)
2. Immaculate Teeth (4:32)
3. My Tragedy (3:21
4. Reclaim (5:48)
5. Failure of One’s Name (4:29)

EP Band Lineup:​
Ash Lee: Guitars, Vocals
John Muir: Bass, Vocals
Lyra Renninger: Drums

Live Band Lineup:​
Ash Lee: Lead guitar, Vocals
John Muir: Bass, Vocals
Lucas Garske: Rhythm guitar
Mona Iris: Drums

More info:

​https://www.babyonarampage.com/​

​https://www.facebook.com/profile.php?id=61577134441189​

​https://www.instagram.com/baby_on_a_rampage​

-30-​

​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 ABHORIA Unveils New Single & Video “Ambition and Delusion” To Kick Off USA Southwest Tour w/ VELNIAS

  • October 16, 2026
  • by Asher
  • · Abhoria · Music News

NEWS RELEASE

Montreal, QC – October 16, 2026

ABHORIA Unveils New Single & Video “Ambition and Delusion” To Kick Off USA Southwest Tour w/ VELNIAS

Dystopian black‑metal stewards Abhoria return with “Ambition and Delusion,” a blistering new single and music video to kick off October USA Southwest tour with Colorado folk‑doom conjurers Velnias. The track offers the first glimpse into Abhoria’s forthcoming third album, slated for 2027 via Black Lion Records.
​
​“Ambition and Delusion” expands Abhoria’s signature fusion of bleak black‑metal aggression and death‑metal intensity, while introducing a more progressive edge. The song surges from mid‑paced dissonance into tremolo‑picked chaos and full‑blast fury, punctuated by an unexpected steel‑guitar interlude performed by vocalist Ben Pitts, a rare flourish in black metal that sets the stage for the track’s soaring melodic solo.
​
Lyrically, the single explores the psyche of James Gordon Bennett, Jr., the eccentric publishing magnate infamous for scandalous behavior, reckless ambition, and the disastrous North Pole expedition he sponsored. Presented from Bennett’s own perspective, the song examines his desperate desire to transform public embarrassment into heroism, driven not by altruism, but by ego, entitlement, and delusion.
​
For the music video, Abhoria again collaborated with director Hunter Lamar of Digital Myle, who previously helmed the band’s 2024 visual for “The Well.” The new video blends intense performance footage with stylized vignettes of Bennett portrayed in the aesthetic of classic silent cinema, complete with title cards and era‑appropriate framing.
​
Guitarist/songwriter Trevor Portz cites inspiration from seeing He Who Gets Slapped (Lon Chaney) at Old Town Music Hall in El Segundo, CA, noting that the silent‑film approach “captured the perfect atmosphere for Bennett’s fractured worldview.”
​
​“Ambition and Delusion” was mixed by Herbrand Larsen at Conclave and Earshot Studios and mastered by Tony Lindgren at Fascination Street Studios.

Watch and listen to “Ambition and Delusion” at https://www.youtube.com/watch?v=3BLwlEFYPR0

​Add to your Spotify playlist – https://open.spotify.com/track/2i5u3qU3DpTgPFSU6Tqrw9

​

Abhoria will bring “Ambition and Delusion” to the stage as they join Velnias for a run of immersive, atmospheric, and emotionally heavy performances across the Southwest this October (dates listed below).
​
​“We’re so excited to hit the road with our friends in Velnias! These will be the first shows in the Southwest, and we’re looking forward to debuting songs from our forthcoming album alongside older material. It promises to be an evening of extreme metal overindulgence!” adds Abhoria‘s Trevor Portz.

Tour Dates:​
Oct 15 – Denver, CO – Hi-Dive
Oct 16 – Amarillo, TX – Rockwell Event Center
Oct 17 – Dallas, TX – Haltom Theater
Oct 18 – Austin, TX – The Lost Well
Oct 19 – Midland, TX – Cotton Flat Records
Oct 20 – El Paso, TX – Mona Bar
Oct 21 – Santa Fe, NM – Stom Box
Oct 22 – Cottonwood, AZ – Queen B’s Vinyl Café
Oct 23 – Tucson, AZ – Chicago Bar
Oct 24 – Los Angeles, CA – Knucklehead Hollywood

About Velnias:

Emerging from the Rocky Mountains of Nederland, Colorado, Velnias took shape in 2006 under the vision of Andrew Scherer and Petras Vaznelis. Their craft unfolds as a ritual expression of the paradox of existence, where the intimate spark of the microcosm meets the vast crucible of the macrocosm. Each performance carries a deep atmospheric pull, marked by meditative weight and a primordial, immersive presence that sets them apart from other extreme‑music acts.

Music Video – Rending of Dyadic Convolution – https://www.youtube.com/watch?v=337mxMT831E​

Spotify – https://open.spotify.com/artist/3JdmbSa6xA2hOvl9YERRb7​
​
​More info:​
​
​Abhoria:​
​https://abhoria.com​
​https://www.instagram.com/abhoriametal​
​https://www.facebook.com/AbhoriaMetal​
​https://abhoria.bandcamp.com​

Velnias:​
​https://velnias.band​
​https://www.facebook.com/VelniasCult​
​https://www.instagram.com/velnias.cult​
​https://velnias.bandcamp.com​
​

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 DIRTY SHIRT Shares New Single “A Brighter Day” ft. Jethro Tull’s Ian Anderson; New Album “Balkansylvania Vol. 1: Roots” Arrives January 2027

  • October 16, 2026
  • by Asher
  • · Dirty Shirt · Music News

NEWS RELEASE

Montreal, QC – October 16, 2026

DIRTY SHIRT Shares New Single “A Brighter Day” ft. Jethro Tull’s Ian Anderson; New Album “Balkansylvania Vol. 1: Roots” Arrives January 2027

Romanian folkcore trailblazers Dirty Shirt proudly unveil their new single, “A Brighter Day,” the third release from their forthcoming album “Balkansylvania Vol. 1: Roots”, due for digital release in January 2027. Following last year’s “FOMO (Fear Of Missing Out)” and this March’s “Büntetö,” featuring Hungary’s Besh o droM, the new track offers another glimpse into the band’s highly anticipated record. Featuring legendary Jethro Tull frontman Ian Anderson on flute, “A Brighter Day” blends uplifting melodies with thought-provoking themes, highlighting Dirty Shirt’s continued musical evolution while maintaining the vibrant folk-metal energy that has earned them an international following.

“A Brighter Day” is a vibrant, high-energy song packed with infectious melodies, driving riffs, and powerful folk influences. The track balances an uplifting musical atmosphere with a deeper lyrical message, challenging listeners to take responsibility for their choices in an era of false promises, misinformation, and easy excuses. Enhanced by the warmth and innocence of a children’s choir, the song creates a compelling contrast between its feel-good energy and its confrontational call for personal accountability.
​
The collaboration with Ian Anderson adds another remarkable dimension to the track. His unmistakable flute performance seamlessly intertwines with Dirty Shirt‘s signature blend of modern metal, folk traditions, and world music influences, creating a unique meeting point between two distinct musical worlds.
​
​Mihai Tivadar, Dirty Shirt composer, producer, and keyboardist, comments:
​
​“Working with Ian Anderson was an honour and an incredible experience. After he agreed to join us as a guest, I sent him demos of five songs so he could choose whichever he liked best. He picked ‘A Brighter Day’, which was also the song I thought would suit him best. My only request was for him to play the main theme alongside the other acoustic instruments. Beyond that, he had complete freedom. The very next day, his flute tracks arrived, full of melodic ideas and solos, each one better than the last. We kept everything. There was no need to edit any of his parts; it all fitted perfectly. The result was exactly what I’d imagined: a blend of Dirty Shirt and that unmistakable Jethro Tull sound, with Ian’s unique approach to the flute. But he still managed to surprise me. I hadn’t expected the flute to work so well over the heavy riffs in the final section, which is the most aggressive part of the song. Having Ian leave his musical mark on one of our songs means a great deal to me. What impressed me just as much was how open and inventive he remains as a musician. I can’t wait for everyone to hear it!”​
​
For Dirty Shirt, “A Brighter Day” is designed to be both a celebration and a challenge. The band hopes listeners will turn up the volume, sing along, and leave inspired to make positive changes in their own lives.

Video – https://www.youtube.com/watch?v=zNh9sN01SD8

All digital platforms – https://linktr.ee/dirtyshirtband​

The single serves as the gateway to “Balkansylvania Vol. 1: Roots”, the first chapter of an ambitious two-part album project. Scheduled for digital release in January 2027, “Balkansylvania Vol. 1: Roots” explores the musical foundations and influences that have helped shape Dirty Shirt’s unmistakable sound. The complete physical edition will be released in 2028 alongside its companion record, “Balkansylvania Vol. 2: Routes,” bringing both chapters together as a definitive collection.
​
Adding further visual depth to the project, the stunning album artwork was created by acclaimed Romanian artist Costin Chioreanu, renowned for his work with Ghost, Jethro Tull, Arch Enemy, Opeth, Paradise Lost, At The Gates, Lacuna Coil, and many other internationally celebrated acts.

Following the single’s release, Dirty Shirt will bring their explosive live show to audiences across Europe as part of the “Balkansylvania Tour 2027” (dates listed below).

Balkansylvania Tour 2027:​
26.12.2026 – Mos Craciun e Rocker – Baia Mare (RO)
27.12.2026 – Mos Craciun e Rocker – Baia Mare (RO)
22.01.2027 – Form Space – Cluj-Napoca (RO)
23.01.2027 – Republic Hub – Targu Mures (RO)
05.02.2027 – MMC – Bratislava (SK)
06.02.2027 – Urban Spot – Banská Bystrica (SK)
19.02.2027 – Quantic – Bucuresti (RO)
20.02.2027 – Rockstadt – Brasov (RO)
17.03.2027 – Snow Fest – Val Thorens (FR)
21.03.2027 – Snow Fest – Deux Alpes (FR)
17.04.2027 – Oldies Pub – Sibiu (RO)
18.04.2027 – Out Events – Oradea (RO)
15.05.2027 – New Cross Inn – London (UK)
25.06.2027 – Brande-Hörnerkirchen – Hörnerfest (D)
29-31.07.2027 – Czaplinek-Broczyno – Pol’and’Rock (PL)
15.10.2027 – B90 – Gdańsk (PL)
16.10.2027 – Słowianin – Szczecin (PL)
More TBA

For more info and tickets: https://dirty-shirt.com/​
​
​About Dirty Shirt:​
For over 30 years, Dirty Shirt has stood as one of Eastern Europe’s most original and successful rock/metal acts. Formed in the mid‑90s as a wedding band, they evolved into a genre‑blending powerhouse, fusing modern heavy music with the vibrant energy of Eastern European traditional sounds. Their explosive live shows and innovative approach have taken them to major festivals across Europe, including Hellfest, Wacken Open Air, Pol’and’Rock, Electric Castle, and more, and earned praise from outlets such as Metal Hammer, Rock Hard, Metalsucks, and Hard Rock Mag. Dirty Shirt has performed over 600 shows in 17 countries and shared stages with Megadeth, Godsmack, Gogol Bordello, Skindred, and Orphaned Land.

-30-

“Long time readers will know by now that I am partial to the weirder side of heavy music. Dirty Shirt certainly has my attention this week. They’re like a mix of 6:33, Russkaja, and Turisas. This is bombastic, fun metal with Romanian folk mixed in. ” – Metal Injection

“Dirty Shirt, Your New Favorite Transylvanian Folk-Core Band ” – Metal Sucks

“DIRTY SHIRT only sound like DIRTY SHIRT.” – Metal Temple

“Is it catchy? Yes. Is it fun? Yes. Is it utterly mental? Yes. Highly recommended” – Metal Observer

” “…you’ve never heard anything quite like this before”” – Sonic Abuse

“This album is buoyant, blistering and bolshy; you certainly want to get your dose now!” 8/10 – Powerplay Magazine (2022 – Get Your Dose Now!)

“”Whoa! ‘Get Your Dose Now!’ is definitely not your average metal album. It’s simply something that you won’t hear anywhere else. Dirty Shirt is the real deal with extraordinarily talented musicians and a uniqueness that sets them apart from the crowd. If you’re in the market for some new music, this band offers something for everyone, from hardcore metal and thrash to tribal and traditional. It’s like your grandmother’s goulash recipe, a little of this and a little of that, with the end result being magical and inimitable.” – Uber Rock (2022 – Get Your Dose Now!)

“Dirty Shirt did a good job again and ‘Get Your Dose Now!’ is a very nice album to listen to and it deserves a listen.” – Folk-Metal.nl (2022 – Get Your Dose Now!)

“with DIRTY SHIRT you have joy in life and fun in music. They ignite a light in the currently dark world. A good mood is guaranteed. So get your dose today, now, get vaccinated against sadness and depression. before it’s too late. – Saitenkult (2022 – Get Your Dose Now!)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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