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0 Blackened Thrashers ETERNAL DRAK Unleashes New Video “We Force It To Speak” + Quebec Tour Dates For Sixth Album “The Violence of Time” Out Now!

  • August 28, 2026
  • by Asher
  • · Eternal Drak · Music News

NEWS RELEASE

Montreal, QC – August 28, 2026

Blackened Thrashers ETERNAL DRAK Unleashes New Video “We Force It To Speak”

+ Quebec Tour Dates For Sixth Album “The Violence of Time” Out Now!

Eternal Drak has released the official music video for “We Force It To Speak”, taken from the band’s newly issued sixth album, “The Violence of Time.” The track, a dense and atmospheric black‑metal assault that opens up the record and embodies the album’s central thesis: that the human attempt to explain reality doesn’t clarify it; it distorts it.

“Trying to understand time doesn’t reveal it. It distorts it… Truth isn’t discovered. It’s enforced,” says the band.
​
The new video amplifies that tension, merging bleak imagery with the song’s shifting textures, from acoustic passages to suffocating walls of distortion, creating a visual and sonic immersion into Eternal Drak’s conceptual universe.

The video can be watched at https://www.youtube.com/watch?v=JKSsZR39cYU

​​“The Violence of Time’ is a ten‑track exploration of time as a hostile force, not a neutral medium, but an active pressure that erodes memory, identity, and causality. The band frames time as something that “does not flow; it imposes… it does not reveal meaning; it destroys it.”
​
Musically, the album is built for old‑school metal devotees: those who crave the rawness of thrash, the darkness of black metal, and the severity of death metal. Eternal Drak’s evolution is on full display, from analog aggression to modern digital density. Each track is a conceptual “violent thesis,” demolishing traditional ideas of past, present, and future. Rather than telling stories, the songs function as reflections of a larger narrative: a short story written by Andres Martinez Torres (Drakar), the band’s main songwriter, about an individual who realizes that time cannot be described, only confronted.

Over the years, Eternal Drak has evolved from raw thrash‑and‑black foundations into a dynamic force shaped by death metal, groove, and even Latin folk influences. Their sound has grown alongside the metal scene itself, adapting to new tools and technologies while preserving the intensity and character that define the band.

Recommended for fans of Dimmu Borgir, Watain, Kreator, Motörhead, and Desaster, experience “The Violence of Time” in its entirety at the following links

“The Violence of Time” (released July 17th, 2026) is available at the following links:

Band website – https://eternaldrak.com/the-violence-of-time​

Bandcamp – https://eternaldrak.bandcamp.com/​

Spotify – https://open.spotify.com/album/5wq0pSkPFNlU7BtqE0R5J2

​

YouTube – https://www.youtube.com/watch?v=DS3ueL-cETg​

Tour Dates – Eternal Drak​
Sept 4 – Quebec City, QC – Sonum
Oct 17 – Saint-Marie, QC – Bar Café Notre-Dame
Oct 31 – Montreal, QC – Piranha Bar

Track Listing:​
1. We Force It To Speak – 5:15
2. The Unborn Paths Rot – 3:51
3. Me Hice Simultaneo – 3:30
4. The Blasphemy of Time – 3:35
5. Chaos Is the Law – 3:34
6. Where Cause Is Buried – 3:55
7. Across the Watching Veils – 3:53
8. Breathing Once Again – 3:45
9. The Cosmos Rejects You – 4:09
10. No Direction Total War – 2:57
Album Length: 38:24

Album Band Line-up:​
Andres Martinez Torres (Drakar) – Vocals, Lead Guitar, Bass
Michel Amyot – Rhythm Guitar

More info: https://www.eternaldrak.com | https://www.facebook.com/EternalDrak | https://www.instagram.com/eternaldrak​

About:

Eternal Drak is an extreme metal band based in Quebec City, Canada, originally founded in Latin America in the late ’90s. Rooted in a fierce blend of thrash and black metal, the band has continually expanded its sound with elements of death metal, groove, and melodic experimentation. Lyrically, Eternal Drak explores human and cosmic darkness, a theme present across all seven of its official releases. The band is currently signed to the Canadian label FirstWave.

Formed in 1997 by brothers Drakar and Warhammer, later joined by guitarist Reijav, Eternal Drak quickly gained recognition, winning a City TV award for Best Metal Video in the early 2000s. After releasing early EPs and their first full-length, the band went on hiatus in 2007.

In 2020, the members reunited in Quebec to create The Past Is Gone, A New One Is Coming, honoring co‑founder and drummer Eduardo “Warhammer” Martínez. This revival led to a prolific new era, including the albums Drak Metal (2021), Shadow Storm (2022), Imprisoned Souls (2024), and multiple EPs. The lineup later expanded with guitarist Mike Amyot and drummer Patrick Auger.

Today, Eternal Drak (featuring Andres Martinez Torres (Drakar) – Vocals, Lead Guitar, Bass, and Michel Amyot – Rhythm Guitar) continues to evolve while staying true to its extreme metal roots, driven by intensity, melody, and a commitment to pushing its sound across continents.

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“Ultimately, Eternal Drak have created something truly remarkable here. They have taken a genre that often gets stuck in its own formulaic mud and used it to deliver a profound, deeply atmospheric, and heavy-as-hell exploration of human mortality. It is a record that manages to be simultaneously intellectually stimulating and physically punishing. It is a pure example of modern, thoughtful extreme metal. If you are ready to let a Latin-infused hurricane tear through your speakers and remind you of the terrifying fragility of your own existence, do yourself a massive favor: turn this up as loud as it goes and let the violence wash over you.” – The Black Metal Archives​
​
​“ETERNAL DRAK delivers a thought-provoking and crushing sixth album ”The Violence Of Time” that balances old-school extremity with philosophical ambition. STANDOUT TRACKS: ”The Blasphemy of Time”, ”Chaos Is the Law”, ”The Cosmos Rejects You”. 9/10″ – Metal Rager 666​
​
​“With “The Violence Of Time,” Eternal Drak deliver a well-thought-out, superbly produced, and surprisingly catchy blackened thrash album.” – Metalunderground.at​
​
​“This is some pretty good Blackened Thrash that has sick riffs, icy tremolos and eerie harmonies with some solos added to keep it interesting, add it to your lists. Rating: 8.1/10 – Drako Metal Reviews (The Violence of Time – 2026)​
​
​“10 new songs that will simultaneously brighten and darken your world… Eternal Drak evolve while staying true to their roots… you need to make time in your life to experience and enjoy the deathly screams and raucous riffs of Eternal Drak.” – The Razor’s Edge​
​
​“a really entertaining album that’s relatively accessible for the genre.” – The Metal Crypt​
​
​““The Violence Of Time” is focused, severe, and written with an old school extreme metal instinct, offering a cohesive attack with enough variation to hold attention across the full album.” – Heavy Metal Darkness​
​
​“another great sounding recording from Eternal Drak and if you are a fan of blackened thrash ​
​metal, you should check out this album. RECOMMENDED TRACKS INCLUDE “We Force It To Speak” “The Blasphemy Of Time” “Where Cause Is Buried” and “The Cosmos Reject You”. 8 out of 10.” – Bringer of Death Webzine​
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Thank You Canadian MDs and DJs for the airplay love! \m/\m/ For the Week Ending: Tuesday, August 25, 2026 !earshot – The National Loud Chart, Famous Strangers, Iron Kingdom, Phaeton, Destroy My Brains, Volubilis, As Oceans Divide, Pythonic, Powerload, Dehumanizing Itatrain Worship

  • August 27, 2026
  • by Asher
  • · As Oceans Divide · Dehumanizing Itatrain Worship (Stillbirth Records/Gore House Productions) · Destroy My Brains · Famous Strangers · Iron Kingdom · Phaeton · Powerload · Pythonic · radio charts · Volubilis

Thank You Canadian MDs and DJs for the airplay love! \m/\m/
For the Week Ending: Tuesday, August 25, 2026
!earshot – The National Loud Chart
#8 Famous Strangers 
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2026-08-25
=================
CFBX 92.5FM – Kamloops
Loud – #1 Iron Kingdom, #10 Phaeton
https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2026-08-25
=================
CIVL 101.7 FM – Abbotsford
Loud – #8 Destroy My Brains
https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2026-08-25
=================
CJAM 99.1 FM – Windsor
Loud – #4 Volubilis, #5 As Oceans Divide
https://earshot-online.com/charts/cjam.cfm?intChartTypeID=6&dWeekOfID=2026-08-25
=================
CJLO 1690 kHz – Montreal
Loud – #4 Pythonic
https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2026-08-25
=================
CJSR 88.5MHz – Edmonton
Loud – #1 Famous Strangers, #5 Powerlöad
https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2026-08-25
=================
CFMH 107.3 MHz – Saint John
Top 30 – #5 Destroy My Brains
https://earshot-online.com/charts/cfmh.cfm?dWeekOfID=2026-08-25
=================
CIVL 101.7 FM – Abbotsford
Top 30 – #30 Destroy My Brains
https://earshot-online.com/charts/civl.cfm?dWeekOfID=2026-08-25
=================
CFBX 92.5FM – Kamloops
Top 30 – #9 Iron Kingdom
https://earshot-online.com/charts/cfbx.cfm?dWeekOfID=2026-08-25
=================
CJSR 88.5MHz – Edmonton
Top 30 – #7 Famous Strangers
https://earshot-online.com/charts/cjsr.cfm?dWeekOfID=2026-08-25
=================
CKUA 94.9 MHz – Edmonton
Top 30 – #20 Famous Strangers
https://earshot-online.com/charts/ckua.cfm?dWeekOfID=2026-08-25
=================
CJSF 90.1 MHz – Burnaby
Top 30 – #21 Dehumanizing Itatrain Worship Gore House Productions Stillbirth Records
https://earshot-online.com/charts/cjsf.cfm?dWeekOfID=2026-08-25
=================

#metal #radio #charts #radiocharts #canada #canadianmetal #metalradio #earshot #famousstrangers #ironkingdom #phaeton #destroymybrains #volubilis #asoceansdivide #powerload #pythonic #dehumanizingitatrainworship #gorehouseproductions #stillbirthrecords

0 No List Records Announces Vinyl Release of Brutal Minimalist Noise Rock BAT LEATHER’s New Album “Dark Arts” + Alberta Tour Dates

  • August 27, 2026
  • by Asher
  • · Music News · No List Records - Bat Leather

NEWS RELEASE

Montreal, QC – August 27, 2026

No List Records Announces Vinyl Release of Brutal Minimalist Noise Rock BAT LEATHER’s New Album “Dark Arts”

+ Alberta Tour Dates

No List Records is proud to announce the vinyl release of Bat Leather’s new album “Dark Arts,” arriving September 4, 2026. Pressed in 150 white vinyl copies and 50 rare black editions, this limited run captures the raw, confrontational energy that has made Bat Leather one of Canada’s most compelling underground acts.
​
Hailing from Calgary, AB, and Vancouver, BC, the duo known as Bat Leather has a sound that has always defied easy categorization, a collision of punk abrasion, noisy garage chaos, and sludgy heaviness that feels both unsettling and addictive. Their songs hit like short, volatile bursts: distorted guitars, overdriven vocals, feedback woven directly into the songwriting, and a heaviness that somehow keeps getting heavier.
​
Tracks like “Technical Aggression” twist noise into structure, while “Dance Craze” drags listeners through a slow‑burn haze of pounding drums and smoke‑thick atmosphere.

Listen to “Dance Craze” at https://www.youtube.com/watch?v=iXr23p8FBI8​
​
​Bat Leather will support “Dark Arts” with a run of Alberta shows this September, bringing their confrontational, genre‑breaking sound directly to Western Canada. Tour dates listed below.
​
​Bat Leather makes music that resists being boxed in. It’s noisy, it’s heavy, it’s chaotic, and it’s compelling, the kind of record you drop the needle on and immediately wonder where it came from. Their songs crawl inside you, getting stranger and more addictive with every listen. If “heavy rotation” counts as a genre, Bat Leather owns it.
​
​No List Records continues its tradition of championing uncompromising, boundary‑pushing artists. The “Dark Arts” vinyl release marks another entry in the label’s commitment to supporting music that challenges, confronts, and refuses to fit neatly into any category.

Vinyl Pre-Order – https://nolistrecords.bandcamp.com/album/dark-arts​

Tour Dates:​
Sept 21 – Drumheller, AB – Heller Good w/ The Polite Stripes
Sept 22 – Calgary, AB – Palomino Smokehouse w/ Unsane
Sept 23 – Lethbridge, AB – Theoretically Brewing AA
Sept 24 – Calgary, AB – Blox Arts Centre R4$ AA

Track Listing:​
1. Dance Craze – 2:00
2. Thursday Inn Sylvan – 1:42
3. Misguided Projects – 1:51
4. Then He Was Pulled Into A Machine – 2:26
5. Technical Aggression – 2:39

Credits:​
Cory – Guitar, Bass, Drums, Noise
Luke – Vocals, Noise

Recorded January 2026 at Red Volume Audio in the Badlands, ab by Cory. Vocals recorded in Vancouver, bc by Luke.
Mixed by Cory. No master, no god.
Cover photograph and layout by Cory.

More info: https://www.instagram.com/batleathernoise/​

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 JUPITER CYCLOPS Announces New Album “One Eye Opens” and Reveals Music Video “Who Are They Foolin’?”

  • August 27, 2026
  • by Asher
  • · Jupiter Cyclops (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – August 27, 2026

JUPITER CYCLOPS Announces New Album “One Eye Opens” and Reveals Music Video “Who Are They Foolin’?”

Phoenix, Arizona heavy metal band JUPITER CYCLOPS will release their sophomore album, “One Eye Opens”, on November 20th, 2026 via Rockshots Records. Building on the foundations of their 2024 debut, “Age of the UFOnaut”, the band pushes its sound further into classic heavy metal and ’80s territory while retaining the heavy ’70s rock influences at the core of its identity. The album’s first single and opening track, “Who Are They Foolin’?”, is out now.

With “One Eye Opens”, Jupiter Cyclops expand on the sound established with their debut, bringing more of their ’80s influences to the surface. Across eight tracks, the album moves through traditional heavy metal and NWOBHM foundations while exploring proto-thrash, slower melodic songwriting and more atmospheric arrangements.

The album was written against a backdrop of what Jupiter Cyclops sees as a society increasingly shaped by manipulation, control, and fear. Those ideas inform both the title “One Eye Opens” and several of the songs, creating a thematic thread around awareness and the moment when accepted realities begin to be questioned.

Rather than following a single musical formula, the record moves between direct heavy metal, classic hard rock influences, and longer, more developed compositions. It culminates in the 7:39 “The Initiates” before closing with its title track, “One Eye Opens”.

Jupiter Cyclops comments:

“We are ready to unleash the tunes that we’ve been working on over the last couple of years. It will be bigger, heavier, with our most diverse songs yet. The album was written while watching the world lose its humanity in real time. Manipulation, control, fear, and the realization that modern life is built around keeping us asleep. If you follow us, you know we are about big riffs and hooks, and this album is stacked. The album is finally coming, and we can’t wait to share it in full volume.”

Leading the album is its first single, “Who Are They Foolin’?”, a track that introduces the heavier side of the new material.

The song has roots that stretch considerably further back than the album itself. Its original idea was written by bassist Jake Melius when he was just 16 years old before eventually being developed into its present form with Jupiter Cyclops. Written by Melius and guitarist Dustin Lyon with lyrics by Aaron Peltz, the track draws from early thrash while incorporating elements associated with Iron Maiden and Deep Purple.

Musically, “Who Are They Foolin’?” combines heavy riffing with melodic guitar work and Peltz’s commanding vocal delivery. Lyrically, the song functions as Jupiter Cyclops’ protest song, addressing power and the ability of a relatively small group of people to exercise a disproportionate degree of control over others. In that respect, the track provides a direct entry point into the wider themes explored on “One Eye Opens”.
​
​Listen: https://lnk.to/3dKd9J

​
​Watch the video here: https://www.youtube.com/watch?v=7laATZPSwak

​

“One Eye Opens” was recorded at The Ripper’s House, produced by Jupiter Cyclops and mixed by Dustin Lyon, with cover artwork by Mashai Fattahi.
​
​“ONE EYE OPENS” | OUT NOVEMBER 20, 2026

PRE-ORDER “ONE EYE OPENS” | CD & VINYL – https://lnk.to/OneEyeOpens​

For fans of: UFO, Thin Lizzy, Iron Maiden, classic heavy metal, hard rock, and NWOTHM.

More info:

​https://www.rockshots.eu

​https://www.facebook.com/JupiterCyclopsArizona

​https://www.instagram.com/jupitercyclopsaz/​

-30-

Past Reviews:

MUSOSCRIBE/BILL KOPP -It’s one thing to appreciate the New Wave of British Heavy Metal (NWOBHM). But it’s quite another to learn from the style, to take what’s most valuable about it and apply it to one’s own original music. Yet that’s what Phoenix-based Jupiter Cyclops has managed to do. On the group’s second long-player, Age of the UFOnaut, the four-piece outfit serves up its trademark uber-heavy rock (think Black Sabbath and Deep Purple) leavened with the more modern approach of later, more intense artists (Iron Maiden, for example). Intricate yet lockstep riffage is the order of the day. The band operates with thunderous power and unified purpose; the four musicians plays as if they’re all part of one seething, roaring musical organism. But what separates Age of the UFOnaut from standard-issue metal is the high quality of the vocals. No cookie-monster harsh vocals (if that’s your thing, well, sorry); instead, lead singer Aaron Peltz roars in a melodic manner that recalls – in manner if not texture – great hard rock vocalists like UFO’s Phill Mogg, Ian Gillan and, well, not-too-many others.

DOOMED AND STONED – “It’s getting hot all over the US right now, and no band knows it better than JUPITER CYCLOPS from Phoenix, Arizona, where it’s been inching closer and closer into 120 degree territory lately. Now there’s a band name for you to contemplate the next time you blaze up. Everything about it sounds larger than life, and their new album ‘Age of the UFOnaut’ (2024) definitely goes for it all: a heavy rock tincture of free-wheeling psychedelia with currents doom, groove metal, and NWOBHM.”

SENTINEL DAILY – Arizona’s Jupiter Cyclops have hit the ground running with debut album Age of The UFOnaut. Stoner/psych rock and metal bands are ten a penny these days, and not many of them have the wit or style to rise from the sludgy mire to exhibit revolutionary (or maybe evolutionary) traits like originality or flair. So it’s an absolute delight to stumble across these blokes, whose record is absolutely bulging at the seams with excitement and verve. Basically they’ve taken all the best bits of the seventies, heavy rock wise, and formed them in their own image. Aaron Peltz is a marvellous singer, taking a soupçon of Hagar, a dash of Meniketti, and a whole lot of his own talent to deliver a compelling performance, which is only boosted by a commanding lead guitar performance from Dustin Lyon, who has to be one of the most impressive axemen I’ve heard in a while. Built on the back of these two major operators, tracks like Between Worlds sound absolutely gargantuan, But on the album’s standout cut, Sinful Ways, they manage to elevate things to such a level as to appear almost Godlike.

UBER ROCK – “What this quartet employ is not a new combination of ingredients – two measures of traditional doom aesthetic, one of proto-NWoBHM enthusiasm, a dash of stoner intensity and a dash of that desert breeze, coupled with one each of cynicism and bravura – but how they combine them is the mark of masters of their craft. As is exemplified in every consistently precise and perfectly curated second of this declarative debut offering.”

ROUGH EDGE – “I have been reviewing music for over 25 years and the one thing I have figured out, the more I learn about bands, the more I realize I don’t know. My current project is a band called Jupiter Cyclops (what a great fricken name) and their recording “Age of the UFOnaut.” From start to finish each song is finely crafted and ready to be seen live. Everything about this band is simply killer. This is rock’n’roll that should be witnessed loud and often (which is just what I did). You can tell from the quality of this music that Jupiter Cyclops is a band to be reckoned with and listened to and I mean with vigor. I am at a loss for words as I listen to “Age of the UFOnaut” and, if you know me at all, you know that shit just doesn’t happen. Killer music, outstanding presentation and hard rock fucking music done the correct way. After numerous spins all I can say is that I give “Age of the UFOnaut” four full guitarsaws, and if I could say more I fucking would.

​
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK- Traumatomy – Ascension Of The Ineffable (2026) (Gore House Productions)

  • August 26, 2026
  • by Asher
  • · EPKs · Traumatomy (Gore House Productions)

EPK- Traumatomy – Ascension Of The Ineffable (2026) (Gore House Productions)

Publicist – Jon Asher – gorehouse[@]ashermediarelations[.]com

“We are very happy with this new album « Ascension Of The Ineffable»; we have been working on it for 2 years. We believe that this album will be loved by fans for a long time. Konstantin Ogarkov brought a special sound to this album. The sound is raw but at the same time sharp and brutal. The album cover by Jon Zig captured our vision and atmosphere. SLAM IS THE ONLY WAY” – Traumatomy

Band: Traumatomy
Album Title: Ascension Of The Ineffable 
Release Date: October 30, 2026
Label: Gore House Productions

For fans of Gorevent, Cerebral Incubation, Disgorge, Epicardiectomy, Defeated Sanity

Gorehouseproductions.com | Facebook.com/GoreHouseProductionsOfficial | Instagram.com/gorehouseproductions | Twitter.com/GoreHouse

Tiktok.com/@gorehouseproductions | Youtube.com/c/Gorehouseproductions-Official | Spotify | Gorehouseproductions.bandcamp.com

Facebook.com/traumatomy | Instagram.com/traumatomy.slam

Spotify | Apple Music | Traumatomyslam.bandcamp.com

Pre-Save – All Digital Platforms (Bandcamp, Apple Music) – https://orcd.co/ascension-of-the-ineffable

“Brutal death metal enthusiasts rejoice!… Get in, make a s**t-ton of noise, wreck some bodies, and get out. That’s the mantra of this EP, and the mindset of Traumatomy, who deliver five of the nastiest and brutalising death metal tracks heard this year. With guitar riffs that are as thick as coagulated blood, bass hooks that rip through flesh as though they’ve emerged from a freshly opened Lament Configuration, drums that sound like a demon is hitting the skulls, ribcages, and stretched skin of its victims, and vocals that gurgle and growl like a creature driven to madness through hunger. This is Traumatomy’s sound, and it is f**king mean. There’s no refresh of the brutal death metal sound here. No suggestion that Traumatomy are about to drop a melodic one out of the blue. No attempt to do anything but deliver brain-crushing heaviness at its best. Which is what Traumatomy do here. Delivering the kind of savage and sickening heaviness that leaves you with a headache, a sore neck, aching limbs, and the strong feeling of having been well and truly violated.” – Games, Brrraaains, A Head-Banging Life

“TRAUMATOMY releases “Triumph Of Enslavement”, an EP that offers slam in its purest form, but which is attractively designed in terms of songwriting and rafinesses here and there, which reveals the many years of experience in this style, especially from guitarist Constantine Chevardin. Fans should be happy with this appetizer. 8/10″ – PowerMetal.de

“Well, this is short and sweet at just over 15 minutes. Triumph of Enslavement is a nice little (tiny?) slab of brutal death metal that opens up with a mid-paced but heavy, crushing intro before swerving in a faster, but no less heavy, death metal onslaught. They do slow down, sometimes almost to a crawl, but the crushing heaviness is omnipresent, clickety drums included (OK, that has nothing to do with heaviness, but you do get the clickety drums). The growls are deep, deeper than I usually like, but they’re a perfect fit for the music here—I wouldn’t see a different style working quite as well. It’s dark, it feels like the weight of the world going through your ears, and sometimes that’s just what you need.” – The Metal Crypt

«There is a consistent groove throughout each song which either features slow, dragging parts where the focus is on the slams, or faster parts in which the riffs and drumming get a lot more technical and intense» – Angelusmortem

«Musically, Traumatomy’s style is very similar to Abominable Putridity, Visceral Disgorge, Party Cannon and Epicardiectomy since the songs have that groovy aesthetic but this time, they’ve bring more depth in their sound since every song doesn’t feel the same as it keeps the melodics, tempos, arrangements and style feel its welcomed and for that, I truly feel this is the best Traumatomy album they’ve done to date»  – Metalpurgatorymedia

«You want absolute bestial brutality? You’ve got it!» – bloodynews.ro

Band: Traumatomy
Album Title: Ascension Of The Ineffable
Release Date: October 30, 2026
Label: Gore House Productions

Track Listing:
1. Entropic Obliteration (3:34)
2. Pervigilium of the Obsolesced Xenolith (3:26)
3. Endoneural Parasitosis (3:07)
4. Repugnant Coalescence (2:55)
5. Ascension Of The Ineffable (2:54)
6. Visceral Maceration (2:34)
7. Autognathic Avulsion (2:43)
8. Xeno-Homeostasis (3:07)
Album Length: 24:15

Album Credits:
All songs performed by Traumatomy
All songs written by Constantine Chevardin
Produced by Constantine Chevardin
Mixed and Mastered by Konstantin Ogarkov
Cover artwork by Jon Zig

Album band line-up:
Constantine – Guitars
Ivan – Drums
Leonid – Bass
Haruka – Vocals
Kirill – Vocals

Live band line-up:
Constantine – Guitars
Ivan – Drums
Leonid – Bass
Kirill – Vocals

=================================================

About the album as a whole (LYRICALLY & MUSICALLY)

The new album sounds faster, more brutal, and more raw. Lyrically, it is the same as the others.

Track by Track (LYRICALLY & MUSICALLY)

1. Entropic Obliteration – The opening song of the album shows the brutality of the album as a whole.

2. Pervigilium of the Obsolesced Xenolith – This is the fastest track on the album. It has the most blast beats.

3. Endoneural Parasitosis – A song with truly sick breakdowns

4. Repugnant Coalescence – It’s our drummer’s favourite track. The most balanced track.

5. Ascension Of The Ineffable – It’s the main track of this album. The track represents the entire album, as the lyrics and title are related to the album cover.

6. Visceral Maceration – One of our favorite songs to perform live

7. Autognathic Avulsion  – It has it all: grooves, blast beats, and atmospheric riffs.

8. Xeno-Homeostasis – It has the perfect structure for the end of the album.

=================================================

Fun Facts – Story Angles:

1. A former band member once vomited and shitted at the same time after the last show of our European tour. He drank a lot of the national Czech drink, slivovitz.

2.  Our bass player was smoking weed, thinking he was smoking cigarettes. Then he fell in the bathroom and hit his head. :)))
It was slammy!!!!

3. When we were on tour in Russia, in the city of Astrakhan, our bus was broken into, and our merch was stolen.

The next day we noticed that local alcoholics were wearing our T-shirts.

4. One day we were invited to an open-air event in Cheboksary. We didn’t know what awaited us since it was our first time working with this show manager. When we arrived, there was an open field, a forest, and pits in front of us. There was no equipment or stage, just bare ground.

When we approached this manager with a question, he replied that all his bands performed like this and did not see any problem. He invited us to play and then spend the night on the bare ground with him. (Even without beer)

5. The former live vocalist performed with us at the festival in Germany, “Death Fest Open Air”. After our return to Russia, a local newspaper wrote about him; the headline was: “The retail worker of a local alcohol store was carried on fans’ arms in Germany” lol

Traumatomy is an international slamming brutal death metal unit formed in 2012 by Constantine Chevardin (Disfigurement Of Flesh, Nauseating, Morphogenetic Malformation) and Haruka Kamiyama (ex‑Gorevent / Medic Vomiting Pus). Originally conceived as an online studio project with no intention of performing live, the band quickly became a cult favourite in the global brutal underground following the release of their 2013 debut full‑length Transcendental Evisceration of Necrogenetic Beasts. Between 2012 and 2018, Traumatomy issued two albums and three EPs, steadily sharpening their primitive, crushing, and uncompromising sonic identity.

Everything changed in 2018 when bassist Leonid (Cephalic Impurity) and a permanent drummer, Ivan, joined the lineup, transforming Traumatomy into a fully active touring band. Their coordinated, intense stage presence and relentlessly brutal delivery have since earned them a reputation for charisma, precision, and professionalism, supported by a large catalogue of live videos circulating online.

In 2026, Traumatomy enters a new era with the release of their fourth full‑length album, Ascension Of The Ineffable, out October 30, 2026 via Gore House Productions. Written entirely by Constantine, the album pushes their sound into even more savage territory, faster, rawer, and more brutal than anything in their discography. Inspired lyrically by H.P. Lovecraft and the grim absurdity of Russian criminal TV shows, the record continues the band’s tradition of grotesque storytelling while amplifying the extremity of their musical approach.

Fueled by beer, riffs, and cosmic horror, Traumatomy remains committed to creating monolithic slam until the end of time. Ascension Of The Ineffable stands as the definitive statement of that mission: a violent, gnarly, and invigorating slab of slamming brutal death metal that embodies everything the band has become.

Discography:
2026 – Ascension Of The Ineffable – LP
2024 – Triumph Of Enslavement EP
2021 – Extirpation Paradigms – LP
2017 – Embodiment of Excruciation – EP
2017 – Hysteric Decapitation Demo
2015 – Monolith of Absolute Suffering – LP
2014 – Beneficial Amputation of Excessive Limbs – EP
2014 – Promo
2013 – Transcendental Evisceration of Necrogenetic Beasts – LP
2012 – Promo

Shared Stage with: Cerebral Incubation, Epicardiectomy, Waking the Cadaver, Guttural Secrete, Pyrexia, Pathology, Within Destruction

TOURS:
2025 – Worship Of Sickness Tour w/ Insect Inside
2024 – Unsparing Cruelty Tour w/ Cephalic Impurity
2023 – Slam Violence Tour w/ Cerebral Incubation, Epicardiectomy, 357 Homicide
2023 – Slam Them All Tour w/ Visceral Disorder
2022 – United In Brutality Tour w/ Decomposition Of Entrails
2022 – Tyranny Over Russia Tour w/ Insect Inside
2022 – Summer Brutality Tour w/ Cold Blooded Murder
2019 – Desolation Europe Tour w/ Disfigurement Of Flesh and Paediatrician
2019 – Asia Tour w/ Within Destruction
2018 – Kill. Crush. Destroy Tour w/ Inopexia

0 LA Symphonic Metal LEVINIA Announces California Show Dates + New Music Video “The Blank Page” and more!

  • August 26, 2026
  • by Asher
  • · Levinia · Music News

NEWS RELEASE

Montreal, QC – Aug 26, 2026

LA Symphonic Metal LEVINIA Announces California Show Dates + New Music Video “The Blank Page” and more!

New Singles Produced by Brandon Friesen (Halestorm, Nickelback, The Hu, Papa Roach)

L-R – Dylan Suierveld – Drums, Kourt Henson – Vocals, Liam Alexander – Bass, Alon Mei-Tal – Guitar

Photo Credit – Dream of Mirrors Photography

Los Angeles-based symphonic metal outfit Levinia is set to hit the road in California this coming fall for a run of intimate, high‑impact shows celebrating their 2026 singles “Blank Page,” “Bite,” “Silver Tongues,” and “The Thorn.” The new material marks the band’s most refined and emotionally charged era yet, produced by acclaimed Brandon Friesen (Halestorm, Nickelback, The Hu, Papa Roach), a collaboration that has elevated Levinia’s sound into darker, sharper, and more immersive territory.
​
Formed in 2017 by drummer Dylan Suierveld and guitarist John Pinon Martinez after departing Aerius, Levinia began as a vision for something more cinematic, more emotionally expansive, and more theatrically driven than their previous work. That vision crystallized with the arrival of vocalist Kourt Henson, whose classically influenced approach and literary‑inspired lyricism became the band’s defining voice. With the addition of lead guitarist Alon Mei‑Tal in 2020 and bassist Liam Alexander in 2026, Levinia has evolved into a hybrid force, melding symphonic atmosphere, modern American metal aggression, and deeply personal storytelling.
​
Each of the band’s 2026 releases showcases a different facet of their identity. Friesen’s production helped refine the band’s strongest ideas into four distinct emotional experiences, each pushing Levinia further into their aggressive, melodic, and cinematic identity. The first single “The Thorn” unveiled Levinia’s evolving narrative and blend of cinematic tension and modern heaviness. “Silver Tongues”, a groove‑driven track, demonstrated the band’s unsettling exploration of celebrity worship and blind cultural obedience. “Bite” unleashed a dark, aggressive song inspired by Dracula and the resilience of Mina Murray, channeling themes of toxic influence and personal reclamation. “The Blank Page” revealed a haunting, emotionally raw portrayal of writer’s block, pressure, and creative paralysis erupting into one of the band’s most powerful choruses.

Recommended for fans of Within Temptation, Amaranthe, Nightwish, Lacuna Coil, and Delain, all singles can be heard along with music videos at the following links:

The Blank Page – https://www.youtube.com/watch?v=dnWntWSKHR0

​

Bite – https://www.youtube.com/watch?v=55Uw9l0cmAA​

Silver Tongues – https://www.youtube.com/watch?v=Vqhk6j6wzKs​

The Thorn – https://www.youtube.com/watch?v=30EmGiQL7ug​

Spotify – https://open.spotify.com/artist/1EwsNdgp51KoolPhaM3TYY​

Levinia’s California dates promise a performance that is raw, immersive, and emotionally gripping. Rather than relying on theatrics, the band focuses on connection, intense eye contact, dynamic chemistry, and a sense of living inside each song. Their shows feel personal, powerful, and human, offering a unique contrast to the over‑produced spectacles often seen in modern metal.
​
Fans can expect a setlist built around the new singles, alongside select tracks from their earlier EPs “Alluring Fear” and “Liberation,” showcasing the band’s evolution from symphonic roots to their current hybrid cinematic‑metal identity. The shows will also feature exclusive early previews of upcoming material, as the band continues writing and recording beyond these four singles.
​
​Show Dates:​
Sept 26 – Corona, CA – Rockefellas Cavern w/ 5Aberwulf
Nov 8 – Santa Ana, CA – Stages w/ Ravenmocker, Love and Other Demons

Levinia:​
Vocals – Kourt Henson
Guitar – Alon Mei-Tal
Bass – Liam Alexander
Drums- Dylan Suierveld

More info:

​https://www.leviniaofficial.com/​

​https://instagram.com/leviniaofficial​

​https://www.facebook.com/LeviniaOfficial/​

-30-​

“The mixing was just absolutely incredible for the guitars. I really like that.” (referring to the complex rhythm). This was, I mean, I was super impressed. Really impressed. I love the chorus. That’s what we really love. (about catchy choruses). I love that. It was so good (about the operatic vocals), super super cool. What a good job. I’m happy that she’s back with her band. They all look like they were having a great time. That was super cool. (about the live setting) I love it. Yeah. Yeah. I love it.” (about headbanging). This was perfect. Right up my alley.” “It was very good. Very high rating. This was really cool, and I’m very happy we did this one.”- YouTube Reaction Video – The Rockin’ Roundtable (2026 – The Thorn (single)

“Overall, Liberation is a thoroughly impressive EP that should find appeal with both the modern metal and symphonic crowds, especially those craving a little extra heaviness in their material. Levinia are onto something great here, best to catch them here at the ground level and watch them explode to the next level in the near future.” – Dead Rhetoric (2018 – Liberation)

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0 EPK – Bat Leather – Dark Arts (2026) (No List Records)

  • August 26, 2026
  • by Asher
  • · EPKs · No List Records - Bat Leather

EPK – Bat Leather – Dark Arts (2026) (No List Records)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Nolistrecords.bandcamp.com/album/dark-arts 

Facebook.com/nolistrecords | Instagram.com/nolistrecords

150 white vinyls
50 rare blacks

Instagram.com/batleathernoise

Band: Bat Leather
Album Title: Dark Arts
Label: No List Records (Vinyl), Super Crunch Records
Release Date: September 4, 2026
Genre:  Brutal Minimalist Noise Rock
Location: Calgary, AB / Vancouver, BC, Canada

Track Listing:
1. Dance Craze – 2:00
2. Thursday Inn Sylvan – 1:42
3. Misguided Projects – 1:51
4. Then He Was Pulled Into A Machine – 2:26
5. Technical Aggression – 2:39

Credits:
Cory – Guitar, Bass, Drums, Noise
Luke – Vocals, Noise

Recorded January 2026 at Red Volume Audio in the Badlands, ab by Cory. Vocals recorded in Vancouver, bc by Luke.
Mixed by Cory. No master, no god.
Cover photograph and layout by Cory.

====================================================

Bat Leather 7” 2026

There are times when you drop a needle on a record, sit down to listen to it for the first time, and you’re immediately a bit puzzled. Where is this coming from? How do I place this? What genre am I going to put this in when I brag to my friends that I found it first?

Bat Leather makes that type of music. The kind that confronts you, maybe makes you a bit uneasy, on edge, but is immediately engaging. It’s punk, but not. It’s noisy garage rock, but not entirely that. Noisy and then, somehow, noisier. Then there is that nod to the plodding, sludgy sound more often associated with music to get stoned to. It’s a lot, packed into short blasts of sound and fury.

With the overdriven vocals and hyper-distorted guitars punctuated by waves of feedback, this band is heavy. Like, heavy. Puzzling over the sound isn’t the point. “Technical Aggression” captures how Bat Leather can expertly twist feedback into the core of the song, and while “restraint” is not necessarily an accurate word to describe this music, “Dance Craze” is a slow burn, with pounding drums and vocals dragging you through the smoke. 

Usually, these write-ups of bands include comparisons or influences, with a tidy wind-up that puts the band into a box of a narrowly defined genre, simplifying things, or lumps them into a scene that makes things familiar. Bat Leather is not that band; their music is not that easy. In the end, you’re left with something complicated – something that rocks and is noisy. It’s heavy and then gets heavier. It’s describable; you can, but never capture everything going on.  And it crawls inside you with listen after listen after listen. If “heavy rotation” counts as a genre, well, this is it.

0 Calgary’s VICTORIA LIES’ New Music Video Is “Weaving Webs” Into A Dark Metalcore Universe + Debut Album “Vendetta” Out Oct 2026

  • August 25, 2026
  • by Asher
  • · Music News · Uncategorized · Victoria Lies

NEWS RELEASE

Montreal, QC – August 25, 2026

Calgary’s VICTORIA LIES’ New Music Video Is “Weaving Webs” Into A Dark Metalcore Universe

+ Debut Concept Album “Vendetta” Out Oct 2026 via Black Cat Records

L-R – Jay Powell (Bass), Chris Koehler (Guitars), Brett Hetherington (Vocals), James Cuncanon (Drums), Rory Fitzsimmons (Guitars)

Photo Credit – Heather Kim

Calgary’s cinematic metalcore force Victoria Lies unleash their second single and music video “Weaving Webs,” following the explosive impact of “Red” and further expanding the dark, narrative‑driven universe leading into their debut full‑length “Vendetta,” due out on October 30th, 2026 via Black Cat Records.​
​
While the album “Vendetta” is built around the mysterious and evolving story of Victoria, “Weaving Webs” steps outside the central narrative to confront real‑world deception and the collapse of long‑standing falsehoods.
​
​“Even though not directly part of the Victoria universe, this one lyrically talks about how we all can see and communicate across the world. We can all see the terrible things that are happening. The same lies that have been told for decades no longer hold any ground, and we can now see who the real villains are. We will not forget,” adds vocalist Brett Hetherington.
​
Musically, guitarist Rory Fitzsimmons notes that the track began as a stylistic experiment inspired by Attack Attack!, pushing the band’s genre‑bending approach even further:
​
“I like to utilize ideas from all different styles of music. The intro to the track was a really fun side quest to see if a crazy idea I had would work.”​
​
The band’s first single “Red” introduced listeners to the pivotal moment in the Vendetta storyline, the instant Victoria becomes Victoria. A chaotic, urgent, and emotionally volatile track, “Red” set the tone for the album’s blend of narrative depth and heavy, groove‑driven metalcore.
​
With “Weaving Webs,” Victoria Lies reveal yet another facet of their sound, one that’s melodic, head‑banging, heavy, genre‑bending, and groovy in equal measure.

Watch and listen to the video for “Weaving Webs” at https://www.youtube.com/watch?v=ZfgVSj0AxRc

​Add to your Spotify playlist – https://distrokid.com/hyperfollow/victorialies/weaving-webs-2

​

Releasing October 30th, 2026, “Vendetta” is a concept‑driven metalcore album built on theatrical storytelling, emotional depth, and genre experimentation. Across its ten tracks, the band explores themes of power, violence, deception, trauma, and transformation, all while pushing their sound into new territory with elements of pop, trap beats, saxophone, and more.
​
The album was produced by Scott Bennett, with the band’s signature blend of heavy grooves, dynamic melodies, and narrative‑driven lyrics brought to life through meticulous writing and collaborative effort.
​
​Victoria Lies is a Canadian metalcore band known for blending heavy grooves, technical flair, and theatrical storytelling. Formed in 2023, the lineup features vocalist Brett Hetherington, drummer James Cuncanon, guitarists Chris Koehler and Rory Fitzsimmons, and bassist Jay Powell. Their live shows incorporate choreography and the character of Victoria, portrayed by dancer Sadie Rieb, creating an immersive narrative experience.
​
The band has performed across Alberta, Calgary, Drumheller, Lethbridge, and Edmonton, including at Gatorfest II and Decimate Metalfest.

Recommended for fans of Bad Omens, Atreyu, AFI, Killswitch Engage, and Dayseeker, “Vendetta” will be available on October 30th, 2026, from Black Cat Records on all digital platforms.

Album pre-save – https://distrokid.com/hyperfollow/victorialies/vendetta​

Track Listing:​
1. Victoria – 1:40
2. We Ignite – 3:25
3. Terra Critical – 4:00
4. Laced With Hate – 6:30
5. Red – 2:44
6. Weaving Webs – 4:18
7. Trial by Fire – 3:33
8. Absurd – 4:21
9. Red Lips, Loaded Gun – 5:52
10. Ravens – 3:41
11. Truth and Sugar – 4:15
Album Length: 44:23

Album and Live Band Line-up:​
Jay Powell (Bass)
Brett Hetherington (Vocals)
James Cuncanon (Drums)
Chris Koehler (Guitars)
Rory Fitzsimmons (Guitars)

More info: Victorialies.com | Facebook.com/victorialiesband | Instagram.com/victorialiesband | Tiktok.com/@victoria.lies

-30-

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0 Montreal’s KILLED BY SORROW Unleashes “Betrayal” Off Forthcoming Debut Album “Empires of Excess” Out October 2026

  • August 25, 2026
  • by Asher
  • · Killed By Sorrow · Music News

NEWS RELEASE

Montreal, QC – August 25, 2026

Montreal’s KILLED BY SORROW Unleashes “Betrayal” Off Forthcoming Debut Album “Empires of Excess” Out October 2026

Montreal metal outfit Killed By Sorrow has officially announced the release of their first full‑length album, “Empire of Excess,” due out on October 23rd, 2026, to follow EPs “Careless of This Sadness” (2023) and “Time Has Come” (2022). The record marks the band’s most dynamic, emotionally charged, and musically evolved chapter to date.
​
To give the first glimpse into the album, the band has unveiled the first single, “Betrayal”, a heavy, riff‑driven track built on explosive breakdowns and raw emotional intensity. The song explores the collapse of trust after deep personal betrayal, poisonous lies, emotional wounds, and the breaking point where deception becomes unbearable.

“This is a heavy-punching song with a great breakdown. Great guitar riffs,” adds rhythm guitarist Samuel Ham.
​
​Watch the lyric video at https://www.youtube.com/watch?v=i0PWyiTedfs

​Add to your Spotify playlist – https://open.spotify.com/track/0nW7DcnjyCJpw4iBTBYdi6

​

“Empire of Excess” is a refined evolution of Killed By Sorrow’s early sound, still aggressive, still emotional, but more mature, more atmospheric, and more intentional. With 10 tracks, fans can expect a blend of heaviness and melody that draws listeners into the story behind each one. From its polished, immersive production to its mix of fast, downbeat tracks infused with metalcore, thrash, prog, and punk. The record will take listeners into a deep emotional atmosphere with a track list designed to feel like a journey from start to finish,
​
​“The contributions on this record from our bassist Marty Bersier‑Carpentier have significantly shaped the new sonic direction and have been a real blessing in refining our sound,” adds Ham.

Killed by Sorrow emerged from Montreal’s South Shore metal-music scene in the mid-2000s, carving out their identity with a sound heavily inspired by the emotional intensity of Poison the Well, the razor-sharp riffing of Unearth, and the melodic precision of Trivium. These influences shaped the band’s early songwriting, blending aggression with dynamic melodic structures.

During their formative years, Killed by Sorrow built a reputation through high-energy performances across local venues. A major milestone of this era was sharing the stage with renowned Swedish hardcore band Raised Fist, a moment that reinforced the band’s credibility.

As a group of friends, they have been determined to channel the intensity of the music they loved into something of their own. What began as basement rehearsals has quickly evolved into a serious project as the band discovered a natural chemistry.

Recommended for fans of Unearth, Killswitch Engage, Poison The Well, Trivium, and Lamb of God, “Empire of Excess” is due out on October 23, 2026, and available for pre-save/ pre-order at https://killedbysorrow.bandcamp.com/.

Track Listing:​
1. The End is Near – 3:38
2. Empire of Excess – 3:04
3. The Burial – 3:28
4. Betrayal – 3:51
5. Never Give Up – 2:37
6. All My Brothers – 3:18
7. In The Spotlight – 3:17
8. Killed By Sorrow – 3:29
9. Unchained – 3:42
10. Stay In Line – 3:28
Album Length: 33:55

Band Line-up:​
Sébastien Mailloux – Vocals
Martin Bersier-Carpentier – Bass
Tommy Forand – Guitar Lead
Samuel Ham – Guitar Rhythm
Mathieu Lassonde – Drums
​

More info:

​https://killedbysorrow.com/​

​https://www.facebook.com/KilledbySorrow/​

​https://www.instagram.com/killedbysorrowband​

​​-30-​

“Canadian underground hardcore punks in Killed By Sorrow’s newest single, Betrayal, definitely stays loyal to the metalcore scene by actually sounding like thrash metal tones mixed with a hardcore punk grit and attitude. Heavily distorted rhythms sound closer to your traditional hardcore, but paired with your traditional style of hardcore punk vocals, Betrayal lets you know not to cross Killed By Sorrow. Huge basslines underneath and in-the-pocket drumming made this one an interesting approach in a crowded metalcore genre, and it’s more than worth a few listens.” – Metal Institute of Thrashology (2026)

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0 Reminder – Sept 4th – 5th – TAMPA DEATH FEST 2026 w/ VIOGRESSION, NASTY SAVAGE, LEPROSY, GANGRENESIA and more!

  • August 25, 2026
  • by Asher
  • · Music News

NEWS RELEASE

Montreal, QC – August 25, 2026

Reminder – Sept 4th – 5th – TAMPA DEATH FEST 2026 w/ VIOGRESSION, NASTY SAVAGE, LEPROSY, GANGRENESIA and more!

Coming very soon! The carnage returns to Tampa, Florida, with Tampa Death Fest storming into the legendary Brass Mug for its 8th annual edition, hitting September 4–5, 2026 with one of the heaviest underground death‑metal weekends Florida has to offer.

This year’s lineup fuses rising underground brutality with veteran icons. Friday, September 4th will erupt with Syndicate, Eroguro Phantasmagore, Homicyde, Unholy Disciple, Leprosy, Sacrilous, Viogression, and Foreverless. Saturday, Sept 5th crushes with Grave Filth, Ramtha, Gouted Corpse, Coathanger Abortion, Sapraemia, Gangrenesia (Puerto Rico), Must Not Kill, and Tampa legends Nasty Savage closing out the night.

As one of the bands that helped ignite Florida’s extreme‑metal movement in the mid‑80s, Nasty Savage remains a cornerstone of the scene and a perfect headliner for a weekend built on pure aggression. If you crave real death metal that is raw, heavy, and unfiltered, the kind Tampa helped define, this is one of 2026’s essential weekends. Two nights. Zero filler. Maximum brutality. See you in the pit.

Get a preview of the lineup with the TDF Spotify Playlist – https://open.spotify.com/playlist/0xXgzAxsCqGvjraz6l8YNh

​

TDF Promo Video – https://www.instagram.com/p/DYwwzZXR8qK/​

Event Details:

Date: September 4th and 5th

Venue: Brass Mug, 1450 Skipper Road, Tampa, FL

Facebook Event: https://www.facebook.com/events/1261714482664268​

Ticket Links:

Fri, Sept 4 – https://ticketbud.com/events/25a37be2-3998-11f1-af02-42010a71700b

Sat, Sept 5 – https://ticketbud.com/events/3510b89e-39a0-11f1-ac5f-42010a71700b

Tampa Death Fest 2026 Lineup:

Friday, September 4th: ​
Foreverless (Florida)
Viogression (Wisconsin)
Sacrilous (Florida)
Leprosy (Pennsylvania)
Unholy Disciple (Florida)
Homicyde (South Carolina)
Eroguro Phantasmagore (Florida)
Syndicate (Florida)
​
​Saturday, September 5th: ​
Nasty Savage (Florida)
Must Not Kill (Florida)
Gangrenesia (Puerto Rico)
Sapraemia (Florida)
Coathanger Abortion (Tennessee)
Gouted Corpse (Ohio)
Ramtha (Florida)
Grave Filth (Florida)

About the Headliners:

(Viogression)

Viogression – https://viogression.info/​

Music Video – Light Harvester – https://www.youtube.com/watch?v=g_cEP5Ed26E​

Formed in 1988, Viogression rose from the Midwest underground with early demos that led to their acclaimed debut, Expound & Exhort (1991), earning them a world tour with Death and Pestilence. After Passage (1994) and a long hiatus, the band returned with A Pure Formality (2014), reigniting their momentum and live presence. They pushed forward with 3rd Stage of Decay (2022) before crafting their fourth album, Thaumaturgic Veil (2025), praised for blending old‑school brutality with cerebral, metaphysical themes. The record marks a bold new chapter in Viogression’s evolving legacy.

(Nasty Savage)

Nasty Savage – https://www.nastysavage.com/​

Live at Legions of Metal (Chicago) – https://www.youtube.com/watch?v=HT1V85ZQR64​

Nasty Savage is a thrash metal band from Brandon, Florida, that became well known for the wild and theatrical stage antics of frontman “Nasty” Ronnie Galetti. During the band’s early years, Galetti gained a reputation for his high-energy performances, which famously included smashing television sets over his head onstage. The group’s debut album, featuring the standout track “XXX,” was recorded at Progressive Music in Tampa and helped secure a deal with the influential metal label Metal Blade Records. Nasty Savage released four albums between 1983 and 1989 before disbanding. Following years of reunion rumors, the band returned with the album “Psycho Psycho” in 2004, marking their comeback with a collection of new material. Since then, Nasty Savage has continued to perform select live shows while maintaining its legacy as a cult favorite in the thrash metal scene. In October 2024, the band released its latest studio album, “Jeopardy Room”.

(Leprosy)

Leprosy – https://leprosy.cc/home​

Impulse to Kill – https://www.youtube.com/watch?v=Ji2og7WzJS0​

Imagine horror, blood, and gore splattered across a heaping dose of true old‑school death metal, shoved into a meatgrinder and served with a smile. This is Leprosy. Exhumed in 1988, Leprosy is a Death/Splatter Gore metal force hailing from the Pittsburgh “Steel City” underground. Over the decades, they’ve shared the stage with giants including Napalm Death, Cannibal Corpse, Malevolent Creation, Forbidden, Entombed, Venom Inc, Exodus, Deicide, and many more, earning their reputation as one of Pennsylvania’s most enduring and blood‑soaked extreme‑metal acts.

(Gangrenesia)

Gangrenesia – https://www.facebook.com/profile.php?id=61561028699841​

Music Video – Disemboweling Motherfc*kers Like You! – https://www.youtube.com/watch?v=fNJOdx4-Hus​

Gangrenesia is an active, slamming brutal death metal band from Caguas, Puerto Rico, formed in 2022 and known for their ultra‑violent gore themes, hyper‑percussive slam riffs, and extreme vocal brutality. They’ve quickly become one of Puerto Rico’s most vicious new extreme‑metal exports, releasing multiple singles, demos, and EPs that have circulated heavily in the slam/brutal‑death underground.

(Ramtha)

A band to watch! RAMTHA – https://linktr.ee/ramthabandfl​

Music Video – Infinite Energy – https://www.youtube.com/watch?v=_yXxBbuLLsI​

Recent WACKEN METAL BATTLE USA 2026 National Finalists! ​Ramtha is an extreme‑metal band from St. Petersburg/Tampa, Florida, known for fusing death metal, thrash, grind, and hardcore into a high‑intensity hybrid sound. Active since 2022, the band has carved out a distinct identity within Florida’s extreme‑metal scene. They’ve released two EPs, Void Tyrant (2023) and Through Eyes of Death (2024), and are currently developing a third EP slated for 2026. Ramtha has earned a reputation for explosive live performances, frequently hitting Tampa’s Brass Mug and sharing stages with major acts such as Exhorder, Crypta, Worm, Gruesome, Artillery, Killing Addiction, Bandit, Gillian Carter, Dayglo Abortions, and Hong Kong Fck You. With momentum continuing to build, the band remains a rising force in the underground.

More info:

​https://www.facebook.com/profile.php?id=61577052471967

​https://www.instagram.com/tampadeathfest/​

TDF Press Materials HERE.

Sponsors:​
Piox Promotions
Time To Kill Records
Gator Cases
Tampa Bay Museum of Metal
Metal Messiah Radio
Infernal TV
Asher Media Relations
88.5 WMNF First Call
The Tampa Morgue Podcast
The Drinking With Drew Show
Wicked Rose Photography
Teratography Graphics
Riffs Across Generations
Dr. Paul Bearer’s Creature Feature
The Nostalgia Network (NOST)

-30-

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