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Posts By Asher

0 Thank You Canadian MDs and DJs for the airplay love \m/\m/ For the Week Ending: Tuesday, October 6, 2026 – Eternal Drak, Slug Comaprison, Bat Leather – No List Records, Famous Strangers,

  • October 7, 2026
  • by Asher
  • · Eternal Drak · Famous Strangers · No List Records - Bat Leather · Slug Comparison

Thank You Canadian MDs and DJs for the airplay love \m/\m/

For the Week Ending: Tuesday, October 6, 2026

CFRU 93.3 MHz – Guelph
Loud – #6 Eternal Drak

https://earshot-online.com/charts/cfru.cfm?intChartTypeID=6&dWeekOfID=2026-10-06

============================

CFUV 101.9 MHz – Victoria
Loud – #2 Famous Strangers, #7 Bat Leather – No List Records

https://earshot-online.com/charts/cfuv.cfm?intChartTypeID=6&dWeekOfID=2026-10-06

============================

CJLO 1690 kHz – Montreal
Loud – #10 Slug Comparison

https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2026-10-06

============================

CFUV 101.9 MHz – Victoria
Top 30 – #30 Slug Comparison

https://earshot-online.com/charts/cfuv.cfm?dWeekOfID=2026-10-06

 

0 Thank You MDs and DJs, for the airplay love! \m/\m/ For the Week Ending: Tuesday, September 29, 2026 !earshot – The National Loud Chart #6 Famous Strangers Band, #7 #BatLeather NO LIST RECORDS, Destroy My Brains, Slug Comparison

  • October 7, 2026
  • by Asher
  • · Destroy My Brains · Famous Strangers · No List Records - Bat Leather · Slug Comparison

Thank You MDs and DJs, for the airplay love! \m/\m/
For the Week Ending: Tuesday, September 29, 2026
!earshot – The National Loud Chart
#6 Famous Strangers Band, #7 #BatLeather NO LIST RECORDS
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2026-09-29
==================
CFUV 101.9 MHz – Victoria
Loud #2 Bat Leater – NO List Records, #5 Famous Strangers
https://earshot-online.com/charts/cfuv.cfm?intChartTypeID=6&dWeekOfID=2026-09-29
==================
CIVL 101.7 FM – Abbotsford
Loud #8 Destroy My Brains
https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2026-09-29
==================
CJAM 99.1 FM – Windsor
Loud – #8 Bat Leather – NO List Records
https://earshot-online.com/charts/cjam.cfm?intChartTypeID=6&dWeekOfID=2026-09-29
==================
CJLO 1690 kHz – Montreal
Loud – #8 Slug Comparison
https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2026-09-29
==================
CJSR 88.5MHz – Edmonton
Loud – #2 Famous Strangers Band,
https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2026-09-29

0 EMBRACE OF SOULS Unleashes “The Plague” A New Live Video For Concept Album “Battle of the Dead” Out Now!

  • October 7, 2026
  • by Asher
  • · Embrace of Souls (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – October 7, 2026

EMBRACE OF SOULS Unleashes “The Plague” A New Live Video For Concept Album “Battle of the Dead” Out Now!

Italian epic/power metal band EMBRACE OF SOULS returns with a new official live video for “The Plague”, taken from their latest album “The Battle Of The Dead”, released on May 22nd, 2026, via Rockshots Records.

Watch “The Plague” here: https://www.youtube.com/watch?v=Oi7U2DgUh1g​
​Filmed and edited by: Simone “Morksar” D’Addazio

As the third track on the album, “The Plague” plays a central role in the story behind “The Battle Of The Dead“. Set in a medieval world divided into several kingdoms, the fantasy concept follows the spread of a mysterious plague that affects people’s souls, gradually pushing the continent towards a conflict between the living and the dead.

Captured during a live performance, the new video shows EMBRACE OF SOULS performing “The Plague” on stage, reflecting the direct and energetic approach of the band’s live shows, with keyboards played by Simone Fornasini.

Drawing from classic heavy and power metal of the ’80s and ’90s, as well as the epic and symphonic metal tradition of the early 2000s, “The Battle Of The Dead” combines melodic and theatrical elements with the contrast between Giacomo Rossi’s vocals and the operatic voice of Martina Mazzeo, playing a key role in the band’s sound.

“The Battle Of The Dead” was mixed and mastered by Alessio Garavello at Rogue Studios in London and features Morby (Domine) as a special guest vocalist on “The War”.

EMBRACE OF SOULS will return to the stage on October 24th, 2026, at Dedolor, performing alongside HEAVENFALL for the next Rockshots Night.

October 24th, 2026
ROCKSHOTS NIGHT
EMBRACE OF SOULS + HEAVENFALL
@ Dedolor

Event info: https://www.facebook.com/events/2290473428370267/​

The band is expected to play live at these 2 shows:
​
​Saturday 14th November @Revolver Club in S.Donà di Piave with special guest: Arcana Opera – A.W. and opening act Lenity Lake

Sunday 29th November @Druso Bergamo at the Malpaga Winter Night

Recommended for fans of Rhapsody of Fire, Stratovarius, Sonata Arctica, Nightwish, “The Battle Of The Dead” was released on May 22nd, 2026, in digital format and digipak CD edition, and it’s available to be ordered at the following links:
​
​CD DIGIPAK: https://rockshots.eu/products/embrace-of-souls-the-battle-of-the-dead-cd​
​
​Listen to the entire album “The Battle Of The Dead” here: https://lnk.to/O3GJCQ​
​
​OFFICIAL MERCH: https://embraceofsoulsband.bigcartel.com/​

Track Listing:​
1. The Battle Of The Dead
2. Eversun
3. The Plague
4. The Gathering
5. Spine
6. Who Can Save Us
7. Betrayal
8. The Dark Lord
9. The War (feat. Morby)
10. Sacrifice
11. Desolate Lands
​
​Line-up:​
Giacomo Rossi – Vocals
Martina Mazzeo – Vocals
Edward De Rosa – Guitars
Xavier Rota – Bass
Davide Baldelli – Keyboards
Michele Olmi – Drums

More info: ​
​​https://www.rockshots.eu​

​https://www.instagram.com/embraceofsouls/​

​https://www.facebook.com/embraceofsoulsofficial/​

BIOGRAPHY:

Embrace Of Souls is an Italian power metal band founded by drummer and composer Michele Olmi, conceived with the aim of bringing together talented musicians around a shared vision rooted in collaboration, brotherhood, and a deep passion for classic metal. Initially born as a studio project, the band took shape with the release of their debut album “The Number Of Destiny” in 2021, receiving positive feedback on an international level and notable acclaim in Japan.

Drawing inspiration from ’80s and ’90s heavy and power metal, as well as the epic and symphonic metal of the early 2000s, Embrace Of Souls developed a sound characterized by powerful riffs, epic atmospheres, and strong melodic sensibility. Over time, the project evolved into a full live band, allowing the group to further consolidate its artistic identity and deepen its expressive range.

In 2024, Embrace Of Souls returned with their second full-length album, “Forever Part Of Me,” marking a significant step forward in terms of maturity and songwriting. This phase also introduced important changes within the line-up, bringing renewed energy and a broader musical perspective to the band’s sound.

A key element of this evolution is the current vocal pairing. Giacomo Rossi, already involved in previous releases, now takes on a central role as lead vocalist while Martina Mazzeo, an accomplished soprano vocalist, adds a symphonic and operatic dimension to the band’s music. Together, their voices embody the duality that defines Embrace Of Souls: light and darkness, power and elegance, intensity and emotion.

Having shared the stage with renowned acts such as Domine, Vision Divine, Stratovarius, Sonata Arctica, and Rhapsody Of Fire, Embrace Of Souls continues to refine their identity while looking toward the future. The band is now working on new material, further developing their epic and narrative-driven approach to solidify their presence on the international power metal scene.

-30-

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia

0 EPK – Cavernous Maw – Ancestral Lands Beyond the Antarctic Ice Wall (2026)

  • October 6, 2026
  • by Asher
  • · Cavernous Maw · EPKs

EPK – Cavernous Maw – Ancestral Lands Beyond the Antarctic Ice Wall (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We think our new single and video will make waves in the scene and be very well received. Niilo and I (Ben) are very proud of our work, love the song, and we think everyone else will as well. It is a more mature and thought-out version of our first record. Certainly not a departure from our previous sound, but a more polished version. It’s a riff-heavy slab of death metal. An enjoyable experience for all who love fast, heavy music, with a dose of emotion thrown in the mix as well.” – Cavernous Maw

For fans of Creeping Death, Frozen Soul, 200 Stab Wound, Uada, Fulci

Facebook.com/profile.php?id=61565871844355

Instagram.com/cavernousmawmetal/

Youtube.com/@cavernousmaw | Cavernousmaw.bandcamp.com | Spotify

“One final, and very important point: These songs are also very infectious. They get in, they do their work quickly, and they get out.” – No Clean Singing (2025 – Primitive EP)

Band: Cavernous Maw
EP Title: “Ancestral Lands Beyond the Antarctic Ice Wall”
Release Date: October 27, 2026
Label: Self-Release
Genre: Death Metal
Location of Band: Minneapolis, MN, USA

Track Listing:​
1. The Yeti Approaches the Wall – 3:43
2. Choke to Choke – 2:49
3. Forever and a Day – 3:10
4. Onward to Salvation – 3:17
5. Ash for Bread, Poison for Rain – 4:21

EP Recording Credits:
• All songs performed by: Ben Fagerness, Niilo Smith
• All songs written by: Ben Fagerness, Niilo Smith
• Produced by: Ben Fagerness, Niilo Smith
• Mixed by: Adam Tucker @ Signaturetone Recording
• Mastered by: Adam Tucker @ Signaturetone Recording
• Album Artwork by: Misanthropic Art

Album Band Lineup:
Niilo Smith – Vocals/Guitar
Ben Fagerness – Drums

======================================

About The EP Artwork:

The literal concept of the EP is a yeti coming to the edge of the earth and wondering what is on the other side. The interpretation is one of pushing yourself to your limits, seeking more, and always staying curious. The artwork signifies this, with the image of a yeti/caveman character coming through the mountain to the other side, seeing what is down below.

About The EP as a whole (LYRICALLY & MUSICALLY):

Lyrically, the EP invokes many different themes but generally follows a timeline of the yeti discovering what is beyond his current understanding of the world, going through life, and finally ending with his demise due to the destruction of the earth. Musically, the album is a heaping slab of death metal, with a variety of “non-death metal” elements, including some metalcore-inspired riffs and some black metal thrown in for good measure.

About The Lead Single (LYRICALLY & MUSICALLY):

The opening track “The Yeti Approaches the Wall” is the beginning of his journey into the unknown. With “Choke to Choke,” we thought this was kind of a morbidly hilarious way to represent the yeti going from meal to meal, from one experience to another, from one “choke to choke”. With “Forever and a Day”, the yeti continues on through the mundane aspects of life. “Onward to Salvation” sees the yeti finally understanding what it’s all about, and finally, “Ash for Bread, Poison for Rain” sees the untimely demise of all of civilization.

====================================

BAND STORY ANGLES / FUN FACTS:

1. We toyed around with finding a dedicated vocalist and/or bassist upon forming, but we decided against it. This was mostly due to the increased difficulty in scheduling with more members, as well as simply wanting nothing but the absolute best on bass or vocals. Niilo’s vocals crush, and with the amp split he uses to have bass and guitar going at the same time with one instrument, it was a somewhat easy decision to continue on as a two-piece.

2. Guitar and drums for both “Primitive” and “Ancestral Lands Beyond the Antarctic Ice Wall” were recorded live in our practice space, and then we added in vocals over the top.

3. Cavernous Maw seeks to promote all of our collective ancestries. Living off the land, exploration, primitive (Hence the first album’s name!), living, etc.

4. For the music video for “The Yeti Approaches The Wall”, Ben and Niilo went to the filming site in advance and constructed a “viking hut” out of pine tree branches. The hut makes it into the video for a split second if you’re really paying attention.

5. We are really big on themes. The band’s theme is generally nature-, humanity-, and history-based. Primitives’ theme was the beginning of civilization. “Ancestral Lands Beyond the Antarctic Ice Wall’s” theme is exploring the unknown.

======================================

Formed in late 2024 by longtime friends Ben and Niilo, Cavernous Maw seeks to carve out a name for itself in the death metal underground. Blending elements of black metal, metalcore, and doom on top of a strong death metal foundation, Cavernous Maw is bringing a unique twist to a genre increasingly difficult to stand out in. 2025 saw the release of the band’s debut EP “Primitive,” which garnered excellent reviews, including “highly memorable” from No Clean Singing. In 2026, the band plans to release its second EP entitled “Ancestral Lands Beyond the Antarctic Ice Wall,” followed by regional tours in support. The future for Cavernous Maw is bright; look for the band in a town near you!

Shared Stage with:
The Convalescence
Silva
Grand Demise of Civilization

0 TRAUMATOMY Delivers Relentless New Slam Assault “Entropic Obliteration” From New Album “Ascension Of The Ineffable” Out Oct 2026

  • October 6, 2026
  • by Asher
  • · Music News · Traumatomy (Gore House Productions)

NEWS RELEASE

Montreal, QC – October 6, 2026

TRAUMATOMY Delivers Relentless New Slam Assault “Entropic Obliteration”

New Album “Ascension Of The Ineffable” Out Oct 30th, 2026 via Gore House Productions

Slamming brutal death metal titans Traumatomy have unleashed their devastating new single, “Entropic Obliteration,” the second offering from their upcoming fourth full-length album, “Ascension Of The Ineffable,” set for release on October 30, 2026 through Gore House Productions.​
​
Following the release of the first single, “Visceral Maceration,” the band now presents what was not only the first song written for the album, but also one of its most intense and technically demanding compositions. Clocking in with relentless speed, surgical precision, and overwhelming brutality, “Entropic Obliteration” serves as a brutal introduction to the sonic direction of the new record.

“We composed this track as the very first one for this album. It turned out to be quite fast and technical. We thought about the lyrics for a long time and decided that it should be abstract and brutal,” adds the band.
​
With “Entropic Obliteration,” Traumatomy showcases the heightened aggression and technicality that define “Ascension Of The Ineffable,” delivering an uncompromising slab of slamming brutal death metal that pushes their sound into even more savage territory.

Listen to “Entropic Obliteration” – https://www.youtube.com/watch?v=EOsVA0-oJjQ

​Spotify – https://open.spotify.com/track/4UQfLExucqmNF9skKqoZCX

​

The forthcoming album marks the band’s highly anticipated fourth full-length release and arrives after an intensive two-year writing and production process. “Ascension Of The Ineffable” represents a significant evolution while remaining true to the primitive, crushing foundations that have defined Traumatomy since its inception.
​
​“We are very happy that the new album Ascension Of The Ineffable will be released soon. We have been working on it for two years. We believe that this album will be loved by fans for a long time,” says the band.
​
The record features a raw yet razor-sharp production courtesy of Konstantin Ogarkov, whose approach helped craft an album that sounds faster, heavier, and more brutal than anything the band has previously recorded.
​
​“Konstantin Ogarkov brought a special sound to this album. The sound is raw but at the same time sharp and brutal,” the band adds.
​
Visually, the album’s identity is completed by the striking artwork of Jon Zig, whose cover illustration perfectly captures the atmosphere and vision behind the record’s bleak cosmic horrors and grotesque brutality.
​
Lyrically inspired by the cosmic dread of H.P. Lovecraft and the grim absurdity of Russian criminal television programs, “Ascension Of The Ineffable” continues Traumatomy‘s tradition of grotesque storytelling. Musically, the album delivers eight tracks of monolithic slam, blistering blast beats, devastating grooves, and unrelenting riff work written entirely by founding guitarist Constantine Chevardin.

Formed in 2012 by Constantine (Disfigurement Of Flesh, Nauseating, Morphogenetic Malformation) and Haruka (ex-Gorevent, Medic Vomiting Pus), Traumatomy began as an online studio project before evolving into one of the most respected names in the international slam underground. Since becoming a full-time live entity in 2018 with the additions of bassist Leonid (Cephalic Impurity) and drummer Ivan, the band has earned a reputation for their precise, coordinated, and intensely professional live performances.
​
Recommended for fans of Gorevent, Cerebral Incubation, Disgorge, Epicardiectomy, and Defeated Sanity, “Ascension of the Ineffable” is out on October 30th, 2026, from Gore House Productions.

Album pre-save / CD/ Cassette – https://orcd.co/ascension-of-the-ineffable​

Track Listing:​
1. Entropic Obliteration (3:34)
2. Pervigilium of the Obsolesced Xenolith (3:26)
3. Endoneural Parasitosis (3:07)
4. Repugnant Coalescence (2:55)
5. Ascension Of The Ineffable (2:54)
6. Visceral Maceration (2:34)
7. Autognathic Avulsion (2:43)
8. Xeno-Homeostasis (3:07)
Album Length: 24:15

Album Credits:​
All songs performed by Traumatomy
All songs written by Constantine Chevardin
Produced by Constantine Chevardin
Mixed and Mastered by Konstantin Ogarkov
Cover artwork by Jon Zig

Album band line-up:​
Constantine – Guitars
Ivan – Drums
Leonid – Bass
Haruka – Vocals
Kirill – Vocals

Live band line-up:​
Constantine – Guitars
Ivan – Drums
Leonid – Bass
Kirill – Vocals

More info:

​https://gorehouseproductions.com​

​https://www.facebook.com/traumatomy​

​https://www.instagram.com/traumatomy.slam​

​-30-

What the press has said:

“Brutal death metal enthusiasts rejoice!… Get in, make a s**t-ton of noise, wreck some bodies, and get out. That’s the mantra of this EP, and the mindset of Traumatomy, who deliver five of the nastiest and brutalising death metal tracks heard this year. With guitar riffs that are as thick as coagulated blood, bass hooks that rip through flesh as though they’ve emerged from a freshly opened Lament Configuration, drums that sound like a demon is hitting the skulls, ribcages, and stretched skin of its victims, and vocals that gurgle and growl like a creature driven to madness through hunger. This is Traumatomy’s sound, and it is f**king mean. There’s no refresh of the brutal death metal sound here. No suggestion that Traumatomy are about to drop a melodic one out of the blue. No attempt to do anything but deliver brain-crushing heaviness at its best. Which is what Traumatomy do here. Delivering the kind of savage and sickening heaviness that leaves you with a headache, a sore neck, aching limbs, and the strong feeling of having been well and truly violated.” – Games, Brrraaains, A Head-Banging Life

“TRAUMATOMY releases “Triumph Of Enslavement”, an EP that offers slam in its purest form, but which is attractively designed in terms of songwriting and rafinesses here and there, which reveals the many years of experience in this style, especially from guitarist Constantine Chevardin. Fans should be happy with this appetizer. 8/10″ – PowerMetal.de

“Well, this is short and sweet at just over 15 minutes. Triumph of Enslavement is a nice little (tiny?) slab of brutal death metal that opens up with a mid-paced but heavy, crushing intro before swerving in a faster, but no less heavy, death metal onslaught. They do slow down, sometimes almost to a crawl, but the crushing heaviness is omnipresent, clickety drums included (OK, that has nothing to do with heaviness, but you do get the clickety drums). The growls are deep, deeper than I usually like, but they’re a perfect fit for the music here—I wouldn’t see a different style working quite as well. It’s dark, it feels like the weight of the world going through your ears, and sometimes that’s just what you need.” – The Metal Crypt

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
gorehouse[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Icelandic Sorcerous Folk Metal HRAFNABLÓT Announces New Members and Debut Album “Guðlaugar Saga” Out Now!

  • October 5, 2026
  • by Asher
  • · Hrafnablót · Music News

NEWS RELEASE

Montreal, QC – October 5, 2026

Icelandic Sorcerous Folk Metal HRAFNABLÓT Announces New Members and Debut Album “Guðlaugar Saga” Out Now!

L-R – Kristinn Bergsson (Drums), Þorsteinn Steinberg Allansson (Guitar), Hugrún Hanna Stefánsdóttir (Lead Vocals), Ólafur Daði Jónsson (Keys, Harsh and Backing Vocals), Þórgnýr Einar Albertsson (Bass and Backing Vocals), Steingrímur Viðar Karlsson (Guitar and Backing Vocals)

Photo Credit – Þórgnýr Einar Albertsson

Icelandic sorcerous folk-metal band Hrafnablót is proud to announce a new chapter in the band’s journey, unveiling a refreshed lineup after the recent release of their debut full-length album, “Guðlaugar Saga,” on September 11th, 2026.

Hrafnablót bids farewell to guitarist Mara Birna Jóhannsdóttir and drummer Andri Pétur Dalmar, thanking them for their contributions to the band and wishing them all the best in their future endeavors.

Joining the band are guitarist Þorsteinn Steinberg Allansson and drummer Kristinn Bergsson. Hrafnablót is pleased to welcome them into the fold and looks forward to bringing “Guðlaugar Saga” to the stage with the new lineup.

The release of “Guðlaugar Saga” marks a major milestone for one of Iceland’s most compelling new metal acts, an ensemble known for ritualistic live performances, dramatic storytelling, and a sound forged from the contrasting light and darkness of Icelandic magick.

Formed in late 2024, Hrafnablót has quickly become a rising force in Iceland’s metal scene, performing at Íslenski rokkbarinn, Lemmy, BIRD, and the Icelandic Sorcery Festival. Their music blends heavy riffs, folk instrumentation, haunting melodies, and both clean and harsh vocals, creating what the band calls their own brand of sorcerous folk metal.

Giving listeners a sweeping sonic journey inspired by Icelandic nature and folklore, Hrafnablót‘s debut concept album “Guðlaugar Saga” follows Guðlaug, a modern-day woman pulled back into Iceland’s settlement age with nothing but her clothes and a taser. Across seven full songs and two spoken-word pieces, the album traces her vivid, time-bending saga, from “Spádómurinn,” a seer’s whispered prophecy over Icelandic winds, into “Dísablót,” where a driving ritual-bound riff launches her story. “Heljarhlíð” delivers melodic death metal intensity and dual vocals as she’s forced into battle, while “Fögnuður” bursts into a celebratory folk-metal anthem. Darkness rises in “Nornarheimt,” the album’s harshest track, as brigands kidnap her, followed by “Svartigaldur,” a metallized sea shanty built on an old Icelandic folk melody. “Heimþrá” offers a melodic, keyboard-led moment of homesickness and dark magick before the saga reaches its climax in “Örlagavegur,” an 11-minute epic of shifting meters and fate as Guðlaug confronts her final choice.

“When writing the album, we knew right away we wanted to create a strong and cohesive narrative and to feature the stark contrasts present in Icelandic folklore and sagas. The album features seven songs, along with a spoken-word interlude and intro, weaving together influences from Icelandic magick, history, and culture. The sound can most aptly be described as sorcerous folk metal, drawing influence from the contrasting darkness and light of Icelandic folk culture as well as sonic influences from Nordic folk metal, NWOBHM, various gothic and miscellaneous extreme metal genres,” adds the band.

Recommended for fans of Ensiferum, Nightwish, Wintersun, Skálmöld, and Eluveitie, “Guðlaugar Saga” is now available on all digital platforms, CD, and vinyl.

CD, Vinyl – https://elasticstage.com/hrafnablot/releases/gudlaugar-saga-album​

Bandcamp – https://hrafnablot.bandcamp.com/album/gu-laugar-saga-2

​

Spotify – https://open.spotify.com/album/74tlHFVXjDeUJ8OUUcIHOK

​

Previous Singles:

Music Video – “Svartigaldur” – https://www.youtube.com/watch?v=aDPpHb_Qf1s

​Music Video – “Dísablót” – https://www.youtube.com/watch?v=7tI34l6OrGc

​Music Video – “Heljarhlíð” – https://www.youtube.com/watch?v=f4mEwniTdVA

​

Track Listing:​
1. Spádómurinn – 1:49
2. Dísablót – 5:44
3. Heljarhlíð – 6:22
4. Kappar, Meyjar, Komendur – 1:22
5. Fögnuður – 5:41
6. Nornarheimt – 5:21
7. Svartigaldur – 5:17
8. Heimþrá – 4:59
9. Örlagavegur – 11:23
Album Length: 48:02

Band Line-up:​
Hugrún Hanna Stefánsdóttir – Vocals
Þórgnýr Einar Albertsson – Bass & Backing Vocals
Ólafur Daði Jónsson – Keyboards & Backing Vocals
Steingrímur Viðar Karlsson – Guitar & Backing Vocals
Andri Pétur Dalmar – Drums & Backing Vocals
Mara Birna Jóhannsdóttir – Guitar

For more info:

​https://hrafnablot.is/​

​https://www.facebook.com/hrafnablot/​

​https://www.instagram.com/hrafnablot​
​

-30-

“On “Guðlaugar Saga” we hear an impressive mix of different styles of heavy metal and Icelandic folklore. And Hrafnablót manages this balancing act exceptionally well. This is probably one of the best folk metal albums I have ever heard. 10/10″ – Keep On Rocking Germany​
​
​“A band from Iceland may have delivered the best Folk Metal of the year. Hrafnablot is not afraid to do things on an album that other artist would not dare to do. This is an exceptional album that catch your attention from start to finish. I rate this album the perfect 10.” – Project Metal Music​
​
​“Guðlaugar Saga is a debut with great ambition. Hrafnablót take Icelandic folklore, Sagas and magic and transport them into a modern Folk Metal framework, adding NWOBHM, Gothic, Melodic Death and Extreme Metal elements. But the real power lies elsewhere. In the story. In the contrast. In the fact that a woman from modern Reykjavík suddenly finds herself in a world where she shouldn’t exist. And instead of just waiting to be saved…she learns to survive. Guðlaugar Saga has everything a good concept album needs: a world, a hero, a conflict, a mythology and a road of no return. And if the first singles are any indication of what’s to come, Hrafnablót have created a debut that could put their name on the map of modern Nordic Folk Metal. The Sagas were never finished. They were just waiting for the next voice to tell them. And this time…the voice comes from Reykjavík.” – Rock N Roll Town​
​
​“The idea of combining retro-heavy, proto-doom and then classic Viking metal with the Icelandic language is nothing short of brilliant – and honestly – incredibly obvious. Hrafnablót has definitely got something going and is a name to keep an eye on, because they could very well become something big.9/10” – HeavyMetal.dk
​
“What makes “Guðlaugar Saga” work is its refusal to treat folk metal’s contrasts both brutal and beautiful, cold and warm as gimmicks, instead using them as narrative tools that build toward something. For listeners already invested in the genre’s melodic, story-driven corner, this is a record built for a full, uninterrupted listen.” – Female Fronted Power
​
“This album is a most-welcome surprise, and it has exactly everything a folk metal band needs, no more, no less. This is an example of how things are done inside this kind of music.” – Dark Souls United
​
​
​“Iceland’s Hrafnablót and debut single ‘Svartigaldur’ a heavy piece of pagan folk metal; for the tale of a time traveller lashed to Viking mast accused of being a witch. With symphonic metal richness, black metal energy, traditional melodies, theatrical vocal harmonies and soaring, clean female vocals, it’s quite a ride!” – Loud Enough Magazine​
​
​“HRAFNABLÓT succeeds in telling a modern saga that is deeply rooted in Icelandic culture while simultaneously addressing universal themes such as identity, homeland, and the pursuit of self-determination.” – MetalUnderground.at ​
​
​“Guðlaugar Saga is raw but carefully crafted… it brings a breath of fresh air.” – Metalhead.it ​
​
​“Icelanders Hrafnablót make their full-length debut with the ambitious ‘Guðlaugar Saga’, a concept album that journeys between ancestral folk melodies and instrumental outbursts of clear metal inspiration.” – Loud and Proud

​

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0 Protected: EPK – Sapraemia – Voidbirth of the Pleroma (2026)

  • October 4, 2026
  • by Asher
  • · EPKs · Sapraemia

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0 Out Now! Canadian Metal Veterans FORESHADOW (ft. members Augury, Vantablack Warship, Arseniq33) Unleash EP “Here Down On Earth”

  • October 2, 2026
  • by Asher
  • · Foreshadow · Music News

NEWS RELEASE

Montreal, QC – October 2, 2026

Out Now! Canadian Metal Veterans FORESHADOW (ft. members Augury, Vantablack Warship, Arseniq33) Unleash EP “Here Down On Earth”

Top – L-R- Patrick Loisel (Vocals, Guitar), Kurtis Clifford (Bass)

Bottom – L-R – Patrick Knup (Guitar), Pierre Pitre (Drums)

Canadian metal veterans Foreshadow are proud to announce the official release of their long-awaited EP, “Here Down On Earth,” available now on all major digital platforms as of October 2nd, 2026.
​
Originally conceived during the late 1980s and first recorded as a demo in 1991, “Here Down On Earth” breathes new life into some of the band’s earliest and most ambitious material. Rather than simply remastering the original recordings, Foreshadow chose to completely re-record the songs, delivering the intensity and aggression they originally envisioned over three decades ago.

The release serves as a time capsule from a pivotal era in both the band’s history and the world around them.
​
​“These songs were written in the late ’80s and first recorded in the early ’90s. We were already aiming for a heavier sound relative to that era’s standards. I listen to current bands that are similar, and we sound as aggressive as if we were 35 years younger. We are aged 50 to 56; it doesn’t show an iota!” says Patrick Loisel (Guitars and Vocals).
​
​Foreshadow‘s origins date back to friendships forged years before the band’s official formation. Loisel first met bassist Kurt Clifford in 1984 and drummer Pierre in 1986. After informal jam sessions throughout the late ’80s, the group formally launched Foreshadow in 1990 with the goal of creating and recording original music. The lineup was completed in 1992 when longtime supporter and music store co-worker Patrick Knup joined as the band’s fourth member and second guitarist.
​
Initially rooted in thrash metal, Foreshadow quickly expanded beyond genre boundaries, incorporating influences from groove metal, funk, extreme metal, and progressive sounds. Their diverse musical palette would later help pave the way for members’ involvement in respected acts including Augury, Vantablack Warship, Arseniq33, and Clearwater Deathblow.
​
The five-track EP blends Foreshadow‘s late 1980s songwriting with a modern, heavier production. Musically, the release moves between death metal, thrash, and groove-infused aggression, showcasing both the band’s early creativity and their evolved sound. Lyrically, the songs tackle themes of nuclear devastation, political oppression, environmental destruction, warfare, and humanity’s repeating social failures. The title track, “Here Down On Earth,” serves as the EP’s centerpiece, bringing together the record’s overarching themes of violence, intolerance, and societal decline.
​
​“The lyrics were initially written in the late 1980s and address a lot of social tensions and environmental concerns. The current moral panics we see now are, to me, the continuation of what had me blow a fuse in the 1980s, so these songs re-emerging is like the best timing ever,” adds Loisel.
​
The new recordings also showcase significant musical evolution. While the original demo was recorded in E-flat tuning, the current release is tuned down to B, creating a considerably heavier sonic foundation. Combined with decades of musical experience, the result is a powerful modernization of Foreshadow‘s earliest work while preserving its original spirit.
​
Delivering an aggressive blend of thrash, groove, and extreme metal that remains both nostalgic and contemporary, Foreshadow not only reclaims a forgotten chapter of their history but also demonstrates that powerful music and meaningful messages remain timeless.

Recommended for fans of Forbidden, Testament, Slayer, Carcass, Pantera, Helmet, and Augury, “Here Down On Earth” is available at the following links:

Spotify – https://open.spotify.com/album/2pz6uQ5mMfcl2iLzJZ4ZMA

​Bandcamp – https://foreshadow.bandcamp.com/

​

Lyric Video – “This Harvest That You’ve Sown” – https://www.youtube.com/watch?v=VDWvLce3jo8

​

Show Dates:​
Oct 17 – O’Sim Irish Pub – Salaberry-de-Valleyfield, QC
Oct 24 – Turbo Haus – Montreal, QC

Track Listing:​
1. Y? – 6:17
2. Decretei – 3:40
3. This Harvest That You’ve Sown – 4:39
4. As Heroes Die – 7:01
5. Here Down To Earth – 8:46
EP Length: 30:26

Band Lineup:​
Patrick Loisel – Vocals, Guitar
Kurtis Clifford – Bass
Pierre Pitre – Drums
Patrick Knup – Guitar

More Info – https://www.facebook.com/foreshadowmtl​

-30-​

​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Band Submissions Now Open! WACKEN METAL BATTLE USA 2027 – One Band To Conquer Them All! To Play Wacken Open Air!

  • October 2, 2026
  • by Asher
  • · Music News · Wacken Metal Battle USA

NEWS RELEASE

Montreal, QC – October 2, 2026

Band Submissions Now Open! WACKEN METAL BATTLE USA 2027

One Band To Conquer Them All! To Play Wacken Open Air 2027

One band to conquer them all! WACKEN METAL BATTLE USA band submissions for 2027 battles are now open!

Unsigned and independent American bands from across the country will have the opportunity to battle it out for one to play the world’s most prestigious and largest already sold-out metal festival, Wacken Open Air.

Band submissions are now open as of October 1st and run until December 1st, 2026.

WMBU organizer Eric Dow (Fatal Illness Management, Helsott, M-Theory Audio) comments on the upcoming 2027 battles:

“I am very excited and motivated for the 2027 Battle. I am always looking for ways to grow the team and improve in general. This year, the National Final will be held at the Tampa Metal Meeting fest hosted by me and Jerry from Piox Promotions. I have added several new city promoters, including Ty from Mad With Power Fest, who will be adding Madison for the first time in US Battle history. We have added Omar from The Metal Mixtape as the new social media manager and new Seattle promoter. Omar from Ghost Cult Magazine was behind the scenes last year but will now take over as the New York promoter. Same with Jersey from Andromeda Productions…he was helping last year with Atlanta and will now take over as the main promoter. Adding the new additions to our already amazing team, the future for the Wacken Metal Battle USA is brighter than ever!”

American bands interested in participating can apply at https://www.metal-battle.com/usa/​

This year’s battles will be hosted across the United States in the following areas listed below:

The National Final will be held on June 19th, 2027, as part of the Tampa Metal Meeting 2027 Fest at The Brass Mug in Tampa, Florida.
​​
Southwest Region:
​
Los Angeles, California
Orange County, California
Inland Empire, California
Bay Area, California
Sacramento, California
San Diego, California
Las Vegas, Nevada
​
​Pacific Northwest Region:​
Portland, Oregon
Seattle, Washington
​
​Midwest Region:​
Madison, Wisconsin
​
​Northeast Region:​
New York, New York
Wilmington, Delaware
​
​Southeast Region:​
Atlanta, Georgia
Central Florida
​
​Texas Region:
​
Austin, Texas
Houston, Texas
San Antonio, Texas
Dallas, Texas

For the past eight years of battles (2017–2019, 2022–2026), Wacken Metal Battle USA has held nationwide rounds to crown one independent metal band and send them to perform at the world’s largest metal festival, Wacken Open Air in Wacken, Germany. The festival marked its 30th anniversary in 2019, with the 2020 and 2021 editions canceled due to COVID. As the global metal community continues to surge, Wacken Open Air 2027 will celebrate its 36th edition from July 28–31, and is already sold out. More than 50 bands have been announced, including Electric Callboy, Five Finger Death Punch, Helloween, Heaven Shall Burn, Halestorm, DragonForce, Napalm Death, Jinjer, Knocked Loose, Kanonenfieber, Belphegor, Dethklok, and Blue Medusa, among others. Full details here.

Live Video – 2026 WMBU Champion – Gannondorf at Wacken Open Air – https://www.youtube.com/watch?v=K3Ez7OcFleQ

​

Previous WMBU national winners: Gannondorf (2026 – San Diego), Mourning High (2025 – Southern California / Arizona), Cascade Effect (2024 – San Diego), Fadrait (2023 – San Diego), Mythraeum (2022 – San Diego), Monarch (2019 – San Diego), Voices of Ruin (2018 – Anaheim), and Corpse Hoarder (2017 – Philadelphia).

The 2027 WMBU champion will receive the following:
– A slot at the 2027 Wacken Open Air Festival.
– Full professional backline provided.
– $1,000 USD towards flights to Germany.
– VIP camping at the festival.

Wacken Metal Battle USA is part of an international competition in which bands from across the country battled for the chance to join more than 30 other national champions and represent the USA in a global clash of rising talent at the world’s largest outdoor metal festival, Wacken Open Air. For over a decade, these battles have been hosted at the festival, giving independent bands the opportunity to showcase their power on an international stage and compete for multiple prizes.

How it works:​
​Participating cities will host qualifying rounds plus a city final organized by a local city concert promoter, where one band will move forward to the American national final (date and city to be determined). The winner of the national final will advance to perform at Wacken Open Air 2027 and compete against the winners of international bands from around the globe in a major international battle. All bands will be judged during battle rounds by respected local music industry representatives.

About the 2026 National:

WMBU National 2026 – Gannondorf

Photo Credit – C.Huerta.Photos​

One band had conquered them all. Wacken Metal Battle USA proudly crowned San Diego’s GANNONDORF as the 2026 champions. The band seized a coveted performance slot at Wacken Open Air, one of the world’s most iconic and influential metal festivals, and advanced to the international Wacken Metal Battle, where rising bands from across the globe unleashed their headbanging, mosh‑ready power before a massive sea of metalheads gathered from every corner of the world.

The Wacken Metal Battle USA 2026 National Final brought together the top six bands from across the country after months of battles in cities nationwide. Representing the fiercest underground metal the United States has to offer, the final contenders were FATE DEFINED (Spokane, WA), NEMESIS (Houston, TX), GANNONDORF (San Diego, CA), RAMTHA (St. Petersburg, FL), THE VICTORIOUS DEAD (New York, NY), and THROUGH THE OCULUS (Apple Valley, CA).

After taking the stage on June 13th at Brick By Brick in San Diego, CA, before a crowd of metal‑hungry fans and a panel of industry judges including Rod Kukla (Silver Lining Music), Martin Koller (Prophecy Productions / SPKR Media), and Kelly McLauchlin (Pessimist), only one band could claim the title of WMBU 2026 Champion. GANNONDORF delivered with unrelenting fury, winning over both judges and fans to seize the crown.

Listen to all the USA national final bands on the WMBU 2026 Final Spotify Playlist:

​https://open.spotify.com/playlist/14751T41YocZkJCVUJWcjL​

More info:​
​Metal-Battle.com​
​MetalBattleUSA.com​
​
Facebook.com/metalbattleusa​.official​
​X.com/MetalBattleUSA​
​Instagram.com/wmbusa.official​

– 30 –

Sponsors / Partners:​
Fatal Illness Management
Dean Guitars
Bravewords
Metal-Rules
V13
GhostCultMag
Come And Take It Productions
Andromeda Productions
Distilled Entertainment
Piox Promotions
Tampa Bay Metal Scene
Last Light Presents
Mad With Power
The Metal Mixtape
BrokenNeckRadio
Asher Media Relations

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Avant-Garde Cinematic Doom LIMINAL SPIRIT Announces New Album “Forfeiture Hymns” Out Nov 2026; Streaming First Single “The Initiate”

  • October 2, 2026
  • by Asher
  • · Liminal Spirit · Music News

NEWS RELEASE

Montreal, QC – October 2, 2026

Avant-Garde Cinematic Doom LIMINAL SPIRIT Announces New Album “Forfeiture Hymns” Out Nov 2026

Streaming First Single “The Initiate”

Milwaukee’s one-man cinematic doom metal project Liminal Spirit will release its highly anticipated new full-length album, “Forfeiture Hymns,” on November 6th, 2026, unveiling the next chapter in the project’s ever-expanding conceptual mythology.
​
The project is the work of multi-instrumentalist Jerry Hauppa (Northless, Ara, Acanthrophis, Deorbit), who combines the melodic sensibilities developed through years in extreme metal with a microtonal guitar blended with a cinematic doom, industrial, and drone-driven framework.
​
​“I wanted to do a project that utilized my sense of melody established through various extreme metal outlets but through the lens of a more doom/industrial/drone approach to create music that felt like it was exposing a kind of purgatory, with each song guiding the listener through that purgatory into a place more grounded by the end,” says Hauppa.
​
This fourth studio recording and second full-length, “Forfeiture Hymns” represents Liminal Spirit‘s most ambitious and extreme work to date. While previous releases explored hypnotic drone-based environments, the new album pushes further into a musical language informed by death metal, industrial music, electronic textures, and psychologically charged storytelling.
​
At the center of “Forfeiture Hymns” is the continuation of the narrative introduced on the acclaimed previous album, “Unwell.” While “Unwell” chronicled the final days of the troubled character Phillip Hastings within the confines of a nursing home, the new album broadens the scope dramatically by tracing his life from birth onward.
​
Rather than focusing directly on Phillip himself, “Forfeiture Hymns” tells its story through the perspectives of individuals whose lives have been irrevocably altered by him. Each song documents a different character driven toward suicide following encounters with Phillip, creating a sprawling concept album that examines influence, guilt, abuse, obsession, and the devastating ripple effects of human actions.
​
​“Each track is the story of one of those people and how his influence steered them toward ending their lives. To flesh out the record, I had to create all of these people and develop their motivations, which I then used to create the melodic characteristics of each song,” adds Hauppa.
​
Designed as a challenging and immersive listening experience, “Forfeiture Hymns” is intentionally confrontational while remaining deeply melodic and memorable. Every composition serves the story, with musical motifs recurring throughout the album and connecting not only individual songs but also previous Liminal Spirit releases.
​
With “Forfeiture Hymns,” Liminal Spirit continues to blur the boundaries between concept album, psychological horror, and extreme music, delivering a challenging yet immersive work that rewards repeated exploration.

“My hope is that this record resonates with people. It’s the most extreme demonstration of the style so far, but it’s also the most memorable,” adds Hauppa.

To introduce listeners to this complex narrative world, Liminal Spirit is unveiling the lead single “The Initiate”. A track that follows Tommy Pearson, a young boy desperate to join a group of children led by Phillip. What begins as a seemingly innocent initiation ritual spirals into tragedy, mirrored musically through a progression that moves from playful, childlike melodies into frantic and increasingly chaotic territory.

“The track plays out to depict a playful nature that reflects a children’s playground, but builds to a frantic pace as Tommy is desperate for aid with his wounds and approval of the rest of the club,” adds Hauppa.

Listen to “The Initiate” at the following link: https://www.youtube.com/watch?v=d0KOVfvvHRI

​

Recommended for fans of Skepticism, Jesu, Nine Inch Nails, Shape of Despair, Confessor, Anata, and Cynic, “Forfeiture Hymns” will be available on all digital platforms on November 6, 2026.

Album pre-order: https://liminalspirit.bandcamp.com/album/forfeiture-hymns​

Track Listing:​
1. A Mother’s Instinct (Catherine Hastings, d. 9/24/1937)- 4:25
2. Unwanted (Phillip Hastings Sr., d. 6/12/1938)- 6:00
3. The Initiate (Tommy Pearson, d. 3/03/1951)-5:13
4. Three (Marianne Tierney, d. 4/19/1953)- 5:10
5. Apoptosis (Elizabeth and Christopher Collins, d. 11/20/1963)- 4:13
6. Ensnarer’s Lament (Detective Michael Thornton, 6/01/1978)- 5:00
7. Two (Francine Hastings, d. 10/24/1981)- 4:40
8. Do No Harm (Alice Weaver, 2/17/2015)- 5:21
9. Sins of the Father (Johnathon Hastings, d. 2/20/2015)- 5:18
10. The Parting Glass (Madeline Hastings-Everett, d. 12/5/2025)- 2:23
11. Four (Constance Greene, b. 8/28/2026)- 0:51

Album Recording Credits:​
• All songs performed by: Jerry Hauppa
• All songs written by: Jerry Hauppa
• Produced by: Jerry Hauppa
• Mixed by: Jerry Hauppa
• Mastered by: Jeff Wojtysiak
• Album Artwork by: James Becker

Album Band Lineup:​
Jerry Hauppa- Kite guitar, fretless guitar, bass guitar, synthesizer, violin, vocoder, sampling

More Info:​
​https://www.facebook.com/people/Liminal-Spirit/61575618106702/​
​https://www.instagram.com/liminal_spirit_mke​

-30-

“I love when an artist goes all-in for an idea. And sometimes art is not meant to be enjoyed, so much as experienced. It transports you to that invisible realm of mind and imagination, reflecting in this case something truly horrific: a journey through purgatory. There are jagged edges everywhere, shapes and forms that make no sense, and dizzying dissonance from microtonal guitars. If you feel unsettled, that’s the point.” – Doomed and Stoned (2026 – The Initiate song premiere)

“The song we’re premiering, “A Better Place“, is that closing track. In its narrative, Phillip passes into a purgatory where he is judged for his actions, and ultimately cast into hell — not the better place he hoped for. The music manifests this denouement with sounds of mangling discordance and ruthless pounding. The hammering and thudding beats don’t create an easy rhythm, but instead generate a pattern that takes away any sense of balance. Shrill ethereal tones rise up and strangely quiver from within the dissonant, mangling morass of sonic oppressiveness. Wailing vocals rise up too, adding to the song’s hallucinatory and haunting ingredients. The experience is unsettling and unearthly. Warbling spoken words come and go. The dense backing noise is cruel and searing as well as abysmal. The pounding is as vehement as it is destabilizing — until it vanishes, yielding to a cacophonous and indeed hellish finale in which the music itself seems to descend. Siren-like bursts of sound and tormented screams close out the nightmare.” – No Clean Singing (2025 Unwell)

“The title track from this latest concept EP – being released on Halloween – from Milwaukee-based multi-instrumentalist Jerry Hauppa is an appropriately unsettling exploration of themes such as memory, guilt and spiritual reckoning delivered via a fusion of progressive doom metal with avant-garde narrative techniques, crafting what the composer and musician describes as “seance music”, a genre-defying sonic ritual meant to stir movement between spiritual realms:” – THE ÜBER RÖCK SINGLES CLUB DAILY PICK – LIMINAL SPIRIT (Oct 11, 2025 – Unwell)

“Fusing Progressive Doom Metal with avant-garde narrative techniques to create a genre defying sonic ritual meant to stir movement between spiritual realms with title track “Unwell”” – Metal Noise (Unwell 2025)

“A portrait painted by multi instrumentalist Jerry Hauppa in Progressive Doom Metal and avant-garde narrative techniques, the record plays out the deterioration of Phillip’s memory, culminating in death and spiritual judgment before he is cast into hell for all eternity. Known for his work with Deorbit, Hauppa performs the piece using guitar, microtonal guitar, bass, violin, synth, vocoder and drum programming having written, produced and mixed. They call it a genre defying sonic ritual meant to stir movement between spiritual realms….. If someone is needed to write the soundtrack to the next Silent Hill incarnation then Hauppa has just submitted his curriculum vitae” – Metal Noise (Unwell 2025)

“Unwell is a fearless act of musical necromancy. It’s unsettling, artful, and deeply personal—doom metal with a philosopher’s pen and a filmmaker’s eye. Fans of Jesu, Skepticism, and Cynic will find much to admire here, but Liminal Spirit ultimately exists in its own spectral orbit.” – See Rock Live Magazine (Unwell – 2025)
​
​
​“It’s dense. It’s dark. It demands your full attention. But give it that, and you’ll walk away changed—or at least slightly disturbed. Fans of Skepticism, Kayo Dot, or anyone who enjoys having their psyche gently disassembled: this one’s for you.”- Metalpapyjeff (Unwell 2025)

“I would characterize this is something for Metal fans who think outside the box and don’t need to be spoon fed the typical Metal sound. ” – Metal Temple (Unwell 2025)

“Capturing the desolation of dementia and the abject terror and helplessness of cognitive and bodily decline in an artful way – in sound format – is no easy feat, nor must it have been a light affair. RATING: I give it a 4/5… They deserve to be heard and meditated on. But I love it – I love the concept and the overall delivery – and I wish more people would hear it and think on what it’s trying to tell them!” – Hails Webzine (Unwell 2025)

“Artistically unsettling, for fans of musical curiosity with strange, slightly noisy atmospheres on the edges.” – Music Journalist – Olivier Piot (Unwell 2025)

“It’s dense. It’s dark. It demands your full attention. But give it that, and you’ll walk away changed—or at least slightly disturbed. Fans of Skepticism, Kayo Dot, or anyone who enjoys having their psyche gently disassembled: this one’s for you.”- Metalpapyjeff (Unwell 2025)

“Unwell is a fearless act of musical necromancy. It’s unsettling, artful, and deeply personal—doom metal with a philosopher’s pen and a filmmaker’s eye”- seerocklive.com (2025 Unwell)​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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