• About AMR
  • Festivals & Associations
    • 420 Music & Arts Festival (Calgary, AB)
    • Armstrong Metal Fest (Armstrong, BC)
    • Calgary Metalfest
    • Calgary’s YYC Music Awards
    • Days of The Dead Festival (Red Deer, AB)
    • Loud As Hell Metal Fest (Drumheller, AB)
    • Metalocalypstick Fest (Lone Butte, BC) – Mountains, Camping and the Women of Metal!
    • ShrEdmonton Metal Fest & Conference
    • WACKEN METAL BATTLE CANADA
    • WACKEN METAL BATTLE USA
  • Services (Hire Us!)
  • Subscribe To AMR Artist News & Album Promo

Posts By Asher

0 M-Theory Audio – GRAVESHADOW Unveil Video ‘The Swordsman’ Off Album ‘The Uncertain Hour’ Out July 15th + Tour Dates

  • May 18, 2022
  • by Asher
  • · Graveshadow (M-Theory Audio) · Music News

NEWS RELEASE

Montreal, QC – May 18, 2022

​

Symphonic Metal Quintet GRAVESHADOW Unveil Video for ‘The Swordsman’

New album ‘The Uncertain Hour’ out July 15th; West Coast tour with Vintersea starting same day

The Sacramento-based quintet GRAVESHADOW – who deftly mixes symphonic/gothic metal with elements of doom, thrash and epic progressive power metal – have unveiled “The Swordsman,” the latest single from their forthcoming album, “The Uncertain Hour.” The band’s third album will be released July 15, 2022. “The Swordsman” is also special as it features guest vocals from Chelsea Murphy (Dawn of Ouroboros, Cailleach Calling, Tegmentum). GRAVESHADOW will also begin their West Coast tour on the same day at Barmadeggon in Tulare, CA, performing alongside Pacific Northwest blackened progressive-metal group VINTERSEA on “The Uncertain Hour Tour 2022” through Saturday, July 23rd at Cafe Colonial in Sacramento, CA. Full tour dates are below. In the meantime, the streaming audio visualized for “The Swordsman” can be viewed at https://youtu.be/WnFOUN9S4aw and pre-orders for CD and limited-edition (200) vinyl copies of GRAVESHADOW‘s upcoming third album, “The Uncertain Hour,” are available at www.smarturl.com/graveshadow.

“I’m really excited to release ‘The Swordsman’ which has kind of snuck up on me as another favorite off the record, explains GRAVESHADOW vocalist Rachl “Raxx” Quinn. “The interplay of the clean and harsh vocals was something I was thrilled with the outcome on. The way they support each other really adds a great dynamic to the song. As a band it was great to have Chelsea guest on the track, her performance is absolutely incredible!”

“The Uncertain Hour” – produced by Miss May I guitarist Justin Aufdemkampe (Clutch, War of Ages), mastered by Alberto De Icaza (Crobot, Zoey’s Extraordinary Playlist) and featuring artwork by Roman Ismaylov (Battle Beast, Beast In Black) – sees the new lineup for GRAVESHADOW continue to refine their enticing mix of symphonic, gothic, doom, and epic progressive-metal elements, now augmented by the newfound energy that has been brought into the band by the soaring melodic performance of new vocalist Rachl “Raxx” Quinn and the rumbling rhythm section of new bassist Luci Rae and new drummer Bones Padilla (formerly of labelmates Cultural Warfare). The returning guitar duo of William Lloyd Walker and Aaron Robitsch once again deliver a beautiful display of guitar histrionics that tastefully mixes searing shred with a warm melody. Graveshadow are back on the scene with a story to tell. Intertwining melodic highs and crushing lows to sweep listeners away on a journey of self-discovery, loss and the will to carry on.

The first taste of new music from “The Uncertain Hour” was unveiled in March 2022 with the music video for “Soldier of 34,” which can be viewed at https://youtu.be/qXDzhkfRjuM. The new lineup for GRAVESHADOW initially began to take form with the release of their May 2020 single “Gwynnbleidd.” Inspired by the Witcher series, the song showcased the return of the band with the debuts of Quinn and Rae, and can be heard here https://youtu.be/XrorDG70g3Q.

GRAVESHADOW‘s previous album, 2018’s “Ambition’s Price,” was given accolades by Metal Utopia for being “a great record with lots of great moments for fans of Nightwish and The Birthday Massacre.” Metal Nation praised “Ambition’s Price,” declaring that “GRAVESHADOW has taken what has become a somewhat complacent and stagnant style of metal and breathed fresh life into it, creating something vibrant and memorable.” The fantastical lyrical themes that were explored by the band on “Ambition’s Price” – their debut record for M-Theory Audio and the follow-up to the group’s incubatory 2015 debut full-length “Nocturnal Resurrection” – were applauded by critics and fans alike. The band followed the release of “Ambition’s Price” by winning over new audiences with extensive touring alongside bands such as Arkona, Sirenia, Exmortus, Night Demon, and Unleash The Archers.

Track Listing:​
1. Soldier of 34 (6:04)
2. Gwynnbleidd (4:18)
3. Sea of Apparitions (3:55)
4. The Swordsman (5:28)
5. Vengeance of Envy (3:57)
6. A Beautiful End (4:54)
7. The Betrayer (4:12)
8. Shadow Battles (4:19)
9. The Two Lived (6:45)
10. Damsel’s Finesse (7:05)
Album Length: 51:04
​

GRAVESHADOW/VINTERSEA Tour Dates:​
7/15 Barmageddon – Tulare, CA
7/16 The Viper Room – Los Angeles, CA
7/17 Brick by Brick – San Diego, CA with Helsott
7/19 Elbo Room Jack London – Oakland, CA
7/20 Old Nick’s Pub – Eugene, OR
7/21 Funhouse Seattle – Seattle, WA
7/22 Dante’s – Portland, OR
7/23 Cafe Colonial – Sacramento, CA

More information on GRAVESHADOW and the upcoming release of their new album, “The Uncertain Hour” will be revealed in the weeks to come by M-Theory Audio and at https://www.facebook.com/Graveshadow.

GRAVESHADOW is:
Rachl ‘Raxx’ Quinn – vocals
William Lloyd Walker – guitars
Aaron Robitsch – guitars/keyboards
Luci Rae – bass
Bones – drums
​
​VINTERSEA is:
Avienne – vocals
Riley Nix – guitars
Jorma Spaziano – guitars
Karl Whinnery – bass
Jeremy Spencer – drums

For more information:​
​www.m-theoryaudio.com​
​www.facebook.com/graveshadow​
​www.instagram.com/graveshadow​
​www.facebook.com/vintersea​
​www.instagram.com/vintersea​

– 30 –

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Rebel Priest – Lesson In Love (2022)

  • May 18, 2022
  • by Asher
  • · EPKs · Rebel Priest

EPK – Rebel Priest – Lesson In Love (2022)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com 

For fans of Motörhead, ZZ Top, Rose Tattoo, Deep Purple, LA Guns

EP Title: Lesson In Love
Release Date: June 24, 2022
Label: Batcave Records
Distribution: Batcave Records/Thundermoose Entertainment

“On this EP, we really tried to lighten it up and go back to the energy and feel that got us playing in the first place, music for and adventure or memory-making music! The soundtrack for that summer you’ll never forget or that time you did that thing and you’ll always think of it when you hear this song. It’s a feel-good and takes no prisoners combo at the same time!” – Rebel Priest

Batcaverecords.com | RebelPriestofficial.com | Facebook.com/rebelpriestofficial | Instagram.com/rebelpriestofficial | YouTube 

Rebelpriest.bandcamp.com | Spotify | Apple Music

The Rebel Wolff Tour w/ Rebel Priest and Dead Wolff​
June 24 – Vancouver, BC – Have A Good Laugh Festival. *Afternoon show – Deadwolff only
June 24 – Vancouver, BC – Lana Lous
June 27 – Maple Ridge, BC – The Wolf Bar
June 28 – Kamloops, BC – Pogue Mahones
June 29 – Kelowna, BC – Missions Tap House
June 30 – Lethbridge, AB – Theoretically Brewing
July 1 – Calgary, AB – The Palamino
July 2 – Edmonton, AB – Starlite Temple

“good time high energy rock that demands a beer in hand, sweat running down the back and smiles all around…. A combination of AC/DC, Guns n Roses and Motley Crüe would be how I’d describe them, with added Motörhead to bring more flame to the fire on occasion.” – The Razor’s Edge

“Pay attention for REBEL PRIEST’s Rock ‘n’ Roll homily, because as they preach Rock ‘n’ Roll with “Lost in Tokyo”, you’ll be converted to their hard Rock cult. 9/10” – Metal-Temple

“It’s such a blast of high-powered hard rocking energy, this a fun track (Lost In Tokyo) that will make you want to visit the city and get lost.” – Games, Brrraaains & A Head-Banging Life

“For fans of bands like Mötley Crüe and the like, Rebel Priest may be the right thing and if you are looking for dirty rock with beer-loving lyrics for a night of drinking, you will find it at Rebel Priest.” – Hellfire Magazin

“Rebel Priest stand for fast and hard rock ‘n’ roll. Three of the four songs are absolute party grenades and exude unbridled joy in playing. The EP Lost in Tokyo whets the appetite for more and then screams out live from the stage.” – Soundmagnet

“Lost In Tokyo (single) –  A crunching power packed snare drum punch comes crashing through as this shredding beast comes at us full on. Shredding guitar riffs are strewn all over this cranking monster as it ramps up the energy as this fantastic track gathers momentum and brings cool bass chords that deliver a plundering beat that combines well with this fantastic killer track.” – Jace Media

“This record is full of gritty, down ‘n’ dirty fun with a spiked metal grip” – Bravewords (R’LYEH HEAVY – 2019)

“A good Rotzrock Rundling let loose the REBEL PRIEST on the listener!” – My Revelations

“Reminded me of the early Iron Maiden Days” – Metal-Temple (R’LYEH HEAVY – 2019)

“This record is full of gritty, down ‘n’ dirty fun with a spiked metal grip” – Bravewords (R’LYEH HEAVY – 2019)

“Great stuff for cracking open a cold one and blasting down the highway at an illegal rate of speed” – Rebelx

[Download EP Cover | Download EP Lyrics]

EP Title: Lesson In Love
Release Date: June 24, 2022
Label: Batcave Records
Distribution: Batcave Records/Thundermoose Entertainment

Track Listing:
1. Lesson In Love (4:05)
2. Dïvebomber (5:01)
3. Coatcheck Girl (3:14)
4. Bonfire (1:47)
EP Length: 14:08

EP Recording Credits:
• All songs performed by:Rebel Priest
• All songs written by: Rebel Priest
• Produced by: Rene Garcia and Rebel Priest
• Mixed by: Rene Garcia
• Mastered by: Rene Garcia
• Album Artwork by: Angela Grimuzza
• Member of SOCAN
• Canadian Content (MAPL)

EP and Live Band Line Up:
Jayme Black – Vocals/Bass
Benny Kemp – Guitars/Vocals
Nate Pole – Drums/Vocals

======================================

The EP as a whole (LYRICALLY & MUSICALLY):

On this EP we really tried to lighten it up and go back to the energy and feel that got us playing in the first place, music for adventure or memory-making music! The soundtrack for that summer you’ll never forget or that time you did that thing and you’ll always think of it when you hear this song. It’s a feel-good and takes no prisoners combo at the same time!

Track by track (LYRICALLY & MUSICALLY):

1. Lesson In Love is a non-traditional ballad like a love song sung by a Tommy gun hahaha! It’s about the trials and tribulations of loving something and just going thru it, the ups and downs and spirals but without the direct subject being a person. It’s open-ended in that it is what you love or love doing and how it’s a journey that can always find a way home.

2. Dïvebomber is a speed rock song that came together as we were chatting about WW2 dogfights and how crazy it must have been, then we thought that nothing could be crazier than a dïvebomber so we picked up our instruments and it just bled out!

3. Coatcheck Girl is a song Nate wrote a while ago about working at nightclubs and how (most often) the woman working the door was the best looking lady in the place! It’s been in our set for a while now and is a staple for our live shows, I mean who isn’t ready to party when a song starts out with LET’S GO GET SOME BEER!

4. Bonfire is a song about the great Bon Scott and nods to his wicked wordplay and snarky attitude. He was a true original and nobody came close! With thundering drums and lightning strike guitars, this song is a punch to the gut just like how he lived his life!

======================================

STORY ANGLES / FUN FACTS ABOUT THE BAND:

1. Nate is an avid RC car enthusiast and has been working on cars his whole life. Benny has been practicing Muay Thai since the pandemic.

2. On a few different tours, I rolled under a moving semi-truck, Benny free galled out of a 40 ft tree hitting every branch on the way down, Nate broke his sticks and almost took out someone at front stage, Benny broke each of his knees on stage and finished the show. Once when we were on our way to play a show in Calgary, we got pulled over and when we got out, a bunch of whiskey bottles fell out and we convinced him that they were for candle holders.

Another time we were driving thru the Rockies and we got caught in a forest fire, landslide, tropical storm (with cars and trees getting blown over) and finally almost totaled by a moose, all on the way home.

3. The band name came from a Tombstone of a Canadian Shaman, it’s said “*redacted* he was a Rebel, he was a priest, he was the storm, this will not stop him”

4. The band started out with stage attire that was Manowar meets Iron Fist era Motörhead, which we dropped early on because only one person a show would remember the outfit making it look like we were taking turns dressing up like a caveman.

L-R – Jayme Black – Vocals/Bass, Nate Pole – Drums/Vocals, Benny Kemp – Guitars/Vocals

Rebel Priest is a no-nonsense, real-deal rock n’ roll band composed of three seasoned musicians who have been making their way through the Western Canadian rock n roll scene for years. Vocalist/bassist Jayme Black (Lust Boys, The Toxiks); guitarist/vocalist Benny Kemp (Lust Boys, Road Rash); and drummer/vocalist Nate Pole (Kill Matilda, The Toxiks) bring nothing but unadulterated, high energy grease infused Trash N’ Roll!

The band has had the pleasure of touring Japan, and performing alongside bands such as Udo (Accept), Lordi, Diamond Head, Crystal Pistol, Flotsam, and Jetsam along with playing many headlining gigs with the energy of Motorhead meets Motley Crue. Since forming in 2014, the band has released three studio albums “R’ley Heavy” (2019), Enabler (2017 ), Self-Titled (2015) along with one live record “Dead Alive @ SBC (2017).

Now in 2022, they offering up a slab of new music in the shape of a new EP “Lesson In Love” via Batcave Records/Thundermoose Entertainment on June 24th to follow their 2021 EP “Lost In Tokyo”. The forthcoming EP “Lesson In Love” is four tracks that ready’s fans to hear the band’s NWOTHM influences along with their brand of slurry heavy Rock n Roll.

Compared to last year’s EP “Lost In Tokyo”, which was written in Japan at the very end of 2019 about their adventures in the country, “Lesson In Love” takes a new avenue as they explain:

“On this EP, we really tried to lighten it up and go back to the energy and feel that got us playing in the first place, music for and adventure or memory-making music! The soundtrack for that summer you’ll never forget or that time you did that thing and you’ll always think of it when you hear this song. It’s a feel-good and takes no prisoners combo at the same time!”

Rebel Priest is recommended for fans of Guns n’ Roses, AC/DC and Motley Crue.

Rebel Priest is:
Jayme Black – Vocals/Bass
Benny Kemp – Guitars/Vocals
Nate Pole – Drums/Vocals

Discography:
2015 – Rebel Priest(self-titled) – LP
2017 – Enabler – LP
2019 – R’lyeh Heavy – LP
2021 – Lost In Tokyo – EP
2022 – Lesson In Love – EP

Tours and Festivals:
2019 – Kappunk Festival – Tokyo, Japan
2019 – Hank Von Hell – Vancouver, BC
2019 – Subhumans – Tokyo, Japan
2019 – Flotsam and Jetsam – Vancouver, BC
2018 – Diamond Head – Vancouver, BC
2018 – Dirkschneider (Accept) – Vancouver, BC
2018 – The Lazys – Vancouver, BC
2017 – Lordi – Vancouver – BC
2016 – La Chinga – Vancouver, BC

Music Placements:
2021 – Batwoman (TV Series) – season 2

Awards:
Whammy Award (Vancouver local music awards) for best rock two years in a row – 2017/18

0 THIRTEEN GOATS Serve Up A Platter Of Death Metal With “Return to Ruin” Off “Servants of the Outer Dark”

  • May 18, 2022
  • by Asher
  • · Music News · Thirteen Goats

NEWS RELEASE

Montreal, QC – May 18, 2022

​

Thirteen Goats Serve Up A Platter Of Death Metal With “Return to Ruin” Off “Servants of the Outer Dark”

Debut Album Out July 1st, 2022

L-R – Rob Fitzgerald (Guitars, Vocals), Graham K. Miles (Vocals, Guitars), Mike Redston (Bass, Vocals)

Photo Credit – Caitlin Delaplace​
​

Vancouver’s Thirteen Goats are inspired by classic American death metal acts like Deicide and Cannibal Corpse, and they have their feast of a debut album ready for discerning metalheads the world over. “Servants of the Outer Dark” is a sonic trip that winds down the most twisted sections of extreme metal’s memory lane on a journey to wicked new horizons. The band weaves together conventions from numerous extreme metal subgenres on songs that range from topical to tongue-in-cheek—some are overtly political, while others are about things like cooking and eating your enemies. The first single off the album is “Return to Ruin”, which vocalist/guitarist Graham K. Miles explains in detail:

“Return to Ruin came from a place of deep anger with a number of institutions and systems that I feel are failing the current generation—predominantly governments and large corporations that are waging war, both literally and economically, against everyday people around the world. From the widespread mismanagement of a global pandemic to increasing wealth inequality, an ongoing environmental crisis, a rising tide of political extremism, and now a new Cold War with Russia’s ongoing invasion of Ukraine, we are living in the midst of extremely dark times—and the people who are supposed to shepherd us through them seem to be leading us to the slaughterhouse instead of towards greener pastures.

“All of the current live band members have roots in Eastern Europe—we have one Ukrainian (me), two Russians, and an Armenian. But all of us are against the war and against people who use power unjustly. This song is intended to be a call to arms—a protest anthem that invites listeners to question authority figures and the systems they’ve set up, and to burn those systems down if they’re not working so we can start over with something better. Like we say in the lyrics: “Sacrifice the ones you’re serving; ask yourself what they’re preserving.”

Heavy, hooky, theatrical, and over-the-top, Thirteen Goats takes the standard death metal recipe and turns it on its head without sacrificing raw power. They liberally add flavours from a wide range of other metal subgenres including tech death, melodeath, brutal death metal, groove metal, thrash metal, black metal, and even grindcore, resulting in a well-blended and tasty layered sound that is approachable for any metalhead.

The album was produced by the band, mixed and mastered by Diego Fernandez-Trujillo, and the album artwork was done by Jeremy Famir. It is suggested for fans of Carcass, Cannibal Corpse, and Deicide.

The single “Return To Ruin” can be heard via its premiere on NoCleanSinging HERE.

The album “Servants of the Outer Dark” will be served up on July 1, 2022.

Album pre-order – https://thirteengoats.bandcamp.com​

Track Listing:​
1. Servant of the Outer Dark (5:48)
2. Challenge the Executioner (3:18)
3. Return to Ruin (4:11)
4. Prisoner’s Anthem (3:26)
5. Sub-Being (4:16)
6. Unholy Mass (4:41)
7. Constant Torment (3:30)
8. Vacuum-Induced Head Explosion (4:33)
9. Through the Meat Grinder… The Recipe (4:47)
Album Length: 38:34

Album Band Line Up:​
Graham K. Miles – Vocals, Lead & Rhythm Guitars
Rob Fitzgerald – Lead & Rhythm Guitars, Vocals
Mike Redston – Bass, Vocals, Acoustic Guitar

Live Band Line Up:​
Graham K. Miles – Lead Vocals, Lead & Rhythm Guitars
Rob Fitzgerald – Lead & Rhythm Guitars, Vocals
Bass – TBD
Drums – TBD

For more info:​
​ThirteenGoats.com​
​Facebook.com/THIRTEEN.GOATS​
​Twitter.com/THIRTEENGOATS​
​Instagram.com/thirteen.goats​

About:​
Eclectic, over-the-top, and just a little weird, THIRTEEN GOATS takes cues from some of extreme metal’s most infamous acts (Death, Carcass, Cannibal Corpse) to create a tongue-in-cheek blend of different genre hallmarks that’s as hooky as it is heavy. This ain’t your dad’s death metal, but we kept the best parts. Horns up!

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

 

0 EPK – Greber – Fright Without (2022)

  • May 18, 2022
  • by Asher
  • · EPKs · Greber

EPK – Greber – Fright Without (2022)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Unearthly Trance, Man is the Bastard, Black Sheep Wall, Primitive Man, Cult Leader

Album Title: Fright Without
Release Date: September 9, 2022
Labels:
VINYL, CD, Cassette – CANADA – Ancient Temple / Nofuneral
VINYL – USA – Hibernation Release
VINYL – EUROPE – 7 Degrees / Fresh Outbreak

Pre-order – Vinyl/Cassette/CD – https://linktr.ee/greber

Tour Dates:
Sept 9 – Jack Burger – Kitchener, ON
Sept 10 – Roti – Ajax, ON
Sept 16 – Turbo Haus – Montreal, QC
Sept 17 – House of Targ – Ottawa, ON
Oct 7 – Crafts Heads Brewing – Windsor, ON
Oct 14 – Doors Pub – Hamilton, ON
Oct 15 – Onyx – Guelph, ON

“For this record, I (Marc), would get some ideas into a skeletal structure via some computer demos and then send them off to Steve to hash out some general ideas. From there we just ran the Christ out of them in our jam space and they morphed accordingly. I still get amped on hearing how Steve perceives the stuff I bring to the table. It’s never the way I hear it in my head and I couldn’t be happier with the way that we’ve evolved together over the years. It’s easy to take it for granted, but it’s something that I wholeheartedly cherish and love the dude to no end.

A big difference between Fright Without and our last record, Cemetery Preston, was that there were a lot fewer revisions. I could all too easily drive myself insane with the “make-song-better” process and I found that over time it was way too much stress and I couldn’t cope with doing it at that level anymore. Maybe if there were some clear-cut and qualitative progress made visible by the madness I would have had a harder time with the divorce but I love what we did with this record and am glad we switched up our approach.

Fright Without is a handleless staircase that disorients as much as it overwhelms. Our testament to suffering and hope, balance and woe, heaven and here. With Kurt Ballou lending his abilities to the mix we’re beyond happy with how the final product came to sound and we hope that the listener finds it to be as much of an escape as they do a confrontation.” – GREBER

Facebook.com/grebermetal | Instagram.com/grebermetal

Greber.bandcamp.com | Greber.bigcartel.com

#10 Greber – The National Loud Chart For the Week Ending: Tuesday, October 11, 2022 (earshot)

“Greber is here to do one thing, and it’s throw aural punches. The band is now streaming their new single “Into Silence” alongside a new video directed by Torin Langen, both of which are as fantastic as they are disorienting.” – Metal Injection

“Crazed and raging, it reaches fever pitches of savage rampaging. But even in a song (Tree Carving) that barely clears the minute-and-a-half mark, Greber do what they always do — shift gears and contort moods, and electrify the music with constantly changing fretwork and drum patterns. Oh yes, these dudes know how to spin heads as well as traumatize them.” – NoCleanSinging

“the riffs that power Fright Without are frequent and come in a variety of forms. Whether it’s the sludgy plod on songs like “Larkinitis” and “Rats of Subversion” or the full grindcore assault on “Fabricated Purpose” or “Into Silence”, there’s a surprising amount of variety on the record, an attention to textural detail that belies the band’s instinctual approach. While the riff may not be the most important structural element to every Greber song, it’s nevertheless the thing that first grabs the listener’s attention” – Exclaim

“the band’s forthcoming fourth album, Fright Without which grows their combining of elements of punishing sludge, doom, grind and metallic hardcore into a frantic wall of sound that reminds as much of Swans, Napalm Death and Coalesce as it does Big Business, Burnt by the Sun and Painkiller.” – Decibel Magazine

“In short – listen to “Nosebleed” and you’ll very quickly get a feel for what Greber are all about… A wholly frantic and intense listen, Fright Without will probably leave you a little disorientated, but you will feel all the better for it.” – Everything Is Noise

“Chaotic force of nature Greber are set to return with their latest full-length offering Fright Without and they’re angrier and louder than ever. The band hit the listener with a furious wall of sound that sits somewhere between grindcore, sludge and hardcore….  another solid notch in the duo’s already impressive belt ” – Cave Dweller Music 

“It goes without saying that Fright Without is an intensely oppressive record, but given that it only spends half an hour trying to suffocate you it’s definitely worth letting it have a go. If you’re a fan of the bands mentioned at the top of this review (Mastiff, Helpless, and Yautja) you should have no disappointments here, and the two-piece dynamic actually ends up working in Greber’s favour in that it sets them apart at least a touch from an increasingly crowded scene of bands devoted so proudly and exclusively to misery and mire.” – Noob Heavy

“If you know me, you know that I wouldn’t normally be one for grindcore, or powerviolence. Consider me converted, and we have Greber to thank. Fright Without further asserts them as a unique and essential player in the subgenre. Their deranged, yet intelligent approach has culminated in something truly affecting, and pretty damn awesome.” – Angry Metal Guy

“Kind of a death/grind sound going on… heavy and in your face.” – The Mosh Pit 89.9 FM (Madison, WI)

#1 Loud February 2018 on The National Loud Chart (Cemetery Preston – 2018) (Earshot)

Highlight – #7 on The National Loud Chart – For the Week Ending: Tuesday, February 6, 2018 (Earshot) (Cemetery Preston – 2018)

Highlight – #5 on The National Loud Chart – For the Week Ending: Tuesday, January 30, 2018 (Earshot) (Cemetery Preston – 2018)

“Spawned from the former bassist of legendary grind band Fuck The Facts, Greber are a deadly sludge-grind two-piece. The band take a no-frills approach to metal, with a dark tone shooting back and forth between down-low grooves and harsh blasts of noise that underground metal fans will instantly latch on to.” – Alt Press (50 rising Canadian bands by province to keep on your radar)

“Greber​ offer up their latest slab of crushing sludge- and doom-laden grind with their new album, Cemetery Preston. The duo consist of bassist/vocalist Marc Bourgon​ (ex-Fuck the Facts) and drummer/vocalist Steve Vargas​ (The Great Sabatini), who create an exceptionally raw and visceral sound with their unique approach.” – Exclaim! (Cemetery Preston – 2018)

““Obliterating” is the word that comes to mind first in reflecting on this massive marauder. The vocals are raw and unhinged; the bass riffs are hard and heavy enough to reduce tall building to tiny piles of smoking gravel; and the tumbling, battering, bone-smashing qualitis of the changing drum rhythms are seriously attention-grabbing. There’s doom and blood-thirsty violence and a healthy dose of head-nodding compulsiveness in this genre-bending song, and I’m now slobbering to hear more from Greber.” – No Clean Singing (Cemetery Preston – 2018)

“Greber’s pursuit of intricate heavy music pays off immensely. “Cemetery Preston” will be one of the most unique and layered experiences of this year.” – The Sludgelord (Cemetery Preston – 2018)

““Backhanded Interest” for your aural perusal. It’s a no-face-unpunched collision of pressure cooked lactic acid low end tone and pounding at the inside of the coffin lid drumming with just enough feedback/noise to break up the gang hanging out in the doughnut shop parking lot.” – Decibel Magazine (Cemetery Preston – 2018)

“Greber lay down sludgey power violence, noise rock, and doom with authority here on their third full-length. And it’s no surprise this band delivers unique, passionate extremity.” – Bravewords (Cemetery Preston – 2018)

“Greber has certainly created their own sound with Cemetery Preston. A medley of differing metal styles delivered in bitter fashion. The duo bring an level of intensity that walks a tight line between sludgy riffs, grinding drum beats & wild hardcore style vocals.” – Games, Brrraaains & A Head-Banging Life (Cemetery Preston – 2018)

“Greber have released one hell of a record in the form of Cemetery Preston” – Sputnik Music (Cemetery Preston – 2018)

“Cemetery Preston, their third album proper, saves its blast beats for punctuation amid its predominantly prowling tempos, harkening back to the fact that even the genre’s originators didn’t go full tilt on every track” – New Directions in Grindcore – Bandcamp Daily (Cemetery Preston – 2018)

“They tick all the required boxes and right from the offset of opener ‘Backhanded Interest’ they go for the knock-out punch. A fist in your face. This unrelenting violence continues for the entire duration of the album, nowhere do they give the listener a chance to breathe. After the last tones of ‘The Closer We Got’ you’ll have been beaten into a pulp.” – Lords of Metal (Cemetery Preston – 2018)

“On Cemetery Preston, Greber have produced some of the heaviest, super-massive black hole music, this side of Unearthly Trance.” – Hellbound (Cemetery Preston – 2018)

==========================================

BAND STORY ANGLES / FUN FACTS:

1. Not really OUR story to have but we were 2/3’s of its cast and it was so unspeakably horrible that we have the right to spin the yarn of our Tugnut 2006 Canada/USA tour. Bright-eyed and bushy-tailed, Steve and I’s old band, Tugnut got set to embark upon a 2 and a half month tour across the United States and Canada. It started out as only 2 months and grew into 2 and a half when Steve and I realized that his first show that he had booked in Vancouver (our first show back across the border into Canada) was 2 weeks AFTER our Seattle show. (Steve was booking the Canadian shows and I was booking the US ones) After the discovery was made a frantic last-minute jaunt through the big sky regions of the upper midwest began with little success. We played roughly 42 shows in 72 days. With over HALF of the days of tour being off we defaulted to sitting in whichever mall/McDonalds was the most hospitable and playing Gin Rummy for LITERALLY DAYS. DAYS!!! We ran out of money as we rolled into Vegas and everything went onto my credit card after that. Our van was broken into while we were asleep in Asheville which resulted in yours truly chasing down the thief and getting our merch bags back. Sleeping in Walmart parking lots and watching our sanity drip out our ears the onslaught of hardships were endless. I don’t think any of us would have traded that experience for anything.

2. So we played Plan B in Moncton one night and were graciously put up by a fellow rock and roller. He left his apartment to our care and said “There’s some weed over there if you guys want”. Marc pulled out his high school skills and rolled a phat joint for us to blaze. We got smonked, found an N64 and anticipated a sick night of Goldeneye. Who knows how long we tried to set it up (could have been 5 minutes, could have been 45 minutes) before deciding to watch TV. I think it was Lethal Weapon on TV but again who knows how long it took before we realized we weren’t hearing voices in our heads and that it was an assisted audio program. It was very good weed. The End.

[Download Album Cover | Download Album Lyrics]

Album Title: Fright Without
Release Date: September 9, 2022
Labels:
VINYL, CD, Cassette – CANADA – Ancient Temple / Nofuneral
VINYL – USA – Hibernation Release
VINYL – EUROPE – 7 Degrees / Fresh Outbreak

Track Listing:
1. FORM (2:21)
2. AGING DEBT (2:22)
3. FABRICATED PURPOSE (3:43)
4. INTO SILENCE (2:59)
5. BUSH CORD OF ENTRAILS (1:56)
6. LARKINITIS (3:25)
7. DARK CORNERS (2:34)
8. RATS OF SUBVERSION (4:52)
9. NOSEBLEED (3:05)
10. TREE CARVING (1:33)
Album Length: 28:55

Album / Single Recording Credits:
• All songs performed by: Steve Vargas and Marc Bourgon
• All songs written by: Greber
• Recorded by: Sean Pearson at Boxcar Studios in Hamilton, Ontario
• Mixed by: Kurt Ballou at Godcity in Salem, Massachusetts
• Mastered by: Brad Boatright at Audiosiege in Portland, Oregon
• Album Artwork by: Main Artwork by Marcos Guinoza / Text and Layout by Youth and Rust
• Member of SOCAN
• Canadian Content (MAPL)

Album Band Line Up:
Steve Vargas – Drums, Vocals
Marc Bourgon – Bass, Vocals
Kevin Keegan – Vocals and Lyrics on Fabricated Purpose
Scott Miller – Vocals and Noise on Bitchin’ Shades
Mathieu Vilandre – Guitar on Larkinitis
Kàrhozat – Noise on Dark Corners
Sean Pearson – Noise on Fistful of Cancon Dollars

Live Band Line Up:
Steve Vargas – Drums, Vocals, Lights
Marc Bourgon – Bass, Vocals

Photo by Austin Gibson
Editing by Youth and Rust
Left to Right – Steve Vargas – Drums and Vocals, Marc Bourgon – Bass and Vocals

Henry Miller wrote one of the great truths of life when he said “All growth is a leap in the dark, a spontaneous unpremeditated act without the benefit of experience.”

Such a quote could describe bass-and-drums duo Greber, save that with past and present members of Fuck the Facts and The Great Sabatini, they have a great wealth of experience to bring to the table. Inspired by the truly great bands like Neurosis and Propaghandi, but inspired not to slavishly imitate what they have already created, but to forge their own sound, to blaze new trails. To look out at the world that surrounds us and reflect what they see truthfully; as though holding up a mirror to the darkness in the hope of reflecting a glimmer of light.

They truly have gazed into the abyss and put to music what they see there; their music has huge depths and they have none of the limitations that plague so many bands. They truly are their own beast and they truly have their own sound.

Since forming in 2008, Greber has released three well-received full-length albums, four 7″ inch split singles, a split cassette with Minors, and a 4-way split LP with Cell Press, Anthesis, and Botfly along with countless shows across Eastern Canada.

As if they were morphing into a single entity, Drummer Steve Vargas and bassist/vocalist Marc Bourgon have made Greber into their own unique entity, something as important to the duo as food and air.

Now in 2022, Greber will release their new album ‘Fright Without’, with a collaboration between Ancient Temple / Nofuneral (Canada) (Vinyl, CD, Cassette), Hibernation Release (USA) (Vinyl), 7 Degrees / Fresh Outbreak (Europe) (Vinyl) with digital download directly from the band.

“For this record, I (Marc), would get some ideas into a skeletal structure via some computer demos and then send them off to Steve to hash out some general ideas. From there we just ran the Christ out of them in our jam space and they morphed accordingly. I still get amped on hearing how Steve perceives the stuff I bring to the table. It’s never the way I hear it in my head and I couldn’t be happier with the way that we’ve evolved together over the years. It’s easy to take it for granted, but it’s something that I wholeheartedly cherish and love the dude to no end.

A big difference between Fright Without and our last record, Cemetery Preston, was that there were a lot fewer revisions. I could all too easily drive myself insane with the “make-song-better” process and I found that over time it was way too much stress and I couldn’t cope with doing it at that level anymore. Maybe if there were some clear-cut and qualitative progress made visible by the madness I would have had a harder time with the divorce but I love what we did with this record and am glad we switched up our approach.

Fright Without is a handleless staircase that disorients as much as it overwhelms. Our testament to suffering and hope, balance and woe, heaven and here. With Kurt Ballou lending his abilities to the mix we’re beyond happy with how the final product came to sound and we hope that the listener finds it to be as much of an escape as they do a confrontation.” – GREBER

“Fright Without” is due out September 9, 2022.

(bio written by Steve Earles)

Greber is:
Steve Vargas – Drums, Vocals, Lights
Marc Bourgon – Bass, Vocals

Album Band Line Up:
Steve Vargas – Drums, Vocals
Marc Bourgon – Bass, Vocals
Kevin Keegan – Vocals and Lyrics on Fabricated Purpose
Scott Miller – Vocals and Noise on Bitchin’ Shades
Mathieu Vilandre – Guitar on Larkinitis
Kàrhozat – Noise on Dark Corners
Sean Pearson – Noise on Fistful of Cancon Dollars

Shared The Stage With:
Yautja, Wake, The Great Sabatini, Alaskan, Homewrecker, Malevich, Meek is Murder, Enabler

Endorsements:
Steve Vargas (drums, vocals) endorsed by Los Cabos Drumsticks
Marc Bourgon (bass, vocals) endorsed by Egan Bass Guitars

Discography:
2010 – Hometown Heroin – LP
2012 – Split 7” with Proletar
2013 – Split 7” with Hiroshima Vacation
2014 – Kiln Hardened Psalms – LP
2016 – Split 7” with Anthesis
2018 – Cemetery Preston – LP
2018 – Split 7” with The Mighty Megalodon
2019 – Split Cassette with Minors
2021 – 4-way split LP with Cell Press, Anthesis and Botfly
2022 – Fright Without – LP

0 Canada’s MY HOLLOW Shares Hell Or High Water Guitar Solo Playthrough via TechnicalMusicReview

  • May 17, 2022
  • by Asher
  • · Music News · my hollow

NEWS RELEASE

Montreal, QC – May 17, 2022
​

Canada’s MY HOLLOW Shares Hell Or High Water Guitar Solo Playthrough via TechnicalMusicReview

“Fighting The Monsters” Out Now!

​
​
L-R Angelo Giammattolo – Drums, Sean De Faria – Bass, Graham Gaudreault – Vocals, Greg Gallagher – Guitar, Matt Williams – Keyboards,
(not pictured in photo) Danio Pirrone – Guitar
Photo Credit – Brett Teskey
​

This past April, Toronto’s My Hollow marked their return to the Canadian metal scene with the release of their new EP “Fighting The Monsters”, which features guest vocals from Bjorn ‘Speed’ Strid (Soilwork). The band supported the EP with the very loved puppet video “Vultures” and a cartoon for the EP’s title track. The new record boasts the heaviest music that they have written along with the addition of keyboards to add a new layer of epic melodies.

With a cohesive mix of epic riffs, today the band is sharing their solo playthrough for “Hell Or High Water” played by guitarist Danio Pirrone. The guitar parts for the song were originally written by bassist Sean De Faria.

Watch the shred via Technical Music Review HERE.

My Hollow started via the internet many years ago and has had some lineup changes since then. As they have matured, so has the music and they are excited to share their latest version of themselves with the world. The band expects newer fans, as well as established ones, will be able to find tangible qualities to enjoy about the new EP. The new tunes don’t stray too far from their back catalogue, but they do possess more of a mature approach to the songwriting. The addition of keyboardist Matt Williams has also added a new dimension to the My Hollow sound. The band is suitable for fans of modern metal, especially those with a penchant for Fit For An Autopsy, Gojira, and Lamb of God.

“Fighting The Monsters” was released on April 8th and available on all digital platforms including https://myhollow.bandcamp.com​

Puppet Music Video – Vultures – https://youtu.be/aExduk_8XPg​

Cartoon Music Video – Fighting The Monsters ft. Björn Strid (Soilwork) – https://youtu.be/nD_lQgx1zYs​

​
​Track Listing:​
1. Vultures (4:59)
2. Fighting The Monsters ft. Björn Strid (Soilwork) (4:19)
3. Hell Or High Water (6:26)
4. Faded Through (5:17)
5. The Iron Harvest (4:40)
EP Length: 25:41

EP Recording Credits:​
• All songs performed by: My Hollow
• All songs were written by: My Hollow
• Produced by: Greg Gallagher and Sean De Faria
• Mixed by: Tyler Williams @ Monolithic Productions
• Mastered by: Tyler Williams @ Monolithic Productions
• Album Artwork by: Jennifer White
• Canadian Content (MAPL)

EP Recording and Live Band Line Up:​
Graham Gaudreault – Vocals
Angelo Giammattolo – Drums
Greg Gallagher – Guitar
Danio Pirrone – Guitar
Sean De Faria – Bass
Matt Williams – Keyboards

For more info:​
​Myhollow.ca​
​Facebook.com/myhollowband​
​Twitter.com/my_hollow​
​Instagram.com/myhollow​
​
​About:
hollow: (1) a place or area that is lower than the area around it.
(2) an empty space inside of something.

The definitions of the word hollow describe My Hollow fittingly. With intense riffs and passages seamlessly giving way to lower, heavier parts in a lock-up, chunked out style with mutes leaving empty space in an otherwise chaotic sequence.

Based out of the Toronto area, My Hollow boasts a cast of independent metal journeymen, hungry to be heavier, tighter and more engaging with every song. Applying advice and drawing experience from performing alongside some of Canada’s biggest metal exports; The Agonist, Cryptopsy, Threat Signal, Beneath The Massacre among others. My Hollow as a whole can draw from a multitude of influences, not only from metal but from other genres as well, reflected in both their recorded releases as well as their live performance. Described by Danish webzine Power Of Metal as “five pissed off Canadians ready to tear my head off!” As well as “all the subtlety of a two-ton anvil slamming down on a set of pearly whites” by US based heavy metal blog, Heavy Metal Time Machine.

My Hollow has two official releases, 2012’s ‘Cold Dark Days EP’ featuring four demo versions of songs which were reworked and reimagined on 2014’s ‘On Borrowed Time’ full length release featuring My Hollow’s most refined and focused work to date.

Like any band, My Hollow has had its highs and lows. Being selected as a finalist for the annual Wacken Metal Battle Canada 2013 solidified My Hollow as one of Toronto’s, as well as Canada’s top metal acts and announced themselves to a broader spectrum of listeners. Although narrowly missing out on a spot to perform in Germany at heavy metal’s premier festival the experience proved to strengthen the bands resolve and galvanize their confidence in the process.

While the band’s recorded releases give the listener an idea of what My Hollow is about, the live performance is where My Hollow truly shine. “With a crushing wave of energy, and sound, My Hollow filled the venue with their effervescent presence. The lads never disappoint on stage,” is how Toronto based metal publication Metal Master Kingdom described their experience.

With a new EP “Fighting The Monsters”, which includes guest vocals from Bjorn Strid (Soilwork) due out in 2022 and an ever-evolving sound and live performance, My Hollow strive to become an ever-present staple in the Canadian and global metal scene and will stop at nothing to leave you hollow, and wanting more.

Discography:
2022 – Fighting The Monsters (EP)
2020 – iSolation (Single)
2018 – And Now We Fall (Single)
2015 – On Borrowed Time (LP)
2013 – Cold Dark Days (EP)

Shared Stage with:
The Agonist, Beyond Creation, Cryptopsy, Soilwork, Unearth, Battlecross, Fit For An Autopsy, Wretched, War Of Ages, SkullFist, Neck Of The Woods, Operus, Kill Devil Hill, Vital Remains, Warbringer, Beneath The Massacre. As well as (relatively) local bands: Insurrection, Centuries Of Decay, Sludgehammer, Astaroth Incarnate, BornBroken, Lutharo, Tortured Saint, Burning The Day.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

Unsubscribe | Update your profile | Montreal, QC

Built with ConvertKit

0 Bravewords Premiere – Get Educated With REBEL PRIEST’s Rock N’ Roll Music Video “Lesson In Love”; New EP Out June 2022 + West Coast Canadian Tour Dates

  • May 17, 2022
  • by Asher
  • · Music News · Rebel Priest

NEWS RELEASE

Montreal, QC – May 17, 2022

​

Get Educated With REBEL PRIEST’s Rock N’ Roll Music Video “Lesson In Love”

New EP “Lesson In Love” Out June 24th

West Coast Canadian Tour Dates w/ Deadwolff

L-R – Jayme Black – Vocals/Bass, Nate Pole – Drums/Vocals, Benny Kemp – Guitars/Vocals

Vancouver’s Rebel Priest has been bringing its eclectic brand of rock n’ roll to fans for years in a true unadulterated, unapologetic fashion. A little bit greasy, a little bit sassy, but 100% committed, they have released four records, with a fifth on its way this year. “Lesson In Love” is the name of the upcoming EP as well as the first single, an untraditional ballad, like a love song sung by a Tommy gun. According to the band, it’s about going through the trials and tribulations of loving something – the ups, the downs, the spirals, but without the direct subject being a person. The band explains further:

“It’s open-ended in that it is what you love or love doing and how it’s a journey that can always find a way home. There’s always that one thing in your life that keeps you going, a person, a hobby, a theology. No matter what your vice is, it always comes at a price. You have to go through the blood, sweat, and tears to get what you need outta it and it doesn’t always come easy. This is your education, your lesson in love.”

When people put on the new record, Rebel Priest intends for them to forget about everything else, take a break from the grind, and get pumped! Whether you’re working out, going out, or down and out, put it on and play it loud! Get into it and go wild! Their music is fluid, they find a riff and then follow it where it wants to go. They say it’s just about finding the groove and cruising the wave.

Rebel Priest is headed out on tour with Toronto’s Deadwolff this summer, and spectators are in for a rock n roll treat – guitarist/vocalist Benny Kemp is the embodiment of a denim tornado; that guy will (and has) break his legs to party on stage! Drummer/vocalist Nate Pole is a groovin’ attitudn’ mean machine behind the drums that will sometimes make a wood chipper look like a pencil sharpener on those skins. As for vocalist/bassist Jayme Black, he’s a bit of a mouthpiece and likes his bass real gritty.

The trio just wants to bring rock n roll back to street level, when it was outlaw music for the underdog, so expect a greasy, sweaty, down and dirty rock show. They are recommended for fans of Motörhead, ZZ Top, and Rose Tattoo.

The music video “Lesson In Love” can be seen and heard via its premiere on Bravewords HERE.

The EP comes out on June 24, 2022 via Batcave Records.

​RebelPriest.bandcamp.com, Spotify​

Track Listing:​
1. Lesson In Love (4:05)
2. Dïvebomber (5:01)
3. Coatcheck Girl (3:14)
4. Bonfire (1:47)
EP Length: 14:08

The Rebel Wolff Tour w/ Rebel Priest and Dead Wolff​
June 24 – Vancouver, BC – Lana Lous
June 27 – Maple Ridge, BC – The Wolf Bar
June 28 – Kamloops, BC – Pogue Mahones
June 29 – Kelowna, BC – Missions Tap House
June 30 – Lethbridge, AB – TBA
July 1 – Calgary, AB – The Palamino
July 2 – Edmonton, AB – Starlite Temple

For more info:​
​Batcaverecords.com​
​Rebelpriestofficial.com​
​Facebook.com/rebelpriestofficial​
​Instagram.com/rebelpriestofficial​

About:​
Rebel Priest is a no-nonsense, real-deal rock n’ roll band composed of three seasoned musicians who have been making their way through the Western Canadian rock n roll scene for years. Vocalist/bassist Jayme Black (Lust Boys, The Toxiks); guitarist/vocalist Benny Kemp (Lust Boys, Road Rash); and drummer/vocalist Nate Pole (Kill Matilda, The Toxiks) bring nothing but unadulterated, high energy grease infused Trash N’ Roll!
​
The band has had the pleasure of touring Japan, and performing alongside bands such as Udo (Accept), Lordi, Diamond Head, Crystal Pistol, Flotsam, and Jetsam along with playing many headlining gigs with the energy of Motorhead meets Motley Crue. Since forming in 2014, the band has released three studio albums “R’ley Heavy” (2019), Enabler (2017 ), Self-Titled (2015) along with one live record “Dead Alive @ SBC (2017).
​
Now in 2022, they are offering up a slab of new music in the shape of a new EP “Lesson In Love” via Batcave Records/Thundermoose Entertainment on June 24th to follow their 2021 EP “Lost In Tokyo”. The forthcoming EP “Lesson In Love” is four tracks that ready’s fans to hear the band’s NWOTHM influences along with their brand of slurry heavy Rock n Roll.
​
Compared to last year’s EP “Lost In Tokyo”, which was written in Japan at the very end of 2019 about their adventures in the country, “Lesson In Love” takes a new avenue as they explain:
​
“On this EP, we really tried to lighten it up and go back to the energy and feel that got us playing in the first place, music for and adventure or memory-making music! The soundtrack for that summer you’ll never forget or that time you did that thing and you’ll always think of it when you hear this song. It’s a feel-good and takes no prisoners combo at the same time!”
​
Rebel Priest is recommended for fans of Guns n’ Roses, AC/DC and Motley Crue.

– 30 –

​

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

Unsubscribe | Update your profile | Montreal, QC

Built with ConvertKit

0 Rockshots Records Signs SilentLie For New Album “Equilibrium” Out September 2022

  • May 17, 2022
  • by Asher
  • · Music News · SilentLie

NEWS RELEASE

Montreal, QC – May 17, 2022

​

Rockshots Records Signs SilentLie For New Album “Equilibrium” Out September 2022

RockshotsRecords is proud to announce their latest signing of Italian melancholic metallers SilentLie for the release of their sophomore full-length “Equilibrium” this coming September to follow 2015’s “Layers of Nothing”.

Always drawn to the dark side of emotions, “Equilibrium” proceeds along this path. It stands on modern heavy tones and an obscure mood that can be compared to bands like Ghost, Ozzy Osbourne, and The Cure. Spreading their dark wings, drums, and bass, SilentLie builds a wall of sound on which the guitars dance with tombstone keys while a powerful female voice embraces the listener with gritty, but catchy melodies. Many of the songs on the album, thematically, deal with the eternal struggle between good and evil, with lyrics introspective and personal. There’s a maturity to the music that acts as a pendulum swinging between 80s liquid verses and gloomy, almost doomy, parts.

“Our first EP, “Blood Under Snow” was a collection of five obscure and atmospheric tracks, while our first full length “Layers of Nothing” featured dark/gothic influences with some old fashioned Sabbath riffing. The new material on ‘Equilibrium” reveals a more focused sound with a blasting production. It’s deep, heavy, and gritty with a dark outline. It’s a collection of 10 heavy songs, a journey in the dark without fear.” adds the band.

“Equilibrium” was mixed in the U.S.A. by Grammy Award winner Dave Hagen at Dark Horse Studios (Mastodon, Evanescence, Alice in Chains). The album is due out on September 30th.

Digital pre-save – https://bfan.link/equilibrium1​

About:

SilentLie was formed in Trieste, Italy in 2005. In 2007, they recorded “Behind My Face”, a demo that gave the band several opportunities. In 2008, the song “Silence of Your Mind” appeared on two compilations: The Funeral Vol.2 (for the American label 272 Records) and Maximum Rock Attack (for the Magazine Maximum Rock).

In 2009, the song “River Of Torments” was part of the Blood Sisters film soundtrack, from which a video was also extracted. In 2013, the band released the EP Blood Under Snow, a collection of five obscure and atmospheric tracks and in the same year, the video of the single “Regret” was filmed. In 2015, the debut full-length album “Layers Of Nothing” was released by Bakerteam/Scarlet records, later followed by the video of the title track. The album featured dark/gothic influences with some old-fashioned Sabbath riffing. After a hiatus due to personal reasons, SilentLie returned in 2021 to begin work on their second album to be mixed at Dark Horse Studios in the USA by the Grammy Award-winning Dave Hagen. The new material reveals a more modern and focused sound with a blasting production, but SilentLie still holds its identity: deep, heavy, and gritty with a dark outline.

 

For more info:​
​https://www.rockshots.eu​
​https://www.facebook.com/silentlieband​
​https://www.instagram.com/silentlieband​
​https://www.twitter.com/silentlieband​

​

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Dead Velvet – Lonely Wreck (2022) (single)

  • May 16, 2022
  • by Asher
  • · Dead Velvet · EPKs

EPK – Dead Velvet – Lonely Wreck (2022) (single)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Deftones, Stray From The Path, Korn, Limp Bizkit, Emmure 

“We think Lonely Wreck is a great follow-up to our first single The Dogs. We have recurring themes throughout our songs, kind of like a set of ingredients that we use to cook our tracks with. Even though we’re a new band, people who’ve heard us before will definitely know it’s DV when they hear this new song. As for the music video, death is once again a big part of the imagery, but instead of us being murdered, this time we focused on an individual struggling with addiction and the depression that comes with it who, eventually, loses control of his life and contemplates suicide.” – Dead Velvet

Single Title: Lonely Wreck
Release Date: May 13, 2022
Label: Self-Release
Distribution: Distrokid

Facebook.com/deadvelvetmtl | Instagram.com/deadvelvetmtl | YouTube

Digital Streaming Platforms – https://distrokid.com/hyperfollow/deadvelvet1/lonely-wreck

L-R – Stretch (Guitar),  Jesse (Vocals), Corey (Bass), Tylor (Drums)
Photo Credit – Joe Lyko – Dark Moon Productions

Based out of Montreal, Quebec, Dead Velvet is a metal band formed in 2021. Striving to serve up their own poetic blend of atmospheric chaos, dirty grooves and emotional turmoil, they are set out to provide provocative, intense, no bullshit performances. Pulling in influences from multiple genres including nu-metal, hardcore, hip-hop and everything in between, they are sure to make you move your feet. Their first single “The Dogs”, recorded with Maxime Lacroix of House Of Gain studios, was released in early 2022 and just a few months after, they are ready to present their second introductory single “Lonely Wreck”. With a multitude of other bone-crushing tunes in the works, Dead Velvet are making their way to a stage near you.

BAND STORY ANGLES / FUN FACTS:

1. Originally, the band was called Gorilla Finger. I was playing the game Would You Rather on someone’s phone and the question was “Would you rather finger a gorilla or have a gorilla finger you?”, and I found the words “gorilla” and “finger” so phonetically pleasing together. It sounded really funky but after asking several people what they preferred between the two names, we eventually decided to go with Dead Velvet. I didn’t want to let the name Gorilla Finger go but Dead Velvet really grew on me. – Stretch – Guitar

2. In 2016 our drummer Tylor and bassist Corey were starting a band called “ Act On Impulse” and they actually hit me up to be their vocalist, I was definitely interested in the project and wanted to jam with them but I was already in two projects at the time, one being Junkowl in the early stages of its creation and because of my schedule I didn’t have the time. Fast forward 5 years and I saw Dead Velvet forming and saw a couple Instagram stories of them playing and honestly thought to myself “Damn I wish I was a part of this project” and then not long after  Tylor sent me a message saying they were looking for a vocalist, they sent me two tracks at like midnight and I was so stoked and inspired by the music that I wrote the lyrics for both of them that night and recorded vocals the next day in my kitchen. We jammed a couple days after that and it’s been nothing but good times ever since. – Jesse – Vocals

3. I came up with my own tuning that we use for all our songs. Different tunings inspire different riffs and I wanted to have a new approach when writing for this band. I also had to figure out a way to make all the weird guitar parts more playable. – Stretch – Guitar

[Download Single Cover | Download Single Lyrics]

Single Title: Lonely Wreck
Release Date: May 13, 2022
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Lonely Wreck

Single Recording Credits:
• All songs performed by: Dead Velvet
• All songs written by: Dead Velvet
• Produced by: Dead Velvet
• Mixed by: Maxime Lacroix
• Mastered by: Maxime Lacroix
• Single Artwork by: Dead Velvet
• Member of SOCAN
• Canadian Content (MAPL)

0 NoCleanSinging Premiere – Our Dying World Dive Out Of Their Comfort Zone With “Veil Of The Reaper”; New Album “Hymns Of Blinding Darkness” Due Out June 24th

  • May 16, 2022
  • by Asher
  • · Music News · Our Dying World

NEWS RELEASE

Montreal, QC – May 16, 2022

​

Our Dying World Dive Out Of Their Comfort Zone With “Veil Of The Reaper”

New Album “Hymns Of Blinding Darkness” Due Out June 24th

Photos Credit – Jamie Kaufman

L-R – Austin Mitrofanis (Guitar), Graham Southern (Keyboards and Orchestration), Tom Tierney (Drums), David Ainsworth (Vocals), Raymond Sanchez (Guitar), Nick Laux (Bass)

​
​“Veil Of The Reaper” is the final song on Our Dying World’s upcoming album “Hymns of Blinding Darkness”. The song starts immediately – pounding double bass and guitars flood the soundscape as the first verse comes in. Over the course of the track, vocalist David Ainsworth tells us of the process of dying complimented by beautiful leads, gang vocals, dueling solos, and melodies culminating in a catchy melodic chorus. This song touches on every element that makes a great melodic death metal song and goes on to add a rough and heavy breakdown, forsaking orchestration along with heavy and grueling riffs that are reminiscent of their first album “Expedition”. The band shares their thoughts on the new single:

“It was the song that pushed us all out of our wheelhouse and got us to a new level of being comfortable with the level of musicianship in the band. The solos and leads in the songs are easily the hardest we’ve ever pulled off as a group. When we heard where the leads and solos were taking us, we decided to give this song an all-or-nothing approach, so we threw everything we possibly could into it to showcase where we’re going with this new lineup and the levels of the players in it. We wanted to also show the difference of the last record, which was considerably more death metal oriented, to the melodic direction we’re taking.”

For Our Dying World, the atmosphere is extremely important to how their music is written, and Graham Southern, who handles keyboards and orchestration, is well versed in taking all the feelings and ideas from the band and making them socially accessible. This is especially important in “Veil Of The Reaper”, which touches on subjects of loss, missing loved ones, and inspiring figures.

The band calls their previous release ‘primitive’ in comparison to what is in front of them now. The addition of keys and orchestral elements has pushed them into a new and specific field of metal that to them, feels like the realm they were intended to be in. This new direction for the band will be a welcome one among metalheads who are interested in Nightwish, Lamb Of God, and Wintersun.

“Veil Of The Reaper” can be seen and heard via its premiere on NoCleanSinging HERE.

The album “Hymns Of Blinding Darkness” is being released on June 24, 2022.

Album pre-order at https://ourdyingworld.com/music/​

Album Teaser – https://youtu.be/e2gQomH-a3w

In additional news, Our Dying World will be hosting their album release show on July 9th at Stages in Santa Ana, CA. They will be joined by Wacken Metal Battle USA 2022 champions Mythraeum along with some of LA’s finest metal bands including Consciously Dying, Hydera, Anubis, Disrupted Euphoria, and Hvile I Kaos. Full details here.​

Track Listing:​
1. Ads Moriendi (1:46)
2. Everything We Know Is Gone (4:42)
3. Under The Hunter’s Blade (7:33)
4. Survivor (7:32)
5. Path Of The Nomad (4:58)
6. Diary Of A War Dog (6:31)
7. Valediction (1:50)
8. Veil Of The Reaper (4:37)
Album Length: 39:32

Album Credits:​
– All songs written and performed by Our Dying World
– Produced, Mixed, and Mastered by Alex Crescioni at Stygian Sound
– Album Artwork by Nick Laux
– Album Band Lineup:
David Ainsworth – Vocals
Raymond Sanchez – Guitar
Austin Mitrofanis – Guitar
Graham Southern – Keyboards and Orchestration
Nick Loxx – Bass
Tom Tierney – Drums

For more info:​
​Facebook.com/ourdyingworld​
​Instagram.com/ourdyingworld​
​Twitter.com/ourdyingworld11​

About:

Over the last few years, Los Angeles’s Our Dying World has gone through a tremendous evolution of sound from thrashy death metal of their debut EP Expedition to the symphonic and melodic keyboard-oriented stylings of bands like Children Of Bodom, Nightwish, and Dimmu Borgir.

Formed in 2018 by drummer/guitarist Tom Tierney (ex-Whiplash), the group has played shows all over the USA in their short time together, bringing their sound from the fabled Sunset Strip in Hollywood to the New Jersey Metalfest where they opened for Metal Mike of Halford.

One thing is clear from the young band as they prepare for the release of their second release; they’ve come to stir the standards that hold the metal scene and redefine them.

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Bravewords Presents BRUTTA (Athemon, Ex-Haken) Brutal Self-Titled Single Off Upcoming Debut Out June 2022

  • May 16, 2022
  • by Asher
  • · Brutta · Music News

NEWS RELEASE

Montreal, QC – May 16, 2022

​

Bravewords Presents BRUTTA (Athemon, Ex-Haken) Brutal Self-Titled Single Off Upcoming Debut Out June 2022

L-R: Gledson Gonçalves (drums) | Adriano Ribeiro (guitars and vocals) | Tom MacLean (bass)
Photo credit: Gledson and Adriano: Felipe Rinke. Tom: self-taken photo

Brutta out of São Paulo, Brazil, and the UK featuring the trio of Adriano Ribeiro (Athemon) (guitars, vocals), Tom MacLean (Athemon, ex-Haken) (bass), and Gledson Gonçalves (drums) are fresh, eager and ready to melt the faces off metalheads around the world. They have their debut self-titled album coming out this June, which is a formidable introduction to this new band of seasoned, professional musicians. Right now, the band is streaming the title track off the album via its premiere on Bravewords HERE.

The opening track on the full-length, it’s about letting yourself be transformed by Brutta’s aggressiveness, and admiring its uniqueness while being taken over by the transformation process. Brutta is what everyone will become, so watch out! The band explains further:

“We treasure this song a lot, as it was one of the first composed by us. It has an open evil chord followed by an explosion blast beat with a heavy bass seal. It’s the sound that never stops providing you with madness energy! The song is direct and precise. From its wicked atmosphere and obscure melody lines, we believe fans will be very curious about what’s to come!”

What follows after the title track is a high-speed, onslaught of blackened death metal spanning eight tracks, which is at times tense, occasionally experimental, but always heavy. The lyrics on the record come from human behaviour interests, especially its darker angles. Themes such as emptiness, hatred, and anxiety as well as religion and how it affects individuals.

According to Brutta, they believe fans will dig the sound, as it’s very original and consistent, but in a catchy and tuneful way. The dark atmospheres will drive the minds of listeners to obscure places. They are recommended listening for fans of Mayhem, Bloodbath, and Dark Funeral.

The album will be released on June 17th, 2022

Listen to the album teaser at https://youtu.be/E5F9g62pS3c​

Album pre-order – https://bruttametal.bandcamp.com​

Track Listing:​
1. Brutta (4:34)
2. Mortem (4:08)
3. Frgmntd (3:55)
4. Bastardo (4:20)
5. Inferno (4:21)
6. Cristus (3:42)
7. Devon (3:51)
8. Limbo (4:37)
Album Length: 33:20

Album Band Line Up:​
Adriano Ribeiro (guitars, vocals)
Tom MacLean (bass)
Gledson Gonçalves (drums)

Album Recording Credits:​
• All songs performed by: Brutta
• All songs written by: Brutta
• Produced by: Tom MacLean @ Twelve Tone Studio
• Mixed by: Tom MacLean @ Twelve Tone Studio
• Mastered by: Tom MacLean @ Twelve Tone Studio
• Album Artwork by: Luigi Quarta

For more info:​
​Bruttametal.com​
​Facebook.com/bruttametal​
​Instagram.com/bruttametal​

About:​
After working for Athemon (Adriano Ribeiro (guitars, vocals) and Tom MacLean (ex-Haken) (bass)) as their session drummer, Gledson Gonçalves had the idea of creating another project with more extreme music. Recruiting Ribeiro (guitars, vocals) and MacLean (bass), both were very eager to dive headfirst into the aggressive sound Gonçalves had in mind. A few jams later and Brutta was officially formed as a studio project over two contents. Gonçalves and Ribeiro in Brazil and MacLean in the UK.
​
Brutta works collaboratively through every part of the process, first Ribeiro develops and assembles the riffs, to which Gonçalves adds drum parts. The final musical touches come in as MacLean weaves the bass riffs and then vocals are layered on top with lyrical themes coming from human behaviour, especially its darker angles.
​
As they plan to hit the stage in the near future, fans will be met with loads of energy and power during the set as Brutta releases their demons through strong performances, so the audience can do the same.
​
A modern and in-your-face version of obscure and wicked music, Brutta rises like brutal “Heavy Post Metal” their debut, self-titled album will be released on June 17, 2022.

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

​

Unsubscribe | Update your profile | Montreal, QC

Built with ConvertKit

Page 249 of 1851
  • 1
  • …
  • 247
  • 248
  • 249
  • 250
  • 251
  • …
  • 1,851

Asher Media Relations Tweets

Tweets by AsherMedia

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 2,176 other subscribers

Blog at WordPress.com.

  • Bandcamp
  • Twitter
  • Facebook
  • YouTube
  • Subscribe Subscribed
    • ashermediarelations.com
    • Join 655 other subscribers
    • Already have a WordPress.com account? Log in now.
    • ashermediarelations.com
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...