NEWS RELEASE
Montreal, QC – May 18, 2022
Thirteen Goats Serve Up A Platter Of Death Metal With “Return to Ruin” Off “Servants of the Outer Dark”
Debut Album Out July 1st, 2022
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L-R – Rob Fitzgerald (Guitars, Vocals), Graham K. Miles (Vocals, Guitars), Mike Redston (Bass, Vocals)
Photo Credit – Caitlin Delaplace
Vancouver’s Thirteen Goats are inspired by classic American death metal acts like Deicide and Cannibal Corpse, and they have their feast of a debut album ready for discerning metalheads the world over. “Servants of the Outer Dark” is a sonic trip that winds down the most twisted sections of extreme metal’s memory lane on a journey to wicked new horizons. The band weaves together conventions from numerous extreme metal subgenres on songs that range from topical to tongue-in-cheek—some are overtly political, while others are about things like cooking and eating your enemies. The first single off the album is “Return to Ruin”, which vocalist/guitarist Graham K. Miles explains in detail:
“Return to Ruin came from a place of deep anger with a number of institutions and systems that I feel are failing the current generation—predominantly governments and large corporations that are waging war, both literally and economically, against everyday people around the world. From the widespread mismanagement of a global pandemic to increasing wealth inequality, an ongoing environmental crisis, a rising tide of political extremism, and now a new Cold War with Russia’s ongoing invasion of Ukraine, we are living in the midst of extremely dark times—and the people who are supposed to shepherd us through them seem to be leading us to the slaughterhouse instead of towards greener pastures.
“All of the current live band members have roots in Eastern Europe—we have one Ukrainian (me), two Russians, and an Armenian. But all of us are against the war and against people who use power unjustly. This song is intended to be a call to arms—a protest anthem that invites listeners to question authority figures and the systems they’ve set up, and to burn those systems down if they’re not working so we can start over with something better. Like we say in the lyrics: “Sacrifice the ones you’re serving; ask yourself what they’re preserving.”
Heavy, hooky, theatrical, and over-the-top, Thirteen Goats takes the standard death metal recipe and turns it on its head without sacrificing raw power. They liberally add flavours from a wide range of other metal subgenres including tech death, melodeath, brutal death metal, groove metal, thrash metal, black metal, and even grindcore, resulting in a well-blended and tasty layered sound that is approachable for any metalhead.
The album was produced by the band, mixed and mastered by Diego Fernandez-Trujillo, and the album artwork was done by Jeremy Famir. It is suggested for fans of Carcass, Cannibal Corpse, and Deicide.
The single “Return To Ruin” can be heard via its premiere on NoCleanSinging HERE.
The album “Servants of the Outer Dark” will be served up on July 1, 2022.
Album pre-order – https://thirteengoats.bandcamp.com
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Track Listing:
1. Servant of the Outer Dark (5:48)
2. Challenge the Executioner (3:18)
3. Return to Ruin (4:11)
4. Prisoner’s Anthem (3:26)
5. Sub-Being (4:16)
6. Unholy Mass (4:41)
7. Constant Torment (3:30)
8. Vacuum-Induced Head Explosion (4:33)
9. Through the Meat Grinder… The Recipe (4:47)
Album Length: 38:34
Album Band Line Up:
Graham K. Miles – Vocals, Lead & Rhythm Guitars
Rob Fitzgerald – Lead & Rhythm Guitars, Vocals
Mike Redston – Bass, Vocals, Acoustic Guitar
Live Band Line Up:
Graham K. Miles – Lead Vocals, Lead & Rhythm Guitars
Rob Fitzgerald – Lead & Rhythm Guitars, Vocals
Bass – TBD
Drums – TBD
For more info:
ThirteenGoats.com
Facebook.com/THIRTEEN.GOATS
Twitter.com/THIRTEENGOATS
Instagram.com/thirteen.goats
About:
Eclectic, over-the-top, and just a little weird, THIRTEEN GOATS takes cues from some of extreme metal’s most infamous acts (Death, Carcass, Cannibal Corpse) to create a tongue-in-cheek blend of different genre hallmarks that’s as hooky as it is heavy. This ain’t your dad’s death metal, but we kept the best parts. Horns up!
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