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Montreal, QC – November 21, 2019
For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal
TALES OF THE TOMB Shares Japanese Horror Film Inspired Video “Mermaid In A Manhole”
New EP “Volume Two: Mendacium” Out Now!
Edmonton EP Release Show Nov 30th @ Starlite Room
Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)
Photo Credit – Kylee Thompson Photography
Painting their canvas of extreme music with inspirations of real-life stories of murder, conspiracy, supernatural horror, and terror, Edmonton’s Tales of The Tomb unleashed their new EP “Volume Two: Mendicium” this past September. The EP is a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows. Inspired by true events, the duo offer up gore-filled lyrics with a quivering soundscape. The EP was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks. The EP also contains a bonus track about the Japanese horror film ‘Mermaid In A Manhole’, which the band have put together a new lyric video for at the following link HERE.
The band explains the story behind the bonus track in further detail:
“‘Mermaid In A Manhole’ is the only song we have written that is truly-fictional. Based on a Japanese horror film Mermaid in a Manhole. The song focuses on a painter that is suffering from depression, who disembowels his wife while in a psychotic state. The story of the song ‘Mermaid in a Manhole’ does not really fit into our conspiracy theme we have for this EP. This is why we decided to list it as a bonus track to give it a proper release and the band had no plans to write more true-fiction based songs. Sonically we tried to recreate the psychosis the painter was going through, we wanted to represent the chaos that must have been going on in the painter’s mind to have brought himself to murder his wife. There is a sample at the end of the song, which has the sound of chopping and a man speaking in Japanese. This is audio taken right from the movie at the part where the painter is sitting on the ground covered in blood chopping up the remains of his mermaid saying, “My Mermaid, My Mermaid is dead.”
“Volume Two: Mendicium” is available on Bandcamp, Spotify, Apple Music.
‘The Sinful Messiah’ here.
‘The Nightmare Hall’ here.
‘Nine Eleven’ here.
‘Dyatlov Pass’ here.
Nov 30 – Edmonton, AB – Starlite Room w/ Third Chamber, Eye of Horus
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44
Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music. Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.
Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.
– 30 –
“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine
“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider
“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review
“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review
Prairie Finalist for Wacken Metal Battle Canada 2016
ASHER MEDIA RELATIONS
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