Tag: yeg

0 RAVENOUS To Support Unleash The Archers For Edmonton Tour Date Nov 6th

November 2, 2021
by Asher
· Music News · Ravenous

NEWS RELEASE

Montreal, QC – November 2, 2021

RAVENOUS To Support Unleash The Archers For Edmonton Tour Date Nov 6th

New Album “Hubris” Out Now via Feast Beast Records (NA/EU) / Spiritual Beast (Asia)

Album guests:
Vincent ‘Jake’ Jones of Aether Realm

Heinrich Yoshio of Aether Realm

Mathias Blad of Falconer

Nina Osegueda of A Sound of Thunder
The Dread Crew of Oddwood (Full Band)

Album Pre-Order Now Available!

L-R: Ravenous Current Line Up
Skyler Mills (Guitar) | Dave Crnkovic (Drums) | R. A. Voltaire (Vocals) | Chris Valax (Bass) | Jake Wright (Guitar)
Photo Credit – Monika Deviat

Calgary’s Ravenous announce they will be opening for Unleash the Archers’ Edmonton tour date on Saturday, November 6th at the Starlite Room. They will be performing in support of their new album “Hubris” recently unleashed on October 22, 2021 via Feast Beast Records (NA/EU) / Spiritual Beast (Asia).

Ravenous vocalist R. A. Voltaire adds:

“We are excited to join our friends UNLEASH THE ARCHERS in celebration of CONCERTWORKS’ 10 year anniversary. Not only are we great supporters of STARLITE ROOM (one of the best venues in Canada), we are also happy to see yet another venue and booking agency survive the havoc wreaked upon our industry by the Covid pandemic – may this be the beginning of a prosperous time for bands, venues, staff, and crew all alike!”

Event Details can be found at the following link: https://www.facebook.com/events/1005204480319481/

Taking their performance, writing, and musicianship seriously, but allowing tongue-in-cheek humour and pop culture references to resonate through the songs, Ravenous is bringing fans anthemic tunes from a time when metal was hungry.

They bring a full lineup of experienced musicians together, ones that have toured extensively and are fully dedicated to providing a high-energy, high-intensity live experience. Ravenous seek to inspire others to find that inner triumph and glory that drove them to form this project – whether that means starting their own band, or just finding the strength to make a change in their lives – they seek to empower their followers through every step of their journey.

“Hubris” was produced by Ravenous with mixing and mastering done by Fredrik Nordström (In Flames, Opeth, Firewind) along with album guests Vincent ‘Jake’ Jones of Aether Realm, Heinrich Yoshio of Aether Realm, Mathias Blad of Falconer, Nina Osegueda of A Sound of Thunder, The Dread Crew of Oddwood (Full Band).

Animated music videos for “Die 1000 Deaths” ft. Heinrich Yoshio of Aether Realm plus lyric video “Astral Elixir” are available on the band’s YouTube.

Album digital stream and download available on Spotify, Ravenouseternalhunger.bandcamp.com, Apple Music.

Track Listing:
1. Carnage in Carthage (4:37)
2. Astral Elixir (5:16)
3. Son of Storms (4:33)
4. Die 1000 Deaths (5:24) (3rd Guitar Solo by Heinrich Yoshio of Aether Realm)
5. Bridgeburner (6:10)
6. The Alder Queen (3:17) (ft. Lead Vocals by Nina Osegueda of A Sound of Thunder)
7. March of Hunger (4:47)
8. Claw is the Law (5:24) (ft. Lead Vocals, Accordion, Mandolin, and Gang Vocals by The Dread Crew of Oddwood)
9. Onwards & Upwards (4:09) (ft. Lead Vocals by Mathias Blad of Falconer)
10. …Of Beasts and Faust (10:21) (ft. Lead Vocals by Vincent Jones of Aether Realm)
Total Length 53:57
Japanese Version Exclusives
11. Cakaw Te Partiro (Bonus) – 3:13
12. 一瞬千撃 (Bonus) – 5:25
Total Length 62:34

For more info:
Ravenouseternalhunger.com
Facebook.com/RavenousE.H
Twitter.com/Ravenous_EH
Instagram.com/ravenouseternalhunger
EPK

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“Calgary’s Ravenous have fused their flamboyant cross-breeding of European power metal and early ‘80s US speed metal, using it like a sharp ’n’ shiny scythe to forge their way through the crowded underground. Past accomplishments have included tours and gigs with Delain, Alestorm, Hammerfall, Striker and Powerglove with festival appearances and headliners interspersed in between. Considering all of the above, it shouldn’t come as a surprise a large part of this quintet’s musical vocabulary involved loving it speedy, epic, melodically grandiose while having a sword waving good time in the process.” – Decibel Magazine

“Ravenous aren’t afraid to put it all out there; symphonic assaults blend with all-out thrash metal, underpinned by some of the most enthusiastic power metal of the year. From start to finish Hubris is chock full of anthemic and contagious fist-pumping, head-banging songs featuring dramatic vocals and shredding solos. Power metal fans rejoice: Hubris is a worthy addition to your collection.” – Heavy Music Headquarters

“A great album of Power Metal, and even more. 9.5/10” – Metal Express Radio

“a sparkling speed metal fuelled power metal rampage, raising fists high, banging heads hard, and causing fans everywhere to roar out loud with delight. 5/5” – Metal-Roos

“a sparkling speed metal fuelled power metal rampage, raising fists high, banging heads hard, and causing fans everywhere to roar out loud with delight.10/10” – Metal Gods TV

“Hubris reminds me of early Dragonforce (the faster numbers) and Orden Ogan (the mid-paced material) though the songwriting is a notch or two below those bands currently. This is a solid second album from Ravenous, who display significant upside, and fans of the aforementioned bands will want to give it spin. 3.75/5” – The Metal Crypt
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0 Edmonton Death DISPLAY OF DECAY To Perform Their Only Hometown Show of 2021 + Unveil New Music!

November 1, 2021
by Asher
· Display of Decay · Music News

NEWS RELEASE

Montreal, QC – November 1, 2021

Edmonton Death DISPLAY OF DECAY To Perform Their Only Hometown Show of 2021 + Unveil New Music!

December 3rd @ Shakers Roadhouse w/ Ravage Red, Ashes of Yggdrasil, Naitaka

L to R – Brandon Siefert (Bass); Tyson Travnik (Drums); Kland Kuly (Vocals); Sean Watson (Guitars)
Photo Credit – Lady Black Photography

Edmonton death metallers Display of Decay announce they will perform their only hometown show of the year since the Covid pandemic closed city establishments for extreme live music.

During the pandemic, the band entertained fans with their old school brutality with live streams, played their only live show of 2020 at Decimate MetalFest during December along with them performing their one and only outdoor live event for 2021 at Alberta’s decibel-breaking metal fest Loud As Hell this past August.

On December 3rd, at Shakers Roadhouse in Edmonton, AB alongside Ashes of Yggdrasil, Naitaka, and Ravage Red, Display of Decay will showcase not only their latest album “Art In Mutilation” (2018) (Gore House Productions), but delight and punish their audience with an onslaught of new blast beats and evil gutturals from their yet to be titled forthcoming 2022 album.

Eager to melt faces and shake crowds with their personal blend of old school death metal in the veins of Cannibal Corpse, Dying Fetus, and Decapitated, the band adds:

“Bringing talent from all over western Canada, as well as injecting our own “special touches”, we want this show to be one of the most memorable events of the year for lovers of heavy music.”

Event details can be found at the following link: https://www.facebook.com/events/2156367437839217/

Destroying stages and performing at festivals for over a decade, Display of Decay are veterans of the Canadian death metal scene. They have supported artists such as Kataklysm, Cattle Decapitation, The Faceless, Origin, Beyond Creation, Disciples of Power, Archspire and Into Eternity along with multiple tours across the USA and Western Canada plus performances on festivals Las Vegas DeathFest, Loud As Hell, Slaughterfest, Armstrong MetalFest, and Farmageddon Open Air. After five well-received indie releases, Display of Decay will be unleashing a new album in 2022.

Album Stream – “Art In Mutilation” – https://youtu.be/NENFPjJQJkY

Lyric Video – “Forced Frontal Lobotomy” – https://youtu.be/fHB25OMADDM

Spotify here.

More info:
Facebook
Instagram
Twitter
Bandcamp
Youtube

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Jon Asher – Music Publicist
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0 There’s Nothing Fake About Juliet Ruin’s New Single “Fake Stigmata”, Lyric Video Premiere via New Noise Magazine, New EP “Dark Water” Out March 26, 2021

February 25, 2021
by Asher
· Juliet Ruin · Music News

NEWS RELEASE

Montreal, QC – February 25, 2021

For fans of Jinjer, Infected Rain, The Agonist, Butcher Babies, Once Human, Killswitch Engage

There’s Nothing Fake About Juliet Ruin’s New Single “Fake Stigmata”

Lyric Video Premiere via New Noise Magazine

New EP “Dark Water” Out March 26, 2021

L-R – Cody Reid (Bass and Backing Vocals), Kent Geislinger (Guitar, Vocals), Jess Ruin (Lead Vocals), Wesley Rands (Guitar), Jesse Bauman (Drums)
Photo Credit – Dana Zuk Photography

Leading up to the release of their new EP “Dark Water” on March 26th, 2021, Edmonton, Canada’s metalcore squadron Juliet Ruin is sharing their new lyric video for the third single “Fake Stigmata” via its premiere on New Noise Magazine HERE.

Featuring infectious soft-spoken melodic vocals with whiplashing djent riffs, “Fake Stigmata” entices fans to sit back and brace themselves for an anthemic experience that the band is offering up on their forthcoming four-track EP to follow their highly praised 2019 album “Old Stardust, Love, and Chaos”.

The band comments:

“Fake Stigmata is our third and heaviest track from our Dark Water EP, it explores darker lyrical themes and grittier vocals and instrumentals.”

Juliet Ruin‘s new EP “Dark Water” represents a step into a heavier domain for the band as they continue on with low-tuned guitars. The vocals on this record will certainly shock old fans and draw in new fans as frontwoman Jess’s work in the scream vocal area is apparent throughout as she raised the bar on the clean vocals as well with many pop diva-esque techniques.

“The listening experience we are going for is a hard-edged, but catchy experience with lyrics you can shout in anger, but also it leans positive on message.” says the band.

The conception of the new recording was born out of the desire among the members to create a sound with what they consider the true lineup after having a current member miss out on the OSLAC album. Planning originally to just record one single for 2021 became a four-song EP as the ideas were just unceasing to them. This is the freshest possible material from the mind of Juliet Ruin with all songs written within a year. Fans familiar with the band’s sound on previous releases will notice the evolution in a heavier direction.

Juliet Ruin is recommended for anyone who enjoys heavy and melodic metal with powerful vocals, especially those who already have The Agonist, Jinjer, and Killswitch Engage in rotation.

“Dark Water” will be available on March 26, 2021.

EP Pre-Save –
CD order – https://julietruin.bandcamp.com (available as of March 26th)

Previous Singles:
“Dark Water” – YouTube (Lyric Video) – ft. guest guitar solo Diego Fernandez (Eye of Horus).
“Cosmic Vertigo” – YouTube (Lyric Video)
Spotify playlist add here.

Track Listing:
1. Dark Water (4:47)
2. Cosmic Vertigo (4:08)
3. Fake Stigmata (4:54)
4. Might (4:16)
EP Length: 18:06

For more info:
JulietRuin.com
Facebook
Instagram
Twitter
EPK

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“Every band needs to find that element which connects them with a fanbase, and Juliet Ruin has done that early on in their career.” – V13

“Pre-album single “Spite” that features a Sprite logo is also reminiscent of “Cloud Factory” era Jinjer with an excellent vocal range on show. Blending riffs seamlessly with gravity defying leaps between sub-genres from classic Metal to Hard Rock to Metalcore, it’s a nice twist on the conventional approach.” – Metal Noise

“If you are into Halestorm, Jinjer, Killswitch Engage you are gonna fall in love with this group not just a bit. But madly and deeply! Grab a hold of this gem of a release on the 6th of September you aint gonna regret it , cos Juliet Ruin aint gonna “Ruin” ya day they are gonna make it !! ” – The Metal Gods Meltdown

“From hardrock, to metalcore and everythign in between, Juliet Ruin delivers a fun and interesting record with many sounds, attitudes and emotions.” – Heavy New York

“Juliet Ruin’s sound is comparable to a muddier version of Alexisonfire, with Ruin guiding the songs with her powerful voice while being backed up by Geislinger’s harsh screams and growls…. Juliet Ruin has been gaining more recognition after every concert with its single “Rogue Down” receiving a nomination at the Edmonton Music Awards.” – Vue Weekly (2017)

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 THE ORDER OF CHAOS Unleash New Single ‘Breakpoint’ Off Upcoming Album “Maniacal”; “Maniacal” Out In 2020; Guitarist John Simon Fallon Announces Departure

January 16, 2020
by Asher
· Music News · The Order of Chaos

(contact info below)

NEWS RELEASE

Montreal, QC – January 16, 2020

THE ORDER OF CHAOS Unleash New Single ‘Breakpoint’ Off Upcoming Album “Maniacal”

“Maniacal” Out In 2020

Guitarist John Simon Fallon Announces Departure

The Order of Chaos is proud to present the new single ‘Breakpoint’, from their upcoming album entitled “Maniacal”. This is the band’s first release in over 2 years since the release of the “Night Terror” EP and their first full-length album “Apocalypse Moon” was released over 4 years ago.

“Maniacal” is powerful, fast, to the point, hard-hitting 10 song LP full of memorable choruses and catchy hooks.

The album was engineered by Diego Fernandez at Oracle Studios and Nathan Kidd at Method Music Productions in Edmonton, AB and was mixed by Nino Laurenne at Sonic Pump Studios in Helsinki, Finland (Wintersun, Amorphis, Sonata Arctica) along with mastering done by Svante Forsbäck at Chartmakers Mastering in Espoo, Finland (Rammstein, Volbeat).

This album is The Order of Chaos’ most mature, cohesive and dynamic songwriting effort to date and it represents the end of an era for the band as a founding member, and primary songwriter John Simon Fallon has sadly decided to step away from the group upon release of “Maniacal”.

Despite the unfortunate circumstances surrounding its release, the band is incredibly excited to share this album with everyone who has supported them through the past 15 years as well as to all their maniacal heavy metal fans across the globe.

The first single ‘Breakpoint’ from the album is accompanied by a lyric video developed by Dwi Nugraha of Genoicide Artwork, which can be viewed via MetalInjection HERE.

“Breakpoint” is one of the first ideas I wrote for this album, and it took me over a year to perfect. It was quite a manic process. Like all other songs on this album, it is not just a bunch of convenient riffs sandwiched together without thought or consideration. It is written from the heart. The aggressiveness of guitars are built on some of the frustrations I had not only in both my personal and professional life, and lyrically it explores many of the sentiments Amanda and I had, around the time I knew that it was time for me to hit pause on my tenure in TOOC. It ended up being the opening track on “Maniacal” and also one of the singles which makes me extremely happy because I’ve been in love with this song since the minute Amanda and I started demoing it. It’s different from anything we’ve ever released but it definitely still has the signature sound our fans have grown to love. Check it out and you’ll see what I mean.” says John Simon Fallon

“Maniacal” presents a unique and fresh sound and modern direction for The Order of Chaos and allows the band to end this era of chaos on a high note.

The album will be formally released in 2020, with several additional singles being released over the next few months.

Additional details regarding a formal label/distribution deal and future plans for the group will also be released at a later date.

Track Listing:
1. Breakpoint (3:46)
2. Maniacal (3:19)
3. Believe in the Demon (3:24)
4. Silver Lining (4:03)
5. Dangerous Games (3:21)
6. Twist of Fate (3:44)
7. The Eve of Destruction (3:37)
8. Ride the Low (4:16)
9. Storms on Horizon (3:39)
10. The Downfall of Belief (1:42)

“Maniacal” credits:
John Simon Fallon – Guitars
Amanda Kiernan – Vocals
Jonathan Webster– Drums
John Saturley – Guitars
Slava Fedossenko – Bass

Music by: The Order of Chaos
Lyrics by: John Simon Fallon and Amanda Kiernan
Album art: Paul Saturley (www.inkriver.com)
Drums, bass, and guitars recorded at Oracle Studios in Sherwood Park, Alberta Canada. Engineered by Diego Fernandez
Vocals recorded at Method Music Productions in Edmonton Canada. Engineered by Nathan Kidd
Mix engineer: Nino Laurenne, Sonic Pump Studios, Helsinki Finland (sonicpumpstudios.com)
Mastering engineer: Svante Forsbäck, Chartmakers Mastering, Espoo Finland (chartmakers.fi)

“Breakpoint” video credits:
Artwork and Video by, Dwi Nugraha, Genoicide Artwork

For more info:
TheOrderofChaos.ca
Facebook.com/TheOrderOfChaos
Instagram.com/theorderofchaosofficial

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“The Order of Chaos is one of the best bands ever to come out of Edmonton. Their show stacks up next to any international festival act” – Darryl Bowers, Boonstock Festival

“The Order of Chaos is the fucking warning that metal is still alive and that female vocalists are more than masturbation fodder. After the 3 years gone, they have not only returned, they have taken over. This is one of the best cds of 2015. You have been warned, this is the year of Chaos.” – Wicked Channel

“Their compositions are characterized by speed, highly skilled guitar playing that reflects on the solo and the lead parts of their music and of course melody that is combined with grooves and some thrash and melodic death metal riffs.” – Nick Parastatidis (Behind the Veil)

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Jon Asher – Music Publicist
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0 Edmonton’s SLEEPWRAITH Unleash Debut Single ‘The Aphelion Complex’; Debut Album “Day Terrors” Out Jan 17th

December 5, 2019
by Asher
· Music News · Sleepwraith

(contact info below)

NEWS RELEASE

Montreal, QC – December 5, 2019

For fans of Between the Buried and Me, Lamb of God, As I Lay Dying, Shadows Fall

Edmonton’s SLEEPWRAITH Unleash Debut Single ‘The Aphelion Complex’

Debut Album “Day Terrors” Out Jan 17th

L-R – Ryan Biggs- Drums, Seedy Mitchell- Strings/Vocals – Photograph Credit: Chelsey Midlet

The intrepid duo of Edmonton’s Sleepwraith are releasing their debut album “Day Terrors” on January 17, 2020.

This is the first album from Sleepwarith in what is expected to be a series of releases under the name. The songs and overall flow of the album feel like a journey that takes an emotional toll on the listener, with dynamic parts and unexpected turns. To Sleepwraith it’s important to create music with levels of intricacy that you might not notice on the first listen. Sleepwraith explains their motivation behind writing the album:

“We created an album with little thought as to how it would be received, instead of focusing on making an album that we would want to hear. We’ve always felt that making art with this starting point has created some of the most genuine music out there. Hopefully, our fans enjoy music for the same reasons we do and enjoy this album as much as we do.”

The first single from this album is ‘The Aphelion Complex’, described by the band as an angry trip to the infirmary with soaring melodies and heavy intricacy. Sleepwraith expands on the lyrical themes present:

“The main inspiration is the need to expel the demons within and contain them in an art form. We use this inner turmoil as a starting place, and try to make it into something beautiful. It’s painful and sometimes disgusting, but it’s also therapeutic.

‘The Aphelion Complex’ is streaming on Sleepwraith’s on YouTube and website Sleepwraith.com

Track Listing:
1. The Aphelion Complex (6:16)
2. Transorbital Decay (4:08)
3. Anamnesis (7:19)
4. Burial Plot (4:26)
5. Biomite (4:36)
6. Sol (5:09)
7. Carnival Dread (5:19)
8. A Demon’s Pawn and The Abyss (4:54)
9. The Vile, Raptured (1:58)
10. The Vile Raptured (4:49)
11. Dystory (6:04)
Album Length: 55:04

For more info:
Sleepwraith.com
Facebook.com/sleepwraith
Instagram.com/Sleepwraithofficial
Twitter.com/sleepwraith
EPK

About:

Sleepwraith comes from Edmonton, Canada and the project has been incubated over the course of 20 years and five previous bands ranging from grunge to metalcore to punk rock to hardcore.

The partnership of Seedy Mitchell (guitars/vocals) and Ryan Biggs (drums) is based on a friendship that goes back to before either of them were playing music or even listening to metal. Now that partnership has developed into a dark and dynamic collaborative undertaking that sees Mitchell bringing material to the table in the form of multiple personalities (guitar, bass, vocals) and those elements being worked on together until a song is built.

Coming from different musical backgrounds, Mitchell and Biggs have found their differing styles complement each other and blend to form their brand of deep and intricate metal. Their music conveys emotion through the music but also maintains a technicality that makes it interesting to write and play, and subsequently, listen to.

Sleepwraith wants to tell stories musically and lyrically, focused primarily on creating and releasing new music and art without being concerned about playing it live. All of their energies have been pointed at that goal. With influences coming from all over the metal map including prog, death, mathcore, metalcore, and hardcore, Sleepwraith is an upcoming original band with something for all listeners. The more you listen to it, the more there is to hear.

Their debut album “Day Terrors” is slated for release on January 17, 2020.

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ASHER MEDIA RELATIONS

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0 TALES OF THE TOMB Shares Japanese Horror Film Inspired Video “Mermaid In A Manhole”

November 21, 2019
by Asher
· Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – November 21, 2019

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Shares Japanese Horror Film Inspired Video “Mermaid In A Manhole”

New EP “Volume Two: Mendacium” Out Now!

Edmonton EP Release Show Nov 30th @ Starlite Room

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

Photo Credit – Kylee Thompson Photography

Painting their canvas of extreme music with inspirations of real-life stories of murder, conspiracy, supernatural horror, and terror, Edmonton’s Tales of The Tomb unleashed their new EP “Volume Two: Mendicium” this past September. The EP is a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows. Inspired by true events, the duo offer up gore-filled lyrics with a quivering soundscape. The EP was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks. The EP also contains a bonus track about the Japanese horror film ‘Mermaid In A Manhole’, which the band have put together a new lyric video for at the following link HERE.

The band explains the story behind the bonus track in further detail:

“‘Mermaid In A Manhole’ is the only song we have written that is truly-fictional. Based on a Japanese horror film Mermaid in a Manhole. The song focuses on a painter that is suffering from depression, who disembowels his wife while in a psychotic state. The story of the song ‘Mermaid in a Manhole’ does not really fit into our conspiracy theme we have for this EP. This is why we decided to list it as a bonus track to give it a proper release and the band had no plans to write more true-fiction based songs. Sonically we tried to recreate the psychosis the painter was going through, we wanted to represent the chaos that must have been going on in the painter’s mind to have brought himself to murder his wife. There is a sample at the end of the song, which has the sound of chopping and a man speaking in Japanese. This is audio taken right from the movie at the part where the painter is sitting on the ground covered in blood chopping up the remains of his mermaid saying, “My Mermaid, My Mermaid is dead.”

“Volume Two: Mendicium” is available on Bandcamp, Spotify, Apple Music.

Previous Videos:
‘The Sinful Messiah’ here.
‘The Nightmare Hall’ here.
‘Nine Eleven’ here.
‘Dyatlov Pass’ here.

Show Dates:
Nov 30 – Edmonton, AB – Starlite Room w/ Third Chamber, Eye of Horus

Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
EPK

About:

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music. Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

– 30 –

“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine

“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider

“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review

“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review

Prairie Finalist for Wacken Metal Battle Canada 2016

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 TALES OF THE TOMB Posts New Video ‘Dyatlov Pass Incident’

November 7, 2019
by Asher
· Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – November 7, 2019

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Posts New Video ‘Dyatlov Pass Incident’

New EP “Volume Two: Mendacium” Out Now!

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

Photo Credit – Kylee Thompson Photography

Painting their canvas of extreme music with inspirations of real-life stories of murder, conspiracy, supernatural horror, and terror, Edmonton’s Tales of The Tomb unleashed their new EP “Volume Two: Mendicium” this past September. In support of the release, the band is sharing their latest video for their track ‘Dyatlov Pass Incident’.

The band explains the story behind the song:

“9 hikers disappeared in what is now called the Dyatlov Pass in Russia. This incident had inspired many different conspiracies trying to explain what happened to the 9 hikers that went missing and were later found dead in the mountain range. Because there was a random unidentified scrap of clothing that looked to come from a military uniform found at the sight of the event. We are taking the angle put forth that the hikers unknowingly stumbled across a military weapons test and met their demise. Basically, they were there at the wrong place at the wrong time and the government was forced to cover up their deaths that the weapons test caused. There was evidence of the hikers ripping the tent from the inside and one of the hikers was found with extensive radiation burns, unclothed, fingernails and hands ripped apart from what was later determined to be from trying to climb the surrounding trees and much more. The song is written push-pull between the chaos of stumbling into this extension event vs. a seemingly normal journey. This was the last song written and displays the direction we are trying to move into from our past EP.”

Check out the video HERE.

A sonic attack layered with grinding blast beats, injected with menacing guttural lows, “Volume Two: Mendicium” is straight from hell with gore-filled lyrics leaving little to the imagination, destroying your eardrums like a corpse erased in an acid-filled bath. The EP was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson. The EP also contains a bonus track about the Japanese horror film Mermaid in a Manhole. Featuring artwork by Tony Midi of Tonymidi Artworks.

“Volume Two: Mendicium” is available on Bandcamp, Spotify, Apple Music.

Other Videos:
‘The Sinful Messiah’ here.
‘The Nightmare Hall’ here.
‘Nine Eleven’ here.

Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
EPK

About:

– 30 –

“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review

Prairie Finalist for Wacken Metal Battle Canada 2016

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
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0 JULIET RUIN Premiere ‘Fight To Win’ Lyric Video + Show Dates w/ Jinjer In Calgary & Edmonton

October 22, 2019
by Asher
· Juliet Ruin · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – October 22, 2019

For fans of Halestorm, The Agonist, Jinjer, Evanescence, Killswitch Engage

JULIET RUIN Premiere ‘Fight To Win’ Lyric Video + Show Dates w/ Jinjer In Calgary & Edmonton

New Album “Old Stardust, Love, and Chaos” Out Now!

L-R: Kent Geislinger – Guitar and Vocals, Jesse Bauman – Drums, Jess Ruin – Lead Vocals, Wesley Rands – Guitar, Cody Reid – Bass and Backing Vocals

Photo Credit: Dana Zuk Photography

Edmonton, AB’s JULIET RUIN recently released their first full-length album “Old Stardust, Love and Chaos” on September 6, 2019 to follow their 2017 debut self titled EP. The release promises to be more technical with heavy instrumentation, including some dabbling in low tuned 7 string guitars to create an original sound chock full of catchy hooks that convey a fresh and emotive feel to their heavy music. Lead vocalist Jess Ruin has added more screams, but also more clean techniques with her pop-esque power vocals. Fans of forward-thinking modern metal such as Evanescence, System of a Down, and Killswitch Engage should take special note of this powerful and emotive Canadian band.

Teaming up with GhostCultMag.com, JULIET RUIN is excited to premiere their latest lyric video for the track ‘Fight To Win’ at the following link HERE.

The band adds:

“‘Fight to Win’ is probably one of the more unique tracks on the album. It begins softly and quickly changes pace, flowing into our most experimental vocals in the verses. FTW is a wordy and exciting track with an array of vocal styles. The verses of this one are special vocally because of creative on-the-spot thinking in the studio by Diego Fernandez. The last-minute change to make the verses more spoken the entire mood of the song different. FTW is an ode to owning up to a vengeful nature just to flaunt it proudly as a warning sign.”

Digital stream and download of JULIET RUIN‘s debut album “Old Stardust, Love, and Chaos” is available on Spotify, Bandcamp, Apple Music, Amazon.

Music Video ‘Spite’ here.

Lyric Video ‘Seasons’ here.

In additional news, JULIET RUIN will be supporting Ukraine’s Jinjer in Calgary on October 29th and Edmonton on October 30th.

The band adds:

“We as a band are absolutely honoured to be opening up for Jinjer, we are all fans and their meteoric rise has been a pleasure to watch.”

Show Dates:
Oct 29 – Calgary, AB – Dickens w/ Jinjer, The Browning, Sumo Cyco
Oct 30 – Edmonton, AB – The Starlite Room w/ Jinjer, The Browning, Sumo Cyco

Track Listing:
1. Simple Wars (4:54)
2. Spite (3:49)
3. Violent Hands (4:11)
4. Details Kill (4:43)
5. FTW (5:18)
6. Seasons (3:49)
7. With Only Rage (4:44)
8. Charlatan (4:12)
9. Stay Gold (3:28)
10. Old Stardust, Love, and Chaos (4:50)
Album Length: 44:03

For more info:
JulietRuin.com
Facebook
Instagram
Twitter
EPK

– 30 –

“Every band needs to find that element, which connects them with a fanbase, and Juliet Ruin has done that early on in their career.” – PureGrainAudio

“An album full of energy, fluid, strong! Aggressive! Powerful!! Continuous, forceful!” – Darkzen Dragon Metal Angels

“From hardrock, to metalcore and everythign in between, Juliet Ruin delivers a fun and interesting record with many sounds, attitudes and emotions.” – Heavy New York

“I have been really enjoying the heck out of this album” – Craank

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
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0 Edmonton’s SLEEPING IN TRAFFIC Premiere “Exoplanets” Guitar/Bass/Keys Playthrough via GearGods

October 18, 2019
by Asher
· Music News · Sleeping In Traffic

(contact info below)

NEWS RELEASE

Montreal, QC – October 18, 2019

For fans of Between The Buried & Me, Devin Townsend, Tool, Thank You Scientist

Edmonton’s SLEEPING IN TRAFFIC Premiere “Exoplanets” Guitar/Bass/Keys Playthrough via GearGods

Double EPs ‘That Which Saves Us’ and ‘That Which Destroys Us’ Out Now!

L-R: Ryan Berehulke – Bass, Cory Bosse – Vocals/Synth, Greg Turner – Guitar, Andrew Bateman – Drums

Photo Credit: Graham Gnarles

Edmonton proggers SLEEPING IN TRAFFIC recently released their double EPs on September 27th. “That Which Destroys Us” is dark and aggressive in sound while “That Which Saves Us” has a more upbeat and catchy vibe.

Teaming up with GearGods, the band is showcasing their latest guitar/bass/keys/vocals playthrough for their track ‘Exoplanets’ off “That Which Saves Us”.

The band adds:

“‘The song is full of interesting riffs and grooves, the guitars and bass are augmented by Cory’s synth playing. Incorporating big chords and complex sequencing, any synthesizer gear head would love this track.”

Watch the playthrough at the following link HERE.

With influences from Between The Buried & Me, Devin Townsend and Tool, the newest release is a split EP that explores the dual nature of the band’s music. The band explains the duality in their vision:

“The first ‘That Which Saves Us’ is the “upbeat EP”. It strongly represents a lot of the pop-punk influences that Ryan and Greg bring to the band, and features songs with inspiring themes and uplifting major keys. The other ‘That Which Destroys Us’ displays more of the band’s extreme metal influences, without abandoning some of the weirdness the band is known for. The EPs continue to explore odd time signatures and polyrhythms in the context of heavily distorted guitars, snarling synths, and guttural vocals.”

The EPs are available on Bandcamp, Spotify, Apple Music.

Track Listing:
1. Through Method And Rigor (4:43)
2. Fungal Symbiosis (feat. Elle T.) (3:50)
3. Exoplanets (feat. Elle T.) (6:09)
4. False Alternatives (5:13)
5. The Scrupulous Study Of Everything (5:41)
EP Length: 25:38

Track Listing:
1. (√-π)÷0=1 (3:58)
2. Audaciousness Of Him (7:10)
3. Narcicystic Pustule (1:26)
4. Masculine Toxin (4:38)
5. Gaia Shrugged (feat. Elle T.) (6:07)
6. The Inevitable Heat Death Of The Universe (5:32)
EP Length: 28:53

For more info:
SleepingInTraffic.com
Facebook
Instagram
Twitter
Youtube
EPK

Bio:

Based out of Edmonton, Canada, Sleeping In Traffic is a progressive metal band whose artistic vision is built around the concept of change. Nothing in the band’s music is intended to remain static. Each album and performance brings new adaptations and innovations; always playing with the sonic possibilities.

Influenced by the likes of Between The Buried and Me, Devin Townsend, and Porcupine Tree, they have been manifesting dynamic, and ever-evolving music since 2014. Sleeping In Traffic released their debut self titled EP in 2014 and the full length ‘Feminism’ in 2017 that is a guitar-driven hard rock/metal concept album that borrows heavily from ska, jazz, pop-punk, and classic prog rock. They have graced many stages in Western Canada including performances at Alberta’s Farmaggedon Metal Fest (2015) and Edmonton’s Shredmonton (2016/17).

Sleeping In Traffic is releasing two new EPs in 2019, ‘That Which Saves Us’ and ‘That Which Will Destroy Us’ each with a different character. One explores the darker, heavier metal influences of the band, while the other channels the more upbeat side to their music. Synthesizers will form a core element to both of these releases due on September 27, 2019.

Sleeping in Traffic consists of four members, each with their own unique and eclectic musical tastes, which influence their contributions to the band.

Greg Turner’s unusual approach to guitar is a core element of Sleeping In Traffic’s music. Stuttered, chaotic time signatures and bizarre chord voices in catchy patterns flow from his fingers to form the basis of many of the songs. His use of a multitude of pedals adds colourful timbres and occasionally acts as their own instrument.

Ryan Berehulke carves out a thundering obelisk of depth from his 5-string bass and his tower of speakers. His style is definitive in a way that meshes perfectly with the guitars to provide a wall of reinforcement, yet often also takes the main stage, without ever abandoning the supreme role as the band’s foundation. His ingenuity in his approach to bass playing is indispensable; from the funky groove and raw, pounding roars; all the way to evolving, ambient textures.

Andrew Bateman is a mad scientist behind a drum-kit. With his intricate knowledge of rhythms, he weaves complex patterns in and around the eccentric time signatures that the music follows. His array of styles ranges from pulverizing metal to pattering, offbeat jazz and everything in between. He is always searching for novel rhythmic cadences and new ways to strike the same drums. He is highly technical, yet playful; often improvising on the spot and testing the limits of his fellow musicians.

Cory Bosse acts as the voice of the band, as well as the source of many of its most unexpected sounds. His bombastic singing style has its roots in the metal music that originally inspired him to make music, yet weaves in a multitude of techniques from the myriad of styles he has explored since. Operatic vibratos flow into passionate howls, jazz scat collapses into death growls, and beat boxing meanders into throat singing in a pandemonium of vocal exploration. To help compliment each song’s particular character, he harnesses the power of a host of instruments, including keys, saxophone, synthesizers, and guitar.

– 30 –

“The 9-track record comes with a focused story-telling, remarkable songwriting and with an offer of something that separates them from the bigger part of the prog gang. The band is not shy to explore within pop, indie rock or alternative and fuse these elements with sound-defining progressive rock and metal influences.” – Prog-Sphere

“Feminism possesses great balance between the up-beat rock tunes polished with rock’s progressive and alternative subgenres, but what this album shows is talent of the band which certainly can bring something epic. Until then, let Feminism shows itself in its full brilliance.” – Progzilla

“sound more like their fellow countrymen Protest the Hero, albeit with a sax in the mix of things. Their overall style is the same careening prog metal that PtH are good at… For a debut album, I am impressed with “Feminism.”… I think Sleeping in Traffic have potential, so they are worth following.” – Progressive Music Planet

—

ASHER MEDIA RELATIONS
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0 EPK – Idolatry – EXEQUIISM TOUR (MAY 2015)

May 18, 2015
by Asher
· Idolatry

IDOLATRY – EXEQUIISM TOUR (MAY 2015)

RIYL: Gorgoroth, Behexen, Inquisition, Sargeist, and Horna

Tour Dates | Facebook | Twitter | Last FM

Pre-Sale Link | BigCartel

Download Press Photo | Download Album Cover

Top (left to right): Nox Invictus (Guitar), Daemonikus Abominor (Drums), Lycaon Vollmond (Guitar), and Center: Lörd Matzigkeitus (Vocals)

Photo credit: Pandemic Photography (Kevin Eisenlord)

View all the listed dates on Artist Data : http://artistdata.sonicbids.com/idolatry/shows/

May 16 Winnipeg, Manitoba @ the zoo

May 20 Toronto, Ontario @ Coalition T.O

May 22 Montréal, Québec @ Bar Hemisphère Gauche

May 23 Québec, Québec @ Salle Unisson

May 24 Saguenay, Québec @ K-Baret

May 27 Sudbury, Ontario @ Little Montréal

May 29 Brandon, Manitoba @ North Hill Inn
Stream Clefs au Chambre de Tristêsse: http://www.nocleansinging.com/2015/04/03/an-ncs-video-premiere-idolatry-clefs-au-chambre-de-tristesse-a-key-to-the-room-of-sadness/

‘Infection Born of Ending’ a 7’ split with Columbus, Ohio Black Metal group Unrest featuring the unique Idolatry track is available to purchase through BigCartel.There will only be 40, hand numbered copies available.The split is available for pre-order April 3, 2015 and will be available June 2015.

Download Album Art

Track Listing

Side A: Unrest – Of Filth

Side B: Idolatry – Clefs au Chambre de Tristêsse / …Once Thought of Webs

Pre-order link: http://idolatry.bigcartel.com/product/idolatry-unrest-7-split-infection-born-of-ending-preorder

Discography:
Self-titled EP – 2014
Infection Born of Ending – 2015

Biography

Creaking, bleak and articulate in its fury, Idolatry perform dynamic black metal that is at once cold and calculating, and then a schizophrenic catharsis. Comprised of members from Edmonton’s finest pedigree of extreme metal with singular vision to be old Norway’s soldier in Canada’s frozen tundra of misery. Live, Idolatry is corpse painted, spiked, and manic, raiding crowds of their attention to all else….terrifying. At the pen, Idolatry is wise and ancient. Heavily steeped in philosophy and the defense of Atheistic Satanism and the expulsion of abhorrent inner turmoil.

Fear what is coming….. Lest the mirrors paint your face in our madness.
“Idolatry creates basic black metal with a flowing melodic inner structure despite its raw exterior. The strikingly morose atmosphere of the music is what appealed to me the most.” – Deathmetal.org

“The music gets under your skin and writhes like worms in your head. Its dismal melodies tend to stay in your head, too. The finishing instrumental segment over the video’s closing credits is eerie, dramatic, and powerful — and it offers no hope either” – NoCleanSinging.com

Dreadful, horrifying, and ear shattering black metal emanates like some kind of noxious fog from my speakers, enveloping my very being with its disgusting, cathartic wails. This must be Idolatry, and their debut release.
– Crown of Viserys

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