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Tag: cannibal corpse

0 NoCleanSinging Premiere: Canada’s Duskwalker Release Music Video For H.P. Lovecraft Inspired “The Crawling Tongue” Off “All They Know Is Fear”

  • December 10, 2020
  • by Asher
  • · Duskwalker · Music News

NEWS RELEASE

Montreal, QC – December 10, 2020

For fans of Morbid Angel, Carcass, Cannibal Corpse

Canada’s Duskwalker Release Music Video For H.P. Lovecraft Inspired “The Crawling Tongue” Off “All They Know Is Fear”

Video Premiere via NoCleanSinging

“All They Know Is Fear” Out Now! via CDN Records

The members of Ontario’s Duskwalker have been making their rounds in the underground metal scene for decades and their efforts culminated in the current form in 2015. Having originally started with the sole purpose of being a money-making cover band, things took a heavier turn when they morphed into a kickass metal band.

They released a full-length “Codex Mystirium” in 2016 under the name The Offering and traveled extensively to promote it, however, due to another band with the same name they took the name of one of their songs. In 2019, under the name Duskwalker, they released “All They Know Is Fear” via CDN Records. They released the video for the single “Shadowcreeper” via Decibel Magazine and also won the 2019 Niagara Music Award for Best Heavy Metal Group.

A heavy throwback yet modern, Duskwalker‘s album “All They Know Is Fear” as a whole is made to be enjoyed from beginning to end with carefully arranged songs that provide a well-rounded listening experience. It is a monstrous sophomore album with themes of myth, conspiracy, and horror, showing that Duskwalker have conjured a diverse mix of extreme metal that’s recommended for fans of Morbid Angel, Carcass, and Pantera.

Today, the band shares their next music video for their track “The Crawling Tongue”. The song is about the H.P. Lovecraft character Nyarlothtep along with featuring super heavy riffs and vocals that sound really pissed off akin to Morbid Angel and Pantera mixed together. The band explains the track:

“We want it to take the listener somewhere dark. We have forged traditional metal, old school death, and thrash. Genres are blended creating a visceral assault that stands out from song to song with a dose of atmosphere and darkness.”

Watch “The Crawling Tongue” via its premiere on NoCleanSinging HERE.

Duskwalker‘s latest album “All They Know Is Fear” is available on CDNRecords, Apple Music, Spotify, Amazon.

Music Video – Shadowcreeper – YouTube


Track Listing:
1. The Return (1:58)
2. Dimensional Collision (4:13)
3. The Crawling Tongue (5:20)
4. Madness Unleashed (4:57)
5. Dyatlov Pass (5:58)
6. Shadowcreeper (3:58)
7. Bielek (3:50)
8. Domus Volant Noctuae (2:18)
9. The Crushing Weight Of Guilt (5:19)
10. Masters Of Vril (7:04)
11. Ripping Terror (3:43)
Album Length: 48:41

Album and Live Band Line Up:
Joey Scaringi – Vocals
John Robinson – Guitars
Cale Costello – Drums
Matt Grabon – Bass / Vocals

More info:
Facebook.com/DuskwalkerOfficial
Instagram.com/duskwalkermetal
Twitter.com/duskwalkermetal
EPK

About:
Formed in 2015 In Niagara Falls, Canada. Duskwalker combines traditional heavy metal and death metal with atmospheric passages. Comprised of Niagara’s lifer metal musicians, they released their debut “Codex Mystirium“ in 2016. In November of 2019, Duskwalker released their sophomore album “All They Know Is Fear“ Distributed by CDN Records. The band won The Niagara Music Award for Best Heavy Metal Group in 2019 and 2020.

– 30 –

“After drummer Cale Costello summons listeners with a lethal drum roll, the song (Shadowcreeper) quickly lunges for the kill. Vocalist Joey Scaringi’s rasped snarls and growls accompany blastbeats until the mid-song breakdowns syncopate with the Shadowcreeper’s violent pursuit. Once guitarist John Robinson’s sharpened solo starts stabbing, the finale seems written in blood. There’s no happy ending here, just melodic death metal that balances brutality and infectious grooves.” – Decibel Magazine

“Your neck is going to hurt after giving these guys a spin. DUSKWALKER evoke a pure metal spirit that hones a modern groove into a heavier and darker place where all they know is fear! Their tunes pick and pull accents of influence from a wide spectrum but overall stay true to a highly accessible and aggressive metal barrage. Every song on the album is different but shades of Dethklok, Carcass, Pantera, Amon Amarth, Revocation, and Nile can be felt in the shadows around every turn. “All They Know Is Fear” proves to be one hell of a ride, in which I’m sure will resonate a diverse group of metalheads. Crank this up loud and apologies in advance for tomorrow’s neck pain! 8/10” – Blessed Altar Zine

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Scream & Growl To Los Angeles Death Shred Bloodfeast Ritual’s “Chopped Up And Burned” Karaoke Video

  • September 9, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 9, 2020


For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Scream & Growl To LA Death Shred Bloodfeast Ritual Evil Dead Karaoke Video “Chopped Up And Burned”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal;
we love all of the aspects of death metal as a genre, and we wanted to show that with this EP.
We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their lyric video/karaoke edition for their track “Chopped Up And Burned”, which fans can scream and growl along with on YouTube HERE.

The band adds:

“This song was born out of a mutual love for Evil Dead. The lyrics spell out the story of the movie, and we feel the music compliments it nicely.”

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

“”Chunky riffs, technical playing, and vicious raspy barks make up the majority of their sound, but they also display fistfuls of melodic leads that have more of a Trad sensibility to them that helps the band stand out, particularly on the first two tracks.” – The Metal Crypt

“If you like your death metal a little bit more of the shred-tastic sides of things, and are sick of all these ‘old school’ bands, then Bloodfeast Ritual’s debut EP ‘Altars of Sacrifice’ might just be for you. Coming hard on the Arsis/Black Dahlia Murder side of things, these Los Angeles dudes are tearing it up… The mix of shredding brutality and classical guitar work here is a reason that Bloodfeast Ritual have really go something going on on ‘Altars of Sacrifice’. It is a true love letter to the genre in its myriad forms, and Bloodfeast Ritual have the chops to pull off a variety of styles to really uphold the traditions without losing their modern edge. Check it out” – The Killchain Blog

“Gruesome death metal played with loads of energy and skill that will blow you away!” – Zax Records and Reviews

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Los Angeles Death Shred Bloodfeast Ritual Shares Playthrough Video “Eternally Molested By The One Most Foul”; Debut EP “Altars of Sacrifice” Out Now!

  • August 24, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 24, 2020

For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Los Angeles Death Shred Bloodfeast Ritual Shares Playthrough Video “Eternally Molested By The One Most Foul”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre,
and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their guitar playthrough video for “Eternally Molested By The One Most Foul”, where fans can witness guitarists Michael Bala and Hunter Gurney showcase the rippage with four excitable solos.

“This song was something Mike wrote at 4 in the morning because he couldn’t sleep until it was out of his head and on paper. We love the melody and song structure, and think it’s one of the most unique songs on the EP.” says the band.

Feel the shred with the guitar playthrough for “Eternally Molested By The One Most Foul” on YouTube.

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Los Angeles Death Shred Bloodfeast Ritual Unleash Lyric Video “Eternally Molested By The One Most Foul”; Debut EP “Altars of Sacrifice” Out Now!

  • August 12, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 12, 2020

For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Los Angeles Death Shred Bloodfeast Ritual Unleash Lyric Video “Eternally Molested By The One Most Foul”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre,
and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their lyric video for “Eternally Molested By The One Most Foul”, where listeners can expect a guitar nerd’s wet dream as guitarists Michael Bala and Hunter Gurney showcase the rippage with four excitable solos.

“This song was something Mike wrote at 4 in the morning because he couldn’t sleep until it was out of his head and on paper. We love the melody and song structure, and think it’s one of the most unique songs on the EP.” says the band.

Listen and get your headbang karaoke ready with “Eternally Molested By The One Most Foul” on YouTube.

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Out Now! Los Angeles Death Shred Bloodfeast Ritual Debut EP “Altars of Sacrifice”

  • July 27, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 27, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Out Now! Los Angeles Death Shred Bloodfeast Ritual Debut EP “Altars of Sacrifice”

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre,
and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfest Ritual have unleashed their debut EP “Altars of Sacrifice”, out now, officially as of July 24th. A five-track introduction ranging from technical death metal to melodic shred, the release’s lyrical content shares the trio’s love for 80’s horror movies, HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, the EP’s opener “Grave Fodder” resurrects the dead with its shred, guttural vocals and slamming assault of 90’s influenced Swedish death metal. Followed by “Eternally Molested By The One Most Foul”, where listeners can expect a guitar nerd’s wet dream as guitarists Michael Bala and Hunter Gurney showcase the rippage with four excitable solos. “No More Room In Hell” is a salute to ‘Dawn of The Dead’ and hits fans of old school Carcass and Cannibal Corpse with its brutal slam section, while “Chopped Up and Burned” is a tribute to ‘The Evil Dead’ and has many hints of early 90’s death metal. EP closer “Fetid Offering”, was the first song written by guitarist Hunter Gurney for the band and is about the video game Bloodborne. The track erodes what neck muscles you have left from headbanging with its blunt force trauma of The Black Dahlia Murder meets Necrophagist.

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Lyric Video – Chopped Up And Burned – YouTube

Lyric Video – Eternally Molested By The One Most Foul – YouTube

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 TALES OF THE TOMB Shares Guitar Playthrough ‘The Nightmare Hall’ via TechnicalMusicReview

  • June 25, 2020
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – June 25, 2020

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Shares Guitar Playthrough ‘The Nightmare Hall’ Off Conspiracy EP “Volume Two: Mendacium”

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Edmonton death metal duo Tales of The Tomb have been a two-man wrecking crew for a while now with Trez Thomas (Guitar and Vocals) and Corey Skerlak (Guitar and Vocals), but earlier this month they announced they have become a trio with the addition of bassist Jonnii Guns. Over the last few months, the band has been unleashing guitar and bass playthrough videos in support of their latest EP “Volume Two: Mendicium” unleashed this past September.

Today, the band reveals their next duo guitar playthrough for the track “The Nightmare Hall”, which can be viewed via its premiere on TechnicalMusicReview HERE.

Guitarist Tres Thomas comments:

“‘The Nightmare Hall’ is one of the most technical songs we have written as of yet. It’s so amazing to finally release the playthrough for this song to showcase the merciless riffs in this duo playthrough. The video also features every guitar that was on the album, and more!”

Tales of The Tomb‘s latest EP “Volume Two: Mendicium” is a collection of narratives surrounding government cover-ups, national lies, and the heinous crimes committed amongst the shadows. It’s also a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows. It was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks.

The EP is available on Bandcamp, Spotify, Apple Music.

Previous playthroughs:
Bass Playthrough – Sinful Messiah here.
Guitar Playthrough – Mermaid In A Manhole here.
Guitar Playthrough – Dyatlove Pass Incident here.
Guitar Playthrough – Sinful Messiah here.


Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
EPK

About:

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music.  Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

– 30 –

“Overall, I recommend this album to death metal fans of all varieties. It is a fun album with a lot of great riffs. Also, I highly recommend reading the lyrics and learning about the conspiracy theories behind the songs.” – Metal Temple

“Volume Two: Mendacium is six songs of punishing metal fit for listeners with the heaviest of taste. Whether you’re spending time carving pumpkins or watching slasher movies this Halloween season, be sure to make room on your playlist for Tales of the Tomb.” – Surviving The Golden Age

” Their new, independently released EP is heavy as ice and laced up with razor-sharp production. Volume Two: Mendacium is a non-stop frosty riff fest, delivered on a moose-poutine platter of awesome production thanks to the Canucks over at The Grid. Slapshot your wallets & pick up this death metal gem.” – TrveNorth Reviews

“The need to head bang is strong with this one, and it made for an excellent addition to my Death Metal library.” – New-Transcendence

“All in all, Tales of the Tomb’s latest installment is a rather subtle tale that is more akin to a destructive musical journey through morbid lyrical themes and passages.” – Metal Trenches

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 TALES OF THE TOMB Announce New Bassist + Share Bass Playthrough ‘Sinful Messiah’ via NoCleanSinging

  • June 10, 2020
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – June 10, 2020

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Announce New Bassist + Share Bass Playthrough ‘Sinful Messiah’ Off Conspiracy EP “Volume Two: Mendacium”

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Edmonton death metal duo Tales of The Tomb have been a two-man wrecking crew for a while now, but today, the band is happy to share the news that they will commence as a trio with the addition of new bassist Jonii Guns. In addition to him joining, the band is sharing his bass playthrough for the track ‘Sinful Messiah’ off of their latest EP “Volume Two: Mendicium” unleashed this past September.

Teaming up with NoCleanSinging, the band is premiering the bass playthrough HERE.

Bassist Jonii Guns comments:

“I’m excited to start working with the boys in Tales of The Tomb and moving into the next stage of my music career! I’m originally from the UK and moved to Canada nearly 3 years back. Previously I worked mostly with heavy metal, hardcore, and metalcore bands doing some touring and session work with the likes of The Hero Dies First, Faces of Eve, and years and years ago I helped out a little with L.A. Guns from… well LA! It was an awesome time playing with those bands and I have to say I wouldn’t be the musician I am without all the experiences I had with them! When first listening to Tales of The Tomb, I was unsure about the music having never played this kind of metal in the past, but after being sent the tabs and playing with the music, I really enjoyed it and the challenge of playing something new. Plus, I’m into alien conspiracy stuff, so I was super stoked when I heard all the different content with a darker theme! It makes it far more interesting! I’m really excited to be working with the lads on new material and incorporating my sound into the new EP and content we have planned.”

Tales of The Tomb‘s latest EP “Volume Two: Mendicium” is a collection of narratives surrounding government cover-ups, national lies, and the heinous crimes committed amongst the shadows. It’s also a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows. It was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks.

The EP is available on Bandcamp, Spotify, Apple Music.


Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
EPK

About:

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music.  Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

– 30 –

“Overall, I recommend this album to death metal fans of all varieties. It is a fun album with a lot of great riffs. Also, I highly recommend reading the lyrics and learning about the conspiracy theories behind the songs.” – Metal Temple

“Volume Two: Mendacium is six songs of punishing metal fit for listeners with the heaviest of taste. Whether you’re spending time carving pumpkins or watching slasher movies this Halloween season, be sure to make room on your playlist for Tales of the Tomb.” – Surviving The Golden Age

” Their new, independently released EP is heavy as ice and laced up with razor-sharp production. Volume Two: Mendacium is a non-stop frosty riff fest, delivered on a moose-poutine platter of awesome production thanks to the Canucks over at The Grid. Slapshot your wallets & pick up this death metal gem.” – TrveNorth Reviews

“The need to head bang is strong with this one, and it made for an excellent addition to my Death Metal library.” – New-Transcendence

“All in all, Tales of the Tomb’s latest installment is a rather subtle tale that is more akin to a destructive musical journey through morbid lyrical themes and passages.” – Metal Trenches

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 TALES OF THE TOMB Shares Guitar Playthrough ‘Mermaid In A Manhole’ via V13.net

  • May 27, 2020
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – May 27, 2020

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Shares Guitar Playthrough ‘Mermaid In A Manhole’ Off Conspiracy EP “Volume Two: Mendacium”

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Edmonton death metal duo Tales of The Tomb are sharing with fans their latest guitar playthrough for ‘Mermaid In A Manhole’. The song is a bonus track that comes off of the band’s latest EP “Volume Two: Mendicium” unleashed this past September. The EP itself is a collection of narratives surrounding government cover-ups, national lies, and the heinous crimes committed amongst the shadows. It’s also a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows.

Today, guitarist Corey Skerlak has put together a new playthrough for the song, which is one of many more videos being released by the band in the coming weeks.

Behold the shredding via the video’s premiere on V13.net HERE.

The band explains the story behind the bonus track in further detail:

“‘Mermaid In A Manhole’ is the only song we have written that is truly-fictional. Based on a Japanese horror film Mermaid in a Manhole. The song focuses on a painter that is suffering from depression, who disembowels his wife while in a psychotic state. The story of the song ‘Mermaid in a Manhole’ does not really fit into our conspiracy theme we have for this EP. This is why we decided to list it as a bonus track to give it a proper release and the band had no plans to write more true-fiction based songs. Sonically we tried to recreate the psychosis the painter was going through, we wanted to represent the chaos that must have been going on in the painter’s mind to have brought himself to murder his wife. There is a sample at the end of the song, which has the sound of chopping and a man speaking in Japanese. This is audio taken right from the movie at the part where the painter is sitting on the ground covered in blood chopping up the remains of his mermaid saying, “My Mermaid, My Mermaid is dead.”

“Volume Two: Mendicium” was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks. The EP is available on Bandcamp, Spotify, Apple Music.

Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
EPK

About:

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music.  Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

– 30 –

“Overall, I recommend this album to death metal fans of all varieties. It is a fun album with a lot of great riffs. Also, I highly recommend reading the lyrics and learning about the conspiracy theories behind the songs.” – Metal Temple

“Volume Two: Mendacium is six songs of punishing metal fit for listeners with the heaviest of taste. Whether you’re spending time carving pumpkins or watching slasher movies this Halloween season, be sure to make room on your playlist for Tales of the Tomb.” – Surviving The Golden Age

” Their new, independently released EP is heavy as ice and laced up with razor-sharp production. Volume Two: Mendacium is a non-stop frosty riff fest, delivered on a moose-poutine platter of awesome production thanks to the Canucks over at The Grid. Slapshot your wallets & pick up this death metal gem.” – TrveNorth Reviews

“The need to head bang is strong with this one, and it made for an excellent addition to my Death Metal library.” – New-Transcendence

“All in all, Tales of the Tomb’s latest installment is a rather subtle tale that is more akin to a destructive musical journey through morbid lyrical themes and passages.” – Metal Trenches

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 TALES OF THE TOMB Shares Guitar Playthrough ‘Dyatlov Pass Incident’ via GearGods

  • May 14, 2020
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – May 14, 2020

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Shares Guitar Playthrough ‘Dyatlov Pass Incident’ Off Conspiracy EP “Volume Two: Mendacium”

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Edmonton death metal duo Tales of The Tomb are sharing with fans their latest guitar playthrough for ‘Dyatlov Pass Incident’. The track comes off of the band’s EP “Volume Two: Mendicium” unleashed this past September. The EP itself is a collection of narratives surrounding government cover-ups, national lies, and the heinous crimes committed amongst the shadows. It’s also a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows.

‘Dyatlov Pass Incident’, the fourth track of six on the EP, tells the tale of 9 hikers who disappeared in what is now called the Dyatlov Pass in Russia. This incident had inspired many different conspiracies trying to explain what happened to the 9 hikers that went missing and were later found dead in the mountain range. Because there was a random unidentified scrap of clothing that looked to come from a military uniform found at the sight of the event. When writing the track, the band took the angle that the hikers unknowingly stumbled across a military weapons test and met their demise. The song was written as a push-pull between the chaos of stumbling into this extension event vs. a seemingly normal journey.

Today, guitarists Trez Thomas has put together a new playthrough for the song, which is one of many more videos being released by the band in the coming weeks.

“We had a lot of fun filming the playthrough for Dyatlov Pass Incident. We decided to film the playthrough in one of the music stores Corey and I worked at for years called Axe Music here in Edmonton. Once all the gear was piled out into the new location and the store was just an empty husk we decided it would be cool to film a playthrough as one of the last things ever done in that store. Dyatlov Pass Incident is an older song for us so it’s awesome to be able to release that song and all this content for it finally. More so now that a lot of governments are opening up about UFOs, alien conspiracies and things that were all said to just be conspiracy theories!” adds Thomas.

Behold the shredding via the video’s premiere on GearGods HERE.

“Volume Two: Mendicium” was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks. The EP is available on Bandcamp, Spotify, Apple Music.

Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
EPK

About:

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music.  Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

– 30 –

“Overall, I recommend this album to death metal fans of all varieties. It is a fun album with a lot of great riffs. Also, I highly recommend reading the lyrics and learning about the conspiracy theories behind the songs.” – Metal Temple

“Volume Two: Mendacium is six songs of punishing metal fit for listeners with the heaviest of taste. Whether you’re spending time carving pumpkins or watching slasher movies this Halloween season, be sure to make room on your playlist for Tales of the Tomb.” – Surviving The Golden Age

” Their new, independently released EP is heavy as ice and laced up with razor-sharp production. Volume Two: Mendacium is a non-stop frosty riff fest, delivered on a moose-poutine platter of awesome production thanks to the Canucks over at The Grid. Slapshot your wallets & pick up this death metal gem.” – TrveNorth Reviews

“The need to head bang is strong with this one, and it made for an excellent addition to my Death Metal library.” – New-Transcendence

“All in all, Tales of the Tomb’s latest installment is a rather subtle tale that is more akin to a destructive musical journey through morbid lyrical themes and passages.” – Metal Trenches

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 TALES OF THE TOMB Share Guitar Playthrough ‘Sinful Messiah’ Off Conspiracy EP “Volume Two: Mendacium” 

  • April 30, 2020
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – April 30, 2020

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Share Guitar Playthrough ‘Sinful Messiah’ Off Conspiracy EP “Volume Two: Mendacium” 

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Edmonton death metal duo Tales of The Tomb are sharing with fans their latest guitar playthrough for ‘Sinful Messiah’. The track comes off of the band’s EP “Volume Two: Mendicium” unleashed this past September. The EP itself is a collection of narratives surrounding government cover-ups, national lies and the heinous crimes committed amongst the shadows. It’s also a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows.

‘Sinful Messiah’, the third track of six on the EP, is a dark tale of the infamous cult leader David Koresh and the Branch Davidians (if you follow Netflix, watch WACO).

Today, guitarists Trez Thomas and Corey Skerlak have put together a new playthrough for the song, which is one of many more videos being released by the band in the coming weeks.

Behold the shredding duo via the video’s premiere on Ghost Cult Magazine HERE.

The band explains the story behind the song:

“Our song ‘Sinful Messiah’ focuses on the cult leader from the Branch Davidians in Waco, Texas — David Koresh. The Branch attracted the attention of the ATF when the US postal service flagged a suspicious parcel containing live hand grenades being shipped to their compound. The name ‘Sinful Messiah’ is ripped from the headline of a newspaper article giving him the title; because David believed he was the second coming of Christ. This song was written to sonically recreate the events that took place portraying the level of chaos and confusion created by raids and the siege on the compound. This event has been regarded by some as a publicity stunt in the wake of cult hysteria to paint the ATF in a positive light — leading to a “who shot first?” conspiracy.”

Behold the shredding duo in the following video via Ghost Cult Magazine HERE.

“Volume Two: Mendicium” was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks. The EP is available on Bandcamp, Spotify, Apple Music.


Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
EPK

About:

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music.  Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

– 30 –

“Overall, I recommend this album to death metal fans of all varieties. It is a fun album with a lot of great riffs. Also, I highly recommend reading the lyrics and learning about the conspiracy theories behind the songs.” – Metal Temple

“Volume Two: Mendacium is six songs of punishing metal fit for listeners with the heaviest of taste. Whether you’re spending time carving pumpkins or watching slasher movies this Halloween season, be sure to make room on your playlist for Tales of the Tomb.” – Surviving The Golden Age

” Their new, independently released EP is heavy as ice and laced up with razor-sharp production. Volume Two: Mendacium is a non-stop frosty riff fest, delivered on a moose-poutine platter of awesome production thanks to the Canucks over at The Grid. Slapshot your wallets & pick up this death metal gem.” – TrveNorth Reviews

“The need to head bang is strong with this one, and it made for an excellent addition to my Death Metal library.” – New-Transcendence

“All in all, Tales of the Tomb’s latest installment is a rather subtle tale that is more akin to a destructive musical journey through morbid lyrical themes and passages.” – Metal Trenches

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

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