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Tag: cannibal corpse

0 TALES OF THE TOMB Share Thoughts On The Beatles Conspiracy w/ Lyric Video ‘Faul’

  • January 3, 2020
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – January 3, 2020

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Share Thoughts On The Beatles Conspiracy w/ Lyric Video ‘Faul’

New EP “Volume Two: Mendacium” Out Now!

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Unleashing their latest EP “Volume Two: Mendicium” this past September, Edmonton death metal duo Tales of Tomb are sharing with fans their latest lyric video for the track ‘Faul’ HERE.

The band explains the story behind the track:

“Faul was the 3rd song the band had ever written. We decided not to include it on our debut EP because it did not fit into the concept that the first EP had. ‘Faul’ is about the conspiracy surrounding The Beatles. In the ’60s Paul and John got into a fight late one night in the studio. Paul stormed out after an argument while driving Paul saw a woman walking by the side of the road. It was around 3 am in the morning Paul decided to stop and offer the woman a ride. After the woman got into the car and Paul started driving again. The woman noticed the driver was Sir Paul McCartney of The Beatles! The woman got very excited and was throwing herself at Paul while he was driving resulting in him driving the car off the road. It’s rumored that he never survived the crash and that police came to the studio to inform the band of their member Paul’s death in the accident. When the band was brought to the accident, the police officer was showing the band the body and noticed that you could see his teeth poking through his cheek. The cop said ‘Doesn’t he look like a walrus’ and John Lennon was very distraught by this and was yelling at the cop ‘No, I am the walrus’ inspiring the famous line from the song.  In the end, it was the British Secret Police who decided to forge a cover-up not revealing Paul’s death to the world in fear there would be mass suicide from a lot of the fans The Beatles had. Sonically, we really went for the murder metal formula short, sweet and to the point.”

Painting their canvas of extreme music with inspirations of real-life stories of murder, conspiracy, supernatural horror, and terror, Tales of The Tomb‘s new EP “Volume Two: Mendicium” is a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows. Inspired by true events, the duo offer up gore-filled lyrics with a quivering soundscape. The EP was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks.

“Volume Two: Mendicium” is available on Bandcamp, Spotify, Apple Music.


Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
EPK

About:

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music.  Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

– 30 –

“Overall, I recommend this album to death metal fans of all varieties. It is a fun album with a lot of great riffs. Also, I highly recommend reading the lyrics and learning about the conspiracy theories behind the songs.” – Metal Temple

“Volume Two: Mendacium is six songs of punishing metal fit for listeners with the heaviest of taste. Whether you’re spending time carving pumpkins or watching slasher movies this Halloween season, be sure to make room on your playlist for Tales of the Tomb.” – Surviving The Golden Age

” Their new, independently released EP is heavy as ice and laced up with razor-sharp production. Volume Two: Mendacium is a non-stop frosty riff fest, delivered on a moose-poutine platter of awesome production thanks to the Canucks over at The Grid. Slapshot your wallets & pick up this death metal gem.” – TrveNorth Reviews

“The need to head bang is strong with this one, and it made for an excellent addition to my Death Metal library.” – New-Transcendence

“All in all, Tales of the Tomb’s latest installment is a rather subtle tale that is more akin to a destructive musical journey through morbid lyrical themes and passages.” – Metal Trenches

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 TALES OF THE TOMB Shreds Tech Death Metal In Guitar Playthrough ‘Nine Eleven’; New EP “Volume Two: Mendacium” Out Now!

  • December 13, 2019
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – December 13, 2019

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Shreds Tech Death Metal In Guitar Playthrough ‘Nine Eleven’

New EP “Volume Two: Mendacium” Out Now!

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Unleashing their latest EP “Volume Two: Mendicium” this past September, Edmonton death metal duo Tales of Tomb are sharing with fans and technical guitar shredders their new playthrough video for the track ‘Nine Eleven’ via its premiere on TechnicalMusicReview HERE.

The band explains the story behind the track:

“Very few people (if any) are unaware of the tragic events that unfolded on Sept 11. 2001. We originally wrote this song for the last show of another Edmonton local band called Villainizer. When starting to plan out the second EP we wanted to have a concept like our first one. With songs like Nine Eleven and Faul wrote this point. We look common factors were in the songs and came to the conspiracy/lies concept. This EP is an important installment that embodies the fundamentals of the band — the reality is more horrifying than fiction. This is a concept EP based on the Latin word Mendacium — meaning untruth and or to be lied to. The first single Nine Eleven is just that — presenting a version of tragic historical events from various angles and the alleged truths that were presented. The intention of each song is to unmask the deception forced upon the masses pushing them to challenge their own perception of reality.”

Painting their canvas of extreme music with inspirations of real-life stories of murder, conspiracy, supernatural horror, and terror, Tales of The Tomb‘s new EP “Volume Two: Mendicium” is a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows. Inspired by true events, the duo offer up gore-filled lyrics with a quivering soundscape. The EP was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks.

“Volume Two: Mendicium” is available on Bandcamp, Spotify, Apple Music.

Previous Videos:
‘The Sinful Messiah’ here.
‘The Nightmare Hall’ here.
‘Nine Eleven’ here.
‘Dyatlov Pass’ here.
‘Mermaid In A Manhole’ here.


Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
EPK

About:

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music.  Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

– 30 –

“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine

“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider

“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review

“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review

Prairie Finalist for Wacken Metal Battle Canada 2016

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Tweet @AsherMedia | Instagram @AsherMedia

0 TALES OF THE TOMB Shares Japanese Horror Film Inspired Video “Mermaid In A Manhole”

  • November 21, 2019
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – November 21, 2019

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Shares Japanese Horror Film Inspired Video “Mermaid In A Manhole”

New EP “Volume Two: Mendacium” Out Now!

Edmonton EP Release Show Nov 30th @ Starlite Room

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Painting their canvas of extreme music with inspirations of real-life stories of murder, conspiracy, supernatural horror, and terror, Edmonton’s Tales of The Tomb unleashed their new EP “Volume Two: Mendicium” this past September. The EP is a vicious bite of grinding blast beats, technical shredding accompanied by venomous guttural lows. Inspired by true events, the duo offer up gore-filled lyrics with a quivering soundscape. The EP was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson along with featuring artwork by Tony Midi of Tonymidi Artworks. The EP also contains a bonus track about the Japanese horror film ‘Mermaid In A Manhole’, which the band have put together a new lyric video for at the following link HERE.

The band explains the story behind the bonus track in further detail:

“‘Mermaid In A Manhole’ is the only song we have written that is truly-fictional. Based on a Japanese horror film Mermaid in a Manhole. The song focuses on a painter that is suffering from depression, who disembowels his wife while in a psychotic state. The story of the song ‘Mermaid in a Manhole’ does not really fit into our conspiracy theme we have for this EP. This is why we decided to list it as a bonus track to give it a proper release and the band had no plans to write more true-fiction based songs. Sonically we tried to recreate the psychosis the painter was going through, we wanted to represent the chaos that must have been going on in the painter’s mind to have brought himself to murder his wife. There is a sample at the end of the song, which has the sound of chopping and a man speaking in Japanese. This is audio taken right from the movie at the part where the painter is sitting on the ground covered in blood chopping up the remains of his mermaid saying, “My Mermaid, My Mermaid is dead.”

“Volume Two: Mendicium” is available on Bandcamp, Spotify, Apple Music.

Previous Videos:
‘The Sinful Messiah’ here.
‘The Nightmare Hall’ here.
‘Nine Eleven’ here.
‘Dyatlov Pass’ here.

Show Dates:
Nov 30 – Edmonton, AB – Starlite Room w/ Third Chamber, Eye of Horus


Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
EPK

About:

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music.  Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

– 30 –

“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine

“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider

“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review

“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review

Prairie Finalist for Wacken Metal Battle Canada 2016

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Tweet @AsherMedia | Instagram @AsherMedia

0 TALES OF THE TOMB Posts New Video ‘Dyatlov Pass Incident’

  • November 7, 2019
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – November 7, 2019


For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Posts New Video ‘Dyatlov Pass Incident’

New EP “Volume Two: Mendacium” Out Now!

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Painting their canvas of extreme music with inspirations of real-life stories of murder, conspiracy, supernatural horror, and terror, Edmonton’s Tales of The Tomb unleashed their new EP “Volume Two: Mendicium” this past September. In support of the release, the band is sharing their latest video for their track ‘Dyatlov Pass Incident’.

The band explains the story behind the song:

“9 hikers disappeared in what is now called the Dyatlov Pass in Russia. This incident had inspired many different conspiracies trying to explain what happened to the 9 hikers that went missing and were later found dead in the mountain range. Because there was a random unidentified scrap of clothing that looked to come from a military uniform found at the sight of the event. We are taking the angle put forth that the hikers unknowingly stumbled across a military weapons test and met their demise. Basically, they were there at the wrong place at the wrong time and the government was forced to cover up their deaths that the weapons test caused. There was evidence of the hikers ripping the tent from the inside and one of the hikers was found with extensive radiation burns, unclothed, fingernails and hands ripped apart from what was later determined to be from trying to climb the surrounding trees and much more. The song is written push-pull between the chaos of stumbling into this extension event vs. a seemingly normal journey. This was the last song written and displays the direction we are trying to move into from our past EP.”

Check out the video HERE.

A sonic attack layered with grinding blast beats, injected with menacing guttural lows, “Volume Two: Mendicium” is straight from hell with gore-filled lyrics leaving little to the imagination, destroying your eardrums like a corpse erased in an acid-filled bath. The EP was mixed and mastered by Cryptopsy guitarist and head engineer/owner at The Grid Studios Christian Donaldson. The EP also contains a bonus track about the Japanese horror film Mermaid in a Manhole. Featuring artwork by Tony Midi of Tonymidi Artworks.

“Volume Two: Mendicium” is available on Bandcamp, Spotify, Apple Music.

Other Videos:
‘The Sinful Messiah’ here.
‘The Nightmare Hall’ here.
‘Nine Eleven’ here.


Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
EPK

About:

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music.  Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

– 30 –

“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine

“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider

“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review

“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review

Prairie Finalist for Wacken Metal Battle Canada 2016

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

0 TALES OF THE TOMB Premiere EP Stream “Volume Two: Mendacium” via Decibel Mag

  • September 26, 2019
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – September 26, 2019

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Premiere EP Stream “Volume Two: Mendacium” via Decibel Mag

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Painting their canvas of extreme music with inspirations of real-life stories of murder, conspiracy, supernatural horror, and terror, Edmonton’s Tales of The Tomb will unleash their new EP “Volume Two: Mendicium” on September 27th. The EP is a collection of narratives surrounding government cover-ups, national lies and the heinous crimes committed amongst the shadows. Before the EP officially drops, the duo has teamed up with Decibel Magazine for its exclusive full stream HERE.

A sonic attack layered with grinding blast beats, injected with menacing guttural lows “Volume Two: Mendicium” is a sound straight from hell with gore-filled lyrics leaving little to the imagination, destroying your eardrums like a corpse is erased in an acid-filled bath. Mixed and mastered by Cryptopsy guitar player and Head Engineer/Owner at The Grid Studios Christian Donaldson. The EP also contains a bonus track about the Japanese horror film Mermaid in a Manhole. Featuring artwork by Tony Midi of Tonymidi Artworks.  Pre-order the album HERE.

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music.  Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

Videos:
‘The Sinful Messiah’ here.
‘The Nightmare Hall’ here.
‘Nine Eleven’ here.


Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
Twitter
EPK

– 30 –

“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine

“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider

“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review

“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review

Prairie Finalist for Wacken Metal Battle Canada 2016

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 TALES OF THE TOMB Premiere Lyric Video For “The Nightmare Hall”

  • September 18, 2019
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – September 18, 2019

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Premiere Lyric Video For “The Nightmare Hall”
New EP “Volume Two: Mendacium” September 27th

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Every town has stories to caution or warn, every police officer has a seen a crime that keeps them awake at night, and every coroner has seen death in ways that the rest of us could never imagine. Murder, conspiracy, supernatural horror, and real-life terror are stains on the cutting room floor where Edmonton-based group Tales of The Tomb paints their canvas.

Tales of The Tomb will release their new EP “Volume Two: Mendicium” September 27th. “Volume Two: Mendicium” is a collection of narratives surrounding government cover-ups, national lies and the heinous crimes committed amongst the shadows.  The album was mixed and mastered by Cryptopsy guitar player and Head Engineer/Owner at The Grid Studios Christian Donaldson. The EP also contains a bonus track about the Japanese horror film Mermaid in a Manhole. Featuring artwork by Tony Midi of Tonymidi Artworks.  Pre-order the album HERE.

Today the band has teamed up with Metal Insider for an exclusive premiere of the lyric video for “The Nightmare Hall”.  Watch it HERE.

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music.  Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (Guitar, Vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

A sonic attack layered with grinding blast beats, injected with menacing guttural lows — a sound straight from hell with gore-filled lyrics leaving little to the imagination, destroying your eardrums like a corpse is erased in an acid-filled bath.

EP pre-order is available on Bandcamp here.


Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
Twitter
EPK

– 30 –

“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine

“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider

“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review

“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review

Prairie Finalist for Wacken Metal Battle Canada 2016

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 TALES OF THE TOMB Unleash New Video ‘Sinful Messiah’; A Death Metal Story of David Koresh

  • September 4, 2019
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – September 4, 2019

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB Unleash New Video ‘Sinful Messiah’; A Death Metal Story of David Koresh

New EP “Volume Two: Mendacium” September 27th

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Every town has stories to caution or warn, every police officer has a seen a crime that keeps them awake at night, and every coroner has seen death in ways that the rest of us could never imagine. Murder, conspiracy, supernatural horror, and real-life terror are stains on the cutting room floor where Edmonton-based group Tales of The Tomb paints their canvas.

Tales of The Tomb will release their new EP “Volume Two: Mendacium” September 27th. “Volume Two: Mendacium” is a collection of narratives surrounding government cover-ups, national lies and the heinous crimes committed amongst the shadows.  The album was mixed and mastered by Cryptopsy guitar player and Head Engineer/Owner at The Grid Studios Christian Donaldson. The EP also contains a bonus track about the Japanese horror film Mermaid in a Manhole. Featuring artwork by Tony Midi of Tonymidi Artworks

Previously unleashing their first single “Nine Eleven”, the band has unshackled the follow-up track “Sinful Messiah”, a dark tale of the infamous cult leader David Koresh and the Branch Davidians. The band explains further:

“Our song ‘Sinful Messiah’ focuses on the cult leader from the Branch Davidians in Waco, Texas — David Koresh. The Branch attracted the attention of the ATF when the US postal service flagged a suspicious parcel containing live hand grenades being shipped to their compound. The name ‘Sinful Messiah’ is ripped from the headline of a newspaper article giving him title; because David believed he was the second coming of Christ. This song was written to sonically recreate the events that took place portraying the level of chaos and confusion created by raids and the siege on the compound. This event has been regarded by some as a publicity stunt in the wake of cult hysteria to paint the ATF in a positive light — leading to a “who shot first?” conspiracy.”

“Sinful Messiah” can be viewed on Metal Injection HERE.

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music. Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (Guitar, Vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

A sonic attack layered with grinding blast beats, injected with menacing guttural lows — a sound straight from hell with gore-filled lyrics leaving little to the imagination, destroying your eardrums like a corpse is erased in an acid-filled bath.

EP pre-order is available on Bandcamp here.


Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
Twitter
EPK

– 30 –

“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine

“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider

“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review

“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review

Prairie Finalist for Wacken Metal Battle Canada 2016

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 TALES OF THE TOMB To Release New EP “Volume Two: Mendacium” September 27th

  • August 15, 2019
  • by Asher
  • · Music News · Tales of The Tomb

(contact info below)

NEWS RELEASE

Montreal, QC – August 15, 2019

For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal

TALES OF THE TOMB To Release New EP “Volume Two: Mendacium” September 27th

Premiere First Single ‘Nine Eleven’ via NoCleanSinging

Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)

 Photo Credit – Kylee Thompson Photography

Every town has stories to caution or warn, every police officer has a seen a crime that keeps them awake at night, and every coroner has seen death in ways that the rest of us could never imagine. Murder, conspiracy, supernatural horror, and real-life terror are stains on the cutting room floor where Edmonton-based group Tales of The Tombpaints their canvas.

Tales of The Tomb will release their new EP “Volume Two: Mendacium” September 27th. “Volume Two: Mendacium” is a collection of narratives surrounding government cover-ups, national lies and the heinous crimes committed amongst the shadows.  The album was mixed and mastered by Cryptopsy guitar player and Head Engineer/Owner at The Grid Studios Christian Donaldson. The EP also contains a bonus track about the Japanese horror film Mermaid in a Manhole. Featuring artwork by Tony Midi of Tonymidi Artworks

Today the first single from the album has been released.  Check out an exclusive premiere of the lyric video for “Nine Eleven” over at No Clean Singing HERE.

Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music. Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (Guitar, Vocals) out of inspiration from the original murder metal band Macabre.

Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.

A sonic attack layered with grinding blast beats, injected with menacing guttural lows — a sound straight from hell with gore-filled lyrics leaving little to the imagination, destroying your eardrums like a corpse is erased in an acid-filled bath.

EP pre-order is available on Bandcamp here.

Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44

More info:
Facebook
Instagram
Twitter
EPK

– 30 –

“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine

“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider

“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review

“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review

Prairie Finalist for Wacken Metal Battle Canada 2016

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 Decibel Mag Video Premiere: SLUDGEHAMMER Doing ‘Sledgehammer’ (Peter Gabriel)

  • July 4, 2019
  • by Asher
  • · Music News · Sludgehammer

(contact info below)

NEWS RELEASE

Montreal, QC – July 4, 2019

For fans of Revocation, Mastodon, Lamb Of God, Cannibal Corpse, Pantera, Opeth, Decapitated

Decibel Mag Video Premiere: SLUDGEHAMMER Doing ‘Sledgehammer’ (Peter Gabriel)

New Album “Antechamber” Out Now!

L-R: Tyler Williams – Guitars, Josh Stephney – Vocals, Jeff Wilson – Guitars,  Dan Ayers – Bass/Vocals,  Fernando Villalobos- Drums

Photo Credit: Deborah Lawrence

It’s been a long time coming, with a band name like SLUDGEHAMMER, it was inevitable that the Toronto based quintet would be doing a cover version of Peter Gabriel’s ‘Sledgehammer’. The two are a perfect pair up, which is demonstrated in the band’s new music video covering the track.

The band comments:

“After many drunken fan requests, many misspelled marquee billings and many hours spent researching the legalities. We at Sludgehammer are moderately delighted to release our Sledgehammer cover. Peter Gabriel is our band inspiration, he has influenced every riff, blast beat and vocal harmony that we’ve created. We hope this does him some justice we hope you enjoy this as much as we did.”

Teaming up with Decibel Magazine for the video’s premiere, SLUDGEHAMMER doing ‘Sledgehammer’ can be viewed at the following link: https://www.decibelmagazine.com/2019/07/04/video-premiere-sludgehammer-covers-peter-gabriel-you-know-which-song/

Though the track is not on the band’s latest album “Antechamber” released this past April, new fans can have their eardrums pummeled and destroyed by the heavy groove presented by the band. Those with an ear for Decapitated, Pantera, Lamb Of God, and Cannibal Corpse can dig into this slice of groovy progressive melodic death brutality.

“Antechamber” is available for download and streaming on the following platforms:
Bandcamp
Spotify
iTunes
Amazon

Music Video – ‘Climatic Death’ – https://youtu.be/UnkIBsqGs3c

For More Info:
http://www.facebook.com/sludgehammermusic
https://www.instagram.com/sludgehammermusic
https://twitter.com/sludgehammermx

BIO:

Since the release, their first full-length album, The Fallen Sun, Sludgehammer from Toronto, Canada have been riding a wave of great reviews for the record as well as their live show.

Originally formed in 2013 by Jeff Wilson (guitar) and Fernando Villalobos (drums), Sludgehammer’s initial lineup came together with the addition of Daniel Ayers (vocals/bass) and Christopher Szarota (vocals).  By the end of the year, they released a demo which gained considerable ground. 2014’s EP Organ Harvester introduced Dan Ayers as a co-vocalist, creating a unique sound that molded Sludgehammer into the heavy and groovy band it is today.

In 2016, the LP The Fallen Sun was released; fast and chunky it was well received by fans and the media. Unfortunately, after the release of that album, the band parted ways with Szarota and Josh Stephney was brought on board to complete the album cycle.

With the lineup finalized, Sludgehammer hit the road and laid waste to every stage they set foot on, showing their fans that they were now stronger than ever.  After a few successful tours in support of The Fallen Sun, it was time to start writing the next record which will be the first to feature Stephney on vocals. Sludgehammer is preparing to show their maturity by unleashing a second monstrous album “Antechamber” in 2019.

– 30 –

“Demonstrates all aspects of brutal music” – Heavy New York

“Enjoy almost 50 minutes of top-of-the-line melodic, furious and electrifying Groove Metal, courtesy of five Canadian metallers armed with their amazing sophomore album.” – Antichrist Mag

“Sludgehammer doesn’t fit neatly into the traditional death or groove metal box, as its diverse elements sets it apart from its peers… hooky riffs, catchy choruses and a perfect clean/growled vocal combination… Sludgehammer possesses loads of potential. Highly recommended!” – Bravewords

“This is how gifted SLUDGEHAMMER as a band is, even with only a demo, EP and now LP under their belts. On their own, they’re a devastating DIY metal band. With a contract in-hand, they’re gonna become unstoppable.” – Blabbermouth

““Demons From the Woodwork”. It’s a jolting, high-octane, full-throttled romp that incorporates elements of thrash, death metal, and head-slugging groove — and it’s an infectious beast that Sludgehammer have unchained.” – No Clean Singing

“Sludgehammer have a great way of infusing groove into their sound. Not nearly enough of that in death metal these days” – CJSF – Metal Meltdown

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

0 SLUDGEHAMMER To Play Loud As Hell 2019 w/ Goatwhore, Anciients, Cloven Hoof, Planet Eater and more!

  • June 10, 2019
  • by Asher
  • · Sludgehammer

(contact info below)

NEWS RELEASE

Montreal, QC – June 10, 2019

For fans of Revocation, Mastodon, Lamb Of God, Cannibal Corpse, Pantera, Opeth, Decapitated

SLUDGEHAMMER To Play Loud As Hell 2019 w/ Goatwhore, Anciients, Cloven Hoof, Planet Eater and more!

New Album “Antechamber” Out Now!

L-R: Tyler Williams – Guitars, Josh Stephney – Vocals, Jeff Wilson – Guitars,  Dan Ayers – Bass/Vocals,  Fernando Villalobos- Drums

Photo Credit: Deborah Lawrence

Unleashing their new album “Antechamber” to destroy eardrums this past April, Toronto’s SLUDGEHAMMER announce they will be hitting the stage at this year’s LOUD AS HELL Fest (Aug 2 – 4) in Drumheller, AB alongside Goatwhore, Anciients, Cloven Hoof, Planet Eater, Untimely Demise, BornBroken, Arrival of Autumn, Legacy, VX36 and more. SLUDGEHAMMER are scheduled to perform on day 3 of the festival on Sunday, August 4th. Full details for LOUD AS HELL Fest can be found at www.loudashell.com.

Delivery heavy and groovy metal with astounding precision and the confidence of a world-class band, fans with an ear for Decapitated, Pantera, Lamb Of God, and Cannibal Corpse will dig into the slice of progressive melodic death brutality the band has to offer.

The band comments:

”Sludgehammer is beyond excited to be part of this year’s lineup at Loud As Hell. Last time we came out West we had an amazing time meeting all the like-minded metalheads and music fans out there. We’re ready again to bring our brand of Heavy Metal out West and we can’t wait to slay the stage with all the other talented bands at Loud As Hell 2019.”

SLUDGEHAMMER’s “Antechamber” is available for download and streaming on the following platforms:
Bandcamp
Spotify
iTunes
Amazon

Music Video – ‘Climatic Death’ – https://youtu.be/UnkIBsqGs3c

For More Info:
http://www.facebook.com/sludgehammermusic
https://www.instagram.com/sludgehammermusic
https://twitter.com/sludgehammermx

BIO:

Since the release, their first full-length album, The Fallen Sun, Sludgehammer from Toronto, Canada have been riding a wave of great reviews for the record as well as their live show.

Originally formed in 2013 by Jeff Wilson (guitar) and Fernando Villalobos (drums), Sludgehammer’s initial lineup came together with the addition of Daniel Ayers (vocals/bass) and Christopher Szarota (vocals).  By the end of the year, they released a demo which gained considerable ground. 2014’s EP Organ Harvester introduced Dan Ayers as a co-vocalist, creating a unique sound that molded Sludgehammer into the heavy and groovy band it is today.

In 2016, the LP The Fallen Sun was released; fast and chunky it was well received by fans and the media. Unfortunately, after the release of that album, the band parted ways with Szarota and Josh Stephney was brought on board to complete the album cycle.

With the lineup finalized, Sludgehammer hit the road and laid waste to every stage they set foot on, showing their fans that they were now stronger than ever.  After a few successful tours in support of The Fallen Sun, it was time to start writing the next record which will be the first to feature Stephney on vocals. Sludgehammer is preparing to show their maturity by unleashing a second monstrous album “Antechamber” in 2019.

– 30 –

“Demonstrates all aspects of brutal music” – Heavy New York

“Enjoy almost 50 minutes of top-of-the-line melodic, furious and electrifying Groove Metal, courtesy of five Canadian metallers armed with their amazing sophomore album.” – Antichrist Mag

“Sludgehammer doesn’t fit neatly into the traditional death or groove metal box, as its diverse elements sets it apart from its peers… hooky riffs, catchy choruses and a perfect clean/growled vocal combination… Sludgehammer possesses loads of potential. Highly recommended!” – Bravewords

“This is how gifted SLUDGEHAMMER as a band is, even with only a demo, EP and now LP under their belts. On their own, they’re a devastating DIY metal band. With a contract in-hand, they’re gonna become unstoppable.” – Blabbermouth

““Demons From the Woodwork”. It’s a jolting, high-octane, full-throttled romp that incorporates elements of thrash, death metal, and head-slugging groove — and it’s an infectious beast that Sludgehammer have unchained.” – No Clean Singing

“Sludgehammer have a great way of infusing groove into their sound. Not nearly enough of that in death metal these days” – CJSF – Metal Meltdown

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook | Tweet @AsherMedia | Instagram @AsherMedia

AsherMediaRelations.com

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