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Tag: video

0 Ottawa’s BURN THE EVIDENCE Introduce You To Some “Bad Influences” With Debut Single

  • January 26, 2023
  • by Asher
  • · Burn The Evidence · Music News

NEWS RELEASE

Montreal, QC – January 26, 2023

 

Ottawa’s BURN THE EVIDENCE Introduce You To Some “Bad Influences” With Debut Single

Ottawa’s Burn The Evidence is entering the mosh pit with the introduction of their debut single “Bad Influences” accompanied by a lyric video. It’s just one of many planned tracks to be released in 2023.

No strangers to the Canadian metal scene, Burn The Evidence is a crushing nu-metalcore union formed by former members of the local area band Greta Knights and current members of Fractures and Outlines. The conception though of BTE has been churning in the mind of vocalist/lyricist Rémi Arsenault for many years and now it has finally met its fruition.

“It’s been in my head since 2021, a band that brings investigation and mysteries with brutal breakdowns and heavy riffs. I’m a big fan of everything that’s related to crime scene investigation and its scientific evolution throughout the years. I think psychopaths who do fucked up shit are glorified… I don’t like this… I want to glorify the investigators who give those bad guys what they really deserve! So many stories and content we can work with it’s incredible! We want to elaborate cool stories in our music, where we are the investigators who gonna catch those bad guys! All fiction for now, but we have the intention to glorify a couple of amazing real-life investigators solving real-life mysteries.”

Set to be captivating with suspenseful and heavily structured intensity, the band’s first single is an exciting time for them as they look forward to new fans hearing what they have been brewing along with those who are familiar with their previous endeavours.

“This is just the stepping stone, we want people to walk this path with us and listen closely to the story behind the music. And of course… when we hit the stage… we want people at the front moving their heads and jumping everywhere. It’s gonna be the start of a great chronicle.” adds Arsenault.

One of many already recorded tracks to be revealed, “Bad Influences” is a mix of bouncy riffs with jumping breakdowns and a melodic chorus, that will tease people for what’s to come next. From the clean vocals to high-pitch screams to cult prayers, BTE will be providing constant content for headbanging consumption this year, full of innovative genre-blending and storytelling to bring the noise to the pit regularly.

“With this new band, we are trying to build not only songs, but build a connection with the listener that’s going to merge them into the stories of each track. For example, in a police chase, you might find a faster power riff, or during the announcement of a death to a family, it would be softer and more emotional you know. For this first single, we are trying to demonstrate the realization of bad choices and bad things that are led by a mix of internal bad influences and psychotic problems, it’s a song that will make you jump, it’s gonna make you fight the invisible ninja, and at the end wanting more.”​
​
A cross between metalcore and nu-metal, Burn The Evidence is recommended for fans of Ice Nine Kills, Of Mice and Men, Bring Me the Horizon, and I Prevail.

Listen to “Bad Influences” via its premiere on Hardcore Worldwide.

​

Band Lineup:
Vocals: Rémi Arsenault
Guitar : Eric Desormeaux
Guitar : Maxime Rondeau
Bass: Dominik Roy
Drums: Emmanuel Jean

For more info: Facebook | Instagram.com/Burntheevidence_music | TikTok.com@BTE_Band​

– 30 –

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

 

0 Montreal’s Post Metal Milanku Bathe In Melancholy Through “À l’aube; de leurs silences” Off “À l’aube” Out March 2023

  • January 26, 2023
  • by Asher
  • · Milanku (Folivora) · Music News

NEWS RELEASE

Montreal, QC – January 26, 2023

​

Montreal’s Post Metal Milanku Bathe In Melancholy Through “À l’aube; de leurs silences” Off “À l’aube” Out March 2023

Photo Credit – Alexandra Stairs

If Milanku draws its origins from the work of Milan Kundera, the soundtrack is definitely more on the side of the thundering density of the being than of its “unbearable lightness”, galvanized by the Czech author. Following 5 years of absence, Milanku finally unveils a brand new single entitled “À l’aube; de leurs silences” (“In the dawn; of their silences”), which is an eleven-minute, slow, post-metal piece full of angst. This single is the first from the band’s upcoming fifth album “À l’aube”, which will be made available on March 31st, 2023 via labels Folivora Records (Canada), D7i (Canada/USA), and Moment of Collapse (EU). Milanku comments on the album:

“The song yearns to satisfy, through a sequence of ambient arrangements, the sometimes melancholic and other times rougher disconnect we all suffer from. It is a big opening number for this post-rock-shoegaze 5 piece whose upcoming album is poignant, intense, and heavily influenced by the emotions of despair and loneliness brought on by the pandemic. We think that fans will be happy, our first single is for them and is over 10 minutes of typical Milanku “mind travel” music.”

When it comes to writing, the music is normally built before the lyrics. Then the lyrics and vocals are composed and placed on the songs. They are very much influenced by the process of creating music. The result is the music presented with an intense emotional show accompanied by a slew of imagery. A performance filled with intensity and the feeling of pleasure shown by the band members from playing on stage.

This album has been four years in the making, and the band expects that it will be very well received. Sad, heavy, and melancholic, Milanku is heavily influenced by post-metal, hardcore, and crust. They are recommended listening for fans of Mogwai, GYBE!, and Neurosis.

Watch and listen to the music video for “À l’aube; de leurs silences” via its premiere on IDIOTEQ HERE.

Single pre-save – https://bfan.link/a-l-aube-de-leurs-silences​

In additional news, Milanku will be performing in Québec City on February 17, 2023, at the Pantoum during the Phoque OFF Festival. More info can be found here.

Track Listing:​
1. À l’aube; de leurs silences – 10:54
2. À l’aube; il sera déjà trop tard – 8:04
3. À l’aube; prêchant la mauvaise nouvelle – 5:43
4. À l’aube; de la grande tristesse – 4:55
5. À l’aube; nous sommes disparus – 8:41
Album Length: 38:16

Album and Live Band Lineup:​
François Lemieux (Guitar, Synthesizer)
Carl Ruest (Guitar, Vocals)
Guillaume Chamberland (Bass, Vocals)
Guillaume Boudreau-Monty (Drums)
Jean-François Bourbonnais (Guitar)

For more info: Facebook.com/milankuband | Instagram.com/milankuband​

About: If Milanku draws its origins from the work of Milan Kundera, the soundtrack is definitely more on the side of the thundering density of the being than of its “unbearable lightness”, galvanized by the Czech author.
​
From the start, Milanku hammers out its brutal character, infused with melancholy, even dystopia, and standing straight upright on the wire: defiant, shouting, and inspired.
​
Mesmerized by the warrior’s rage, flayed by its own doldrums, the quartet relies on pared-down arrangements and an oft-staged vocal presence, harmonizing like an instrument, and howling at the big time, but plastered with a disquieting sense of dilettante.
​
At the heart of the enterprise, tearing off the peels of flapping skins, we explore the state of affairs of the contemporary genre, tragic, desolate, where any notion of common sense seems diffuse in the amalgam of trompe-l’oeil. The texts are meditative, inquisitive and the observations that emanate from them, weep and persist in trying to make sense of it, through its ever-growing losses of illusion.
​
With four full-length releases behind them, both in Canada (D7I Records, Désordre Ordonné, L’oeil du Tigre), and abroad (Tokyo Jupiter Records (Japan), Moments of Collapse (Germany), Replenish Records (USA), GS production records (Russia), We are Grain of Sand (Russia) Alerta-Antifascista, Milanku presents today À l’aube (Folivora, 2023), a five-track burn that breathes new life into a caste of disenfranchised people, imbued with a disarming lucidity, and gives itself a framework and a voice to pull its head out of the swamp.
​
International recognition
​
The band has been affiliated with several; indie labels and distributors over the years, namely: in Canada (D7I Records, Désordre Ordonné, L’oeil du Tigre), Jupiter Records (Japan), Moments of Collapse (Germany), Replenish Records (USA), GS production records (Russia), We are Grain of Sand (Russia) as well as Alerta-Antifascista (Germany).
​
In 2016, the band will continue to tour Europe, visiting the Netherlands, Germany, Poland, the Czech Republic, Slovakia, and Austria.
​
The band’s albums have been consistently recognized at the GAMIQ since 2013 in addition to jumping on a plethora of specialized year-end lists around the globe.

– 30 –

“The slowness of the post-hardcore of Milanku or the erasure of the world.” – Weirdsound.net

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 THE CONVALESCENCE Release Claymation Video For “No Survivors” ft. CARNIFEX’s Scott Ian Lewis + USA Tour Dates w/ Casket Robbery, Ignominious

  • January 26, 2023
  • by Asher
  • · Music News · The Convalescence

NEWS RELEASE

Montreal, QC – January 26, 2023

 

THE CONVALESCENCE Release Claymation Video For “No Survivors” ft. CARNIFEX’s Scott Ian Lewis

March 2023 USA Tour Dates w/ Casket Robbery, Ignominious

The Convalescence is a five-member symphonic deathcore band formed in Toledo, USA in early 2011. The Convalescence blends black metal/horror theatrics with intense death metal style blast beats and shredding guitar along with brutal slamming breakdowns and catchy melodies. Since their inception, they have amassed an impressive discography including five full-length albums, and have toured extensively across the planet. The latest from them is the single “No Survivors” featuring Scott Ian Lewis of Carnifex accompanied by a claymation music video. Vocalist Keith Wampler details the single and the upcoming album:

“The single is one of the hardest-hitting songs we’ve ever released. The lyrics and video were inspired by the Alien films, and having Scott doing some nasty guest vocals really helped give it the brutality we were looking for. We played it live throughout our recent European Tour and absolutely loved the energy it brings to the stage. We’re looking forward to this one being a part of our live show for many tours to come. This new album is basically like one big horror movie, song by song each one tells a story. Each one is brutal in its own way.”

The Convalescence expects the album will be received well by the fans, as they do their very best to step things up on each record. They worked with producer Jason Suecof on this one at Audiohammer Studios in Florida who has worked with most of their favorite bands (The Black Dahlia Murder, Carnifex, Deicide, Job For A Cowboy) and they were beyond stoked he was down to do the recording with them. In their opinion, they’ve created the heaviest The Convalescence album so far. The full-length was mastered by Christian Donaldson (Cryptopsy) and is expected for release summer 2023.

Filthy, brutal, and symphonic, The Convalescence is recommended for fans of Carnifex, The Black Dahlia Murder, and Chelsea Grin.

Listen and watch to “No Survivors” ft. Carnifex’s Scott Ian Lewis at https://youtu.be/YQVSCu57aSs

​

In additional news, The Convalescence will be hitting the road this coming March for the “No Survivors Tour” with support from Casket Robbery and Ignominious. Tickets and info are available at Tconband.com.

The Convalescence – No Survivors Tour w/ Casket Robbery, Ignominious​
3/10 – Jackson, MI @ The Music Box
3/11 – Toledo, OH @ Main Street Bar & Grill
3/12 – New Haven, IN @ Carl’s Tavern
3/13 – Louisville, KY @ Mag Bar
3/14 – Overland Park, KS @ Vivo Live Events
3/15 – Tulsa, OK @ The Whittier Bar
3/16 – Fort Worth, TX @ The Rail Club DFW
3/17 – San Antonio, TX @ Bonds Rock Bar
3/18 – Houston, TX @ House Of Blues
3/19 – New Orleans, LA @ Gasa Gasa
3/20 – Pensacola, FL @ The Handlebar
3/21 – Sanford, FL @ West End Trading Co.
3/22 – Murfreesboro, TN @ Crossroads
3/23 – Knoxville, TN @ Brickyard Bar & Grill
3/24 – Lakewood, OH @ The Foundry
3/25 – Chesterfield, MI @ Diesel Concert Lounge

For more info:​
​http://tconband.com​
​https://www.facebook.com/theconvalescence​
​https://www.instagram.com/theconvalescenceofficial​
​https://twitter.com/tconband​

About: The Convalescence is a five-member symphonic deathcore band formed in Toledo, OH in early 2011. The Convalescence blends black metal/horror theatrics with intense death metal style blast beats and shredding guitar along with brutal slamming breakdowns and catchy melodies. The band tours nearly non-stop racking up nearly 1,000 live performances across nine countries.

The Convalescence has released four full-length albums, two EPs, and two stand-alone singles resulting in over one million plays on Spotify and Youtube each. The band also released two documentaries via Amazon Prime Video in 2020 supported by a sold-out movie theatre screening of them both in Maumee, OH on October 30, 2020. The band recently finished recording their fifth full-length album with producer Jason Suecof at Audiohammer Studios with a projected release in 2023.

– 30 –
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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0 Rockshots Records – DREAMYTH Unveils Title Track “Aletheia” ft. Herbie Langhans (Firewind, Avantasia) Off Forthcoming Mythology Album Out April 2023

  • January 26, 2023
  • by Asher
  • · Dreamyth (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 26, 2023

​

Rockshots Records – DREAMYTH Unveils Title Track “Aletheia” ft. Herbie Langhans (Firewind, Avantasia) Off Forthcoming Mythology Album Out April 2023

Rockshots Records is proud to announce their signing of Spanish power melodic metal Dreamyth for the release of their debut album “Aletheia” on April 14, 2023. Combining heavy riffs, epic and majestic orchestrations, modern synths, and stunning vocal and harmonies with finesse like no one else, the band delivers high caliber album with special guests Ralf Scheepers (Primal Fear), Herbie Langhans (Firewind, Avantasia), Bob Katsionis (ex-Firewind) and Eduardo Guilló (Sun of the Dying, Crusade of Bards). Dreamyth intends to conquer the heart of metal fans all around the world.

Formed in 2020 by guitarist and composer Adrián Carrero (Crusade of Bards) and drummer David Macarrilla. Dreamyth crafted its name by combining the words “Dream” and “Myth”, which they described as “a new world beyond imagination where its Myths and legends are real”. Andrea Carrero completed the core of the project after singing on all the song demos (released and unreleased). Soon after they were joined by Paolo Andreotti (Crusade of Bards) and second vocalist Dani G.

Band co-founder Adrián Carrero’s passion for classical history and culture, especially his stories about mythology in different cultures influences the lyrics that accompany the band’s compositions. Everything takes place in a new world where they are the Gods, Aletheia.

The concept album transports fans to a new world “ALETHEIA”, and the myth and legends that surround it are sometimes approached from a philosophical point of view.

“The idea was born from the need to give a new approach to the way of telling the myths of our world. Over the years, these stories derived from cultural traditions or legends, which have a deep symbolic meaning and usually involve a lesson, have been shared in different ways and have always generated a certain curiosity and inspiration in society. Luckily, there are tons of myths and legends and often many variations of the same core story between different cultures.” adds Adrián Carrero.

This first album focuses on the creation of this new world and its beginning, giving rise to a polytheistic culture where the band members are the most revered Gods with different attributes. In this approach, the band makes its own reinterpretation of some classical myths (including references to some of the most famous Greek mythologies) mixed with different personal experiences and concerns. With two lead vocals, the record brings a constant contrast, giving more life to the melodies and strengthening specific parts with numerous backing vocals. Apart from them, the first-class guests bring much more musical variety, and metal fans will be surprised and in their comfort zone at the same time with this album. Epic and catchy melodies mixed with a powerful instrumental background.

The musical composition of the album is clearly influenced by the great power metal and symphonic groups, some of the band members’ favorite genres. “Aletheia” incorporates flourished power, pop, metal, and rock songs combined with incredible storytelling of a mythical, and unique world filled with wonderful shades of “light in the dark.” On it, you can see a lot of guitars with doubled melodies, keyboards interacting with these melodies, epic orchestrations with a high level of detail, a lot of contrasts… music with a big amount of different sounds, from intimate ballads with only acoustic instruments to furious riffs leading to epic or darkness places.

Adrián Carrero adds, “The band and I are so excited to bring you the first chapter of our story! We’ve been working really hard on all this music, making the stories connect and the music itself reflect the plot of each. It’s definitely the most time we’ve spent on a musical project and the first time I’m leading all the work, from the first song ideas to the lyrics. We hope people enjoy it as much as we did forging it.”

The band’s first single to unveil off the debut full-length is the title track, which features Herbie Langhans (Firewind, Avantasia).

“This tune was one of the first songs to stay in our head, and soon in yours too, one of the songs that undoubtedly had to be on the album. Melodic, heavy with a dose of epic choruses but simple. It was always one of our favorites, but thanks to Herbie Langhans and his outstanding performance he has elevated it to a level that is hard to beat. We think we have all managed to capture in it our strength, desire, and enthusiasm for this new adventure we are starting.” says Adrián Carrero.

Listen to “Aletheia” ft. Herbie Langhans (Firewind, Avantasia) at the following links:

Dreamyth is recommended for fans of Avantasia, Firewind, and Beast in Black.

Album pre-order – https://bit.ly/AletheiaCD​

Track Listing:​
1. Creatio Ex Nihilo (Intro) – 1:10
2. Odyssey – 4:02
3. Aletheia – 5:03
4. In this Nightmare – 4:27
5. The Curse of the Erinyes – 3:55
6. Dreamland – 6:18
7. Firelove – 7:22
8. Fairytale – 4:55
9. My Delight – 4:55
10. Down to the Moon – 5:19
11. In Aeternum (Outro) – 2:27
12. Cuento de Hadas (Bonus track) – 4:56
Album Length: 54:54

Album Credits (music, cover/art, production):​
MUSIC by Adrián Carrero
PRODUCED by Adrián Carrero and Dani G
ARTWORK, LOGOTYPE, SYMBOL and SLEEVE DESIGN by Gustavo Sazes
PHOTOSHOOT by NAT ENEMEDE (Make Up by YOLUANA)
SPECIAL GUESTS
RALF SCHEEPERS vocals on “DREAMLAND”
HERBIE LANGHANS vocals on “ALETHEIA”
EDUARDO GUILLÓ growl vocals on “ODYSSEY” and “THE CURSE OF THE ERINYES”
BOB KATSIONIS keyboard solo on “DREAMLAND”

For more info: Rockshots.eu | Instagram.com/dreamyth.official | Facebook.com/DreamythOfficial | Twitter.com/Dreamyth_ | Tiktok.com/@dreamythofficial​

About: Dreamyth is a Spanish power melodic metal project officially created in 2020 by Adrián Carrero and David Macarrilla. They crafted the name by combining the words “Dream” and “Myth”, which they described as “a new world beyond imagination where its Myths and legends are real”. Andrea Carrero completed the base of the project after singing all the song demos (released and unreleased).

Combining heavy riffs, epic and majestic orchestrations, modern synths, and stunning vocal and harmonies with finesse and like no one else, delivered with high production values and first-class guests like Ralf Scheepers (Primal Fear), Herbie Langhans (Firewind, Avantasia) and Bob Katsionis (ex-Firewind), Dreamyth intend to conquer the heart of the metal fans all around the world.

“Do you think you know all the tales? Maybe not… not in this world. Ladies and gentlemen, welcome to the Dream Show, welcome to my land, please, welcome… To Dreamyth”

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Bravewords Presents Medevil’s “Among Thieves” Off Upcoming “Mirror In The Darkness” Out April 2023

  • January 25, 2023
  • by Asher
  • · Medevil · Music News

NEWS RELEASE

Montreal, QC – January 25, 2023

​

Bravewords Presents Medevil’s “Among Thieves” Off Upcoming “Mirror In The Darkness” Out April 2023

L-R – Brett Gibbs (Guitar) | Eric Wesa (Bass) | Liam Collingwood (Vocals) | Chris Malcolmson (Drums) | Gary Cordsen (Guitar)

Photo Credit: Matthew Collingwood

Medevil is a highly energetic, fast-paced metal band known for its tight songwriting, intense stage presence, and roaring vocals. Back in 2016, they released their debut album “Conductor of Storms” and this year they are following it up with “Mirror In The Darkness”, which is dedicated to their late drummer Chris Malcolmson whose drums are recorded on the album. Their first single is “Among Thieves”, a straight-shooting thrashy metal song – with some interesting twists – that bridges the gap sonically between the two albums. Fans of the first album should appreciate this song. A triplet feels with unrelenting riffs, and catchy bass lines, that are brought to life through Liam Collingwood’s vocals and lyrical themes relating to greed, and stealing time (whether your own or someone else’s). The band comments:

“We are extremely excited to put this one out as the first taste of the new album. This song is definitely the thrashiest, which should connect a lot with people who enjoyed “Conductor of Storms”. It has probably the toughest riffs on the album, with all the riffs and layout here written by Gary, and keeps the energy high throughout. We feel like it’ll be a fan favourite live since there are some sections that are easy to chant, and the time changeup keeps it feeling interesting near the end. The lyrics talk about the greed living around us all, from any era, whether is financial greed or stealing someone’s time away from them.”

“Mirror In The Darkness” definitely has its singles that can be pulled out and enjoyed individually, but Medevil suggests that the best way to get the intended listening experience is to play it front to back in a sitting. They spent a lot of time considering the flow of the album, from fast and energetic to dark and brooding, so there is a lot of variety that will come from a fully engaged listen.

Progressive and powerful, Medevil is recommended for fans of Mastodon, Metal Church, and Accept.

Listen to “Among Thieves” via its premiere on Bravewords HERE.

“Mirror in the Darkness” comes out on April 7, 2023.

Album teaser – https://youtu.be/ljUlC7DPt40​

Album pre-order – https://medevil.bandcamp.com​

Upcoming Events:​
March 24 – Chilliwack, BC – Flashback Brewing Co. (Album Listening Party)
April 13 – Vancouver, BC – Fox Cabaret – Hyperspace Metal Fest – info​

Track Listing:​
1. Dead Before Birth (6:18)
2. Among Thieves (5:00)
3. Pray for Me (6:35)
4. The Signal (7:22)
5. Smoke and Mirrors (1:48)
6. Weight of the Crown (4:18)
7. Mirror in the Darkness (8:31)
8. Gateways (2:41)
9. Veiled (3:56)
10. No Peace in Rest (9:23)
Album Length: 55:58

Album Recording Lineup:​
Liam Collingwood – Vocals
Gary Cordsen – Lead Guitar
Brett Gibbs – Rhythm Guitar, Lead Guitar & Backup Vocals
Eric Wesa – Bass & Backup Vocals
Chris Malcolmson – Drums

For more info: Facebook.com/medevilband | Twitter.com/MedevilMusic | YouTube | Instagram.com/medevilofficial​

About: Medevil is a highly energetic, fast-paced metal band known for its tight songwriting, intense stage presence, and roaring vocals. They are one of the few metal bands coming out of Chilliwack BC and hold that title proud as they have earned much praise and respect since their inception in 2014. As one of the 6 national finalists of the 2015 Wacken Metal Battle Canada, they are becoming more and more renowned throughout the country; their fame attaining them a following in their local town and across through to Vancouver.

Their music could be described as “power thrash” with half of their set being chorus-driven, and the other half focusing on blistering fast riffs. Influences for the band include Iron Maiden, Megadeth, and Metal Church. Their fast but catchy songs keep the crowd chanting throughout the set, and leave them wanting more. Liam Collingwood, the band’s singer, keeps the band image in theme with the songs while on stage and will wear thematic outfits when the mood demands it.

The band was founded on January 13, 2014, by Eric Wesa (bass), as well as brothers Liam (vocals) and Ross Collingwood (drums). It only took two months after the band’s inception before the boys found the ultimate guitar duo they were looking for, Gary Cordsen and Brett Gibbs. Once the lineup was solidified, they wasted no time performing shows and begin their musical journey. As a band, Medevil has two common goals; to explore their musical talents, and continue performing live for their fast-growing fanbase.

– 30 –

“Perfectly situated to please fans of classic heavy metal, Conductor Of Storms is very strong debut from the young Medevil.” – The Monolith (2016)​
​
​“Rejoice metalheads! Chiliwackian power thrashers, Medevil, has created a top-notch debut full-length album entitled Conductor Of Storms”. – Bravewords (2016)​
​
​“Play it loud, play it fast as heavy metal world has found another new soldier to carry on the flag in the form of “Medevil”” – Planet Caravan (2016)​
​
​“Conductor of Storms is one of the most complete, fully-formed and damn near perfect debut albums I’ve ever heard from a young heavy metal band. Tracks like Escape – a blustering, no-holds-barred mashup of Metal Church, Megadeth and Overkill – are just so mature, so faultlessly executed and so, well, heavy metal, it beggars belief that they are not being delivered by a band that’s been in the game for thirty years.” – Sentinel Daily (2016)​
​
​“Riding out of the cold wastes of western Canada on warhorses of steel comes Medevil with their amazing, self-released debut album Conductor of Storms. Bruising Traditional Heavy Metal is what these guys play and they play it well. Monstrous riffs and pounding, organic drums underscore the powerful vocals and intricate solos. The band has a taste for things epic, so no love songs or cliché odes to the Metal lifestyle here.” – Metal Crypt (2016)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

 

0 TONIC BREED “Fuel The Fire” w/ New Music Video ft. Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam)

  • January 20, 2023
  • by Asher
  • · Music News · Tonic Breed

NEWS RELEASE

Montreal, QC – January 20, 2023

​

TONIC BREED “Fuel The Fire” w/ New Music Video ft. Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam)

EP “Fuel The Fire” Out Now! ft. guests from Megadeth, Soilwork, Kamelot and more!

Norwegian one-man thrash Tonic Breed‘s is unleashing the latest music video for the opening title track off the latest EP “Fuel The Fire”. The video features guests Dirk Verbeuren (Megadeth) and Bernt Jansen (Artch/Wig Wam).

“Fuel the Fire: A song that repeats itself twice with two different endings, which correlates with the lyrics. A new start, let us say it like that. Fast, energic, and groovy. You get it all in this song with tons of riffs. The only Tonic Breed to include blast beats – Dirk Verbeuren is a beast on the drums!”

Watch and listen to “Fuel the Fire” at https://youtu.be/zRlfo3g4bEE

​

Tonic Breed was established in 2006 as a full-on thrash quartet that abruptly disbanded in 2019. With much thought by founding member Patrik K. Svendsen, he decided to take the reins to reinvent the band and keep its candle burning for its next release as part of its new chapter. The outcome is now a one-man thrash army led by Svendsen with support from metal friends to give metalheads raw, energetic hard-hitting thrash, with melodic and groovy elements.

Entitled “Fuel The Fire”, the four-track EP was recorded over 18 months with multiple sound engineers from different countries, along with guest musicians Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam), Björn Strid (Soilwork), Martin Skriubakken (Endezzma), and Oliver Palotai (Kamelot).

“Being a full-pieced band for 13 years, Tonic Breed gained tons of experience in the music scene. After the third and last split up in 2019, I decided to reinvent the band. I now operate alone as a songwriter, but with great company in my songs. I believe the EP will not disappoint the Tonic Breed fanbase. The starter songs are right up there in the alley they would expect.” adds Patrik K. Svendsen.

Tonic Breed‘s EP “Fuel the Fire” was released on July 22, 2022, and is available on all digital platforms including Spotify and Apple Music.

Previous music videos:

​

​

Track Listing:​
1. Fuel the Fire (4:56) ft. Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam)
2. No Rocks on the Scotch (4:11) ft. Björn Strid (Soilwork), Martin Skriubakken (Endezzma)
3. H.E. Antagonist (3:43) ft. Oliver Palotai (Kamelot) (guitar solo)
4. Blood Moon (4:07)
EP Length: 16:57

EP Band Line Up:​
Patrik K. Svendsen
EP Guests: Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam), Björn Strid (Soilwork), Martin Skriubakken (Endezzma), Oliver Palotai (Kamelot)

For more info:​
​https://tonicbreed.com​
​https://facebook.com/tonicbreed​
​https://instagram.com/tonicbreed​

– 30 –

“LISTENING TO “FUEL THE FIRE” IS ESSENTIAL THIS YEAR.” – Broken Tomb
​
“ALONG WITH FUEL THE FIRE TONIC BREED GIVES US A GREAT LOOK AT WHAT A MUST-HAVE LP TO COME COULD BE. IT LOOPS ON MY TURNTABLE. CHEERS!” – Among The Living
​
“THIS EP IS A PIECE OF FEROCIOUSLY. HEADBANGING THRASH METAL WITH BRAINS AND IF YOU LOVE THRASH AND HEAVY METAL IN GENERAL. THEN THIS IS WORTH. CHECKING OUT!” – Melodic.net
​
“FUEL THE FIRE IS AN EP THAT WILL EASILY DELIGHT ALL FANS OF THRASH METAL” – Odymetal

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 ASYLENCE Ask For “Eternity, Please” New Music Video Off Upcoming Album “Endanger Us All” Out Feb 2023

  • January 19, 2023
  • by Asher
  • · Asylence · Music News

NEWS RELEASE

Montreal, QC – January 19, 2023

​

ASYLENCE Ask For “Eternity, Please” New Music Video Off Upcoming Album “Endanger Us All” Out Feb 2023

New Album “Endanger Us All” Out Feb 24th

Photo Credit – Paul Raymond

Hailing from Detroit, USA, Asylence brings together a solid group of influences in their take on melodic death metal. The release of the album “Endanger Us All” is nearing this February and in lead up to its unveiling, the quartet is sharing their next single “Eternity, Please” accompanied by a music video. On this track, the band’s black metal influences are more prominent at the beginning before taking a turn into their own sound. With a little bit of experimentation, it is the darkest and brooding track on the record. The band dives into details about the song:

“The lyrics tell a tale of a king who wanders his halls with no question to his reign but still he suffers. Heavy and lonely is the crown, and the years can feel like an eternity alone. We wanted to continue to show off the newer material and this one starts off as heavy as you could ever want. Definitely a blend of old influences and the newer direction we’re taking, this song was a challenge to write but we couldn’t be more proud. This song is the perfect representation of the direction we want to continue for our music.”

Vocalist Ryan Lang explains that he wrote the lyrics to this song coming out of a pretty heavy depression and he feels like it shines through. Misery loves company, sometimes the misery never truly goes away. As for the rest of the album, lyrically it’s mixed because of the timeline in which songs were written, but overall the band feels like it hits the way it was meant to. They try to convey a message to their audience more than they try to shock with vulgarity, and Lang’s message is usually that of self-awareness and the horrors that can occur under the guise of salvation. Musically these songs weave the emotion and intensity of their message.

Their new album “Endanger Us All” is nine tracks long, was produced, mixed, and mastered by guitarist Aaron Lumsden and the artwork was done by Diyaco Paymazd. It is recommended for fans of Devildriver, Amon Amarth, and Arch Enemy.

Watch and listen to the video for “Eternity, Please” via its premiere on Decibel Magazine HERE.

“Endanger Us All” is due out on February 24, 2022.

Previous music videos can be seen on the band’s YouTube here.

Track Listing:​
1. A Call To Arms – 0:55
2. Endanger Us All – 3:53
3. The Garden of Disrespect – 3:34
4. Eternity, Please – 3:37
5. In Solidarity, We Die – 3:32
6. Arrows For Christ – 3:25
7. In This Hell – 3:47
8. Soulless – 3:32
9. A War Waging Within – 3:16
Album Length: 29:35

Album and Live Band Lineup:​
Ryan Lang – Vocals
Aaron Lumsden – Guitar
Alex Aubuchon – Drums
Richard Olrich – Bass Guitar

For more info:​
​https://www.asylence.com​
​http://www.facebook.com/asylence​
​http://www.instagram.com/asylence​
​http://www.twitter.com/asylence​
​http://www.tiktok.com/@asylence​

About: Asylence (uh-sigh-lence): A hybrid of the words Asylum and Silence, when joined together, present a universal idea and timeless message: The constant suffering and failures of mankind. After the dissolution of drummer Alex Aubuchon’s highly active, long-standing thrash band, he began to focus his efforts on recruiting for his new project. He discovered the talent of guitarist Aaron Lumsden, an avid scene supporter who frequented many local and regional shows.

A dedicated relationship quickly formed between the pair, and Asylence was born. Frontman Ryan Lang, having been a mainstay in the Detroit metal scene but group-less at the time, was Asylence’s first choice to handle vocal duties. Ryan accepted, excited at the idea of hitting the stage once again. Shortly after, bassist Richard Olrich joined the group to complete the sound. A new era of heavy metal ensued.

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. Since their formation in 2016, Asylence has been on a path of sonic destruction as they crush their audiences with fierce live performances throughout Michigan and surrounding states, opening for national acts such as Archspire, Belphegor, and Sea of Treachery, among others. Taking no prisoners and amassing a loyal, respecting fan base in the Midwest and beyond, behold the rise of Asylence.

– 30 –

“There’s some truly fierce deathcore emerging from the Midwest. One of the most promising acts from the region is Asylence. Not only do they lean into the tropes of the genre (Gotta love that quick little bass fill before the vocals kick in!) but their brand new video, ‘Arrows For Christ’ is absolutely killer!” – Metal Injection

“Eulogy of Man features top musicianship and is a heavy, melodic, groove-laden group of songs sure to excite old-school heads as well as forward-thinking fans of modern bands.” – Ghost Cult Magazine

“Michigan metal outfit Asylence have teamed up with Metal Insider to premiere a video for their emotionally-driven new song, “Endanger Us All.” – Metal Insider

“Sometimes there’s nothing wrong with going with a classic formula and hitting it out of the park.” – Dead Rhetoric​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)
​

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0 Canada’s THE WRING Shares New Video “Sins” Off New Album “Spectra” Out Now! via WormHoleDeath Records

  • January 17, 2023
  • by Asher
  • · Music News · The Wring

NEWS RELEASE

Montreal, QC – January 17, 2023

 

Canada’s THE WRING Shares New Video “Sins” Off New Album “Spectra” Out Now! via WormHoleDeath Records

The Wring, hailing from Sudbury, Canada released their third album “Spectra” this past December via WormHoleDeath Records. It’s an assertive mix of different styles including hard rock, jazz, metal, classical, 80’s rock, and 70’s rock. Solo artist Don Dewulf brought the idea to a myriad of professional players that include Marco Minnemann (The Aristocrats), vocalist Chandler Mogel, Canadian bass superstar Reggie Hache and sessions keyboardist Isamu McGregor to form the full-length. There is a wide range of influences that are apparent on the record with its vivid progressive sound that is tight, concise, and well-executed with interesting melody, rhythm, and lyrical themes.

Dewulf comments on the album:

“I am very proud of the compositions on this album. Prog music can tend to be grandiose; I wanted this album to be the opposite of that. I like to think that the guitar parts are interesting and somewhat unique and span a very wide range of styles, influences, and execution. The vocals come straight out of the 80s with great melody and delivery, offering a very grounded counterpoint to the, often, odd time and melody structure. There are also keyboards hidden in the mix that offer an almost subliminal base on which everything else is built. The cover has a cool 70’s vibe that is simple but offers a depth of meaning that will be very personal to each observer; a reflection of the musical content within.”

Today in support of the album, The Wring is sharing their next lyric video for the track “Sins”, Dewulf explains the song in further detail:

“I love the main riff. It’s another odd time thing (in 13 this time) but the vocals really smooth it out. Has a total Metallica middle part that jumps out of nowhere! Marco’s playing on this was inhuman. The lyrics came from my dismay at how humanity can have advanced so much and in so many ways and yet still do absolutely horrifying things to each other. How many years will it take for Ukraine to recover from Russia’s insanity?”

Listen to “Sins” via its premiere on SonicPerspectives HERE.

“Spectra” was produced by Don Dewulf, mixed by Francis Perron at Radicart Studios, mastered by Yannick St-Amand, and the album artwork was done by Gord Woolley.

“Spectra” was released on December 16, 2022, via WormHoleDeath Records and is recommended listening for fans of Opeth, Porcupine Tree, and Rush.

Digital (Spotify, Apple Music) – https://orcd.co/spectrapreorder​

CD – https://thewring2.bandcamp.com/album/spectra​

Music Video – “Stiletto” ft. Marco Minnemann – https://youtu.be/vX__TLpYZGo​

Music Video – “From Mars” ft. Marco Minnemann – https://youtu.be/UcN5dV_3ntI​

Track Listing:​
1. Stiletto 4:40
2. Stones & Bones 4:58
3. The Prince 3.54
4. The Wolf 5:00
5. Tin Man 5:25
6. From Mars 4:43
7. Sins 4:43
8. Fallen 5:05
Album Length: 38:28

Album Recording Line Up:​
Don Dewulf – Guitars
Marco Minnemann – Drums
Chandler Mogel – Vocals
Reggie Hache – Bass & Keyboards
Isamu McGregor – Keyboards

For more info:​
​http://www.thewring.ca​
​https://www.facebook.com/thewringband​
​https://www.instagram.com/wringband​

– 30 –

“Here’s one for prog dorks. This outfit’s third outing (Spectra) features drums by Marco Minnemann so you know the rhythms are mad. The regulars in the band ain’t slouches either though. This is intricate and melodic prog done well.” – Metal Injection

“Tired of prog metal bands who fire away odd rhythms, fast solos and complex arrangements? Half of them trying to sound like Dream Theater but all failing completely? Look no further. The Wring from Canada offers great musicians who find their own way through the prog metal jungle. I said great musicians and I really stand for that. Or how about Marco Minneman (drums), Chandler Mogel (vocals), Don Dewulf (guitars), Reggie Hache (bass, keyboards) and Isamu McGregor (keyboards)? This is their third full length album, which follows upon The Wring (2017) and Project Cipher (2021). Sometimes they are a bit more commercial, like in the first song ”Stiletto”, reminding me a lot of Threshold. Other songs bring a bombastic wall of sound, with riffs do die for – ”The Wolf” is a great example. The early parts of ”Fallen” has some Rush vibes (of the later and more rock base Rush era) and also softer parts Mogel is a very good vocalist, and he can alter his voice a lot. Something of a voice chameleon!” – Melodic.net
​
“Here we have some progressive metal/classic metal, getting a little more into some more typical prog metal with good technical/complex stuff and yeah, keyboards!” – The Moshpit 89.9 FM – Madison, WI

““Wring² Project Cipher comes with a heavy, classic rock feel, but there’s an epic, questing nature to tunes like Sorceress, Steelier and Dose that pushes The Wring beyond metal norms and into prog territory.” – Prog Magazine

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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0 Canada’s RED CAIN Delivers A Progressive Vector of Infection With New Single “Blight”

  • January 17, 2023
  • by Asher
  • · Music News · Red Cain

NEWS RELEASE

Montreal, QC- January 17, 2023

 

Canada’s RED CAIN Delivers A Progressive Vector of Infection With New Single “Blight”

L to R: Samuel Ridout (guitar), Tyler Corbett (guitar), Evgeniy Zayarny (vocals), Kalie Yan (bass, vocals), Taylor Gibson (drums)

​

Calgary, Canada’s fantasy prog power metal Red Cain is kicking off the beginning of 2023 with their next The Wheel of Time (novel/TV series) inspired single entitled “Blight” that continues the storyline from their previous single “The Fisher King“ released this past November.

An epic and progressive track, “Blight” shreds fans into another voyage of storytelling, vocalist Evgeniy Zayarny explains further:

“Blight is defined as an organic contagion that damages, destroys, or corrupts. In the Wheel of Time universe, where the Dark One touches the world, uncontrolled and aberrant growth sprouts and covers the land, home to malign flora and monstrous fauna. With this track, we moved the needle firmly into the progressive part of our prog power style, delivering an atmospheric, chilling, and dynamic performance meant to mimic the unstoppable advancement of the Blight over the land. Is the Blight a disease or a majestic triumph of organic life without limits? With this Tesseract, Ihsahn, and Insomnium-influenced track, we explore this idea.
​
The concept of “Blight” came out of a question – what is the ideal state in the evolution of organic life? Influenced by authors like Stanislaw Lem and Adrian Tchaikovsky, this has long been a theme in science fiction and is becoming relevant in the modern era. The Blight also plays a key role within the Wheel of Time universe, and the concept sets the stage for a musical exploration from our end where another evolution to our sound likewise takes root.”

“Blight” was mastered by Alan Sascha Laskow (Every Hour Kills, ex-Divinity) and mixed by Tyler Corbett, (Sole Audio).

Listen to “Blight” via its premiere on Sonic Perspectives HERE.

Red Cain, from Calgary, Canada is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning music videos and concept albums “Kindred: Act I” and “Kindred: Act II”. Red Cain’s first two full albums conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with forthcoming releases.

Red Cain is recommended for fans of Kamelot, Symphony X, Myrath, Powerwolf, Mastodon, and The Contortionist.

Red Cain is:​
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

For more info:​
​https://redcain.ca​
​https://www.facebook.com/redcainofficial​
​https://instagram.com/redcainarmy​
​https://redcain.bandcamp.com​
​Spotify​

About:

Melancholy and Rage

Born out of the vast prairies and snowy peaks of Alberta, Canada, Red Cain is a modern progressive metal project with Eastern European roots. With intricate songwriting, powerful vocals, eerie soundscapes, and strong electronic-backed groove, Red Cain champion a fluid, dynamic, and unique style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience. Described by frontman Evgeniy Zayarny as a vehicle of “Melancholy and Rage”, Red Cain delivers power, flair, thematic Slavic influence, and intricate, lethal edge in their work. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Lord of the Lost, whipped into a venomous new shape. The current incarnation of this Canadian metal band is of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.

Red Cain self-released its debut self-titled EP in North America in 2016 to excellent reviews, and followed this up with two award-winning full-length albums, “Kindred: Act I” in 2019, and AFA-funded “Kindred: Act II” in 2021, working with Sliptrick Records globally to have over 3500+ physical copies sold, as well as over 200,000 digital streams to date. The band has hit #1 on the Canadian National Loud Charts on multiple occasions and is a 1x winner and 3x nominee for the Metal Recording of the Year at the YYC Music Awards.

The band has created 13 videos, of which 2 are full-length, high-production music videos for “ZERO” and “Juliet”. The latter two videos have won 17 awards at international music festivals, including the Berlin Short Film Festival, Venice Shorts, Global Shorts, IndieX FilmFesti, AIFF, and Hollywood Art & Movie Awards, among others. The band has a strong history of collaboration, with a highlight being our work with Juno Award-winning vocalist Kobra Paige of heavy metal band Kobra and the Lotus, on the track “Wing of the Crow”.

Red Cain released our latest album “Kindred: Act II” globally with Sliptrick Records in 2021, with a particular focus on promotion and engagement in the United States and Eastern Europe, where the band has received significant traction in 2020-21. With live performances stunted by COVID, the band has focused strongly on building out the concept behind the two-album “Kindred” arc with non-musical collateral, creating story content and custom art for the album concept.

With a significant upward trend of fan interest for this release, and 100,000 + digital streams, Red Cain has our set sights firmly set on another ambitious and conceptually exciting project, with the next release cycle coming in 2023.

– 30 –

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal. With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage. I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Tentacles Industries – ATOMIC TRIP Drop New Video For Doomy Sludge Epic “Bomb #6” For Upcoming Vinyl “Strike #3” Out March 2023

  • January 17, 2023
  • by Asher
  • · Atomic Trip (Tentacles Industries) · Music News

NEWS RELEASE

Montreal, QC – January 17, 2023

​

Tentacles Industries – ATOMIC TRIP Drop New Video For Doomy Sludge Epic “Bomb #6”

Vinyl “Strike #3” Out March 24th, 2023

L-R: Jean-Claude VanDoom (Guitar) | Grom Tattooer (Drums) | Gary McDoom (Guitar)
Photo Credit – Alispictures

France’s Atomic Trip released their third album this past October and coming this March 24th, 2023, they will have it on vinyl available via Tentacles Industries. An epic two-track doom and sludge marauder, today the band presents their video for the 20-minute closer chef-d’oeuvre “Bomb #6”.

“Bomb #6 follows with penetrating feedback and toms rolls, before a brutal silence and the entrance of the absolute anvil, its main riff which is the summit and the summary of the whole universe of the band. The more it goes on, the more the psychedelic heaviness sets in. And the end is just as definitive, with two last leaden minutes that twist your brain, concluded by leaking feedback and a final absolutely definitive drum hit.” adds the band.

Watch and listen to “Bomb #6” via its premiere on Doomed and Stoned HERE. ​

Fans familiar with Atomic Trip will not be disappointed with their latest album “Strike #3”; the sequel of “Strike #2” and Strike #1, it is even more crushing, and even more “in your face” than its predecessors. “Bomb #5” is full of finesse and heaviness, a fuzz apocalypse, and a cavalcade of mad drumming. “Bomb #6” interjects with penetrating feedback and toms rolls, and psychedelic heaviness. The last two last leaden minutes of it will completely twist your brain.

“We are so proud of our third album. We think that we have pushed all barriers to keep our motto: less is more. With a few riffs, we have made a progressive psychedelic doom masterpiece. Here the most simple becomes the most complex and every single note weighs a ton. A ton of harmonics, of resonance, of feedback. When we first played those tracks live, we were not confident and hesitated, but people reacted so well! From dark basements to the bigger stages at metal festivals, it has always been a total blast, from the top to the final drum hit. To describe Strike #3 in one sentence: like it or loathe it, you cannot ignore it.”

The album was mixed and mastered by Alexandre Borel and the album artwork was done by Jean-Luc Navette. Best served with a couple of brews and a joint, Atomic Trip is providing the soundtrack for a hazy evening and a cosmic trip so sit back and relax. They are recommended for fans of Conan, Bongripper, and Electric Wizard.

Vinyl for “Strike #3” due out March 24th, 2023 and available pre-order via Tentacles Industries – https://tentaclesindustries.bigcartel.com/artist/atomic-trip​

“Strike #3” can be hard on digital platforms via Atomictrip.bandcamp.com, Spotify.

Live Video – Live Full Concert 4K @ Le Michelet – Nantes, France – April 2022 – https://youtu.be/L7NgU17GzE8​

Track Listing:​
1. Bomb #5 – 24:12
2. Bomb #6 – 20:47
Album Length: 45:00

For more info: https://www.facebook.com/atomictripdoom/ | https://www.instagram.com/atomictripdoom/​

About: The dope factory has exploded, inhale the smoke, and prepare to trip. First, the violent blast of fuzz hits you in the face, then you board for a journey into blurry and muzzy dreams. Plug your darkest fuzz, light your joint, uncap your booze and feel the raw power of doom. We’re all atomic zombies trippin’ on slow riffs.

– 30 –

“These DOOM warlords have created the Instrumental Doom album of the year entitled Strike #1. Over the course of 40 minutes, this band proves that they can’t be fucked with when it comes to creating riffs that kill on contact. What I love about this record is how they are able to manifest such dynamic songs without using vocals. ATOMIC TRIP’s tunes are the perfect soundscape for your mind to run wild in a HEAVY NEVER-NEVER-LAND!” – CVLT NATION – Instrumental Doom album of 2017
​
“Each resonating chord is literally hammered out and left ringing over a bed of resonating bass and this is a pure and simple celebration of the utter power of the riff.” – MORE FUZZ
​
“These gargantuan sized riffs from Atomic Trip will hit you with hypnotic waves of radiation haze, while burying you in a mushroom cloud of fallout and smoke.” – SUPER DANK METAL JAMS
​
“Each, drawn out chord, is encapsulated with a veil of heaving discordance as hypnotic as it is painful, self flagellation by sledgehammer. Worship at the Sepulchre of doom!” – THE SHRIEKS FROM BELOW
​
“Atomic Trip creates soundscapes that are heavy and powerful as mountain massifs. It is a sense of desolation and at the same time magnificent and warm. Then Atomic Trip opens up completely new audio worlds far beyond the reality. The music is bigger than everything.” – SLAVESTATE
​
“Atomic Trip does not go below 8 on the Richter scale. Even with the earplugs, I thought my ears would fall like two pieces of plaster.” – FEEDBACK MUSIC
​
“Here is a raw, cryptic, deviant doom, where everything is played on the atmosphere. This is the secret little corner, where everything is only vibration, introspection, where the notes haunt the depths of the soul.” – THE DARK LODGE

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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Asher Media Relations Tweets

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