Category: Music News

0 Rockshots Records – Australia’s GREYSTONE CANYON Shares Cover Video of THIN LIZZY’s “Suicide” From Upcoming Album “Something Borrowed…Something New” Out Dec 2025

November 7, 2025
by Asher
· Greystone Canyon (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – November 7, 2025

Australia’s GREYSTONE CANYON Shares Cover Video of THIN LIZZY’s “Suicide”

New Album “Something Borrowed…Something New” Out Dec 5th, 2025

Australian hard rockers Greystone Canyon return with a powerful new single – a bold rendition of Thin Lizzy’s “Suicide”, available worldwide today, November 7th, 2025. The track is the first glimpse into the band’s forthcoming album “Something Borrowed…Something New,” due out December 5th, 2025, from Rockshots Records, marking their most authentic and organic release to date.

Faithful to the spirit of Phil Lynott and Thin Lizzy’s timeless legacy, Greystone Canyon delivers a warm, punchy, and honest version of “Suicide”, enriched by their signature blend of melodic rock and gritty hard-edged groove. Recorded live with no click tracks or studio trickery, the single captures the raw chemistry of a band feeding off one another in the room – a true celebration of rock ‘n’ roll energy.

DIGITAL: https://lnk.to/S1C1D3
VIDEO: https://youtu.be/VLNaHClXKc0

Produced by the band and engineered by Joel Taylor at Black Lodge Studio (Melbourne), “Something Borrowed…Something New” represents a turning point in Greystone Canyon’s journey. As the title suggests, it’s a hybrid record – a mix of new original songs and hand-picked classics from the bands that shaped their sound, including Thin Lizzy, Led Zeppelin, ZZ Top, UFO, and Neil Young. The album bridges past and present, combining heartfelt tributes with fresh, road-worn originals such as “Drives Us,” “Friend of the Fox,” and “Stealing Our Freedom”.

Vocalist/guitarist Darren Cherry comments:

“This is our most honest record so far – real instruments, real performances, all captured live in one room. We wanted to remind listeners of the warmth and punch that only true rock bands can create together. It’s pure, old-school energy and we had an absolute blast making it.”

Following the success of “Iron & Oak” (2024), which reached #18 on the Australian iTunes Hard Rock chart and earned multiple 10/10 media scores, the band is poised to bring their music to a new global audience with a record that’s equal parts homage and evolution.

Recommended for fans of Led Zeppelin, Thin Lizzy, and ZZ Top, Greystone Canyon‘s new album “Something Borrowed…Something New” is out December 5th, 2025

PRE-ORDER of “Something Borrowed…Something New” – https://rockshots.eu/products/greystone-canyon-something-borrowed-something-new-cd

Track Listing:
1. Doctor, Doctor (UFO cover) – 04:16
2. Just Got Paid (ZZ Top cover) – 03:35
3. Drives Us – 05:06
4. Immigrant Song (Led Zeppelin cover) – 02:21
5. Friend of the Fox – 03:57
6. Suicide (Thin Lizzy cover) – 05:14
7. Hey, Hey, My, My (Into the Black) (Neil Young cover) – 03:22
8. AAF – 1:47
9. Stealing Our Freedom – 04:26
Album Length: 33:54

More info: Rockshots.eu | Facebook.com/greystonecanyon | Instagram.com/greystonecanyon_official

About: Greystone Canyon is an Australian hard rock band formed in Melbourne, known for their timeless blend of classic rock, heavy metal, and blues-infused energy. Their music draws on the spirit of 1970s and 1980s legends such as Led Zeppelin, Thin Lizzy, Ozzy Osbourne, and UFO while infusing modern depth, dynamic arrangements, and heartfelt storytelling.

The band released their debut album “While the Wheels Still Turn” in 2018, earning critical acclaim from both Australian and international press. The record was named “Debut Album of the Year” by Australia’s national TV program The Hard Rock Show, and received outstanding reviews across the board – including 10/10 from Rock ’n’ Load Magazine and 99/100 from The Metal Mag. Supported by multiple singles and videos amassing over 450,000 views, the album firmly established Greystone Canyon as one of Australia’s most promising rock acts.

Their sophomore record, “Iron & Oak”, followed in 2024, entering the Australian iTunes chart at #18 for Hard Rock and #82 across all genres, as well as reaching #1 on CFUR North American college radio. The album was praised by the international rock media, with several 10/10 scores, and produced over 250,000 video views within weeks of release. The band also performed alongside US heavy metal pioneers The Rods, further cementing their reputation for powerful and emotionally charged live shows.

After years of honing their craft and refining their sound, Greystone Canyon return in 2025 with their third full-length album, “Something Borrowed…Something New” – a record that captures the raw, organic essence of a real rock band performing live together. Recorded at Black Lodge Studio in Melbourne with producer and engineer Joel Taylor, the album was tracked entirely live in one room, without click tracks or digital edits. The result is a vibrant, honest, and deeply musical release that mixes brand-new Greystone Canyon originals with hand-picked classic covers from the artists who shaped their identity, including Thin Lizzy, ZZ Top, Led Zeppelin, UFO, and Neil Young.

Frontman Darren Cherry, who also performed with Paul Di’Anno’s (ex-Iron Maiden) Australian touring band in 2024, leads the lineup featuring Richard Vella (guitars, vocals, keyboards), David Poulter (bass), and Sham Hughes (drums, keyboards, mastering). Together, they embody the spirit of traditional rock music – played with authenticity, precision, and passion.

With “Something Borrowed…Something New“, Greystone Canyon pays tribute to the golden age of rock while reaffirming their identity as a band devoted to tone, feel, fire, honesty, and organic sound. It’s a record that reminds listeners of what real rock ’n’ roll is meant to be — alive, human, and timeless.

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“They’re Back! One of hard rock’s best modern bands, Greystone Canyon have just released their cover of the Thin Lizzy classic ‘Suicide’ as a teaser of their upcoming album “Something Borrowed…Something New” set for a Dec. 5th release. The new album is outstanding with exceptional original material as well as other classic rock covers…like a rendition of ‘Immigrant Song’ that very well may be the best cover version of that track we’ve ever come across. In the meanwhile, catch their on-target version of ‘Suicide’ and let’s start counting down the days to Dec. 5th, right here on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

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0 Out Now! Chilean Prog ENGRUPID PIPOL Unleashes New Concept Album “Quadragenta At Finem Mundi”

November 7, 2025
by Asher
· Engrupid Pipol · Music News

NEWS RELEASE

Montreal, QC – November 7, 2025

Out Now! Chilean Prog ENGRUPID PIPOL Unleashes New Concept Album “Quadragenta At Finem Mundi”

L-R- Kaztrol (guitar), Nacho García (drums), John Dai (bass)

Phot Credit – Philippe Vigoroux

After more than three years of silence, Chilean instrumental trio Engrupid Pipol returns with their most daring and conceptually rich album to date: “Quadragenta at Finem Mundi.” A sonic prophecy told in seven acts, this 46-minute progressive metal journey explores the collapse of civilization and the rebirth of life through intricate compositions, raw emotion, and a sound that pushes the boundaries of the trio format.

Drummer Nacho García reflects on the band’s evolution.

“The work done on this album is incomparable to our two previous records, both technically and personally. On Engrupid Divais, we had found the sound we were looking for. This time, once we were in the studio, we realized we already had the sound we wanted; it just needed a few tweaks.”

The band focused on preserving the integrity of the trio format, avoiding overdubs that couldn’t be replicated live. The result is a modern, powerful, and crystal-clear sound, with each instrument retaining its warmth and natural tone. Acoustic guitars, synthesizers, and even the bombo legüero, a traditional Latin American drum, add depth and texture to the album’s apocalyptic narrative.

“Quadragenta at Finem Mundi” is Engrupid Pipol’s first conceptual album, and it demanded everything from its members. With funding from the Chilean Ministry of Arts, Culture, and Heritage, the band had the resources to elevate their recording, post-production, and promotional efforts, but also faced immense pressure to deliver.

“We had a deadline and only three rough demos. It tested us as a band and as friends. We had to devote a huge chunk of our lives to this process, writing, arranging, rehearsing, and reworking demos until the songs matured,” recalls Nacho.

Guitarist Kaztrol adds:

“This album was born from a different place than usual. It pushed us to our limits and presented obstacles we didn’t expect. Listening to the finished album is an auditory delight, a reward for our souls after all the effort and sacrifice.”

“Quadragenta at Finem Mundi” unfolds as a seven-act instrumental journey through the collapse and rebirth of civilization. It opens with “Tripel Ultimatum,” a high-adrenaline, riff-heavy track that introduces three survivors of a nuclear disaster. “Vorágine” follows with a whirlwind of acoustic chaos, mirroring the consumerist frenzy and environmental decay of modern society. “Animal Inteligenz” offers a satirical take on artificial intelligence as a new deity, exploring the decline of human intellect and the rise of evolved animals and machines. The fourth act, “Inspireichon Burn,” channels death-metal fury to depict the devastation of thermonuclear war and the greed of war profiteers, born from a spontaneous burst of inspiration. “Vairal Madnez,” the most collaborative track, critiques digital obsession, fake news, and biological warfare, and stands out as a favorite to perform. “Aztral Configureited” shifts the tone to cosmic reflection, imagining planetary alignment as life on Earth fades and a new cycle begins. The album closes with “Ameba Emenens,” a fully acoustic and introspective finale, where a lone ameba survives the apocalypse to restart life, offering a hopeful end to a dark and prophetic musical odyssey.

“Quadragenta at Finem Mundi” is more than an album; it’s a statement. A sonic warning. A cathartic release. And above all, a testament to the enduring power of three musicians who’ve spent nearly 25 years crafting their sound and pushing their limits.

Available November 7, 2025, on all major platforms, the album is recommended for fans of Liquid Tension, Rush, Megadeth, King Crimson, Night Verses, and Animals as Leaders.

Music Video – “Tripel Ultimatum” – https://youtu.be/6smOGzzH_OY

Add to your Spotify playlist – https://open.spotify.com/album/7i6N3YPymMG6Bk6SAwrhPb

Digital Download – https://www.portaldisc.com/contenido/disco-engrupid-pipol-quadragenta-at-finem-mundi

Track Listing:
1. Tripel Ultimatum – 5:48
2. Voragine – 6:53
3. Animal Inteligenz – 7:34
4. Inspireichon Burn
5. Vairal Madness 5:01
6. Aztral Configureited 8:24
7. Ameba Emenens 4.20
Album Length 45:20

For more info: Engrupidpipol.cl | Instagram.com/engrupid_pipol | Facebook.com/engrupid

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0 Out Now! Canada’s THE JUDGE THE JUROR Unleashes Genre-Bending PsyDeathTechProg EP “Primitive Minds” + Video “Your Vice is a Locked Door”

November 7, 2025
by Asher
· Music News · The Judge The Juror

NEWS RELEASE

Montreal, QC – November 7, 2025

Out Now! Canada’s THE JUDGE THE JUROR Unleashes Genre-Bending PsyDeathTechProg EP “Primitive Minds”

L-R: Blaise Marsh (Guitar), David Frontenac (Vocals / Synth), Scotty Oakes (Guitar), Nick Burpee (Drums), Merrick Fenton (Bass)

Photo Credit – Agnes Benson

Western Canada’s most electrifying metal experimenters, The Judge The Juror, have officially dropped their new EP, “Primitive Minds”, out today, November 7th, 2025. Alongside the release, the band has unveiled a crushing new music video for the opening track “Your Vice is a Locked Door”, offering fans a visual descent into their self-coined genre: PSYDEATHTECHPROG, a fusion of psychedelic, progressive, technical death metal that defies categorization and redefines sonic boundaries. The band invented the term PSYDEATHTECHPROG as both a descriptor and a tongue-in-cheek jab at metal’s obsession with micro-genres.

Watch the music video at https://youtu.be/wQKwsb62qHA

“Primitive Minds” explores the paradox of modern humanity: how our ancient instincts clash with the hyper-digital world we inhabit. The EP’s three tracks, “Your Vice is a Locked Door,” “Helciconian Optivisior,” and “HYPERCUBE (Unfolding),” each dissect a different facet of this existential tension, from algorithmic manipulation to emotional fragmentation.

“Your Vice is a Locked Door” delivers a punishing critique of social media’s commodification of identity. “Helciconian Optivisior” offers a mesmerizing sonic assault, reflecting the struggle to connect beyond distorted lenses, while “HYPERCUBE (Unfolding)” ventures into cosmic tech-death territory, exploring internal battles and societal exploitation.

The EP artwork, created by guitarist Scotty Oakes, is a painted psychedelic interpretation of the human mind, visually complementing the band’s cerebral themes.

Formed in Edmonton, AB by members of local acts Vespertine Battle Scene and Driven to Exile, The Judge The Juror consists of David (vocals/synth), Blaise (guitar), Scotty (guitar), Merrick (bass), and Nick (drums). Their collaborative writing process blends brutal riffage, experimental synths, and progressive structures into a sound that’s as weird as it is exhilarating.

Fans can expect two more EPs, “Medieval Institutions” (Early 2026) and “Godlike Technologies” (Mid-2026), completing the trilogy that chronicles the downfall of the human condition.

Influenced by genre giants like Meshuggah, Cynic, Between the Buried and Me, and VOLA, the band has carved out a niche for fans of Born of Osiris, The Browning, and Enter Shikari.

“Primitive Minds” is available now on all major platforms – https://distrokid.com/hyperfollow/thejudgethejuror/primitive-minds

Official Tour Footage Video – “Heliconian Optivisor” – https://youtu.be/zlqCXxESTlY

In additional news, The Judge The Juror will be unveiling “Primitive Minds” and more at their local EP Release show in Edmonton, AB on November 7th at Bunkers Live Pub (615 Hermitage RD NW) alongside Shackled To The Throne, Valley Of Despair, and Decrepitation. Event Info – https://www.facebook.com/events/1183563156934083/

Track Listing:
1. Your Vice is a Locked Door – (4:36)
2. Heliconian Optivisor – (3:40)
3. HYPERCUBE (Unfolding) – (2:59)
EP Length: 11:16

EP Recording Credits:
• All songs written, performed, and produced by: The Judge The Juror
• Mixed and Mastered by: Alpha Core Studios
• EP Artwork by: Scotty Oakes
• Canadian Content (MAPL)

EP and Live Band Line Up:
Scotty Oakes – Guitar
David Frontenac – Vocals / Synth
Merrick Fenton – Bass
Nick Burpee – Drums
Blaise Marsh – Guitar

More info: https://linktr.ee/thejudgethejurorofficial

About:

Formed from the ashes of previous projects, The Judge The Juror (TJTJ) is a collaborative powerhouse born out of Edmonton’s vibrant metal scene. With members Scotty, Merrick, Nick, and David—formerly of Driven to Exile and Vespertine Battle Scene—the band draws from a wide spectrum of influences including Meshuggah, Cynic, Dance Gavin Dance, and VOLA to forge a genre entirely their own: PSYDEATHTECHPROG.

Amidst the vast landscape of tedious and semantic metal subgenres, TJTJ emerges to carve out a bold new niche. Their sound—described in five words as Psychedelic Progressive Techdeath—combines technical riffage, intricate drum grooves, and experimental synthesis to dazzle the mind. Their writing process is deeply collaborative, often sparked by singular musical ideas and built layer by layer into sonic journeys that challenge and captivate.

With a blistering high-energy live presence and a fearless commitment to pushing boundaries, The Judge The Juror is rapidly solidifying their place as one of Western Canada’s most innovative metal experimenters.

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0 Streaming Now! Czech Modern Metal Force STELLVRIS Unleash New EP “Shatter and Bloom” and Music Video

November 6, 2025
by Asher
· Music News · Stellvris

NEWS RELEASE

Montreal, QC – November 6, 2025

Streaming Now! Czech Modern Metal Force STELLVRIS Unleash New EP “Shatter and Bloom” and Music Video

L-R – Libor Hřebík (Bass), Andreas Polášek (Guitar), Nicol Hofman (Vocals), Hanz Polášek (Drums)

Photo Credit – Julia Ramm

Czech modern metal upstarts STELLVRIS are set to unleash their highly anticipated new EP, “Shatter and Bloom,” on Friday, November 7th. Ahead of its official release, the band is premiering both the EP and a powerful new music video for the title track, a showcase of their signature blend of crushing heaviness, soaring melodies, and raw emotion, exclusively via Decibel Magazine HERE.

Formed in 2019 after an impromptu jam session led to their first live show at Prague’s iconic Music Club Modrá Vopice, STELLVRIS have quickly carved out a reputation for their powerful, emotional, heavy, melodic, and modern sound. With “Shatter and Bloom,” the band takes another bold step forward, pushing their sonic boundaries while staying true to the intensity that has fueled their rise.

Produced by Christoph Wieczorek at Sawdust Recordings, the five-track EP delivers a dynamic fusion of crushing breakdowns, electronic textures, and irresistibly catchy choruses. Lyrically, it dives headfirst into themes of destruction, rebirth, toxic relationships, and the struggles of modern life, all expressed with raw honesty. The journey begins with the title track “Shatter and Bloom,” a defiant anthem about tearing down what no longer serves and allowing something stronger to rise. “Silence After Violence” follows as a stark warning against the growing tide of aggression in society, even among the youngest generations. With “Monster,” the band turns inward, confronting the scars of toxic relationships while celebrating the strength it takes to break free. “Time’s Up” offers a sharp critique of living life solely online, disconnected from reality and responsibility. Closing the record is “Starships,” a heavy, metal-charged reimagining of Nicki Minaj’s pop hit, ending the EP on an explosive note of energy and fun.

“Shatter and Bloom is more than just a collection of songs; it’s about destroying what’s toxic and giving space for something new to grow. Every track reflects real struggles we’ve faced or witnessed, from toxic relationships to the rising aggression in society. We want fans to feel seen, empowered, and connected through this music. It’s heavy, it’s honest, and it’s meant to hit both the heart and the pit,” adds the band.

With “Shatter and Bloom,” STELLVRIS continue their evolution, delivering a record that is as cathartic as it is crushing, a testament to resilience, transformation, and the unbreakable spirit of modern metal.

Recommended for fans of Jinjer, Spiritbox, Holy Wars, Infected Rain, and I Prevail, “Shatter and Bloom” will be available on all digital platforms, along with Vinyl.

Bandcamp (Vinyl, Digital) – https://stellvris.bandcamp.com/album/shatter-bloom

Digital (Spotify, Apple Music) – https://linktr.ee/stellvris.band

Track Listing:
1. Shatter and Bloom – 3:18
2. Silence After Violence – 3:14
3. Monster – 4:16
4. Time’s Up – 3:32
5. Starships (Nicki Minaj Cover)
EP Length: 18:27

EP Credits:
• All songs performed by: STELLVRIS
• All songs written by: STELLVRIS
• Produced by: Christoph Wieczorek of Sawdust Recordings
• Mixed by: Christoph Wieczorek of Sawdust Recordings
• Mastered by: Christoph Wieczorek of Sawdust Recordings
• EP Artwork by: František Jelen

Band Line Up:
Nicol Hofman (vocalist)
Libor Hřebík (bassist)
Andreas Polášek (guitarist)
Hanz Polášek (drummer)

More info: https://linktr.ee/stellvris.band

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“Shatter & Bloom is a high-energy, intense, and creative record… What’s clear is that this band has real talent: powerful rhythm work, strong guitar and bass tones, and a remarkably versatile vocalist. They know how to use those strengths intelligently, and the crisp production ensures every detail shines through. The result is a modern, ambitious, and fiercely engaging release from a band that looks set to achieve huge things.” – Games, Brrraaains & A Head-Banging Life

“With a primal scream, opening (and title) track ‘Shatter & Bloom’ appears from nowhere and is all the more potent for its sudden arrival. Like a blast of white heat which sears the skin, it’s the perfect statement of intent and sets the tone for the coming five songs. Yet for all their raw power, Stellvris show a great deal of variety; the vocals in particular range from heavenly harmonies to demonic growls, whilst the band are equally versatile, mixing up beats and tempos and punctuating dense sonics with huge spaces. ” – Devolution Magazine

“Ready-made for fans of Spiritbox and Holy Wars, STELLVRIS’ latest takes on the theme of a toxic relationship, whether romantic, platonic or professional, and urges the listener to push back and escape. As for the video, it captures the band in action, with vocalist Nicol adopting distinct personas, including a red-cast demonic one.” – Revolver Magazine

“Stellvris work best because they are able to balance the more melodic aspects of modern metal with a scorching amount of heaviness. There’s an overall adrenaline injection and flow to Persistence that makes it incredibly digestible, with the need to listen to it over again to get that same rush once it finishes. What’s great is that the aggression sticks around on repeated listens, without giving you a case of diminishing returns. Expect big things from this act in their near future for sure, but Persistence already establishes them as a modern metal force to be reckoned with.” – Dead Rhetoric (2023 – Persistence)

“The latest single “Scorpio” was a perfect song to sum up STELLVRIS’s musical identity as a band. The energetic riff and beats with Nicol switching between clean vocals and harsh vocals and even harsher vocals have been a common denominator for almost every song by STELLVRIS. “Scorpio”, however, took that electrifying awesomeness and multiplied it by a thousand! The song is three minutes of pure energy that even my conservative grandmother would headbang to (going to test this theory next family dinner). It’s a song that would be perfect when performed live! Of course, the song was released with a music video that matches the quality of the audio with visual Metal brilliance.” – FemMetal (2023 – Single – Scorpio)

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0 Streaming Now! Kelowna’s CEPHEIDAE VARIABLE Unveils Debut Prog Album “Primordial Reverie” – A Sonic Journey Through Emotion, Evolution, and Imagination

November 6, 2025
by Asher
· Cepheidae Variable · Music News

NEWS RELEASE

Montreal, QC – November 6, 2025

Kelowna’s CEPHEIDAE VARIABLE Unveils Debut Prog Album “Primordial Reverie”

A Sonic Journey Through Emotion, Evolution, and Imagination

Photo Credit – Solo artist: Ryan Koepke – Guitar, Bass, Composition, Production

Cepheidae Variable, the solo project of Canadian musician Ryan Koepke, will unleash its debut full-length album, “Primordial Reverie,” on November 7th, a sweeping instrumental work that blends progressive metal, symphonic textures, and sci-fi soundscapes into a deeply personal and cinematic listening experience.

Originally conceived as a casual creative outlet, Cepheidae Variable took on new meaning following Koepke’s father’s cancer diagnosis. The emotional weight of that moment, combined with the joy of becoming an expecting father himself, transformed the project into a passionate pursuit of musical storytelling.

“I stopped waiting around and decided to create something I’d be proud of. This album mirrors the turbulence and hope I was experiencing in my life,” says Koepke.

Described in five words: spacey, weird, melodic, melancholic, happy, “Primordial Reverie” is a genre-defying instrumental concept album built around three distinct acts. It opens with orchestral fantasy-inspired compositions and gradually shifts toward complex, synth-driven sci-fi arrangements. The album’s structure reflects Koepke’s evolving musical tastes and life experiences, with each track supporting the next like chapters in a book.

“I wanted to release an album that felt like a journey. Each song has its own identity, but recurring motifs and tonal shifts tie everything together,” explains Koepke.

From the uplifting energy of the single “Carving a Dragon” to the darker, more orchestrated depths of “Singularity,” the album invites listeners to craft their own narrative through sound. Koepke’s writing process is highly visual, often sparked by imagery or abstract themes, and guided by a desire to build immersive sonic environments.

“Primordial Reverie” is designed to be experienced as a complete piece, though its singles offer standalone energy and accessibility. Koepke anticipates fans will gravitate toward different halves of the album, some drawn to the melodic, symphonic opening tracks, others to the chaotic, experimental second act.

“I think fans of progressive metal will find something to enjoy, even if not every song fits neatly into genre definitions,” adds Koepke.

The album cover, created by renowned collage artist Alex Eckman-Lawn, evokes themes of loneliness, wonder, and cosmic mystery. Its abstract beauty heavily influenced the album’s tonal evolution.

Musically, Cepheidae Variable draws inspiration from bands like Dream Theater, Haken, Intervals, Wintersun, and Caligula’s Horse, while maintaining a distinct voice shaped by Koepke’s improvisational roots and cinematic ambitions.

Koepke plans to continue developing Cepheidae Variable, potentially expanding beyond instrumental work and solo production, and reach a goal of releasing a new album every 2–4 years. Fans can expect future full-length projects that build on the emotional and thematic depth of “Primordial Reverie.”

“This album means a lot to me. The ups and downs in the music reflect what I was going through, and it brings me joy to share it with others.”

“Primordial Reverie” will be available on all major streaming platforms and CD on November 7th, 2025, and before it officially releases, it can be heard via its full stream premiere on Bravewords HERE.

Digital Album pre-save (out Nov 7th) “Primordial Reverie” – https://distrokid.com/hyperfollow/cepheidaevariable/primordial-reverie

CD Album pre-order – https://cepheidaevariable.bandcamp.com/album/primordial-reverie

Playthrough – “Carving a Dragon” – https://youtu.be/qhp5qvAn2Pk

Playthrough – “The Waiting Storm” – https://youtu.be/ohvtVeir32g

Track Listing:
1. Overture (3:11)
2. Carving a Dragon (4:04)
3. The Waiting Storm (3:13)
4. Zephyr of Ouroboros (9:15)
5. Encounter (5:53)
6. The Conduit (6:03)
7. Chromatic Haven (5:11)
8. Entropic Harvester (10:27)
9. Singularity (11:32)
Album Length: 58:53

For more info: https://cepheidaevariable.com/

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“This was a solid album to listen to. Without vocals, the artist has to work harder to convey his feelings and emotions in his music, and Ryan did that well. Many of the melodies you can hum or sing along with, and that’s a testament to the instrumental album.” – Metal Temple

“Combining symphonic textures, sci-fi ambience, and progressive intricacy, Primordial Reverie explores the balance between chaos and melody, emotion and evolution. Through layers of orchestral arrangements, synths, and guitar-driven storytelling, Ryan invites listeners to experience a sonic voyage through creation, transformation, and reflection.” – Crannk
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0 JON HARRIS Continues His Guitar Series with the New “Entitled” Performance From Latest Album “Parallel Heart” Out Now!

November 5, 2025
by Asher
· Jon Harris · Music News

NEWS RELEASE

Montreal, QC – November 5, 2025

JON HARRIS Continues His Guitar Series with the New “Entitled” Performance From Latest Album “Parallel Heart” Out Now!

Canadian instrumental rock guitarist Jon Harris has released a new playthrough video for his track “Entitled.” The video is part of his ongoing series that puts the spotlight on his guitar work, raw, precise, and deeply expressive.

The song is a standout track from his celebrated debut album, “Parallel Heart,” released via Epictronic Records.

“Entitled was the first song completed for the album, and it set the tone for everything that followed,” says Jon. “At its peak, it feels like a cinematic escape. I picture myself behind the wheel of an IROC-Z, cruising the Vancouver coastline as the sun dips below the horizon. What’s unique about it is that most of the leads stay clean right up until the bridge, which was unexpected for me and gives the track a subtle, evolving tension before it finally breaks loose,” says Jon

Watch “Entitled” at https://youtu.be/Vw4HS0n71Ug

“Parallel Heart” continues to showcase Harris’ mastery of instrumental rock, blending technical precision with emotional resonance. While completely instrumental, the album conveys stories of tension and release, exploring the space between connection and chaos, creative ambition and everyday demands. From the pulsing energy of Togetherness to the shimmering retro feel of 97BPM, each track builds its own emotional narrative.

Harris, who performed guitar, drums, bass, piano, and production on the record, proves himself not only a guitarist to watch but a full-scale sonic architect. His sound bridges blues-soaked rock, synth-driven textures, and funk grooves with cinematic flair, evoking a blend that’s reminiscent of Jeff Beck meeting Prince with a modern rock edge.

Stream the full album “Parallel Heart” now (released Dec 13, 2024): https://orcd.co/parallelheart

Track Listing:
1. If You Wouldn’t
2. Wasted Entertainment
3. Entitled
4. Mustard N Ketchup
5. Parallel Heart
6. Mehnoynoy
7. 97BPM
8. My Little Lady
9. Togetherness
10. Humpty Dumpty

More Info – https://linktr.ee/jonharrisrocks

-30-

“It’s a looping track (Entitled) that turns noodling guitar solos into an optimistic resolve. ” – Exclaim!

“guitar virtuoso Jon Harris offers a welcome throwback on ‘Togetherness’, the second single to be released from his forthcoming LP ‘Parallel Heart’. An instrumental number, its mid tempo and groove oriented base is immediately reminiscent of works by Joe Satriani, but unlike so many fretboard freaks, Harris clearly values a great melody instead of a pure shred. Here, he lays down a semi bluesy tone over a solid rock groove, before branching out to inject a funk derived rhythm with a cleaner tone, and bell like melodies. The arrangement eventually finds room for a few slightly fuzzy sounding harmonics and a melody that could be one of Satch’s best, circa ‘The Extremist’.” – Real Gone Rocks

“It’s Friday! And we have the pleasure of adding the new single “Togetherness” from six-string slinger Jon Harris. An instrumental driving rock track with an accessible melody and plenty of layered soloing to keep you engaged throughout, “Togetherness” is a rewarding five minutes without those pesky vocals! Taken from his forthcoming album “Parallel Heart” set for a December release, catch Jon Harris on your Home for the Best New Rock…W-J-O-EEEE!”

“His artistic ability blends technical brilliance and emotional depth, creating immersive soundscapes that push the boundaries of rock.” – Video Sound Art Magazine

“If melodic and elegant instrumental hard rock is music you tend to enjoy, and you appreciate some occasional funky interceptions in such landscapes, then this is an album that you probably will find to be an enjoyable and rewarding experience.” – The Viking in the Wilderness

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0 Matt Miller and Band Unveil Playthrough for “Summoned” from Seventh Studio Album “Fiber Tormentum” Out Now!

November 5, 2025
by Asher
· Matt Miller · Music News

NEWS RELEASE

Montreal, QC – November 5, 2025

Matt Miller and Band Unveil Playthrough for “Summoned” from Seventh Studio Album “Fiber Tormentum” Out Now!

L-R – Justice Robinett (Bass), Jordan Kelso (Drums, Synth), Matt Miller (Guitars, Synth), Biko Wright (Vocals)

Photo Credit – Lilly May Everett

Technical death metal guitarist and composer Matt Miller has released a full-band playthrough video for “Summoned,” one of the standout tracks from his new album “Fiber Tormentum,” which dropped this past September from Exitus Stratagem Records.

The playthrough showcases the technical precision and dynamic chemistry of Miller’s newly assembled lineup: Jordan (drums), Justice (bass), and Biko (vocals). Together, the group delivers a performance that is as crushing and relentless as it is melodic and epic, a perfect reflection of the band’s evolving sound.

“‘Summoned’ is about the travel and detailed plans of the invaders, using astonishing acts. The music is something like a computer algorithm or an alien language. We wanted the playthrough to capture both the technicality and the storytelling behind the song; it’s overwhelming, but in the best way possible,” explains Miller.

Watch the playthrough via its premiere on MetalAddicts HERE.

Released in September 2025, “Fiber Tormentum” marks Miller’s first full-band album after years of performing as a solo artist. Originally conceived as an instrumental record, the album evolved into a full-scale concept piece with vocals and contributions from the entire lineup.

Lyrically, “Fiber Tormentum” tells a loose sci-fi narrative of alien invaders manipulating human DNA to enslave humanity. Musically, it blends technical death metal, power metal, progressive death, and symphonic elements into a relentless yet melodic assault.

“We set out to make the best possible record that we could and push ourselves to our best performances. We never settled and always reached higher. We explored all options and left no stone unturned. Fiber Tormentum was the most ambitious project I had ever worked on, and I wanted to make an album that not only belongs alongside the bands and songs that I hold in such high regard but also adds something new to the genre and brings something unique. A technical death metal album with clean vocals and intricate over-the-top guitars locked in step, and in those moments, they don’t back off but accelerate. If anything, it adds a hint of theatricality and makes the songs memorable, or I dare say catchy, with guitar and vocals entwined. One of the key elements of the album is its human feel. Yes, we used some modern production techniques, but this album still retains its human element while remaining focused and airtight. At the very least, this was the next step in my ever-changing musical evolution and expanding horizons, which only means that the next release will be more ambitious while providing a glimpse into our lives, because isn’t that what art is and does?” says Miller.

Miller began his solo project in 2020 during the pandemic, writing songs that pushed his technical and creative limits. After touring as a solo artist with Rings of Saturn on the Cyber Shred Tour 2022, he assembled a full lineup to bring his vision to life. The band has since toured Europe supporting Possessed and continues to build momentum with their intense live shows.

Described in five words: relentless, Soaring, Crushing, Intense, Epic, Miller’s music draws influence from Necrophagist, Wintersun, Symphony X, Nevermore, and The Faceless, while forging a unique identity that merges technical mastery with hook-driven songwriting.

The album artwork, created by the late Joshua Nassaru Ward (Voraath), reflects the album’s core theme: a tormented face mid-transformation, symbolizing the manipulation of human DNA. The title “Fiber Tormentum” is inspired by Roman history, the sound of a ballista’s ropes tightening before release, a metaphor for the tension and release found throughout the album.

Recommended for fans of Necrophagist, Symphony X, Wintersun, The Faceless, and Death, “Fiber Momentum” (released Sept 12th) is available on all major platforms through Exitus Stratagem Records.

Digital – https://hypeddit.com/mattmiller/fibertormentum

CD – https://www.exsrmusic.com/store/p/wnn3m10s6beq0pbmnot0e17ghvj629

Guitar Playthrough – Descent into Violence – https://youtu.be/RCj0AKSkSTc

Music Video – Effecively Neutralized – https://youtu.be/hJDoR9JL9b8

Track Listing:
1. Descent into Violence (5:04)
2. Summoned (3:33)
3. Effectively Neutralized (4:53)
4. Blight and Disfigurement (3:23)
5. Maimed Paralyzed Dead (3:12)
6. Horror Beyond Comprehension (3:15)
7. Fiber Tormentum (Instrumental) (3:31)
8. Abiotic Origin (3:14)
Album Length: 30:08

Album Lineup:
Matt Miller (Guitars, Synth)
Jordan Kelso (Drums, Synth)
Justice Robinett (Bass)
Biko Wright (Vocals)

For more info:

Exsrmusic.com | Shreded1.com | Facebook.com/matt.miller.96995238 | Instagram.com/mattmiller630

– 30 –

“All in all, it’s a fascinating song (Effectively Neutralized) — head-spinning and heart-palpitating but also a heavy-hitter and a conjurer of strange, sinister, and haunting visions. In other words, in the space of just five minutes it pulls off a lot of impressive feats. And the well-filmed and well-edited video for it is a perfect complement, in that it shows us how all these talented performers executed all the impressive accomplishments.” – NoCleanSinging

“I am super excited. I already know this is gonna destroy. Matt Miller just absolutely destroys it on all facets. He has so many guitar techniques that he has absolutely mastered and he can literally play it all.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel

“Hell yeah. Holy moly canoli. Fiverr to Fiber Momentum, and that was the album. This song is Descent into Violence. Holy moly canoli, dude. Go support, Matt Miller. That was absolutely badass. Total shredding. Jordan, also a homie of mine, your drums are incredible. The new singer, Bo, I love the harsh vocals in the clean. Total is it almost the cleans almost reminded me of Queensryche meets Cannibal Corpse. It’s pretty freaking sweet. And of course, Justice always lays down the heavy bass with the beautiful bass faces. But an absolutely incredible album….Matt Miller, you could find him everywhere. He’s an incredible guitar player, one of the best guitar players of our generation. Remember, this is Fiber Tormentum courtesy of Exitus Stratagem Records. So, a huge shout-out to them as well. Matt Miller has so many more songs. If you guys like this song (Descent into Violence), believe me, this guy is an absolute shred master. Not only does he do like a ton of his own originals, he does a ton of covers, and also he’s just a shred master of all sorts. Just exactly how they say, melodic, technical, and death. But I will definitely say the big thing that stands apart about this whole song is great structure, absolutely shredding on all levels, and the vocals are just 100% one-of-a-kind. And I totally enjoyed it. Guys, I love you guys from the bottom of my heart. This has been Matt Miller with his new song, Descent into Violence. Pick up the new album on September 12, Fiber Tormentum.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel

“The songs on “Fiber Tormentum” are rather good, and make for very interesting listening sessions.” – Metal Temple

“”Fiber Tormentum” is a real killer and so refreshingly creative that you can’t help but toast this previously unknown genius in awe! Cheers! 9/10″ – PowerMetal.de

“Soaring, crushing, ferocious, emotive, and relentless, are words that strongly describe Decrepit Shed. The album has a lot to offer from various metal sub-genres and encompasses the best elements of technical guitar playing while still having well-written songs”. – Brave Words

“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic and brutally heavy. Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.” – Rock’n’ Load

“Even though Miller’s music is instrumental, he likes to think of the guitar as a voice. Which in turn makes him ask what is the guitar saying? He is able to easily convey emotion, tone, and a story even without the use of vocals. Throughout his releases, his music has developed a more modern sound in both the music and the production. Musically the songs are more well written and a lot of the ideas he writes are being accurately represented. He is always trying to push himself as a musician and this is reflected in his discography. Influenced primarily by technical and progressive death metal with a dash of power metal and symphonic metal as well, Matt Miller’s music is recommended for fans of Obscura, Dragon Force, and Racer X” – Metal Sucks

“Mr. Miller can shred like his fingers are on fire” – Ever-Metal.com

“Matt shreds all over this album with guitar solos galore”. – Transcending the Mundane

“Soaring, crushing, ferocious, and emotive, Miller conveys a wide range of tones throughout his instrumental music. It is recommended for fans of Dragon Force, Racer X, and Jeff Loomis” – Metal-Rules

“For guitar enthusiasts, I guess it is a feast for the eyes and ears.” – Antichrist Magazine

—
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0 Melodic Death Metal Force OUTLYING Unleashes “The Raven Is Gone” From New Album “Oblivisci” Out Nov 2025

November 4, 2025
by Asher
· Music News · Outlying

NEWS RELEASE

Montreal, QC – November 4, 2025

Trois-Rivieres’ Melodic Death Metal Force OUTLYING Unleashes “The Raven Is Gone”

New Album “Oblivisci” Out Nov 2025

L-R: Charles Alexandre Bilodeau (Bass, Back Vocals), Fred A. Dubeau (Guitar, Vocals), Martin Reithler (Drums)

Photo by Sandy Champagne

Canadian melodic death metal band Outlying has unleashed their brand-new single “The Raven Is Gone”, the third preview of their upcoming full-length album “Oblivisci,” set for release on November 21, 2025.

Following singles “Pitch Black Serum” and “November“, their next track, “The Raven Is Gone” is fast, heavy, and undeniably epic, capturing the chaos of everyday struggles, bills, jobs, relationships, and the weight of modern life, and transforms them into a soaring, visceral anthem. Originally drafted years ago by vocalist/guitarist Fred A. Dubeau during a night of heavy drinking, the lyrics were rediscovered and brought to life with the band’s signature blend of aggression and melody.

“Sometimes, bands write songs just before recording an album, and sometimes there are song ideas that were there for years before actually writing and recording that said song. ‘The Raven Is Gone’ is about how you often go through similar issues every day… and can feel powerless about all the chaos it can create. The whole vibe is about being a metaphorical raven who escapes fire and blaze, and tries to find a safe place to hide somewhere. The music is written to be as powerful, epic, and catchy as possible,” adds Dubeau.

Due out November 21st, “Oblivisci” (Latin for “to forget”) is a dark, melodic, and emotionally charged record that explores themes of trauma, alienation, grief, loneliness, and addiction. The album’s artwork depicts a post-apocalyptic version of the band’s home city, reflecting its lyrical core: the desire to withdraw from reality and escape the weight of existence.

Musically, “Oblivisci” balances aggression and melody with precision, from thrash-driven assaults to atmospheric passages, from crushing heaviness to moments of haunting beauty. The record closes with the ambitious three-part suite “Dreamless Nights”, inspired by Fred’s personal struggles with alcohol addiction and the cycle of escape, bliss, and collapse.

Founded in 2007 by vocalist/guitarist, producer, and songwriter Fred A. Dubeau, Outlying hail from the industrial city of Trois-Rivières, Quebec. Their debut EP “Within The Jail Of The Unfortunate” arrived in 2008, followed by the full-length “Scars Of Daylight” in 2012. After lineup changes, bassist JD Poirier and French drummer Martin “Frenchy” Reithler joined, leading to the release of Frameworks For Repression in 2016.

In 2024, the band welcomed bassist Charles Alex Bilodeau, solidifying the current lineup. Outlying is now preparing to release “Oblivisci”, their most mature and focused work to date, heavier, more melodic, and unflinchingly honest.

Outlying’s music is best described as captivating, dark, aggressive, and melodic metal. Influenced by At The Gates, Testament, Cradle of Filth, In Flames, and Wintersun, their sound draws from melodic death, thrash, black, and groove metal. Their live shows are raw and passionate, relying on pure energy and musicianship rather than heavy backing tracks or overproduction.

Listen to their latest single “The Raven Is Gone” via its premiere on NoCleanSinging HERE.

“Oblivisci” will be available on all digital platforms on November 21st, 2025.

Bandcamp – https://outlying.bandcamp.com

Spotify – https://open.spotify.com/artist/5q6oycizRFEpwSzpUBJ0Z8

Track Listing:
1 – The Raven Is Gone – 5:27
2 – Stigma – 3:49
3 – Snow – 6:02
4 – Streets Of Rats And Vultures – 4:47
5 – Pitch-Black Serum – 4:36
6 – November – 5:56
7 – Sentinel – 5:43
8 – Impaired – 5:32
9 – Dreamless Nights Part I: A Lullaby For The Insomniac – 4:19
10- Dreamless Nights Part II: From Velvet Skies – 5:13
11- Dreamless Nights Part III: Walking Out Of Eden’s Ashes – 4:25
Album Length: 55:49

Album Credits:
All songs performed, written, and produced by Fred A. Dubeau and Martin Reithler
Mixed and mastered by Fred A. Dubeau
Album Artwork by Fred A. Dubeau

Album recording lineup:
Fred A. Dubeau – Guitar, Bass, All Vocals Martin Reithler – Drums
Guest musicians for the album:
Steph from “Exotoxic” – Auxiliary percussion
Marilyn from “Chained By Illness” – Female Vocals
Sim from “Lancaster” – Guest Guitar Solo
Hardcore Band “Northwalk” – Gang Vocals

Lineup for live:
Fred A. Dubeau – Guitar, Vocals
Charles Alex Bilodeau – Bass, Back Vocals
Martin Reithler – Drums

For more info:

http://www.outlying.ca/

http://www.facebook.com/outlyingband

http://www.instagram.com/outlyingband/

https://www.tiktok.com/@outlying.band

– 30 –

“Outlying offers a solid Swedish-style melodic death metal sound with their own personal touch.” – MetalUniverse.net

“With a biting energy and a relentless intensity, [Pitch-Black Serum] hits with an uncommon ferocity while keeping a dynamic, melodic and catchy structure.” – MetalUniverse.net

“I had never heard of this band before, so I was all the more amazed by the high level of performance the band had already achieved in 2012 [Scars Of Daylight album]. They are reminiscent of Scandinavian melodic death metal bands of the late 1990s.” – Ammo-underground.at

“The three gentlemen serve us finely spun melodies; the musicians tie everything together into a flowing, detailed unity. A bit of clean vocals are sprinkled in here and there, and so a lot happens in this largely whipping smasher. A few threatening vibes and thrashy, straight-ahead tactics are also effectively employed, as is polyphonic vocals – everything just fits! Raising fists, enjoying details, headbanging – it’s a mystery to me why these all-rounders are still so unknown!” – Ammo-underground.at

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0 The JUNO Awards SUBMISSIONS – FINAL DEADLINE: November 6, 2025, 11:59 PM PT / November 7, 2025, 2:59 AM

November 3, 2025
by Asher
· Music News

Canadian Metal Bands!

The JUNO Awards SUBMISSIONS – FINAL DEADLINE: November 6, 2025, 11:59 PM PT / November 7, 2025, 2:59 AM

Submissions Guide / Guide pour les soumissions

Dreaming of taking the coveted JUNO Statuette home? Time is running out! The 2026 JUNO Award Submissions Presented by @TD_Canada deadline is approaching on November 6th. Don’t miss your shot, submit now: https://www.junoawards.ca/submissions

For a complete list of JUNO Awards categories, eligibility rules, and voting criteria, visit https://www.junoawards.ca/submissions.

========

Are you interested in performing at JUNOfest? Applications are open to solo artists and/or full bands. Apply today at https://www.JUNOfestsubmissions.ca.

Please Note: JUNOfest is for Canadian artists only. Priority is given to 2026 JUNO Award nominees and artists/bands from Hamilton, ON, and the surrounding area.

All applications must be submitted by December 19, 2025, at 5:00 PM ET / 2:00 PM PT.

========

The 55th Annual JUNO Awards and JUNO Week 2026 will be hosted in Hamilton, ON, from March 26 to Sunday, March 29, 2026, culminating with The JUNO Awards at TD Coliseum on Sunday, March 29, 2026, broadcast live on CBC TV, CBC Gem, CBC Radio One, and CBC Music.

CBC Listen and globally at https://www.CBCMusic.ca/junos.

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0 Prog Virtuosos PHAETON Hit The Road For Western Canadian Dates (AB, BC) For Third Album “Neurogenesis” Out Now! ft. Album Guest Derek Sherinian (Dream Theater, Planet X, Sons of Apollo)

November 3, 2025
by Asher
· Music News · Phaeton

NEWS RELEASE

Montreal, QC – November 3, 2025

Prog Virtuosos PHAETON Hit The Road For Western Canadian Dates (AB, BC)

Third Album “Neurogenesis” Out Now!

ft. Album Guest Derek Sherinian (Dream Theater, Planet X, Sons of Apollo)

Canadian instrumental progressive metal quartet PHAETON is hitting the road this November for a string of Western Canadian tour dates in support of their third full-length album, “Neurogenesis.” Known for their electrifying live performances, the band will bring their cerebral, crushing sound to Alberta and British Columbia:

Upcoming Show Dates:
Nov 7 – Lethbridge, AB – The Slice w/ Pharm, S.I., Rainbow Patrol – info
Nov 8 – Edmonton, AB – Divebar w/ Pharm, Excerebration, Spruce Moose – info
Nov 21 – Cranbrook, BC – Shotties Nightclub w/ Dead Bob, Blind Marc – info
Nov 29 – Cranbrook BC – Shotties Nightclub w/ ANCIIENTS – info

Front (L-R): Kevin Thiessen (Guitars, Keyboards), Ferdy Belland (Bass), Daniel Airth (Guitars), Back: Colin Righton (Drums)

Photo Credit – Scott Courtemanche

Following their acclaimed 2020 release “Between Two Worlds,” “Neurogenesis” marks a bold evolution in PHAETON’s sound, more concise, yet no less imaginative. Engineered and mixed by guitarist Kevin Thiessen at The Cube in Kimberley, BC, and mastered by Jamie Sitar at Outtatown Sound in Winnipeg, MB, the album features artwork by Calgary-based artist Matt Semenok and a guest appearance by prog legend Derek Sherinian (Dream Theater, Planet X, Sons of Apollo).

Formed in 2017 in Kimberley, BC, PHAETON blends neo-classical melodicism, crushing riffs, tornado percussion, and contrapuntal basslines. Their lineup includes Kevin Thiessen (guitars, keyboards; ex-Azsension, ex-Datura), Daniel Airth (guitars; ex-Chaos Logic), Ferdy Belland (bass; ex-Bif Naked), and Colin Righton (drums; ex-Chaos Machine).

PHAETON‘s music channels cosmic chaos into meticulously crafted soundscapes, wordless journeys through shifting time signatures, soaring melodies, and tectonic riffage. “Neurogenesis” explores themes of technological singularity and the convergence of biological minds with machine intelligence: part cold warning, part sober observation.

“Neurogenesis” is available now on digital platforms via INB Music. Vinyl editions arrive later this year, with more music on the horizon, including the standalone 22-minute epic “Clouds of Mercury” in 2026 and their fourth album “Quartum” in 2027.

Spotify – https://open.spotify.com/album/46CVWFcd3u2pSRt0D9pSrV

Bandcamp – https://phaetonband.bandcamp.com/

Previous Singles:

Band playthrough – Arachnid – https://youtu.be/QxyU0U-vSOc

Isochron ft. Derek Sherinian – https://youtu.be/Ri8wXGYJcJg

Tethys Rising – https://youtu.be/mjehuUQS9G8

Track Listing:
1. Tethys Rising (6:25)
2. Discontinuum (6:37)
3. Isochron (4:12) ft. Derek Sherinian
4. Synethesia (6:24)
5. Arachnid (4:48)
6. Augmented (4:37)
7. Neurogenesis (6:16)
Album Length: 39:19

Band Lineup:
– Colin Righton: Drums & Percussion
– Daniel Airth: Lead & Rhythm Guitars
– Kevin Thiessen: Lead & Rhythm Guitars, Keyboards
– Ferdy Belland: Electric Bass

For more info: https://linktr.ee/phaetonofficial

– 30 –

“”Neurogenesis” one of the hottest tips of the running season. At least when it comes to instrumental prog, the band has reached the top of the annual list!” – PowerMetal.de

“Oh prog-metal how we love thee…case in point, the new single ‘Isochron ft. Derek Sherinian’ from Phaeton. This dandy little slice of modern prog-metal is not only exceptionally recorded but is jammed full of stabbing riffs, fluid bass lines, drum rolls galore and of course keyboard wizardry courtesy of the legendary Derek Sherinian (Dream Theater, Planet X, Sons of Apollo). Keep an eye out for the new album “Neurogenesis” from PHAETON set to drop on Oct. 24th and to tide you over listen up for ‘Isochron’ on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“I’ve always maintained that instrumental bands have to work harder at their craft, because the lack of vocals is one more thing they have to find a replacement for. Lead guitar breaks can take the place of vocals, as can keyboards. They do a solid job of this on the album… They have the chops, that’s for sure.” – Metal-Temple

“Neurogenesis“ is a work that combines virtuosity, atmosphere and emotion in extraordinary balance.” 4/5 – MetalUnderground.at

“PHAETON’s Neurogenesis: Where Prog-Meets-Precision, and Machines Whisper to the Riffs” – Papy Jeff Metal

“Phaeton’s sound is a kaleidoscope of progressive sounds, tech-death, thrash and djent… The album opens with the song “Tethys Rising” has in it’s a lot of austerity, but you can hear perfectly strong and expressive here sound and style. Song “Discontinuum” also holds the right one level and very exciting. The dynamics and rhythm are impressive here. Piece “Isochron” with the guest participation of Derek Sherinian, he enriches and has in great riffs, but there are also Middle Eastern elements, which it also increases the effect. Number “Synethesia” it emphasizes even more the intensity and complexity of sounds with a lot of power and energy. Track “Arachnid” he has a lot of neoclassical playing, but he doesn’t forget about it crushing playing with lots of thrills. Song “Augmented” it also has a specific level to it. Title piece “Neurogenesis” he crowns the album with pride and precision. You can hear perfectly balanced music here, which has a claw, feistiness and focuses on diversity and versatility. 4/5″ – W-Mgnieniu-Rocka

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