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Category: Music News

0 Newfoundland Black Metal Duo Artach Lyric Video “Tuiteam an Duine” Off New Album “Sworn to Avenge”, Video Premiere via ThisIsBlackMetal

  • July 21, 2021
  • by Asher
  • · Artach · Music News

NEWS RELEASE

Montreal, QC – July 21, 2021



For fans of Venom, Immortal, Celtic Frost, Darkthrone, Satyricon

Newfoundland Black Metal Duo Artach Lyric Video “Tuiteam an Duine” Off New Album “Sworn to Avenge”

Video Premiere via ThisIsBlackMetal

New Album “Sworn to Avenge” Out Now! via Depressive Illusions Records

Coming from the coldest, windiest, snowiest, and foggiest city in Canada, St. John’s, Newfoundland’s Artach is heavily influenced by nature and even takes after the bleak climate they are surrounded by. The result of months of winter provides inspiration for their raw, epic black metal that is in their new album “Sworn to Avenge”, which was recently unleashed this past June via Depressive Illusions Records.

Today the band presents their latest lyric video for their opening track “Tuiteam an Duine” via its premiere on ThisIsBlackMetal‘s YouTube channel HERE.

The band adds about the song:

“This one kicks off the album, it’s immediate. It blasts then calms, the savagery, then the relative calmness. We wanted to have an opener that was somewhat in line with the opener on our debut, which is an often mentioned favourite from the first album. The song lyrics are about how humankind overall views themselves atop the food and intelligence chain. We are not. And this will be our undoing. We didn’t want the lyrics to be preachy so the ideas are not meant to pound you over the head totally. The title “Tuiteam an Duine” translates to the fall of man.”

“Sworn to Avenge” is the second album from Artach, following up 2020’s “Chronicles of a Black Winter”. Fans can expect more of the same compared to the first, but it pushes the envelope a little bit. Artach embraces evolution and aspire to play tighter, and have a more professional sound, but never sound overly polished.

Artach’s process is a collaborative one between the duo, the genesis of the songs are arranged on guitar by Sruthán and very roughly recorded at home. After getting together, they record drums and flesh out the song in an afternoon and by then the song is pretty much ready for the studio recording of guitars, then bass, and lastly vocals.

Artach is recommended listening for anyone interested in raw black metal and those with an interest in Celtic Frost, Darkthrone, and Satyricon.

“Sworn to Avenge” is available via Depressive Illusions at the following links: DepressiveIllusions.com, Artach.bandcamp.com, Amazon, Spotify.

Previous Videos:
Shimmer – https://youtu.be/JyJ2xW2oquM
Into the Frozen Woodlands – https://youtu.be/FtfosCUA7iw
She Gathers Leaves – https://youtu.be/g0nahpQ6O6s

Track Listing:
1. Tuiteam an Duine (7:08)
2. Ice Throne (5:09)
3. Shimmer (6:35)
4. Endless Tundra (21:35)
5. Into the Frozen Woodlands (4:49)
6. She Gathers Leaves (5:25)
7. Mistress of Black Thorns (6:24)
8. Winter’s End (8:14)
Album Length: 1:05:23

Album Band Line Up:
Fíochmhar: Vocals, Drums, Keyboards
Sruthán: Guitar, Bass

For more info:
Facebook.com/ArtachBlackMetal
Instagram.com/ArtachBlackMetal
EPK

About:
Artach is a two-man black metal band (Sruthán: Guitar/Bass, Fíochmhar: Battery/Vokills/Keys)based in St. John’s, Newfoundland, Canada. Being from the foggiest, snowiest, wettest, windiest, and gloomiest capital city in Canada, one should not be surprised that this fuels the creation of Black Metal. Their inspiration comes from the land, nature, the bleak weather of the Canadian North, and influential black metal bands.

Since the duo’s formation in the spring of 2019, Artach has been consistently releasing new music. The band’s debut album “Chronicles of a Black Winter” was released digitally during February 2020 and later unleashed on physical CD by Depressive Illusions Records. The full length contained 9 songs of extreme, harsh, and haunting sounds, which included a cover of Celtic Frost’s ‘Jewel Throne’.

Now in 2021, the band returns with their next offering “Sworn To Avenge”, a full-length scourge of raw and relentless bruting gloom. From the calming blasts and savagery of album opener “Tuiteam an Duine” to the ingrained black metal blast beats, and headbanging riffage on “Shimmer” to the 20-minute exploration for the epic “Endless Tundra” about the doomed Franklin expedition of 1846 to the Immortal-esque riffing and unorthodox exorcism of album closer “Winter’s End”, Artach delivers a 65-minute cold deliverance of their surroundings.

The band adds:

“The music on ‘Sworn To Avenge’ is a frigid mixture of topics about nature and how it meets and interacts with the darkness of humankind. The desolation of the world, the planet, and the repeated failure of society to evolve to a place where we are a part of nature and not brutish subjugators of everything in our path… these are all themes described throughout many songs. The music is angry, savage, unhinged, but contains melody and some twists and turns to surprise the listener. Varied song tempos mixing blasting with thrashy, punky, doomy elements keep the sounds interesting and not monotone. Song structures often vary and we never limit a song to a certain length. We indulge and have them be as long, or as short as we think feels right.”

“Sworn To Avenge” will be available digitally from Artach along with CD and cassette via Depressive Illusions Records on June 25, 2021.

– 30 –

“The song (She Gathers Leaves) is a thrill-ride, but also reveals elements of gothic witchiness. The raw vocals are caught up in a paroxysm of fierce, crazed adoration, venting cold-blooded roars as well as braying, throat-stripping howls and cut-throat screams. The full-throttle drumming is tumultuous, a changing array that hammers, gallops, rocks, thunders, and blasts. Urgently rising chords provide a recurring theme, surrounded by flame-throwing riffs that dart, pulsate, and spasm, drawing on elements of thrash and classic heavy metal as well as black metal. Ecstatically swirling leads further add to the wildness of the song. A mood of mystery does surface in the track’s brief intro, and that mood surfaces again in the song’s back half, leading into a necromantic guitar solo that takes flight in scintillating fashion.” – No Clean Singing

“check out Artach for a truly epic journey into the wildernesses that populate the dark fantasy land conjured through their excellent music. This sophomore album tells me that this is a band that will be releasing much good material for years to come and will soon be headlining the epic black metal stages or charts both online and at festivals. An excellent job all round.” – Metal Rules

“”Sworn to Avenge is a mind-assaulting record… You’ll hear the influences of classic black metal bands like Venom, early-Bathory as well as elements of the second wave; Immortal, Darkthrone etc. Ugly and uninviting stuff but very satisfying if you enjoy the gloomier side of metal… It’s a mammoth listen and does take its toll, but the array of ideas that Artach showcase does keep things interesting. An hour slips by, the cold has sunk deep into the bones and you’ll be left wondering if you’ll ever be warm again.” – Games, Brrraaains And A Head-Banging Life

“Very melodic black metal, yet aggressive and heavy with undeniable influences from plain old straightforward heavy metal, so while things are definitely “black metal”, there’s a lot of discipline at play and this is definitely not your average raw, chaotic black metal. There’s order to the chaos on Sworn to Avenge, but that doesn’t prevent it from being aggressive and sometimes kind of depressing and melancholic despite not descending into the slower playing usually associated with those stylings. It’s a rollercoaster of “fuck yeah!” and “kill me now” (in sort of a good way).” – The Metal Crypt

“Now for some blackened thrash from Canada’s Artach, a band with an unusual take on the genre and a very unique sound. The good news is that if you’re a thrash fan you’re going to like this album. The even better news is that if you’re a blackened thrash fan you’re going to love this album. All of your favourite elements are present, plenty of riffs, a great blend between groove, rawness and aggression and raw, high energy vocals. There is something for everyone here which is why I can see the album having a broad appeal.” – Cavedweller Music

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Deformatory Continues To Entrap Listeners With Single “Impaled Upon The Carrionspire” ft. Jon Levasseur (ex-Cryptopsy), Music Video Premiere via MetalInjection, New Album “Inversion of the Unseen Horizon” Out September 3, 2021

  • July 20, 2021
  • by Asher
  • · Deformatory · Music News

NEWS RELEASE

Montreal, QC – July 20, 2021

 

Deformatory Continues To Entrap Listeners With Single “Impaled Upon The Carrionspire” ft. Jon Levasseur (ex-Cryptopsy)

Music Video Premiere via MetalInjection

New Album “Inversion of the Unseen Horizon” Out September 3, 2021

Rising from the depths of the capital of Canada, Ottawa’s Deformatory has played countless shows across Ontario and Quebec as a headlining act to be reckoned with. Known for being tight and brutal, Deformatory now exists as a duo and they are releasing a new album this year, “Inversion of the Unseen Horizon”.

With this album, and the previous (“Malediction”), Deformatory has been exploring an inter-dimensional civilization that has a unilateral mission to consume all light throughout the cosmos. Their latest single “Impaled Upon The Carrionspire” features Jon Levasseur (ex-Cryptopsy) and details the frenzy and mayhem as these cosmic devourers descend upon a life-star, as the band shares:

“The horde is unleashed, devouring all forms of life. The display is macabre, and the Cenaxors feed off the fear and energy of a slow, painful death. This describes the scene through the eyes of one who is hiding in the rubble, hoping not to be found…”

The chaotic barrage that Deformatory brings forth comes from a very organic writing process. There are no click tracks or Guitar Pro files here, just jamming and improvisation until something clicks.

The high contrast, striking video work is recommended for fans of Origin, Hate Eternal, and Cryptopsy.

The music video for “Impaled Upon The Carrionspire” (ft. Jon Levasseur (ex-Cryptopsy)) can be viewed via its premiere on MetalInjection HERE.

The album “Inversion of the Unseen Horizon” will be released on September 3, 2021.

Album pre-order – http://deformatory.bandcamp.com


Track Listing:
Chapter I – INCEPTION: THE CYRU’XILEAN NEXUS
1. Within The Astral Abscess (5:20)
2. Behold, The Apex of Decay (4:36)
3. Enginieering The Wvrmhorde (4:39)

Chapter II – INCURSION: THE PROTOTYPAL ESCHATON
4. Summoning The Cosmic Devourer (7:13)
5. Masticated By An Infinite Shadow (4:30)
6. In The Embervoid Where Dead Stars Reign (3:52)

Chapter III – INVERSION: THE HORIZONTAL REFLECTION
7. Deciphering The Archetype (3:53)
8. Impaled Upon The Carrionspire (5:01) (Classical guitar and solos by Jon Levasseur (ex-Cryptopsy))
9. Beyond The Abhorrence (4:13)
Album Length: 43:21

Album Band Line Up:
Charlie Leduc – Guitars & Vocals
Neil Grandy – Drums

For more info:
http://www.deformatory.ca
http://www.facebook.com/deformatory
http://www.instagram.com/deformatory
EPK

About:
Deformatory is a death metal band from Ottawa, Ontario, Canada. Forming in 2010, they set out to create an extreme sound, fusing together classic influences (Cryptopsy, Morbid Angel, Suffocation, etc.) and their love for modern tech death. The result is a uniquely relentless blend of death metal that can only hail from the Northern hemisphere.

Deformatory independently released their full-length debut, “In The Wake of Pestilence”, in December of 2013. This pummeling 9-track debut has been exceptionally well-received by fans worldwide, and has been cited as being an “outstanding and monstrous debut album. Essential.” (Frank Rini – AllAboutTheRock, ex: Internal Bleeding), and “flawless in every way” (TheBloodShed).

Having shared the stage with bands like Cryptopsy, Napalm Death, Obscura, Beyond Creation, Gorod, Archspire, and Fuck The Facts, Deformatory is more than comfortable delivering their crushing brand of extreme metal to live, screaming, and sweaty audiences.

The band’s sophomore release, “Malediction”, was released worldwide via CDN Records in 2016, with additional singles “Once Upon the Cross” (Deicide cover), and “Myiasis” both in 2018. Since then, DEFORMATORY has been developing their 3rd full-length album entitled “Inversion of the Unseen Horizon” which they plan to unveil in the Fall of 2021 as an independent release.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Rockshots Records: Sound The Drums! Italian Symphonic Folk Metal AEXYLIUM First Single “The Bridge” Off Upcoming New Album “The Fifth Season”

  • July 20, 2021
  • by Asher
  • · Aexylium (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – July 20, 2021



For fans of Eluveitie, Korpiklaani, Alestorm

Rockshots Records: Sound The Drums! Italian Symphonic Folk Metal AEXYLIUM First Single “The Bridge” Off Upcoming New Album “The Fifth Season”

New Album “The Fifth Season” Out October 29th

Italian symphonic folk metallers Aexylium are sharing their first single “The Bridge” from their forthcoming album “The Fifth Season” due out October 29th, 2021 via Rockshots Records.

The opening track of the full length, “The Bridge” is an instant war call, a powerful rush of drums, symphonic speed, and heaviness to immediately convey this clan’s followers ready for battle.

The lyric video for “The Bridge” can be viewed and heard on Rockshots Records‘ YouTube channel – https://youtu.be/jyssCoDi9jo

Digital download and stream on the following platforms:
Spotify – https://spoti.fi/36M35fX
Apple Music – https://apple.co/3xMU6Hc

Mixing traditional folk instruments (Flute, Violin, Bouzouki) with the modern symphonic metal, Aexylium‘s sophomore full length follows 2018’s “Tales From This Land” (Underground Symphony Records) and their 2016 self-produced EP “The Blind Crow“. “Tales From This Land” has had over 110k streams on Spotify along with its powerful single “Revive the Village’ placing on the top 200 metal song charts in Germany on Apple Music. Aexylium has also released fan-praised covers of Game of Thrones and Vikings main themes with reinterpreted folk metal sounds.

Since their inception in 2014, the Varese, Italy band has performed at renowned festivals in Europe such as Dumeltica International Music Festival, Montelago Celtic Festival, Malpaga Folk & Metal, Rock Inn Somma, Druidia and Strigarium along with sharing the stage with Elvenking, Wind Rose, Nervosa, Furor Gallico, Temperance and more. In August 2020, despite Covid restrictions, Aexylium was chosen by the city of Milan to perform at the historical Castello Sforzesco.

Their new album “The Fifth Season” is a concrete step towards growth and musical maturity with its offering of festive ballads, tighter riffs, advanced orchestrations and heavier dark songs that are all inspired by Norse Mythology. The record also features guest vocals from Samuele Faulisi (Atlas Pain), Arianna Bellinaso and the members of Coro Facoltà di Musicologia Vocal Ensemble. The album was recorded at Twilight Studio by Davide Tavecchia with the artwork done by Jan Yrlund of Darkgrove Design (Manowar, Testament, Korpiklaani.

The band adds:

“This work is the result of different approaches toward music, and different interests between the members of the band. For example, “An Damhsa Mór” – one of our completely acoustic pieces – reflects the interest of our flutist for Irish tradition and Gaeilge, while “Yggrdasil” is obviously a reference to Norse mythology, which our singer is passionate about. The title track is dedicated to something we would prefer to avoid, but, on the contrary, since the world we are facing is showing its environmental and social limits, the song “The Fifth Season” seems to express all our doubts and anxieties toward the future.”

“The Fifth Season” is due out October 29, 2021 via Rockshots Records and is available for pre-order at the following links:
CD – https://bit.ly/TheFifthSeason_CD
Digital – https://bfan.link/the-bridge

https://ssl.fbridgecdn.net/users_files/43/57443/aexylium_-_the_fifth_season.jpg


Track Listing:

1. The Bridge (4:47)
2. Mountains (4:16)
3. Immortal Blood (5:54)
4. Battle of Tettenhall (5:59)
5. Skål (4:54)
6. An Damhsa Mór (2:39)
7. Yggdrasil (4:47)
8. Vinland (4:09)
9. The Fifth Season (5:20)
10. Spirit of the North (5:40)
11. On the Cliff’s Edge (2:40)
Album Length: 51:10

Band Line Up:
Steven Merani – Vocals
Fabio Buzzago – Guitar / Backing Vocals
Andrea Prencisvalle – Guitar
Gabriele Cacocciola – Bass
Matteo Morisi – Drums
Stefano Colombo – Keyboards / Accordion / Backing Vocals
Federico Bonoldi – Violin
Leandro Pessina -Flutes / Bouzouki / Mandolin

Album Credits:
Special Guests:
Arianna Bellinaso – Vocals (‘Mountains’ / ‘The Fifth Season’)
Samuele Faulisi – Vocals (‘The Bridge’) – Backing Vocals
Coro Facoltà di Musicologia Vocal Ensemble – Choirs
Produced by: Aexylium, Davide Tavecchia
Music and Arrangements: Aexylium
Orchestral Parts: Stefano Colombo, Buzzago Fabio
Lyrics: Fabio Buzzago, Steven Merani, Gabriele Cacocciola
Recording, Mixing and Mastering: Davide Tavecchia (Twilight Studio)
Cover Art and Booklet:  Jan Yrlund – Darkgrove.net
Band Photo: Sasha Martinelli – Salazart

For more info:
Rockshots.eu
Aexylium.it
Facebook.com/aexylium
Instagram.com/aexylium_official

– 30 –

“The experience of hearing ‘Tales from this Land’ is a wonderful voyage through time and music at the same time” – Metal Temple (9/10)

“They just need to keep honing the direction, it’s on the right track for sure! I’m not even a big fan of folk metal, but I just became a fan of Aexylium!” – BucketList (9/10)

“A significantly well done, fun and excellent debut album if you love this genre of music” – Metalwave (80/100)

“‘Tales from this Land’ is not afraid of foreign competition and shows, together with a handful of CDs released in recent months, great talent” – Mister Folk (8/10)

 “The first song of their concert is unmistakable for those who have followed this TV series, I’m obviously talking about ‘Game of Thrones’ and is welcomed by an ovation from the crowd, that is getting bigger under the stage … They are eight on the stage and the energy they spread is perceived and celebrated several times by the horn sounds among the crowd” – Malpaga 2016 live report by Metalpit

“Aexylium from Varese, a band that I personally had never listened live and that turned out to be a pleasant discovery … The crowd is jumping, and even though their show is at the hottest time of the day, the audience for them is consistent, and it is undeniable that they appreciate the exhibition” – Malpaga 2016 by Suoni Distorti Magazine

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Scattered Storm (ft. members Pissing Razors) Draw Listeners In With “Under The Fire” Off Debut EP “Oblivion”, Video Premiere via NewFuryMedia

  • July 19, 2021
  • by Asher
  • · Music News · Scattered Storm

NEWS RELEASE

Montreal, QC – July 19, 2021

 

Scattered Storm (ft. members Pissing Razors) Draw Listeners In With “Under The Fire” Off Debut EP “Oblivion”

Video Premiere via NewFuryMedia

Debut EP “Oblivion” Out Now via Blood Blast Distribution

The Texas supergroup Scattered Storm released their debut EP “Oblivion” earlier this July. To complement that release, they have a new lyric video for the track “Under The Fire”.

The politically-charged single lyrically touches upon a recent shooting by a racist that happened in the band’s hometown of El Paso. They share more details about the musical work on the track:

“Musically it began with Jay using an eight-string to create syncopated riffs that melted into a steady groove of legato slides on the guitar. Then transitioning to machine riffs to Mediterranean landscapes in the middle with climaxing vocals making a segway to the ethereal brutal ending.”

The band expects a good reception to this initial offering, due to the catchy hooks and memorable vocals. The song has enough passages to keep the listener interested, plus the lyrics have some meaty social and fantasy content that pairs up well with the sonic landscape they have created musically.

Scattered Storm has contrived futuristic heavy music with a lot of ambiences, and while this EP itself is not a concept record, the content combines well with each other. The tracks flow well from one to the other creating a nice passage to the end.

The lyric video for “Under The Fire” can be seen and heard via its premiere on NewFuryMedia HERE.

The EP “Oblivion” is available now on all digital platforms via Blood Blast Distribution – Spotify, Apple Music, Amazon.

Music Video “Kingslayer” – https://youtu.be/5WbwojPueZ4
Lyric Video “Aeon Flux” – https://youtu.be/7-nq-Eh0NrI


Track Listing:
1. Aeon Flux (3:40)
2. Under The Fire (4:03)
3. Kingslayer (4:43)
4. Empty (4:23)
5. Necronomicon (3:16)
6. Scattered Storm (3:35)
EP Length: 23:41

Band Line Up:
Drums, Keyboards and Samples: Jay Arriaga
Guitars: Kevin Armstrong
Live Bass: Eddie “Razor” Garcia
Vocals: Andre Acosta

For more info:
Facebook.com/Scattered-Storm-106688970852378
Instagram.com/scatt_storm
EPK

About:
Scattered Storm hails from El Paso, Texas, USA and is a state supergroup comprised of seasoned musicians Andre Acosta and Ed Razor from Pissing Razors fame with band founders Jay Arriaga (No Life on Earth, Years of Cold), and Kevin Armstrong (Mondoshawan, Section 6). Their music is very dark, futuristic and heavy, but also has a lot of ambience.

Formed in 2019, the band has been polishing itself since and decided on an ultimate direction to go in. From the beginning, there was a very clear understanding of every detail they wanted to incorporate. From the very tuning of the 7 and 8 string guitars and the very specific tonality, they produce the ambience provided by the keyboards to layers and layers of vocals to really convey Acosta’s sound. This is all finished off with the main focus, that catchy riff and rhythm to have the songs stay on people’s minds and headbanging of course. Gotta have headbanging.

A Scattered Storm song begins with Arriaga and Armstrong exchanging riffs, with an emphasis on a technicality, but never losing the groove. After the song is polished, it goes to Acosta who applies the fantastic to the real world through the vocals.

When Scattered Storm hits the stage, the audience can expect a combination of the primal vs the futuristic as described in the lyrics and song title names. In the summer of 2021, they are unleashing their debut EP “Oblivion” via Blood Blast Distribution powered by Nuclear Blast.

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 New Jersey’s Knecht Unveils Progressive, Instrumental Self-Titled Debut EP

  • July 16, 2021
  • by Asher
  • · Knecht · Music News

NEWS RELEASE

Montreal, QC – July 16, 2021

For fans of Haken, Dream Theater, Porcupine Tree, Plini, Liquid Tension Experiment

New Jersey’s Knecht Unveils Progressive, Instrumental Self-Titled Debut EP

Self-Titled Debut EP Out July 16th


Pictured – Joseph Knecht – Photo credit – Tristan Ahearn

 

Joseph Knecht has his first EP ready for listeners around the world. The debut self-titled EP is a complex journey through progressive metal instrumentals, a well-thought-out blend of classic 70s and modern prog. Knecht, who has been playing music the majority of his life gives some insight into the record:

“I decided to make an EP and just started writing. “Transformation” and “Overture” were really the only two songs that I knew from the beginning would be on there. The rest were written for this project. It has djenty riffs combined with the classic keyboard sounds like the Hammond Organ and Minimoog. If you listen closely you can hear Jimmy Page licks in my solos and melodies.”

Knecht says that he started out strictly old school, however now he adds modern elements like 8 string guitar and goes for a more modern midrange-focused tone rather than the classic Les Paul through a Marshall sound.

Knecht writes and performs all instruments on the album, except for the drums, which on this release he enlists the help of Jason Stewart who adds his own creative flair to the drum scaffolding. The result is something complex, yet accessible, enjoyable by die-hard prog fans and casual listeners alike.

The EP is recommended listening for fans of Haken, Porcupine Tree, Plini and Liquid Tension Experiment.

“Knecht” is officially out on July 16, 2021 and available on the following digital platforms: Spotify, Bandcamp.

Videos:
“Destruction”- https://youtu.be/3OeTgXI24GE
“Overture (Excerpt From Halo Reach)” – https://youtu.be/wXg0SuMSqEQ

Track Listing:
1. Transformation (4:50)
2. Tabernacle Jam (3:50)
3. Working Title (4:42)
4. Overture (Excerpt From Halo Reach) (3:42)
5. Summer Nights (3:16)
6. Destruction (5:09)
EP Length: 25:31

EP Recording Line Up:
Joseph Knecht – Guitar, Bass and Keyboards
Drums – Jason Stewart

EP Credits:
• All songs performed by: Joseph Knecht and Jason Stewart
• All songs written by: Joseph Knecht
• Produced by: Joseph Knecht
• Mixed by: Charles-Henry Volk
• Mastered by: Charles-Henry Volk
• Member ASCAP

For more info:
Instagram.com/joeknecht.exe
Facebook
EPK

About:
Joseph Knecht, from Tabernacle, New Jersey, USA, has been playing music since he was a small child. He started out with piano when he was five and picked up the guitar a year later. Bass came along in high school and he attended Berklee College of Music to further his music education.

Looking to share the music he was writing and playing, he created his instrumental solo project Knecht, where he plays everything from classic rock to more modern progressive metal. He performs originals and covers as well as teaches private guitar lessons.

With influences rooted mainly in progressive and groove metal, he replaces vocals with sweeping, complex guitar melodies that are written like vocal melodies. A typical song starts with the rhythm, for him the rhythm guitars by themselves should be interesting and be able to garner attention through the piece. While he is doing this, he is thinking about what he might want the other instruments to be doing as well as keyboard sounds if there will be keyboards. For the drums, he will program a track for writing and recording purposes, but ultimately leaves it wide open for Jason Stewart.

Knecht’s debut self-titled EP is available on July 16, 2021. It features Jason Stewart on drums and was mixed and mastered by Charles-Henry Volk.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots RecORDS: Out Now! Aussie 80’s Heavy Metal NOTHING SACRED Album “No Gods” + Music Video “Virus”

  • July 16, 2021
  • by Asher
  • · Music News · Nothing Sacred (Rockshots Records)

NEWS RELEASE

Montreal, QC – July 16, 2021

 

For fans of Iron Maiden, Judas Priest, Death Angel, Exodus, Testament

Rockshots Records:
Out Now! Aussie 80’s Heavy Metal NOTHING SACRED New Album “No Gods” + Music Video “Virus”

Australian classic heavy metal Nothing Sacred are marking their return to the mosh pit with the new album “No Gods”, out now via Rockshots Records as of July 16th.

In celebration of the release of the full length, the band is sharing their new music video for the track “Virus”.

The band adds:

“Virus came from the concept of displacing blame situations or actions onto others in order to achieve inner peace. It’s from the perspective of people or entities taking ownership to allow the less fortunate to continue on their chosen path with no consequences. This track has a great groove and is very fun to play.”

Watch the music video for “Virus” via Rockshots Records‘ YouTube channel – https://youtu.be/GLV7gP_XkSM

 

Conceived in Melbourne in 1983, Nothing Sacred went on hiatus for two decades. During the 80s, the heavy metal band unleashed their EP “Deathwish”, which catapulted them as one of the most sought-after pit makers with the record’s title track becoming a classic within the Australian metal scene. Three years later in 1988, Nothing Sacred unleashed the full-length entitled “Let Us Prey” on Cleopatra Records. Unfortunately a year after that LP’s release, the band disbanded in 1989. Lead guitarist Mark Woolley, bassist Karl Lean and drummer Sham went on to contribute to Hobbs’ Angel of Death‘s early work in the late 1980s. Woolley also appeared on Hobbs’ first self-titled album in 1988. Vocalist Mick Burnham later joined short-lived Melbourne band Seizure in 1993.

Although their tenure was short-lived, Nothing Sacred still remains an underground metal phenomenon in Australia. Songs from the Deathwish EP still get airplay on several Australian metal radio programs.

In 2012, Nothing Sacred performed a series 30th anniversary shows with Ross Percy (Ion Drive, Little House Godz) joining George Larin on guitar that included a support slot for the ex-Iron Maiden vocalists Paul Di’AnnoP/Blaze Bayley Australian tour. Despite the success, the band agreed not to continue and returned to retirement.

In 2015, the band decided to re-activate with a lineup of Sham, Karl Lean, George Larin, Ross Percy, and new vocalist Chris Stark. A slot on Melbourne’s Brewtality Metal Festival received positive reviews before the band embarked on a short tour of Japan, which inspired them to continue and lead the band to headline day one of the Steel Assassins Festival in Sydney.

Line-up changes again slowed the band, but with the addition of James Davies now on vocals and Stu Bedford on guitar, the band spent most of 2019 and 2020 writing and recording, what is now to be their first full length in over 30 years. Entitled “No Gods”, the record is Nothing Sacred‘s resurrection to the metal world. With a wealth of experience, a bucket load of riffs, and a renewed energy for one of Australia’s longest-running metal bands.

The band adds:

“We think our return with this new album will be received well. We’ve made a conscious effort to not be one-dimensional. We picked a cross-section of tracks we thought would make the album interesting. Though eight of the tracks are brand new, we decided to add two tracks ‘Final Crime’ and ‘Oracle’ we wrote for our 2nd album in the late 80’s, but never released.”

“No Gods” is available via Rockshots Records at the following links:
CD – http://bit.ly/NoGodsCD
Digital http://bit.ly/NoGodsDIGITAL

Music Video – Final Crime – https://youtu.be/uq27JF_5pXI
Music Video – Stoner – https://youtu.be/EWkbjzYyrro


Track Listing:
1. Final Crime (3:41)
2. Virus (4:22)
3. Cold Black (3:38)
4. First World Problems (4:15)
5. Killing You (3:34)
6. False Prophets (4:00)
7. Ice (3:31)
8. Cult (4:38)
9. Oracle (3:32)
10. Stoner (5:27)
Album Length: 40:45

Album Line Up
Stu Bedford – Guitar
James Davies – Vocals
Karl Lean – Bass
Sham – Drums
George Larin – Guitar

More info:
Rockshots.eu
Nothingsacred.com.au
Facebook.com/NothingSacredMetal
Instagram.com/nothingsacredaustralia

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Calgary Heavy Metal RAVENOUS Announce New Album “Hubris” Out October 2021

  • July 15, 2021
  • by Asher
  • · Music News · Ravenous

NEWS RELEASE

Montreal, QC – July 15, 2021

For fans of Blind Guardian, Falconer, Powerwolf, Sabaton, Unleash the Archers

Calgary Heavy Metal RAVENOUS Announce New Album “Hubris” Out October 2021

 “Hubris” Out October 22nd via Feast Beast Records (NA/EU) / Spiritual Beast (Asia)


L-R: Ravenous Current Line Up
Skyler Mills (Guitar) | Dave Crnkovic (Drums) | R. A. Voltaire (Vocals) | Chris Valax (Bass) | Jake Wright (Guitar)
Photo Credit – Monika Deviat

This year, Calgary’s Ravenous is giving metalheads another reason to be famished after the long musical starvation experienced around the globe. They are releasing their new full-length album “Hubris”, which continues to reminisce about a time when metal was hungry.

This will be the second full-length release, following 2019’s “Eat the Fallen”, and 2017’s “Eternal Hunger” EP. Working collaboratively, so that the strengths of each musician can stand out and compliment the others, Ravenous have grown from doing basic fist-pumping heavy metal songs into writing complex, dense, and multilayered dark symphonic power metal anthems. The band doesn’t just caw about hunger, they take lyrical inspiration from personal experiences, books, movies, games, (especially Magic: the Gathering), classic poetry, folklore, and historical events. They explain the album in their own words:

“Lyrically, the album tells 10 stories from various sources all surrounding Hubris, the notion of arrogance and the hunger for power, resulting in the demise of the story’s main characters – beneath the surface, hidden messages are scattered throughout various lyrical lines that pertain to the band’s real-life experiences. Musically, the album is the marriage of European Anthemic Power Metal and American Speed Metal, with a penchant for speed and aggression accentuating the dynamics of the music.”

“Hubris” was mixed and mastered by Fredrik Nordström and the album artwork was done by Moch Luthfi of LuthSlaughterArt. It is recommended for fans of Blind Guardian, Falconer, and Powerwolf.

Our first glimpse into this upcoming banger is the album trailer, which can be watched right now on YouTube – https://youtu.be/GYJfhUWLPcM

“Hubris” will be released on October 22, 2021 via Feast Beast Records for North America plus Europe and for Asia via Spiritual Beast with exclusive bonus tracks.


Track Listing:
1. Carnage in Carthage (4:37)
2. Astral Elixir (5:16)
3. Son of Storms (4:33)
4. Die 1000 Deaths (5:24)
5. Bridgeburner (6:10)
6. The Alder Queen (3:17)
7. March of Hunger (4:47)
8. Claw is the Law (5:24)
9. Onwards & Upwards (4:09)
10. …Of Beasts and Faust (10:21)
Total Length 53:57
Japanese Version Exclusives
11. Cakaw Te Partiro (Bonus) – 3:13
12. 一瞬千撃 (Bonus) – 5:25
Total Length 62:34

For more info:
Ravenouseternalhunger.com
Facebook.com/RavenousE.H
Twitter.com/Ravenous_EH
Instagram.com/ravenouseternalhunger
EPK

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canadian MetalFest LOUD AS HELL Reveals 2021 Line Up For Its Return July 30 – Aug 1

  • July 15, 2021
  • by Asher
  • · Loud As Hell Festival · Music News

NEWS RELEASE

Montreal, QC – July 15, 2021

Canadian MetalFest LOUD AS HELL Reveals 2021 Line Up For Its Return July 30 – Aug 1

Western Canada’s Decibel Breaking Metal Fest

July 30 – Aug 1 – Drumheller, AB @ Dinosaur Downs Stampede Grounds

Tickets On Sale Now!

Social Media Hashtag #LAH9


Preview festival line-up on LAH’s Spotify playlist – https://spoti.fi/3ijeSrE

Western Canada’s decibel-breaking festival LOUD AS HELL is proud to announce its line-up for its return in 2021 at the roaring Dinosaur Downs Stampede Grounds in Drumheller, AB from July 30th to August 1st.

The 2021 line-up features an assortment of Western Canada’s top-tier artists over three headbanging days with main headliners Into Eternity (Saturday, July 31st), Planet Eater (Friday, July 30th) and Arrival of Autumn (Sunday, Aug 1st). This year’s line-up is scaled down to only Canadian bands due to international artists being unable to perform in the country because of border restrictions and guidelines stated by the federal government for Covid pre-cautions.

Loud As Hell organizer Geoff Bourrie comments:

“We are overwhelmed with the positive response we have been getting for the festival this year. We are very proud to offer the platform to help kickstart the live metal scene here in Western Canada. This will be a special year for us coming back from such a challenging 2020. Loud As Hell lives! We are back! And we are ready!”

Loud As Hell Line Up 2021

Thursday, July 29
Kick-Off Party @ Neighbours’ Corner Pub – Drumheller, AB
Cell (Winnipeg, MB)
Osyron (Calgary, AB)
In/Vertigo (Calgary, AB)
Flashback (Calgary, AB)

Friday, July 30
Planet Eater (Regina, SK)
Eye Of Horus (Edmonton, AB)
Tides Of Kharon (Edmonton, AB
Black Friday (Edmonton, AB)
Concrete Funeral (Calgary, AB)
Obsidius (Red Deer, AB)
Dethgod (Morley, AB)

Saturday, July 30
Into Eternity (Regina, SK)
Iron Kingdom (Vancouver, BC)
Greybeard (Calgary, AB)
Illyrian (Calgary, AB)
Param-Nesia (Vancouver, BC)
No More Moments (Siksika Nation, AB)
League Of Corruption (Vancouver, BC)
The Myopia Condition (Red Deer, AB)
Wych (Calgary, AB)
Forsaken Rite (Edmonton, AB)
Tymo (Edmonton, AB)
King’s Rot (Calgary, AB)
Owls N’ Eagles (Calgary, AB)
LunAttack (Calgary, AB)
No Hope For The Lost (Medicine Hat, AB)

Sunday, Aug 1
Arrival Of Autumn (Grande Prairie, AB)
Hammerdrone (Calgary, AB)
All Else Fails (Edmonton, AB)
Display Of Decay (Edmonton, AB)
Quietus (Edmonton, AB)
Apprentice (Vancouver, BC)
Immunize (Edmonton, AB)
Dahlmers Realm (Edmonton, AB)
Anarcheon (Vancouver, BC)
Snakepit (Calgary, AB)
Cabrakaan (Calgary, AB)
His Last Words (Calgary, AB)
Spit Of The Sin (Calgary, AB)
Bawang (Canmore, AB)
Revanchist (Lethbridge, AB)

Ticket Info:
Advance weekend passes with camping included are available for $140 CAD at the following link: http://www.loudashell.ca/tickets

Door Prices:
$175 Weekend Passes
Day Passes $80 (Friday, Saturday, Sunday)

2020 weekend passes that were purchased will be honoured for Loud As Hell 2021. (Proof of ID required)

Volunteers Wanted:
Volunteers are wanted for production and security. For full details email at loudashellfestival@gmail.com

Like many music events across Canada, Loud As Hell‘s 2020 production was forced to cancel due to the COVID pandemic. It was scheduled to be their 9th consecutive concert since the first metal jamboree in 2012. Over the years, the festival has hosted hundreds of Canadian and international bands in the prairie badlands. The 2019 edition of Loud As Hell sold out and melted faces off of metalheads who assembled from across the country for its 40 band line-up, which featured Goatwhore, Anciients, Planet Eater, Untimely Demise, Arrival of Autumn.

Loud As Hell event organizers were closely monitoring guidelines and updates from Alberta’s provincial government. The most recent announcement from officials to fully open up the province as of July 1st as part of their Stage 3 planning that states the following:

Stage 3: Two weeks after 70% of Albertans 12+ (born in 2009 or earlier) have received at least one dose. Effective July 1st.

  • All restrictions lifted, including the ban on indoor social gatherings.
  • Isolation requirements for confirmed cases of COVID-19 and some protective measures in continuing care settings remain.
  • The general indoor provincial mask mandate will be lifted, but masking may still be required in limited and specific settings.
  • More information will be shared prior to the start of Stage 3.

Source: https://www.alberta.ca/enhanced-public-health-measures.aspx

More info:
LoudAsHell.ca
Facebook.com/LoudAsHellFestival
Twitter: @LoudAsHellFest
Instagram: @LoudAsHellFestival
Social Media Hashtag #LAH9
Video – Goatwhore @ Loud As Hell 2019: https://youtu.be/-9-5dRnRLcQ
Video – Anciients @ Loud As Hell 2019: https://youtu.be/T7GLAeCgN-8

About:
LOUD AS HELL 2021 will be celebrating its ninth festival event presented by Loud As Hell Productions, Jurassic Ink Custom Tattoo, Prairie Fire Events, and Asher Media Relations. LAH always works their hardest to deliver the best lineup in the West ready to melt your face off. Featuring bands from across Western Canada and beyond, you won’t want to miss any of it. And don’t forget about their freak shows, burlesque dancers, clinics, vendors and dinosaurs!

LAH Partners:
Town of Drumheller
WCMFA – Western Canadian Metal Festival Alliance
Asher Media Relations
Bravewords
Metal-Rules
Absolute Underground Mag
Swag Merchandising
Valley Brewing
Canalta Hotels
Canada’s Extreme Metal Radio – CEMR
Neighbors’ Corner Pub
Prairie Fire Productions Ltd
Jerry’s Liquor Store
Decimate MetalFest
Hazzardous Materials
Trash Talk with Nate Trash
Wicked Wally Webcast
Gettin Late with Nate
Slimbztv
Voxx Promos
MetalHeads United

– 30 –

What the press is saying:
“Western Canada’s loudest heavy metal festival brings fans to town more known for dinos than drum solos.” – CBC Calgary

“Loud as Hell – one of Canada’s top underground metal festivals – was a metal family reunion. If you walked around the grounds, where tents covered the landscape like flowers, you would experience concert goers laughing, hugging and just enjoying the moment. The music played non-stop and the people were some of the best you’ll meet. What else do you need? If you’re a metal head fan, mark it down for next year because this is a concert you don’t want to miss.” – Blackfalds Life

“Headbanger alert: Loud As Hell festival to ramp up the volume” – Calgary Herald

“Nevermind the bug spray and sun tan lotion, as August approaches Drumheller residents should stock up on earplugs.” – Calgary Herald

“Loud As Hell returns to the southern Alberta city for its seventh year and as its name implies, will rock the city to its core.” – Calgary Herald

“Loud as Hell has celebrated eight years in the Badlands to date, with acts from all over the world-shattering the peace and quiet of the hills in a camping and music extravaganza.” – Hanna Herald

“Drumheller with its dinosaur bones is the site of the annual Loud as Hell heavy metal festival Friday through Sunday. Dozens of the heaviest bands known to Man will be taking the stage, many of them Canadian” – Gig City
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Vancouver’s REBEL PRIEST Bring The Mean Streets To Your Ears With “Back Alley Blues”, New EP “Lost In Tokyo” Out August 13th via Batcave Records

  • July 14, 2021
  • by Asher
  • · Music News · Rebel Priest

NEWS RELEASE

Montreal, QC – July 14, 2021

 

For fans of Motörhead, ZZ Top, Rose Tattoo, Deep Purple, LA Guns

Vancouver’s REBEL PRIEST Bring The Mean Streets To Your Ears With “Back Alley Blues”

New EP “Lost In Tokyo” Out August 13th via Batcave Records

L-R – Jayme Black – Vocals/Bass, Nate Pole – Drums/Vocals, Benny Kemp – Guitars/Vocals

Vancouver’s Rebel Priest took a trip to Japan in 2019 and from the drunken debauchery they wrote a few songs, now being released as a four-track EP, the aptly named “Lost In Tokyo”. The second single off the EP is the second track “Back Alley Blues”.

Instead of a full-length concept album, Rebel Priest decided to make a punchy, succinct EP. They set the tone on each single by adding a few similar elements which bind them together on the album as a whole but each track is a juggernaut on its own and will stand strong independently. “Back Alley Blues” is a slinking little ditty about an imaginary place that is half sunset strip, half Detroit rock city, and about hanging with your crew. The band explains further:

“Imagine if you will, you’re a stray cat, walking down the street. You come across a mean old junkyard dog, you’re not afraid ‘cause you’re a tough-as-nails, street thug. The dog starts barking, you keep walking, and the smell of a kitty of the other persuasion is in the air. You’re now hotter than on a summer day, you see an alley with an intoxicating scent. As you walk down the place you feel most at home, your nostrils spike because there is something else in the air. As you get to the end of the alley you see the kitty you have been looking for and they have a bag of catnip. That’s just the beginning of your night.”

Lived experiences, vivid imagery, and wild rock n roll is the name of the game for Rebel Priest. The writing process for the band is simple and organic, the result of them working together previously and being no strangers to their craft. They will write a riff, work on it together, and then if it has wings, they let it fly. There is no microscope to put tracks under and obsess over, in this world of autotune and time-shifting, it’s all about trying to find the ghost in the machine, and Rebel Priest is bringing the Ouiji board!

Greasy, smooth, and catchy, “Back Alley Blues” is recommended for fans of ZZ Top, Rose Tattoo, and Deep Purple.

Listen to “Back Alley Blues” at the following links:
YouTube – https://youtu.be/408mYyZtTGs
Rebelpriest.bandcamp.com

The EP releases on August 13, 2021 via Batcave Records. Pre-order links to be announced at a later date.

First single “Lost In Tokyo” can be heard at the following link:
YouTube – https://youtu.be/tfkmVniYEGE
Spotify – https://spoti.fi/3gmL38n

Track Listing:
1. Lost In Tokyo (3:29)
2. Back Alley Blues (3:03)
3. Vulgar Romance (4:15)
4. When The Whip Comes Down (4:33) (Slash Puppet Cover)
EP Length: 15:25

EP Recording Credits:
• All songs performed by: Rebel Priest
• All songs written by: Rebel Priest *except “When The Whip Comes Down”, Music: Slash Puppet, Lyrics: Mif
• Produced by: Rene D La Muerte
• Mixed by: Rene D La Muerte
• Mastered by: Rene D La Muerte
• Album Artwork by: Nate Pole
• Member of SOCAN
• Canadian Content (MAPL)

EP and Live Band Line Up:
Jayme Black – Vocals/Bass
Benny Kemp – Guitars/Vocals
Nate Pole – Drums/Vocals

For more info:
Batcaverecords.com
RebelPriestofficial.com
Facebook.com/rebelpriestofficial
Instagram.com/rebelpriestofficial
EPK

About:
Rebel Priest is a no-nonsense, real-deal rock n’ roll band composed of three seasoned musicians who have been making their way through the Western Canadian rock n roll scene for years. Vocalist/bassist Jayme Black (Lust Boys, The Toxiks); guitarist/vocalist Benny Kemp (Lust Boys, Road Rash); and drummer/vocalist Nate Pole (Kill Matilda, The Toxiks) bring nothing but unadulterated, high energy grease infused Trash N’ Roll!

The band has had the pleasure of touring Japan, and performing alongside bands such as Udo (Accept), Lordi, Diamond Head, Crystal Pistol, Flotsam, and Jetsam along with playing many headlining gigs with the energy of Motorhead meets Motley Crue.
Since forming in 2014, the band has released three studio albums “R’ley Heavy” (2019), Enabler (2017 ), Self-Titled (2015) along with one live record “Dead Alive @ SBC (2017).

Now in 2021, they offering up a slab of new music in the shape of an EP “Lost In Tokyo”, which was written in Japan at the very end of 2019, before the closure, and the band has been sitting on the tracks for over a year. The band even shares a cover rendition of Toronto 80s metal band Slash Puppets’ “When The Whip Comes Down”.

“We had a batch of headbangers and a few didn’t make it, but sometimes songs just need other means to come out. We wanted to set the tone for each one on this EP as opposed to a full-length concept album. Each one is a juggernaut on their own and will stand strong without having to be bound to the others… and as for more music … oh Lemmy tell ya! We aren’t slowing down, we are gonna have stuff coming at ya throughout the rest of the year, LIKE A FREIGHT TRAIN!” adds Jayme Black (vocals/bassist).

Recommended for fans of Guns n’ Roses, AC/DC and Motley Crue, Rebel Priest’s new EP “Lost In Tokyo” will be available on August 13th, 2021 via Batcave Records.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Fell Harvest Are Now Streaming Mournful “Pale Light In A Dying World”, Album Stream Premiere via Doomed & Stoned

  • July 14, 2021
  • by Asher
  • · Fell harvest · Music News

NEWS RELEASE

Montreal, QC – July 14, 2021

For fans of Pallbearer, Paradise Lost, Opeth, My Dying Bride, Agalloch, Type O Negative

Fell Harvest Are Now Streaming Mournful “Pale Light In A Dying World”

Album Stream Premiere via Doomed & Stoned

New Album “Pale Light In A Dying World” Out July 16th


Photo Credit: Sean Castenada
L-R – Joseph Fell – Bass/Vocals, Angel Enkeli – Drums, Liam Duncan – Guitars

Fell Harvest, from Cheyenne, Wyoming, USA is streaming their new album “Pale Light In A Dying World”, which is a new take on traditional doom as it incorporates modern, progressive elements. The band started as a pretty traditional 90s style death-doom band if there’s such a thing, but considering the influence that each of the members brings forward, their sound has been about stepping away from the formula and letting themselves explore those while also presenting a consistent aesthetic experience to fans.

It is hard to sum up the album in its entirety, due to it being so complex, both musically and mentally, as bassist and vocalist Joseph Fell quotes:

“If I had to call it anything though I would say “A snapshot of the plague year’. So much of this record was shaped by the pandemic, from deciding to record when and how we did, to tracking parts with a 103-degree fever and the discovery that I couldn’t sing the same way anymore because COVID damaged my lungs too badly. While it’s ultimately about more than just this one, unique moment in the modern zeitgeist, it’s also impossible to separate from the things happening around us when we created it.”

Initially, Fell Harvest was planning on spending 2020 touring to support their just released EP, but it obviously didn’t work out. Instead, Joseph Fell (bass/vocals) found himself sitting at home with nothing to do and began sifting through not only recent ideas, but some nearly forgotten bits and pieces that had never found a home before now. Eventually, he started working on some new arrangements to older songs and the band decided to try and record and release something in the summer. That didn’t work out either and it took almost a year to have the resulting record ready to release, but they think the results will prove worth it.

Recommended for fans of both doom metal and death metal, Fell Harvest is easily enjoyed by those with My Dying Bride, Agalloch, and Type O Negative in their rotation.

“Pale Light In A Dying World” can be heard via its full stream premiere on Doomed & Stoned HERE.

“Pale Light In A Dying World” is out on July 16, 2021.

Album pre-order on FellHarvest.Bandcamp.com

Track Listing:
1. Titanicide (4:36)
2. Pale Light In a Dying World (8:23)
3. The Lark at Morning (7:10)
4. The Wind That Shakes the Barley (4:32)
5. Thy Barren Fields (6:40)
6. The Ghosts of Scapa Flow (9:08)
Album Length: 40:32

Album Credits:
• All songs performed by: Joseph Fell, Liam Duncan, Angel Enkeli
• All songs written by: Joseph Fell
• Produced by: Joseph Fell
• Mixed by: Alexander Backlund
• Mastered by: Alexander Backlund
• Album Artwork by: Sam Nelson/Stigma Art

Album Recording Band Line Up:

Joseph Fell – Bass, Vocals, Additional Guitars
Liam Duncan – Lead and Rhythm guitars
Angel Enkeli – Drums
Alexander Backlund – Synths and programming

Live Band Line Up:
Joseph Fell – Bass, Vocals
Liam Duncan – Lead and Rhythm Guitars
Angel Enkeli – Drums

For more info:
Facebook.com/fellharvest
YouTube
Spotify
EPK

About:
Fell Harvest, doom metal from Cheyenne, Wyoming, USA, strives to weave a tapestry of melody, despair, and longing to chronicle the last lights of a dying world.

Fell Harvest grew out of a former project of Joseph Fell (bass/vocals); which found its completed form as a trio with the additions of Angel Enkeli (drums) and Liam Duncan (guitars). The name Fell Harvest came from a dream Fell had where he was walking through a deserted vineyard with every vine bearing bleached bones and rotting flesh. He woke up and wrote a short poem called “The Fell Harvest” about the images and feelings.

Probably the most unique aspect of their live sound is rooted in the fact they are a trio. It’s somewhat rare these days to see a three-piece band in extreme metal, and even more rare to see one that is as melodically driven as Fell Harvest. Fans can hear parallels to bands like Paradise Lost and Rotting Christ, but more careful listeners can hear nods to Venom and King’s X as well.

The band debuted a self-titled EP in 2020 and is following it up with “Pale Light In A Dying World” out on July 16, 2021.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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