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Category: Music News

0 Immortal Guardian Posts Video Cover Collaboration of “Into The Pit” (Fight/Rob Halford) w/ Metal Mike Chlasciak (Halford, Sebastian Bach, Testament, Pain Museum) and Leandro Caçoilo (Viper, Eterna, Seventh Seal, HardShine, Dirty Dogs, Caravellus)

  • January 12, 2021
  • by Asher
  • · Immortal Guardian (M-Theory Audio) · Music News

NEWS RELEASE

Montreal, QC – January 12, 2021



For fans of  Iron Maiden, Helloween, Symphony X, Kamelot, Marty Friedman, Dragonforce

Immortal Guardian Posts Video Cover Collaboration of “Into The Pit” (Fight/Rob Halford)

w/ Metal Mike Chlasciak (Halford, Sebastian Bach, Testament, Pain Museum)
and Leandro Caçoilo (Viper, Eterna, Seventh Seal, HardShine, Dirty Dogs, Caravellus)

Progressive/Power Metal Quartet Immortal Guardian’s Concept Album “Psychosomatic” Out February 12, 2021
via M-Theory Audio



IMMORTAL GUARDIAN is (L-R):
Gabriel Guardian (Guitars/Keyboards)
Carlos Zema (Vocals)
Joshua Lopez (Bass)
Justin Piedimonte (Drums)

The first of many Immortal Guardian collaboration covers, this is the band’s version of the classic song “Into The Pit” by Rob Halford’s band FIGHT. For the cover video, Immortal Guardian collaborated with Metal Mike Chlasciak (Halford, Sebastian Bach, Testament, Pain Museum) and Leandro Caçoilo (Viper, Eterna, Seventh Seal, HardShine, Dirty Dogs, Caravellus).

“This is the first of many covers, so let us know what you would like to hear next and who you would want us to collaborate next!”

Watch the video on YouTube HERE.

Produced by: WidowMaker Studios

 

Cover Video Line-up:
Immortal Guardian: Carlos Zema – Vocals, Gabriel Guardian – Guitar/Keys, Joshua Lopez – Bass, Justin Piedimonte – Drums
Special guests: Metal Mike Chlasciak – Guitar, Leandro Caçoilo – Vocals

After winning over new audiences with their acclaimed 2018 debut full-length “Age of Revolution” and touring relentlessly alongside fellow shredders such as Marty Friedman, Powerglove, and Exmortus, IMMORTAL GUARDIAN gathered in Las Vegas last year to begin recording their second album. As the spread of COVID-19 and the subsequent pandemic began to ensue, each member of the band retreated to their respective hometowns. With shutdowns around the world being enforced, the band completely scrapped the record that they had been working on and were heavily inspired to write and create a new thematic record about their emotions surrounding current events.

“Psychosomatic” is a product of the extraordinary events of 2020. The result is a truly multi-national record, with guitarist/keyboardist Gabriel Guardian remaining in Las Vegas, vocalist Carlos Zema recording his vocals from his home in Brazil, new drummer Justin Piedimonte joining the band from his hometown in Montreal, Canada, and new bassist Joshua Lopez remaining in IMMORTAL GUARDIAN‘s native Texas.

The group, founded by Gabriel Guardian, whose uncanny ability to play guitar and keyboard simultaneously has been showcased on MTV’s “Amazingness” along with his unique dual-instrument covers of classics by the likes of Iron Maiden, Pantera, and Guns N’ Roses have garnered hundreds of thousands of views on YouTube and have been built upon the band’s following through multiple self-released EPs before signing with M-Theory Audio for the 2018 release of their first full-length record, “Age of Revolution”. The band has also performed live alongside some of the biggest names in metal, including Judas Priest, Dragonforce, Kamelot, Symphony X, Sonata Arctica, Slayer, Metal Church, Soilwork and Steve Vai, and in countries such as Brazil and Russia, and during high-profile performances at ESPN’s X Games, South By Southwest and the Fun Fun Fun Fest.

“Psychosomatic” is the next step in IMMORTAL GUARDIAN’s evolution while still capturing the band’s exhilarating trademark melding of melodic power metal with progressive/shred tendencies.

Digital pre-save, CD and limited-edition purple vinyl pre-orders for “Psychosomatic”, which will be released by M-Theory Audio on February 12, 2021 are available now at http://smarturl.com/immortalguardian.

First Single – “Read Between The Lines” – YouTube (Lyric Video)
Second Single – “Lockdown” – YouTube (Music Video)


Track Listing:
1. Psychosomatic (5:33)
2. Read Between The Lines (6:01)
3. Lockdown (4:12)
4. Phobia (6:13)
5. Clocks (5:12)
6. Self-Isolation (0:39)
7. Goodbye To Farewells (5:50)
8. Candlelight (5:24)
9. Find A Reason (7:00)
10. New Day Rising (5:56)
Album Length: 52:06

Album cover art by Nathalia Suellen (Secret Sphere, Almah, Dark Moor).

For more info:
M-theoryaudio.com
ImmortalGuardian.net
Facebook.com/igmetal
Instagram.com/immortal_guardian
Twitter.com/igmetal
EPK

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—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records: BLUE HOUR GHOSTS New Music Video “On Black Clouds”, New Album “Due” Out February 12, 2021

  • January 12, 2021
  • by Asher
  • · Blue Hour Ghosts · Music News

NEWS RELEASE

Montreal, QC – January 12, 2020

For fans of Katatonia, Porcupine Tree, Amorphis

Rockshots Records: BLUE HOUR GHOSTS New Music Video “On Black Clouds”

New Album “Due” Out February 12, 2021

Recently announcing their signing to Rockshots Records for the release of their new album “Due” on February 12, 2021,  BLUE HOUR GHOSTS are sharing the new music video for their second single “On Black Clouds”. The music video was shot and directed by talented multimedia artist and musician Snovonne Drake (Sno Drake Design & Media).

The band comments on the track and the video:

“We had the opportunity to work with an incredibly talented artist like Snovonne to realize the music video for this song. She was able to perfectly capture the mood of the single and provided an amazing visual counterpart for such an intense track. On Black Clouds was one of the last songs we completed for the record. The tune almost wrote itself after our singer Ricky came up with the draft ideas, and it just clicked right in like a missing puzzle piece for the album. We immediately found out that it worked out pretty well as a single, exposing our catchiest and most emotional side with its pop-rock and darkwave nuances. The song is a fast-paced run about how fast things go by and everything changes all of a sudden, and how ready we should be for this; the tension accumulates and then drops down in the cathartic refrain, where we let ourselves be carried away by insubstantial black clouds, foretelling a darker sky to come, rolling past present days.”

The music video for “On Black Clouds” can be viewed on YouTube.

Song Stream on Spotify.

BLUE HOUR GHOSTS’ forthcoming  “Due” is the follow up to their 2016 self-titled debut album. Teaming up once again with Giuseppe “Dualized” Bassi (session musician for Fear Factory, Grenouer, Levania, Noveria), BHG’s “Due” is their sophomore effort continuing their blend of progressive, classic, gothic metal, and alternative rock.

Taking a fresh, powerful, and intense melodic assault, “Due” depicts a wide range of soundscapes ranging from full metal aggression to soft, acoustic atmospheres, passing through infectious and catchy hooks and refrains that will enthrall any music addict, along with sophisticated layered arrangements to satisfy the most demanding palates. Throughout the 9 songs, all the ghosts hiding in the blue hour are made alive in the deep and heartfelt narration provided by both music and lyrics, offering a unique and compelling listening experience.

Keyboardist Simome Pedrazzi comments about the new album:

“With “Due” we are trying to engage new and established fans with an enjoyable, fresh, and yet sophisticated multi-level listening experience. All the nine songs offer an abundance of hooks that can stick into the ear from the first listen and remain impressed into the listener’s mind, stimulating his/her curiosity. There is no room for boredom, as within each song and throughout all the album, powerful and atmospheric sections alternate with each other in a seamless flow, thus keeping the attention high. The variety of musical colours displayed throughout the album and the extreme care we put into obtaining a lush and polished sound will allow for an extremely pleasant sonic experience.”

Album pre-save: https://backl.ink/143813663
CD pre-order: http://bit.ly/Due_CD

The first single “Walking Backwards” is streaming on the following platforms:
YouTube
Spotify
Apple Music


Track Listing:
1. Walking Backwards (4:01)
2. On Black Clouds (3:45)
3. Dead in August (5:12)
4. Damn Wrong (4:23)
5. Shine (5:19)
6. Fearless (4:00)
7. Lower the Wires (3:57)
8. Disheartened (4:27)
9. Involved/Bored (3:52)
Album Length: 39:00

Album Credits:
Ricky DC – Vocals
Diego Angeli – Guitars
Francesco Poggi – Guitars
Simome Pedrazzi – Keyboards
Matteo Malmusi – Bass
Andrew Gunner – Drums

Produced by Giuseppe “Dualized” Bassi for dysFUNCTION Productions
Recorded and Engineered by Giuseppe Bassi
Mixed and Mastered by Giuseppe Bassi
All music and lyrics written by Blue Hour Ghosts
Additional arrangements, keyboards, sound design and programming by Giuseppe Bassi
Artwork concept and paintings by Blue Hour Ghosts
Band photos by Patrizia Cogliati – Musicphoto
Graphic layout by Francesca Dalla Costa – Secondalinea Officine Creative

Discography:
Blue Hour Ghosts (Buil2Kill Records, 2016)
Do You Believe in Ghosts? (Live) (Buil2Kill Records, 2018)
Due (Rockshots Records, 2021)

More Info:
Rockshots.eu
Facebook.com/bluehourghosts
Twitter.com/bluehourghosts
Instagram.com/bluehourghosts
Bluehourghosts.com

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“One of the best debut albums since a while in the melodic metal world. An album complete in itself, but with every track standing strong on its own as well.” – Lords of Metal (NL),  80/100

“A damn strong output, super catchy, with cool melodies and also varied, proggy, exciting and with great vocals, and all this as the debut. All attention!” – Crossfire Metal (DE), 85/100

“This band knows how to rock in a very catchy way!” – White Room (NL)

“Blue Hour Ghosts burst upon the scene with a flaming debut album, bringing out a breath of adrenaline and a compelling mix of modern prog, classic metal, aggressive rock and spine-chilling melodic traits” – Rock Hard Italy (IT), 8/10

“This is really a cool record, nothing is missing! Blue Hour Ghosts succeed right away from their first chapter.” – Metal Hammer (IT), 82/100 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Vis Mystica Shares Next Star Wars Inspired Single “Whispering Winds of Fate” ft. Dragonland’s Jonas Heidgert, New Album “Celestial Wisdom” Coming 2021

  • January 11, 2021
  • by Asher
  • · Music News · Vis Mystica

NEWS RELEASE

Montreal, QC – January 11, 2021

For fans of Rhapsody, Blind Guardian, Twilight Force, Symphony X, Wintersun

Vis Mystica Shares Next Star Wars Inspired Single “Whispering Winds of Fate”


New Album “Celestial Wisdom” Coming 2021


L-R – Devin Dewyer (Vocals), Connor McCray (Guitar, Bass, Orchestration) – Photo Credit – Cody Bucher

Offering escapism from everyday life, Vis Mystica transports listeners into a fantastical world of magical powers and epic stories with their Star Wars: Knights of the Old Republic inspired power metal. Along with taking great influence from other bands, they possess a style that is unique and holds its own in the power metal landscape. Their 2021 album “Celestial Wisdom” is a fantastical journey into a world full of mystic powers and sprawling landscapes, with a classic ‘Good vs. Evil’ battle and many memorable locations and detailed stories.

Today, the band shares their third single “Whispering Winds of Fate” off the forthcoming record. The track is a guide for listeners to the main world Tython where the Star Wars: Knights of the Old Republic story takes place. Tython is a terrestrial planet located in the galaxy’s Deep Core region that is shrouded in myth. The Martyrium of Frozen Tears built by Jedi there and some Jedi scholars made the case that Tython was the site of the Jedi Order’s first temple. During the Galactic Civil War, DoctorChelli Lona Aphra led Darth Vader to Tython’s Meridional Ice Cap to mislead him as to the location of the Rebel Alliance’s main base, which was actually on the Outer Rim planet Hoth.

“Whispering Winds of Fate” is an audio storytelling to describe the sentient world calling out telepathically to beings spread throughout the galaxy to board nine ships and come bask in the planet’s knowledge and secrets. The track also features guest vocals from Dragonland’s Jonas Heidgert.

Vis Mytica‘s Connor McCray (Guitar, Bass, Orchestration) comments:

“The final song written for the album and in our opinion possibly the best. All parties came together to combine catchy melodies with great vocal lines and a powerhouse effort from Jonas Heidgert.”

“Whispering Winds of Fate” can be heard at the following links:
YouTube
Spotify

Vis Mystica was initially formed by Connor McCray, in late 2015 as a creative outlet to pursue his passion for Symphonic Power Metal while he was still a member of a blackened death metal band at the time.

Highly suggested for fans of Blind Guardian, Symphony X and Wintersun, the album “Celestial Wisdom” will be released in early 2021.

Previously released singles:
“Lux Et Veritas” ft. David Michael Moote (Operus) – YouTube,
“The Plains of Silence” – YouTube
Bandcamp

Track Listing:
1. Whispering Winds of Fate (feat. Jonas Heidgert)
2. Legacy of the Builders (feat. David Michael Moote)
3. The Plains of Silence
4. Lux Et Veritas (feat. David Michael Moote)
5. Beyond the Gates of Fury
6. On The Loose (Saga Cover) – (CD Bonus Track)

Album Band Line Up:
Connor McCray – Guitar, Bass, Orchestration
Devin Dewyer – Vocals
Dillon Trollope – Drums

Live Band Line Up:
Connor McCray – Guitar
Devin Dewyer – Vocals
Jon Juchniewicz – Drums
Ben Juchniewicz – Bass

For more info:
Facebook.com/vismysticaofficial
Instagram.com/vismystica
EPK

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—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Jeff Pennachio Paints A Vivid Soundscape With “Interposition” Off Upcoming Debut EP “Setting The Stage” Out Jan 22nd, Track Premiere via NewFuryMedia

  • January 8, 2021
  • by Asher
  • · Jeff Pennachio · Music News

NEWS RELEASE

Montreal, QC – January 8, 2021

For fans of Plini, Dream Theater, Trans Siberian Orchestra

Jeff Pennachio Paints A Vivid Soundscape With “Interposition” Off Upcoming Debut EP “Setting The Stage”

Track Premiere via NewFuryMedia

“Setting The Stage” Out January 22, 2021

New York’s Jeff Pennachio (guitarist for Design The Void) is releasing a three-track EP “Setting The Stage” slated for release on January 22, 2021.

The instrumental compilation shows off Pennachio’s musical mastery as he takes on the responsibility of guitars, bass, drums, and orchestral programming. These songs were composed during his time in a cover group The Stay when he decided to pursue an original songwriting direction. Armed with new ideas, he ran with them and formed the EP, which he intends to follow up with more music that is almost inspirational from soundtracks.

The lead single from this collection is “Interposition”, which is a harmonious, progressive track that shows off the depth of Pennachio’s talent. According to him, it all started off with a small riff that came to him while working with another band and grew to be his favorite track on the EP. He explains in further detail:

“This piece was developed from a random keyboard riff that was partially inspired by an introduction of another song from the group Quantum (which, at the time, was our keyboardist’s main band). I believe this sound really brands what I was after from a compositional standpoint.”

Some listeners say the main theme of this song is a reminder of Christmas music in particular, but it is deep enough that there are sure to be many other comparisons. With the complexity and passion put into the track, it’s easy to see why it was picked as the single from the EP.

Jeff Pennachio is recommended for anyone who enjoys a complex and vivid listening experience especially fans of Plini, Dream Theatre, and Trans Siberian Orchestra.

The single “Interposition” can be heard via its stream premiere on NewFuryMedia HERE.

“Setting The Stage” is out on all digital platforms on January 22, 2021.


Track Listing:
1.Wilson Theater (5:29)
2.Interposition (3:34)
3.The Voyager (4:27)
EP Length: 13:32

More Info:
Official Website: Jeff Pennachio
Facebook.com/Jeff-Pennachio-Guitarist-Composer-105261564849151/
Instagram.com/voidboi2032
EPK

About:
Jeff Pennachio comes from New York State in the USA and besides being known for his guitar playing in Design The Void, he is also releasing his own solo work.

Between 2016 and 2018 he wrote the solo material while in a cover group titled The Stay. The group did not steer in the direction so much of original music, but the inspiration was there to start composing music of this sort. He began working on the tracks as a small compilation for potential future work. After a couple of years had passed, Pennachio has finally taken the time to release this music to the public.

Pennachio writes and records all guitars, drums, bass, and orchestrations and will be continuing on composing music that takes inspiration from soundtracks. He also finds inspiration in bands such as Dream Theater, Plini, and Trans Siberian Orchestra. His debut solo EP “Setting The Stage” is due out January 22, 2021.

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—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 Washington D.C.’s Aaron Holt Shares Lyric Video “Set Free Your Sorrow” Off Forthcoming Album “In The Palace”

  • January 7, 2021
  • by Asher
  • · Aaron Holt · Music News

NEWS RELEASE

Montreal, QC – January 7, 2021

For fans of Dream Theater, Tremonti, Rush, Avenged Sevenfold, Porcupine Tree

Washington D.C.’s Aaron Holt Shares Lyric Video “Set Free Your Sorrow” Off Forthcoming Album “In The Palace”

Releasing the first single “Set Free Your Sorrow” this past December from the upcoming 2021 album “In The Palace”, Aaron Holt is sharing with prog fans the lyric video for the track, which can be viewed and heard on YouTube HERE.


“Set Free Your Sorrow” is the first song on the forthcoming album and a fantastic stage set for what is to follow. Like many people going through an incredibly rough time in 2020, this song was written as motivation to “loosen the ties, set free your sorrow”.

The soundtrack to these lyrics portrays the dark and heavyweight that many people carry around on themselves. With so many things going wrong, there has to be some sort of direction we can all look towards to ensure a happy ending. The rest of the album features lyrical ideas around this and follows through letting go of the agony we all have trapped inside. The band really explored creating darker sounds out of their instruments, graduating to more full time 7 string guitar parts, large recording spaces, and soaring vocals mixed nicely on top. Holt comments on the album:

“I think anyone who has heard my work before will be pleasantly surprised at the results we’ve managed to create in the more non-ideal recording locations. I strived to focus more on writing towards a mindset around “no one cares about the snare on a song that no one wants to listen to”. We really just tried to flip the production phase more from sounds and tones to the actual material that’s being performed on the instruments and as a whole in the group. I was constantly chasing that catchy riff, melody, or rhythm.”

Natural, authentic and heavy, “In The Palace” will be the third from Aaron Holt, following “My Burdened Mind” (2018) and “The Unknown” (2017). Aaron Holt is recommended for fans of Dream Theater, Tremonti, and Trivium.

The single “Set Free Your Sorrow” is available on all digital platforms at the following link: https://distrokid.com/hyperfollow/aaronholt/set-free-your-sorrow

“In The Palace” will be ready for ears in 2021 (release date to be revealed at a later date).


Track Listing:
1. Set Free Your Sorrow
2. Castles In My Skies
3. Once Again
4. Fortress In My Mind
5. Entrapped
6. The Other Side
7. Trapped Inside
8. Eternally

For more info:
Facebook.com/aaronholtmusic
Instagram.com/aaronholtartist
EPK

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About:
Aaron Holt’s musical journey started on the George Mason University campus where he was asked to play bass guitar for a local church’s grand opening. It was there that he met drummer and percussionist TJ Maistros who would grow to become a lifelong friend and amazing collaborative partner.

The album My Burdened Mind was a very long and labored writing, recording, and mixing project that ended up taking way longer than originally estimated to create the finished product at 47:36 minutes. The long story short is that the album My Burdened Mind was another grand learning experience for Aaron as a producer especially in terms of recording source material that was worthy of being shared with the world.

After the album’s release, vocalist Eric confirmed he would no longer participate in the project and would not want to participate in any live shows. Short of a bassist and vocalist Aaron and TJ anxiously sat on the release and hoped that anyone would listen. Enter album 3, the endeavor where Aaron is truly making every effort to improve upon everything he didn’t quite get right before.

He signed on the incredible help of local vocalist Sujit Kumar who in his own right stands on pretty high shoulders in the local DC music scene as well as making a name for himself across the globe. Sujit agreed to meet and record a few demo tracks, one older song that Eric originally recorded and another new song that would eventually go on to be the single “Set Free Your Sorrow” for a full-length album.

Fast forward to 2020 and Aaron with the immense help of TJ and Sujit has completed a 3rd album clocking in at 58 minutes with 10 songs. The production is solid, all instruments hold their own, and everyone listening has great smiles on their faces with absolute relief that everything has come together so well and polished compared to older works. The new album “In The Palace” features a lot of emotional baggage associated with past relationships, differences in opinion among close friends, thoughts on dealing with incredibly stressful daily life, and also a bit of fantasy writing as well in the longest prog ballad written by the group to date. You can expect to hear a large mix of guitar-oriented music such as straight-ahead rock, classic metal riffs, and intricate progressive lines that flow through each section seamlessly.

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 Alexi Laiho Tribute Video Posted by Members of Immortal Guardian, Helion Prime, Oceans of Slumber

  • January 7, 2021
  • by Asher
  • · Immortal Guardian (M-Theory Audio) · Music News

 

NEWS RELEASE

Montreal, QC – January 7, 2020

 

Alexi Laiho Tribute Video Posted by Members of Immortal Guardian, Helion Prime, Oceans of Slumber


The metal world was shocked and saddened earlier this week by the news of the passing of metal guitar legend, Children of Bodom’s Alexi Laiho. As one of the most influential guitarists of his generation, the loss of his unquestionable impact is felt around the globe by metal musicians who he inspired.

Members of Immortal Guardian are just a few of those who admired and were impacted by Laiho‘s musical leadership.

In recognition of his monumental career and effect on them as fans and songwriters, Immortal Guardian guitarist Gabriel Guardian, vocalist Carlos Zema and drummer Justin Piedimonte along with friends Mary Zimmer (Helion Prime), Semir Özerkan (Oceans of Slumber), and Rex VanCandy are sharing a tribute video covering Children of Bodom’s track “Downfall”.

Gabriel Guardian comments:

“This is our tribute to one of the greatest metal guitar players who ever lived: Alexi Laiho. This man influenced me in ways no other guitar player ever has. Alexi set the bar for all of us! Him and Santana are my top 2 favorite guitar players of all time. I watched all his live videos/DVDs religiously as a kid and was so influenced by all the legendary music Children of Bodom and Sinergy made to be like them. Those dual guitar/keyboard leads set the vibe/bar for me for many many years learning how to play music. I’m so sad to see the world has one less guitar legend. His music helped me get through some of my darkest days and he inspired me to make metal music from day one.

Big thanks to my friends who collaborated with me to make this tribute happen. We are all Bodom fans and had so much fun making this video. We are all so saddened by the news and we coped with it by doing what we do best, playing music. I hope where ever Alexi is, he can hear our tribute and feel the infinite amounts of love all his fans have for him. Until we meet again… RIP Alexi Laiho (WildChild)”

The video can be viewed on YouTube here.

For more info:
M-theoryaudio.com
ImmortalGuardian.net
Facebook.com/igmetal
Instagram.com/immortal_guardian
Twitter.com/igmetal
EPK

– 30 –

 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Plague Weaver Prepares An Unholy Crusade With “Nothing Is Sacred” Off Upcoming Album “Ascendant Blasphemy” Out Feb 26th, Lyric Video Premiere via MetalInjection

  • January 6, 2021
  • by Asher
  • · Music News · PlagueWeaver

NEWS RELEASE

Montreal, QC – January 6, 2021

For fans of Rotting Christ, Varathron, old Samael, Triptykon, Dissection

Plague Weaver Prepares An Unholy Crusade With “Nothing Is Sacred” Off Upcoming Album “Ascendant Blasphemy”

Lyric Video Premiere via MetalInjection

Album “Ascendant Blasphemy” Out Feb 26th, 2021

Canada’s Plague Weaver embodies the frigid national landscape in their upcoming album “Ascendant Blasphemy” due to be unleashed in early 2021.

The first single from this formidable black metal act is the album opener, “Nothing Is Sacred”. This song starts off with a low-mid tempo, as it attempts to welcome the listener. The track quickly explodes into the verse sections with a faster tempo and more energetic vocals. The bridge introduces some extra guitar leads, and prepares the listener for the repetitive outro vocals, repeating the phrase ‘Nothing is Sacred’. Let it be done.’ Plague Weaver shares their expectations for the record’s reception:

“We think fans who have heard the previous EP will enjoy this album. ‘Ascendant Blasphemy’ is an evolution, no doubt. Definitely more aggressive, and more riff-driven overall, without abandoning Plague Weaver’s doom-inspired roots on songs like ‘In Exitium Caeli’ and ‘..of Quivering Doves’.”

“Ascendant Blasphemy” is a sure shot in its musical direction. It’s a journey from start to finish that is not without its own heaps and valleys. Vocalist JC explains that the lyrics are a loose concept that follows a series of Satanic philosophies or questions considered from a Satanic perspective, illustrated to a loose fictional idea he has been throwing around for a while.

Punishing and grim, Plague Weaver is ideal for old school black metal fans and those who are particularly fond of  Dissection, Rotting Christ, and (old) Samael.

“Nothing Is Sacred” can be heard via its premiere on MetalInjection HERE.

The entirety of “Ascendant Blasphemy” will be revealed on February 26, 2021.

Album pre-order via PlagueWeaver.bandcamp.com


Track Listing:
1. Nothing Is Sacred (5;24)
2. Lay Fire (4:34)
3. Blood Runs Not (4:17)
4. Seek To Betray (4:34)
5. Upheaval and Arson (5:29)
6. Of Quivering Doves (4:34)
7. Deicidal Usurper (4:37)
8. In Exitium Caeli (4:41)
Album Length: 38:12

More Info:
Facebook.com/plagueweaver
Instagram.com/plagueweaverband
Twitter.com/plagueweaver
EPK

About:

Plague Weaver is a black/doom metal band hailing from Ontario, Canada. The band was birthed in 2018 as a solo project by RM whom released two EPs, 2019’s self-titled debut and 2020’s ‘Through the Sulphur Eyes’. Both releases displayed traditional black metal roots delivered through a modern, doom-inspired atmosphere.

Joined in 2020 with the addition of new vocalist JC taking care of lyrics and vocal arrangments, Plague Weaver started its next chapter as a duo and quickly began work on creating punishing, grim, riff-driven black metal for the next assault entitled ‘Ascendant Blasphemy’. Set for release in 2021, their first full length is an evolution from its predecessors. More aggressive, and riff-driven but without abandoning Plague Weaver’s doom-inspired roots that can be heard on such tracks as ‘In Exitium Caeli’ and ‘..of Quivering Doves’. Overall, there’s a lot of musical variety across the new record, and a consistency to hold everything together, from start to finish. The album’s lyrics are a loose concept written by JC that follows a series of Satanic philosophies or questions considered from a Satanic perspective, illustrated to a loose fictional ideal. This album aims to invigorate and distress the listener.

“Ascendant Blasphemy” is due out February 2021.

– 30-

“From the moaning leads to the slow lurching cadence and the deep monstrous roars, the opening of the title song sounds like the beginning of a death/doom track, but although that oppressive feeling of plague and decay persists, the band also pitch into fits of percussive mayhem, fevered riffing, and vocal madness, and they stitch flickering bits of guitar lunacy into the song as well.” – No Clean Singing (2020 Review –  Through The Sulfur Eyes)  

““Through The Sulfur Eyes” is a solid EP… the overall sound that is achieved is impressive… PLAGUE WEAVER has an interesting doom-like black metal sound that works well with layered deep and high-pitched vocals. I think fans of doom metal and black metal aficionados will appreciate this one.” 8/ 10 – Metal Temple (2020 Review –  Through The Sulfur Eyes)

“Through The Sulphur Eyes takes the best from Death, Black and Post Black and uses that metallic cocktail shaker from hell to greatest effect. The outcome is a fiery Extreme Metal piece that made us go for seconds a few times in a row. A true, blazing hot slab of alloy that will please the sturdiest of metalheads.” – Rock Music Raider (2020 Review –  Through The Sulfur Eyes)

“breaking through to listeners in 2020 is a seriously steep hill to climb and bands have to either push the envelope, do something that can’t be found elsewhere, or just amaze and electrify with each release to grab attention and stay relevant. Plague Weaver do all that on Through the Sulphur Eyes and it’s up to you to show them how good a job they’ve done. What I’m saying is, go buy it. Now.” – Nine Circles (2020 Review –  Through The Sulfur Eyes)

“Through crawling malignancy is how Plague Weaver approach their art, and these songs are filled with grim mood and malevolent auras” – Indy Metal Vault

“There’s a darkness running throughout Through the Sulphur Eyes that is quite powerful… The riffs are weighty, drenched in a toxic malaise, yet also possessing the razor-sharp cutting edge of underground black metal. It’s a captivating combination, that moves forward at a steady, relentless pace. What really lingers though is a feeling of uncleanliness; this music is corrosive, carrying with it a taint of infection and, well, plague.” – The Sound Not The Word (2020 Review –  Through The Sulfur Eyes)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Malice Divine Debut Single “In Time” Off Forthcoming Self-Titled Album Out February 19th, Single Premiere via NoCleanSinging

  • January 6, 2021
  • by Asher
  • · Malice Divine · Music News

NEWS RELEASE

Montreal, QC – January 6, 2021

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Malice Divine Debut Single “In Time” Off Forthcoming Self-Titled Album

Single Premiere via NoCleanSinging

Self-Titled Album Out February 19, 2021


Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

Hailing from Toronto, Canada, one-man act Malice Divine is revealing the debut self-titled, full-length release coming February 19, 2021. Today, the first single “In Time” premieres on NoCleanSinging HERE.

Empowering and assertive, a lot of lyrical content found in Malice Divine’s work comes from a personal place and is a catalyst for overcoming struggles. The music is his personal take on an amalgamation of the styles that bands of the past have already pioneered. The styles of bands such as Dissection, Death, Wintersun, Immortal, etc. have been blended together to result in a pretty unique take on the melodic black and death metal genres. Ric Galvez explains in his own words:

“The listening experience I am trying to give the fans with this album is a highly dynamic one that maintains the listener’s interest with hard-hitting riffs, catchy and aggressive vocals, epic guitar solos that range from being very melodic to an all-out frenzy of shred, and the occasional moments of beautiful and captivating classical guitar sections.”

The single “In Time” is one of the darkest songs on the album along with “Into Subconscious Depths”, while still retaining a strong sense of catchiness. Lots of lead guitar work throughout the song, probably more so than any other song on the album. The second half of the song is quite a bit different than the first half. There’s also a very dark classical guitar section at the end of the song.

Most of the album’s music was composed while Galvez was a member of Astaroth Incarnate as well as a music major at York University. After Galvez parted ways with Astaroth Incarnate, he finished the rest of the album by writing the guitar solos and the lyrics.

Malice Divine is recommended for metal fans of all varieties especially those who are fans of Dissection, Skeletonwitch, and Death.

The single “In Time” will be available on all digital platforms on January 8, 2021 here.

The full album “Malice Divine” drops on February 19, 2021.


Track Listing:
1. Somnium Lucidus (2:00)
2. Quantum Manifestation (7:11)
3. Malicious Divinity (5:54)
4. Triumphant Return (5:35)
5. Into Subconscious Depths (8:02)
6. Ancient Visions (6:14)
7. In Time (8:11)
8. Intuitive Realization (3:40)
9. The Transcendence Of Isolation (9:46)
Album Length: 56:37

More Info:
Facebook.com/malicedivineband
Instagram.com/malicedivineofficial
EPK

About:

Toronto, Canada’s Malice Divine is a solo project contrived by Ric Galvez who had always had the dream of entire creative control. He wanted to expand beyond being known as just as a lead guitarist. Galvez has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Galvez has a major in music from York University and through Malice Divine he shows off his prowess across instruments. His lyrics are inspired by psychology, spirituality, and divination, as well as personal experiences especially those involving the overcoming of obstacles and hardships using the resulting verses as a form of empowerment.

The first offering from Malice Divine, a self-titled full length, comes in 2021 with Dylan Gowan (Vesperia, Iomair) playing session drums. There are plans to flesh out a live lineup for Divine Malice when the time is right.

What people can expect from seeing Malice Divine live is highly aggressive black and death metal inspired music with shreddy and virtuosic guitar solos adding a melodic layer that isn’t common in the genre.

Malice Divine’s self-titled debut album is due out February 19, 2021.

– 30-

 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 FUCK THE FACTS Team-Up With Director David Hall For New “Dropping Like Flies” Music Video

  • January 6, 2021
  • by Asher
  • · Fuck The Facts · Music News

NEWS RELEASE

Montreal, QC – January 6, 2020

For fans of Brutal Truth, Napalm Death, Converge, Cephalic Carnage, The Dillinger Escape Plan

FUCK THE FACTS Team-Up With Director David Hall For New “Dropping Like Flies” Music Video

Video Premiere via MetalSucks

New Album “Pleine Noirceur” Out Now! via Noise Salvation

L – R: Melanie Mongeon, Mathieu Vilandre, Topon Das
Photo by Anndy Negative

Unleashing the latest slab of their patented “bastardized” grindcore with their new album “Pleine Noirceur” this past November, Fuck The Facts have a new music video for the track “Dropping Like Flies”. The song is a face-punching, fist-pumping smorgasbord of 90’s death metal, crust punk, and weirdness. Lyrically, the track was written by vocalist Mel Mongeon to tackle the reality of drug addiction and the opioid epidemic in certain parts of Canada pre-covid times.

“The infection is spreading
Like a field infested with insects, with pests that multiply
Unable to treat the infection, it’s becoming larger…

…We hear you say you’re concerned, that you understand
But nothing is done
State of emergency; where are the resources?
It’s all talk
Help isn’t on the way

Communities will remain under strain
Pushed to the breaking point
Everyone is scrambling to save lives
As long as you feel their lives do not matter, they will keep dying”

Fuck The Facts has once again teamed up with director David Hall, who has been making videos for each of their albums since the release of “Stigmata High-Five” back in 2006.

“His unique approach to making videos has always been inspiring to us and we’ve always given him carte blanche (just watch our video for “Everywhere Yet Nowhere”). For the “Dropping Like Flies” video Dave manages to give the viewer an uncomfortable and satirical look at the devastating opioid epidemic. Highlighting just how much this issue is not taken seriously enough.” says FTF’s Topon Das.

Director David Hall adds:

“The main inspiration for the video for “Dropping Like Flies” came directly from Mel’s lyrics. She eloquently sings about addiction as an epidemic and society’s response: “help isn’t on the way.” I wanted to present a vision of hopelessness, the brutal ravaging of addiction, the pervasiveness of prescription meds, the economic forces that conspire, and show some faces not commonly presented as addicts: white people, senior citizens, the middle and upper class. Addiction transcends all demographics. God sends flies to wounds he should heal. Pills rain down from heaven.”   

The video for “Dropping Like Flies” can be viewed via its premiere on MetalSucks HERE.

Fuck The Facts has amassed a respectable discography over the years, and the new offering of “Pleine Noirceur” joins the 7 LPs and 6 EPs released to date. The considerable amount of time the band has been working together shows in the natural chemistry that courses through each of the 12 tracks. Fuck The Facts comments on the album:

“We took a long break before working on this album, I feel like it’s a collection of bits and pieces; old and new, short and long. It’s us working back into the groove, just in time for a pandemic. This album also could have easily been 3 EPs, you really have to listen to the whole thing in order to fully enjoy it. It opens the door for what is next.”

Recommended for fans of Cephalic Carnage, Exhumed, and Morbid Angel, Fuck The Facts‘ new album “Pleine Noirceur” is available in several different formats listed below.

Album Stream – YouTube
Spotify playlist add HERE.
Album order HERE. (CD, Vinyl, Cassette, Digital)


Track Listing:
1. Doubt, Fear Neglect (6:47)
2. Ailleurs (1:17)
3. Pleine Noirceur (5:42)
4. Aube (1:24)
5. Sans Lumiere (4:23)
6. Sans Racines (0:38)
7. Everything I Love Is Ending (4:14)
8. A Dying Light (3:41)
9. Dropping Like Flies (4:04)
10. L’abandon (2:07)
11. An Ending (3:27)
12. _cide (3:59)
Album Length: 41:46

For more info:
Fuckthefacts.com
Facebook.com/FuckTheFacts
Twitter.com/fuckthefacts
Instagram.com/fckthefacts
EPK

About:
Started as a recording project in the late ’90s, it wasn’t until 2001 that the work ethic that produced a slew of underground releases drove Fuck The Facts towards full band status and into the live arena. Since then, the Ottawa-based unit has barely stopped for a breath of reconsideration, associating themselves with some of the biggest labels in underground extreme music, as well as continuing a steady output of DIY releases. Having toured hundreds of thousands of kilometers throughout North America and Europe, guitarist/founder Topon Das, vocalist Mel Mongeon and drummer Mathieu Vilandré have performed as some of the biggest festivals and sweated it out in some of the smallest basements. From 2006-2011 Fuck the Facts released three albums via underground powerhouse label, Relapse Records. Upon the completion of their contract, the quintet decided it was time to put the finishing touches on the proverbial full-circle, returning to the world of fierce independence and creative control. Their most recent releases were produced entirely at their own studio, self-released, and shows Fuck The Facts efforts as an entity continuing to grow musically and personally while developing a deeper understanding of what significance their art holds to them. As one of the longest-running and most recognizable names in Canadian Grindcore, FUCK THE FACTS continue to deliver their brand of “Bastardized Grindcore” with no end in sight.

– 30 –

“The album opens with arguably the best Fuck the Facts song of all time in “Doubt, Fear, Neglect” — a song with some of the heaviest riffs ever made by the band… Fuck the Facts’s Pleine Noirceur is the most perfectly heavy record one could ask for. For a band that has been together for over 20 years, Fuck the Facts continue to make some of the most important heavy music around, and Pleine Noirceur is their finest achievement to date.” – Exclaim!

“It’s no secret I love the Canadian death/grinders in Fuck The Facts, and I couldn’t be happier to hear after 5 years of radio silence, they’re back and better than ever! Their new album, Pleine Noirceur, is set for release on November 20th via the band’s very own Noise Salvation label and today we’re premiering the title track off the release. It’s as vicious as it is warm and heartfelt, twisting and turning with new surprises while retaining the FTF brand we love over the years.” – Metal Injection

“Instrumentally, Pleine Noirceur is crushingly heavy but full of melody and atmosphere and unexpected twists and turns, and vocally, Melanie Mongeon is at her most emotive. These are soaring, impassioned songs that really make you feel something.” – Brooklyn Vegan

“The first thing that will strike you about Pleine Noirceur is just how fucking big it sounds; the production on this record is absolutely thunderous, boasting a crisp, punchy sound and one of the most rich, full-bodied guitar tones they’ve ever had.” – The Quietus  

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 Canada’s Maudiir Announce Corrosive Black Thrash Single “The Slumber” Off Upcoming “La Part Du Diable”

  • January 5, 2021
  • by Asher
  • · Maudiir · Music News

NEWS RELEASE

Montreal, QC – January 5, 2021

For fans of Skeletonwitch, Darkthrone, Voivod, Ihsahn, Carcass

Canada’s Maudiir Announce Corrosive Black Thrash Single “The Slumber” Off Upcoming “La Part Du Diable”

Single Premiere via NoCleanSinging

New EP “La Part Du Diable” Out February 19, 2021

Coined as ‘blackened thrash metal’ F of Maudiir takes advantage of complete creative control and effortlessly moves between styles, adding infusions of punk, focused guitar solos, and clean production to the classic black metal vocals and chunky bass riffs.

The first single “The Slumber” off Maudiir forthcoming 2021 EP “La Part du Diable” starts on a big bass riff flirting with drone guitars and explodes into an epic instrumental black metal section. The song is about the worst personality traits we have seen awaken in some people, and that might have stayed dormant if not for the current situation. Maudiir comments on the EP as a whole:

“I had great reviews for the first EP “Le Temps Peste”. I think the new EP “La Part du Diable” expands on the first one and brings more progressive elements to the songs. I also managed to get the bass guitar at the forefront of the songs, which is not so common in modern metal, so I’m really happy about that. All in all, it’s a pretty interesting and unique listen.”

Creating an intensely dark sound, “La Part du Diable’‘ was inspired by reactions from people to the health crisis created by Covid, the political climate in the US, and conspiracy theories. This second offering from the band goes in a slightly more progressive and thrash direction than the first, F has also added distortion to the bass guitar giving a Voïvod-esque feel to the songs. It’s a riff-driven  EP with big bass grooves and corrosive vocals, mixing thrash metal and black metal with progressive elements, giving it a unique sound and feel.

Recommended for fans of Skeletonwitch, Darkthrone, and Voivod, “The Slumber” can be heard via its premiere on NoCleanSinging HERE.

The single will be available on all digital platforms on January 8, 2021 and the full EP “La Part du Diable” is out on February 19, 2021.


Track Listing:
1. Fracture (4:50)
2. The Slumber (4:57)
3. The Fortunate Few (4:54)
4. Spirit of Sulfur (4:34)
5. The Crowning Hour (5:07)
EP Length: 24:24

More Info:
Facebook
Bandcamp
EPK

About:

Maudiir, coming from the underbelly of Montreal, Quebec, Canada is an outlet for observations on obedience and industrialization riddled with man-made waste. With 80s heavy metal influences alongside black metal and punk, Maudiir is unique in sound; hauntingly dark while being corrosive and galloping.

Maudiir is a one-man black/thrash metal project that formed to be musically independent. Starting with guitar, F. works his way through each sullen track, adding drums, recording all the colorations and textures of the guitars, adding bass, and finally writing the words, very often at the same time they are being recorded.

The pessimistic aura of the music combines with lyrics about consumer society, religion, science going awry, addiction to technology, and environmental decay.

Maudiir released their debut EP “Le Temps Peste” during February 2020 and now returns exactly a year later with the follow up “ La Part du Diable”
due out February 19, 2021.

Creating an intensely dark sound, “La Part du Diable” was inspired by reactions from people to the health crisis created by Covid, the political climate in the US, and conspiracy theories. It’s a riff-driven  EP with big bass grooves and corrosive vocals, mixing thrash metal and black metal with progressive elements, giving it a unique sound and feel.

“I would say that with “La Part du Diable”, I’m going into a slightly more progressive and thrash sound than on the first EP. I also added distortion to the bass guitar this time around, which I think adds a Voïvod feel to the songs.”

F. (ex-Deeply Confused, Tears for the Dead Gods) is also currently leading prog/thrash metal outfit Trinity Blast.

Maudiir is F.

– 30-

“Touches of punk add attitude to these five angry and aggressive pieces of blackened thrash metal and make it an impressive debut EP” –  Loud Enough? Magazine

“Some really great tracks and precise playing makes this debut EP a note worthy event” – Absolute Underground Magazine

““Le Temps Peste” is overall an engaging listen that, as it progresses, gets even better and more complex, gradually easing you into the building mood and feel of the EP, the first couple of tracks  “Product” and “Abuse The Used” build on bleak Blackened driving riffs alongside a vitriolic rasping vocal delivery, the latter also benefiting from more of a haunting melody developing, a galloping Thrashy second half and soaring lead work which really adds to the sound.” 4/5 – The Metal Wanderlust

“Métal de bord en bord, ce projet fait partie de ceux dont les sonorités sont parfaitement heavy, mais ô combien inclassables, où se mêlent habilement les influences et saveurs auditives les plus diverses. Avec Maudiir, on fusionne avec brio black, thrash et death mélodique, avec une touche de métal classique et de NWOBHM dans les acérés riffs. Le temps peste inclut tout plein de riffs aussi corrosifs que galopants, qui rendraient très fiers autant un prêtre traître qu’une vierge de fer, risquant très bien de vous donner un sale mal de cou.”  – BoulevardBrutal.com

“En tous les cas, F. ne s’enfonce pas dans l’erreur des artistes qui bossent en solo, à savoir, s’enfermer dans leur monde et devenir hermétique à l’oreille lambda. Sa musique est bien orchestrée ; même si elle fait appel à du déjà connu, elle tient la route et on y aime y retourner plusieurs fois. Il y a, à la fois de l’agressivité, de la noirceur, mais aussi de la fluidité dans ce metal un peu vieille école, mais bien vivant!” – Metal France

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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