Category: EPKs

0 EPK – Phaeton – Self-Titled (2018) (INB Music)

March 15, 2019
by Asher
· EPKs · Phaeton

Phaeton – Self-Titled (2018) (INB Music)

For fans of Rush, Dream Theater, Gojira, Meshuggah, Mastodon, Animals as Leaders.

Release Date: December 21, 2018

Label: INB Music

Distribution: INB Music

Artist representation (PR) = Jon Asher asher(@)ashermediarelations.com

Social Media: Facebook | Youtube

Sales Links: Bandcamp | iTunes | Amazon | Spotify | CD Baby

Download Promotional Band Photo | Download Album Cover

“Top-tier instrumental prog-metal-math music from the East Kootenay region performed by a quartet of veteran musicians.” – Stuart Derdeyn (The Vancouver Sun)

“The sound on all seven tracks is huge and if there was a “best sounding hammer-ons” award then March of the Synthetics could be a contender.” – Stuart Derdeyn (The Vancouver Sun)

“An epic Progressive Metal listening experience.” – Trevor Hatter (BeatRoute Magazine)

“This badass band makes a devastating impact with their high velocity musical assault.” – Time Lord (Progarchy)

“A sparkling, sizzling debut from PHAETON, taking us on a futuristic musical journey, with deep roots in the ancient past.” – Stephen Conrad (Progressive Rock Fanatics)

[Download Album Cover]

Label: INB Music
Distribution: INB Music
Release Date: December 21, 2018
Album Title: Self-Titled

Track Listing:
1. Siege Engine (5:27)
2. Voyage Eternal (4:24)
3. March of the Synthetics (6:39)
4. Phantasm (3:56)
5. Crossing the Divide (6:48)
6. Labyrinth (3:46)
7. Vortex (5:13)
Album Length: 36:16

Album Credits:
– All songs performed by: Phaeton
– All songs written by: Phaeton
– Produced by: Phaeton
– Mixed by: Kevin Thiessen
– Mastered by: Jamie Sitar
– Album Artwork by: Dark Days Design
– Performing Rights Affiliation: SOCAN

Album Band Line Up:
Kevin Thiessen – Lead & Rhythm Guitars, Keyboards
Daniel Airth – Lead & Rhythm Guitars
Ferdy Belland – Electric & Fretless Bass
Colin Righton – Drums & Percussion
Gabriel Palatchi – Guest Performance (Piano on track #4)

Live Band Line Up:
Kevin Thiessen – Lead & Rhythm Guitars, Keyboards
Daniel Airth – Lead & Rhythm Guitars
Ferdy Belland – Electric & Fretless Bass
Colin Righton – Drums & Percussion

Discography
2018 – Self Titled – LP (INB Music)

L-R: Kevin Thiessen – Lead & Rhythm Guitars, Keyboards, Daniel Airth – Lead & Rhythm Guitars, Ferdy Belland – Electric & Fretless Bass, Colin Righton – Drums & Percussion

Photo Credit: Image by Dark Days Design & Julian Bueckert Photo

SHORT BIO

In the wilderness of Kimberley, British Columbia, Canada, with a fascination for astronomy, Kevin Thiessen (guitar), Daniel Airth (guitar), Colin Righton (percussion), and Ferdy Belland (bass) united to create the interplanetary, instrumental prog metal that would come to be known as Phaeton.

Since 2017, they have been working quickly as a collaborative unit, honing their skills and orchestrating an attention-focused listening experience. One drenched in joy and wonder and the emotional, visceral release that only prog-metal can deliver. And the lack of lyrical interference only allows the listener the better opportunity to let their imaginations run wild with the music, drifting emotionally away on the solar winds to wherever they wish to soar.

Phaeton can be experienced with the release of the self titled debut album out now as of December 21, 2018.

LONG BIO

Named for the theoretical proto-planet which collided with Ancient Earth during the Primordial Era, Phaeton combines technically ferocious compositions of modern metal with the ambitious song-arrangement mindset of classic prog-rock, formulating and intense and unique approach to instrumental prog-metal.

Conceptually, the idea of life itself, in all its beauty and wonder and majesty, emerging from an instant of catastrophic cosmic violence became the primary inspiration for their dramatic music birthed from the void in thrilling bursts and unexpected turns.

Phaeton can be experienced with the release of the self titled debut album out now as of December 21, 2018.

0 EPK – Majestic Downfall – Waters of Fate (2018)

March 13, 2019
by Asher
· EPKs · Majestic Downfall

Majestic Downfall – Waters of Fate (2018)

For fans of Old Anathema, My Dying Bride, old Katatonia, Phlebotomized, Forgotten Tomb

Release Date: December 7, 2018

Label: Solitude/Weird Truth Productions (Asia/Europe), Chaos Records (Americas)

Facebook | Youtube | Instagram

Download promotional photo | Download album artwork | Download album lyrics

“If No Clean Singing had a “house band” I am fairly certain Majestic Downfall would be it (or at least a finalist)” – No Clean Singing

“The sound of these Mexicans improved in industrial proportions and this innovative and varied approach to their music, presents the extreme and melancholic detail that Doom/Death Metal left forgot long ago.” – breathlesssleep.com

“…When Dead” will be marked as a milestone in MAJESTIC DOWNFALL’s career and the band’s next works will be measured from here. I can easily see this album making it into hundreds of end of the year lists for 2015. Listen and buy “…When Dead” – Voices From The Darkside

“Majestic Downfall are the clear-cut finest death/doom band in Mexico.” – Dead Rhetoric

“Waters Of Fate is without doubt a Majestic Downfall album. You can still hear the influences of bands such as Katatonia. But the band composes their songs in a way where they do not forget where they are coming form but still find new angles. Add the great mix/master by Tore Stjerna (Necromorbus Studio) and you know they created a mighty album.” – Lords of Metal

Release Date: December 7, 2018
Label: Solitude/Weird Truth Productions (Asia/Europe), Chaos Records (Americas)

Track Listing:
1. Veins (13:05)
2. Waters of Fate (11:47)
3. Contagious Symmetry (11:29)
4. Spore (2:18)
5. Collapsed Pitch Black (13:32)
6. Waters of Faith (Bonus track) (11:31)
Album Length: 1:03:44

Album Credits:
• All songs performed by: Majestic Downfall
• All songs written by: Jacobo Córdova (95%)/Juan Manuel Dávalos (5%)
• Produced by: Tore Stjerna at Necromorbus Studios, Sweden
• Mixed by: Tore Stjerna at Necromorbus Studios, Sweden
• Mastered by: Tore Stjerna at Necromorbus Studios, Sweden
• Album Artwork by: Ars Moriendee

Discography:
Waters of Fate – 2018
…When Dead – 2015
Split W/The Slow Death – 2014
Three – 2013
The Blood Dance – 2011
Temple of Guilt – 2009
Split W/Ansia – 2007
The First Abyss Demo – 2007

Shared Stage with:
Slayer, Carcass, Dark Tranquillity, Dark Funeral, Pestilence, Ophis, Ataraxie, Exodus, Alice in Chains, Armored Saint, Vital Remains, Hypothermia, Brujeria, Matalobos, Introtyl, Tenebrarum and many many more.

Tours and Festivals:
2019 – Maryland Death Fest, USA
2018 – Force Fest, Teotihuacan, Mexico
2018 – 70000 Tons of Metal
2016 – Still No Spring European Tour W/Ophis and Ataraxie.

Artist Endorsements:
MAYONES GUITARS
AQUARIAN DRUMHEADS
ROTOSOUND STRINGS
REGAL TIP

Majestic Downfall started as a one-man doom journey in August of 2006. The idea was to recapture the feeling of the 90s European death/doom metal scene, while mixing it with some more modern metal overtones. In 2007, MAjestic Downfall pressed its first demo titled – “The First Abyss Demo 2007” which was later released in a split with Italian black/doom metal band Ansia.

On April 6th, 2009, Majestic Downfall released its debut full-length album, “Temple of Guilt”. This time the music contained a darker edge full of sorrow and new influences from bands like Shining and Forgotten Tomb. 2011 saw the release of “The Blood Dance” album which contained 7 sorrowful passages with an even darker edge than Temple of Guilt. The “Three” album was released in 2013 and this time the sound contained even more experimentation in the music but without staying too far away from the band’s musical roots. 2015 sees the release of “…When Dead”, an album that is not only the bands most diverse output incorporating lots of influences outside doom metal, but one that also and for the first time has an important backing label.

In 2018, “Waters of Fate”, was released in 3 different continents by 3 different labels. It is mixed and mastered by Tore Stjerna (Watain, Portrait, Mayhem) at Necromorbus Studios in Stockholm, Sweden and definitely more and more opportunities in all areas coming along the way for the band.

0 EPK – Sludgehammer – Antechamber (2019)

March 4, 2019
by Asher
· EPKs · Sludgehammer

Sludgehammer – Antechamber (2019)

For fans of Revocation, Mastodon, Lamb Of God, Cannibal Corpse, Pantera, Opeth, Decapitated

Release Date: April 12, 2019

Label: Self-Release

Distribution:

Artist representation (PR) = Jon Asher asher(@)ashermediarelations.com

Social Media: Facebook | Twitter | Youtube | Instagram

Sales Links: Bandcamp | iTunes | Amazon | Spotify | CD Baby

Download Promotional Band Photo | Download Album Cover | Download Album Lyrics

Show Dates:
April 12 – Toronto, ON – Coalition T.O
April 13 – Hamilton, ON – Club Absinthe
April 19 – Montreal, QC – Piranha Bar
April 20 – Ottawa, ON – Café Dekcuf
April 27 – Kitchener, ON – Boathouse
May 3 – Brantford, ON – Our Place
May 11 – London, ON – Old East 765

“Sludgehammer doesn’t fit neatly into the traditional death or groove metal box, as its diverse elements sets it apart from its peers… hooky riffs, catchy choruses and a perfect clean/growled vocal combination… Sludgehammer possesses loads of potential. Highly recommended!” – Bravewords

“This is how gifted SLUDGEHAMMER as a band is, even with only a demo, EP and now LP under their belts. On their own, they’re a devastating DIY metal band. With a contract in-hand, they’re gonna become unstoppable.” – Blabbermouth

““Demons From the Woodwork”. It’s a jolting, high-octane, full-throttled romp that incorporates elements of thrash, death metal, and head-slugging groove — and it’s an infectious beast that Sludgehammer have unchained.” – No Clean Singing

“Sludgehammer have a great way of infusing groove into their sound. Not nearly enough of that in death metal these days” – CJSF – Metal Meltdown

“The thing about Sludgehammer musically is they take so many different styles and mesh them together into this sound that encapsulates traditional, thrash, modern, death, and progressive metal, while creating something unique yet familiar. The excellent guitar work with hooky riffs and blazing solos matched with the heaviness and intensity was greatly appealing.” – Get Ready To Rock

“Sludgehammer is visceral and and definitely lives up to their name. With several different genres of metal at work including thrash, death, and groove, what you get is a murky and sludge filled sound that does in fact hit you like a fucking hammer upside the head.” – Cadaver Garden

“The night opened with Sludgehammer, a local band with some great art on their bass drum. When the lights went down and the crowd got ready out came the guys in this local band battering through each of their songs. Although being unfamiliar with these guys, I had to go home and find their music; Sludgehammer had the stage presence of a high end professional band. Battering away through everything they could, making jokes to the audience and having some showmanship is what we look for and although a lot of people like to skip te local bands at these shows, you would have regretted missing this band.” – Five Magics Music

“Strong metal roots are obvious, but the way they blend several styles of death, groove, thrash, and even melodic metal is impressive. Never a dull moment and it makes each song distinct from each other.” – Arte Mortifica Reviews

“Sludgehammer, a death metal band hailing from Toronto Canada, combines face-melting riffs with groveling, roaring lyrics to create a relentless, powerful sound that is all Sludgehammer’s own. It does not end there. Unlike most death metal acts, Sludgehammer has a unique groove metal sound intermixed into their songs.” – Metal Temple

“What more can I say except this is the greatest new band I have heard recently” – Eternal Terror

[Download Album Cover]
[Download Album Lyrics]

Label: Self-Release
Distribution: Distrokid
Release Date: April 12, 2019
Album Title: Antechamber

1. No Control (5:08)
2. Broken Sea (5:09)
3. Climatic Death (5:02)
4. Forsaken Souls (4:41)
5. Balance Of Life (5:00)
6. The Long Road (5:02)
7. Eternal Darkness (4:10)
8. Supernova Silhouette (8:37)
9. Line ‘Em Up (4:11)
Album Length: 47:04

Band Members:
Josh Stephney – Vocals
Jeff Wilson – Guitars
Tyler Williams – Guitars
Dan Ayers – Bass/Vocals
Fernando Villalobos- Drums

Album Credits:
All Songs Written And Performed by Sludgehammer
Recorded and Mixed By Tyler Williams At Monolithic Productions
Artwork/Album Design By Michael Steinheiser At Adventure Skull
Mastered By Lasse Lammert At LSD Studios

Discography:
2019 – Antechamber – LP
2016 – The Fallen Sun – LP
2014 – Organ Harvester – EP
2013 – Self Titled – Demo

Shared Stage with:
Decapitated, Malignancy, Unleash The Archers, Crimson Shadows, Vesperia, Black Absinthe, Mutank, Viledriver, My Hollow, Christ Complex, Devilz By Definition

L-R: Tyler Williams – Guitars, Josh Stephney – Vocals, Jeff Wilson – Guitars, Dan Ayers – Bass/Vocals, Fernando Villalobos- Drums

Photo Credit: Deborah Lawrence

SHORT BIO

Since the release of their first full-length album, “The Fallen Sun”, SLUDGEHAMMER from Toronto, Canada have been riding a wave of great reviews for the record as well as their live show.

Originally formed in 2013 by Jeff Wilson (guitar) and Fernando Villalobos (drums), SLUDGEHAMMER’s initial lineup came together with the addition of Daniel Ayers (vocals/bass) and Christopher Szarota (vocals). By the end of the year, they released a demo which gained considerable ground. 2014’s EP “Organ Harvester” introduced Dan Ayers as a co-vocalist, creating a unique sound that molded Sludgehammer into the heavy and groovy band it is today.

In 2016, the LP “The Fallen Sun” was released; fast and chunky it was well received by fans and the media. Unfortunately, after the release of that album, the band parted ways with Szarota and Josh Stephney was brought on board to complete the album cycle.

LONG BIO

With the release of 2016’s LP “The Fallen Sun”, they had recruited Tyler Williams on guitars, who also proved to be a great recording engineer. With two guitar players, two vocalists and a crushing rhythm section, The Fallen Sun sounded massive and propelled SLUDGEHAMMER to a much higher plane. The album, recorded and mixed by Williams, gave SLUDGEHAMMER ultimate control over the final product, which was fast, chunky and well received by fans and the media. Unfortunately, after the release of that album, the band parted ways with Szarota and Josh Stephney was brought on board to complete the album cycle.

With the lineup finalized, SLUDGEHAMMER hit the road and laid waste to every stage they set foot on, showing their fans that they were now stronger than ever. After a few successful tours in support of “The Fallen Sun”, it was time to start writing the next record which will be the first to feature Stephney on vocals. Working collaboratively in the writing stages, the new material became less experimental than The Fallen Sun, with a prominent focus on writing the “sick riffs” and “heavy, versatile music” that their fans love, SLUDGEHAMMER are preparing to show their maturity by unleashing a second monstrous album “Antechamber” in 2019.

Whether on the road or in the studio, SLUDGEHAMMER delivers the goods with astounding precision and the confidence of a world-class band. Stay tuned!

0 EPK – N E K E R – Louder (2017)

March 3, 2019
by Asher
· EPKs · N E K E R

N E K E R – Louder (2017)

For fans of Down, Pantera, Melvins, Every Time I Die

Release Date: March 20, 2017

Label: Self-Release

Artist representation (PR) = Jon Asher asher(@)ashermediarelations.com

Management / Booking representation = nekernoise(@)gmail.com / gessicaghilardi89(@)gmail.com / Gessica Ghilardi

Social Media: Facebook | Instagram | Youtube

Sales Links:
Bandcamp | Spotify | iTunes |Amazon | Big Cartel

Download Promotional Band Photo | Download Album Cover | Download Album Lyrics

Tour Dates:

April 3 – Hamilton, ON – Doors Pub – info

April 4 – Barrie, ON – The Foxx Lounge – info

April 5 – Toronto, ON – Tail of The Junction – info

April 6 – Oshawa, ON – The Atria – info

April 7 – Kingston, ON – 12Cat Arts Collective – info

April 11 – Ottawa, ON – Cafe Dekcuf – info

April 12 – Quebec City, QC – Scanner Bistro – info

April 13 – Sherbrooke, QC – Le Murdoch – info

[Download Album Cover]
[Download Album Lyrics]

Label: Self-Release
Release Date: March 20, 2017
Album Title: Louder

Track Listing:
1. A Kind Of Man (4:06)
2. No Faith (4:47)
3. The Worst Music (3:57)
4. All Pigs Must Die (3:59)
5. Loud And Proud (4:08)
6. City Of Cunts (5:03)
7. Saytan (4:57)
8. Stolen Soul (4:16)
9. Breathing Is Not Enough (5:38)
10. Sleeping Memories (5:12)
Album Length: 46:18

Album Credits:
• All songs performed by: N E K E R, Alessandro Eusebi, Daniele Alessi
• All songs written by: N E K E R
• Produced by: N E K E R
• Mixed by: Riccardo Pasini Studio 73
• Mastered by:Riccardo Pasini Studio 73
• Album Artwork by: Alessandro Eusebi

Album Band Line Up:
N E K E R (Bass, Vocals)
Alessandro Eusebi (Guitars)
Daniele Alessi (Drums)

Live Band Line Up:
Canadian Tour Line Up:
N E K E R (Bass, Vocals)
Ludovico Cioffi (Guitar)
Guillaume Fortin (Drum)

Discography:
2016 – “Sleeping Memories” (single)
2017 – “Louder” (LP)

Shared Stage with:
Edward In Venice, Antares, Carnero, Damn City, The Modern Age Slavery, Carnality, Absynth, Man As Plague, Snowburner, Fungus, Insensathors, Darko

Tours and Festivals:
2018 – MAUI WAUI vol.1- Bologna, IT

N E K E R – Photo Credit: Francesco Agostini

SHORT BIO

N E K E R is an Italian Southern metal project that came into being in 2013 initially as a solo project, after Neker’s (bass/vocal) departure from a now defunct metalcore band. He intended to create a sound with strong southern influences without forgetting the years spent playing and listening to genres such as post-hardcore, screamo, and metalcore.

In 2015, with the recruitment of Alessandro Eusebi (guitar) and Daniele Alessi (drums), the band was fully formed and they hit the studio to re-record the single “Sleeping Memories” with the aim to make an official video. The video was released in January 2016 and the band took to touring. Later in 2016 “Louder” was re-recorded and supported with a European tour. Having conquered several countries across Europe the band set its attention to the masses across the Atlantic as well as recording another album.

LONG BIO

N E K E R is an Italian Southern metal project that came into being in 2013 initially as a solo project, after Neker’s (bass/vocal) departure from a metalcore band called Chartise. He intended to create a sound with strong southern influences without forgetting the years spent playing and listening to genres such as post-hardcore, screamo, and metalcore.

The first demo called “Sleeping Memories” was recorded in the summer of 2013 and soon after the search for a guitarist and a drummer began with the goal to create a full band. 2 years later, in 2015, with the recruitment of Alessandro Eusebi (guitar) and Daniele Alessi (drums), the songs began to take form.

Working collaboratively, the band puts emphasis on a dirty, noisy sound with lyrics themes that explore religion, personal observations, and the state of the world. The blending of elements from a variety of genres including occasionally obscure time signatures.

The trio of musicians hit the studio to re-record the single “Sleeping Memories” with the aim to make an official video. The video was released in January 2016 and the band took to touring. Later in 2016 “Louder” was re-recorded and supported with a European tour. Having conquered several countries across Europe the band set its attention to the masses across the Atlantic as well as recording another album.

0 EPK – Gone Cosmic – Sideways In Time (2019) (Kozmik Artifactz)

February 28, 2019
by Asher
· EPKs · Gone Cosmic

Gone Cosmic – Sideways In Time (2019) (Kozmik Artifactz)

For fans of Earthless, Alabama Shakes, Black Sabbath, The Damn Truth, Tess Parks, Pink Floyd, Black Flag, Elder, Orange Goblin, Once and Future Band, Jeff Beck, Bison, The Budos Band, Spidergawd.

Release Date: April 12, 2019

Label: Kozmik Artifactz

Distribution: Kozmik Artifactz

Booking = gonecosmicband(@)gmail.com

Artist representation (PR) = Jon Asher asher(@)ashermediarelations.com

Social Media: Facebook | Instagram | Twitter | Youtube

Sales Links: Kozmik-artifactz.com | Bandcamp | iTunes | Amazon | Spotify

Download Promotional Band Photo | Download Album Cover | Download Album Lyrics

Upcoming Show Dates:
April 12 – Calgary, AB – The Palomino
April 13 – Edmonton, AB – Bohemia
April 14 – Red Deer, AB – Bo’s Bar & Stage
April 19 – Saskatoon, SK – Amigo’s Cantina
April 20 – Regina, SK – German Club
May 3 – Victoria, BC – Wheelies
May 4 – Vancouver, BC – SBC Restaurant

“And then there’s Gone Cosmic with their Sideways In Time album, released through Kozmik Artifactz. Set for an early April release this is some grade A, female fronted psych rock, it whirls and it winds and it wails like a hard rocking banshee on the prowl! Simply stunning!” – Stoner Hive

“It feels like an evolution of the genre” – Chris Beck – Doom Tomb

“Fresh off of announcing their signing to the Kozmik Artifactz label before the April release of their debut Sideways in Time (so bleeding bloody good, by the way), this Calgary supergroup comprised of members of Chron Goblin, Witchstone and Joplin-esque lung pummeler Abbie Thurgood, formerly of The Torchettes, are a heavy, groovy, psych-storm, headtrip. You’re welcome.” – Mike Bell – YYScene

“ It works in a spectacularly gnarly and boombastic, rifftastic, fantastic Joplin blues-rock way.” Mike Bell – YYScene

“Awakening the ears and seducing souls with an addictive pairing of folk-blues and psych-rock, Calgary’s Gone Cosmic is a band that thrives on the mix of complementary and contrasting traits that each member brings to the party. “ – Christine Leonard – Beatroute

“The electromagnetic energy generated when Thurgood’s soaring vocals and passionate lyrical narratives are added to the compelling riffs and hypnotic pulses of the band’s instrumentation is a stunning and stimulating force to behold. “ – Christine Leonard – Beatroute

[Download Album Cover]
[Download Album Lyrics]

Label: Kozmik Artifactz
Distribution: Kozmik Artifactz
Release Date: April 12, 2019
Album Title: Sideways In Time

Track Listing:
1. Dazed (4:49)
2. Deadlock (6:41)
3. Siren (4:48)
4. Faded Release (5:46)
5. Turbulent (4:36)
6. Misfit Wasted (7:10)
7. Bear The Weight (5:53)
8. My Design (6:28)
Album Length: 46:14

Album Credits:
– All songs performed by:  Gone Cosmic
– All songs written by:  Gone Cosmic
– Produced, mixed, and recorded by:  Josh Rob Gwilliam at OCL Studios
– Mastered by: Brock McFarlane, CPS Mastering
– Album Artwork by: Christo Makatita
– Member of SOCAN
– All content is MAPL – CanCon

Album Band & Live Line Up:
Abbie Thurgood (Vocals)
Marcello Castronuovo (Drums)
Devin “Darty” Purdy, (Guitar)
Brett Whittingham (Bass)

Discography:
2019 – Sideways In Time LP

Shared Stage with:
Earthless, Brant Bjork, Conan, Little Destroyer, Sean Wheeler, We Hunt Buffalo, Great Electric Quest

Tour and Festivals:
2018 – 420 Fest (Calgary, AB)
2018 – Vantopia (Vancouver, BC)
2018 – Sled Island (Calgary, AB)
2018 – Up and DT Fest (Edmonton, AB)
2018 – CJSW 90.9 FM Halloween Party (Calgary, AB)
2018 – BIG Winter Classic Launch (Calgary, AB)

L-R: Abbie Thurgood (Vocals), Marcello Castronuovo (Drums), Devin “Darty” Purdy, (Guitar), Brett Whittingham (Bass) – Photo credit: Mario Montes

Championed by a soaring songstress Abbie Thurgood (The Torchettes), whose boldly evocative tones recall Skunk Anansie chanteuse Skin and Alabama Shakes’ Brittany Howard, and accompanied by an agile and aggressive psych-rock outfit, composed of guitarist Devin “Darty” Purdy (Chron Goblin), bass player Brett Whittingham (Chron Goblin), percussionist Marcello Castronuovo (Witchstone), Gone Cosmic has carved out an expansive domain that stretches from sweltering Southern sludge pits to breath-stealing sonic spacewalks.

A blood (orange)-scented breeze that bows the trees, Gone Cosmic chases the infinite haze from the skies and puts it right back in your eyes. Groove-mining breakdowns become the stuff of legend as the four pieces’ floor-thudding tail kick and hellfire halo holler originates a whole that is far more potent than the sum of its individual elements. Meet your new astromancers, the phase-shifting and hard-rocking force that channels the empyreal sounds of heaven on Earth.

Bio was written by Christine Leonard (Beatroute AB, Canada)

0 EPK – Tanagra – Meridiem (2019)

February 26, 2019
by Asher
· EPKs · Tanagra

Tanagra – Meridiem (2019)

For fans of Caladan Brood, Blind Guardian, I.Q., Iced Earth, Visigoth

Release Date: April 26, 2019

Label: Self-Release

Distribution: CD Baby

Artist representation (PR) = Jon Asher asher(@)ashermediarelations.com

Social Media: Facebook | Instagram | Twitter | Youtube

Sales Links: Bandcamp | iTunes | Amazon | Spotify | CD Baby

Download Promotional Band Photo | Download Album Cover | Download Album Lyrics

“Progressive Metal fans, rest assured that your 2019 is in good hands as Prog quintet TANAGRA unleashes “Meridiem”. Filled with vibrant melodies, this seven-track record will take you to a breathtaking journey through an eargasmic musical psychedelic.“ – Metal Temple

“Meridiem is another jewel in the trunk of America’s continually-burgeoning power metal scene… Tanagra is something to be loved by music fans, cherished by power metal fans and salivated over by fans of progressive metal.” – Last Rites

“I’m thoroughly impressed with this sophomore. It’s a complete transformation of this band into a wholly new form and they’ve earned every single little bit of it.” – Toilet ov Hell

“Tanagra’s Meridiem will likely please and intrigue fans of American progressive power metal, thanks to the band’s ambitious and lightly complex songwriting.” – Danger Dog Reviews

“There’s an ethereal, otherworldly feel in parts of Tanagra’s compositions that gives the music real presence, and the epic nature of the material will raise the hairs on the back of your neck a fair few times if you allow yourself to become fully immersed in the grandeur of it all. Highly recommended!” – Sentinel Daily

““Meridiem,” the title track is a soaring anthem that ventures this way and that. Ensuring the listener is hooked and enchanted throughout.” – The Median Man

“The guitar work never lets up whether it’s the awesome riffs, the solos, or the harmonized leads, these guys are good… This band knows how to tell a story in a song.” – The Elitist Metalhead (2015 – None of This is Real)

“One of 2015’s big surprises in power metal and definitely one of the best independent releases of the year.” – The Metal Observer (2015 – None of This is Real)

“The album is chock full of catchy riffs, singalong choruses and awe-inspiring shredding… Riffs and vocal hooks flow seamlessly together.” – Metal Bandcamp (2015 – None of This is Real)

“Tanagra is definitely in the right path to become a respected act in the fantasy-themed Power Metal genre” – The Metal Crypt (2015 – None of This is Real)
“…confident vocals which soar like big fucking neon birds.” – Hollywood Metal (2015 – None of This is Real)

“Full of fun and driving riffs, rich melodies, and triumphant vocals…” – Dead Rhetoric (2015 – None of This is Real)

[Download Album Cover]
[Download Album Lyrics]

Label: Self-Release
Distribution: CD Baby
Release Date: April 26, 2019
Album Title: Meridiem

Track Listing of Album:
1. Meridiem (11:35)
2. Sydria (4:01)
3. Etheric Alchemy (8:49)
4. Silent Chamber (7:52)
5. Hidden Hand (10:14)
6. Across the Ancient Desert (7:39)
7. Witness (14:19)
Album Length: 1:04:31

Album Credits:
• All songs performed by: Tanagra
• All songs written by: Tanagra
• Produced by: Sacha Müller
• Mixed by: Sacha Müller
• Mastered by: Kris Crummett at Interlace Studio
• Album Artwork by: Gary Tonge
• Additional Arrangements By: Sacha Müller
• Orchestral Arrangements on Tracks 1 and 7 By: Jefferey Rondeau
• Piano Solo on Track 1 By: Gil Assayas
• Guest Vocals on Track 6 By: Jake Rogers
• Cello on Tracks 1, 4, and 7 By: Skip VonKuske
• Viola on Track 4 By: Kyleen King
• Member of ASCAP

Album and Live Band Line Up:
Steven Soderberg: Lead and Rhythm Guitars
Christopher Stewart: Drums and Percussion
Tom Socia: Lead and Backing Vocals
Josh Kay: Lead and Rhythm Guitars
Erich Ulmer: Bass Guitar

Discography:
2019 – Meridiem
2015 – None of This is Real

Shared Stage with:
Primal Fear, Sanctuary, Blaze Bayley, Visigoth, Spellcaster, Judicator, Excruciator, Skeletor, Aethyrium, Last Empire, Revolution Overdue

L-R: Steven Soderberg: Lead and Rhythm Guitars, Christopher Stewart: Drums and Percussion, Tom Socia: Lead and Backing Vocals, Josh Kay: Lead and Rhythm Guitars, Erich Ulmer: Bass Guitar

Photo Credit: Kara Pesznecker Reavis

SHORT BIO:

Formed out of the love of science fiction, fantasy, and theatrical heavy metal storytelling, TANAGRA hit the Portland, USA metal scene in 2011 with epic, symphonic, progressive power metal with lyrical content about original fantasy/sci-fi settings, Magic: The Gathering, historical tales, and other nerdy themes.

In 2015, they released their debut album, None of This is Real, an energetic collection of American power metal showcasing their love for complex arrangements and lengthy songs which garnered critical acclaim from a multitude of publications around the world.

In the time following their debut release, the members found a deep love for progressive rock/metal and symphonic black metal, and in writing new material found ways to combine the sounds of bands like IQ, Anekdoten, Caladan Brood, and Borknagar into their existing American power metal framework.

In 2016, TANAGRA entered the studio with the fruits of their labors to begin recording their ambitious second album, titled Meridiem, slated for global release April 26, 2019.

LONG BIO:

Formed out of the love of science fiction, fantasy, and theatrical heavy metal storytelling, TANAGRA hit the Portland, USA metal scene in 2011 and alongside bands like Spellcaster, Excruciator, and Ritual Healing, helped foster a heavy/power metal scene in a city obsessed with black and doom metal. In 2015, after releasing their debut album, None of This is Real, an energetic collection of American power metal showcasing their love for complex arrangements and lengthy songs, they garnered critical acclaim from a multitude of publications around the world and began their rise by opening for acclaimed bands such as Visigoth, Primal Fear, Sanctuary, Vicious Rumors, Judicator, and Blaze Bayley.

In the time following their debut release, the members found a deep love for progressive rock/metal and symphonic black metal. In writing new material, TANAGRA found ways to combine the sounds of bands like IQ, Anekdoten, Caladan Brood, and Borknagar into their existing American power metal framework, further solidifying the band’s distinctive brand of somber, cinematic prog metal. A culling of straight-forward riffing and songwriting gave way to complex yet compelling rhythms interwoven with vibrant vocal arrangements, transcendent soloing, and varying instrumental textures in a lush harmonic landscape.

In 2016, TANAGRA entered the studio with the fruits of their labors to begin recording their ambitious second album, titled Meridiem. Hunkered down across four studios for close to three years, joined by guest musicians on piano, cello, and viola, they refined and crafted their seven compositions to perfection with every minute of studio time spent adding more and more layers of depth, emotion, harmony, and complexity.

Meridiem will be released to the world on April 26, 2019, both physically and digitally, available from most distribution sites like Spotify, Bandcamp, and iTunes.

0 EPK – Misshapen – Transcendence (2019)

January 20, 2019
by Asher
· EPKs · Misshapen

Misshapen – Transcendence (2019)

For fans of Obliviscaris, Beyond Creation, Children of Bodom

Release Date: February 8, 2019

Label: Self-Release

Distribution: Distrokid

Artist representation (PR) = Jon Asher asher(@)ashermediarelations.com

Social Media: Facebook | Instagram

Sales Links: Bandcamp | Spotify | iTunes

Download Promotional Band Photo | Download EP Cover | Download EP Lyrics

“A lot of really cool stuff comes from Canada. Poutine, Tim Hortons, the REAL A&W, mountains, moose, and lots of really sick metal bands. Some of my favorite metal bands are actually Canadian: Archspire, Beyond Creation, Beneath the Massacre, and Gorguts to name a few. Hailing from Ottawa, Ontario, Misshapen continues with the trend of high-quality Canadian metal in their brand new music video for the track “The Swarm” off of their upcoming EP Transcendence. This track features a really cool and unique blend of technical death metal, black metal, death metal, and melodic death metal. Really digging the vocals and the visuals in particular with this band. It is somewhat reminiscent of my favorite years in Dimmu Borgir’s sound.” – GearGods

“MISSHAPEN have created a powerful set of five tracks. They’re fast, melodic, technical, layered and heavy. It’s like if you took the melody and atmosphere from AETHEREUS’s “Absentia” and mixed it with the riffage of VALE OF PNATH’s “The Prodigal Empire”. That’s MISSHAPEN’s “Transcendence”. I look forward to a full-length.” – Metal Temple

“The debut five-track EP Transcendence by Ottawa, Canada’s Misshapen, is worth adding to your collection of music that will get you hyped. There is no shortage of energy and blast beats to help revitalize your soul with this blend of death metal, technical metal, and black metal. The melodic riffs and solos are almost enchanting while the vocals are ferocious.” – The Music Below

“Blending death and black metal with technical and symphonic stuff, Canada’s Misshapenknow what they’re doing.” – Loud Unity

“Their melodic death metal is certainly rooted in the mainstays of the genre, but Misshapen are more on the technical side of the spectrum, making this is little less “catchy” that what one would expect, but potentially more interesting to musicians. They put a lot of emphasis on the melodic aspect of their music, mostly highlighted by quite a bit of clean, melodic vocals while still remaining heavy enough to keep things on the right side of the fence.” – The Metal Crypt

“a very great sounding melodic, technical and symphonic mixture of black and death metal and if you are a fan of those musical genres, you should check out this band. ” – A Different Shade of Black Metal Zine

[Download EP Cover]
[Download EP Lyrics]

Track Listing:
1. The Pressures Of Time Pt.1 (1:38)
2. The Pressures Of Time Pt.2 (5:19)
3. The Swarm (4:58)
4. Strong Man’s Will (3:51)
5. Transcendence (5:58)
EP Length: 21:45

EP Credits:
• All songs performed by: Misshapen
• All songs written by: Misshapen
• Produced by: Jonathan Lefrançois-Leduc
• Mixed by: Jonathan Lefrançois-Leduc
• Mastered by: Jonathan Lefrançois-Leduc
• Album Artwork by: Caio Caldas (CadiesArt)

EP Recording Band Line Up:
Lana Andrews – Vocals
Mitch Dimitriadis – Guitars/Vocals
Adam Semler – Guitars/Bass/Vocals
Nick Rodgers – Drums

Live Band Line Up:
Lana Andrews – Vocals
Mitch Dimitriadis – Guitars/Vocals
Adam Semler – Guitars/Vocals
Nick Rodgers – Drums
Ben Bertand – Bass

Shared Stage with: Revocation, Rivers of Nihil, Beyond Creation, First Fragment, Vesperia, Allegaeon, Ne Obliviscaris, Persefone, Widowmaker, The Last 10 Seconds Of Life, Pyrexia, Internal Bleeding, Arsis, Within Destruction

Tour and Festivals:
2018 – Bloodletting Tour – Ottawa, ON
2017 – The Chronic Slaughter Tour – Ottawa, ON
2017 – ‘Urn’ North American Tour – Ottawa, ON

Live Line Up: Adam Semler: Guitars / Vocals, Lana Andrews: Vocals, Nick Rodgers: Drums, Mitch Dimitriadis: Guitars / Vocals, Ben Bertrand: Bass
Photo by: Jessy Dwyer from DwyerJPhotography

Hailing from Ottawa, Canada, Misshapen are a diverse and melodic metal band blending elements of death metal, technical metal, and black metal. Their debut EP ‘Transcendence’ was released earlier this year February 8, 2019.

Capturing the attention of audiences since 2016, Misshapen seeps melodies with harsh vocals, further ignited with technical riffs and meaningful lyrics. ‘The Swarm’ is the most ferocious track on the EP and would be recommended to fans of Ne Obliviscaris, Children of Bodom, At the Gates, and Dimmu Borgir.

‘Transcendence’ an adventurous, dark and distinct five-track EP that brilliantly showcases the band’s influences while synchronizing and utilizing each member’s special ability as a musician.

0 EPK – Red Cain – Kindred: Act 1 (2019)

January 20, 2019
by Asher
· EPKs · Red Cain

Red Cain – Kindred: Act 1 (2019)

For fans of Kamelot, Symphony X, Alter Bridge, Tesseract

Release Date: March 1, 2019

Download = Press Photo | Album Cover | Album Lyrics

Highlight: #1 – The National Loud Chart – For the Week Ending: Tuesday, April 2, 2019 (Earshot)

Highlight: #6 – The National Loud Chart – For the Week Ending: Tuesday, March 26, 2019 (Earshot)

“Overall, this was a very original album. I find it very difficult to locate a counterpart for RED CAIN, as they have clearly created their own sound in the genre. What we have here is a two headed beast of sad and melancholy music on one side and angry and raging music on the other. The two combine somewhere in the middle with flair for the dramatic and impassioned vocals. This is definitely worth your time if you are looking for something off the beaten path.” – Metal Temple

“Red Cain’s first full-length act is a more than solid release that I can warmly recommend if you enjoy the likes of Kamelot, TesseracT and Blind Guardian or just enjoy some good old thinking man’s metal music in general. With a charismatic frontman, well thought out and varied songwriting and a healthy dose of power and energy, Red Cain is a up and coming Canadian act that I’ll sure be keeping my eye on!” – Belgian Metal Shredder

“Kindred: Act I is all about raw and unbridled metal power. A thoughtful brand of metal that – for once – does not base itself on mindless growling about the stage along normal lines of metal conduct. Instead they rip the established status quo to pieces and attack with a very unusual metal dish. One that comes with a distinct groove to boot… a very tasty fusion of Progressive and Power Metal that we have rarely seen to date. A metal dish best consumed red-hot. Have some, you will not regret it.” – Rock Music Raider

“Symphonic progressive metal with alternative and gothic nuances – Red Cain are well on their way to establishing new territory in story telling and musical match-ups. Kindred: Act Irepresents a fine opening album for these Canadians, and should lend itself well to various multi-media opportunities for live show and film options. The best records connect on a mind, body, and spirit level – and this will be one that should be in the conversation for visionary, forward-thinking effort, proving the ink is not dry on what metal can bring to the table for innovation.” – Dead Rhetoric

“I couldn’t be more impressed with this band and album from the opening track “Snake Bouquet” to the last track “Wing Of The Crow” which is an awesome closing track with guest vocals from Kobra Paige of Kobra and The Lotus. This album takes you on an epic and melodic journey, I feel fans of bands from Avatar to Kamelot to Marilyn Manson and anything in between will really love this album.” – Crannk

“Red Cain have produced a very awesome album. It sounds and looks very professional, has great riffs and epic melodies. Keep an eye on these guys, they will come very far.” – Lyrical Spell Magazine

Highlight: #9 – RED CAIN – Canadian National Loud Chart – (Earshot) – Nov 15, 2016 (2016 S/T EP)

“With a lot of buzz surrounding the new recording, the local scene is soon going to start seeing this group all over local venues.” – PureGrainAudio (2016 S/T EP)

“Red Cain comes at you with a head-banging force. The impact when you hear the song Guillotine will be leaving you wanting to hear more!” – CFMU 93.3 FM – Master Radio (Hamilton, ON) (2016 S/T EP)

“What works best for Red Cain are those spots in between the sheer intensity of what’s on display – a proper dynamic understanding of quieter introspection, something that makes Opeth and Steven Wilson so brilliant. At 24 minutes and change, Red Cain are on the right path, sure to drum up significant interest as the band deliver songs that contain hooks while pushing boundaries – always the best game plan for long-term appeal in this genre.” – Dead Rhetoric (2016 S/T EP)

“A strong new band in the progressive metal genre, performed with ardor and passion! ” – Lords of Metal

“Red Cain have the songs and are worthy of your time if you are seeking a new symphonic metal band.” – Get Ready To Rock

“it is powerful stuff waiting for ye that risks to blast the socks off your feet.” – Rock Music Raider

“Red Cain is another great metal band from Canada. These guys represent the progression of power and melodic heavy metal. They mix power metal sounds from around the world like Symphony X, Evergrey, Dream Theater and Kamelot and mix in a modern metal sound. ” The Dirty Room

“The songs are well-written and structured with some pretty cool ideas that to me sound like an interesting way to blend Gothic and Progressive Metal. So, don’t be afraid to like something with the word ‘Gothic’ on it, and be aware that RED CAIN already raised the expectations for their debut EP. They will definitely be on my radar.” – Metal Kaoz (2016 S/T EP)

“Melodic and full of creative, unforgettable moments… All the songs on this album are so well written and lyrically deep and powerful.” – Metal Nexus (2016 S/T EP)

“an eclectic mix of metals sub-genres. From progressive, cinematic, symphony along with a touch of Goth. Red Cain have produced a superb CD…They’re a band well worth supporting.” – All About The Rock (2016 S/T EP)

“On their debut EP, Red Cain establish themselves, not only as a promising act within their musical category, but one capable of bringing in new ideas to freshen the palate of their genre.” – Musicology (2016 S/T EP)

Track Listing:
1. Snakebouquet (6:07)
2. Midnight Sarabande (5:26) (guest guitar from Tyler Corbett)
3. Zero (6:22)
4. Blood & Gold (4:32)
5. Juliet (5:03) (guest vocals Daniel Louden of Benevolent Like Quietus)
6. All Is Violence (5:40)
7. Wing of The Crow (6:00) (guest vocals Kobra Paige of Kobra and The Lotus)
Album Length: 39:12

Album Credits:
Created and produced by Red Cain.
Recorded and engineered by Alan Sacha Laskow, Anthony Blaine, Tyler Corbett.
Mastered by Alan Sacha Laskow, Tyler Corbett.
Lyrics by Evgeniy Zayarny.
Additional lyrics and vocals by Rogan McAndrews (Midnight Sarabande).
Additional guitars and songwriting by Brendan Doll, Tyler Corbett.
Album artwork by Timur Khabirov and Evgeniy Zayarny.
Album Cover by Igor Zayarny.

Album Line Up:
Evgeniy Zayarny – Vocals
Brendan Doll – Guitar
Noah Bockmuehl – Guitar
Rogan McAndrews – Bass
Taylor Gibson – Drums

Live Line Up:
Evgeniy Zayarny – Vocals
Carlos Cruz – Guitar
Noah Bockmuehl – Guitar
Rogan McAndrews – Bass
Taylor Gibson – Drums

Born out of the emerging metal scene of Calgary, AB, RED CAIN is a modern melodic metal project with European roots. With intricate songwriting, a heavy yet melodic feel reminiscent of progressive acts, and eerie ambient elements, RED CAIN champion a fluid, dynamic, and unique musical style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience. Described by frontman Evgeniy Zayarny as wanting to bring back the “Devil’s music” mysticism all too often missing in modern metal acts, RED CAIN delivers flair, groove, and an intricate, lethal edge in their music. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Draconian, Marilyn Manson, whipped into a venomous new shape. The current incarnation of the band is all of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.

Unleashing their self-titled EP in 2016 to rave reviews, RED CAIN is returning in 2019 with their debut full length entitled “Kindred: Act I”. The album was produced by Sascha Laskow (Every Hour Kills, ex-Divinity) with the band at Perfect Filth Studios and also features vocalist Kobra Paige of Kobra and the Lotus on their single “Wing of The Crow”. Her work with Kobra and the Lotus needs no introduction, and when it came time to deliver the mighty yet intricate vocals for the Morrigan, the Celtic goddess of war on that track, she was their unanimous choice for the part.

The band has also already released two previous singles in 2018 “Snakebouquet” (music video here) and “Zero” (listen here)

“Kindred: Act 1” is due out March 1st, 2019 and available for pre-order here.

List of bands you have shared stage with:

Scythia, AfterEarth, Embers of Empires, Benevolent Like Quietus, Skymir, Satoru, Crimson Shadows, Vesperia, Caym, Tekhnotron, Loremaster, Seven Deadly Grins, Burning Effigy, SAMSARA

0 EPK – Helevorn – Aamamata (LP) (2019)

January 12, 2019
by Asher
· EPKs · Helevorn

EPK – Helevorn – Aamamata (LP) (2019)

For fans of Draconian, Swallow The Sun, Paradise Lost

Release Date: January 23, 2019

Label: Solitude Productions/BadMoodMan Music

PR Rep – Jon Asher – ashermedia (@)gmail.com

Sales links: Bandcamp | Solitude Prdo/BadMoodMan (RU)

Download promotional photo | Download album artwork | Download logo

Shadows of The North Canada Tour 2019 w/ Majestic Downfall, Helevorn
May 8 – Victoria, BC – Logan’s Pub
May 9 – Nanaimo, BC – The Cambie
May 10 – Vancouver, BC – Astoria Hastings
May 11 – Kelowna, BC – Munnin’s Post
May 12 – Lethbridge, AB – The Slice
May 13 – Regina, SK – The Exchange
May 14 – Winnipeg, MB – The Park Theatre
May 16 – Sudbury, ON – The Asylum
May 17 – Toronto, ON – Duffy’s Tavern
May 18 – Ottawa, ON – Cafe Dekcuf
May 19 – Quebec City, QC – L’Anti Bar
May 20 – Trois-Rivieres, QC – Tavern Royale
May 21 – Montreal, QC – Piranha Bar

“…Must be said that the Spaniards know how to deal with majestic pieces emotionally charged, that have nothing to envy what they can offer the leaders of this music (like Swallow the Sun or Draconian)…” – MetalShip (FRA – 9,4/10)

“”Aamamata is an experience that oozes with desolation and gloom, yet still provides that slightly uplifting feeling at the end of the day. Bone-crushing riffs that reverberate with emotion join up with some more introspective moments (see “Goodbye, Hope”) to bring in the contrast that bands like Daylight Dies and Novembers Doom have done so well, yet the structuring of both gives Helevorn a little wiggle room to reach for their own sweet spot. ” – Dead Rhetoric

“over the ensuing best part of an hour Helevorn gives a bravura performance, pulling every stop out of the doom/death bag of tricks to present one of the most sonically and emotionally exhaustive albums I’ve encountered in quite some time…I’ve rarely heard such an album; an album where pure riffery can at once spark feelings of real desolation and upset, yet still manages to leave the listener feeling sadly uplifted.” – Sentinel Daily

“Without a doubt, this will be on my Top Ten when the year ends.” – Broken Tomb Magazine”

“this is a really good album that will be among my doom metal favorites of 2019… The down-to-earth themes along with the obvious passion and attention to detail makes Helevorn one of the best active bands in the genre today.” – DeathDoom.com

“Aamamata is an stunning bit of work (and certainly makes me want to check out their back-catalogue). Everything works so well and it’s a very confident and coherent piece – Helevorn have done well here.” – Soundscape Magazine

“a seductive and mature album” – Metal Integral”

“There are goosebumping moments” – Twilight Magazin

“Magnificent album, highly recommended for all lovers of the genre and with many hidden stories inside. Enjoy it!” – TNT Radio Rock

“A really good album worth to check during this cold and dark winter time.” – Voices From The Darkside

“Aamamata is a disc composed of a set of songs of extreme melancholy and pain with suffered melodies, constituting desolating environments, black and often distressing. Doom metal of high category that fans of names like My Dying Bride, Paradise Lost or Draconian should not miss.” – Via Nocturna

“Spanish doom metal legends Helevorn return, with a new opus and some seriously kick-ass music. “A Sail To Sanity,” is definitive doom, bringing some seriously charged riffs, and a powerful range of melody, the perfect opener.” – The Median Man

“Totally surrendered to its deeper, melancholy, elegant and sincere doom metal, the Balearics give us a work of art from its very cover to the last note of ‘La Sibil·la’. An album that pays tribute to the Mediterranean and everything that unites us, drawing bridges before a darker world. “- Goatia Media

“Aamamata is a bit more epic, more intense and it keeps the personality of the previous albums.” – Permafrost.today

Helevorn – Aamamata (LP) (2019)
Record Label and Distribution: Solitude Productions / BadMoodMan Music (RU)
Release Date: January 23, 2019

Track Listing:
1. A Sail To Sanity (5:25)
2. Goodbye, Hope (5:58)
3. Blackened Waves (5:26)
4. Aurora (7:24)
5. Forgotten Fields (5:44)
6. Nostrum Mare (Et deixo un pont de mar blava) (7:28)
7. Once Upon a War (5:55)
8. The Path to Puya (8:38)
9. La Sibil·la (5:05)
Album Length: (57:08)

Sales link: Bandcamp | Solitude Prdo/BadMoodMan (RU)

Album Credits:

All songs were written and performed by: Helevorn
(*except ‘Nostrum Mare’ by Miquel Martí i Pol and ‘Sibil·la’)
Produced and mixed by: Miquel A Riutort ‘Mega’
Mastered by: Jens Bogren at Fascination Studios (SE)
Album Artwork by: Gonzalo Aeneas.

Available on Bandcamp and Solitude Prdo/BadMoodMan (RU)

Album & Live Line Up:

Xavi Gil (Drums)

Will Adrift (Bass)

Sandro Vizcaino (Guitars)

Samuel Morales (Guitars)

Josep Brunet (Vocals)

Enrique Sierra (Keys)

L-R – Enrique Sierra (Keys), Josep Brunet (Vocals), Will Adrift (Bass), Sandro Vizcaino (Guitars), Samuel Morales (Guitars), Xavi Gil (Drums) | Photo credit:

SHORT BIO

Melancholic doom outfit Helevorn started in 1999 in Palma, Spain, and has been exhibiting their elegant and gloomy music around the world ever since.

They began their journey with a demo in 2000, “Prelude” that featured female vocals and followed the gothic doom formula. They were quickly accoladed by the press and they dove into writing, gigging and recording. In 2005 the first full length “Fragments” was released.

In 2006 they were asked to contribute to the Katatonia tribute “December Songs” and released the second studio album in 2009 “Forthcoming Displeasures”. This release saw their musical style evolve into a more intense and heavy sound, more forceful and deep. “Compassion Forlorn” was released in 2014; and was accompanied by a music video for “Burden Me”.

With more and more fans craving the somber tones and dreary vocals, Helevorn brought their dramatic intensity to many European festivals including Dutch Doom Days, Gothoom Open Air, Wave Gotik Treffen, and Madrid is the Dark Fest.

The fourth studio album “Aamamata” will be released on January 23, 2019.

LONG BIO

Melancholic doom outfit Helevorn started in 1999 in Palma, Spain, and has been exhibiting their elegant and gloomy music around the world ever since. They began their journey with a demo in 2000, “Prelude” that featured female vocals and followed the gothic doom formula. They were quickly accoladed by the press and they dove into writing, gigging and recording. In 2005 the first full length “Fragments” was released.

Touring extensively allowed them to bring dark and forlorn music all over Europe, and they were asked to contribute to the 2006 Katatonia tribute “December Songs”. The second studio album 2009’s “Forthcoming Displeasures” saw their musical style evolve into a more intense and heavy sound, more forceful and deep, and was acknowledged as the second best doom metal album of the year by Metalstorm.net.

“Compassion Forlorn” was released in 2014; eight tracks full of human decay from deepest sentiments, and continued evolution in the compositions and the band’s sound. The accompaniment of the “Burden Me” video release firmly anchored Helevorn’s place in the global doom scene. With more and more fans craving the somber tones and dreary vocals, Helevorn brought their dramatic intensity to many European festivals including Dutch Doom Days, Gothoom Open Air, Wave Gotik Treffen, and Madrid is the Dark Fest.

The current lineup, consisting of Samuel Morales (guitars), Josep Brunet (vocals), Xavi Gil (drums), Enrique Sierra (keyboards), Sandro Vizcaino (guitars) and Guillem Morey (bass) are primed to release the fourth album “Aamamata” on January 23, 2019.

“We know that we are not discovering something new, but it’s how it sounds the 90’s goth-doom metal in the present times. It should be received like a piece to reborn the scene and to relate music and the decadence of Humankind through the drama of the refugees, that constantly are dying trying to escape from the hell that Western Countries put to them. We think that fans will love the new album.”

Discography

Aamamata LP (Solitude Prod/BMM) (2019)
Compassion Forlorn (Solitude Prod/BMM) (2014)
“Forthcoming Displeasures” (BadMoodMan Music) (2010)
“Fragments” (Goi Music) (2005)
“Prelude” (Demo) (2001)

Shared the stage with:
Katatonia, Draconian, Tiamat, Ahab, Moonspell, Swallow the Sun, Saturnus, etc.

Festivals & Tours

Full Metal Holidays/ Wacken (2018)
Gothoom Open Air Festival w/Rotting Christ, Slovakia
(2016)
Madrid is the Dark Fest IV – w/Samael, Ahab… (2016)
Tour supporting Saturnus over Europe (2015)
Supporting Draconian (London 2015)
Doom/Rotten/Death Festival (Berlin 2015)
Metal Over Malta Festival (Malta 2015)
Supporting Moonspell (Barcelona 2011)
Dutch Doom Days X edition (NL, 2011)
Wave Gotik Treffen (GER, 2011)
Devilstone Open Air (LT, 2010)
Madrid is the Dark Fest I (SP, 2009)
Dutch Doom Days VI (NL, 2007)
Supporting Swallow the Sun (Spanish and Portuguese Tour 2007)

0 EPK – Oculum Dei – Dreams of Desire and Torment (LP) (2019)

January 3, 2019
by Asher
· EPKs · Oculum Dei

EPK – Oculum Dei – Dreams of Desire and Torment (LP) (2019)

For fans of Dark Funeral, Behemoth, Belphegor, Carach Angren, Emperor, Mayhem, Immortal

Release Date: February 22, 2019

PR Rep – Jon Asher – ashermedia (@)gmail.com

Facebook | Youtube | Twitter | Instagram

Sales links: Bandcamp | Itunes | Amazon | Spotify | Big Cartel

Download promotional photo | Download album artwork

“their sheer terror-laden blend of modernist Blackened Death Metal is sure to strike a chord with many…. a great job all round and a victorious rise to power for Oculum Dei’s debut appearance.” – Gore Crazy

Oculum Dei – Dreams of Desire and Torment (LP) (2018) *DEBUT
Release Date: February 22, 2019
Distribution: Distrokid
Sales links: Bandcamp | Itunes | Amazon | Spotify | Big Cartel

Track Listing:
1. Pandemic (1:22)
2. Involuntary Pandemic (4:05)
3. Ghost In The Corridors 6:44)
4. Kingdom Of Hell (8:40)
5. Dreams Of Desire And Torment (6:44)
6. A Cold Winters Plight (5:12)
7. Blinded By Gods (3:50)
8. A Mist Of Heaven Inside Of Hell (8:43)
Album Length: 45:23

Album Credits:

• All songs were written, produced, and performed by Oculum Dei
• Mixed and mastered by Cole Millward of Giant Spoon Productions
• Album artwork by and design by Mark De Gruchy of Landmine Design
• Photography by Kenny Kivett

Album Band Line Up:
Tenebris (Bass, Drum And Key Programming)
Camalus (Guitars)

Zebulv (Guitars And Vocals)

L-R = Zebulv (guitars and vocals), Camalus (guitars), Tenebris – (bass, drum and key programming) | Photo By Kenny Kivett
(Download promotional photo)

SHORT BIO

Hailing from the ashes of Charlotte, USA’s darker side comes forth the blackened death metal trio, Oculum Dei. Mixing different elements and influences of black metal the band is set to bring forth a horde of darkness and set the listeners into a realm of deep, chaotic experiences.

Formed in 2016 as a studio project, Tenebris (bass/drum and keys programming) was looking to spread filth with a black metal project and quickly recruited Camalus (guitar) and Zebulv (vocals/guitar) to join the fray. Located in the Bible Belt of the southern USA the goal was to take influences from Emperor, Behemoth and Dark Funeral and push this eclectic unholy blasphemy as far as it would go.

A team effort behind all the songwriting, Oculum Dei has been working on their first album for almost three years and now the dark demonic war chants of ‘Dreams of Desire and Torment’ are ready to be unleashed on February 22, 2019.

LONG BIO

Not content to remain as a studio project, the trio started playing live gigs locally and have shared the stage with Carach Angren, Wolfheart and Mors Principum Est. Clad in corpse paint with an elaborate and continuously evolving stage show, Oculum Dei has heavily invested into their extreme visionary madness.

The name of the band was inspired by the first song that was written by the band, ‘Blinded by the Gods’ and staying true to the genres of both black and death metal, it’s a haunting, aggressive band, in your face and extremely violent.

“We’d describe it as a dark, intense, chaotic hellcoaster through a fog-ridden forest straight into the fires of hell where you are left to battle yourself until life leaves your corpse and your spirit evaporates and leave you wanting more”

Discography:

Oculum Dei – Dreams of Desire and Torment (LP) (2018) *DEBUT

Shared the stage with:
Carach Angren , Wolfheart And Mors Principle

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