Category: EPKs

0 EPK – Osyron – Foundations (2020)

May 13, 2020
by Asher
· EPKs · Osyron

Osyron – Foundations (2020)

For fans Nightwish, Symphony X, Dream Theater, Kamelot, Wintersun

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Management / Booking – Facebook.com/TheCelestialAgency | TheCelestialAgency[@]gmail[.]com

Album Title: Foundations
Release Date: July 10, 2020
Label: Unsigned/Independent
Distributor: SAOL/The Orchard

Osyron.com | Facebook.com/osyron | Instagram.com/osyronband | Twitter.com/osyron | YouTube

Osyron.bandcamp.com | Apple Music | Amazon | CD Baby | Google Play

“Everything about this band is top quality and one of the most proficient, mature, classy and yet still exciting new bands in this field.” – Metal Rules

“Get close, get warm and listen to the tales told of Canada by Osyron. 8/10” – Games, Brrraaains & A Head-Banging Life

“a very solid entry into one of my favorite genres and I think it will fit right in many people’s playlists – and, more importantly, I think the playlist would be lacking without it. This one is worth picking up. I don’t think you will regret it at all.” – Uber Rock

“From acoustic to symphonic, each song has plenty of twists and turns with potent vocals and compelling arrangements that showcase Osyron’s instrumental prowess.” – Heavy Music Headquarters

“Foundations is an impressive, very likeable album that will no doubt strongly appeal to a diverse range of metalheads, from fans of European power metal, to prog metallers, to fans of more modern metal. Given the strong quality of this EP, I very much look forward to their next full-length album, which could really establish Osyron as a new, fresh force in the international metal scene.” – Metal Observer

“Foundations puts the band front and center for another Canadian breakthrough to a worldwide audience. Osyron succeed in creating a musically catchy effort that also contains some interesting twists and killer interplay when necessary – and should be a band to keep tabs on.” – Dead Rhetoric

“This EP provides an array of great quality music that gives us a taste of what is to come. This is professionally orchestrated throughout.” – Rock Out And Stand Out

“Seriously, it had been a long time since I had been blown away by a progressive metal release and this one does not disappoint. The production is on point and every song has its place on this EP to demonstrate what these guys are capable of. If you are looking for something different and fresh in a genre that has been known to stagnate, give this EP a nice long listen.” – Metal Temple

“Foundations is genuinely unlike anything I’ve heard before and it’s had me going back for multiple listens precisely for this reason. The musicianship and songwriting are of high quality, but it’s the production that really sells it.” – Moshville

“Osyron has definitely grown since I first got the chance to hear their music. They have matured in just about all factors that influence their music in any way: Skill, composition, production, anything you can think of. There really is no weakness to be found, they have delivered an awesome album with versatility and power as its greatest selling points. ” – Dutch Metal Maniac

“I came for the promise of Symphonic prog Canadiana and stayed for the skillful melding of genres and a cohesive lyrical arc packed into fewer than thirty Heritage Minutes. ” – Metal Bandcamp

“this record is symphonic and proggy in all the right places, and if you like bands such as Nightwish, Symphony X, Dream Theater, Kamelot, and Wintersun, you’re going to like this. But in my opinion, the ace card here is the lyrics, and the way that every member of the band has explored and interpreted the subject matter. They all had a hand in writing the tracks, for the first time in their history, and I think that it has really worked very well. I might not have known Osyron before hearing this record, but I definitely intend to get to know them more now.” – Ever Metal

“Osyron are a band well worth checking out if you are not already aware of them. They mix heavy riffing with wonderful melodies exceptionally well and have produced a slick, albeit slightly undercooked album with Foundations. It’s clear to see Osyron are taking a different direction, going for something more compact and less aggressive. But that doesn’t take away from some great musicianship on this album, in fact it has only enhanced it. If you’re up for exploring some Canadian history, I’d encourage you to dive right in.” – Abrasive Noise

““Ignite,” a battering ram to the face. A song that merges together two competing elements, the need for speed, and the curious desire for melodical contextualisation.” – The Median Man

“Their excellent blend of melody, speed and power always hits the sweet spot and I always enjoy seeing them. Progressive Power Metal at its finest. I could see them playing in Atlanta on PowerProg one year soon!” – Metal Rules (Live Review)

“Everything about KINGSBANE is supremely well done. They are one of my new favourite Canadian bands!” – Metal Rules (2017 Kingsbane album review)

“‘Kingsbane’ Voted #17 Best of 2017” – Metal Rules

“a stunning demonstration of metal majesty. I love theme oriented records because of the presence of narrative that directly shapes the tone and direction of the work. I further have taken a strong interest in this particular record in that I appreciate how these men pulled it off beautifully in the long standing tradition of European Heavy Metal. The Music itself is a fantastic interpretation of a saga that has shaped the way each song is written and performed. Without any doubts I can tell you that everyone in this band poured every bit of their heart and soul into this album.” – The Gauntlet (2017 Kingsbane album review)

“Prepare to enter the sonic equivalent of Valhalla, where glory is won with axes in hand; axes bearing six strings that pour forth thundering metal into the moody skies of some long forgotten time. ” – Beatroute (2017 Kingsbane album review)

“This is heavy metal in some of its purest form. If you like your metal with a real force behind it you should give this one a spin or two. This is metal.” – Battle Helm

L-R: Krzysztof Stalmach (Guitar) | Cody Anstey (Drums) | Bobby Harley (Guitar) | Reed (Vocals) | Tyler Corbett (Bass)

Photo Credit by Ara Shimoon

Osyron is a symphonic metal band based in Calgary, Alberta. The group consists of vocalist Reed, guitarists Krzysztof Stalmach and Bobby Harley, bassist Tyler Corbett, and drummer Cody Anstey. Bridging the gap between traditional European metal and the music of their homegrown contemporaries, Osyron has a sound all their own.

The band’s origins can be traced back to Ontario, where they began under the name Morbid Theory. After releasing two demos (Chaos Breed in 2006 and Harbinger in 2010), the band underwent some changes in membership, scenery, and identity. Moving to Alberta in 2012, the group, now rechristened Osyron, re-recorded Harbinger in Calgary, and released the album in 2013.

After releasing their sophomore album, “Kingsbane”, in the fall of 2017, the momentum that followed was swift. “Kingsbane” caught the attention of the European metal community – proving a favourite of audiences, critics, and radio programmers.

In 2018, Osyron released a metal cover of the Canadian national anthem, which picked up speed across the country. This patriotic theme continues into the new album “Foundations” (2020). Stemming from a perspective of Canadian identity and culture – both past and present, the new album challenges the global perspective of the great white north by retelling historical moments in an immersive and melodic manner. Speaking on topics of Canada’s colonization to the mistreatment and recognition of Aboriginal heroes to the country’s participation in global warfare.

The band explains further:

“We believe that the album will both surprise and challenge our current and new fans while still bringing back the big elements we are most known for (hooks, huge layered sections, melodies, and finger-twisting riffs, etc). This album is meant to be digested as an immersive exploration of Canadian history and identity. Delving into sensitive topics such as cultural genocide, racism, and segregation. It touches on more communal elements of emotion such as loss, pain, hope, and perspective of faith. Overall, ‘Foundations’ is a view into an unseen and rarely explained/talked about topics; human nature. We wanted to bring to life on the very foundations that Canada as a nation was built; the bloodshed, war, and assimilation of different ethnic groups (mostly First Nations) that cultivated into what we know as Canada today, as well as the very fabric that the complex, diverse culture of Canadians share. We hope we perfectly blend art with history, expression with emotion, and opinion with reason. ‘Foundations’ is but a chapter in a young nation’s history book, that just completed its prologue.”

“Foundations” is due out July 10, 2020 via SAOL/The Orchard and will be available on all major digital platforms

Osyron has performed alongside numerous major acts such as Norther, Protest The Hero, Into Eternity, Threat Signal, and The Agonist. Their next goal is to take their sound across the Atlantic to put on a true Canadian spectacle across the European lands.

[Download Album Cover | Download Album Lyrics]

Album Title: Foundations
Release Date: July 10, 2020
Label: Unsigned/Independent
Distributor: SAOL/TheOrchard, independent/self for physical

Track Listing:
1. The Cross (5:01)
2. Ignite (4:33)
3. Battle of The Thames (6:51)
4. The Ones Below (3:54)
5. Foundations (8:20)
6. O Canada (bonus track)
Album Length: 28:41

Album Credits:
– Producer: Self-produced
– Studio: Studio D (drums), CRM Sound and Tyler Corbett Music (all other instruments and vocals)
– Mixed: Tyler Corbett (Tyler Corbett Music)
– Mastered: Alan Sacha Laskow (Perfect Filth Studios)
– Artwork: Piotr Jamroz
– All music and lyrics written by Osyron.

Discography:
Kingsbane, LP (2017)
Harbinger, LP (2013)

0 EPK – Anonymus – La Bestia (2020) (Bam&co Heavy)

May 7, 2020
by Asher
· Anonymus · EPKs

Anonymus – La Bestia (2020) (Bam&co Heavy)

For fans of Slayer, Testament, Lamb Of God, Voivod

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Album Title: La Bestia
Release Date: June 12, 2020
Label: Bam&co Heavy
Distribution: Believe WW (digital), Propagande (Canada)

Bamand.co | Spotify | Apple Music

Album Pre-Save: https://backl.ink/142419944

Single ‘Sobrevivir’ Pre-Save: https://backl.ink/142414546

L-R: Carlos Araya (Drums), Daniel Souto (Guitar), Oscar Souto (Vocals and Bass), Jef Fortin (Guitar)

Photo Credit: Dani Rod

Anonymus is a Canadian thrash metal band that explodes on stage with each presence, that pulls you in with its passion and that yells at you with corrosive and violent texts that will not leave anyone indifferent.

Since their first release in 1994, Anonymus has made its mark on the Quebec music scene. From the beginning, the group has been well received while demonstrating its brutal sound and technique that has continually evolved over the years. Oscar Souto (vocals, bass) Daniel Souto (guitar, vocals) Carlos Araya (drums), Jef Fortin (guitar since 2006) and Marco Calliari (vocals, guitar from 1994 to 2006) have since widely traveled the roads of their country, participated in the deprivation of Mononc’Serge and continue today to ignite stages everywhere they go. These veterans of the metal scene continue to proudly carry the torch after 20 years of chaos and barbaric music.

Forever hungry for metal, everyone in Anonymus brings ideas to the table. Sometimes it is a whole song or just the beginnings of one, yet together the band works to create a full thrashy anthem from the pieces, working on it until it is complete. The music always comes first, and when the ambiance is formulated, the lyrics, which come from a personal place and from current events, can be added.

Unstoppable and indestructible, inspired by bands like Metallica, Slayer, Megadeth, and Anthrax; Anonymus is nothing short of the powerful, aggressive and technical thrash metal that they have been refining for decades exemplified on their impressive discography of both French and English releases, which includes: “Ni vu, ni connu” (1994); Stress (1996); Instinct (1999); Daemonium (2002); Academie du Massacre (2003); Chapter Chaos Begins (2006); Musique Barbare (2008); État Brute (2011); Envers et contre tous (2015); P.O.M.M.E (2017); Sacrifices (2019); and their first ever Spanish album La Bestia (2020) due out June 12 via label Bam&co Heavy.

Today, Anonymus does not need a presentation. This institution of the Quebec metal industry has been offering for twenty-six years, a passion for dark notes and unrivaled power. The offer is still valid. With more than 1500 career shows under their belt, Anonymus is completely in their element when performing in front of fans, they offer only their absolute best ensuring the crowd is moving. Having shared the stage with metal great such as Anthrax, Cannibal Corpse, and Kataklysm at festivals such as Heavy Montreal, Montebello, and through international tours, they are no strangers to a wild show.

ANONYMUS FOLLOWS ITS PATH, AGAINST ALL ODDS!

Album Title: La Bestia
Release Date: June 12, 2020
Label: Bam&co Heavy
Distribution: Believe WW (digital), Propagande (Canada)

Track Listing :
1. Bajo Presión (3:31)
2. Bicho Loco (3:58)
3. Sobrevivir (4:11)
4. Violencia Versus Violence (featuring Carlos Maldos of Lethal Creation (MX) and Arno from Black Bomb A) (4:33)
5. La Bestia (5:22)
6. Máquinas (3:32)
7. Cada loco con su tema (5:37)
8. Tierra ( Produced by Colin Richardson and Featuring Marco Calliari) (4:01)
9. Terremoto (Produced by Jef Dagenais (Kataklysm) (3:08)
Album Length: 37:57

Album Credits:
• All songs performed by: Anonymus
• All songs written by: Anonymus
• Produced by: Anonymus/Carlos Ponte
• Mixed by: Jef Fortin
• Mastered by: Jef Fortin
• Album Artwork by: Felix Laflamme
• Member of SOCAN
• Canadian Content (MAPL)

Album and Live Band Line Up:
Oscar Souto -Vocals/ Bass
Daniel Souto – Guitar/ Back Vocals
Jef Fortin -Guitar/ Back Vocals
Carlos Araya -Drums/Back Vocals

Discography:
2020 – La Bestia
2019 – Sacrifices
2017 – P.O.M.M.E (album project with poets)
2015 – Envers et contre tous
2011 – État Brute
2008 – Musique Barbare (with Mononc’ Serge)
2006 – Chapter Chaos Begins (Produced by Jef Dagenais (Kataklysm)) (Galy Records)
2003 – Academie du Massacre (with singer Mononc’ Serge)
2002 – Daemonium
1999 – Instinct (Produced by Colin Richardson)
1996 – Stress (first professional release)
1994 – Ni vu, ni connu (indy release)

Shared Stage with:
Anthrax, Cannibal Corpse, Voivod, Kataklysm, Blind Guardian and many more.

Tours and Festivals:
2019 – Noël in Extremis tour – Canada
2019 – Heavy Montreal – Montreal, QC, Canada
2019 – Montebello Rock – Montebello, QC, Canada
2019 – Le Festif – Baie St-Paul, QC, Canada
2019 – Sacrifices tour – Canada
2018 – Trois-Rivières Metalfest – Trois-Rivières, Canada
2017 – Rockfest – Montebello, QC, Canada
2016 – Fêtes en Enfer tour – Canada
2016 – Envers et Contre tous tour – Europe (FR-BE-CH) with Black Bomb A (FR)
2015 – Envers et Contre tous tour – Canada
2015 – Heavy MTL – Montreal, QC
2014 – Rockfest – Montebello, QC, Canada
2014 – Rockfest – Montebello, QC, Canada with Mononc’ Serge
2014 – Francofolies de Montreal – Montreal, QC, Canada
2014 – Festival d’Été de Québec – Quebec city, QC, Canada
2013 – Woodstock en Beauce – Saint-Éphrem de Beauce Qc, Canada
2012 – État Brute tour – Europe (FR-BE-CH) with Black Bomb A (FR)
2012 – État Brute tour – Canada
2011 – État Brute tour – Europe (FR-BE-CH) with Loudblast (FR)
2011 – Heavy MTL – Montreal, QC, Canada
2011 – National Quebec celebrations – Quebec city, Qc, Canada
2009 – XX Metal tour – Canada
2009 – Musique Barbare tour – Europe (FR-BE-CH) with Bal des Enragés (FR)
2008 – Musique Barbare tour – Europe (FR-BE-CH)
2008 – Musique Barbare tour – Canada

0 EPK – Draemora – Awakening (EP) (2020)

May 5, 2020
by Asher
· Draemora · EPKs

Draemora – Awakening (EP) (2020)

For fans of Whitechapel, Lamb of God, Mastodon, Strapping Young Lad

Draemora.com | Facebook.com/Draemoramusic | Instagram.com/draemoramusic | YouTube

Album Title: Awakening
Release Date: June 26, 2020
Label: Ultra Nast Records
Distribution: Distro Kid

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Manager – Terry – Draemoramusic[@]gmail[.]com

[Download EP Cover | Download EP Lyrics]

Album Title: Awakening
Release Date: June 26, 2020
Label: Ultra Nast Records
Distribution: Distro Kid

Track Listing:
1. Home (3:27)
2. Dead Inside (3:09)
3. Guilt (3:20)
4. Reckoning (3:53)
5. Legion of Scum (3:34)
EP Length: 17:25

EP Credits:
– All instrument parts and Vocal parts including lyrics were written, arranged, and Produced by Terry Leroy Jenkins
– Drum performance – Jared Connelie
– Vocal Performances – Terry Leroy Jenkins and Taylor Wood
– Guitar and Bass Performances – Terry Leroy Jenkins
– Mixing – Terry Leroy Jenkins – Ultra Nast Productions
– Mastering – Erman Hemidovic / Systematic Productions
– Album Artwork – Sarah Estrella

Album and Live band Line Up:
Terry Leroy Jenkins – Guitar / Clean Vocals
Taylor Wood – Vocals
Max Taylor – Guitar
Jared Connelie – Drums

Draemora was formed in November 2019 in the Seattle, USA area by Terry Jenkins (vocals/guitar) after his separation from his previous band Odyssian. Seeing it as an opportunity to take a chance and try something different, he wrote a handful of songs with lyrics and demoed them out at his house. These demos attracted the attention of soon to be bandmate, ex-Jesus Wears Armani drummer Jared Conelie and ex-Odyssian vocalist Taylor Wood.

After fleshing out the demos with their own personal touches on the songs, Jenkins found local guitar player Max Taylor and set out to record the 5 song EP “Awakening”.

The EP is nothing short of heavy, melodic metal infused with honest and heartfelt lyrics; This combination works perfectly with the band’s mission to evoke an intense emotional and spiritual experience that brings out the raw emotions that are suppressed all day in normal day to day lives.

“This EP lyrically is all about battles with drugs and alcohol and the long journey out of that hell. I feel that it will connect with anyone who has ever had mental problems, family problems, or experienced relationships falling apart. I didn’t want to come across as disingenuous, or contrived and wrote about things that I really went through and put my life and my problems out there for anyone to interact with as they wish. I think this recording is intense and beautiful. It’s angry and sad and uplifting and I think is a reflection of a human living in modern-day society.” says Jenkins.

With a slight pause in the band’s plans due to the 2020 COVID-19 pandemic, Draemora is already working away on a full-length album to follow and getting ready for when they can pummel crowds live with their heavy melodic brand of progressive death metal.

Their debut EP “Awakening” is due out June 26, 2020 via Ultra Nast Records and will be available on all major digital platforms.

0 EPK – Junkowl – Making Out With My Death (2020)

May 1, 2020
by Asher
· EPKs · Junkowl

Junkowl – Making Out With My Death (2020)

For fans of Cancer Bats, Every Time I Die, AlexisOnFire, Gallows, Knocked Loose, Underoath

Album Title: Making Out With My Death
Release Date: June 5, 2020
Label: Self-Release
Distribution: Distrokid

Junkowlmtl.com | Facebook.com/junkowlband | Instagram.com/junkowl | YouTube

Spotify | Apple Music | Bandcamp

“2019 Winners of En Route to Heavy Montreal”

“The dirty, fat Stoner Sludge Metal riff of “Snakecharmer” is one designed to be accompanied by a beer and the gut-wrenching roar of “blow your brains out, blow my brains out” that brings it to it to its unnatural conclusion will no doubt be chanted by audiences across all lands as the band hit the road.” – Metal Noise

“Montreal hardcore rock n rollers Junkowl have released their new single ‘Quarantine Us All’, a slick combination of stoner riffs, hardcore energy, and groove metal. It’s ferocious and relentless from the offset, even when it veers out of hardcore territory and into the sludgier moments. It even has some technical moments, although they certainly borrow heavily from their influences (namely Every Time I Die and Cancer Bats) it is a banger in it’s own right, and given some time to breathe and develop I think this band could bring something monumental to the table.” – Backseat Mafia

““Quarantine Us All” – Montreal’s southern rock infused metallers JUNKOWL drop new venomous track” – Idioteq

“the group combines very heavy stoner riffs with the energy of punk rock and hardcore. A group to discover absolutely.” – Mad Breizh

“stoner-like riffs, a bit of a hardcore sound overall.. cool edge to it too.” – Moshtpit Radio – WORT FM 89.9 (Madison, WI)

“Junkowl’s debut album Making Out With My Death is a powerful first offering from the independent hard rock band. Its musical arrangements join influences from a variety of bands that make the songs in themselves and from one to the next, powerful just from this aspect. The record’s lyrical themes are just as heavy as its musical content, as noted. Its sequencing puts the finishing touch to its presentation. Each noted item is important in its own way. All things considered, they make the album a work that bodes well for Junkowl’s future.” – Phil’s Picks

“this Montreal band is a whole other thing. Junkowl deals in a slick combination of stoner riffs, hardcore energy, and groovy bass, which has been called ‘party animal blues’. Which makes their debut album “Making Out With My Death” coming June 5, such a curveball.” – Cashbox Canada

“Another one to look for is the crowd pleaser, “10,000 Vultures,” memorable for so many reasons including its earnest bleakness. Overall this album exceeds my expectations. I liked Junkowl the first time I heard them play, and I am bigger fan now. Recommended.” – Flying Fiddle Sticks

“they’ve made a name for themselves in the ol’ Heavy Metal City™ with their energetic performances. And you know they have what it takes, since they won this year’s En Route Vers Heavy and literally earned their spot to perform. So technically speaking, this is gonna be an award-winning performance!” – Forget The Box (Heavy Montreal 2019 preview)

“I had the pleasure of being a judge at En Route Vers Heavy and these guys were my number one choice. I am so happy they won and got to follow their dream. They fucking destroyed.” – Bucketlist Music Reviews

Quick Facts:
1. In 2019, Junkowl won ‘En Route Vers Heavy Montreal’ a competition between nearly 200 bands. Junkowl won their first-round at Turbo Haus, and then again at the finals at L’astral landing them a spot at Heavy Montreal.

2. 10,000 Vultures was the first song Junkowl ever wrote and it was completed after their first jam together. Almost all the lyrics were freestyle during that jam.

L-R – Dominic Labrie – Drums, Jesse Frechette – Vocals, Marco Larosa – Guitar, Samuel Matte- Bass
Photo Credit – Alexandre Guay

Heavy, sexy, and southern. Those are the best words to describe Montreal’s Junkowl.

Formed in 2017, their unique blend of groove metal, stoner, and hardcore is matched with high energy ‘in your face’ performances. A year earlier Jesse Frechette (vocals) met Dom Labrie (drums) and after a few jams they picked up Marco Larosa (guitar) and Samuel Matte (bass) and the rest is history. The writing process is a collaborative one, with melodies and vocals usually forming on the spot.

Moving through the underground music scene, Junkowl quickly made a name for themselves when they won the 2019 ‘En Route Vers Heavy Montreal’; a competition between nearly 200 bands, landing them a spot at that year’s edition of renowned metal festival Heavy Montreal.

On June 5th, 2020, they will release their debut album, “Making Out With My Death”, a 10 track record full of sultry and powerful songs about past regrets and self-destructive behaviour. It includes the band’s favourite “10,000 Vultures”, the first song Junkowl ever wrote, which was completed after the first jam together. Almost all the lyrics were freestyle during that jam.

With no sign of slowing down, Junkowl has more tunes in the works and pouring passion into their live performances and newly recorded tunes. Stay tuned for party animal blues; fat spliffs and heavy riffs.

[Download Album Cover | Download Album Lyrics]

Album Title: Making Out With My Death
Release Date: June 5, 2020
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Snakecharmer (3:57)
2. Quarantine Us All (2:27)
3. Shake Me (2:49)
4. Dead Hooker (4:39)
5. Little Scum (4:53)
6. Crawling Up My Feet (3:45)
7. Sickness Lives (2:48)
8. Relapse (3:47)
9. Straitjacket (3:57)
10. 10,000 Vultures (4:03)
Album Length: 37:10

Album Credits:
• All songs performed by: Junkowl
• All songs written by: Junkowl
• Produced by: Junkowl
• Mixed by: Francis Major
• Mastered by: Pierre Remilliard
• Album Artwork by: Yann Black
• Canadian Content (MAPL)

Album and Live Band Line Up:
Jesse Frechette – Vocals
Dominic Labrie – Drums
Samuel Matte- Bass
Marco Larosa – Guitar

Discography:
2020 – Making Out With My Death (LP)

Shared Stage with:
Billy Bio, The Great Sabitini, Mountain Dust, Gutser, Junko Daydream, Venomenon, Many, Thy Will Be Done

Tour and Festivals:
2019 – Heavy Montreal, Montreal, QC

0 EPK – Rebel Priest – R’LYEH HEAVY (2019)

April 28, 2020
by Asher
· EPKs · Rebel Priest

Rebel Priest – R’LYEH HEAVY (2019)

For fans of AC/DC, Airbourne, Motorhead, ZZ Top, Guns n Roses, Motley Crue

Album Title: R’LYEH HEAVY
Release Date: November 22, 2019
Label: Scrape Records
Distribution: Scrape Records

RebelPriestofficial.com | Facebook.com/rebelpriestofficial | Instagram.com/rebelpriestofficial | YouTube

Rebelpriest.bandcamp.com | iTunes | Scraperecords.com/tag/rebelpriest

“Reminded me of the early Iron Maiden Days” – Metal-Temple

“This record is full of gritty, down ‘n’ dirty fun with a spiked metal grip” – Bravewords

“Great stuff for cracking open a cold one and blasting down the highway at an illegal rate of speed” – Rebelx

REBEL PRIEST have been a driving force on Canada’s West Coast rock/metal scene since forming in 2015, winning BEST ROCK BAND in 2017 and 2018 at The Whammys – an independent awards ceremony held in Vancouver, BC.

REBEL PRIEST have stormed the coastal concert stages, headlining their own shows and supporting international acts Udo Dirkschneider (ACCEPT), LORDI, DIAMOND HEAD, Hank Von Hell, FLOTSAM AND JETSAM and THE LAZYS. They have become a regular fixture at Vancouver’s annual Bowie Ball, performing David Bowie covers for the benefit of The Canadian Cancer Society.

Combining NWOBHM with elements of Sleaze and Thrash, the REBEL PRIEST sound has been often described as Thrash n’ Roll. Frontman Jayme Black comments: “We’ve been called Trash n Roll, or Thrash Rock, but we just call ourselves Rock n Roll. A hideously deformed creature of superhuman Rock n Roll.”

L-R – Nate Pole – Drums – Vocals, Jayme Black – Bass – Vocals, Benny Kemp – Guitar – Vocals

[Download Album Cover | Download Album Lyrics]

Album Title: R’LYEH HEAVY
Release Date: November 22, 2019
Label: Self-Release
Distribution: Scrape Records

Track Listing:
1. The Summoning (2:50)
2. Electric Lady (3:49)
3. Sleeping Like A Hangman (4:22)
4. Elm St. (3:40)
5. Snake Eyes (3:35)
6. Emperor (4:47)
7. Lighten The Load (3:57)
8. Dead End World (4:19)
Album Length: 31:18

Album Credits:
• All songs performed by: Rebel Priest
• All songs written by: Rebel Priest
• Produced by: Rebel Priest
• Recorded by Cecil English
• Mixed Nate Pole
• Engineer Sean March
• Album Artwork by: Fabricio Rezende
• Canadian Content (MAPL)

Album and Live Band Line Up:
Benny Kemp – Guitar – Vocals
Nate Pole – Drums – Vocals
Jayme Black – Bass – Vocals

Discography:
2019 – R’LYEH HEAVY
2019 – Japan Tour Sampler
2017 – Enabler (EP)
2017 – Dead Alive @ SBC (Live Album)
2016 – Coat Check Girl (single)
2016 – Self-Titled

Shared Stage With:
Lordi, Diamond Head, Grim Reaper, Night Demon, Flotsam & Jetsam, Dirkschneider (Accept), Hank Von Hell, Wailin’ Al Walker, amongst others.

Tour and Festivals:
2019 – Kappunk – Tokyo, Japan
2019 – Vancouver Rock Fest, Van

0 EPK – Féleth – Depravity (2020) (DeadPop Records)

April 20, 2020
by Asher
· EPKs · Feleth

Féleth – Depravity (2020)

For fans Sylosis, Dying Fetus, Cryptopsy, Archspire, Shadow of intent, Cattle Decapitation

Album Title: Depravity
Release Date: May 22, 2020
Label: DeadPop Records

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Facebook.com/FelethBand | Instagram.com/felethband | Youtube | Spotify

“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today

“Depravity the newest album from Feleth is one brutal album full of riffs and hooks to keep even the most particular entertained. Feleth mix the roots of the Norwegian metal scene, with the death metal tone they strive for to create some well crafted blackened death metal, similar to that of Shadow of Intent.” – Metal Injection

“With a melting pot of ideas, yet rooted in delivering a head-smashing and neck-destroying style of metal, Féleth are aggressive newcomers to a scene that constantly looks to surprise… Féleth deliver heavy and extreme noise so very well.” 9/10 – Games, Brrraaains & A Head-Banging Life

“straight up heaviness and brutality, tech offerings and melodic atmopsheres, and enjoyable groove.” – Dead Rhetoric

“Féleth does death metal fast and aggressive, reigning in their impressive technical chops for maximum impact, keeping their riffs (and songs, for that matter) relatively short and to the point. They strike a pretty even balance between chunky chords and caustic melodies, most of which are designed to coax headbanging than to impress with virtuosity. The album is front-loaded with catchy bangers, saving the more technical and weird bits for the latter half.” – Tolet Ov Hell

“Overall, Depravity is a solid debut album by Feleth. It’s strongest moments are when they keep things simple, delivering brutal and thunderous death metal that would probably wake the dead. The guitars are the best bit, they sound huge and aggressive, effectively transmitting the anger and hatred in their young Norwegian hearts.” – Abrasive Noise

“The new Feléth album is a big melting pot of all things good in modern death metal… They serve up tech death esque song structures and solos with the beautiful harmonies of melodic death metal and the crushing riffs of a brutal death metal banger. It’s an eclectic listen for sure. There are catchy parts here and there that make the record memorable and add to its replay value. The vocalist on here does an amazing job and the production value is high… Great record!” – Zax Record Reveiws

Photo Credit: Charlotte Tangen

Féleth’s debut album “Depravity” is finally here.

Féleth – A Death Metal band from the North of Norway, far above the arctic circle – create heavy, melodic music, transcending the traditional limits of the genre. Influenced by a unique blend of Death Metal, Thrash, Deathcore, Rock and even elements of Jazz.

Féleth have gained a fantastic reputation in the local scene. Being named one of Alta’s best bands, regardless of genre (“ET AV ALTAS BESTE BAND, UANSETT SJANGER”; Altaposten 2019/02/25).

With songs like Swan Song showing off their Deathcore influences, the epic Dissolution jumping from Death Metal to Jazz, to Black Metal seamlessly, and Pale Tongue transforming from in your face Death Metal to a beautiful ambient soundscape. This is a band that isn’t just for fans of Death Metal. Even featuring vocals from singer / songwriter, Petter Carlsen on the album.

Lyrically the album pulls away from traditional Death Metal tropes, to also criticize capitalism, pollution, fake news and the depravity of humanity at large. And musically features beautiful melodic leads, heavy chugging guitars, bass solo’s, fast intricate drum work and the huge vocal range of lead singer, Espen Dagenborg.

The album was mixed and mastered by Death Metal legend, Christian Donaldson, Cryptopsy’s guitarist and head engineer of The Grid Productions. Recently working with some of the best the genre has to offer including; Shadow of Intent, Ingested, The Agonist and Beyond Creation to name a few.

Album Title: Depravity
Release Date: May 22, 2020
Label: DeadPop Records

Track Listing:
1. Ember (4:12)
2. Hollow Words (3:26)
3. Ravenous (4:11)
4. Arise (4:18)
5. Dissolution (4:12)
6. Pestilence (4:42)
7. Pale Tongue (5:48)
8. Swan Song (4:48)
Album Length: 35:40

Album Credits:
Mixing & Mastering: Christian Donaldson
Producer & Recording engineer: Liam Knott
Artwork: Eric Hyrcza at Kahinienn Graphix

Lyrics by: Espen Dagenborg
Music by: Espen Dagenborg, Alexander Stamnes, Thomas Nyvoll, Brage Ingebrigtsen Westgaard and Aleksander Alsen

Band Members:
Vocals: Espen Dagenborg
Guitar: Alexander Stamnes
Guitar: Thomas Nyvoll
Bass: Brage Ingebrigtsen Westgaard
Drums: Aleksander Alsen

0 EPK – CHAKA – Neanderthal Tales (EP) (2019)

April 20, 2020
by Asher
· CHAKA · EPKs

CHAKA – Neanderthal Tales (EP) (2019)

The Neanderthal Tales EP is a return to Heavy Metal’s original allure: brutality. It consists of Cro-Magnon Cave Metal mixed with Heavy Metal and Hardcore Punk Rock elements. This EP features tales of: Kamikaze attacks, a history of weapons from the Dawn of Man until modernity, embracing evolution and finally; hemispheres in conflict.

For fans Celtic Frost, Slayer, Voivod, Death, Possessed

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Album Title: Neanderthal Tales
Release Date: December 7, 2019
Label: Satan Wears Suspenders, Inc.

NeanderthalTales.com | Facebook.com/NEANDERTHALTALES | Twitter.com/kidferal | Instagram.com/sokollmark

Chaka2.bandcamp.com | Spotify | iTunes | Amazon | CD Baby

“Ladies and gentlemen the year is 2020 and with the new year comes the birth of the latest rock sub-genre…. CAVE METAL! Mark Sokoll… bassist of Darkside NYC (as well as the highly-underrated Terminal Confusion from way back in the day) is the main brain behind this four0song, ten minute debut which has its share of backstories… “Flak” leads off (check out the video) with a fuzzy bass and some straight outta da cave styled vocals. With so many styles of metal out there to be had cave metal is not that bad of a self-description to be honest with you. What I like about “Neanderthal Tales”is that these songs mix shit up… there is no singular pattern that they stick to. Just for that this EP gets some bonus points.” – In Effect Hardcore Magazine

[Download EP Cover | Download EP Lyrics]

Album Title: Neanderthal Tales
Release Date: 12/07/19
Label: Satan Wears Suspenders, Inc.

Track Listing:
1. Flak (2:43)
2. The Battle Hath Begun (3:28)
3. Anthroapology (2:32)
4. Defekt (1:19)
EP Length: 10:04

Album Credits:
• All songs performed by: Mark S. Sokoll
• All songs written by: Mark S. Sokoll
• Produced by: CHAKA
• Mixed by: Seth Abelson
• Mastered by: Seth Abelson
• Album Artwork by: Tydal Canon

EP Band Line Up:
Mark S. Sokoll: Bass guitar and vocals
Ty Canon: All guitars
Jim Sullivan: Drums
Rick Beenders: Drums
Rich O’Brien; Drums

Live Band Line Up:
Mark S. Sokoll: Bass guitar and vocals
Ty Canon: All guitars
Jim Sullivan: Drums

Discography:
Neanderthal Tales EP 12/07/19

Shared stage with:
Agnostic Front, Obituary, War Zone, DRI, Hirax, Murphy’s Law, Hatebreed, All Out War, The Accused.

Tour and Festivals:
2014 – Black and Blue Bowl 2014
2015 – This is Hardcore (PA) 2015
2015 – European Tour 15 dates 2015
2018 – Leperfest (Ypres, Belgium) 2018

Photo Credit – Phothomas.be

BIO:

CHAKA is a side-project from Darkside NYC’s bassist, Mark Sokoll. Their sound is in the vein of old Celtic Frost, Venom, Cro-Mags, and Black Sabbath.

Mark has been playing the bass guitar since 1986 which is the same year he joined Terminal Confusion (NYHC). After playing bass guitar and singing background vocals for numerous other punk and Metal bands in the NYC scene,(Hypoxia, Leeway, The Downlow NYHC, F*Bomb,etc.)

Mark released his first solo EP in December of 2019 titled “Neanderthal Tales”.
Neanderthal Tales is a four-song EP written exclusively by Mark, who was joined by Ty Canon (all guitars) and three different drummers (two of whom are current members of DarksideNYC). Ty also contributed a six-string bass guitar track for the song, “Anthroapology”, as well as providing all of the artwork for the EP and designing the website. Jim Sullivan played drums on two tracks and first recorded with Mark in 2005.

CHAKA’s music is described as “Cro-Magnon Cave Metal mixed with hardcore Punk Rock elements. “This EP features tales of Kamikaze pilot attacks, a history of weapons from the Dawn of Man until modernity, embracing evolution, and finally: hemispheres in conflict.

In Effect Hardcoremagazine described the EP, in part, as:“ Perhaps what Metalheads in leather vests marching down the street with torches would use as their theme songs” and “Gives off a Carnivore vibe with that heavy, heavy bass sound”.

The Neanderthal Tales EP is a return to brutal Heavy Metal with a primal barrage of prehistoric power. Let the regression begin!

Please visit http://www.neanderthaltales.com to hear the full EP for free, to watch the video for the first single, “Flak”, and to check out all things CHAKA.

0 EPK – Fractures & Outlines – Kerosene (single) (2020)

April 20, 2020
by Asher
· EPKs · Fractures & Outlines

Fractures & Outlines – Kerosene (single) (2020)

For fans of Obey The Brave, Alexisonfire, Silverstein, A Day To Remember

Release Date: May 8, 2020

Label: Self-Release

Distribution: Distrokid

Artist representation (PR) = Jon Asher – asher(@)ashermediarelations.com

Social Media: Facebook | Instagram | Youtube

Sales Links: Bandcamp | iTunes | Spotify

“FRACTURES & OUTLINES are very talented band. Their music ability is put out as if it were a parade from album start to album finish.” – Metal Temple

“‘’End Of The World’’ throws me back into my emo-phase right away. I am LOVING it! The music is very dynamic, fast and diverse. I like the clean vocals and the growls together. ‘’Echoes’’ starts with high pitched screams, and that is when I was completely sold. The chorus has an original twist to it, there is somewhat of a breakdown in the drumline when you hear ‘’ECHOES’’” – Lyrical Spell Magazine

“Try and fight your way through this album without stopping; you’ll find yourself “Defenseless.”” – PureGrainAudio

“if you are into the post hardcore scene then this album is for you!… As amazing as the album is, I’d be willing to wager that the live experience would be even better. I hope they manage to make it out to SoCal one day or even Vegas I’d love to attend one of their concerts!” – The Music Below

“Overall, Fractures & Outlines debut album provides a more than enjoyable throwback to old-school metalcore and screamo but with their more varied and melodic sound and optimistic lyrics they do add an energetic breath of fresh air to both subgenres. ” – Belgian Metal Shredder

“ce groupe a le mérite d’avoir une excellente dynamique et d’être une équipe bien liée. Ils sont charismatiques et les gars ont du plaisir sur scène, ce qui pour moi est un incontournable pour offrir un excellent show! Leur album, Defenseless sorti en mai 2019, nous transporte dans divers thèmes tous reliés à nos luttes et nos démons intérieurs. Des thèmes lourds de sens, mais amenés musicalement avec brio.” – Ondes Chocs (Live Review – FarmFest 2019)

“An interesting choice to the lineup, as the other bands were of the deathcore / melodic metal genre. However, what they lacked in genre similarity they made up for in energy. This was highlighted by their cover of Alexisonfire “This Could Be Anywhere in the World“, which I and the crowd were taken aback by. Not only did they do the cover well, but they got the crowd engaged and were eager to mosh and singalong to it.” – Splice Media Group

[Download Cover Artwork | Download Single Lyrics]

Track Listing:
Kerosene (single) (3:17)

Song Credits:
• All songs performed by: Fractures and outlines
• All songs written by: Fractures and outlines
• Produced, Mixed and Mastered by: Dark Moon Productions
• Single Cover Artwork by: Nicholas Boudreault

Band Line Up:
Maxime Rondeau (Lead Guitar)
Mathieu Frechette (Drums / Vocals)
Nicholas Boudreault (Main Vocals)
Maurice Emond Jr. (Bass)
Eric Desormeaux (Rhythm Guitar / Scream Vocals)

Discography:
2020 – Kerosene (single)
2019 – Defenseless – LP
2017 – Checkmate – EP

Shared Stage with:
Mass Hysteria, War of Ages, Blind Witness, Obey The Brave, Affiance, Kamakazi, Rouge Pompier, Story Untold, Sworn Enemy, Cardinals Pride, Bearings

Tours and Festivals:
2019 – FarmFest – Vankleek Hill, ON
2018 – Hullfest – Gatineau, QC
2017 – Floodfest – Gatineau, QC

L-R – Maxime Rondeau (Lead Guitar) Mathieu Frechette (Drums / Vocals) Nicholas Boudreault (Main Vocals) Maurice Emond Jr. (Bass) Eric Desormeaux (Rhythm Guitar / Scream Vocals)

Photo Credit: Jessy Dwyer of DwyerJ Photography

Ripping out of Gatineau, Canada, Fractures & Outlines are a post-hardcore band with influences ranging from Silverstein, No Use For A Name and Killswitch Engage.

The band came together in 2014 and work tirelessly planting their feet in the local underground music scene. Intrepidly, they created their first EP ‘Checkmate’ in 2017, which was met with solid acclaim from various publications.

As a team, the band work on each song together crafting heavy hooks, catchy choruses and brutal breakdowns with lyrical themes about internal struggle and having to fight your own demons. Working to further develop a sound that is their own, they hit the studio in 2018 to start work on their 10 track full length ‘Defenseless’ released in May 2019.

Now in 2020, a year after the release of their full length, the band returns with their follow up single “Kerosene”. The band teamed up once again with producer Joe Lyko (Dark Moon Productions) and are ready to set the moshpit ablaze to an even hotter soundtrack.

The band adds about the track:

“A political song about uprising against the establishment; burning down what was built before us so we can rebuild it again. It is a song about unification and brotherhood, and not being afraid to fight for a better world. It features anthemic choruses and fast-paced, aggressive verses, as well as featuring Salem Trials frontman Jericho Spencer-Champagne.”

The single will be available on all digital platforms for stream and download as of May 8, 2020.

0 EPK – Paradise – Self-Titled (2020)

April 18, 2020
by Asher
· EPKs · Paradise

Paradise – Self-Titled (2020)

For fans of Clutch, Queens of The Stone Age, KYUSS, Volbeat, Foo Fighters

Album Title: Self-Titled
Release Date: March 13, 2020
Label: Vega Musique
Distribution: Vega Musique

Paradiserockband.com | Facebook.com/paradiserockmtl | Instagram.com/paradiserockmtl | Youtube

Spotify | Paradiserockband.bandcamp.com | iTunes | Google Play

Back in the summer of 2002, co-founders and fellow guitar players, Frank Kelly and Jet Phil recruited good friends Mike Plant (Sword) and drum god Michel “Away” Langevin (Voivod) to release Paradises 1st album “Rock Anthropologists on the Kon Tiki Voyage”. Summer of 2004, the usual suspects were rounded-up including a collaboration of Voivod’s late but great Denis “Piggy” D’Amour to work on Paradise’s follow-up record “Hotel”. Now in 2020, composed of Frank Kelly (guitars), Fred Kelly (bass), RL Black (vocals), Fred Crew Grrr (guitars) and Mat Hias (drums), Paradise, like a phoenix that is reborn from its ashes, have released a new eponymous album that sways on the line between hard stoner rock and pure heavy metal that was mixed and mastered by Kevin Jardine of Slaves On Dope. From the opening piece and future classic “Straight From Hell” to the album closer “Free in Exile”, Paradise delivers an album where the balance between catchy riffs, attitude, intensity, and melodies is perfect.

“Fans of melodic heavy rock, there’s a new sheriff in town!” – Jano Lapin

“Solid, driving Hard Rock from the quagmires of Quebec!” – Reek Of STOOM

“Brilliant from start to finish !” – Stoner Rock Army

“A record that growls like a hungry beast” – ARP Média

“The synergy of this quintet gives the listener a proper kick in the ass needed to remember why we fell in love with the format. They also lend proof as to why heavy metal is the cornerstone of the myriad of hard rock subgenres. Blistering guitar riffs, thundering drums, and of course ample swipes at stuffy establishment rules.” – Boston Rock Radio

“The album opens with “Straight From Hell” and it is an adrenaline high. It is an unmistakable straight forward rock construction of verse-bridge-chorus, repeat, repeat, and the dial is set on stadium anthem. RL Black’s vocals are about as rock and roll as you can get – strong clean singing with a gruff edge. The lead breaks are short to fit in with the song structure, and they are pretty metal. I like the brand they have going here. It is great driving music, great drinking music. I would be stoked to see Paradise on the list of bands at a festival because you can just feel from these songs that they are going to put on a good show on stage.” – Flying Fiddlesticks Music Blog

[Download Album Cover | Download Album Lyrics]

Album Title: Self-Titled
Release Date: March 13, 2020
Label: Vega Musique
Distribution: Vega Musique

Track Listing:
1. Straight From Hell (3:37)
2. Hitting On All Sixes (3:53)
3. Who Do You Wanna Be (3:35)
4. One Of A Kind (4:34)
5. Never Cry Again (3:33)
6. Low Down And Shaking (4:59)
7. Barn Burner (3:37)
8. Long Gone (2:54)
9. Away From You (3:30)
10. Free In Exile (4:03)
Album Length: 38:20

Album Credits:
• All songs performed by: Paradise
• All songs written by: Paradise & Richard Eusanio
• Produced by: Paradise
• Mixed by: Kevin Jardine (uplift studio)
• Mastered by: Kevin Jardine (uplift studio)
• Album Artwork by: RL Black

Album and Live Band Line Up:
– Fred Crew Grr (Guitar)
– Fred Kelly (Bass)
– R.L. Black (Vocals)
– Matt Hias (Drums)
– Frank Kelly (Lead Guitar)

Discography:
2020 – Paradise
2005 – Hotel
2002 – Rock Anthropologists on the Kon Tiki Voyage

Past Radio Charts:
#4 on the loud national chart – March 31, 2020 (Earshot)

L-R – Fred Crew Grr (Guitar), Matt Hias ( Drums), Fred Kelly (Bass), R.L. Black (Vocals), Frank Kelly (Lead Guitar)

Photo Credit – R.L.Black

Montreal summer of 2002. First, they got drunk, then proceeded to forge “volcanic rock” and chose a name: Paradise. The next day, they came up with a title for their ﬁrst album: Rock Anthropologists on the Kon Tiki Voyage. Obviously they were still drunk. Co-founders and fellow guitar players, Frank Kelly and Jet Phil, still thinking that they had a great concept on their hands, started the rock riff machine and came up with a bunch of kick-ass rock and roll. Pretty soon, every track was assigned a title and, what do you know, they were all taken from a Kon-Tiki drink menu. It all made a lot of sense…

Still, without any lyrics to complete the recipe, they set out to ﬁnd someone crazy enough to work on their project. Through a mutual friend, rock promoter François Lalancette, they were introduced to singer-songwriter Richard Eusanio who was more than crazy enough to jump in feet ﬁrst. Within days, the record started to take shape. By this time, also on board was guitar master and Sword’s axeman Mike Plant. Paradise was happening…

Frank and Phil then recruited good friends, underground icon Xavier Caféine and drum god Michel “Away” Langevin of Voivod, to help out. Pretty soon Paradise became big and loud…

The record was then sent to Glen Robinson (Voivod, Tea Party) to be mixed and mastered. Fall of 2002 Paradise came alive with the release of Rock Anthropologists on the Kon Tiki Voyage.

Summer of 2004: The boys were now ready for another roller-coaster ride. The usual suspects were rounded-up, including bass man Fred Kelly. Now transported from the beaches of the South Paciﬁc to the famous and even infamous hotels of this world, they began to work on Paradise’s follow-up “Hotel”. Everybody was ready for the trip.

During the sessions in the summer of 2004, they were blessed with the inspirational collaboration of Voivod’s guitar pioneer, the late but great Denis “Piggy” D’Amour who left his stamp on a couple of titles before losing his battle to illness in august of 2005. Mixed and mastered again by Glen Robinson, Paradise’s Hotel was released in the winter of 2005 and once again it all made a lot of sense.

2019: With the will of the volcanic rock gods, the resurrection of Paradise was inevitable. Today composed of Frank Kelly (guitars), Fred Kelly (bass), Blacky (vocals), Fred Crew Grrr (guitars) and Mat Hias (drums), Paradise, like a phoenix that is reborn from its ashes, releases a new eponymous album that sways on the line between hard rock and pure heavy metal (mixed and mastered by Kevin Jardine from Slaves On Dope). From the opening piece and future classic “Straight From Hell” to the ﬁnal “Free in Exile”, through “Hitting On All Sixes” and “Long Gone”, Paradise delivers an album where the balance between catchy riffs, attitude, intensity, and melodies is perfect.

So all you rockers, metalheads and soon to be converts should be prepared for a ride through hell, with Paradise.

0 EPK – Alizarin – The Last Semblance (2020)

April 18, 2020
by Asher
· Alizarin · EPKs

Alizarin – The Last Semblance (2020)

For fans Opeth, Haken, Porcupine Tree, Alice in Chains, Nevermore

Publicist – Jon Asher – asher[@]ashermediarelations[.]com

Album Title: The Last Semblance
Release Date: July 2020
Label: Self-Release 

Alizarinmusic.com | Facebook.com/alizaringroup | Instagram.com/alizarinband | Twitter.com/alizarinband | Youtube

Alizarinband.bandcamp.com | Spotify | iTunes | Amazon

“While some of the material is more fitting to be described as “cinematic rock” due to the instrumental muzak feel of the songs’ structure, this album possesses the punch of a Dream Theater release and the momentum of a King Crimson record.” – Metal Injection

“‘Cast Zenith’ is music that has intelligence and depth, music that takes the listener on an involving journey. This is a great start from this impressive trio and one which promises much for the future, Alizarin are a band that we definitely need to keep an eye on.” – Prog Radar

“Creating songs that can grip the standard listener and help expand their ideas and thoughts on what music should and can be. That’s what makes great prog truly great, and on that note the debut album Cast Zenith is a great album by a fantastic band.” – Metal Assault

“There is a lightness, space and confidence on this album, and it certainly doesn’t come across as a self-released debut, but rather from guys who have been around the block. Jazzy prog metal (love the distorted chorded fretless bass on “Anomaly”) which is worth hearing.” – Progressor

“There is plenty of variety on this all-instrumental debut. Alizarin have produced a stunning debut, showing compositional chops and instrumental prowess.” – Progressive Rock Fanatics

L-R: Jon Damon (Drums) | Josh Kay (Guitars & Vocals) | Avelino Ramirez (Keyboards) | Terran Fernandez (Bass & Backing Vocals)

Photographer credits: Rob Aft & Christian Robles

Alizarin – Cinematic rock/metal centered around brooding melodies, wrapped in epic compositions.

Born out of the forward-thinking inclinations of guitarist/vocalist Josh Kay in late 2017, Alizarin is on a mission to explore unconventional rock music. In addition to Kay, the group consists of Jon Damon on drums, Terran Fernandez on bass guitar, and Avelino Ramirez on keyboard. Alizarin is based in Los Angeles, CA and endeavors to create compelling, dramatic music that defies rock expectations.

Alizarin released their first full-length album, titled ‘Cast Zenith’, in 2018 and is preparing to release their new album ‘The Last Semblance’ in Summer 2020. Unlike their strictly instrumental debut record, this sophomore release features prominent vocals throughout. Rich harmonies and baritone resonance from Kay’s voice add a new dimension to the music, allowing the band’s sound to expand to truly uncharted territory.

‘The Last Semblance’ covers a wide spectrum of sonic landscapes and emphasizes the melodic journey over deliberate technique. Although Kay is the chief songwriter of Alizarin, the compositions on the new record focus on a balance of each instrument, with less of an emphasis on the domination of guitar solos and a greater exploration of what each musician is capable of. The album draws influence from such groups as Porcupine Tree, Haken, Alice in Chains, Opeth, Portishead, and many more. The results are a sound that is challenging to define, pensive, and often at the crossroads of melody and dissonance.

Keep your eyes and ears peeled for Alizarin on social media and wherever the future of music lives.

Album Title: The Last Semblance
Release Date: July 2020
Label: Self-Release

Track Listing:
1. Elegy Simulacra (7:55)
2. Fathom (6:53)
3. A Wreath of Temperance (6:40)
4. Velvet Margin (5:12)
5. Heirloom (5:35)
6. Zero Sum (7:03)
7. Attenuation (10:36)
8. The Ivory Silo (8:48)
Album Length: 58:46

Album Credits:
• All songs performed by: Alizarin
• All songs written by: Josh Kay
• Produced by: Josh Kay and Alizarin
• Mixed by: Josh Kay
• Mastered by: Jamie King
• Album Artwork by: Josh Kay

Album and Live Band Line Up:
Josh Kay – Guitars and vocals
Jon Damon – Drums
Terran Fernandez – Bass and backing vocals
Avelino Ramirez – Keyboards

Discography:
2018 – Cast Zenith
2020 – The Last Semblance

Shared Stage with:
Gloryhammer, Intronaut, Night Verses, Thrailkill, Karas, Sha Nova, The Vox Arcanum, Aether Realm, Novareign, The End of An Age, Solar Haze, Coevality, Aura

Past Features
Metal Injection – Riley’s Top Albums of 2018 Honorable Mention

Artist Endorsements:
Josh Kay – Iconic Guitars, Swiss Picks
Terran Fernandez – ISP Technologies, Darkglass Electronics

Page 61 of 73

Asher Media Relations Tweets

Tweets by AsherMedia

Asher Media Email Subscription

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Email Address:

Join 2,177 other subscribers