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Posts By Asher

0 IDIOTEQ EXCLUSIVE STREAMS – BONE TOWER conjure a truly chaotic and crushing debut EP; new monstrous single “Mangled Wounds” streaming!

  • October 13, 2021
  • by Asher
  • · Bone Tower (No Funeral Records / Fresh Outbreak Records) · Music News

NEWS RELEASE

Montreal, QC – October 13, 2021

 

Atlantic Canada’s Bone Tower Conjure A Truly Chaotic And Crushing Debut EP “We All Will Die One Day”

Streaming Single “Mangled Wounds”

“We All Will Die One Day” Out November 5th via No Funeral Records & Fresh Outbreak Records


L-R – Bone Tower – Sean Carroll (guitars, bass), Jonas DeViller (electronics, vocals), Michael Bowers (guitars, bass, vocals)
Photo Credit: Hayley Frail

Both sonically and lyrically, the debut EP from Bone Tower, “We All Will Die One Day” represents a collective status of disarray. Challenging speed and complex rhythms serve to accelerate unfavourable feelings to the forefront of your mind.

The first single off this succinct record is “Mangled Wounds”, the words in which are totally up for interpretation and expresses a couple of different personal thoughts. According to the band, it was written both literally, outlining repeated trauma; as well as figuratively, about how one might process anxiety and depression. They continue to explain in their own words:

“Opening abruptly with tremorous blast beats and rattling vocals, this tune wastes no time in delivering its taunting message. With a sense of urgency, the cryptic lyrics rest upon escalating guitar licks, as drums rapidly push this anthem to the point of no return. Briefly, you are allowed to catch a quick breath, only to be slingshotted into a barrage of open chugs. The mainline ‘mangled wounds torn open again…’ is chanted back at you, and you are plunged into the second interlude track, ‘Cower Away’.”

The eight tracks on the EP come in at just over nine minutes, but capture a full array of raucous violence. “We All Will Die One Day” is abrasive, pissed off, and fatiguing. If you’re into that kind of thing, you’ll like it.

Bone Tower is a fresh group having started in February of this year, they came together with the sole purpose of creating this record, and have delivered on that with this auditory assault. The band worked collaboratively writing and performing the songs, it was produced, mixed, and mastered by Michael Bowers and the album artwork was done by Jonas Deviller.

For fans of grindcore and death metal, Bone Tower is suitable for fans of Full of Hell, Pig Destroyer, and Cryptopsy.

The single “Mangled Wounds” can be heard via its premiere on IDIOTEQ HERE.

The EP “We All Will Die One Day” will drop on November 5, 2021 via No Funeral Records & Fresh Outbreak Records.

EP pre-order – https://bonetower.bandcamp.com


Track Listing:
1. Dislodging Splinters (01:13)
2. Am I Conscious (01:16)
3. Mangled Wounds (01:15)
4. Cower Away (0:38)
5. Under A Veil (01:06)
6. Empty Cave (01:59)
7. The Sun (0:48)
8. We All Will Die One Day (0:50)
EP Length (9:09)

For more info:
Facebook.com/bonetower.hfx
Instagram.com/bonetower
EPK

About:
Bone Tower got its start early in 2021, with the sole purpose of channeling built-up negative energy and creating a hectic, pissed-off sounding record. Hailing from Atlantic Canada they got straight to the point through pummeling angry death metal.

Bone Tower is the musical equivalent of the chaos ensuing globally since last year. An angry jab back at the universe for anyone who was angry and watched the world unfold with racial upheaval, conservatives and conspiracists coming out of the woodwork against Covid, economic regression with millions losing jobs, the entire world changing beneath our feet, and for the politicians who claimed to be on our side but continue to fight against the truth.

The trio of Jonas DeViller (vocals/electronics/lyrics), Sean Carroll (guitar/bass), and Michael Bowers (guitar/bass/vocals) is a seasoned one at that and they were able to quickly write and produce their debut EP ‘We All Will Die One Day’ in two weeks. It came together as a whole very quickly and organically.

This is just the start for Bone Tower, they already have a follow-up record in the works. As of now, they are mostly a recording project but they intend on eventually playing shows. When they do finally play live, it’s bound to be just as fucked up as the recording.

EP ‘We All Will Die One Day’ is due out November 5, 2021.

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Depleted Uranium – Origins (2022)

  • October 12, 2021
  • by Asher
  • · Depleted Uranium · EPKs

EPK – Depleted Uranium – Origins (2022)

For fans of Dillinger Escape Plan, Converge, Charles Bronson, Orchid, Spazz

Album Title: Origins
Release Date: January 28, 2022
Label: Independent
Distribution: Independent

DepletedUraniumband.com | Facebook.com/depleteduraniumband | Instagram.com/depleteduraniumband | YouTube

Depleteduranium238.bandcamp.com | Spotify

#2 – Canada’s College Radio Loud Chart For the Week Ending: Tuesday, March 8, 2022 (Earshot)

#7 – Canada’s College Radio Loud Chart For the Week Ending: Tuesday, March 29, 2022 (Earshot) 

“It’s raw, dystopian, apocalyptic and there’s no way I’m the only catching vibes of Tool’s “Prison Sex” and Voivod’s “Ravenous Medicine” from the video and Orchid, old Converge, Dystopia and Combatwoundedveteran from the tune (Beta Particles) itself.” – Decibel Magazine

“The music (which could be thought of as a blending of powerviolence and math metal) genuinely sounds insane — furiously so — and yet something about the experience makes sense. Not just because it sounds like people throwing away mental shackles and conventions, but also because the music simultaneously gets its hooks in your head. There’s a sense of order and precision of execution in it, at the same time as it seems completely disruptive of order.” – No Clean Singing

“Aside from grind, you’re getting a decent dose of mathcore, but even more often, the music veers into territory that I think would appeal to screamo fans. These parts are governed by clean-ish, anguished vocals and additionally infused with melancholy by the guitar. While they do the most to define the mood of the album, I’d still hesitate to pigeonhole it, as the band pivots from style to style often enough to give the music a nicely weird, free-form feel. If you’d like a take on the post-nuclear apocalypse that isn’t filled with boring zombies and mutants, look no further.” – Toilet Ov Hell

“All in all, “Origins” pretty much kicked me in the balls and announces that here is a new force to be reckoned with in the grindcore world.” – Wormwood Chronicles

“It’s carnage but carnage you’ll want to experience over and over again.” – Games, Brrraaains & A Head-Banging Life

“Origins is a deliciously disgusting album, there transpires a form of sincerity, without artifice or make-up. In about twenty minutes, Depleted Uranium will take you apart like a puzzle! This music is so visceral that it explodes the stomach and the ears.” – Aux Portes du Metal

“‘Origins’ is not only an impressive feat for a one take live performance, but it really has a lot of violent energy and the twenty minutes or so flies in. You sometimes find that powerviolence/grindcore can be a little one note (I know, I know, it’s kinda the point) but Depleted Uranium’s work has a lot more variety to it and isn’t merely noise for music’s sake. If you like your music ugly, visceral and yet a bit thought provoking then Depleted Uranium are going to be for you!” – The Killchain Blog

Top Clockwise: Corey (Bass), Nick (Drums), Murray (Guitar, Vocals), Babak (Vocals)

Failure is the only way to learn. Expression is the only way to live. Communication is the only way to see. Silence is the only way to hear.

Spanning over 10 years together as a band, Depleted Uranium delivers a mathematically precise, fast-paced and aggressive sound. Formed by friends and former bandmates, Andrew Murray (guitar), Nick Misasi (drums), Babak Kazemzadeh (vocals), and Corey Stinson (bass) have been the core of the Depleted Uranium for most of its existence.

The intensely delivered music of their live performances was captured in their first full-length, self-produced, and self-titled album released in 2018. In 2022, they will follow this up with “Origins”, a record that contains material from the band’s first years and gives a history of who they are and where they come from. In their youth, as many are, they were dissatisfied with their current surroundings and they channeled built-up emotions into the music.

Delivering a precise, intense, non-stop, energy-filled, technical performance with a custom strobe light show every time, Depleted Uranium plans to continue evolving as a band and begin writing new music in the near future.

===================================================

Describe the album as a whole (LYRICALLY & MUSICALLY)

Origins is our band’s history of who we are and where we come from. It is meant to be listened to in reference to our self-titled, debut release; Depleted Uranium, to give a perspective that will also further be referenced in our future releases. Both lyrics and music hold a high tension and are expressed without hesitation. Both are relevant to our time and space of creation and are embodied with existential yet direct meaning. The Album as a whole was a statement of youth being dissatisfied with the existing conditions of reality and channeling our experience into what it is today. “If one cannot withstand the hot glow of anger upon the discovery of a wrong, then time is wasted thinking deeply”. Our band name, our lyrics, and our music are a product of the system with the right individuals as the recipe. Our message in the album is to strive for personal freedom and to focus on what you want rather than what you don’t. This album was a path out for all of us.

Describe each song track by track (LYRICALLY & MUSICALLY)
Lyrics notes from Babak. Music notes from Andrew

1.     Depleted Uranium: Lyrically, it makes a case for general apathy towards “the system” while accepting that you’re on your own to navigate through life.  No one’s coming to save you. Figure your shit out. Musically, we wanted to be in and out in under 1 minute.

2.     The Tear and the Flood: Lyrically, it is ultimately about death.  It’s about accepting that you will end and maybe making that happen before it happens on its own. Musically, it was to create the shock of transition, a before and after moments like a car accident or amputation, and you will never go back ever again.

3.     Alpha Particles: Lyrically – ”Life will end, and what counts is how you felt when you could breathe” along with the never-ending quest of “why?”. Musically, it was as we do with our music, but it dawned the first 5/4 time on our journey in an attempt to fuse Power Violence with Math Metal. It evolved our dual vocals and the band as a whole. To this date, we have never tired of playing it.

4.     Van Halen Radiation Belt: Lyrically, this song is about the concept that morality is relative and not absolute. Things aren’t so black and white;” You’re with us or you’re with the terrorists”. Musically, it was a throwback to simplified early punk song progressions, but done our way. Get in, get ‘er done and get out.

5.     Beta Particles: Lyrically, this song is about being socially marginalized.  For whatever reason.  It’s about society’s aim to “cure” those who are different.  To assimilate or destroy vs accept, by any means necessary. Musically, it was born when we were starting to solidify in our songwriting and the process was fairly quick. The big transition in the middle was due to our 4-track recorder eating the tape of the first demo recording and when we listened back, it made the song. Once Blair (2nd guitar) joined, it was the song that began highlighting the simplified dual guitar harmonies.

6.     Counter Balance: Lyrically – “How long must I buy your lies? Shut my mouth, swallow my pride? Bow my head and kneel? While you write the pages of history in blood?”. Musically, it is our longest album song at just over 3 minutes and was originally 2 different songs that got fused together, hence the length. The ending breakdown of this song sums up the journey through it, and this song truly made the music and lyrics one unit upon the end precipice of the song, along with all future rehearsals and recordings as a band.

7.     Deficiencies: Lyrics – It’s hard to change people’s minds sometimes. Musically, it was a thrash rock out song written after the intensity of Counter Balance. It is meant to bring you back to why you started making music in the first place; to rock out and have fun!

8.     Small Odds: Lyrics – “If you believe, there will be a brighter day”. Lyrics (Andrew) – The strive for freedom, however, an individual may interpret that and never give up, learning and success are based on countless failures. Musically, another throwback to Melodic Hardcore with a mathy intro. Also a change of key from many songs on the album, the idea was to keep it simple as the dual vocals are the front line.

9.     Open Wound Diaries: Lyrics: This song is about suicide. Musically, it further expressed our math itch and the simplified dual guitar harmonies. It was meant to be a thunder cloud of sound, seemingly out of control yet totally calculated while giving a dark, chaotic ambiance for the lyrics.

10.  Percentages (Bonus Track): Lyrics are about losing control of your own thoughts and mind to propaganda and mainstream thinking. “Too late, or not, it is your choice”. Musically, it was another fusion of 2 songs and a switch back to melody. It was recorded in 2008 and features Matt Kozma on bass (2007-2009) minus Corey (existing bass) and Blair (2nd guitar). It is also only available on the Physical CD of Origins as a Bonus Track. Throughout the song, it represents the album journey as it contains an influence of all songs on the album, and is to be listened to as the finale.

[Download Album Cover | Download Album Lyrics]

Album Title: Origins
Release Date: January 28, 2022
Label: Independent
Distribution: Independent

Track Listing:
1 – Depleted Uranium – 0:43
2 – The Tear and the Flood – 1:19
3 – Alpha Particles – 1:56
4 – Van Halen Radiation Belt – 1:16
5 – Beta Particles – 2:06
6 – Counter Balance – 3:01
7 – Deficiencies – 2:01
8 – Small Odds – 1:44
9 – Open Wound Diaries – 2:28
Digital Album Length: 16:39
10 – Percentages – 4:56 (BONUS TRACK ON CD ONLY)
CD Album Length: 21:35

Album / Single Recording Credits:
• All songs performed by: Depleted Uranium
• All songs written by: Depleted Uranium
• Produced by: Andrew Murray
• Mixed by: Dave and Zeppelin at Encore Music Studio
• Mastered by: Alberto Bandino at Cutfire Studio
• Album Artwork by: Depleted Uranium circa 2008-2010
• Canadian Content (MAPL)
Album Band Line Up:
Andrew Murray – Guitar/Vocals
Nick Misasi – Drums
Babak Kazemzadeh – Vocals
Corey Stinson – Bass
Blair Hearsum – Guitar (tracks 1 – 9)
Matt Kozma – Bass (Album bonus track 10)

Live Band Line Up:
Andrew Murray – Guitar/Vocals
Nick Misasi – Drums
Babak Kazemzadeh – Vocals
Corey Stinson – Bass

Discography:
2021 – Origins – LP
2018 – Depleted Uranium – EP
2008 – Demo
2006 – Demo

Shared Stage with:
My Hollow, Goreworm, Operess

Tours and Festivals:
2021 – Ontario Death Fest (Toronto, ON)

0 RAVENOUS Partner With New Level Brewing For “Speed Metal Blonde” Beer

  • October 12, 2021
  • by Asher
  • · Music News · Ravenous

NEWS RELEASE

Montreal, QC – October 12, 2021

RAVENOUS Partner With New Level Brewing For “Speed Metal Blonde” Beer

CD Release Show Oct 15th – Calgary, AB – Dickens

“Hubris” Out October 22nd via Feast Beast Records (NA/EU) / Spiritual Beast (Asia)

Album guests:
Vincent ‘Jake’ Jones of Aether Realm
Heinrich Yoshio of Aether Realm
Mathias Blad of Falconer
Nina Osegueda of A Sound of Thunder
The Dread Crew of Oddwood (Full Band)

Album Pre-Order Now Available!


L-R: Ravenous Current Line Up
Skyler Mills (Guitar) | Dave Crnkovic (Drums) | R. A. Voltaire (Vocals) | Chris Valax (Bass) | Jake Wright (Guitar)
Photo Credit – Monika Deviat

Canadian metallers Ravenous have partnered up with Calgary’s New Level Brewing for the release of a limited-edition beer, called ‘Speed Metal Blonde’. The beer is in celebration of “Hubris”, the upcoming second album by Ravenous, with the label designed by frontman R. A. Voltaire.

“We have had so many iconic bands and friends of ours release their own booze, it became a symbolic milestone for us! Luckily, with the support of New Level Brewing, we were able to make that milestone come to life – and it’s tasty!”

The beer is a smooth and crushable Blonde Ale for those in league with the craft beer devil, with a sophisticated and nuanced profile. Crisp, clean and refreshing, yet metal enough to be the crowd favorite at shows. Ingredients are water, yeast, barley, and hops, with oats added for a fuller body and additional sweetness.

‘Speed Metal Blonde’ is only available in Canadian markets and is limited to 1000 cans – available during all Ravenous show dates in Canada until they’re gone! The band’s next live performance will be in Calgary, AB on October 15th at Dicken for their “Hubris” album launch show. Details can be found on Ravenous‘ Facebook page – https://www.facebook.com/RavenousE.H/events

Check out New Level Brewing at https://www.newlevelbrewing.ca

Canada’s Ravenous will be unleashing their new album “Hubris” on October 22nd via Feast Beast Records for North America plus Europe and for Asia via Spiritual Beast with exclusive bonus tracks “Cakaw Te Partiro” and “一瞬千撃” for the Japanese version.

Ravenous currently have two singles out “Astral Elixir” and “Die 1000 Deaths” off “Hubris”, which can be heard at the following links:

Animated music videos for “Die 1000 Deaths” ft. Heinrich Yoshio of Aether Realm.
English Version – https://youtu.be/uvVkYDINa-0
Japanese Version – https://youtu.be/Tz6-pmChuJ0

Lyric Video – “Astral Elixir” – https://youtu.be/iVvbuTw2veA

Ravenous brings a full lineup of experienced musicians together, ones that have toured extensively and are fully dedicated to providing a high-energy, high-intensity live experience. They seek to inspire others to find that inner triumph and glory that drove them to form this project – whether that means starting their own band, or just finding the strength to make a change in their lives – they seek to empower their followers through every step of their journey.

Recommended for fans of Powerwolf, Sabaton, and Unleash the Archers, Ravenous is bringing you anthemic tunes from a time when metal was hungry.

“Hubris” was produced by Ravenous with mixing and mastering done by Fredrik Nordström (In Flames, Opeth, Firewind) along with album guests Vincent ‘Jake’ Jones of Aether Realm, Heinrich Yoshio of Aether Realm, Mathias Blad of Falconer, Nina Osegueda of A Sound of Thunder, The Dread Crew of Oddwood (Full Band).

Album pre-order at https://igg.me/at/hubris

Album Trailer – https://youtu.be/GYJfhUWLPcM


Track Listing:
1. Carnage in Carthage (4:37)
2. Astral Elixir (5:16)
3. Son of Storms (4:33)
4. Die 1000 Deaths (5:24) (3rd Guitar Solo by Heinrich Yoshio of Aether Realm)
5. Bridgeburner (6:10)
6. The Alder Queen (3:17) (ft. Lead Vocals by Nina Osegueda of A Sound of Thunder)
7. March of Hunger (4:47)
8. Claw is the Law (5:24) (ft. Lead Vocals, Accordion, Mandolin, and Gang Vocals by The Dread Crew of Oddwood)
9. Onwards & Upwards (4:09) (ft. Lead Vocals by Mathias Blad of Falconer)
10. …Of Beasts and Faust (10:21) (ft. Lead Vocals by Vincent Jones of Aether Realm)
Total Length 53:57
Japanese Version Exclusives
11. Cakaw Te Partiro (Bonus) – 3:13
12. 一瞬千撃 (Bonus) – 5:25
Total Length 62:34

For more info:
Ravenouseternalhunger.com
Facebook.com/RavenousE.H
Twitter.com/Ravenous_EH
Instagram.com/ravenouseternalhunger
EPK

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Helion Prime Releases New Music Video “Wash Away” Off Special Edition “Question Everything”

  • October 12, 2021
  • by Asher
  • · Helion Prime · Music News

NEWS RELEASE

Montreal, QC – October 12, 2021

 

Helion Prime Releases New Music Video “Wash Away” Off Special Edition “Question Everything”

“Question Everything” Available On Digital Now! + Vinyl Pre-Order For 2022


L-R – Alex Bosson – Drums, Jason Ashcraft – Guitars, Mary Zimmer – Vocals, Chad Anderson – Guitars, Jeremy Steinhouse – Bass

For the one-year anniversary of their 2020 album “Question Everything”, American power metallers Helion Prime released a special edition of the full length digitally on October 8th, 2021 along with it being available on vinyl coming early 2022.

In support of the special edition of “Question Everything”, the band is sharing their latest music video for the opening track “Wash Away”. The song is based on Ignaz Semmelweis, the doctor who discovered the disease-fighting power of hand-washing in 1847.

The new song for the special edition album was written by guitarist Jason Ashcraft and lyricist Heather Michele with mixing and mastering done by Alex Nasla (Witherfall). The music video was filmed by Alex Nasla and Trey Xavier (Gear Gods), with editing done by Adrienne Beacco

Guitarist Jason Ashcraft adds:

“We are thrilled to share this new song and video with everyone. When we decided to release a special edition for Question Everything, I knew from the start I’d wanted to include a brand new song that continued the theme of the album. Wash Away, we feel, is one of our strongest songs to date. Showcasing all the things that make Helion Prime, Prime.” 

Watch the music video for “Wash Away” at the following link: https://youtu.be/pHs11vmnbqA

The special edition of “Question Everything” was produced by Helion Prime guitarist Jason Ashcraft and Alex Nasla, who also remixed/remastered the record to better fit its vinyl experience. The original artwork also went under a small make-over for a classic “marble wall” vibe.

The bonus material on the special edition also includes cover versions of Children of Bodom’s “Angel’s Don’t Kill” with a guest guitar solo from Garrett Peters and Nightwish’s “The Pharaoh Sails to Orion” with guest vocals from Carlos Zema (Immortal Guardian) plus a guest guitar solo by Garrett Peters.

“We are so thrilled to announce this special edition release of Question Everything to help celebrate the album’s one year of life! This was such a fun album to work on and to get to relive it with you all is something we are very excited about. We are also excited to finally be coming to vinyl. It’s something we’ve wanted for a long time and we know a lot of you have asked for it. So now is the time to get your hands on this special and limited run of Question Everything.” adds the band.

Digital stream and download on Spotify, Apple Music.

Vinyl pre-order at the following link: https://igg.me/at/primevinyl/x#/

Question Everything Special Edition Vinyl Video Explanation by guitarist Jason Ashcraft – https://youtu.be/MA3zrCEcZwY

“Question Everything” is Helion Prime’s first album with new vocalist Mary Zimmer, who has also accompanied the band on two separate tours of the United States. The album also saw the band’s original singer, Heather Michele, returning in a writing capacity and contributing all lyrics and melodies. Heather Michele also along with other former Helion Prime vocalist Sozos Michael and with John Yelland (Judicator/Dire Peril) add their guest vocals on the full length.

The third record is a concept album, with each song revolving around different influential figures throughout human history who had the courage to question the status quo of their respective worlds/societies, in some cases even dealing with harsh persecution as a result. Those Helion Prime chose to write about faced prejudice, mockery, ex-communication, and persecution – yet through it all, they held true to their beliefs and ideas. Time would be their greatest ally as their ideas and identities were eventually validated, oftentimes not until after their passing. They serve as an inspiration for all minds to continue thinking outside the box and staying true to themselves.


Track Listing – Helion Prime – Question Everything (Special Edition):
Album Disc/Vinyl:
1. Wash Away*
2. The Final Theory
3. Madame Mercury
4. Prof
5. The Gadfly
6. Photo 51
7. E Pur Si Muove
8. Words of the Abbot ft. guest vocals John Yelland (Judicator, Dire Peril)
9. The Forbidden Zone
10. Question Everything ft. Heather Michele (ex-Graveshadow, ex-Helion Prime) and Sozos Michael (ex-Helion Prime, Planeswalker)
11. Reawakening

Bonus Material:

  1. The Drake Equation (Re-Recording)
  2. Moon – Watcher (Re-Recording)
  3. Atlas Obscura (Re-Recording)
  4. The Human Condition (Re-Recording)
  5. Question Everything (Mary Zimmer vocals Only)
  6. Angel’s Don’t Kill (Children of Bodom Cover)**
  7. The Pharaoh Sails to Orion (Nightwish Cover)***

**Guest guitar solo by Garrett Peters

***Features guest vocals by Carlos Zema (Immortal Guardian) and guest solo by Garrett Peters

Helion Prime is:
Mary Zimmer – Vocals
Jason Ashcraft – Rhythm Guitars
Jeremy Steinhouse – Bass
Alex Bosson – Drums
Chad Anderson – Lead Guitars

For more info:
Helionprimemetal.com
Facebook.com/helionprimemetal
Instagram.com/helionprimemetal
Spotify

– 30 –

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Snakeblade Is Now Streaming Game Of Thrones Adjacent Extreme Metal Album “The Curse”; Album Stream Premiere via Bravewords

  • October 12, 2021
  • by Asher
  • · Music News · Snakeblade

NEWS RELEASE

Montreal, QC – October 12, 2021

 

Snakeblade Is Now Streaming Game Of Thrones Adjacent Extreme Metal Album “The Curse”

Album Stream Premiere via Bravewords

New Album “The Curse” Out October 13, 2021

Snakeblade, the one-man project of Mike Redston, came about during the Covid lockdown. He was searching for an escape from pandemic anxiety, and quickly absorbed himself in this project and recorded his first release “The Kingdom” in a month. To deepen the escape, all his lyrics surround fantasy concepts from his favorite video games and movies. Redston coins his music as “One-Man Nerdy’n’Dirty Black Metal” and this nerdiness continues with his second album “The Curse” as he explains:

“Snakeblade is where all my nerdiness gets released. On “The Curse”, I wanted to zero-in on one of my all-time favorite fantasy series – Game of Thrones. As I started writing though, more personal experiences started to creep into my lyrics. What came out is a melting pot of themes from Game of Thrones and my personal shit. Lyrics inspired by GOT mostly revolve around the plotlines of The Red Woman, Stannis Baratheon, and The Lord of Light religion. Mix all this with my own experiences of betrayal, failure, and rage and you’ve got The Curse.”

The second full-length is quite an evolution from the experience of the first. Where “The Kingdom” was an escape from reality; through “The Curse” Redston confronts reality head-on. Musically, the project has grown immensely in complexity and scale and a session drummer was hired to handle the kit. The songs are much more emotional and heavy and full of new orchestral elements of strings, pianos, and choirs. Overall, it’s much darker atmospherically and more sophisticated sonically.

Snakeblade isn’t destined to be a studio project forever, Redston says, “Live shows are definitely in the cards as I want to bring these songs to a concert setting with a ton of energy and a fun atmosphere.”

“The Curse” is ten tracks of dark, dirty, and epic non-traditional black metal, and has a total running time of 43 minutes. It was written and performed by Redston except for the drums, which were performed by Dennis Kraakman. The album artwork was done by Elizabeth Holmes.

Snakeblade embraces a wide variety of metal subgenres and is recommended for fans of Skeletonwitch, Dimmu Borgir, and Death.

“The Curse” is streaming now via Bravewords before its full release on October 13, 2021.

Listen HERE.

Album pre-order – https://snakeblade.bandcamp.com/album/the-curse


Track Listing:
1. Destiny (Intro) (1:42)
2. Rotten Souls (6:48)
3. Harvester (3:35)
4. Dreams of Aida (1:53)
5. The Red Mage’s Seduction (6:01)
6. Foul Sorcery of Flame and Shadow (5:04)
7. Godswood (2:28)
8. Born Among Salt and Smoke (5:46)
9. Archways (3:05)
10. Exile, Outlaw… The Essence (6:34)
Album Length: 42:56

Album Credits:
• All songs performed by: Mike Redston
Drums performed by Dennis Kraakman
Artwork by Elizabeth Holmes
‘Dreams of Aida’ co-produced with Macca Grills
‘Godswood’ co-produced with Logan Macdonald
• All songs written by: Mike Redston
• Produced by: Mike Redston
• Album Artwork by: Elizabeth Holmes
• Member of SOCAN
• Music is Canadian Content (MAPL)

Album Band Line Up:
Mike Redston – Vocals, Guitar, Bass Guitar,
Dennis Kraakman – Drums

For more info:
Facebook.com/snakebladeofficial
Instagram.com/snakebladeofficial
EPK

About:
Amidst the Covid-19 pandemic, Snakeblade was formed by Mike Redston as an escapist project while the entire world was quarantined. What came out of this anxious time may surprise you though, as Snakeblade refuses to follow typical one-man black metal trends. Every song on their debut album The Kingdom explodes with energy and youthful rage, delivering a pummelling of riffs, blastbeats, and shrieking vocals. With lyrical topics of fantasy, medieval battles, lord of the rings, and video games, Snakeblade is a headbanging nerd’s wet dream. Now on their second effort, the one-man project delves into bold new territory adding orchestral and electro elements to the blackened thrashy chaos that is: The Curse.

Discography:
2020 – The Kingdom
2021 – The Curse

– 30 –

“intense shrieks, murderous riffs, and all the fantasy black metal you need!” – Heavy Blog Is Heavy

“This new song (The Red Mage’s Seduction) is a wild but multi-faceted thrill-ride. A burst of jolting riffage launches the track, and as it grows more feverish it provokes a long, throat-ruining scream. The drums (performed by session drummer Dennis Kraakman) hammer and spit like machine guns as the bass bubbles and the guitar writhes in flames. There are chilling moments when slashing chords, slithering arpeggios, and flickering spectral solos sound like magic spells cast in sound by a viciously demented sorceror and the vocals descend into monstrous croaking growls, only to have the song erupt again in chaotic incendiary gales. The song’s feeling of magical mystery and ominous peril emerges again and rises to towering heights, elevated by grand synths and gigantic booms. Once there, an extravagant extended guitar solo lights the listener’s nerve endings on fire without relinquishing the music’s aura of sorcery run amok. The song slashes and burns again, with the elaborate layering of guitars, tumultuous percussion, and slaughtering screams creating an ecstatic finale.” – No Clean Singing

“This one man black metal project from Canada, spearheaded by Mike Redston, wastes no time in pushing the pedal to the metal and letting it all go. No, seriously; the very first track on his new album, The Kingdom, has an insanely flamboyant and satisfying guitar solo, breakneck drums, and vocal shrieks aplenty.” – Heavy Blog Is Heavy

“Snakeblade Goes Beyond Black Metal Trappings on ‘The Kingdom'” – Exclaim!

“It’s safe to say that Snakeblade’s musical genius will quickly outgrow Redston’s one-man credo, for other musicians will surely seek out his vision. That he has crafted such venomous metal that is still wildly entertaining during this pandemic is a huge accomplishment, and The Kingdom will appeal to fans of this black metal style, particularly followers of Mayhem, Borknagar and classic Slayer.” – Exclaim!

“This is absolutely my jam, and The Kingdom is one of my favorite albums of the year so far.” – Toilet ov Hell

“I am compelled to say that SNAKEBLADE most definitely delivered an utmost maddening, but enjoyably entertaining discovery that made me replay this …pretty much all day long. “The Kingdom” is an addicting spin that will blow brains & shatter windows with explosive clarity. Full of density, technical prowess & engaging captivation. This is an incredibly amazing debut album, and I will most look forward to their upcoming projects. And for a singular writing attempt, bravo! I couldn’t help but score this as a masterful piece of other-worldly malevolence which most certainly deserves a slot in your collection for sure. Check it out!” – Metal Temple

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Out Now! Prog Duo ATHEMON (ft. ex-Haken) Release Debut Self-Titled Album

  • October 11, 2021
  • by Asher
  • · Athemon · Music News

NEWS RELEASE

Montreal, QC – October 11, 2021

Out Now! Prog Duo ATHEMON (ft. ex-Haken) Release Debut Self-Titled Album


L-R – Athemon Current Line Up | Adriano Ribeiro (Guitar, Vocals) | Tom MacLean (Bass, Production)
Photo Credits: Adriano’s picture: José Simonetti, Tom’s picture: Sunny Dhaliwal

Progressive metal duo Athemon debut self-titled full length is now available as of October 11th, 2021, and can be heard on Flyathemon.bandcamp.com and Spotify.

Crossing paths online during the beginning of the Covid global lockdown, musicians Tom MacLean (bassist/producer, To-Mera, ex-Haken) based in the UK and Adriano Ribeiro (vocalist and guitarist) based in Brazil, used the digital world to their advantage to give rise to their new band Athemon.

“Adriano sent me his demo and it gave me goosebumps, so I was keen to get involved,” says MacLean.

From a significant evolution between demos to their final introductory recordings, MacLean and Ribeiro created a bonding friendship over musical interests that created the perfect environment to allow them to evolve and conceive their debut album.

Formed as a gateway to express their art using progressive metal music, Athemon‘s first release is a concept record that is meant to be heard as one long 50-minute track divided into nine parts.

“Full of dark and enigmatic atmospheres, this is a 50-minute concept album divided into nine songs, which tells a story about self-awareness. This is a creative release that seeks to forge the perfect alloy of darkness and beauty,” adds the band.

For the album’s recording, the duo invited a special guest drummer from Brazil, Gledson Gonçalves who added his percussionist touch to compliment each one of the nine tracks.

“As nobody goes alone in this world (even being totally alone inside one’s own mind), the songwriting process had a lonely beginning, but a very collaborative end. The beginning of this project was driven by Adriano, but nothing would fit so well if it wasn’t for the amazing connection the three of us have (Adriano, Tom, and our special guest on drums, Gledson),” says MacLean.

The lyrics for the album were written by vocalist/guitarist Adrian Ribeiro and were inspired by thoughts of how confusing reality can be if you are not taking care of your emotional side. “The thin line between what’s real and what’s not is an endless world,” adds Ribeiro.

New fans of Athemon, can expect much more to come from the pair as they already have plans to launch their second album by the end of 2022, which they are currently composing with promising results.

As for the live spectacle of Athemon, for now, the band will let the music flow until the duo can connect from across the Atlantic for their first in-person jam session.

Recommended for fans of Nevermore, Pain of Salvation, Opeth, Gojira, and Mastodon, Athemon‘s self-titled debut is available on Flyathemon.bandcamp.com, Spotify – https://spoti.fi/3arRp3G.


Track Listing:
1. Perception (3:16)
2. Whispers (5:29)
3. The Glass Hindered Us (3:57)
4. Different From What Was Missing (5:23)
5. Seed of Change (7:25)
6. I Voice of Mine (8:12)
7. Reaching Deepness (6:42)
8. Greatest Understanding (5:54)
9. Birth (4:01)
Album Length: 50:20

Album Credits:
• All songs performed by: Athemon
• All songs written by: Athemon
• Produced by: Tom MacLean
• Mixed by: Tom MacLean @ Twelve Tone Studio
• Mastered by: Tony Lindgren @ Fascination Street Studios
• Album Artwork by: Luigi Quarta

Album Band Line Up:
Adriano Ribeiro (Guitars, Vocals)
Tom MacLean (Bass)
Gledson Gonçalves (session Drums)

More Info:
Athemon.com
Facebook.com/fly.athemon
Instagram.com/fly.athemon
EPK

– 30-

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Powerplay Rock and Metal Magazine – August 2021 https://powerplaymagazine.co.uk/shop/p/powerplay-243-august-2021 #albumreview Nothing Sacred – Rockshots Records

  • October 10, 2021
  • by Asher
  • · Nothing Sacred (Rockshots Records)

0 Thanks for the support! \m/\m/ Ischemic mention in Oct 2021 Decibel Magazine Pick up your issue at https://store.decibelmagazine.com/collections/back-issues/products/october-2021-204

  • October 10, 2021
  • by Asher
  • · Ischemic

Thanks for the support! \m/\m/ Ischemic mention in Oct 2021 Decibel Magazine Pick up your issue at https://store.decibelmagazine.com/collections/back-issues/products/october-2021-204

0 Le nouveau magazine Metallian est arrivé – Rockshots Records Venus Syndrome et plus!

  • October 10, 2021
  • by Asher
  • · Venus Syndrome (Rockshots Records)
Le nouveau magazine Metallian est arrivé
http://metallian.online/produit/metallian-magazine-n126/
Rockshots Records Venus Syndrome et plus!

0 Die Metal Hammer Oktoberausgabe 2021- Draemora

  • October 10, 2021
  • by Asher
  • · Draemora

Die Metal Hammer Oktoberausgabe 2021 https://www.metal-hammer.de/die-metal-hammer-oktoberausgabe-2021-trivium-rage-kks-priest-u-v-a-1861797/ #albumreview Draemora English translation: This band intends to two years close teamed up by Seattle and during the Pandemic an album produced to direct the frustration again scream out. DEATH RECTANGLE sounds so rough and harsh, as if one would When falling on asphalt, the rattle of your own skin in slow motion to listen. The influences can be attributed to the Directly extract the sound: The deep one Growl vocals are immediately reminiscent of Whitechapel, the dirty distorted Guitar sounds like Suicide Silence (before especially the chainsaw vibrato in ‘slaves Until Death ’could be an homage to ‘No Pity For A Coward’). Dangerous looking riffs like these become replaced by breakdown-heavy ones Homicide rhythms – but also surprising in the meantime unexpectedly catchy melodies of the Clear vocals (‘The Cleansing’, ‘Victorious’). With all of this it is Quartet a good songwriting followed up: The music sounds chaotic – but if chaos too may contain some kind of order is they definitely exist here. They sound thrown together Songs don’t. A good offspring for everyone who is somewhere in death metal, Djent and Metalcore are settled.

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