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Type: video

0 Rockshots Records – HOLLOW New Video “Every Drop of My Blood” Off Upcoming Album “Tower” Out Nov 26th

  • October 15, 2021
  • by Asher
  • · HOLLOW - ROCKSHOTS RECORDS · Music News

NEWS RELEASE

Montreal, QC – October 15, 2021



Rockshots Records – HOLLOW New Video “Every Drop of My Blood” Off Upcoming Album “Tower”

New Album “Tower” Out November 26th

HOLLOW, lead by Andreas Stoltz (ex-Binary Creed) will be releasing the new album “Tower” on November 26th via Rockshots Records. The fourth full-length from the Swedish power prog act follows 2019’s “Between Eternities of Darkness”, which marked the band’s return after a 20-year hiatus since unleashing the 1999 album “Architects of The Mind” via Nuclear Blast Records.

Today, HOLLOW presents their second single “Every Drop of My Blood”, a fast-paced track about social isolation. Stoltz explains further:

“This one has been re-written a few times before reaching completion. I couldn’t figure out what to do with the vocals on the chorus, to begin with. There’s this simple, straightforward guitar melody that I wanted to keep, but it kind of collided with most of my vocal ideas. But finally, it clicked with the turn-taking of the lead and the backing vocals.”

Watch the video for “Every Drop of My Blood” at https://youtu.be/3pNBXUwrn2k

Digital Stream – https://spoti.fi/3aC7OCN

Featuring 10 tracks, “Tower” is a story album best listened to as a whole, which tells a tale of transformation with its blend of progressive metal/rock, power, melodic death and thrash elements. Andrea Stoltz is accompanied by drummer Stalder Zantos who also appeared on “Between Eternities of Darkness”.

“Working with Stalder Zantos has been a more continuous element in writing the material for Tower than on Between Eternities of Darkness and this has definitely influenced the outcome as has contributed more on this album than on the previous one,“ adds Stoltz.

On HOLLOW‘s “Architect of the Mind” artificial intelligence and creation was the topic, on “Between Eternities of Darkness” parenthood and tragedy and for “Tower” the concept of inner and outer freedom is explored. It’s also about belonging and transcendence and Stoltz hopes these are things that most people can relate to.

“The relating bit is important, since art – regardless of form – is a meeting of emotions and ideas. It needs to find something to resonate within the person who takes part in it. When asked, I find it hard to describe the music, but it’s metal. It has distorted guitars, double bass drums and harks back to bands like Judas Priest and Queensryche. But there is also quite a bit of contemporary metal on Tower. Since this is a concept album with the ambition of conveying a story, listening to it as a whole is encouraged. I hope you can find something that resonates with you on it. Hopefully, HOLLOW’s fans will be able to trace today’s music back to Modern Cathedral and Architect of the Mind. I’ve made an effort to keep it as straightforward and simple as possible. I think most fans will have no trouble recognizing it as HOLLOW.” comments Stoltz.

“Tower” is due out November 26th, 2021 via Rockshots Records.

Album Pre-save – https://bfan.link/the-tower
CD pre-order – https://bit.ly/hollow_cd

Visualizer “The Tower” at https://youtu.be/dlExXc_b0wc


Track Listing:
1. Birth (3:45)
2. The Tower (3:25)
3. Guardian (3:49)
4. The Waiting Is Over (3:26)
5. Destroyer of Worlds (3:38)
6. Every Drop of My Blood (3:58)
7. Sunrise (3:29)
8. A Home Forgotten (3:30)
9. Nation of Man (3:42)
10. Wander On (3:39)
Album Length: 36:24

For more info:
Rockshots.eu
Facebook.com/hollowsweden
Instagram.com/hollowsweden
Twitter.com/hollowsweden

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—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Out Now! Brazilian Heavy Metal Rage In My Eyes New EP “Spiral”

  • October 15, 2021
  • by Asher
  • · Music News · Rage In My Eyes

NEWS RELEASE

Montreal, QC – October 15, 2021

 

 

For fans of Blind Guardian, Helloween, Symphony X, Iron Maiden

Out Now! Brazilian Heavy Metal Rage In My Eyes New EP “Spiral”


L – R – Magnus Wichmann (Guitar), Francis Cassol (Drums),Jonathas Pozo (Vocals), Pedro Fauth (Bass)

Photo Credit: Tiemy Saito

Rage In My Eyes has been working on their second release under this name over the past year and are excited to finally bring it  to fruition. “Spiral” will join the 2019 full length “Ice Cell” under this current band name, however, the musicians also released 3 full length albums “The Sniper” (2012), “Skeletons Domination” (2008) and “Darkness & Light” (2006) under the name Scelerata, which ran from 2002-2018. The band explains the new EP:

“This EP was written and made during a pandemic. All band members suffered losses of loved ones during the pandemic, some directly related to covid, some not. Also due to covid, the band couldn’t get together in a practice room to jam to the tracks. Each member had to work on their part separately, which was something new within the band. Plus, some songs were being written and arranged during the recording sessions, so we felt it was being made in real-time. All of the above impacted lyrics and the songwriting. We like to think of this EP as a way to say farewell to our dear loved ones and as a spiral of emotions that keeps coming and going.”

It’s evident that creating a journey for the listener is of utmost importance for the band; they explain that the tracklist was carefully thought out and placed in particular order and the EP is best enjoyed from beginning to end. The EP is five songs long with a total running time of under 20 minutes for a nice succinct burst of Brazilian heavy metal flavour that will leave listeners wanting more from this long-running and highly talented group of musicians.

Lightly proggy, and technically approachable, Rage In My Eyes brings a South American flair to traditional heavy metal. They are recommended for fans of Symphony X, Iron Maiden and Metallica.

The new EP is out as of October 15, 2021 and available on Rageinmyeyes.bandcamp.com, Spotify.

Music Video “And Then Came The Storm” – https://youtu.be/3iJ3tkqR1uU


Track Listing:
1. Farewell (1:32)
2. And Then Came The Storm (5:01)
3. Dare To Defy (3:40)
4. Spark Of Hope (5:06)
5. Spiral Seasons (3:54)
EP Length: 19:20

EP Band Line Up:
Jonathas Pozo – Vocals
Magnus Wichmann – Guitar
Pedro Fauth – Bass
Francis Cassol – Drums

Live Band Line Up:
Jonathas Pozo – Vocals
Magnus Wichmann – Guitar
Pedro Fauth – Bass
Francis Cassol – Drums
Matheus Kléber – Accordion (special guest)

For more info:
RageInMyEyes.com
Facebook.com/rageinmyeyes
Instagram.com/rageinmyeyes
Twitter.com/rage_in_my_eyes
EPK

About:
RAGE IN MY EYES introduces to the world a unique kind of music. Being from southern Brazil, the band shows a side of the country most people don’t know about. Blending heavy/prog metal with elements of milonga – which is a music genre from southern Brazil, Uruguay and Argentina – the band presents new sound to the metal genre.

The band’s first album “Ice Cell” was recorded in 2017 and 2018, partially in Los Angeles due to drummer Francis Cassol’s move to the city and partially in their native Porto Alegre, Brazil.

For 16 years the band went under the name Scelerata, which had a huge history in the Brazilian heavy metal scene. The band had three albums released worldwide, including the internationally acclaimed album The Sniper – partially recorded in Germany, at the Blind Guardian studio – that featured guest appearances from Paul DiAnno (former Iron Maiden) and Andi Deris (Helloween).

Scelerata was also Paul DiAnno’s official Brazilian backing band from 2009 to 2014, playing 50+ shows with this heavy metal icon. With this huge background, the musicians are now aiming for the future.

RAGE IN MY EYES have teamed up with some of the best professionals in the heavy metal business to deliver a head-turning EP in 2021 entitled “Spiral” to follow the success of their 2019 full-length “Ice Cell”. The new EP will feature plenty of material for all different types of metal lovers. It has great guitar riffs, fast drum parts, intricate instrumental parts plus powerful yet melodic vocals.

The EP was written and made during a Covid pandemic. All band members suffered losses of loved ones during the pandemic, some directly related to Covid, some not. Also due to Covid, the band couldn’t get together in a practice room to jam the material. Each member had to work on their part separately, which was something new within the band. Plus, some songs were being written and arranged during the recording sessions, so they felt it was being made in real time. All of the above impacted the EP’s lyrics and songwriting. They like to think of this record as a way to say farewell to their dear loved ones and as a spiral of emotions that keeps coming and going during Covid times.

RAGE IN MY EYES’ new EP “Spiral” is due out October 15th, 2021.

Shared Stage with:
Iron Maiden, Deep Purple, Dream Theater, Kamelot, Gamma Ray, Angra, Edguy

– 30 –

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 FRACTURES & OUTLINES Despise Covid Times In New Music Video For Single “Vultures”; Video Premiere via Hardcore Worldwide

  • October 15, 2021
  • by Asher
  • · Fractures & Outlines · Music News

NEWS RELEASE

Montreal, QC – October 15, 2021

 

FRACTURES & OUTLINES Despise Covid Times In New Music Video For Single “Vultures”

Video Premiere via Hardcore Worldwide


Photo by: Jessy Dwyer (Beyond the Pit)
Nick Boudreault (Vocals) – Maxime Rondeau (Lead Guitar) – Maurice Emond Jr. (Bass) – Mathieu Fréchette (Drums) – Eric Desormeaux (Rhythm Guitar)

It’s been a tough year for many bands during the age of Covid, but it has also been a source of inspiration for artistic expression. From lockdowns to friends and family unable to see one other, Gatineau, QC’s FRACTURES & OUTLINES are showcasing their disappointment with the world by sharing their take on the current events with their new single and music video “Vultures”.

The track is a hard-hitting mosh anthem that fulminates the band’s frustration towards the current state of the world and their anger concerning seeing people around them falling for misinformation and conspiracies. As you listen, you can hear a blend of musical elements similar to early Silverstein and heavy-riffing like A Day to Remember. The band explains the track in further detail:

“Vultures is our first step into the world of modern metal. We’re transitioning from our post-hardcore sound to a more polished version of ourselves, delivering our frustration through what we believe is one of our best tracks yet. However, we do want to mention that Vultures is only the tip of the iceberg when it comes to our musical future, and we’ve been stepping into new and unknown territory for us.” 

The music video for “Vultures” directed by Jessy Dwyer (Beyond the Pit) can be seen and heard via its premiere on YouTube channel Hardcore Worldwide – https://youtu.be/_ZyzeUabDZg

During the recording of “Vultures“, vocalist Nick Boudreault passed out after delivering the long scream during its breakdown after running out of air. “Vultures” was produced by guitarist Eric Desormeaux to follow the band’s 2020 single “Kerosene” and 2019 debut album “Defenseless”. The comic book theme for the single’s artwork created by vocalist Nick Boudreault was drawn to represents his inner demons along with allowing it to tell its own story.

Digital pre-save here.

For more info:
Facebook.com/fracturesandoutlines
Instagram.com/fracturesandoutlines
EPK

About:
Ripping out of Gatineau, Canada, Fractures & Outlines is a post-hardcore band with influences ranging from Silverstein, No Use For A Name and Killswitch Engage.

The band came together in 2014 and work tirelessly planting their feet in the local underground music scene. Intrepidly, they created their first EP ‘Checkmate’ in 2017, which was met with solid acclaim from various publications.

As a team, the band works on each song together crafting heavy hooks, catchy choruses, and brutal breakdowns with lyrical themes about internal struggle and having to fight your own demons. Working to further develop a sound that is their own, they hit the studio in 2018 to start work on their 10 track full-length ‘Defenseless’ released in May 2019.

In 2020, a year after the release of their debut album, the band returned with their follow-up single “Kerosene”. The band teamed up once again with producer Joe Lyko (Dark Moon Productions).

Now in 2021, Fractures & Outlines return with their next single “Vultures”. The track was written amidst a band hiatus in the middle of the Covid pandemic. It’s a hard-hitting mosh anthem that fulminates their band’s frustration towards the current state of the world and their anger concerning seeing people around them falling for misinformation and conspiracies. As you listen, you can hear a blend of musical elements similar to early Silverstein and heavy-riffing like A Day to Remember.

“Vultures” is due out on October 15, 2021 on all digital platforms.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Exes For Eyes Deliver Heavy Introspective New Single “The End Of Summer” ft. Björn Strid of Soilwork; Music Video Premiere via TheCirclePit

  • October 14, 2021
  • by Asher
  • · Exes For Eyes · Music News

NEWS RELEASE

Montreal, QC – October 14, 2021

 

Exes For Eyes Deliver Heavy Introspective New Single “The End Of Summer” ft. Björn Strid of Soilwork

Music Video Premiere via TheCirclePit


L-R – Dave Sheldon – Guitar, James Arsenian – Vocals, Aaron Spink – Drums, Graham Porter – Bass – Photo by Jason Spun

As people across the northern hemisphere brace for winter, Canada’s Exes For Eyes are releasing a new single, the aptly named “The End Of Summer”. This will be the first music released from the band since 2019, and they are eager to get back into the ears of fans. Featuring Björn Strid of Soilwork, the idea behind the single was to question our integrity as a species. “Do we as western humans have the ability to toughen up? Or are we basically just fucked on a biblical scale?” Exes For Eyes continue to explain the track:

“It can be heavy, it can be subdued, it has tension and release, and a few good old-fashioned earworms. Having Björn onboard has only solidified that this is a song with something special. When we sent him the pre-production, he instantly knew this was a song that had substance. “Your best work” he called it. It has the ability to uplift you to euphoria, and the bottom will instantly drop out, leaving you wondering what exactly happened and looking for a repeat play.”

Essentially a metaphor for the amazing quality of life we take for granted, the song explores the notion that without facing true adversity in life, we are becoming soft and approaching the end of that golden era. This single is the first of four, which will make up an internet fourth release, due to the global situation, the band is taking the time to perfect this next offering and give it the revel it deserves when the time is right.

Exes For Eyes has been going for almost ten years, during which they released three albums, toured heavily, and shared the stage with an impressive list of metal titans. They have a level of cohesion that only comes with that much experience.

Melodic, with plenty of low-end grooves, Exes For Eyes is recommended for fans of Lamb of God, Slipknot, Soilwork.

The music video for “The End of Summer” ft. Björn Strid of Soilwork can be seen and heard via its premiere on TheCirclePit YouTube channel.

Digital stream and download at Exesforeyes.com/merch | Spotify

For more info:
ExesForEyes.com
Facebook.com/ExesForEyesBand
Instagram.com/ExesForEyesBand
Twitter.com/ExesForEyesBand
EPK

About:
EXES FOR EYES is a project born of an overwhelming amount of mutual respect and admiration between two men. A respect for one another’s work ethic, musical proficiency, stylistic taste and of course, for each other as people. The concept of blindness, be it willing, involuntary, inherent or otherwise is so foreign and far removed from anything within the realm of experience for these men.

However as the process has begun to create this music, it has become apparent how limited one’s own vision can be when staring at the broad side of limitless potential and ambition. With the musical vision of Dave Sheldon (ex-Annihilator, Man With Target) and the lyrical conception of vocalist and frontman Big James (Endast, Authors) the project is very quickly taking shape into something more than either anticipated. The hope is to see the world of metal in a new light, with EXES FOR EYES.

Discography:
2021 – The End Of Summer (single)
2019 – Of Strength And Sorrow – LP
2014 – Tongues Like Figure Eights – LP
2011 – The Ampler Grid – LP

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records – Heavy Metal Opera Signum Draconis Shares Video “Whirlwind of Lovers”; Out Nov 12th – The Divine Comedy: Inferno

  • October 14, 2021
  • by Asher
  • · Music News · Signum Draconis (Rockshots Records)

NEWS RELEASE

Montreal, QC – October 14, 2021

Rockshots Records – Heavy Metal Opera Signum Draconis Shares Video “Whirlwind of Lovers“

Out Nov 12th – The Divine Comedy: Inferno


Rockshots Records will be releasing on November 12th, 2021, Signum Draconis‘ heavy metal opera of Inferno, from The Divine Comedy written by Dante Alighieri.

Featuring 17 songs by the band all sung in English, the double CD album is the first in a triptych of the complete work of Dante’s magnum opus with Purgatory and Paradise to follow, and will also feature duets with selected special guest vocalists, narrations of selected chants, and an orchestral accompaniment by the Bratislava Symphony Orchestra and Choir.

Last month the first single “Gate of Hell (Arrival of Charon)” was shared and today, the band unveils their next track “Whirlwind of Lovers” with a new video in preview to the concept full-length, which can be viewed at https://youtu.be/SC5Z9fPEGyA 



“We arrived at Chant V of Hell, which for many people is the most beautiful chant of the entire Divine Comedy… Hell reserved for lovers. Dante in this chant invites us to reflect on how a false passion can lead to decadence and that it shouldn’t be confused with true love. Enter the scene our guest star the amazing soprano Ms. Ksenia Glonty who plays the character of ‘Francesca’. It is a theme with a somewhat more commercial style, with a tragic/romantic air in which both its intro and its outro suggest or share an almost gothic style, with an interesting first duel between keyboard and guitar in the solo part.“ adds guitarist Oscar Grace.

Single stream links:
Spotify – https://spoti.fi/3FNxxqc

Album Teaser – https://youtu.be/8Pm1JxewMNs

Album pre-order – https://bit.ly/SignumDraconis_CD 

Signum Draconis takes their name from the medieval knights’ Order of the Dragon, and has opted for a classic 80s-influenced metal sound in homage to the rock and metal icons that inspired them to be musicians, and aim to produce a truly musical, timeless and epic recording that will absorb and reward from repeated and dedicated listening.

Guitarist and composer Oscar Grace reflects on the history of the project:

“The story of Signum Draconis can be said to begin in 2010, after two years crossing what felt like a personal hell, I was sitting in my car gazing at the sky when a message came to me as it were, a vision clear as day: ‘Put The Divine Comedy to music!’ At that moment Signum Draconis was born. I returned home immediately and hunted out an old copy of Dante’s masterpiece I had owned for years and began furiously reading. Two full years of study and research followed, reading and re-reading all three books many times and even traveling to Florence to visit the 13th Century poet’s own house, trying to envisage what it would have been like to be him and the world in which he lived his story.”

It took two years to extract the parts that would form the material for the songs, and a further year working with my good friend Frederick Pollock to compose the lyrics, bringing to each song its own meaning whilst maintaining the thread that binds all the songs together, at all times remaining faithful to the source and paying the utmost respect to the poet Dante with regards to the correct register with perfect meter and rhyme in English. 

I believe Dante’s Inferno perfectly suits the musical style of Heavy Metal, but given the epic scale and cultural importance of Dante’s books, I wanted to bring something else to the music, something that lent grandeur and elegance, and to that end, I began to write parts for a symphony orchestra, in an old-fashioned way, with a fountain pen and sheet music and no new technology to guide my hand.”

Overall, this project took four years to compose the music for the band as well as the orchestra and along the way Oscar Grace searched for the companions who would join him on this voyage of grand musical ambitions. The first was Francesco Micieli, the drummer with whom he had already worked on other projects, then Max Morelli to be the voice of the band, and later on, after an arduous search, Oscar Grace found Filippo Martignano for keyboards and Stefano Antonelli on bass.

Once all the compositions were finished the band set about recording in the Domination Studio of San Marino, taking advantage of the experience and professionalism of Simone Mularoni as a sound technician. For the recording of the orchestral parts, Signum Draconis chose to work with the Bratislava Symphony Orchestra, having spoken with the director, David Hernando Rico, who helped them enormously and who showed such enthusiasm for the music and the project overall.

Track Listing:
CD 1:
1. In the Midway of Life’s Journey (5:14)
2. The Mission of Virgil (3:44)
3. Gate of Hell (Arrival of Charon) (5:58)
4. The Borderland (4:48)
5. Whirlwind of Lovers (5:11)
6. Under Eternal Rain (4:50)
7. To the Edge of Stygian Lagoon (4:45)
8. Regnum Dite (2:36)
9. Burning Graves (5:50)
10. Phlegethon (The Bloody River) (6:00)
11. Forest of Suicides (5:48)
12. Firestorm (6:11)

CD 2:
13. On Geryon’s Back (1:10)
14. Ten Moats of Damnation (Interlude: The Ulysses’ Chant) (11:31)
15. In Hands of Titans (5:28)
16. Cocytus (The Ice Terror) (8:28)
17. Lucifer (7:46)

Special guests include:
RENATO CARROZZO as Storyteller
CHIARA MANESE as Beatrice
MARK BOALS as Virgil
BEN JACKSON as Charon
KSENIA GLONTY as Francesca
LUCA PAOLINI as Pluto
ANDREA RANFA as Brunetto Latini
FREDERICK POLLOCK as Ulysses
SIMONE MULARONI as Nimrod ‘The Titan’
OLEG SMIRNOFF as Count Ugolino

Band line up:
Max Morelli (Vocals)
Oscar Grace (Guitars)
Filippo Martignano (Keyboards)
Stefano Antonelli (Bass)
Francesco Micieli (Drums)

More info:
Rockshots.eu
https://www.facebook.com/signumdraconis
https://www.instagram.com/signumdraconis

– 30 –

 

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Niagara Falls’ VARIUS Unveils “Lament of Dissonance” Off Forthcoming “Concordance”

  • October 14, 2021
  • by Asher
  • · Music News · Varius

NEWS RELEASE

Montreal, QC – October 14, 2021

Niagara Falls’ VARIUS Unveils “Lament of Dissonance” Off Forthcoming “Concordance”

Track Premiere via Bravewords

New EP “Concordance” Out November 5th


L-R: Joel Tassillo (Bass) / Joey Scaringi (Vocals) / Vladimir Prokhorov (Drums) / Patrick Forlin (Guitar)
Photo Credit: Britney Goertz

Hailing from Niagara Falls, Canada, Varius brings forth a new EP “Concordance” that aims to challenge genre boundaries, more so than any of their previous releases. The second single “Lament of Dissonance” can now be enjoyed with a visualizer video currently being premiered over at Bravewords HERE.

“Lament of Dissonance” balances between a relatively straightforward groove track and an experimental piece. The song begins with melodic guitars before descending into a crushing groove riff in the verses. The band explains further:

“The track came about in a different way for us, originating from a piano piece that our drummer, Vlad, had written. We worked together to rearrange the melodies and other parts for guitar and bass, adding more details and riffs along the way until the song took on its own identity. It became one of the groovier, more straightforward tracks on the EP, and easily represents the heaviness of this album. We worked together lyrically as well, telling the story of a genius composer cracking under the pressure of expectations from their audience, before channeling their doubt into a masterpiece. To top it off, the end of the song has a certain twist that keeps with the experimental tradition of Varius, and it stands out to us as a special track.”

While the song takes a personal perspective from this individual and describes the burden of living up to the demands of a hungry audience, Varius embraces the stage, aiming for tightness and consistency in our individual parts, as well as our tempo and groove as a band. One area where they really stand out is with frontman, Joey Scaringi, a local FM radio host and talented public speaker, who has a great personality for a frontman with his energetic stage presence. Passion and dedication have provided them opportunities such as sharing the stage with bands like Beyond Creation and Ninjaspy.

The progressive, melodic death metal of Varius is suitable for anyone with an open mind, especially those who enjoy Children of Bodom, Hypocrisy, and Lamb of God.

“Concordance” comes out on November 5, 2021

Watch the EP trailer at the following link: https://youtu.be/z8o8HaRX0Gg


Track Listing:
1. Golden Crown (6:03)
2. Concordance of the Legionfall (4:59)
3. Lament of Dissonance (4:43)
4. Gut Shoveler (5:28)
Digital EP Length: 21:14
Note: Physical CD copies of Concordance will feature a bonus track (previously released digitally – 2019)
5. P.I.S.S. (3:22) (CD Bonus Track)
EP Length (CD version): 24:40

For more info:
Facebook.com/Varius.band
Instagram.com/varius.official
EPK

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“it’s full of dynamic surprises — a song that’s bombastic and brazen, savage and scintillating, mysterious and magnificent — and its name is “Concordance of the Legionfall“.” – No Clean Singing
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 EPK – Exes For Eyes – The End Of Summer (feat. Björn Strid of Soilwork) (single) (2021)

  • October 14, 2021
  • by Asher
  • · EPKs · Exes For Eyes

EPK – Exes For Eyes – The End Of Summer (feat. Björn Strid of Soilwork) (single) (2021)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Album / Single Title: The End Of Summer (feat. Björn Strid)
Release Date: Oct 15, 2021
Label: TrackPants Productions
Distribution: Distrokid

For fans of Slipknot, Soilwork, Lamb of God

“The End Of Summer is the first of 4 singles that will make up the perceived idea of a 4th release. With Covid-19 running wild and having released our most ambitious offer to date with “Of Strength And Sorrow”, we were forced to shelve plans of a return to the road after a 3 year hiatus.  With life, death, and everything in between determining the pace in which we advanced, we’ve decided to take a slower and more focused approach to creating new music.  Of Strength and Sorrow wasn’t given a proper presentation, so we will be relaunching the band by presenting even newer music in smaller doses, the first offering being “The End Of Summer”.” – Dave Sheldon – Exes For Eyes

“The End Of Summer is basically a metaphor for the amazing quality of life we have all taken for granted.  The song is about people becoming soft. We don’t know what true adversity is..none of us. We are the genetic products of strong people who survived and we’ve let all of that go.  I really do believe we are seeing the end of that era.” – James Arsenian – Exes For Eyes

 

ExesForEyes.com | Facebook.com/ExesForEyesBand | Instagram.com/ExesForEyesBand

Twitter.com/ExesForEyesBand | YouTube

Online Store – Exesforeyes.com/merch | Spotify

“EXES FOR EYES have shown that they have matured sonically, completing an album that is darker without abandoning the soundscapes their fans have grown to love with their massive groove.” – The Rockpit

“pulverizing grooves…” – Calum Slingerland / Exclaim

“…specifically to please the musicians and not to follow any trends or fit into any category. If you check out other reviews, you’ll see that no one can seem to agree on what type of music Exes For Eyes is and that’s a great thing.” – Jason Wellwood/Earshot

Tracking Listing:
The End Of Summer (feat. Björn Strid) (5:20)

Single Recording Credits:
• All songs performed by: Exes For Eyes
• All songs written by: D. Sheldon, J. Arsenian
• Produced by: Dave Sheldon
• Mixed by: Dave Sheldon
• Mastered by: Dave Sheldon
• Album Artwork by: Exes For Eyes

Album Band Line Up:
Vocals – James Arsenian
Guitars – Dave Sheldon
Drums – Aaron Spink
Bass – Graham Porter
*Guest Vocals – Björn Strid (Soilwork/The Night Flight Orchestra)

=======================================

STORY ANGLES / FUN FACTS ABOUT THE BAND

1. All band members can drive…however, On tour, Dave is the only one allowed to drive.

James was the last one to get his driver’s license (age 35?), but Dave has a fear of not being in control of the wheel at any given time.  Aside from a brief 45min stint on the 2014 west coast CDN tour where Graham drove, Dave has driven to and from every show since 2011.

2.  At one time we DID have 2 guitarists, but there was never a Randy Doyle.

As noted in The Ampler Grid’s liner notes, Randy Doyle was named 2nd Guitarist.

The name was actually derived from the rig used to play backing tracks for additional guitar work live.

Randy (Randall RH200 amplifier) Doyle (Doyle Audio Engineering 4×12 speaker enclosure)

3.  James enforcefully escorted a promoter to an ATM to withdraw our guarantee after a poorly promoted out-of-town show.  In 2008 (prior to creating EXES) James and Dave were tour mates in other bands.  We played an out-of-town show in Liverpool, Nova Scotia that was of poor promoting/attendance.  After the show, the promoter tried to run, but was intercepted by James and EXES Alum Evan Rose (not Randy Doyle).  They walked the promoter to the bank on the other side of town to withdraw a partial amount of the funds promised for the performance.

L-R – Dave Sheldon – Guitar, James Arsenian – Vocals, Aaron Spink – Drums, Graham Porter – Bass – Photo by Jason Spun

EXES FOR EYES is a project born of an overwhelming amount of mutual respect and admiration between two men. A respect for one another’s work ethic, musical proficiency, stylistic taste and of course, for each other as people. The concept of blindness, be it willing, involuntary, inherent or otherwise is so foreign and far removed from anything within the realm of experience for these men.

However as the process has begun to create this music, it has become apparent how limited one’s own vision can be when staring at the broad side of limitless potential and ambition. With the musical vision of Dave Sheldon (ex-Annihilator, Man With Target) and the lyrical conception of vocalist and frontman Big James (Endast, Authors) the project is very quickly taking shape into something more than either anticipated. The hope is to see the world of metal in a new light, with EXES FOR EYES.

Discography:
2021 – The End Of Summer (single)
2019 – Of Strength And Sorrow – LP
2014 – Tongues Like Figure Eights – LP
2011 – The Ampler Grid – LP

Shared stage with:
Silverstein, Slipknot, Faith No More, Korn, Alexisonfire, Lamb of God ,Iggy Pop, NOFX, Billy Talent, Mastodon, Bullet For My Valentine, Meshuggah, Within Temptation, Gojira, Testament, Arch Enemy, Lagwagon, Lita Ford, Marky Ramone’s Blitzkrieg with Andrew W.K., Warrant, Dokken, Neurosis, Rocket From the Crypt, Asking Alexandria, Periphery, Deafheaven, Coal Chamber, Nuclear Assault, Dying Fetus, Glassjaw, Ihsahn, Pentagram, Gorguts, B.A.R.F., Motionless in White, Moneen, Lofofora, Small Brown Bike, Pig Destroyer, Anonymus, The Flatliners, The Agonist, Fozzy, Nothing More, Jasta, Battlecross, Insomnium, Slaves on Dope, Omnium Gatherum, Wilson, Dead Tired, Toyguitar, Dig It Up

Tour and Festivals:
2016 – East Coast Awakening (Keswick, NB)
2015 – November To Remember (Central and Eastern Canada)
2015 – Heavy Montreal (Montreal)
2015 – TOURS Like Figure Eights (Central and Western Canada)
2014 – Flight Of The NavigaTOUR (Central and Western Canada)

Artist endorsements:
Sully Guitars, Omega Amps, ToneSpeak speakers, Airis Effects, Yamaha Drums, Headhunter drum sticks, Murat Diril cymbals

 

0 Rockshots Records – Greek Heavy Metal THIRTY FATES New Music Video “The Pretender” Off Upcoming Album “Circus Black” Out December 10th

  • October 13, 2021
  • by Asher
  • · Music News · Thirty Fates (Rockshots Records)

NEWS RELEASE

Montreal, QC – October 13, 2021

Rockshots Records – Greek Heavy Metal THIRTY FATES New Music Video “The Pretender” Off Upcoming Album “Circus Black”

New Album “Circus Black” Out December 10th

Rockshots Records will be releasing Greece’s Thirty Fates‘ new album “Circus Black” on December 10th, 2021. The upcoming full-length is a 9 track anniversary record to celebrate the trio consisting of brothers Elias and Nick Tzintzilonis and Stelios Papakostas thirty years in heavy metal as friends and bandmates.

In preview to the record’s release, the band is sharing their new music video for their second single “The Pretender”, a classic heavy metal song with great riffs that lyrically reflects the changes of a human personality to survive day by day.

Watch the music video on Rockshots Records‘ YouTube channel

The history of Thirty Fates begins in 1988 when they introduced themselves to the world in a band named Metal Invaders, which was soon changed to Black Fate. Under that moniker, they released a 4-track demo (1991), but soon after Elias (guitars) continued on to other various bands. Stelios (vocals) went on to a solo pop career releasing singles and touring all around Greece, along with forming the band Blow. Nick (drums) went on to other rock-heavy-pop bands, touring also as a freelancer and continuing on with Black Fate with four amazing musicians, where they released a self-titled EP (2001) and four full-lengths “Uncover” (2002) (Secret Port Records), “Deliverance of Soul” (2009) (Asiral), Between Visions & Lies (2014) (Ulterium Records) and “Ithaca” (2020) (Rockshots Records).

The trio of Thirty Fates explain how their reunion came to be:

“We felt the need to reform the band after so long time for our thirst of playing music together again. It came out spontaneously when we met each other five years ago, rehearsing the old staff reminiscing the good old times. Then we decided to re-record our first demo and some spare old songs, as we had all the efforts for making a record come to life. Seemed from the beginning we knew what exactly we wanted to do. Making music after so long, was a joyful ride from the past to the present & we really enjoyed it. For all our friends & loyal fans, who have followed for thirty years & also for our new friends. We hope you enjoy our music. It’s worth a listen.”

“Circus Black” is nine tracks of classic melodic heavy metal, with four tracks (Indifferent People, The Edge of Destiny, Be Free, The Pretender) from their 1991 demo, two unreleased tracks from the ’80s, and three tracks from Black Fate’s 2001’s rare ep along with a brand-new song. The album is for those who truly enjoy 80’s classic heavy metal in the vein of Iron Maiden, Judas Priest, Queensryche, Dio, and Ozzy Osbourne.

“This did not happen on purpose, but if you follow the track listing, it’ll feel like a concept album. From the circus visual till the last song, it represents the simple human needs, the ways someone searching himself, how intensifies himself in the society trying to find substance. For sure this belongs to the metal community.” adds the band.

Thirty Fates‘ new album “Circus Black” is due out December 10th via Rockshots Records.
Album pre-order / pre-save – https://bfan.link/circus-black
CD – https://bit.ly/ThirtyFatesCD

First single “Just For A Little” at the following links:
Music Video – https://youtu.be/l6fNSuCywA8
Digital – https://bfan.link/just-for-a-little


Track Listing:
1. Circus of Fate (intro) (0:56)
2. Indifferent People ft. Angel Wolf Black (4:56)
3. The Pretender (4:08)
4. Just For A Little (4:41)
5. Sign of Rebellion (4:27)
6. The Edge of Destiny (4:38)
7. Be Free (4:01)
8. Depression (5:23)
9. Because We Fly (4:36)
Album Length: 37:52

Album Credits:
– Music & Lyrics by Thirty Fates
– Album Art & design concept by Stelios Papakostas
– Production by Christian Rahm & Stelios Papakostas at Thirty Three Music Lab Studios

More info:
Rockshots.eu
Facebook.com/ThirtyFatesOfficial
Instagram.com/thirtyfates_gr

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 IDIOTEQ EXCLUSIVE STREAMS – BONE TOWER conjure a truly chaotic and crushing debut EP; new monstrous single “Mangled Wounds” streaming!

  • October 13, 2021
  • by Asher
  • · Bone Tower (No Funeral Records / Fresh Outbreak Records) · Music News

NEWS RELEASE

Montreal, QC – October 13, 2021

 

Atlantic Canada’s Bone Tower Conjure A Truly Chaotic And Crushing Debut EP “We All Will Die One Day”

Streaming Single “Mangled Wounds”

“We All Will Die One Day” Out November 5th via No Funeral Records & Fresh Outbreak Records


L-R – Bone Tower – Sean Carroll (guitars, bass), Jonas DeViller (electronics, vocals), Michael Bowers (guitars, bass, vocals)
Photo Credit: Hayley Frail

Both sonically and lyrically, the debut EP from Bone Tower, “We All Will Die One Day” represents a collective status of disarray. Challenging speed and complex rhythms serve to accelerate unfavourable feelings to the forefront of your mind.

The first single off this succinct record is “Mangled Wounds”, the words in which are totally up for interpretation and expresses a couple of different personal thoughts. According to the band, it was written both literally, outlining repeated trauma; as well as figuratively, about how one might process anxiety and depression. They continue to explain in their own words:

“Opening abruptly with tremorous blast beats and rattling vocals, this tune wastes no time in delivering its taunting message. With a sense of urgency, the cryptic lyrics rest upon escalating guitar licks, as drums rapidly push this anthem to the point of no return. Briefly, you are allowed to catch a quick breath, only to be slingshotted into a barrage of open chugs. The mainline ‘mangled wounds torn open again…’ is chanted back at you, and you are plunged into the second interlude track, ‘Cower Away’.”

The eight tracks on the EP come in at just over nine minutes, but capture a full array of raucous violence. “We All Will Die One Day” is abrasive, pissed off, and fatiguing. If you’re into that kind of thing, you’ll like it.

Bone Tower is a fresh group having started in February of this year, they came together with the sole purpose of creating this record, and have delivered on that with this auditory assault. The band worked collaboratively writing and performing the songs, it was produced, mixed, and mastered by Michael Bowers and the album artwork was done by Jonas Deviller.

For fans of grindcore and death metal, Bone Tower is suitable for fans of Full of Hell, Pig Destroyer, and Cryptopsy.

The single “Mangled Wounds” can be heard via its premiere on IDIOTEQ HERE.

The EP “We All Will Die One Day” will drop on November 5, 2021 via No Funeral Records & Fresh Outbreak Records.

EP pre-order – https://bonetower.bandcamp.com


Track Listing:
1. Dislodging Splinters (01:13)
2. Am I Conscious (01:16)
3. Mangled Wounds (01:15)
4. Cower Away (0:38)
5. Under A Veil (01:06)
6. Empty Cave (01:59)
7. The Sun (0:48)
8. We All Will Die One Day (0:50)
EP Length (9:09)

For more info:
Facebook.com/bonetower.hfx
Instagram.com/bonetower
EPK

About:
Bone Tower got its start early in 2021, with the sole purpose of channeling built-up negative energy and creating a hectic, pissed-off sounding record. Hailing from Atlantic Canada they got straight to the point through pummeling angry death metal.

Bone Tower is the musical equivalent of the chaos ensuing globally since last year. An angry jab back at the universe for anyone who was angry and watched the world unfold with racial upheaval, conservatives and conspiracists coming out of the woodwork against Covid, economic regression with millions losing jobs, the entire world changing beneath our feet, and for the politicians who claimed to be on our side but continue to fight against the truth.

The trio of Jonas DeViller (vocals/electronics/lyrics), Sean Carroll (guitar/bass), and Michael Bowers (guitar/bass/vocals) is a seasoned one at that and they were able to quickly write and produce their debut EP ‘We All Will Die One Day’ in two weeks. It came together as a whole very quickly and organically.

This is just the start for Bone Tower, they already have a follow-up record in the works. As of now, they are mostly a recording project but they intend on eventually playing shows. When they do finally play live, it’s bound to be just as fucked up as the recording.

EP ‘We All Will Die One Day’ is due out November 5, 2021.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Depleted Uranium – Origins (2022)

  • October 12, 2021
  • by Asher
  • · Depleted Uranium · EPKs

EPK – Depleted Uranium – Origins (2022)

For fans of Dillinger Escape Plan, Converge, Charles Bronson, Orchid, Spazz

Album Title: Origins
Release Date: January 28, 2022
Label: Independent
Distribution: Independent

DepletedUraniumband.com | Facebook.com/depleteduraniumband | Instagram.com/depleteduraniumband | YouTube

Depleteduranium238.bandcamp.com | Spotify

#2 – Canada’s College Radio Loud Chart For the Week Ending: Tuesday, March 8, 2022 (Earshot)

#7 – Canada’s College Radio Loud Chart For the Week Ending: Tuesday, March 29, 2022 (Earshot) 

“It’s raw, dystopian, apocalyptic and there’s no way I’m the only catching vibes of Tool’s “Prison Sex” and Voivod’s “Ravenous Medicine” from the video and Orchid, old Converge, Dystopia and Combatwoundedveteran from the tune (Beta Particles) itself.” – Decibel Magazine

“The music (which could be thought of as a blending of powerviolence and math metal) genuinely sounds insane — furiously so — and yet something about the experience makes sense. Not just because it sounds like people throwing away mental shackles and conventions, but also because the music simultaneously gets its hooks in your head. There’s a sense of order and precision of execution in it, at the same time as it seems completely disruptive of order.” – No Clean Singing

“Aside from grind, you’re getting a decent dose of mathcore, but even more often, the music veers into territory that I think would appeal to screamo fans. These parts are governed by clean-ish, anguished vocals and additionally infused with melancholy by the guitar. While they do the most to define the mood of the album, I’d still hesitate to pigeonhole it, as the band pivots from style to style often enough to give the music a nicely weird, free-form feel. If you’d like a take on the post-nuclear apocalypse that isn’t filled with boring zombies and mutants, look no further.” – Toilet Ov Hell

“All in all, “Origins” pretty much kicked me in the balls and announces that here is a new force to be reckoned with in the grindcore world.” – Wormwood Chronicles

“It’s carnage but carnage you’ll want to experience over and over again.” – Games, Brrraaains & A Head-Banging Life

“Origins is a deliciously disgusting album, there transpires a form of sincerity, without artifice or make-up. In about twenty minutes, Depleted Uranium will take you apart like a puzzle! This music is so visceral that it explodes the stomach and the ears.” – Aux Portes du Metal

“‘Origins’ is not only an impressive feat for a one take live performance, but it really has a lot of violent energy and the twenty minutes or so flies in. You sometimes find that powerviolence/grindcore can be a little one note (I know, I know, it’s kinda the point) but Depleted Uranium’s work has a lot more variety to it and isn’t merely noise for music’s sake. If you like your music ugly, visceral and yet a bit thought provoking then Depleted Uranium are going to be for you!” – The Killchain Blog

Top Clockwise: Corey (Bass), Nick (Drums), Murray (Guitar, Vocals), Babak (Vocals)

Failure is the only way to learn. Expression is the only way to live. Communication is the only way to see. Silence is the only way to hear.

Spanning over 10 years together as a band, Depleted Uranium delivers a mathematically precise, fast-paced and aggressive sound. Formed by friends and former bandmates, Andrew Murray (guitar), Nick Misasi (drums), Babak Kazemzadeh (vocals), and Corey Stinson (bass) have been the core of the Depleted Uranium for most of its existence.

The intensely delivered music of their live performances was captured in their first full-length, self-produced, and self-titled album released in 2018. In 2022, they will follow this up with “Origins”, a record that contains material from the band’s first years and gives a history of who they are and where they come from. In their youth, as many are, they were dissatisfied with their current surroundings and they channeled built-up emotions into the music.

Delivering a precise, intense, non-stop, energy-filled, technical performance with a custom strobe light show every time, Depleted Uranium plans to continue evolving as a band and begin writing new music in the near future.

===================================================

Describe the album as a whole (LYRICALLY & MUSICALLY)

Origins is our band’s history of who we are and where we come from. It is meant to be listened to in reference to our self-titled, debut release; Depleted Uranium, to give a perspective that will also further be referenced in our future releases. Both lyrics and music hold a high tension and are expressed without hesitation. Both are relevant to our time and space of creation and are embodied with existential yet direct meaning. The Album as a whole was a statement of youth being dissatisfied with the existing conditions of reality and channeling our experience into what it is today. “If one cannot withstand the hot glow of anger upon the discovery of a wrong, then time is wasted thinking deeply”. Our band name, our lyrics, and our music are a product of the system with the right individuals as the recipe. Our message in the album is to strive for personal freedom and to focus on what you want rather than what you don’t. This album was a path out for all of us.

Describe each song track by track (LYRICALLY & MUSICALLY)
Lyrics notes from Babak. Music notes from Andrew

1.     Depleted Uranium: Lyrically, it makes a case for general apathy towards “the system” while accepting that you’re on your own to navigate through life.  No one’s coming to save you. Figure your shit out. Musically, we wanted to be in and out in under 1 minute.

2.     The Tear and the Flood: Lyrically, it is ultimately about death.  It’s about accepting that you will end and maybe making that happen before it happens on its own. Musically, it was to create the shock of transition, a before and after moments like a car accident or amputation, and you will never go back ever again.

3.     Alpha Particles: Lyrically – ”Life will end, and what counts is how you felt when you could breathe” along with the never-ending quest of “why?”. Musically, it was as we do with our music, but it dawned the first 5/4 time on our journey in an attempt to fuse Power Violence with Math Metal. It evolved our dual vocals and the band as a whole. To this date, we have never tired of playing it.

4.     Van Halen Radiation Belt: Lyrically, this song is about the concept that morality is relative and not absolute. Things aren’t so black and white;” You’re with us or you’re with the terrorists”. Musically, it was a throwback to simplified early punk song progressions, but done our way. Get in, get ‘er done and get out.

5.     Beta Particles: Lyrically, this song is about being socially marginalized.  For whatever reason.  It’s about society’s aim to “cure” those who are different.  To assimilate or destroy vs accept, by any means necessary. Musically, it was born when we were starting to solidify in our songwriting and the process was fairly quick. The big transition in the middle was due to our 4-track recorder eating the tape of the first demo recording and when we listened back, it made the song. Once Blair (2nd guitar) joined, it was the song that began highlighting the simplified dual guitar harmonies.

6.     Counter Balance: Lyrically – “How long must I buy your lies? Shut my mouth, swallow my pride? Bow my head and kneel? While you write the pages of history in blood?”. Musically, it is our longest album song at just over 3 minutes and was originally 2 different songs that got fused together, hence the length. The ending breakdown of this song sums up the journey through it, and this song truly made the music and lyrics one unit upon the end precipice of the song, along with all future rehearsals and recordings as a band.

7.     Deficiencies: Lyrics – It’s hard to change people’s minds sometimes. Musically, it was a thrash rock out song written after the intensity of Counter Balance. It is meant to bring you back to why you started making music in the first place; to rock out and have fun!

8.     Small Odds: Lyrics – “If you believe, there will be a brighter day”. Lyrics (Andrew) – The strive for freedom, however, an individual may interpret that and never give up, learning and success are based on countless failures. Musically, another throwback to Melodic Hardcore with a mathy intro. Also a change of key from many songs on the album, the idea was to keep it simple as the dual vocals are the front line.

9.     Open Wound Diaries: Lyrics: This song is about suicide. Musically, it further expressed our math itch and the simplified dual guitar harmonies. It was meant to be a thunder cloud of sound, seemingly out of control yet totally calculated while giving a dark, chaotic ambiance for the lyrics.

10.  Percentages (Bonus Track): Lyrics are about losing control of your own thoughts and mind to propaganda and mainstream thinking. “Too late, or not, it is your choice”. Musically, it was another fusion of 2 songs and a switch back to melody. It was recorded in 2008 and features Matt Kozma on bass (2007-2009) minus Corey (existing bass) and Blair (2nd guitar). It is also only available on the Physical CD of Origins as a Bonus Track. Throughout the song, it represents the album journey as it contains an influence of all songs on the album, and is to be listened to as the finale.

[Download Album Cover | Download Album Lyrics]

Album Title: Origins
Release Date: January 28, 2022
Label: Independent
Distribution: Independent

Track Listing:
1 – Depleted Uranium – 0:43
2 – The Tear and the Flood – 1:19
3 – Alpha Particles – 1:56
4 – Van Halen Radiation Belt – 1:16
5 – Beta Particles – 2:06
6 – Counter Balance – 3:01
7 – Deficiencies – 2:01
8 – Small Odds – 1:44
9 – Open Wound Diaries – 2:28
Digital Album Length: 16:39
10 – Percentages – 4:56 (BONUS TRACK ON CD ONLY)
CD Album Length: 21:35

Album / Single Recording Credits:
• All songs performed by: Depleted Uranium
• All songs written by: Depleted Uranium
• Produced by: Andrew Murray
• Mixed by: Dave and Zeppelin at Encore Music Studio
• Mastered by: Alberto Bandino at Cutfire Studio
• Album Artwork by: Depleted Uranium circa 2008-2010
• Canadian Content (MAPL)
Album Band Line Up:
Andrew Murray – Guitar/Vocals
Nick Misasi – Drums
Babak Kazemzadeh – Vocals
Corey Stinson – Bass
Blair Hearsum – Guitar (tracks 1 – 9)
Matt Kozma – Bass (Album bonus track 10)

Live Band Line Up:
Andrew Murray – Guitar/Vocals
Nick Misasi – Drums
Babak Kazemzadeh – Vocals
Corey Stinson – Bass

Discography:
2021 – Origins – LP
2018 – Depleted Uranium – EP
2008 – Demo
2006 – Demo

Shared Stage with:
My Hollow, Goreworm, Operess

Tours and Festivals:
2021 – Ontario Death Fest (Toronto, ON)

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