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Tag: music

0 Streaming Now! EATEN BY SHARKS Is Proud To Present Their First Person Horror Experience “Eradication” – Produced by Chris Donaldson (Cryptopsy)

  • August 25, 2022
  • by Asher
  • · Eaten By Sharks · Music News

NEWS RELEASE

Montreal, QC – August 25, 2022

 

Streaming Now! EATEN BY SHARKS Is Proud To Present Their First Person Horror Experience “Eradication”

New Album “Eradication” Out August 26, 2022

Produced by Chris Donaldson (Cryptopsy)

L-R – Tyler Abrams (Bass) | Justin Whitehead (Drums) | Matt Sherriff (Vocals) | Chris Chaperon (Lead Guitar) | Dan Okowinsky (Guitar)
Photo Credit: Lisa Thompson

Canada’s Eaten By Sharks has been lying in wait to release their new album “Eradication” and the time has come for it to ascend to the surface. Album-wise, it’s a diverse combination of songs pulling from their influences in death, tech, and thrash metal. Each song has something different from the next one but it stays in line with the metal. The band comments about the record:

“We are so excited to set sail with the release of “Eradication!” The fact that it is being released and streaming have us stoked that our hard work gets the sendoff it deserves. We pull from various elements of thrash, Death-core, Traditional Death Metal, Tech-metal, and Hardcore and match that up with the horrors of the deep. Each of the songs on the EP has a different approach to our influences, however, it retains a solid instrumental and lyrical theme throughout the tracks. Conceptually, we keep things on the water and embrace the image of the fear and respect that comes from the breach of a single dorsal fin.”

“Eradication” toes the line of music and concept, metal meets shark. The album delivers seven tracks, lyrically depicting the horrors of mankind using oceanic imagery. Eaten By Sharks puts their best fin forward, pulling out all the stops to get the listener to drop anchor and experience the package as a whole. Lots of tasty treats await the discerning metal fan through their instrumental approach, as they progressively chomp through each song with razor-sharp riffs and bone-crunching rhythms.

“Eradication” was produced, mixed, and mastered by Christian Donaldson (Cryptopsy) and the album artwork was done by Shindy Design. Eaten By Sharks is recommended for anyone brave enough to dive headfirst into the horror as well as fans of Gojira, Despised Icon, and Fit For An Autopsy.

Listen to the full stream premiere of “Eradication” via Bravewords HERE.

The album will be available on August 26, 2022 at the following links:

(CD) – Eatenbysharks.bandcamp.com​

Digital pre-save – https://distrokid.com/hyperfollow/eatenbysharks1/eradication​

Music Video – “Dead Weight” – https://youtu.be/fKQq6XGrZh0

​

Music Video – “Shallow Water” – https://youtu.be/rcIuWdHD_w0

​

Music Video – “Depth Charge” https://youtu.be/8Kal6LJa9ik

​

Track Listing:​
1. Shallow Water – 4:16
2. Dead Weight – 3:12
3. Kill and consume – 4:06
4. Same Face, Different Mask – 4:26
5. Depth Charge – 3:07
6. Apex Predator – 3:20
7. Megalodon – 4:55
Album Length: 27:24

Eaten By Sharks is:​
Matt Sherriff – Vocals
Chris Chaperon – Lead Guitar
Dan Okowinsky– Rhythm Guitar
Tyler Abrams – Bass
Justin Whitehead – Drums

Album Recording Credits:​
• All songs performed by: Eaten By Sharks
• All songs written by: Eaten By Sharks
• Produced by: Christian Donaldson
• Mixed by: Christian Donaldson
• Mastered by: Christian Donaldson
• Album Artwork by: Shindy Design
• Member of SOCAN
• Canadian Content (MAPL)

For more info:​
​https://www.facebook.com/eatenbysharksband​
​https://www.instagram.com/eatenbysharksmetal​
​https://twitter.com/EatenbySharks00​

About:

A different type of beast has emerged from the murky depths of the Niagara metal scene. Eaten By Sharks is prepared to usher in a new wave of aquatic brutality, and devastate the landscape with a perfect blend of technical precision and unbridled aggression. The wait is over. There is blood in the water. The feeding frenzy is about to begin…..

Shared Stage with:
Revocation, The Faceless, Dying Fetus, First Fragment, Beyond Creation, Emmure, Upon A Burning Body, Beneath the Massacre, Brought By Pain

Discography:
2022 – Eradication
2013 – We’re Gonna Need A Bigger Boat – EP

– 30 –

“If you’re new to the group, they’re from Ontario, and like the majority of Canadian tech-death bands, they’re damn good at what they do. Don’t let the goofy band name and oddball cover art fool you, this is not amateur hour stuff… As for what the song has to offer, “Depth Charge” is built on continual flipping back and forth between heavy groove terrain and frenetic riffs aided by ripping leads. In doing so, the song feels almost wave-like in its structure, an ever-changing stream of back and forth battling going on underwater. From the time I’ve spent listening to the full release, this is definitely an album many of you will enjoy.” – Metal Injection
​
“These guys are all business, and put together a pretty compelling, often crushing effort ” – Metal Rules
​
“Shit, did they put on a solid show and constantly required crowd interaction. They seamlessly blended classic and modern death metal with some technical flare here and there. I was thoroughly impressed with this awesome band, and can only add another solid band to the ever-growing laundry list of opening bands that may or may hit hit the spot…..and Eaten By Sharks fucking shredded!” – Technical Music Review (Live Review – Eaten By Sharks Opening for First Fragment – St. Catharines, ON -12-2-18)
​
“They groove a ton, with some sweet guitar licks for good measure to keep your ears engaged. They’re a mix of classic and new death metal, and just as ferocious.” – Technical Music Review

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Revel In The Violent, Dystopic Assault Of ALL ELSE FAILS’ “Flesh/Excess/Wealth”; New EP “The Incident at Black Lake” Out Sept 30th

  • August 24, 2022
  • by Asher
  • · All Else Fails · Music News

NEWS RELEASE

Montreal, QC – August 24, 2022

 

Revel In The Violent, Dystopic Assault Of ALL ELSE FAILS’ “Flesh/Excess/Wealth”

New EP “The Incident at Black Lake” Out Sept 30th

L-R – Coco Lee (Bass / Vocals ) | John Saturley (Guitar) | Barrett Klesko ( Vocals / Guitar) | Nelson Collins – Lee ( Drums )
Photo Credit – Barrett Klesko – FadeBack Studios United

Edmonton, Canada’s All Else Fails knows a thing or two about the local music game with an impressive nine albums under their belts since getting together fifteen years ago. They have another work ready for audiences this year, one that is personal, direct, and in the current era, more relatable. “The Incident at Black Lake” is 25 minutes of technical, harsh, and melodic metal that is being supported by show dates in September.

Initially, the band toyed with releasing the album as one long track, but has broken it into digestible singles that will be released in the coming months. They do recommend listening to it as a whole, ideally on headphones, or with a great home speaker setup. They spent a lot of time working on the sonic headspace of this release. Vocalist/guitarist Barrett Klesko explains the personal background of the first single “Flesh/Excess/Wealth”:

“This song explores the horror of having the sense of my own humanity removed from my conscious existence. I put progress and individualism over kindness and community, I have forgotten that I am part of a greater universe to which humanity has barely opened our eyes at. I hurt myself in the name of our god; currency, I humiliate myself at the altar of ego. I place the needs of the unknown few above the wanting many and am often not aware of doing so. This song is about disconnection. Musically it is oppressive, militant, violent, and aggressive.”

“Flesh/Excess/Wealth” is a violent, dystopian assault on the senses. The depths of its endless despair are contrasted ever slightly by the glimpse of hope in its reminder that we are more, we come from dust and will return to it, as do the stars, as will the Earth. The softer, ethereal eastern musical elements are employed to offset the crushing march of industrial percussion, a nod to the band’s recent experiences in India.

The song is heavy, fast, and technical while carrying an ambient melodic beauty in its pre-choruses and bridge. Backed by thrashy guitars and animated drums, the driving chants in the vocals are huge, evoking a feverish mass hysteria. It is recommended listening for fans of Chimaira, Killswitch Engage, and Revocation.

The single “Flesh/Excess/Wealth” can be heard via its premiere on Spaceuntravel – https://youtu.be/gozwhiGftJM

​The album “The Incident at Black Lake” is out on September 30, 2022.

Show Dates:​
Sept 17 – The Vat – Red Deer, AB

Track Listing:​
1. I, Defiler (5:48)
2. Devour the Sun (8:24)
3. Flesh /Excess /Wealth (5:36)
4. Crystal Mountain (5:19)
EP Length: 25:09

All Else Fails is:
Barrett Klesko – Vocals, Guitar
John Saturley – Guitar
Coco Lee – Bass, Vocals
Nelson Collins-Lee – Drums

About:

Over the last 15 years, Edmonton, Alberta based award-winning metal band All Else Fails has become a cornerstone of the melodic heavy metal community in Canada. Combining intense riffs, intricate rhythm sections, brutal guttural screams, and melodic yet unusual vocal lines paired with relevant and relatable lyrics, All Else Fails’ message resonates with us all.

Formed in 2006 with the release of their self-titled EP, All Else Fails has gone on to release 9 studio albums, many of which have garnered awards and nominations from across the Canadian music industry and have propelled the band into live performances all over the world, including their massively successful tour of India in 2017.

For the past two years, the band has been hard at work writing their new album “The Incident at Black Lake.” A deeply personal, brutally honest, and staggeringly complex take on the reality-bending mental struggles of vocalist and founder, Barrett Klesko (The Misfires, The Order of Chaos). The band is filled out by guitarist John Saturley (The Order of Chaos, Skepsis), bassist and vocalist Coco Lee (Eternal Prophecy), and drummer Nelson Collins-Lee (The 21st Agenda, Skepsis). The album is produced by Bevin Booth of In the Booth Recordings and engineered at The Electric Treehouse in Edmonton, Alberta.

In 2022, the band is returning to their DIY roots by mindfully abandoning their social media and redirecting their energy to contributing to their local metal scene by building a direct personal connection to their fans and followers, living in line with a humanist philosophy and encouraging a culture of support between artists. All Else Fails’ new single “Flesh /Excess /Wealth” drops in early September with the full EP “The Incident at Black Lake” releasing September 30th. Fans can experience their explosive new live show this fall in Western Canada.

– 30 –
​

“A Monster of a Metal Opus” – The Edmonton Journal (The False Sanctuary 2018)

“All Else Fails has a striking level of detail, constant melodic bloodshed and unremitting rhythms that push through your throat leaving you with no choice but to bang your head.” – Boston Rock Radio (The False Sanctuary 2018)

“They are by turns pissed and melodic, speedy and anthemic – but always organic sounding….their song “The Sons Of Plenty”, a tune that encompasses all those things and demonstrates what the band is capable of.” – Gear Gods (The Forever Lie 2017)

“Guttural heaviness + impacting music = You’ll like it!” – CFMU 93.3 FM – Master Radio (Hamilton, ON) ( The Forever Lie 2017)

“From song to song you are greeted by pummeling riffs, heavy blasting drums, thick bass lines and vocals that transition between menacing and deadly growls to soaring and highly intoxicating cleans. Before you know it All Else Fails has you headbanging and singing along to each of their songs.” – Cadaver Garden (The Forever Lie 2017)

“this six track EP sees this quartet expand their mutant thrash blueprint with doses of melodic crooning and bursts of dizzying orchestral strings on Obedience At The Altar Of Sacrifice.” – Metal Hammer Mag UK (Fucktropolis – 2013)

““Fucktropolis”. What an awesome name for an EP. And what an awesome EP it is.” – Metal Temple (Fucktropolis – 2013)

“They have a very ominous sound, if you will, with quick, intricate and skillful instrumentals – especially the drumming. Their talent really shows through in their final product.” – Spill Magazine (Fucktropolis – 2013)​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canadian Grind/Hardcore Duo GREBER (members ex-F*ck The Facts, The Great Sabatini) Unleash Next Single “Tree Carving”

  • August 23, 2022
  • by Asher
  • · Greber · Music News

NEWS RELEASE

Montreal, QC – August 23, 2022

 

Canadian Grind/Hardcore Duo GREBER (members ex-F*ck The Facts, The Great Sabatini) Unleash Next Single “Tree Carving”

New Album “Fright Without” Out September 2022

Photo by Austin Gibson
Editing by Youth and Rust
Left to Right – Steve Vargas – Drums and Vocals, Marc Bourgon – Bass and Vocals

The deadly duo of Canada’s Greber is a harsh hardcore concoction that has a solid new LP “Fright Without” coming out this year. Since getting together way back in 2006, they have come out with an impressive array of albums including four full-lengths and six splits with a myriad of crushing bands. Thus far, they have put out two singles and are now following them up with a third in order to get fans stoked on the new release. The single “Tree Carving” is the shortest track on the album, at just a minute and a half, but it delivers a full barrage of grindy low end, backed by aggressive drums. They explain the single further:

“As Robert MeKee proclaimed in Charlie Kaufman’s “Adaptation” – “Wow them in the end, and you got a hit. You can have flaws, problems, but wow them in the end, and you’ve got a hit.” Well, hopefully, the listener is wowed with this short rager of a song and this record is a SMASH HIT. Lyrically it’s a trifecta of three paths with four souls hosting many regrets and no foreseeable way to undo it all.”

Greber is the powerhouse duo of Steve Vargas (drums/vocals) (The Great Sabatini, BIIPIIGWAN) and Marc Bourgon (bass, vocals) (ex-F*ck The Facts, Cancelled) who deliver a full sonic assault of grind and hardcore, leveraging the small member count to allow for more flexibility in their writing process. Bourgon, who writes the skeletal structures for the songs, always starts with lyrics – sometimes even just a title. He carries a journal around with him and the fleeting observations that make it in there, are what inspires most of his conceptual content. He says that “we all have this beautiful gift of seeing the world very differently than the next person and I’ve found that capturing those nuanced differences to be both liberating and maddening.”

Bands that are hard to pigeonhole, are the kind of bands that the guys in Greber enjoy and they love that they can do something different and not completely cause anyone to retch. Or CAUSE them to retch in a good way. They are recommended listening for fans of Cult Leader, Primitive Man, and Black Sheep Wall.

“Tree Carving” can be heard via its premiere on NoCleanSinging HERE.

“Fright Without” is slated for September 9, 2022, and will be available from the following labels: Ancient Temple and Nofuneral for Vinyl, CD, and Cassette in Canada, Hibernation Release for Vinyl in the USA, and 7 Degrees and Fresh Outbreak for Vinyl in Europe.

Album pre-order – https://greber.bandcamp.com​

Previous Singles:​
Music Video – “Into Silence” – https://youtu.be/GYHIJSuFUrM

Visualizer – “Fabricated Purpose” – https://youtu.be/gsixqce68i8

Tour Dates:
Sept 9 – Jack Burger – Kitchener, ON
Sept 10 – Roti – Ajax, ON
Sept 16 – Turbo Haus – Montreal, QC
Sept 17 – House of Targ – Ottawa, ON
Oct 7 – Crafts Heads Brewing – Windsor, ON
Oct 14 – Doors Pub – Hamilton, ON
Oct 15 – Onyx – Guelph, ON

Track Listing:​
1. Form (2:21)
2. Aging Debt (2:22)
3. Fabricated Purpose (3:43)
4. Into Silence (2:59)
5. Bush Cord of Entrails (1:56)
6. Larkinitis (3:25)
7. Dark Corners (2:34)
8. Rats of Subversion (4:52)
9. Nosebleed (3:05)
10. Tree Carving (1:33)
Album Length: 28:55

For more info:​
​http://www.facebook.com/grebermetal​
​http://www.instagram.com/grebermetal​

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s AQUILA Unleash “The Great Fire”, A New Music Video and EP of Aggressive and Progressive Brutality

  • August 17, 2022
  • by Asher
  • · Aquila · Music News

NEWS RELEASE

Montreal, QC – August 18, 2022

Canada’s AQUILA Unleash “The Great Fire”, A New Music Video and EP of Aggressive and Progressive Brutality

Hamilton, ON, Canada’s AQUILA return in 2022, after taking a short vow of silence since releasing two EPs in 2020 “Valle Mortalitatis” (Feb) and “Jewel of the Empire’s Crown” (July). The band recently unleashed this past June their latest offering entitled “The Great Fire”, which continues their love affair with historical stories of the Roman Empire.

“We write about Roman events and themes like battles and certain emperors. It was brutal times back then, so the listener gets a little history lesson as well. I write my own twists and spice things up for the story in the song.” adds vocalist Mark Arruda.

“The Great Fire” is a concept record of four songs about the Roman Emperor Nero who is known for killing Christians and The Great Fire of Rome (Jul 18, 64 AD – Jul 23, 64 AD). This recording is musically the most brutal and progressive material the band has written emphasizing the METAL into METALcore once again.

“This is our best material to date. It’s brutal, heavy, and catchy and it’s a rollercoaster ride. It has the Aquila sound still with some added influences to our sound. We have matured as people and as songwriters during this time of the pandemic. To be honest, this EP saved us from going crazy during these troubled times. It helped us stay focused and motivated through it all. I hope people give it a listen, we are metal fans and metal lovers. I’ve been in metal bands since 1999 and I’m, I mean, WE are so proud of this EP.” comments Arruda.

The opening and title track “The Great Fire” starts off slow and then it explodes. It is the band’s traditional straightforward in-your-face track with a Power Trip style breakdown in the middle of the song. The lyrics are about Nero causing the fire and that he wanted it to happen. From there you enter the “Emperor’s Curse”. This song starts off brutal and it is a rollercoaster of a track, traveling into Tool-like drumming and guitars with a catchy hook at the end of it. It’s the most progressive song AQUILA has ever written and was inspired by their own song, “Bound For Glory”, from their 2009 debut album “Imperium”. After a very brutal beheading and crucifixion of Christians to Nero taking his own life, track 3 “A City Risen” is about what Nero is thinking before he takes his life or even after his death. The song is at a slower pace, but hits heavy with many hooks. “I think it’s my best vocal performance ever. I used my singing range for this one, not just straight death metal vocals for this one,” says Arruda.

EP closer, “The Plague of Galen” was written when vocalist Mark Arruda and drummer Mark McGuire reconnected just before the Covid pandemic and felt it was fitting to write a song about a plague that happened in Rome many centuries ago. The song has a melodic death metal feel to it that you can certainly headbang to. The breakdown in the middle is crushing, ending with Iron Maiden-influenced guitar playing.

With all its fury and melodic groove, “The Great Fire” is just the next taster for fans old and new alike, as the band continues writing for a full-length album to be released in the near future. The band adds:

“We want our listeners to experience the emotions on this EP, there are elements to headbang to and elements of anger and sadness as well. Each track is different from one another with a lot of hills and valleys.”

And local fans in Hamilton, ON will be able to experience them live for the first time since 2014. The band will be performing on September 2nd at Doors pub alongside Kings In Graves, With Fists Open, and Demise of Ourselves. More info here.

Recommended for fans of Gojira, Lamb of God, Killswitch Engage, and In Flames, AQUILA‘s new EP “The Great Fire”, released on June 30th is available on Spotify, Aquilametal.bandcamp.com (CD), Apple Music.

The band’s new music video for the EP’s title track can be seen and heard at https://youtu.be/saRz5k0b_aI​

Track Listing:​
1. The Great Fire – 5:11
2. Emperor’s Curse – 8:15
3. A City Risen – 4:16
4. The Plague of Galen – 6:16
EP Length: 24:00

EP Recording Credits:​
• All songs performed by: Aquila
• All songs written by: Aquila
• Produced by: Aquila
• Mixed by: Aquila
• Mastered by: Aquila
• EP Artwork by: Silent Q Design
• EP and Live Band Line Up:
– Mark Arruda – Vocals
– Matt McGuire – Drums
– Anthony Rimac – Guitar
– Tony Medina – Guitar
– Colin Wakil – Bass

For more info:​
​https://www.facebook.com/AquilaMetal​
​https://www.instagram.com/aquila_metal​

About:​
Aquila is a Canadian metalcore band from Hamilton Ontario. The roots of their sound are from the early 2000s metal scene.
​
They started in 2006 with Matt McGuire (drums) and Anthony Rimac (guitarist) in Windsor Ontario. In 2009, Aquila entered the studio with Chase Bryant (current bassist for Warbringer), Matt Shelson (guitarist), and Mark Arruda (vocalist) and began working on their debut album, Imperium, with Glenn Fricker in Windsor, Ontario. From 2009 to 2013, they toured for their album across Canada, including a lengthy east and west coast tour, and multiple weekly shows in Ontario. Sharing the stage with the likes of Cryptopsy, The Agonist, Misery Index, Threat Signal, and many more, Aquila with their aggressive stage attitude can sure entertain and work the crowd.
​
In 2020, Aquila released 2 Eps, Valle Mortalitatis and Jewel of the Empire’s Crown. The 7 songs were recorded back in 2013 with Glenn Fricker, but were never released at that time.
​
Now with new guitarist Tony Medina and bassist Colin Wakil, Aquila worked hard to release a new EP called The Great Fire in 2022. The 4 songs were written, recorded, mixed, and mastered by Aquila. A video for the title track, The Great Fire, was recorded by the band as well.
​
​“We started writing for this EP in 2020. The pandemic made it very difficult to get together. We also had to find a new guitarist. Once Tony joined the band he quickly learned the songs and started helping us record and mix ourselves. No pressure, just us in our element. I think the growth and maturity in our sound on this Ep. is obvious. This Ep is us, brutal and in your face.” – Mark Arruda – Aquila
​
Aquila’s latest EP “The Great Fire” was released on June 30th, 2022, and is available on all digital platforms.

– 30 –

“Aquila strikes that excellent balance between aggression, heaviness, and constructing memorable earworms that keeps up listener engagement. The Great Fire embodies an ideal melodeath metalcore product – ready to take the band up from the underground into making worldwide impressions with their music.” – Dead Rhetoric (2022)

“There are plenty of great guitar solos and fills on this album, with the ones in ‘Bound For Glory’ and ‘Within These Flames’ especially standing out…. Aquila’s “Imperium” brings the fury back to metalcore, creating an album full of aggressive vocals and face-melting riffs and solos. “Imperium” is a mostly great debut from a band that’s hopefully on its way to even greater heights.” – Metal Underground (2010)

“A notable difference between Aquila and other Southern Ontario bands is that they thrash throughout their songs, have great guitar leads and refrain from plastering breakdowns throughout their music. They keep it raw and interesting…. Everyone should pick up a copy of Imperium next time Aquila comes to your town. Fans of Assassinate The Following, Unearth, Bloodshoteye and Odium will headbang to Aquila. This band will be legend… Wait for it…. dary.” – V13 (2011)​
​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)
​

0 Montreal’s THE OCCULT Are Now Streaming Self-Titled Debut Album; Stream Premiere On IDIOTEQ

  • August 17, 2022
  • by Asher
  • · Music News · The Occult

NEWS RELEASE

Montreal, QC – August 17, 2022

​

Montreal’s THE OCCULT Are Now Streaming Self-Titled Debut Album

Debut S/T Out August 19, 2022

Montreal’s The Occult is a punk-infused rock n’ roll outfit that is now streaming their debut self-titled album. Relentless, catchy, and gritty, The Occult blends all the best parts of grunge, thrash metal, and rock n’ roll into thirteen tracks with a variety of lyrical themes that will get listeners moving. The band started when vocalist/songwriter Eric Savanis penned the first track “In This Night” back in 2011, since then he has recruited other musicians to bring the project to life. He comments on the upcoming release:

“In the tarot, The Fool, represents a type of naive innocence. In the traditional Rider Waite deck, you can see The Fool starting his journey with one foot about to go over a cliff. He might complete his journey or fall to his death. He’s having a little bit too much fun to realize that he should probably mind his surroundings. This sentiment is exhibited perfectly on the record. There was a sense of careless, edge of a knife, abandonment when I was writing it. The themes are definitely unhinged in certain places which makes for an interesting story.”

Amidst the dark lyrical content such as murder, politics, and disdain for religion, The Occult is ultimately a celebratory band. They like to ensure that people leave the show with a smile. Hoping that people will forget their problems and become fully immersed in the music, they hope to provide a transcendental experience. Well-rehearsed, they don’t get on stage and wing it, they are dedicated, passionate, and meticulous about their music. Savanis hints that there is even more material waiting in the wings, so those thirsty for more should keep an ear out for future releases.

The record was produced by Savanis; mixed and mastered by Maxime Philippe. The wide range of influences makes The Occult suitable for listeners across the punk and metal spectrums, especially those with an interest in The Ramones, Type O Negative and Life of Agony.

The album is streaming now in full via its premiere on IDIOTEQ HERE.

The self-titled album will be available on August 19, 2022.

Digital album pre-save – https://linktr.ee/officialTheOccultband​

Music Video – Into This Night – https://youtu.be/uJm7S-rGKio

​

Music Video – Watch You Die – https://youtu.be/6-Lfr7_bUO8

​

Track Listing:​
1. Watch You Die – 3:05
2. In This Night – 2:59
3. Deth Doll – 3:22
4. Strangling Republicans – 2:48
5. It’s Amateur Hour – 2:49
6. 20 Years – 2:59
7. Dots – 2:05
8. Gotta Love Those Humans – 3:47
9. Dine with Me – 1:56
10. Team Satan – 3:48
11. Planet Pisces – 2:44
12. Nicole – 2:51
13. Occupy Unite – 3:14
Album Length: 35:50

Album Recording Credits:​
• All songs performed by: The Occult
• All songs written by: Eric Savanis
• Produced by: Eric Savanis
• Mixed by: Maxime Philippe
• Mastered by: Maxime Philippe
• Album Artwork by: Ishca Photography
​
​Album Band Line Up:​
Vocals: Eric Savanis
Rhythm/Lead Guitar & Back Vox/Co-Lead on Dots Vox: Alex Klimatiris (Purple Meadow)
Bass & Back Vox: Gianni Berretta (House of Dusk)
Drums: Justin Piedimonte (Immortal Guardian, ex-The Chronicles of Israfel)
Guest Vocals on Planet Pisces: Lord Fez Khan (ex- Crosstitution, Double Cross)
​
​Live Band Line Up:​
Vocals: Eric Savanis
Rhythm Guitar & Back Vox: Rafael Corzo
Bass & Back Vox: Carlos Carvalho
Drums: Adrian Sowavey

For more info:​
​https://www.facebook.com/TheOccultBand​
​https://www.instagram.com/theoccultband​

– 30 –
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Progressive Power Metallers IMMORTAL GUARDIAN Release the “Southern Rain”

  • August 16, 2022
  • by Asher
  • · Immortal Guardian (M-Theory Audio) · Music News

NEWS RELEASE

Montreal, QC – August 16, 2022

 

Progressive Power Metallers IMMORTAL GUARDIAN Release the “Southern Rain”

Photo Credit – Brett Rivera

IMMORTAL GUARDIAN release “Southern Rain,” the latest new song and music video this year from the progressive/power metal band. The digital single can be heard at all streaming/download platforms or watch the video here – https://youtu.be/zvjd7wyAn54

​“For several moments in our history, we have doubted the humane side of humanity. Now, this is the moment we arise to say: ENOUGH! No matter how hard things get, no matter how south things go, we will never back down,” states singer Carlos Zema. “We will not race against the races. We will not stand as victims anymore. We will unite and persevere against all the bullets that our families dodge every day. Together as one, we stand against the next bloodstain in our history, at all costs.”

“Southern Rain” is the third new song the talented and hard-working quartet has released since the spring highlighting their efforts in creating the follow-up to the successful 2021 ‘Psychosomatic’ album behind “Ozona” and “Echoes” forming a basis for their next conceptual piece.

‘Psychosomatic’ has been lauded by Metal Temple for its “melody and power, two things displayed in a smashing way throughout this album” and led Metal Rules to call the group “one of the most interesting bands that have emerged in recent years on the international power metal scene.” Video clips for the title track,“Candlelight,” and “Phobia,” the latter of which featured a guest appearance by Angra guitarist Marcelo Barbosa, have captured the ears of heavy metal fans worldwide, while their videos for “Clocks,” “Lockdown” and “Read Between The Lines” have earned praise from the likes of MetalSucks, Metal Injection and Gear Gods. CD and digital editions of “Psychosomatic” are still available for purchase at https://www.smarturl.com/immortalguardian.

After making a splash via their 2018 full-length debut “Age of Revolution” – which featured its own fair share of creative music videos, including the “Armageddon”-meets-telenovela clip for “Stardust” – and through tours with the likes of Marty Friedman and Exmortus, IMMORTAL GUARDIAN gathered in Las Vegas at the beginning of 2020 to record their second album. As the spread of COVID-19 and the subsequent pandemic began to ensue, shutdowns around the world began being enforced, resulting in the band completely scrapping the record that they had been working on and writing and creating a new thematic record about their emotions surrounding current events. The resulting “Psychosomatic” was a truly multi-national record, with guitarist/keyboardist Gabriel Guardian – known for his uncanny ability to play the two instruments simultaneously – remaining in Las Vegas, singer Carlos Zema recording his vocals from his home in Brazil, drummer Justin Piedimonte tracking from Montreal and bassist Joshua Lopez recording from IMMORTAL GUARDIAN‘s native Texas.

The newly-released music videos and singles are just a small taste of the new territory that IMMORTAL GUARDIAN plans to take their sound in 2022. More information on additional new music and touring in 2022 will be revealed in the months to come by M-Theory Audio and at https://www.facebook.com/igmetal/.

IMMORTAL GUARDIAN is:
Gabriel Guardian – guitars/keyboards
Carlos Zema – vocals
Justin Piedimonte – drums
Joshua Lopez – bass
​
​For more info:​
​https://www.immortalguardian.net​
​https://www.facebook.com/igmetal​
​https://immortalguardian.bandcamp.com​
​www.smarturl.com/immortalguardian​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Lethbridge’s HELL DIABLO Bring Dirty, Garage Rock To The Masses With Single “Push Comes To Shove”

  • August 15, 2022
  • by Asher
  • · Hell Diablo · Music News

NEWS RELEASE

Montreal, QC – August 17, 2022

Lethbridge’s HELL DIABLO Bring Dirty, Garage Rock To The Masses With Single “Push Comes To Shove”

Lethbridge, AB, Canada’s Hell Diablo are coming at you fast like a bat out of hell with a brand new rock n roll single “Push Comes To Shove” that serves to tempt listeners in advance of their upcoming album “Bad News Travels Fast”. This will be the second album, following 2021’s “Blood Is The New Black” and the greasy, dirty, bluesy garage rock will get you moving.

As the first single, “Push Comes To Shove” encompasses all the fury that the album provides! It is raw, yet full of the Hell Diablo sound, all contained in a succinct two minutes. The band shares their enthusiasm for the release:

“This song has a lot going on for a song less than 3 minutes in length! It is in your face, but still has a melodic nature. The lyrics are dark and tell a bit of a sadistic story. It is an in-your-face rock and roll machine! Loud, greasy, and lots of fun! We don’t really like to be restricted to a specific sound/genre, so this album shows that side. Musically it is a bit more metal than the previous release, and lyrically, it is angry/contemplative and sarcastic.”

When Hell Diablo first started out, rising from the ashes of another band, The Phantom Creeps, there was definitely a rockabilly/dirty blues element to the start of the sound and it has since evolved with a bit more stoner rock vibe working its way in. This upcoming album is a bit more aggressive than the first, but according to the band, the overall sound they have carries over. The nine-track release will provide an energetic, raw performance, with in-your-face loud rock and roll!

Through their sound, Hell Diablo is trying to capture what rock and roll used to be – an exciting, energetic feeling, but also kind of dirty and raw. They are recommended for fans of Supersuckers, Nashville Pussy, and The Nomads.

The single “Push Comes To Shove” can be heard on the following platforms:

YouTube – https://youtu.be/Q4Z_Yf9ob7I​
Spotify – https://spoti.fi/3w0bcCL​
Bandcamp – https://helldiablo.bandcamp.com

​

For more info:​
​https://www.facebook.com/helldiablo1​
​https://instagram.com/helldiablo_​

About:​
Hell Diablo is a greasy, dirty blues-infused Garage Rock Machine, hailing from the wind-swept prairies of Southern Alberta, Canada. Rising from the ashes of the Canadian Psychobilly group, The Phantom Creeps, singer/songwriter Tyler Brownfield found himself at the crossroads once again and searching his Rock and Roll roots for new inspiration. Having many influences in Rock & Roll, Punk, Rockabilly, Outlaw Country, and Stoner Rock, it was time to blend them together. In early 2021, Taylor Ackerman (Global Acid Rest, Shaela Miller) joined in the role of Guitarist, as well as recording the first album, ‘Blood is the New Black’. Since then, Shawn Worden (Bass) and Eric Hamilton (Drums) have rounded out the lineup.

– 30 –
​

“Hell Diablo brings back menacing rock and roll” – L.A. Beat

“Everything about this one is over-the-top, a real trailer-park tornado of unhinged riffery and pure motor-metal mayhem. It’s also a country record in spots, but even then it still sounds like an anvil dropping on your head, albeit a honky-tonk anvil. It’s like if 1986 Black Lawless discovered rockabilly and really went nuts with it.” – Sleazegrinder – Classic Rock Mag (2021)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Israel’s StormbounD Is Now Streaming Their Symphonic Debut Album “December”

  • August 4, 2022
  • by Asher
  • · Music News · StormbounD

NEWS RELEASE

Montreal, QC – August 4, 2022

​

Israel’s StormbounD Is Now Streaming Their Symphonic Debut Album “December”

New Album “December” Out Aug 5th

L-R – Yuval Partush (Drums), Rotem Sadia (Keyboard), Ofer Friedman (Guitar & Vocals), Yael Horwitz (Vocals), Shani Friedman (Guitar), Pavel Kleiman (Bass).

Photo credit – Yair Abelson

StormbounD have been together since 2018 and after a lot of work over the years, have a debut album ready to share with the world. “December” is a whirlwind of symphonic metal capturing all the elements one could desire in the genre. Cascading riffs echo against soaring soprano vocals, which are further complimented by deep gritty vocals and the thunder of drums that will have any metalhead whipping their hair around in delight. The band shares their thoughts on the release:

“The lyrics on the album tell some interesting stories, some more personal and some global, convey some harsh messages and themes, and deliver a wide array of emotions. We did our best to bring all of that into a cohesive musical environment within the realm of metal. We believe our album can reach many people inside the metal community, but also, in parts, open-minded non-metalheads. In our humble opinion, it’s just good music.”

“December” has a running time of almost an hour spread over nine tracks full of soaring vocals, a full barrage of guitar riffs, and an immense amount of melody. The lyrical topics usually reflect what they see and experience in modern society such as religion, global warming on one hand represented in the title track and “Fragments” and on the other hand relationships, be it romantic as in “Away from Here” and “Shadows” or others such as “Desert’s Roar”, “Child’s Play”.

The album was produced by StormbounD and Ian Post, it was mixed and mastered by Alex Zvulun at A.G Studio and the album artwork was done by Gogo Melone ART. The band says they are currently working on their second album, so fans can expect a lot more from the StormbounD camp in the near future!

Diverse and harmonic, with hints of darkness while staying heavy, StormbounD is accessible for both metal veterans and those new to the scene. They are recommended for fans of Delain, Amaranthe, and Nightwish.

“December” will be released on August 5, 2022, and before the album officially drops, it can be heard in full on Bravewords HERE.

Music Videos:​
Flying High – https://youtu.be/_CDnqU1icT4
Desert’s Roar – https://youtu.be/oj9AlUePzGU
Altar of Innocence – https://youtu.be/3Ao5Oa6Dj1k
Child’s Play – https://youtu.be/nexG3-Ga0O0

​Spotify, Apple Music, CD and Digital on Bandcamp​

Track Listing:​
1. Desert’s Roar – 5:03
2. Altar of Innocence – 5:12
3. Sacred Lies – 4:41
4. Away from Here – 6:04
5. December – 10:30
6. Shadows – 4:21
7. Flying High – 4:55
8. Fragments – 6:24
9. Child’s Play – 9:02
Album Length: 56:12

Album Recording Credits:​
All songs performed by: Stormbound
All songs written by: Stormbound, Benny Kliachko, Ian Post
Musical Production: Stormbound and Ian Post
Mix and Master: Alex Zvulun at A.G Studio.
Artwork: Gogo Melone ART

Album and Live Band Line Up:​
Yael Horwitz – Vocals
Ofer Friedman – Guitar & Vocals
Shani Friedman – Guitar
Rotem Sadia – Keyboard
Pavel Kleiman – Bass
Yuval Partush – Drums

For more info:​
​Stormboundband.com​
​Facebook.com/StormBoundBand​
​Instagram.com/stormbound.band​
​

About:
Symphonic metal act StormbounD is an astonishing combination of well-crafted instrumentalism and the breath-taking vocals of lead singer Yael Horwitz. The band is the musical theater you must visit, which will carry you everywhere from the angelic to the diabolic, from joyous harmony to sheer loneliness, and from the beauty to the beast.
​
The band was formed in 2018 in Tel-Aviv, Israel by bassist Pavel Kleiman and guitarist and vocalist Ofer Friedman. Next to join were Ofer’s wife Shani Friedman on guitar, Yuval Partush on drums, Rotem Sadia on the keyboard, and Yael Horwitz as lead singer. All members of the band are well-established professional musicians.
​
Shortly after its formation the group began writing and performing and made a unique mark in the local heavy music scene. During the last year, the band took part in all major metal events and festivals in Israel and its upcoming show will soon be sold out.
​
The band has released two singles /videos so far “Desert’s Roar” and “Altar of Innocence”.
​
During the summer of 2022, the band will release its debut album “December”.

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
​

0 Canadian Death Metal Maniacs DEFORMATORY Hold Nothing Back With New EP “Harbinger”

  • August 2, 2022
  • by Asher
  • · Deformatory · Music News

NEWS RELEASE

Montreal, QC – August 2, 2022

 

Canadian Death Metal Maniacs DEFORMATORY Hold Nothing Back With New EP “Harbinger”

Hailing from Ottawa, Canada, Deformatory unrelentingly summons their creative darkness to deliver another slab of ferocious Canadian death metal in the upcoming new EP “Harbinger”. The powerhouse duo of guitarist/vocalist Charlie Leduc and drummer Neil Grandy refuse to acquiesce to the weakness of modern metal, they reach deep into the abyss of infernal intensity to deliver a new offering of blistering madness.

Listeners can get a sneak peek of what’s in store this fall, as the band has released a teaser on YouTube at https://youtu.be/jlb68arCmjI

​

This pummeling four-track EP, as devastating as it is succinct, follows their destructive 2013 debut “In The Wake of Pestilence”, the crushing 2016 follow-up “Malediction” and the vortex of insanity that is 2021’s masterpiece “Inversion of the Unseen Horizon”. According to the band, the lyrical inspiration was derived from an internal, vitriolic response to current world affairs and an innate compulsion to destroy. The writing style for these lyrics is more poetic and concealed in allegory to maintain their dark & destructive aesthetic. The band shares their thoughts on the album and what’s in store for fans, new and old alike:

“It’s a violently heavy and jam-packed album that has a little bit of every aggressive genre wrapped in brutal death metal packaging. We know that fans of all extreme metal spectrums will find at least one thing in it to enjoy.”

Paying the utmost attention to all the details, the artwork and concept of the album were just as important as the music and songwriting. Every audio and visual release that is connected to this recording helps the listener dive deeper into the totality of their creation.

A sonically relentless death metal experience, Deformatory is recommended for fans of Hate Eternal, Angelcorpse, and Vitriol.

This is unequivocal vitriolic rage. This is uncompromising animosity.
This is not trendy. This is not a safe place.
This is a maelstrom of maniacal death metal.
This is DEFORMATORY.
You have been warned.
Heed the Harbinger’s call.

“Harbinger” is being released on September 13, 2022.

EP pre-order – https://deformatory.bandcamp.com​

Track Listing:​
1. Plagueworm (2:56)
2. Corpseborn (4:02)
3. Sunrot (3:54)
4. Dustcult (5:05)
EP Length: 15:17

EP Band Line Up:​
Charlie Leduc – Guitars & Vocals
Neil Grandy – Drums

For more info:​
​Deformatory.ca​
​Facebook.com/deformatory​
​Instagram.com/deformatory​

– 30 –

“A maniacal riff-fest colliding with pulverizing drumming and grotesquely executed vocals, Impaled Upon The Carrionspire is a memorable journey into a modern death metal portal of chaos. This is beyond a brutal wall of sound; it’s an experience that hooks you in, and guides you through everything you can expect to hear on the new album.” – Metal Injection

“Taking cues from the tech-est and brutal-est of brutal technical death metal, the duo from Canada’s capital have offered up a shining gut punch that sings, screams, wallops, growls and races in the same vein as genre masterclass mainstays as Immolation, Suffocation, Cryptopsy, Morbid Angel, Hate Eternal and Origin. Plus, their name fucking rules!” – Decibel Magazine

“Brutally punchy and laced with annihilating streaks of black metal, cosmic machinations are put into bone-snapping focus through the band’s unrelenting technical death metal.” – Invisible Oranges

“Let’s cut to the chase: Imagine filling a syringe with unadulterated adrenaline, sticking it straight into your carotid artery, and jamming the plunger down with as much force as you can muster. That’s the effect of listening to DEFORMATORY… The whole thing is breathtaking in its careening and cavorting violence.” – No Clean Singing

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Vancouver’s HUNTING GIANTS Present Increasingly Intense, Progressive New Album “Mythos” + New Music Video “Ancient Text”

  • August 1, 2022
  • by Asher
  • · Hunting Giants · Music News

NEWS RELEASE

Montreal, QC – August 1, 2022

 

Vancouver’s HUNTING GIANTS Present Increasingly Intense, Progressive New Album “Mythos”

New Music Video “Ancient Text”

L-R – Corey Wharton (Bass), Bradley Trivett (Guitar), Daniel Beavington (Drums), Stephen Atkey (Vocals)
Photographer Credit – Bradley Trivett

Canada’s Hunting Giants are proud to announce their new record “Mythos”, a progressive, high-caliber album that will grab listeners and amaze them with intricate woven stories, energetic riffs, and distinctive vocals. Their first presentation from the new offering will be the single “Ancient Text” and its music video.

The single is a story about a doomsday prophecy from a long-forgotten culture. While lyrically referencing both archaeological discoveries as well as age-old myths, the listener gets to experience how a shaman from the distant past might interpret a meteor shower that destroys his tribe. The band explains further:

“Ancient Text weaves an auditory puzzle in the ear of the listener while it tells the tale. It was inspired by the Taurid meteor stream, a stretch of space densely packed with astral debris which the Earth passes through twice a year, as well as the unknown catalyst which initiated the previous ice age 12,500 years ago. This adrenaline-pumping track plays host to a soft and sensual breakdown where our shamanic protagonist bears witness to the coming end of days.”

Referencing both scientific discovery and age-old myth, “Ancient Text” is a wild ride that maintains engagement and leaves one breathless. Full of tension, and raging riffs, Hunting Giants ends the song with a rhythmic labyrinth of guitar, bass, and percussion framing the climax of their tale.

Hunting Giants is confident that new listeners, as well as those familiar with them through their previous release “Skyward Eyes”, will find an accomplished intensity and listenability in “Mythos”,which represents their musical growth and evolution. Each of the thirteen songs was specially picked for the album to contribute to the overarching story in a theatrical and energetic manner.

With riffs that will inspire and lyrics that will mystify, Hunting Giants is recommended for those who enjoy a 90s vibe and progressive elements, especially fans of Alice In Chains, Soundgarden and Audioslave.

The music video for the first single “Ancient Text” can be seen and heard via its premiere on Spaceuntravel at https://youtu.be/NkEQ6m8bzx4

​

Digital Single – https://distrokid.com/hyperfollow/huntinggiants/ancient-text​

The album “Mythos” is out on September 30, 2022.

CD pre-order – https://huntinggiants.com/new/?product_cat=pre-orders​

Digital – Huntinggiants.bandcamp.com, Apple Music, Spotify.

Track Listing:​
1. Mythos – 3:28
2. Ancient Text – 3:18
3. Too Big To Kill – 3:06
4. Rituals – 3:57
5. Among Thieves – 5:28
6. Whispers – 2:16
7. Vanguard – 2:54
8. Mantle – 3:19
9. Kindred – 4:05
10. Epitaph – 1:09
11. Into Stone – 4:55
12. Remnant – 4:00
13. King of Ashes – 2:52
Album Length: 44:49

Hunting Giants is:
Corey Wharton – Bass Guitar
Stephen Atkey – Vocals
Bradley Trivett – Guitar
Daniel Beavington – Drums

For more info:​
​HuntingGiants.com​
​Facebook.com/huntinggiantsband​
​Instagram.com/huntinggiantsband​
​Twitter.com/huntinggiants​

About:​
Hunting Giants is a four-piece heavy rock band from Vancouver, BC, Canada.
​
This unique group of musicians offers a spectacular visuals-driven live performance that exceeds both the precise ferocity of their recordings and the highest expectations of an energized audience looking for something recognizably different. Their music is both refreshing and familiar, serving well as the musical backdrop for one’s ongoing discovery of meaning in life and self.
​
Hunting Giants was started in 2017 with Bradley Trivett assembling the first musical themes and combining the percussive expertise of Daniel Beavington with the explosive rhythmic prowess of Corey J. Wharton into the foundation of a team set to discover and dominate the most enormous sounds and daunting massive ideas they could find. Led by the visionary passion and styling of frontman Stephen Atkey, Hunting Giants is poised to deliver an incredible auditory and visual experience.

“Hunting Giants stake their claim as a powerful new force in the Pacific Northwest metal scene…this band is absolutely one you’ll want to keep an eye on.” – Wail Magazine

Discography:
2022 – Mythos – LP
2018 – Skyward Eyes – EP
​
Shared Stage with:
Unleash the Archers, Wednesday 13, Ophelia Falling, Kayas, Vessel, Sick Logic, Dark Stone

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)
​
​

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