Category: Music News

0 Chilean Prog ENGRUPID PIPOL Unveils New Video “Inspireichon Burn” From Concept Album “Quadragenta At Finem Mundi” Out Now!

January 22, 2026
by Asher
· Engrupid Pipol · Music News

NEWS RELEASE

Montreal, QC – Jan 22, 2026

Chilean Prog ENGRUPID PIPOL Unveils New Video “Inspireichon Burn”

Concept Album “Quadragenta At Finem Mundi” Out Now!

L-R- Kaztrol (guitar), Nacho García (drums), John Dai (bass)

Phot Credit – Philippe Vigoroux

Chilean instrumental progressive metal trio Engrupid Pipol returns with the release of their new music video “Inspireichon Burn,” a fierce insight into their latest album “Quadragenta At Finem Mundi,” released this past November 2025. The track, Act IV of the album’s seven‑part conceptual narrative, captures the apocalyptic devastation of thermonuclear war and the self‑destructive greed of those who seek power at any cost. The video amplifies the song’s intensity, offering a visceral entry point into the band’s most ambitious work to date.

Formed from a lifelong friendship between guitarist Kaztrol and bassist John Dai, later joined by drummer Nacho García, Engrupid Pipol grew out of a shared belief that music is essential nourishment for the soul. What began as intricate teenage compositions evolved into a power trio known for its energetic, soulful, and technically sharp sound. Their influences, ranging from Megadeth and Metallica to Rush, King Crimson, and Dream Theater, inform a style that blends thrash, prog rock, prog metal, and djent into something unmistakably their own.

“Quadragenta At Finem Mundi” marks a major evolution for the band. It is their first fully conceptual album, a seven‑act instrumental journey through the collapse of modern civilization. Themes of nuclear conflict, AI dependence, narcissistic ambition, and runaway technological control shape a dark, prophetic vision of humanity’s end. Each track represents a “symptom” of the approaching downfall, woven together through shifting soundscapes that include acoustic passages, synthesizers, and even the traditional Latin American bombo leguero. The band describes the album as their most challenging and demanding project in nearly 25 years together, made possible in part by funding from the Chilean Ministry of Arts, Culture, and Heritage. With only three rough demos ready when studio deadlines approached, the trio spent months composing, refining, and reworking material until every piece reached full maturity.

According to Nacho, the album’s production represents a leap forward in clarity, power, and authenticity. The band focused on preserving the essence of the trio format, avoiding layers they couldn’t reproduce live while achieving a modern, crystal‑clear sound with warm, natural tones. The result is a record that captures the identity of each member and the emotional weight of each composition. Guitar melodies and groovy riffs replace lyrics, allowing listeners to interpret the music freely and immerse themselves in an altered state of consciousness.

For the band, “Quadragenta At Finem Mundi” is both a creative triumph and a personal milestone.

“The album was born from a different place than usual, one that pushed us to our limits and presented obstacles we never expected. The finished work was an auditory delight and a reward for our souls after all the effort and sacrifice,” adds Kaztrol.

Watch the video for “Inspireichon Burn” at https://www.youtube.com/watch?v=KNqOuGaENQs

Recommended for fans of Liquid Tension, Rush, Megadeth, King Crimson, Night Verses, and Animals as Leaders, “Quadragenta At Finem Mundi,” released worldwide on November 7, 2025, is available at the following links:

Add to your Spotify playlist – https://open.spotify.com/album/7i6N3YPymMG6Bk6SAwrhPb

Digital Download – https://www.portaldisc.com/contenido/disco-engrupid-pipol-quadragenta-at-finem-mundi

Music Video – “Tripel Ultimatum” – https://www.youtube.com/watch?v=6smOGzzH_OY

Track Listing:
1. Tripel Ultimatum – 5:48
2. Voragine – 6:53
3. Animal Inteligenz – 7:34
4. Inspireichon Burn – 4:59
5. Vairal Madness 5:01
6. Aztral Configureited 8:24
7. Ameba Emenens 4.20
Album Length 45:20

For more info: Engrupidpipol.cl | Instagram.com/engrupid_pipol | Facebook.com/engrupid

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“Veteran Chilean prog metallers Engrupid Pipol serve up Quadragenta At Finem Mundi (engrupidpipol.cl), the first concept album of their 25-year tenure. Without lyrics there’s no telling that these seven instrumentals were inspired by ideas of extinction (Triple Ultimatum), the perils of AI (Animal Inteligenz) and the Apocalypse itself (Aztral Configureited). However, the trio’s sound is thrashy, fiddly and deeply satisfying, with plenty of ideas and detail fuelling Kaztrol and John Dai’s ear-boggling guitar/bass widdle.” – Prog Magazine
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0 MOSH THE ROCK ISLAND METALFEST (Sooke, BC) Announces 2026 Lineup w/ ANCIIENTS, ARROW IN THE QUIVER, THE RISING FALL, SQUIDHAMMER and More!

January 21, 2026
by Asher
· Mosh The Rock · Music News

NEWS RELEASE

Montreal, QC – January 21, 2026

MOSH THE ROCK ISLAND METALFEST (Sooke, BC) Announces 2026 Lineup

w/ ANCIIENTS, ARROW IN THE QUIVER, THE RISING FALL, SQUIDHAMMER and More!

Mosh The Rock Island Metal Fest 2026 – Spotify Playlist – https://open.spotify.com/playlist/5l4cOfqstUMbeJsivsJMeQ

Vancouver Island is set to shake when Mosh the Rock Island MetalFest 2026 takes over Fred Milne Park in Sooke, BC on Sunday, August 9, 2026. This all-ages, family-friendly outdoor metal festival brings together a stacked lineup of international, national, and regional talent for a full day of crushing riffs, pit energy, and community spirit on the West Coast.

Headlining the festival are Vancouver’s Multiple Juno Award–winning metal heavyweights Anciients. Joining them as co-headliners are Arrow In The Quiver (Vancouver), The Rising Fall (Chicago, IL), and Squidhammer (Watertown, PA), delivering a powerful blend of progressive, extreme, and modern metal.

The day will also showcase a strong lineup of West Coast metal acts, including:
Wolf Venom (Sooke, BC)
Grundles (Duncan, BC)
Dead Rights (Victoria, BC)
Overditch (Victoria, BC)
Neveranother (Vancouver, BC)
Conjure Hands (Victoria, BC)
As Ash Fell (Nanaimo, BC)
Mutual Trauma (Victoria, BC)

With a world-class headliner, international acts, and a powerful lineup of Vancouver Island talent, Mosh the Rock Island MetalFest 2026 is shaping up to be one of the most anticipated metal events of the summer.

In addition to the music, festival-goers can enjoy food trucks, local vendors, and a licensed beer garden, making it a full festival experience in a scenic coastal setting. This is an all-ages, family-friendly event.

Event Details:
Date: Sunday, August 9, 2026
Location: Fred Milne Park, Sooke, BC
Gates Open: 11:00 AM
First Band: 12:00 PM
Ticket Information:
Advance Tickets: $50
Gate Tickets: $65
Youth (12–17): $25
Children (11 & under): FREE with adult ticket
Online presale tickets available at: https://orangetickets.ca/detalles_evento.php?id_evento=2146
Hard Copy Advance Tickets Available At:
Phoenix Bar and Grill
Cavity Curiosity Shop
Long & McQuade
Sooke Forbes IDA
Sooke Pharmasave

More info: https://www.facebook.com/profile.php?id=61563939716534

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0 Halifax’s TURBO Unleashes New Music Video “PissJugs & Rattlesnakes” From Latest Album “Broke & Ugly”

January 21, 2026
by Asher
· Music News · Turbo

NEWS RELEASE

Montreal, QC – January 21, 2026

alifax’s TURBO Unleashes New Music Video “PissJugs & Rattlesnakes” From Latest Album “Broke & Ugly”

L-R – Lindsey Dicks (Guitar), Evan Frizzle (Vox, Guitar), Donnie Rootnotes (Bass), Sylvian Coderre (Drums)

Canadian nitro‑rock hellraisers TURBO have dropped their brand‑new music video for “PissJugs & Rattlesnakes”, the fifth track from their latest full‑length album “Broke & Ugly,” released in July 2024.

The new video captures everything that defines Turbo’s sound and spirit: raw energy, sleazy swagger, and a no‑apologies attitude forged from years of touring, partying, and living life at full throttle.

“PissJugs & Rattlesnakes” is a standout cut from “Broke & Ugly,” written with the title first and the lyrics second, a perfect reflection of Turbo’s instinct‑driven, riff‑first songwriting style. Loosely inspired by a crew of strippers vocalist/guitarist Evan Frizzle used to run with, the track is a gritty, tongue‑in‑cheek snapshot of wild nights, questionable decisions, and the characters who shaped the band’s early years.

Guitarist Lindsey Dicks penned the opening lead, kicking off what the band calls “the greasiest riff on the album.” The track has quickly become a fan favorite, complete with the band’s unofficial drinking rule: take a swig every time they yell “pissjugs.”

Watch the video now via its premiere on Bravewords HERE.

Turbo’s second full‑length album, “Broke & Ugly,” is a raw, high‑energy snapshot of the band’s real‑life chaos, blending aggressive riffs, tight musicianship, and lyrics fueled by partying, heartbreak, road‑life exhaustion, and unapologetic self‑reflection. Standout tracks range from the heavy, triumphant “Ruthless Forever” to the beer‑soaked anthem “Ignite the Night,” the breakup‑driven “No Savior,” and the punk‑edged “Scorpio Garbage Fire.” The album slows only briefly with “Nothing to Nowhere” before roaring back with the snarky title track and the thrashy tour‑inspired closer “Down in Mexico.” It’s gritty, honest, and unmistakably Turbo.

Recommended for fans of Motörhead, Mötley Crüe, Municipal Waste, and Airbourne, “Broke and Ugly”, released on July 12th, 2024, is available at https://turboasfvck.bandcamp.com/

Spotify – https://open.spotify.com/album/3tz2h7rtkOkwALjh6Okwps

Track Listing:
1. Ruthless Forever
2. Ignite the Night
3. No Savior
4. Scorpio Garbage Fire
5. PissJugs and Rattlesnakes
6. Nothing to Nowhere
7. Broke & Ugly
8. Down in Mexico
Total Length: 29:12

Album Lineup:
Evan Frizzle: Vox, Lead & Rhythm Guitar
Lindsey Dicks: Lead & Rhythm Guitar
Henry MacDonald: Bass
Sylvian Coderre: Drums

Live Lineup:
Evan Frizzle: Vox, Lead & Rhythm Guitar
Lindsey Dicks: Lead & Rhythm Guitar
Donnie Rootnotes: Bass
Sylvian Coderre: Drums

For more info:
https://www.facebook.com/TURBOFAF
https://www.instagram.com/turboasfvck/

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“The cartoon-ish cover art with toxic green/red colors could bring more smiles to the fold – Turbo executing a great crossover sound that stands on the edge of thrash, punk and NWOBHM/heavy metal. Broke & Ugly could be your soundtrack when needing an ideal wind down from your back breaking, seemingly never over work week. 8.5/10” – Dead Rhetoric

“Turbo are fast, they’re crass, and they’re here to kick your ass… As a whole, “Broke & Ugly” is peak speed and thrash metal with a party-hard overtone. But I think the comparison to Motörhead is a little heavy-handed. After listening to the gem of East Coast Canadian metal, I’m fired up to see what Turbo does next. 9/10″ – Metal Temple

“This rocks a lot. The vocalist’s gritty approach delivers surprisingly catchy and memorable vocal melodies, and the occasional backing vocals are often reminiscent of mid-80s “party” metal, very upbeat and singalong-inducing. The guitar work has everything people like in old heavy metal, a rather raw style filled with cool solos and riffs that stick in your head long after they’re over. You’d tell me this was released more than 40 years ago and I would believe you. A fun time from beginning to end. 4/5″ – The Metal Crypt

“”Broke & Ugly” may have been a little tight in terms of playing time, but with the incredible hit rate of one hundred percent, you can forgive that. When punk and thrash still spoke a language, the whole thing sounded like this album. The fact that a band would ever come close to OVERKILL in terms of sound technology says more than enough! Yes! Noisy thrash, melodic punk, classic setup – what a great record! 9/10.” – Power-Metal.de

“entertaining, refreshingly lively, dynamic, far too good to be bad. Massively punching Kick Ass- Heavy Metal n’ Rock n’ Roll on all sides, which hits the eye in a straight line, brutally, snotty, until it hits the chest, where it hurts. Snots, tubes, rocks and rolls straight to the limit! 8/10” – FFM-Rock

“the band is insanely tight, with Frizzle and fellow six stringer Lindsey Dicks really giving it some violence riff wise and soloing like their lives depended on it. Similarly, the rhythm section of Sylvain Coderre (d) and Henry MacDonald take no prisoners and submit to no-one in their ability to hold things together at high velocity. Very impressive. As we get deeper into the twenty first century, bands are running out of ways to repackage, remake and remodel, so the freshness with which Turbo approach the task in hand has to be applauded. This is fun to listen to – and it certainly sounds like the band had fun getting the album down, and sometimes a bit of joie de vivre is all any of us need. But when you are able to mix that in with a killer technique and a sharp ear for a metal tune well, good times await!” – Sentinel Daily

“Canada’s Turbo label their music Nitro-Rock; On the evidence of the submitted album, Broke & Ugly, it would seem that Nitro rock is in fact an almighty mashup of styles, all rendered at high speed and with little regard for personal danger (in my day we used to call that Crossover-Ed). If that description excites you, then the album is going to send you into paroxysms of joy…” – Sentinel Daily

“Turbo’s second full length album is the equivalent of getting into a newly juiced up hotrod, the roof reeled back in, as you’re flooring it down the highway until your smoke trails combust. From start to finish, Turbo live up to their name in droves and then some with energy that cannot be denied and a plethora of tracks that offer much to be remembered. Though boasting a full nine tracks, Broke & Ugly doesn’t even eclipse a full half hour and therefore opens itself up for numerous relistens. It starts up, gets you in the mood to kick some butt, yet doesn’t attempt to overstay its welcome to any degree. For me personally, this style of speed metal can be a vast hit or miss but I thoroughly enjoyed my time with this record, and during its duration I was brought on board with Turbo’s infectious power. Furthermore, I’d wish to visit their first record, and am excited to see what they do for a third, prospective release; I merely hope it’s not another four years because this is really good, fun material that anyone can get behind. A refreshing break from crushing, defeating extreme metal is sometimes needed, and Turbo are one fine cocktail.” – The Razor’s Edge

“Turbo is a band that gives me associations to two very different bands and the earlier stages of both of those bands output, and that is Turbonegro and Iron Maiden respectively. If you can imagine the early death punk of the former combined with certain aspects of the Di’Anno era of the latter combined into a whole, you probably won’t be too far off from the kind of landscapes explored by Canadians Turbo. And chances are good that you’ll find this tight and uptempo album to be a rewarding experience if that description comes across as tantalizing.” – The Viking in the Wilderness

“this album is just the perfect encapsulation of fun” – Brutally Delicious

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0 Rockshots Records – Italian Modern Metal DUST New Single “Bodyless” From Upcoming Album “Thoughts Of A Falling Man” April 2026

January 20, 2026
by Asher
· DUST (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 20, 2026

Italian Modern Metal DUST New Single “Bodyless”

New Album “Thoughts Of A Falling Man” April 2026 via Rockshots Records

Rockshots Records announces the release of “Bodyless”, the brand-new single by Italian metal act Dust, out now on all digital platforms.

“Bodyless” is taken from Dust’s upcoming second full-length album, “Thoughts Of A Falling Ma“, scheduled for release on April 3rd, 2026, and represents a pivotal chapter within the record’s overarching concept. The song delves into a stark, uncompromising vision of judgment and damnation, portraying a liminal space where souls, stripped of identity and status, await their final sentence beyond life and time.

Lyrically, “Bodyles” explores the idea that, at the end of earthly existence, wealth, power, and social distinction lose all meaning. What remains is the weight of one’s actions and the inescapable confrontation with guilt, memory, and consequence. The track embodies one of the album’s central themes: a near-death journey in which the main character is forced to face unresolved sins and inner demons in a realm suspended between eternity and oblivion.

Commenting on the single, the band states:

“‘Bodyless’ represents a moment of total suspension. It’s the point where every mask falls away, and nothing can be hidden anymore. We wanted to describe a place where there is no time, no memory, and no privilege – only judgment. It’s one of the most direct and unsettling tracks we’ve written, both lyrically and emotionally.”

Musically, “Bodyless” highlights Dust’s evolved, more cohesive sound, combining aggressive death and groove metal foundations with sharp riffing, oppressive atmospheres, and tightly controlled dynamics. The band’s approach is raw and uncompromising, reinforcing the song’s sense of suffocation and inevitability while maintaining a strong sense of structure and impact. This sonic direction reflects the broader evolution of “Thoughts Of A Falling Man“, which marks a significant step forward in terms of heaviness, focus, and expressive depth compared to the band’s debut.

Expanding on the album’s vision, the band adds:

“This new record is heavier, darker, and more introspective than anything we’ve done before. Each track represents a spiritual stage of a single journey, and ‘Bodyless’ is one of the moments where the listener is forced to stop and confront the consequences of a life lived without escape.”

“Bodyless” stands as a key chapter within “Thoughts Of A Falling Man“, a concept-driven album conceived as a near-death experience unfolding between life and eternity. Through its relentless sound and uncompromising narrative, the single offers a clear glimpse into Dust’s renewed artistic direction and the darker, more mature identity shaping this new era.

For fans of: Parkway Drive, Jinjer, Trivium

DIGITAL: https://lnk.to/M2crIo

“Bodyless” Official Music Video: https://www.youtube.com/watch?v=uyE8ltsPBfY

New album “Thoughts Of A Falling Man” out April 3rd, 2026.

PRE ORDER – “Thoughts Of A Falling Man”: https://rockshots.eu/products/dust-thoughts-of-a-falling-man

Track Listing:
1. Intro – 1:49
2. Before Your Awaken – 5:23
3. Death’s Ashes Upon Me – 3:52
4. Contemptus Mundi – 3:58
5. Fragments of Mirror – 4:26
6. Thoughts of a Falling Man – 6:40
7. Bodyless – 3:44
8. The Reaping of the Scythe – 3:56
9. Beyond the Void – 6:06
Album Length: 39:54

Dust Line-Up:
Riccardo Pirozzi: Vocals
Stefano D’Angelo: Guitars
Federico Ignini: Guitars
Francesco D’Elia: Bass
Eric Di Donato: Drums

More info:
https://rockshots.eu
https://www.instagram.com/dust__band/

BIOGRAPHY:
Dust is an Italian metal band formed in 2016 from an idea by vocalist Riccardo Pirozzi and former drummer Stefano Brogi. Born out of a period of personal struggle and artistic urgency, the project took shape as a direct and uncompromising outlet for expressing inner conflict, anger and introspection. After an initial phase of experimentation, the band gradually assembled its core lineup, defining a sound rooted in heaviness, emotional depth and narrative intensity.

With the addition of guitarist Stefano D’Angelo and bassist Andrea Lege, Dust released their debut album “Break The Silence“, recorded and produced by Andreas Polito at Rocklab Studios in Turin. The record marked the band’s official entry into the Italian underground metal scene, earning attention for its raw approach and dark thematic focus. Shortly after, guitarist Federico Ignini joined the lineup, allowing Riccardo to focus exclusively on vocals and lyrics, particularly during live performances.

Following the album’s release, Dust became increasingly active on the live circuit, sharing the stage with established acts and performing across Italy and Eastern Europe, including shows in Serbia, Croatia and Romania. These experiences played a key role in shaping the band’s identity, strengthening both their musical cohesion and their commitment to an authentic, no-frills live approach focused on intensity and connection rather than visual excess.

After several lineup changes, Dust reached a stable formation in 2023, solidifying their current lineup: Riccardo Pirozzi on vocals, Stefano D’Angelo and Federico Ignini on guitars, Francesco D’Elia on bass and Eric Di Donato on drums. This renewed stability marked a turning point for the band, allowing them to refine their sound and push their songwriting toward a heavier, more focused and mature direction.

Conceived as a concept album, the new album “Thoughts Of A Falling Man” unfolds as a near-death journey, exploring themes of guilt, judgment, inner collapse and spiritual limbo. Musically, it represents a significant evolution from the debut, blending elements of death, groove, thrash and black metal into a darker, more compact and uncompromising sound.

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0 Canadian Prog CANDOR ZEALOT (ft. ex-members of Annihilator, The Slyde) Make Their Debut w/ Single “Lie For Country”

January 20, 2026
by Asher
· Candor Zealot · Music News

NEWS RELEASE

Montreal, QC – January 20, 2026

Canadian Prog CANDOR ZEALOT (ft. ex-members of Annihilator, The Slyde) Make Their Debut w/ Single “Lie For Country”

L-R – Chris Gagnon (Guitar, Vocals) | Nate Silva (Lead Vocals, Guitar) | Dino Soares (Drums) | Alberto Campuzano (Bass Guitar, Vocals)

Photo Credit: Ryan Stacey

Canadian (Ottawa, ON) progressive metal newcomers Candor Zealot are set to make their explosive debut with “Lie For Country”, the first in a series of singles to be released throughout 2026. With a sound that fuses the melodic intricacy of Rush and Dream Theater with the raw energy of Megadeth, Billy Talent, and Killswitch Engage, Candor Zealot are poised to deliver a fresh yet nostalgic take on modern progressive rock and heavy metal.

Formed by frontman Nate Silva after the disbandment of his previous project, The Slyde, in 2019, Candor Zealot emerged from years of creative exploration, pandemic delays, and solo ventures. Recruiting many of the same musicians from The Slyde, Silva describes the band as a “spiritual successor” to his earlier work, only this time with a sharper name and a renewed focus on honesty and intensity.

“‘Lie For Country’ is our debut single, and we wanted to introduce ourselves with breakneck speed, musical intensity, and a poignant political message. There are influences of Megadeth, Killswitch Engage, Billy Talent, and even System of a Down in this track, and it’s a song about being manipulated and politically indoctrinated without thinking critically. We are proud of this track, and we are pumped to release it!” – Nate Silva, Candor Zealot

Rather than releasing a traditional full-length album, Candor Zealot will roll out six singles across 2026, each designed to capture attention in today’s fast-paced listening culture. Fans can expect melodic hooks, technical proficiency, and thought-provoking lyrics that tackle both politics and relationships, two universal themes that resonate deeply.

Candor Zealot is comprised of seasoned musicians with deep roots in Canada’s metal scene, including ex-members of Annihilator and The Slyde. Frontman Nate Silva (vocals/guitar), formerly of The Slyde, is an international touring artist and academic researcher on chiptune music. Guitarist Chris Gagnon, based in Ottawa, is a versatile performer active in eight tribute bands covering acts from Queen to Rage Against the Machine. Drummer Dino Soares, a longtime collaborator with Silva since their teenage years, continues to freelance in Kingston’s music scene. On bass, Alberto Campuzano, formerly of Annihilator, also performs with Toronto’s Metallica tribute act Sandman. Collectively, the band brings decades of experience and a proven pedigree, highlighted by Silva, Soares, and Campuzano’s performance at Wacken Open Air in Germany after winning the 2019 Wacken Metal Battle Canada with The Slyde.

With “Lie For Country” as their fiery introduction, Candor Zealot plans to release five more singles throughout 2026, followed by additional recordings in 2027.

Listen to “Lie For Country” at the following links:

Add yo your Spotify playlist – https://distrokid.com/hyperfollow/candorzealot/lie-for-country-2

Music Video – https://www.youtube.com/watch?v=f26f_KNVBq0

For more info:

http://candorzealot.com/

https://www.facebook.com/profile.php?id=61582854735079

https://www.instagram.com/candorzealot

https://www.tiktok.com/@candorzealot

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0 Rockshots Records – ANTHEA Unveils First Single “Phantom In The Masquerade” From New Album “Beyond The Dawn” Out April 2026

January 16, 2026
by Asher
· Anthea (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 16, 2026

ANTHEA Unveils First Single “Phantom In The Masquerade” From New Album “Beyond The Dawn” Out April 2026

Rockshots Records announces the release of “Phantom in the Masquerade”, the brand new single by Los Angeles symphonic metal act Anthea, out now on all digital platforms.

“Phantom in the Masquerade” is the first single taken from Anthea’s upcoming third full-length album, “Beyond The Dawn,” and serves as an introduction to the band’s most ambitious and theatrical chapter to date. The song explores the feeling of being invisible while surrounded by others, translating emotional isolation into a powerful and evocative musical narrative.

Commenting on the track, the band states:

“‘Phantom in the Masquerade’ is one of the most theatrical songs we’ve written. We wanted it to feel both catchy and haunting, with lyrics that capture the experience of being surrounded by people yet completely unseen. It sets the stage for the dramatic direction we’ve been embracing, both musically and visually.”

Musically, the single highlights Anthea’s evolved sound, blending symphonic metal foundations with strong melodic hooks, driving guitar work, and layered orchestrations. The balance between immediacy and atmosphere reflects the broader identity of “Beyond The Dawn“, an album conceived as a dynamic journey where each song offers a distinct mood while remaining part of a cohesive whole.

Expanding on the vision behind the album, the band adds:

“This record pushed us to explore every corner of our sound – from fast and heavy tracks to more emotional and melodic moments. ‘Phantom in the Masquerade’ introduces that range and gives listeners a clear sense of the dramatic and expressive path the album follows.”

An official music video accompanies the release, transforming the song’s themes into a symbolic visual narrative centered on identity, isolation, and transformation. Set within a masquerade ball, the video reinforces Anthea’s strong theatrical aesthetic, a defining element of both their music and live performances.

“Phantom in the Masquerade” marks the opening step toward “Beyond The Dawn“, an album shaped by themes of growth, transition, uncertainty, and renewal, representing a significant evolution in Anthea’s songwriting and artistic vision.

For fans of: Dynazty, Kamelot, Powerwolf

DIGITAL SINGLE: https://lnk.to/sIZl8W

“Phantom In The Masquerade” Official Music Video – https://www.youtube.com/watch?v=hMxhW6gWY3g

New album “Beyond The Dawn” out April 17th, 2026.

PRE ORDER “Beyond The Dawn“: https://rockshots.eu/products/anthea-beyond-the-dawn

Track Listing:
1. Beyond The Dawn – 4:13
2. Phantom in the Masquerade – 3:32
3. The Lost Soul – 3:44
4. Awakening (Song for Spring) – 4:16
5. Bygone Age (Chicxulub) – 4:03
6. From Shadows to Light – 4:40
7. Crystal Moon – 4:11
8. Wanderer’s Quell – 3:53
9. Whispers of the Heart – 4:46
10. Duality of Gaia – 4:12
11. Burnin’ in the Third Degree (Tahnee Caine and Tryanglz cover) – 3:38
Album Length: 45:08

Anthea Line-Up:
Diego Valadez: Lead Vocals, Keyboards
Juan Pina: Rhythm Guitars, Harsh Vocals
Marcos Mejia: Lead Guitars
Gabby Hawk: Bass
Peter Vasquez: Drums

The Sirens (Backing Vocals)
Mel Del Real: Backing Vocals
Astrid Anaya: Backing Vocals

More info:
https://rockshots.eu
https://www.facebook.com/antheametal
https://www.instagram.com/antheametal

BIOGRAPHY:
Anthea is a symphonic metal band from Los Angeles, California, known for their distinctive theatrical approach and dynamic blend of symphonic, melodic, and progressive metal elements. Founded in 2015 by vocalist and keyboardist Diego Valadez, Anthea emerged from a desire to explore a more expressive and cinematic musical language combining powerful metal foundations with strong melodic sensibilities and dramatic atmospheres.

What began as a side project quickly evolved into a full-fledged band when Valadez joined forces with longtime collaborators from the local metal scene. Drawing from diverse influences ranging from symphonic metal and melodic death metal to musical theater and film scores, Anthea developed a sound that balances intensity and emotion, heaviness and accessibility, always placing storytelling at the core of their identity.

The band made their live debut at the iconic Whisky a Go Go in Hollywood and steadily gained recognition for their live performances and strong visual aesthetic. Their debut album “Illusion” (2020) received widespread critical acclaim, followed by “Tales Untold” (2022), which further solidified their reputation within the international symphonic metal scene through glowing reviews and extensive media coverage.

In recent years, Anthea has continued to refine and expand their artistic vision. The introduction of backing vocalists known as The Sirens added rich harmonic layers and reinforced the band’s theatrical dimension, both in the studio and on stage. This evolution culminates in their upcoming third studio album, “Beyond The Dawn”, their most ambitious release to date, showcasing a broader dynamic range, heavier arrangements, and a more pronounced dramatic identity.

With “Beyond The Dawn”, Anthea presents a mature and confident chapter in their journey, offering a cohesive yet varied listening experience shaped by themes of growth, transition, uncertainty, and renewal. Blending compelling melodies, powerful orchestration, and expressive songwriting, the band continues to establish itself as a distinctive voice within modern symphonic metal.

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“Beyond the Dawn is the third album from Los Angeles, California-based Anthea and finds them leaning more into their symphonic metal side and away from the progressive elements of their last one, 2022’s Tales Untold. Once again employing clean and harsh male vocals and a crystal-clear production, Beyond the Dawn has everything you want from symphonic metal, from a myriad of melodic hooks to intricate keyboard and guitar parts that swirl about one another effortlessly. The songwriting is consistently good throughout the album, without any dips or peaks to speak of… it is certainly quite enjoyable while it is on, doing exactly what fans of the genre want.” – The Metal Crypt

“An epic adventure that everyone needs to go on. 10/10” – Mark Lacey – Power Play Magazine

“The new album ‘Tales Untold’ – released in 2022 – has an even bigger sound than its predecessor, projecting a huge cinematic aura onto its listeners.” – Iron Mathew – Metal Gods TV

“ANTHEA “Tales Untold” Surpasses All Expectations For A Progressive Power Metal Album” – Doug Groff – Rock You Show

“Tales worth telling!” – Bryce Van Patten – Metal Express Radio

“I find ANTHEA’s interpretation to be both fresh and personal.” – Dave “That Metal Guy” Campbell – Metal Temple

“Blends speed, pomp, a catchy chorus and proggy keys into a unified and engaging whole that is fun to sing along with while playing air instruments” – MetalMike – Metal Crypt

“The song writing on this album is commendable and of the highest calibre. If you are looking out for a melodic sound with plenty of surprises and a true rollercoaster experience, you’ve hit the jackpot with this one. Go for it!” (9.5/10) – Ankit Sood – The Metal Resource

“The music and the vocals work together in perfect harmony, whether its through gentler moments or full unashamed bombastic power. Lyrically, Anthea offer a truly poetic experience, elevating a listener’s wonder and imagination to optimum level.” (5 STARS) – Amy Lawrence – MMH Radio

“A long-term, melodic debut album, with excellent musical combinations, there are different tempos that can be heard as Thrash metal briefly, they have a strong combination that goes from Symphonic Metal to Power Metal and vice versa, at the beginning they start very Power Metal and end very Symphonic Metal, that gives variety to the album!” (90/100) – Darkzen Dragon

“Overall, a fast paced and very infectious album of heavy hitting symphonic power metal with stunning twists and turns.” (9.5/10) – Iron Mathew Collins – Metal Gods TV

“I believe that Anthea have managed to convince us of the value of their musical ideas with a strong debut and of course with the composite result they present to us in ‘Illusion’.” – Angelos Hontzias – Rockway.gr

“A sort of dramatic theatrical experience that of this “Illusion”, which ranks among the best releases of the gothic-epic panorama of 2020.” (8/10) – Vittorio “Vice” Giorcelli – Tutto Rock Magazine

“Congratulations ANTHEA on achieving one of the better albums for 2020!” (9/10) – Kevin Lewis – Metal-Temple

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0 Ottawa’s DOLL Premiere New Single “Bear Claw” To Follow 2025 Comeback Album “Better Days, Better Times”

January 16, 2026
by Asher
· DOLL · Music News

NEWS RELEASE

Montreal, QC – January 16, 2026

Ottawa’s DOLL Premiere New Single “Bear Claw” To Follow 2025 Comeback Album “Better Days, Better Times”

Ottawa alternative rock band DOLL launches into 2026 with the release of their explosive new single “Bear Claw,” premiering today exclusively via New Noise Magazine alongside a brand‑new lyric video. The track serves as the next chapter in the band’s creative resurgence following their 2025 comeback album “Better Days, Better Times.”

“Bear Claw” continues DOLL’s evolving “Animal Crackers” trilogy, which began earlier this year with the fan‑favourite single “Shark Bait,” featured on “Better Days, Better Times.”

“We had such an amazing response to our first ‘Animal Crackers’ concept with ‘Shark Bait. We always planned to release three animal‑themed songs, but that positive feedback really propelled us as we finalized the next piece of the trilogy, Bear Claw,” the band explains.

The band believes fans will connect strongly with this new installment:

“I think it’s safe to say this is our best effort yet. We brought back some of that legacy DOLL riffing, mixed in the hardcore elements we toyed with in ‘Shark Bait,’ and really pushed ourselves creatively with the vocals and lyrics. We hope this one is just as well received, if not better. I guess it depends on whether you’re more of a land or sea animal lover.”

The single’s artwork pays homage to classic Smokey the Bear posters, reimagined through DOLL’s gritty, tongue‑in‑cheek lens. Artist Mark Kidd once again brought the concept to life with bold character design and a nostalgic yet rebellious aesthetic.

“We wanted to revive some of the artwork we grew up with. We went heavy on that Smokey‑the‑Bear look, but added our own comedic twist, putting Doll on the hat and rebranding Smokey as Grungey. He’s got a chip on his shoulder, some attitude,” the band adds.

Musically, “Bear Claw” taps into the band’s classic sound while pushing into new territory. The track features signature leads, heavy wah‑wah pedal work, Christina’s unmistakable bends, and bursts of rapid‑fire strumming. The chorus hits with a hardcore‑infused punch from Pete, driven by drop‑tuned guitars that add weight and urgency.

The band also leaned into atmosphere and tension, crafting a breakdown recorded through a low‑fi head and amp setup to create a spooky, suspenseful moment before slamming back in with the crunch of the PRS MT100. The result is a dynamic blend of old‑school grit and modern heaviness, achieved without relying on keyboards, instead letting raw instrumentation carry the emotion.

With “Bear Claw,” DOLL continue to build on their renewed momentum, delivering a track that’s fierce, fun, and unmistakably their own.

“This song is definitely our most creative vocally. Christina changed up the delivery in ways we haven’t done before. We wanted the song to be fun, with some light‑hearted lyrics, but still true to the raw rock vocal and lyrical style that DOLL has always been about.”

Watch the “Bear Claw” lyric video via its premiere on New Noise Magazine HERE.

Add to your Spotify Playlist – https://open.spotify.com/track/1BGF0Pec0KtHMKPFUaOIPY

Single Recording Credits:
• All songs performed by: Doll
• All songs written by: Doll
• Produced by: Josh Hart
• Mixed by: Josh Hart
• Mastered by: Josh Hart
• Single Artwork by: Mark Kidd
• Member of SOCAN
• Canadian Content (MAPL)

Single Band Line Up: Pete Kasper, Christina Kasper, Josh Hart

More info: https://www.facebook.com/dollband | https://www.instagram.com/dollbandmusic/

About: After a long hiatus, DOLL returned in 2025 with their album “Better Days, Better Times,” re‑establishing themselves as one of Ottawa’s most compelling alternative rock acts. Formed in Ottawa, Ontario, DOLL first broke onto the scene with their 2009 debut “Inside The Dollhouse,” followed by 2011’s “The Ragdoll Diaries.” Their music has been featured on MuchMusic and MusiquePlus, and the band has shared stages with Three Days Grace, Lacuna Coil, Danko Jones, Spinnerette, Protest the Hero, Band of Skulls, Anvil, Halestorm, SNFU, Hanzel Und Gretyl, Civet, The Creepshow, Die Mannequin, and more.

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What the press has said about DOLL:

!earshot – August 2025 – Top 20 Loud – #5 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

!earshot – August 2025 – Top 200 – #55 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

“#1 Doll – Zach’s Picks of the Week – July 7 – 12, 2025 – Canadian Beats (2025 – Better Days, Better Times)

“In one of the best comeback stories in music in 2025, Canadian Alt-Rock duo DOLL will release their first new collection of material since 2011’s The Ragdoll Diaries… In addition to five slamming originals, DOLL chips in an inspired take on the Deep Purple classic rock anthem – “Smoke On the Water!” “- Ghost Cult Magazine (2025 – Better Days, Better Times)

“Doll sharpens their grit with new muscle and melody. Their return after more than a decade is not a nostalgia trip but a rebirth. The Ottawa band’s forthcoming EP Better Days, Different Times (July 18th) expands their core formula of raw energy and no-frills honesty by inviting new players and broader sonic choices into the mix. But even with cello flourishes and genre jumps, their identity remains firmly intact.” – Amplify The Noise (2025 – Better Days, Better Times)

“The new track ‘Shark Bait’ from Doll is a blast! The world has been celebrating the 50th anniversary of “JAWS” and now we have a brand new punk-fueled bite in the pants to go along with all of the bloody hoopla. ‘Shark Bait’ is basically straight ahead hardcore riffage with razor sharp teeth, fun lyrics and a precursor to their new EP, ‘Better Days, Different Times’ set for a July 18th release. Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll (2025 – Better Days, Better Times)

“DOLL has returned as potent and as impressive as they were before but with greater impact we suggest, Better Days, Better Times quite simply a must exploration for punk and feral rock hearts.” – The Ring Master Review (2025 – Better Days, Better Times)

“Christina Kasper’s changeable voice is impressive.” – Keep On Rocking (2025 – Better Days, Better Times)

“‘Bleeding’ is a colourful mixture of Hard and Alternative Rock, paired with influences from Punk and Gothic, in a very melancholic sounding melody. The powerful voice of singer Christina Kasper dominates like a siren. ” – Metal Heads Forever Magazine (2025 – Better Days, Better Times)

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0 SIEGE PERILOUS Unveils First Single “As the Dragon Falls” ft. Fabio Lione From the Concept Album “Becoming the Dragon” Out March 2026

January 16, 2026
by Asher
· Music News · Siege Perilous

NEWS RELEASE

Montreal, QC – January 16, 2026

SIEGE PERILOUS Unveils First Single “As the Dragon Falls” ft. Fabio Lione From the Concept Album “Becoming the Dragon” Out March 2026

A narrative-driven punch of epic fantasy power metal featuring incredible guests like Fabio Lione and Kristin Starkey!

Left to Right: Mark Girard (Drums) | Eric Fischer (Bass) | Shaughnessy McDaniel (Vocals) | Ryan Flanagan (Guitar) | Scott Hancock (Guitar)

Photographer Credit – Gii Astorga

Colorado power metal storytellers Siege Perilous ignite the next chapter of their musical saga with the release of their first single and music video, “As the Dragon Falls”, featuring legendary vocalist Fabio Lione (Rhapsody, Angra). The track serves as the first glimpse into the band’s sweeping debut concept album, “Becoming the Dragon,” out March 27, 2026.

Forged from the camaraderie of live‑action roleplay and a shared love of epic storytelling, Siege Perilous has built a reputation for crafting cinematic, narrative‑driven metal that blends myth, history, and high‑fantasy adventure. Their upcoming full‑length album marks the culmination of years of collaborative writing, world‑building, and musical evolution.

“As the Dragon Falls” is more than a single; it’s a milestone for the band, especially for vocalist Shaughnessy McDaniel, who has been a devoted Rhapsody fan since his teens.

“As the Dragon Falls represents a true heavy metal dream come true for all of us, but especially for Shaughnessy. Working with Fabio far exceeded anything we could have hoped for. His classic soaring vocals combined with Shaughnessy’s lower register create a really unique and cool power metal sound,” adds the band.

The song’s narrative twist, where slaying the dragon becomes a metaphor for the double‑edged nature of achieving one’s goals, adds a bittersweet emotional core to the track. Lione himself was drawn to the story and, according to the band, “really gave it his all.”

Musically, the single fuses Siege Perilous’ signature melodic power with the symphonic grandeur of classic Rhapsody, delivering a heroic anthem that darkens into something far more ominous by its final moments.

Watch and listen to the music video for “As the Dragon Falls” featuring Fabio Lione via its premiere on MetalAddicts HERE.

Add to your Spotify Playlist – pre-save – https://distrokid.com/hyperfollow/siegeperilous/as-the-dragon-falls-feat-fabio-lione

“Becoming the Dragon” is a ten‑part epic chronicling the rise, fall, and metamorphosis of the “Child of Prophecy,” a hero who must confront fate, tragedy, and ultimately his own transformation into the titular dragon. The album features guest performances from both Fabio Lione and powerhouse vocalist Kristin Starkey (Twilight Force, Temperance), who also serves as McDaniel’s vocal mentor.

“Creating a massive, sweeping power metal epic has been a dream since before we even formed this band. This album represents our collective experience, skill, hopes, and dreams as musicians,” says the band.

The record showcases the band’s evolution since their earlier EPs, with more complex arrangements, expanded vocal range, and orchestration that heightens the album’s cinematic scope. Each track stands alone as a powerful metal anthem, yet together they form a cohesive narrative journey.

Their writing process is uniquely collaborative; every member contributes to the story and the music, resulting in songs that carry the DNA of the entire band. This approach, while unconventional, has become one of their greatest strengths.

Recommended for fans of Wind Rose, Hammerfall, Sabaton, Blind Guardian, and Iron Maiden, “Becoming the Dragon” is due out on March 27, 2026 and available for pre-order / pre-save at the following link:

https://siegemetal.bandcamp.com/album/becoming-the-dragon

Track Listing:
1. Overture (Instrumental) – (2:37)
2. Ancient Rite – (4:37)
3. As the Dragon Falls (feat. Fabio Lione) – (4:33)
4. Child of Prophecy – (4:05)
5. Shattered Mirage – (4:07)
6. Chieftain – (4:03)
7. Cut Down – (3:01)
8. Echoes of Home (feat. Kristin Starkey) – (4:48)
9. Becoming the Dragon – (5:09)
10. Eschaton – (7:50)
Album Length: 44:54

More info: Siegemetal.com | Facebook.com/siegeband | Instagram.com/siegeperilousmetal | Tiktok.com/@siegemetal

About:

Siege Perilous is a Colorado‑based power metal band specializing in epic, cinematic storytelling through music. Formed by Shaughnessy McDaniel (vocals), Scott Hancock (guitar), and Mark Girard (drums)—later joined by Eric Fischer (bass) and Ryan Flanagan (guitar/arrangements), the band draws from fantasy, history, and myth to craft immersive metal narratives. Their debut album, Becoming the Dragon, arrives March 27, 2026.

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“It gives me great pleasure to tell you that Creation’s Call is a blast. Siege Perilous has succeeded in creating what I would call Epic Power Metal for the Working Man. They don’t waste your time with overlong symphonic interludes between tracks, melodramatic narration, or overproduction that tests the limits of your sanity. The band gets right to the point and pulls you into their epic tales of heroic daring immediately. This is a nice breath of fresh air and if this EP is anything to go by, Siege Perilous has a great future ahead of them. Yes, this could be considered power metal but the no-nonsense approach and urgency to the songwriting makes this release absolutely worth checking out for those of us in the NWOTHM scene. Plus, it’s really just a lot of fun. This one is highly recommended. THENWOTHM SCORE: 9/10” – The NWOTHM

“‘Creation’s Call’ never gets boring, even on Heavy Rotation. Five gifted musicians have succeeded in creating a varied EP. The twin guitar solos are convincing the whole time. It’s just a shame that it ends after twenty-one minutes. It makes you wish for a full-length album. And, of course, a thrilling live performance. 9.3/10” – Metalheads Forever Magazine

“solid power metal style that should satiate any LARP-attendees or Dungeons and Dragons mavens. Keep an eye on this quintet – wield thy sword as they lead the battle charge for more quality power metal from the states. 8/10” – Dead Rhetoric

“There are any number of quality bands like Siege Perilous active right now but the style is popular (and I love it) and these guys are as decent as the next similar act. They lean more the Metal side of the equation using the folk and orchestral moments as flavour, not the main style. CREATION’S CALL is a fine effort and I could easily see them on tour with Brothers Of Metal, All For Metal, Fellowship and other costumed Metal heroes. Worth checking out!” 4/5 – Metal Rules

“Denver metal mob reckon that their goal on “Creation’s Call” was to build a world and tell a story in “three to five minutes.” It’s a world of fantasy, as “Oathsworn” proves, where metal rules and swords are held high. “Across The Rubicon,” however, is delivered with such skill that you can’t resist getting sucked in with them. Shaughnessy McDaniel has a brilliant “metal” voice, roaring on “Sons Of The Verdant,” and guitar duo Scott Hancock and Cody Martinez can knock out a NWOBHM riff like it’s 1982, as the title song underlines. “Brothers Of Five” brings the epic one last time, galloping in proper fashion, and it’ll be interesting to see how Siege Perilous develops. This is one hell of an opening statement, mind you. 8.5/10” – Maximum Volume Music

“Creation’s Call not only highlights Siege Perilous’ dedication to epic storytelling but also emphasises their versatility within the power metal genre. With influences ranging from historical events to high fantasy, this EP offers a rich and varied auditory experience that will captivate fans. Prepare to embark on a grand journey through myth and history as Siege Perilous delivers their latest saga.” – Amplify The Noise

“Creation’s Call it is a cohesive and well-crafted work, where the combination of rich letters in history and fantasy, with a meticulous musical execution, it makes mandatory, regardless of its short duration. [82%]” – Via Nocturna

“Creation’s Call doesn’t get boring even in heavy rotation. Five gifted musicians have created a varied EP. The solos of the twin guitars are convincing across the board. It’s just a shame that it’s over after twenty-one minutes. You want a full-length album. And of course a sweaty live performance. 9.4/10” – Keep On Rocking

“Colorfully mixed NWOTHM/Epic Heavy/Power Metal elixir that appeals to a broad range of fans between ALESTORM, BATTLEROAR, ETERNAL CHAMPION, GATEKEEPER, IRON MAIDEN, RUNNING WILD and WRATHBLADE. Awakens a huge appetite for a full long-play album. On this EP you can clearly see that the band has enormous potential and has already given a great taste of their skills. Conclusion: Strong-looking genretobak that falls out of the usual range! 8,5/10” – FFM-Rock

““Oathsworn” simply explodes out of the gate. The band ratchets every possible dial up to 11 and charges into battle with an epic statement of intent.” – Nine Circles

““Brothers Of The Five” offers classic power metal as you would appreciate it. The strain on the neck muscles is correspondingly high and in some places the number cannot deny a slight Maiden stable smell.” – Hellfire Magazin

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0 GRAVEWITCH’s New Video Summons “Damnable Evil” From Blackened Thrash Self-Titled Album Out Now! + Show Date w/ Savage Master

January 15, 2026
by Asher
· Gravewitch · Music News

NEWS RELEASE

Montreal, QC – January 15, 2026

GRAVEWITCH’s New Video Summons “Damnable Evil” From Blackened Thrash Self-Titled Album Out Now!

+ Show Date w/ Savage Master & Oxygen Destroyer – Feb 12th in Eugene, OR

Blackened thrash metal duo Gravewitch have released the official lyric video for “Damnable Evil,” the second single from their self‑titled full‑length album Gravewitch, which dropped this past June via Rock Sun Records.

Created by Kenji of Tsunami Films & Narcotic Wasteland, the “Damnable Evil” lyric video marks a first for the band, an intense visual companion that amplifies the track’s themes of psychological torment and early‑20th‑century asylum horror.

The track dives into the grim reality of early insane asylums, imagining the terror and mistreatment faced by those confined within. Musically, it blends Gravewitch’s signature blackened thrash with a heavier, groove‑driven undercurrent, an unsettling, immersive backdrop for the song’s lyrical descent into madness.

“The instrumentation captures what the lyrics are explaining. It’s different from the rest of the album, but still very much us,” adds Chris Fleming (Guitar/Vocals/Bass).

Watch and listen to the video for “Damnable Evil” at https://www.youtube.com/watch?v=DWtDqR4wq8I

Formed in 2013 in the high desert shadows of Bend, Oregon, Chris Fleming (guitar/vocals) and Andrew Ingraham (drums) have spent more than a decade forging their own brand of blackened thrash, fast, melodic, atmospheric, and uncompromisingly heavy. Their sound draws from titans like Kreator, Amon Amarth, Dark Funeral, Uada, Skeletonwitch, Emperor, and Vader, while remaining unmistakably their own.

Their self‑titled 2025 album represents the band’s most ambitious and polished work to date. Written during the global uncertainty of 2020, the record explores a wide spectrum of dark themes, from war and witchcraft to sleep paralysis, necromancy, and the infamous serial killer H.H. Holmes. Each of the album’s ten tracks stands apart, reflecting the chaotic energy of the era in which they were created.

“This is our first professional recording where listeners can truly hear the sound we’ve been striving for. Every song takes the audience on a different journey. We wanted this album to be an adventure. We’ve always been told we sound like a five‑piece band even though we’re a duo. This album shows who we are and where we’re going,” says Fleming.

Since their formation, Gravewitch have become a force in the Pacific Northwest metal scene, sharing stages with Warbringer, Goatwhore, Flotsam and Jetsam, Lord Dying, Nervosa, and more. Their reputation for ferocious, tightly executed live performances has earned them a cult following and a respected place in the underground.

Despite their growing success, the band has remained fiercely independent. Fleming handles the bulk of instrumentation on their releases, while both members collaborate closely on themes, structure, and songwriting. Their DIY ethos has shaped their identity from day one.

Gravewitch‘s self-titled album, released on June 18, 2025, via Rock Sun Records, is available on all digital platforms and CD.

Bandcamp (CD) – https://gravewitchofficial.bandcamp.com/album/gravewitch

Add to your Spotify playlist – https://open.spotify.com/album/7kBWr27iJzjvjOfTLP3ZgM

Music Video – “Mistress of Hate” – https://www.youtube.com/watch?v=ppa8bA5rk0A

In additional news, Gravewitch will be local support for Savage Master‘s tour stop in Eugene, OR, on February 12th, 2026. Info can be found here.

Show Dates:
Feb 12 – John Henry’s – Eugene, OR – Savage Master, Oxygen Destroyer, Gravewitch

Track Listing:
1. Damnable Evil (4:24)
2. Phantasm (4:21)
3. Mistress of Hate (4:13)
4. Ritual Reanimation (4:35)
5. Atmospheric Alterations (4:31)
6. White City Devil (4:00)
7. Woodland Trance (5:09)
8. Systematic Fallout (4:21)
9. Operation Overlord (5:27)
10. The Once Sacred Gift of Life (3:32)
Album Length: 44:38

Album Credits:
All songs performed by: Chris Fleming & Andrew Ingraham
All songs written by: Chris Fleming & Andrew Ingraham
Produced by: Johnny Davis
Mixed by: Johnny Davis
Mastered by: Jay Maas
Artwork by: Agustinsane Iryanto

Band Lineup:
Chris Fleming: Guitar/Vocals/Bass
Andrew Ingraham: Drums

More info: Facebook.com/gravewitch | Instagram.com/gravewitchofficial

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“Turn the ignition on this song (Mistress of Hate) and it will rev up your engine into the red zone damned fast, with drums and bass pumping like high-octane pistons, the guitars going fiery and wild, and the vocals gnashing at your throat.” – No Clean Singing

“There’s a lot to savour here as Gravewitch inserts flecks of death and thrash into their already potent formula. I’ve given this album quite a few spins now and I recommend you do too.” – Neil Arnold / Metal Forces Magazine

“A blood-soaked gore-fest, of intense proportions; ‘Gravewitch’ does just as expected; fulfilling its purpose. Brilliant technical precision’s where this is at, though structurally and tonally, it’s not that different to most others in the same genre. So mainly, it just needs to introduce some variation and original signature touches, to add to the already highly skilled craftsmanship. Melodically, there’s room for growth, but all in all, an effective album, with a lot of well showcased musicianship. 9/10” – Rock Queen Reviews

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0 Rockshots Records Signs Embrace Of Souls For New Concept Album “The Battle Of The Dead”

January 15, 2026
by Asher
· Embrace of Souls (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 15, 2026

Rockshots Records Signs Embrace Of Souls For New Concept Album “The Battle Of The Dead”

Rockshots Records is proud to announce its signing of Embrace Of Souls for the release of their new concept album “The Battle Of The Dead,” due out in 2026.

Founded by drummer and composer Michele Olmi, Embrace Of Souls has forged a solid identity within the Italian power metal scene by blending classic ’80s and ’90s heavy and power metal foundations with epic and symphonic influences. After the releases of “The Number Of Destiny” and “Forever Part Of Me”, the band reached a natural turning point, choosing to move forward with renewed focus, strengthened artistic vision, and fresh creative energy.

This new chapter is also marked by an updated line-up compared to previous albums. Giacomo Rossi, already involved in earlier recordings, now takes on a central role as lead vocalist, joined by Martina Mazzeo as soprano vocalist. Their combined vocal approach broadens the band’s expressive range, reinforcing the balance between driving power metal intensity and refined symphonic elegance that defines Embrace Of Souls’ current sound.

The journey continues with “Desolate Lands”, the upcoming single taken from the new concept album “The Battle Of The Dead“.

Pre-save “Desolate Lands”: https://lnk.to/7wfF6l

For fans of: Rhapsody Of Fire, Stratovarius, Sonata Arctica, Nightwish.

BIOGRAPHY:

Embrace Of Souls is an Italian power metal band founded by drummer and composer Michele Olmi, conceived with the aim of bringing together talented musicians around a shared vision rooted in collaboration, brotherhood, and a deep passion for classic metal. Initially born as a studio project, the band took shape with the release of their debut album “The Number Of Destiny” in 2021, receiving positive feedback on an international level and notable acclaim in Japan.

Drawing inspiration from ’80s and ’90s heavy and power metal, as well as the epic and symphonic metal of the early 2000s, Embrace Of Souls developed a sound characterized by powerful riffs, epic atmospheres, and strong melodic sensibility. Over time, the project evolved into a full live band, allowing the group to further consolidate its artistic identity and deepen its expressive range.

In 2024, Embrace Of Souls returned with their second full-length album, “Forever Part Of Me,” marking a significant step forward in terms of maturity and songwriting. This phase also introduced important changes within the line-up, bringing renewed energy and a broader musical perspective to the band’s sound.

A key element of this evolution is the current vocal pairing. Giacomo Rossi, already involved in previous releases, now takes on a central role as lead vocalist while Martina Mazzeo, an accomplished soprano vocalist, adds a symphonic and operatic dimension to the band’s music. Together, their voices embody the duality that defines Embrace Of Souls: light and darkness, power and elegance, intensity and emotion.

Having shared the stage with renowned acts such as Domine, Vision Divine, Stratovarius, Sonata Arctica and Rhapsody Of Fire, Embrace Of Souls continue to refine their identity while looking toward the future. The band is now working on new material, further developing their epic and narrative-driven approach with the goal of solidifying their presence on the international power metal scene.

More info:
https://www.rockshots.eu

https://www.instagram.com/embraceofsouls/

https://www.facebook.com/embraceofsoulsofficial/

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