Category: Music News

0 Canada’s T-Rex Marathon Premiere Political Video “Faux News” Off New Album “Days Without Incident”, Video Premiere via MetalTalk.net

November 5, 2020
by Asher
· Music News · T-Rex Marathon

NEWS RELEASE

Montreal, QC – November 5, 2020

For fans of Silverstein, Billy Talent, Alexisonfire, A Day to Remember, Taking Back Sunday

Canada’s T-Rex Marathon Premiere Political Video “Faux News” Off New Album “Days Without Incident”

Video Premiere via MetalTalk.net

Debut Album “Days Without Incident” Out Now!

L-R- Alex Hodges (guitar, vocals), Jeremy Toppings (bass, vocals), Darien Swolfs (drums), Adam Sakauye (lead vocals), Aaron Stafford (guitar, vocals)

Ottawa’s punk/post-hardcore act T-Rex Marathon released their debut album “Days Without Incident” on October 16th. On the full length, the band wrote a track entitled “Faux News”. The band wouldn’t call themselves very political, but this song to them is an exception. Bassist Jeremy Toppings wrote the lyrics to the track when he was on vacation in the US a few years ago and it didn’t take very long after that for the band to build a melody around them. More or less, “Faux News” is voicing concern to the tense political climate of the band’s neighbours to the south are finding themselves in along with the rest of the western world.

The band adds:

“Let’s get political. The title is a pun on “Fox News” and fake news (as if it wasn’t obvious). Faux News is an expression of anger towards our compliance to the corruption and determination to try and stand against it moving on. Punchy, energetic, focused, and provocative, the song is meant to be shouted out loud and is the kind of tune that would galvanize young budding activists to dive deeper into the ideas we convey.”

Watch the new video for “Faux News” via its premiere on MetalTalk.net HERE.

For fans of Billy Talent, Alexisonfire, and A Day to Remember, T-Rex Marathon is out to prove they aren’t a one-trick pony with their first full length, which serves as a collection of everything they have been, will be, and currently are. The listening experience is a mix of nostalgia, reminiscent of the bands of their youth that they still love, and also intrigue. They have a goal of helping their fans reconcile their love of old bands and a glimpse of several other musical directions to explore, ultimately giving them a safe space to do so.

The band comments:

“We couldn’t be happier with this album. It’s the culmination of many years of growth, and we’re over the moon to finally show it to people. T-Rex Marathon attempted many times to write a full album before. It just never felt quite right, but after years of a shuffling lineup, changes in sound, and other roadblocks, we have a product we are incredibly proud of.

We have been described as many things, but one word kept coming up: Nostalgic. We had people from all over come and tell us that our music reminded them of their high school days. We were reminiscent of the music that introduced them in the communities they’re a part of today. We wanted to make an album that would feel familiar, yet novel. This album is a love letter to the bands that inspired us and a monument to the places we intend to go.

This album has something for everyone. As the five of us in the band, all come from different musical backgrounds, from punk to metal to musical theatre, this album covers a lot of ground, yet doesn’t feel like it’s drawn thin. But at the end of the day, we’re storytellers. We wanted to make a product that asks to be taken seriously, that demands active listening, that deserves your attention.

We hope that everyone else loves listening to it as much as we do.”

T-Rex Marathon‘s new album “Days Without Incident” is available on T-rexmarathon.bandcamp.com, Spotify, Apple Music.

Music Video – “Sheltered” – YouTube

Track Listing:
1. All For Nothing (2:56)
2. No Words (4:56)
3. Faux News (3:05)
4. A Prison Just For Us (4:08)
5. Turnpike (4:06)
6. Pick Your Poison (4:58)
7. Misfits (4:24)
8. Sheltered (4:01)
9. Futures and Goodbyes (4:32)
10. 5 Centimeters Per Second (5:58)
Album Length: 43:09

Album and Live Band Line Up:
Aaron Stafford – Guitar/Bass/Keys/Vocals
Adam Sakauye – Lead Vocals
Alex Hodges – Guitar/Bass/KeysVocals
Darien Swolfs – Drums/Percussion
Jeremy Toppings – Bass/Vocals

For more info:
Facebook.com/TheTRexMarathon
Twitter.com/TRexMarathon
Instagram.com/TRexMarathonofficial
EPK

About:

Starting out on the Ottawa metal/hardcore scene, T-Rex Marathon has adopted a unique sound that comes from a mix of Alternative Rock, Punk, and Post-Hardcore.

Formed by friends in high school, the band began to really take shape almost by accident and through dumb luck. The current lineup consists of Aaron Stafford (guitar/bass/keys/vocals), Adam Sakauye (lead vocals), Alex Hodges (guitar/bass/keys/vocals), Darien Swolfs (drums/percussion), and Jeremy Toppings (bass/vocals).

In a fiercely democratic writing process, every single member has input and a veto, sometimes resulting in a very long but completely organic process resulting in a synthesis of something everyone is happy with. As the band progresses, so does the love and attention that is put into each and everything they produce. The T-Rex Marathon family is and has always been, dedicated to making kick-ass music and leaving a mark in the industry, not only for them, but for their fans.

The boys in T-Rex, as the band is called for short, endlessly value their dedicated fans, affectionately known as Marathoners. After all, it is for them that they continue to write about what they want and play what feels right. T-Rex Marathon’s music is a simple blend of attack and melody that has the main goal of being not only fun to play, but fun to listen and rock out to.

The stage is a performing area, and this band refuses to give anything but their all at every show. They have had the pleasure of sharing the stage with bands such as: Of Burning Empires, Flesh Over Faith, Faithful Unto Death, and Project Mantra. They have also played Wretched Fest 1&3, Unite and Ignite 2012, 2014.

To date, the band has released 2 EPs Aurelia (2017), Eponymous (2016), and are readying to share with fans their first full length ” Days Without Incident ” due out October 16th, 2020.

– 30 –

“Each band member draws in a different musical influence, from Alexisonfire (post-hardcore) to Blink-182 (pop-punk), to even Coheed and Cambria (progressive rock), creating a sound that is impossible to be kept in a box.” – Asha Swann

“For fans of hardcore, punk and just good rock n roll, people from all over the spectrum should get on this!” – Punkanormal Activity

—

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0 Disconnecting From Life NYC’s WINTER NIGHTS Explore “Withdrawals”, Lyric Video Premiere via MetalInjection

November 4, 2020
by Asher
· Music News · Winter Nights

NEWS RELEASE

Montreal, QC – November 4, 2020

For fans of Kalmah, Death, Amon Amarth, Sentenced, Behemoth

Disconnecting From Life NYC’s WINTER NIGHTS Explore “Withdrawals”

Lyric Video Premiere via MetalInjection

New Self-Titled Album Out Now!

Efrain Farfan – Back up Vocals and Guitar, Jeremy Farfan – Vocals and Guitar

NYC death metal Winter Nights are unveiling their new lyric video “Withdrawals” in support of their self-titled album released this past July. Heavy, somber, and progressive, vocalist and guitarist Jeremy Farfan explains the message behind the song and video:

“When this song was written. It was a weird time as I just had ankle surgery and was laying in a hospital bed hopped up on painkillers staring at the rain smashing against the window while in serious pain. The idea behind it came from not wanting to deal with the immediate post-surgery pain.

Withdrawal from life in general. In the weeks to come, I was blessed to have my amp stack at home and spent most days jamming out while barely being mobile. This song was conjured and as soon as I returned to the studio rehearsal, it ultimately flowed like water from the first note we played…”

The lyric video for “Withdrawals” can be viewed via its premiere on MetalInjection HERE.

Winter Nights‘ latest full length follows the band’s 2014 widely praised record “An Endless Apocalypse”. Recorded between 2015 and 2018 at Atomic Sound in Brooklyn, New York, this new album is clearly progress for Winter Nights. Showing its maturity, it’s easy to hear the difference between the self-titled album and its predecessor.

Combining dark, foreboding lyrics and melodic interludes breaking up pounding riffs, the primary themes on the album relate to the feeling of being stuck on the idea of death. The lyrics are a sort of metaphor of losing someone and/or taking your own life for one purpose or another. Winter Nights explains the album in their own words, painting a grim picture:

“If you took a deep breath right before free-falling off a cliff in the pouring rain with a glimmer of sunshine trying to come through dark clouds only to fall into a dark hole and wake up crawling all fours on cold soil with snow falling in a dark moonlight forest.”

For fans of Belphegor, Amon Amarth, and Dark Tranquility, Winter Nights‘ self-titled album is available on Bandcamp, Spotify, and all other major digital platforms.

Music Video – “Starved For Energy” – YouTube

Track Listing:
1. When December Burns (5:47)
2. Starved For Energy (4:09)
3. Withdrawals (4:11)
4. Unmarked Grave (4:52)
5. Day The Sun Died (4:01)
6. Encounters (5:19)
Album Length: 28:21

For more info:
Facebook.com/winternightsnyc
Instagram.com/winternightsnyc
Twitter.com/winternightsnyc
EPK

About:
Winter Nights is a four-piece melodic death metal band emanating from Brooklyn, New York in the winter of 2007. The sound and lyrical themes of their music portray loss, pain, grievance, and darkness.

Guitar driven melodies evoke visceral reactions to the mythic end of the world. They are an integral part of the thriving New York metal scene. As of 2020, their formation consists of dueling guitar brothers Jeremy and Efrain Farfan who also cover vocals, bassist Martin Tune and drummer James Yarusinsky.

The two Farfan brothers came up with the idea for the band after a New Years’ toast and after recruiting a friend they started writing music together and the rest is history. Trading endless amounts of riffs the Farfan brothers devise the majority of the music before presenting it to the rest of the band to be beefed out in the rehearsal studio.

Mainly inspired by nature, places of travel. different scenery. Jeremy gets his ideas from places he’s traveled such as the cliffs of northern Ireland, catacombs of Montreal, nighttime canals of Venice, and the eerie silence of Central Park at night.

Playing with similar bands such as Kalmah, Belphegor, and Insomnium, and on festivals including Maryland Folkfest and Poconos Folkfest, Winter Nights is a mainstay in the New York metal underground. With personal influences rooted primarily in metal, the members of Winter Nights make provocative, despairing, genuine songs. In 2008 they released a self-titled demo EP, followed by another EP “From Darkness Till Dawn” in 2011, and a full length “An Endless Apocalypse” in 2014. 2020 brings a new self-titled album due out July 31st.

– 30 –

“Bone-Crushing Melodic Death Metal” – Permafrost Today

“‘Encounters of the Frozen North’ has a lot of thundering, jolting power along with some killer riffs and a dark, somewhat Eastern-influenced melody that worms its way into your head. The music is capped by jagged, tyrannical vocals that make a powerful impact and by a serpentine solo that underscores the reptilian menace lurking within the song.” – NoCleanSinging

“Combining the worlds of detailed, melodic guitar metal with the gruff, mean vocalisation of death and doom, Winter Nights has a lot to offer across the 6 tracks.” – Games, Brrraaains & A Head-Banging Life

“Winter Nights remain at the heart of Brooklyn” – Heavy New York

“Anyone seeking melodic death metal that isn’t afraid of really leaning into the ‘death’ side of things, while still maintaining some epic and somber tones, Winter Nights should be next on your ‘need to check out’ list. Frost-bitten and glorious in just the right percentages. 8/10” – Dead Rhetoric

“the music on this is moody and mid-paced, with a melancholic melodic sensibility mixed in with crunching, heavy riffing that almost reminds me of older Amon Amarth.” – The Metal Crypt

“Fans of old school Amon Amarth and At The Gates will dig this band. Jam out to “When December Burns” now!” – Ghost Cult Mag

“Six songs in this new work; the first shot is ENCOUNTERS, where instrumental parts and blackened vocals prevail.” – HardRockHeavyMetal

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Cosmic Anguish Abounds As Ancient Thrones Release Concept Album “The Veil”, Premiere Full Stream via Decibel Magazine

November 4, 2020
by Asher
· Ancient Thrones · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – November 4, 2020

For fans of Revocation, Skeletonwitch, The Red Chord, The Black Dahlia Murder, Wolves in the Throne Room

Cosmic Anguish Abounds As Ancient Thrones Release Concept Album “The Veil”

Premiere Album Stream via Decibel Magazine

New Album “The Veil” Out November 6th

L-R: Dylan Wallace (Guitar)| Nick Leslie (Guitar)| Sean Hickey (Drums, Vocals)| Matt LeBlanc (Bass)
Photo Credit – Matt LeBlanc

Canada’s Ancient Thrones have had much lead up to the release of their new album “The Veil” with three singles, now the wait is over and fans around the world can experience the entire melodic, gritty story on the concept album.

Ancient Thrones shares their madness behind the music and their hopes for listeners:

“The record is a concept record so it’s meant to be listened to in its entirety to get the full experience of the story. Even the songs were written and laid out in a way that they seamlessly transition into each other. Almost as if it was just one long piece of music broken up into separate parts as tracks. We want people to headbang and mosh, but we also want to bring people on a journey through this world of purgatory and grief and understand each phase of grief the record represents through the 10 tracks.”

“The Veil” is a 57-minute descent into the afterlife. Ancient Thrones intends to tell a compelling story of grief that people can relate to through a dark and progressive package droning with cosmic anguish where nothing is as it appears both musically and lyrically. Much like the album, the band went through a metamorphosis writing this piece and grew together as musicians, songwriters, and people.

Recommended for fans of Revocation, The Red Chord, and The Black Dahlia Murder, “The Veil” will be officially out as of Friday, October 30^th, 2020 and before it drops, the record can be heard in full on Decibel Magazine HERE.

The album will be available on Bandcamp, Spotify, Apple Music, Amazon.

Track Listing:
1. Transient (1:58)
2. The Sight of Oblivion (6:00)
3. The Millionth Grave (5:53)
4. The Soul to Flesh (6:14)
5. Viduus (The Veil) (9:29)
6. Sentient (2:11)
7. The River of Rain (4:32)
8. Divided/Dissolve (9:12)
9. The Infinite Eyes (9:10)
10. Permanent (2:54)
Album Length: 57:38

More info:
Facebook.com/Ancientthrones
Instagram.com/ancientthrones
EPK

About:

Ancient Thrones, formerly “Abysseral Throne”, is a locally acclaimed blackened metal outfit that rebranded to suit major changes in line-up and songwriting.

Formed in 2011, they quickly went to work to establish themselves among their scene and gained local notoriety eventually allowing them the opportunities to open for renowned metal acts from across the globe.

Sean Hickey (drums/vocals) is the sole original founder of Abysseral remaining, Matt LeBlanc joined in 2015 on bass and improved and refined the sound and operation drastically. Once they lost their original singer and guitar player Jonny Rains, Dylan Wallace joined and took over main songwriting duties. Hickey took over completely on vocals with a black/death metal vocal style, and Nick Leslie joined shortly after on the second guitar. Work began on writing a new album which took about 3 months to write the music for. The new material sparked the name change to Ancient Thrones as an homage to one of Hickey’s favorite bands and inspirations, Wolves in the Throne Room.

In 2013 the band released its debut record and its subsequent follow-up in 2016, “Storming The Black Gate”, which was nominated for an East Coast Music Award. Ancient Thrones have toured throughout Canada, and played at several festivals, sharing the stages with bands such as Silverstein, The Agonist, Black Crown Initiate, and Skull Fist.

2020 sees the release of the concept album “The Veil” showcasing the band’s desire for storytelling and pushing them to new heights musically. The new album explores the journey of a man faced with tragedy, his mortality and ultimately the permanence of our actions told through technical soundscapes and haunting atmosphere.

– 30 –

“A full-throttle attack, the song (The Sight of Oblivion) delivers bludgeoning rhythms, vicious darting and slashing guitar-work, scorching blackened shrieks, and cold-hearted roars. There’s a brazen, borderline-unhinged quality to the barrage, generated by screaming, rapidly whirling leads, magma-like bass notes, and fast-changing, bone-cracking drums. But within the assault there are also fluid, sinuous melodic leads whose mellifluous, reverberating tones give the music a mysterious, mesmerizing, and mournful quality. And near the end one of those leads morphs into a fret-burning dual-guitar extravaganza that really gets the blood rushing.” – No Clean Singing

“a 57-minute descent into purgatory….” – Permafrost Today

“The Sight of Oblivion and The Millionth Grave are steeped in ferociousness and savagery as only a band well versed in blackened death metal are capable of producing.8.5/10” – Games, Brrraaains & A Head-Banging Life

“With this new incarnation, Ancient Thrones has moved into strict Black/Death territory, producing an album filled with pummeling riffs, intricate song structures, and technical musicianship that’s leavened by atmospheric segments and epic, sometimes audacious melodies that border on Cascadian. The production matches this style perfectly, being heavy and abrasive while allowing the songs enough room to stretch out… fans of more epic and melodic Black/Death will want to give The Veil a listen. 4/5” – The Metal Crypt

—

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0 Calgary’s ARCANA Premiere Full Stream of Debut Space Rock Opera “Letters From A Lost Soul | Act I: The World One Forms” via V13, EP due out Friday, Nov 6th

November 4, 2020
by Asher
· Arcana · Music News

NEWS RELEASE

Montreal, QC – November 4, 2020

For fans Rush, Caligula’s Horse, Leprous, Coheed and Cambria, Porcupine Tree

The Beginning Of Arcana’s Space Opera “Letters From A Lost Soul | Act I: The World One Forms” Is Streaming Now

Stream Premiere via V13.net

Debut EP Out November 6th

Rogan McAndrews (Composer, Co-producer, Guitar, Bass, Vocals) | Photo Credit: Rogan McAndrews

Highly detailed with layers of vocal, orchestral interludes and a passionate story can all be found in the debut EP from Canada’s Arcana. This is the first piece of many in what is already a vast and colorful universe that the band has created.

Aiming to have listeners embrace music that is never stagnant and come away inspired, Arcana has weaved a tale of love, tragedy, and perseverance in the story of Damien. The band shares the details on the premise of the first act.

“This EP is a sort of love story from Damian to his wife Hope and their child Cassidy before tragedy strikes. I try to present what his anxieties and pressures are working far away from his family but also a lingering unstableness from within that is voiced by the character Nightmare that foreshadows the tragedy that is about to befall them. Throughout the “Letters from a Lost Soul” arc, Damian will be expressing all of these emotions through letters to his wife and child, the letters being the songs on each album and the characters writing back and forth.”

Arcana is mainly a two-man project split between the founder Rogan McAndrews and friend, drummer, and engineer Deyson Thiara in their respective home studios. Rogan records and programs all the guitars, bass, synths, orchestra, and vocals while Deyson records drums, reamps, and mixes and masters the tracks. Other musicians were recruited to play the parts of the characters who sing their way through the events that unfold.

Technical and cinematic, “Letters From A Lost Soul | Act I: The World One Forms” is poetic and thought-provoking and the perfect compliment to collections of prog fans, especially ones who enjoy Leprous, Coheed and Cambria, and Porcupine Tree.

Before it officially releases on Friday, November 6th, “Letters From A Lost Soul | Act I: The World One Forms” is streaming in full via its premiere on V13.net HERE.

The EP will be available at Arcanacollective.bandcamp.com, Spotify, Apple Music

Music Video – “Tailwind” – YouTube

Track Listing:
1. Letters From A Lost Soul (0:53)
2. Wings (7:11)
3. Tailwind (3:55)
4. Octosun/Wings (Reprised) (9:54)
EP Length: 21:55

EP Band Line Up:
Rogan McAndrews – Guitar, Bass, Vocals (Damian), Synths.
Anna Draper – Vocals (Hope)
Deyson Thiara – Drums

For more info:
Thearcanacollective.com
Instagram.com/arcanaband_official
Facebook.com/arcanabandofficial
YouTube
EPK

About:

Arcana brings you a myriad of sounds from battering prog rock to delicate pop hooks, delivering you experiences that always inspire. With a narrative spanning across multiple albums, Arcana blends sci-fi, mythology, and a study of human action in the face of adversity.

Born from the mind of Calgary-based musician Rogan McAndrews, Arcana follows the story of a character named Damian as he attempts to mend his life and relationship with his wife Hope and daughter Cassidy in the wake of tragedy.

Beginning with the upcoming debut EP “Letters From A Lost Soul – Act I: The World One Forms”, is a concept record that explores a love story expressed through letters from Damian to his wife and child, but also give a glimpse into his anxieties and nightmares.

Damian and Nightmare are played by Rogan McAndrews.
Hope is played by Anna Draper.
News Anchors Dave and Alice are played by Chelsea Finnigan and Griffin.

“Letters From A Lost Soul – Act I: The World One Forms” is due out November 6th, 2020.

– 30 –

—

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0 Don’t Be A “Stranger” To Sadistic Embodiment Drummer Bryan Newbury’s Behind The Kit Video, Out Now! New Album “Blood Spell” via CDN Records

November 3, 2020
by Asher
· Music News · Sadistic Embodiment

(contact info below)

NEWS RELEASE

Montreal, QC – November 3, 2020

For fans of Gojira, Rotting Christ, Bloodbath, Kataklysm, Strapping Young Lad

Don’t Be A “Stranger” To Sadistic Embodiment Drummer Bryan Newbury’s Behind The Kit Video

Out Now! New Album “Blood Spell” via CDN Records

L-R – Bryan James Newbury (Drums); Jason Cullen (Rhythm Guitar); Wally Fischer (Lead Guitar); Curtis Vieville (Bass)
Photo Credit: Danika Challand AKA Demonika

Canada’s Sadistic Embodiment unleashed their new album “Blood Spell” this past September via CDN Records. The full length follows the band’s three EPs Beloved Imprisonment (2019), Blodörn (2018), and Self-Titled (2018).

Featuring a behemoth of nine assaulting tracks, drummer Bryan “Newbs” Newbury is sharing with fans cam footage of his terminator approach to the kit for the band’s track “Stranger”, which can be viewed via Newbury’s Youtube channel HERE.

Bryan “Newbs” Newbury has been shredding the drum kit in Western Canada since 2002 working his way up the ranks to become one of the country’s most beloved, fun, positive, and beastly, bearded metal drummers. Newbury wears his obvious influences on his sleeve, literally! Heavy names like Gene Hoglan, Neil Peart, and Vinnie Paul shape his style and love of groovy hard-hitting metal.

Among his current band Sadistic Embodiment, Newbury also drums for international touring artists Into Eternity and Untimely Demise. He also is endorsed by Pearl Drums, Sabian Cymbals, Vater Drumsticks, Remo Drum Heads, Sweet Spot Clutches, High Life Super Foods, Allmax Nutrition, Fresh Cap Mushrooms, and The Gilded Beard.

Sadistic Embodiment continues their sonic onslaught, each of the nine songs on “Blood Spell” has a distinct feel given the variation in vocal and instrumental styles throughout the album. Each track stands out and yet they are all uniquely Sadistic Embodiment. This will please old school death metallers and the new school with a variety of punch-in-your-face hooks, melodic passages, and absolutely brutal anthemic choruses.

The band comments on the album:

“After spitting out three EPs this last couple of years, we were really stoked and kind of nervous settling into a longer writing and recording process for Blood Spell. As per usual, we cranked out the material during bi-monthly jams, but this time we really took our time crafting the music once the main structure of the songs was built. Our sound is still exactly the same, but the listeners may hear more broad musical influences across the nine tracks. There are tracks that sound distinctively Wally and Jason and certain tracks where you really hear Bryan shine as he shows off his technical prowess.

A lot of our songs are longer than your average death metal track, and they are relatively simple in regards to guitar and lyrical work. But with longer playtime, we were able to fit in more ambiance and guitars solos into every nook and cranny.”

“Blood Spell” is available on CD from CDN Records here and digitally on Bandcamp, Spotify, and Apple Music.

Videos:
Lyric Video – Catherine’s Braid – YouTube
Lyric Video – Gallows Hill – YouTube
Lyric Video – Phantom Tormentor – YouTube

Track Listing:
1. Stranger (4:41)
2. Gallows Hill (5:33)
3. Catherine’s Braid (6:03)
4. Phantom Tormentor (4:41)
5. Nebulae (Call of the Void) (2:48)
6. Suicide Ceremony (3:09)
7. Global Enema (4:06)
8. Flesh Deposition (5:37)
9. Cerebral Termination (5:26)
Album Length: 42:08

Sadistic Embodiment is:
Bryan James Newbury (Drums)
Jason Cullen (Rhythm Guitar)
Curtis Vieville (Bass)
Wally Fischer (Lead Guitar)

For more info:
CDNRecords.com
Facebook.com/sedeathmetal
Instagram.com/sadisticembodimentofficial
EPK

– 30 –

“Canadian death metal executioners Sadistic Embodiment have emerged from their quarantine torture chamber to release their first LP, Blood Spell. After establishing their brutality across three EPs, they’re ready to give the world a global enema on their full-length debut… Sadistic Embodiment will appeal to fans who want both mosh-ready slams and razorblade riffing. ” – Decibel Magazine

“The band’s new album, Blood Spell is full of hooks, riffs, blasts, and blends of old and new school death metal. Plus, Sadistic Embodiment shows you can throw Bryan Newbury (Into Eternity, Untimely Demise) behind the kit in any band and make gold out of the drumming… Early on in the album, one of the first songs to come across is “Gallows Hill”. This song probably features the most riffs of any on the album, but one key part of Sadistic Embodiment is the lyrics. This is a band focused on telling a story with each song moreso than just trying to write the heaviest death metal out there. “- Metal Injection

“Edmonton’s Sadistic Embodiment Channel Their Disdain for the Modern World on ‘Blood Spell'” – Exclaim!

“Canadian metal outfit Sadistic Embodiment are gearing up for their new album, Blood Spell, out September 18th via CDN Records. The follow-up to their three consecutive EP’s Beloved Imprisonment (2019), Blodörn (2018), and Self-Titled (2018) is promised to be a continuation of their ruthless death diversity ranging from similarities of Gojira, Rotting Christ, to Bloodbath and Kataklysm.” – Metal Insider

“The album weaves back and forth between thrash and full-on death metal, with surging hooks aplenty and a good deal of genuine catchiness – especially over the album’s front half – topped by the bark, growls and shrieks of bassist Curtis Vieville and guitarists Wally Fischer and Jason Cullen.” – Metal Rules

“Pure and unadulterated death metal is at hand in the band’s assault, but don’t expect it to dull your senses as it continues. There’s a number of dark melodies that weave their way into the sound and craft some catchy moments that keep it brutal but still quite memorable. Not to mention some heavy grooves (see “Flesh Deposition”) that are definitely going to catch some ears. A rather promising debut for extreme music fans to dig into.” – DeadRhetoric

“I can honestly say that SADISTIC EMBODIMENT would rip apart any venue with their music and all the crowd would be screaming along. SADISTIC EMBODIMENT is on the up, and I cannot wait to see what is in store for this powerhouse of a band. 10/10” – Metal Temple

“By the time “Cerebral Termination” hits, “Blood Spell” isn’t a record you want to reach a conclusion. The tracks get better and better as it plays through from high quality starting point and the ideas and nuances just keep coming. Another one with seriously impressive lead work, it fades out all too soon. 8.5/10” – Metal Noise

“this is a meaty chunk of Death Metal… The songs are mostly mid-paced and full of pummeling, grooving riffs and unrelenting heaviness, but what helps set this apart from the masses are the startling tremolo sections and some deeply impressive lead work, which contains a keen sense of melody along with a degree of musicality that you don’t often see in the genre… an enjoyable release from a talented band, and fans of more technical Death Metal will want to give it a listen. 3.75/5” – The Metal Crypt

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0 Progressive Metallers Motion Device Release Catchy Music Video For Single “Blindfold It Away”, Out Now! New Album “Motion Device IV”

November 3, 2020
by Asher
· Motion Device · Music News

NEWS RELEASE

Montreal, QC – November 5, 2020

For fans of Evanescence, Alter Bridge, Ozzy Osbourne, Dream Theater, Muse

Progressive Metallers Motion Device Release Catchy Music Video For Single “Blindfold It Away”

Out Now! New Album “Motion Device IV”

L-R: David Menoudakis (Drums) | Andrea Menoudakis (Bass/Keys) | Sara Menoudakis (Vocals) | Josh Marrocco (Guitars)

Canada’s Motion Device have a new music video out for their single “Blindfold It Away”. The single comes from their recent album, “Motion Device IV” (or ‘MDIV’ for short), which was released on September 4, 2020. This is the fourth album from the DIY band who recorded, produced, mixed, and mastered the album by themselves in a studio that was completely crowdfunded by fans around the world.

Motion Device says they owe their success so far to their fans and are extremely appreciative of their support through their careers. They expect that fans will enjoy the album and the music video that is being released. With a vision of taking fans on a journey, through their music, they encompass all emotions, happiness, sadness, joy, anger, excitement, “MDIV” is an emotional roller coaster that is easy to connect to. The band explains the single in their own words:

“The beginning riff was the very first piece of music that began the writing process for the album. Josh first recorded the guitar arrangement, then sent it to David and Andrea and before you knew it they were jamming it out together. It was also the song that set our vocalist Sara on a brand new path of lyrical writing that was the start of the most writing Sara had done on any album up to this point. Her lyrics and the band’s progressive sound can be heard throughout this new album and if there’s one song that encompasses who Motion Device is, this is it!”

From soft to heavy, slow to fast, dreamy to raw, the song is pure Motion Device! They have a ‘new school’ progressive rock sound while still keeping some classic metal vibes to it.

Diverse, and unique, Motion Device is the perfect addition to the collections of metal fans worldwide. They are especially recommended for fans of Evanescence, Alter Bridge, and Ozzy Osbourne.

The video for “Blindfold It Away” can be watched on YouTube.

The band’s new album “Motion Device IV” is available digitally on Spotify, Apple Music, Amazon, physical CD at Motiondevice.net/buy-motion-device-iv-cd/.

Track Listing:
1. The Pill (0:38)
2. Blindfold It Away (5:13)
3. I’m Still Waiting (4:22)
4. No Control (5:05)
5. Unmonsterme (4:07)
6. The Lion Keeper (4:01)
7. Mary-Anne (4:52)
8. Warped (4:37)
9. Sweet Desire (4:34)
10. Intervention (3:10)
11. The Ocean Floor (5:56)
12. High Road (4:17)
13. Here4You (5:32)
14. Marching Home (5:08)
15. Bleeding Inside (4:43)
16. VOID (7:58)
Album Length: 1:14:16

For more info:
Motiondevice.net
Facebook.com/OfficialMotionDevice
Twitter.com/MotionDevice
Instagram.com/officialmotiondevice
EPK

About:

Motion Device is an independent hard rock band from Canada led by vocalist Sara Menoudakis, along with Josh Marrocco on guitar, Andrea Menoudakis on bass/keys, and David Menoudakis on drums.

The formation of the band just seemed to fall into place between the Menoudakis siblings, and their cousin Marrocco. Each member played a key instrument and shared similar musical tastes and inspirations. After starting out as a cover band, they slowly but surely found themselves writing, recording and producing their own music and once that began there was no looking back.

Motion Device has enjoyed recognition since their cover band days including receiving a huge standing ovation at Canada’s Got Talent auditions in 2011 only to be cut just before the live shows because the producers did not want to pay for music royalty rights of the songs they were covering (Zeppelin’s ‘Whole Lotta Love’ and Ozzy’s ‘Crazy Train’). They also received a huge boost in their early days when Ronnie James Dio’s social media team shared the band’s Youtube cover of Black Sabbath’s ‘Heaven and Hell’.

Motion Device has 4 albums out, “Welcome to the Rock Revolution” (2014); “Eternalize” (2015); “Wide Awake” (2017), and “MDIV” (2020). The most recent one was recorded, produced, mixed, and mastered by the band in their own fan-funded recording studio. Thanks to crowdfunding, all of their albums have been completely funded by fans from all over the globe. With over 100,000 social media fans and more than 20 million views on their Youtube channel, they’re quickly becoming one of the brightest up and coming bands in North America.

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“Canadian rockers Motion Device turned a series of viral video hits into dedicated fans who are helping them make the music they love.” – Metal Hammer

“Their young age and gender diversity gives them a fresh and unique perspective on the industry, one that doesn’t romanticize the rock and roll of the past. They’re taking DIY, punk rock ethics and applying it to the current music industry, allowing them to find success on their own terms.” – Huffington Post

“Motion Device has been dubbed “the future of rock”.” – CHCH Hamilton

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0 Enter The “Ripzone” w/ Entropy Guitarist’s Shredding New Playthrough, Premiere via TechnicalMusicReview

November 2, 2020
by Asher
· entropy · Music News

NEWS RELEASE

Montreal, QC – November 2, 2020

For fans of Slayer, Pantera, Iron Maiden, Black Sabbath, Metallica

Enter The “Ripzone” w/ Entropy Guitarist’s Shredding New Playthrough

Playthrough Premiere via TechnicalMusicReview

New Album “Force Convergence”

L-R: Oscar Rangel (Bass), Ger Schreinert (Vocals), Dan Lauzon (Guitar), Blake Lemieux (Drums)
Photo Credit – Pamela Ashton – Lauzon

If you know your Canadian thrash then you know the legendary Entropy. The band first hit the metal scene in the late 80s and 30 years later they are still melting faces with their latest full-length “Force Convergence” unleashed this past August.

Today, Entropy guitarist Dan Lauzon is sharing a lesson in shredding with his playthrough for the band’s track “Ripzone”.

Lauzon comments on the video:

“‘Ripzone’ is a straight-up ripper!! This was the 1st or 2nd tune written for the album. For years, the working title was ripper! Right from the start, I wanted a less is more approach on this tune for leads; man I wanted to shred all over the middle parts… but knowing this was likely the lead-off track I wanted to melt faces with the crush. Pound it and snap some necks!!

The throwback to some classic Maiden/Priest style harmonies going on in the 2 bridges before the lead really sets the table so when the lead does finally come in, I feel it has way more of an impact. The 2 guitars layered under the lead make it feel huge. It’s the first time I’ve harmonized a lead since the ‘Ashen Existence’ album. It just made sense to me to go for it.

Our tuning is E-flat drop D so the E is C sharp. Have fun with it – warm that right hand up first for maximum jackhammer action!”

Enter the “Ripzone” via its premiere on TechnicalMusicReview HERE.

Entropy‘s fourth album “Force Convergence” is a 30-minute metal rip-ride! It is a creative and fun album that flows with power, melody, aggressiveness, and meaning along with it being a story-driven cinematic sci-fi adventure.

The thrashers share the premise of the concept album:

“We wanted to bring metal fans a sci-fi horror experience with the album story. The lyrical inspiration is from bands like Rush, Queensryche, Voivod, Iron Maiden, and also from films like Aliens, Predator, War Of The World’s, Independence Day, Invasion Of The Body Snatchers. There is also a sprinkle of war scene themes throughout the story, like Apocalypse Now, Platoon, and Starship Troopers, mixed in for fun.”

With an original and eclectic sound that is 30 years in the making, Entropy is suitable for all metalheads especially those who enjoy Slayer, Pantera, and Iron Maiden.

“Force Convergence” is now out and available on Entropymetal.com (CD) plus Spotify, Apple Music, and all major digital platforms HERE.

Album Stream – YouTube.

Lyric Video – “Ripzone” YouTube.

Track Listing:
1. Everything Falls (1:03)
2. Ripzone (4:10)
3. Planetary Impact Extinction (6:30)
4. Threshold of Decimation (4:44)
5.Weaponized Storm System (4:52)
6. Transmigration (2:41)
7. Force Convergence (5:11)
Album Length: 29:15

Entropy is:
Album / Live Band Line Up:
Ger Schreinert (Vocals)
Dan Lauzon (Guitar)
Oscar Rangel (Bass)
Blake Lemieux (Drums)

For more info:
EntropyMetal.com
Facebook
EPKAbout:
Formed in Toronto in the late 80s, Canadian metal band Entropy has released 3 albums on their own independent label, Ashen Existence (1992), Transcendence (1995), and E3 (2012).

The quartet of Oscar Rangel (bass), Ger Schreinert (vocals), Dan Lauzon (guitar), and Blake Lemieux (drums) mark their own eclectic style of metal. Lauzon writes the songs as guitar music structures. Schreinert gets down the lyrics and vocal lines. Rangel contributes with beautiful classical guitar and creative bass lines throughout the songs. Lemieux composes the drum parts, and the result is brutal and elegant at the same time.

The unique sound of Entropy comes from a blend of thrash, death, prog, groove, speed, and power metal stylings. The original sound coupled with strong reviews in print and web media for their independent CD releases, Entropy has performed extensive shows for their fans, playing live with such legendary acts as Annihilator, Piledriver, Fear Factory, Razor, Obituary, and Anvil and countless local Canadian bands.

Entropy’s independent album releases have become somewhat of an underground metal collector’s item, with on-line reports of eBay bids going up to $500 USD for an original copy of Ashen Existence!

As of August 2020, Entropy will release the fourth album Force Convergence, with even more music planned after that. Entropy thanks their fans, and metal album collectors from around the world, for the continued interest and support of their unique brand of metal.

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0 Shores of Null Sends Listeners On A Sojourn Through Grief With Second Excerpt From “Beyond the Shores (On Death and Dying)”, “Beyond the Shores (Excerpt II)” Premiere via Metalinsider

November 2, 2020
by Asher
· Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – November 2, 2020

For fans of Swallow The Sun, My Dying Bride, Paradise Lost, Amorphis, Saturnus

Shores of Null Sends Listeners On A Sojourn Through Grief With Second Excerpt From “Beyond the Shores (On Death and Dying)”

“Beyond the Shores (Excerpt II)” Premiere via Metalinsider

L-R – Emiliano Cantiano (Drums) – Gabriele Giaccari (Guitars) – Davide Straccione (Vocals) – Matteo Capozucca (Bass) – Raffaele Colace (Guitars)
Photo Credit – Arianna Savo

Rome’s Shores of Null have a second teaser to whet palates in anticipation of their upcoming doom masterpiece “Beyond the Shores (On Death and Dying)”. Close to forty minutes, the one track album is an epic journey through the process of grieving.

From a lyrical viewpoint “Beyond the Shores (On Death and Dying)” is inspired by the five stages of grief formulated by the Swiss-American psychiatrist Elisabeth Kübler-Ross and explored in her book “On Death And Dying”, hence the title.

“Beyond the Shores (Excerpt II)” is five minutes of pained, haunted vocals that convey feelings of despair set against a brooding doom background while the listeners are enveloped in cold feelings of loss. Existing fans of the band will notice a divergence in sound from they are used to from the band’s previous two releases. The overall sound gets even more diverse and peculiar thanks to the addition of classical instruments like piano and violins to the opus.

Shores of Null stands out from its contemporaries with its ability to blend seemingly disparate elements and their ability to sound overwhelmingly heavy and soothing at the same time. Blackened aggression stands alongside gothic-doom sections without either sounding out of place.

Recommended for any and all doom fans, especially fans of My Dying Bride, Paradise Lost, and Amorphis, “Beyond the Shores (Excerpt II)” can be heard via its North American premiere on MetalInsider.net HERE.

“Beyond the Shores (On Death and Dying)” will be released in its entirety on November 27th, 2020.

Album (CD, Vinyl, Digital) pre-order / save HERE.

Video Trailer for “Beyond the Shores (On Death and Dying)” – YouTube

Track Listing:
1. Beyond The Shores (On Death And Dying) [38:24]

Single Credits:
• All songs performed by: Shores Of Null
• All songs written by: Gabriele Giaccari and Raffaele Colace, lyrics and vocal arrangements by Davide Straccione
• Produced by: Shores Of Null and Marco “Cinghio” Mastrobuono
• Mixed by: Marco “Cinghio” Mastrobuono
• Mastered by: Marco “Cinghio” Mastrobuono
• Album Artwork by: Sabrina Caramanico
• Member of SIAE (Italy)

Single and Live Band Line Up:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars
Raffaele Colace – Guitars
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

For more info:
Spikerot.com
Shoresofnull.com
Facebook.com/shoresofnull
Instagram.com/shoresofnull
Twitter.com/shoresofnull
Youtube.com/user/shoresofnull
EPK

About:

Shores Of Null is a Rome-based metal band, an unwavering presence within the metal underground since their musical outset in 2013. They have churned out two impressive records: the melodic and somber “Quiescence” (Candlelight, 2014) and the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), both of which were highly praised by the worldwide music press.

Shores of Null stands out from its contemporaries with its ability to blend seemingly disparate elements and their ability to sound overwhelmingly heavy and soothing at the same time. Blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

Shores Of Null has performed over 150 shows, including six European tours (with In The Woods, Ereb Altor, Hooded Menace, Mourning Beloveth, Novembre, Harakiri For The Sky, Sylvaine, and more), dozens of shows and tours in their home country (with Primordial, Arcturus, Candlemass, Moonsorrow, Leprous, Saturnus, Negura Bunget, etc.) and many European Festivals (Inferno Festival, Eindhoven Metal Meeting, Winter Days Of Metal, Doom Over London, Metalitalia Fest, Frantic Fest, and more).

Shores Of Null’s third work, “Beyond The Shores (On Death And Dying),” is expected to be released in November 2020 via Spikerot Records, continuing to prove the band’s willingness to go off the beaten path and create their ultimate doom manifesto, a 38 minute-long suite emphasizing their heavier, slower and dramatic side, inspired by the five stages of grief formulated by the Swiss-American psychiatrist Elisabeth Kübler-Ross. The band has collaborated on the dark opus with many special guests, including two doom-titans, Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno). The band is able to present an even more diverse and eclectic sound on the album thanks to the addition of classical instruments like piano and violin, along with the return of the talented Marco “Cinghio” Mastrobuono (Hour Of Penance, Fleshgod Apocalypse) behind the production desk.

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0 Rockshots Records: Infernalizer (ft. Claudio Ravinale of Disarmonia Mundi) Premiere Debut Single “Leaving So Soon?”

October 30, 2020
by Asher
· Infernalizer - Rockshots Records · Music News · Rockshots Records: Infernalizer (ft. Claudio Ravinale of Disarmonia Mundi) Premiere Debut Single "Leaving So Soon?"

NEWS RELEASE

Montreal, QC – October 30, 2020

Rockshots Records: Infernalizer (ft. Claudio Ravinale of Disarmonia Mundi) Premiere Debut Single “Leaving So Soon?”

Video Premiere via MetalInsider

Infernalizer is a brand new creature conceived and brought to life by the creative mind of Claudio Ravinale to portray his own take on the heavy metal genre. Ravinale is best known as the vocalist of Italian death metal veterans Disarmonia Mundi, whom have achieved worldwide recognition with their high-octane melo-death throughout two decades and featuring Bjorn “Speed” Strid (Soilwork) among their ranks, along with being in other recognizable bands such as The Silverblack, 5 Star Grave and The Stranded.

Heavily influenced by 80’s metal acts such as Iron Maiden, Alice Cooper, Danzig, and Ravinale’s new project Infernalizer relies on the use of gloomy keys and eerie samples, paying homage to more somber gothic rock acts like Type O Negative and The Sisters Of Mercy. Vocally closer to contemporary acts like Rob Zombie and Wednesday 13, the range of influences also include evocative cinematographic soundscapes that provide Infernalizer’s songs with a more solemn and nocturnal atmosphere.

“Leaving So Soon?” is the first single chosen to introduce Infernalizer. The track was produced by NeroArgento at AExeron Studio (Turin, IT) and mastered at Sterling Sound Studio (Nashville, TN) by legendary Grammy Award-winning mastering engineer Ted Jensen (Guns N’ Roses, Korn, Pantera, Alice In Chains). Providing a modern take on the concept of heavy metal, the song features crooning vocals alternated with a more harsh yet still melodic tone adding a layer of evocative keys and samples to a solid foundation deeply rooted in 80s metal sound.

Listen and watch the music video for “Leaving So Soon?” via its premiere on MetalInsider HERE.

Spotify, Apple Music pre-save here.

The band is currently in studio putting the finishing touches on the debut full-length entitled “The Ugly Truth” planned for release during 2021 via Rockshots Records.

For more info:
Rockshots.eu
Facebook.com/InfernalizerOfficial
Instagram.com/infernalizer
Twitter.com/infernalizer

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0 Alexander Channels The Soundscapes of Purgatory With Debut Album “I” And Single “Astral Descent”

October 30, 2020
by Asher
· Alexander · Music News

NEWS RELEASE

Montreal, QC – October 30, 2020

For Fans of Sunn O))), Boris, Merzbow, Caspar Brötzmann Massaker, Burial Chamber Trio, Lustmord, Neurosis

Alexander Channels The Soundscapes of Purgatory With Debut Album “I” And Single “Astral Descent”

L-R – Kyle Alexander McDonald (Voices, Bass, Sub Synth) and Jörg Alexander Schneider (Drums, Percussion)

Alexander knows no bounds, not physically nor musically. Convening via their shared appreciation of experimentation and true artistic expression within music and sound, the duo realized the time had come to create a metaphysical exploration in the realm of darkness with an album titled “I” as the result.

Consisting of frontman Kyle McDonald of Canadian Mantra Doom band ZAUM and drummer Jörg Schneider of German Free Jazz band Jealousy Mountain Duo, Alexander identifies a connection and feeling within their individual creative headspace, allowing each of them to blindly lead the other further into the raw depths of unexplored regions. Commenting on how listeners will take the first release:

“Fans of our other musical endeavours should find this fits quite almost as expected in a sense. No lyrics, writing is channeled directly from the fringe of the universe. Reconsider the reality of your existence, in the present moment. Allow yourself to have your perspective altered!”

The single “Astral Descent” is the first glimpse into the monolithic funeral drone experience Alexander promises its listeners. The dark and intangible descent into madness echoes with reverberation and drawn out riffs. Drums on “I” were recorded in Hückelhoven, Germany, with all other instrumentation and sounds recorded, mixed, and mastered in Moncton, NB, Canada.

Listen to “Astral Descent” on YouTube.

Alexander is Canada’s Kyle Alexander McDonald (Voices, Bass, Sub Synth, and FX) and Germany’s Jörg Alexander Schneider (Drums, Percussion). Beyond the name being a shared common point, both veteran musicians got their start in music on drums; own and operate a recording studio on their respective continent, and have toured over 250 tour dates on each other’s continent in previous bands.

Just now commencing their audiological voyage, Alexander suggests that several more experimental funeral drone albums will follow. Alexander is recommended for fans of Sunn O))), Boris, and Merzbow.

“I” is out October 31st via Superbob Records on 12” LP.

Album Teaser – YouTube

Album order in Germany/Europe – https://schneidercollaboration.bandcamp.com/album/alexander

Album order in Canada/USA – http://alexanderseye.bandcamp.com

Track Listing:
1. Astral Descent (15:14)
2. Runes (19:23)
Album Length: 34:38

For more info:
Alexanderseye.com
Facebook.com/alexanderfuneraldrone
EPK

About:

Brothers of ALEXANDER separated by a dark raging body of water, Canada to Germany – connected once again.

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