Category: Music News

0 Stoner Groove THE NAKED HIGH Share Video “Jewel of The Crowd” Off New EP “Tap Into The Evil”; Video Premiere via GhostCultMag

July 16, 2020
by Asher
· Music News · The Naked High

(contact info below)

NEWS RELEASE

Montreal, QC – July 16, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Down, Alice In Chains, Black Sabbath, Black Label Society, Soundgarden

Stoner Groove THE NAKED HIGH Share Video “Jewel of The Crowd” Off New EP “Tap Into The Evil”

Video Premiere via GhostCultMag

L-R – The Naked High – Phil Rod – Bass, Simon Ouellet – Vocals, Hugo L-C – Guitar, Charlie Boy Cayouette – Drums

(Photo Credit: Matthew Poburyny)

The soul in the solo and the gift of the riff. The blues from the heart and the colour in the art. Emerging from the underground of Montreal comes The Naked High. Joining forces in the summer of 2015, connected by a love of similar music ranging from blues to rock to metal, the dauntless quartet brings an electric chemistry to their music, amplified when they are on stage.

Releasing their latest EP “Tap Into The Evil” this past May, the band is sharing with fans their new video for the first single they unleashed “Jewel of The Crowd”. The video captures live clips from the band’s December 2019 performance in Montreal at Club Soda.

When asked about the track, the band comments:

“Lyrically and even musically this song takes love from Aerosmith’s style of writing. Sexual innuendos and just dirty fun lyrics. The way rock n’ roll used to be before everyone became so tame. The song is about wild nights and wild shows. It has a sleaze metal sound like riffs from a Guns n Roses, Skid Row, or Aerosmith record.”

Watch the video via its premiere on GhostCultMag HERE.
The Naked High is Hugo Leclerc-Charron delivering solos on guitar, Simon Ouellet with Iron Maiden-esque vocals, Phil Perreault keeping the low end steady, and Charlie Cayouette backing everything up with his rocking beat.

The Naked High have released their second EP entitled “Tap Into The Evil”. The 6 songs show the evolution of their sound from their 2017 self-titled debut as they push forward into the next chapter of the band and continue to learn from the legends that they admire while forging their own respective path in Rock N Roll.

“Tap Into The Evil” can be heard in full on the following platforms Bandcamp, YouTube, Spotify, and Apple Music.

Track Listing:
1. Jewel Of The Crowd (3:22)
2. Rebirth (2:42)
3. Sleep Paralysis (6:54)
4. She’s So Marie (4:33)
5. Moon Turns red (5:39)
6. Pull of The Void (7:01)
Album Length: 30:15

More info:
Facebook.com/tnh.stonerrock
Instagram.com/thenakedhigh
Twitter.com/HighNaked
EPK

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“Varied vocals, catchy riff and virtuoso solos at a high level. The Naked High are a welcome surprise from the Stoner area for me. Tap Into the Evil is varied and creative. No surprise that the band can already look back on a solid fan base. A must for fans of Alice in Chains or Black Sabbath , an absolute recommendation for everyone else. Too bad that it is only available digitally. However, I am convinced and give a whopping 10/10 .” – Sound Magnet

“The Naked High was already being greeted by applause when they walked on stage. Their mushroom-infused sound pulled in the crowd faster than a turkey on Thanksgiving. I mean, as soon as they opened up with “Liquid Love,” a song that resonates well with the stoner crowd, people were already into it. Simon Ouellet, singer and frontman, is basically what would happen if Ronnie James Dio had a child with Phil Anselmo.” – Bucketlist Music Reviews (2019 Live Review opening for King Buffalo, Mountain Dust)

“The night opened with The Naked High. Their sound covered a lot of diverse metal territory. Their vocalist had an operatic Iron Maiden vibe, while the guitar playing took cues from Ozzy Osbourne‘s career and beyond. The second song in their set had a distinctly early metal sound, but a lot of the guitar parts evoked a slightly younger generation, particularly the squealing tendencies of Zakk Wylde.” – Bucketlist Music Reviews (2017 Live Review Opening for Truck Fighters)

“The group play an eclectic mix of blues/stoner rock and metal, and do so very well! For a band that hasn’t been around for too long, I feel like they’ve really nailed down their unique sound, even if the elements they use are rather familiar. Musically, the style falls in between Black Sabbath and the bluesy bravado of Danzig, and their songs that night were infectious with groove and tasteful guitar play. Singer Simon Ouellet showed his vast arsenal of vocal styles as well as his entertaining mid-song banter. This is one Montreal band everyone should keep their eye out for.” – Bucketlist Music Reviews (2016 Live Review opening for Bongzilla, Black Cobra)

“This Montreal band has some legit balls, and has made their debut with six tracks worthy of twenty year veterans. The Naked High is somewhere between metal and hard rock, with just a touch of doom. Excellent musicianship, songwriting and production quality (recorded, mixed and mastered at badass studio, wherever that is). I keep playing this one, and the digital download comes with lyrics, which are worth it for the song “Juice” alone (a song about Colonel Angus, so to speak). Here’s a good example of an album where the cover art pretty much performs perfect vetting for its clientele. If you dig the cover, I’m pretty sure you’ll dig the tunes, and if the cover is a turn-off for you, you are probably making the right call to walk away. Here is the opener, “Mean Amphetamine”. It gets better and better as it progresses.” – Heavy Metal Text Books

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0 Ottawa Blackened Death Serene Dark Streaming New Album“Enantiodromia” Before Officially Out July 17th

July 15, 2020
by Asher
· Music News · Serene Dark

(contact info below)

NEWS RELEASE

Montreal, QC – July 15, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Septicflesh, Wolfheart, Abigail Williams, Behemoth, Watain, Dissection

Ottawa Blackened Death Serene Dark Streaming New Album“Enantiodromia” Before Officially Out July 17th

Canada’s Serene Dark will be unleashing their new album “Enantiodromia” this coming Friday, July 17th. “Enantiodromia” (pronounced en-an-ti-o-dromia) is dark, entrancing, and orchestral while maintaining the key elements of death and black metal. Overall, the album explores the confrontation between the shadow aspect of the personality and the integration of it into the self to create wholeness. Influenced by philosophy, stoicism, hermeticism, and the occult. The album, lyrically, is a journey towards individuation by the exploration of human darkness and transforming that pain into something tangible and meaningful. In essence- to lose one’s self entirely to reach perfection.

Before the full length’s official release, the band is streaming the album in full via BeheadingTheTraitor’s YouTube channel HERE.

The band adds:

“This album will be received as a new but familiar sound for any previous fans of our last band (Endemise)… We want our fans to get lost in the music. We want to pique some interest in fans of this style of music… We have written a lot of songs and chosen our top ten favourites.”

Under the name Endemise, the band released Far From The Light (2013) and Anathema (2016), but now with the new name, Serene Dark has made a refreshing start with elements of the previous band still lingering, but taking the songs and style to a new level on this record and experimented with various instruments and vocal styles. This album sets a new caliber and standard for Serene Dark.

“Enantiodromia” is recommended for fans of Septicflesh, Fleshgod Apocalypse, and Rotting Christ.

The album will be available on Bandcamp (CD), Spotify, Apple Music.

Music Video – ‘Of Serpentine Form’ here.

Track Listing:
1. Dualitatem
2. Of Serpentine Form
3. Where Time Drowns Still
4. Trance of Disintegration
5. Dweller In The Void of The Spirit
6. Reflecting Envenomed
7. Malocchio
8. Grieving the Distortion of Self
9. The Last Disciple of Dionysus
10. Onward, Burning Radiance

For more info:
SereneDark.com
Facebook.com/serenedark
Instagram.com/serenedark
EPK

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“‘Enantiodromia’ is a ten track, fifty-five-minute offering with which the band “plans to unleash a blistering force of evil” and does so, I think, in the finest Metal tradition… This should be of interest to fans of Dimmu Borgir, Insomnium, Abigail Williams, Fleshgod Apocalypse Septicflesh, and Rotting Christ. For me, it had definitely been worth the wait.” – Metal Talk

“Epic, blackened death metal…if those words excite you then you’re in for a real treat. Serene Dark are at the top of their game with a new album that is the pinnacle of imagination when it comes to this style of metal. As classy as it is heavy, as brutal as it is attractive and as impactful as it is numbing.” – Games, Brrraaains & A Head-Banging Life

“I really like what Serene Dark have done here. I’m a sucker for creatively mixed genres, and the lyrical journey from repression to acceptance to healing was just what the doctor ordered for me right now. The first album under their new name, I see Enantiodromia as a transition step towards bigger and better things for the band, and I can’t wait to see where their path leads.” – Angry Metal Guy

“All in all, whether you know the band as Serene Dark or Endemise, this latest album is a stirring reflection of inner darkness and turmoil set to a delicate, almost fragile in its complexity, arrangement of traditional and orchestral instruments. Expect great things to come.” – Antichrist Metal Mag

“The adopted musical style reflects Serene Dark’s genesis: melodic, soothing, somber and heavy.” – Metal Hammer Portugal

“SERENE DARK’s “Enantiodromia” represents a significant advance from the band’s previous manifestation and gives listeners a seamless, varied, and epic articulation of black metal, melodic death metal, old school death metal, and deathcore whilst focusing on a fascinating and poignant psychological exploration.” – Mosh Pit Nation

“Altogether, SERENE DARK represents a significant advance from the band’s previous manifestation and gives listeners a seamless, varied and epic articulation of black metal, melodic death metal, old school death metal and deathcore whilst focusing on a fascinating and poignant psychological exploration.” – Black Metal Daily

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0 Colorado’s Buried Realm Shares Guitar Playthrough “Embodiment of The Divine” via TechnicalMusicReview; Sophomore Album “Embodiment of The Divine” Out July 24th ft. guests Andy Gillion (Mors Principium Est), Benjamin Ellis (Scar Symmetry), Bob Katsionis (ex-Firewind), Dean Arnold (Operus, ex-Vital Remains), Lee McKinney (Born of Osiris), Peter Wichers (ex-Soilwork), Rafael Trujillo (ex-Obscura), Ryan Strain (Chaos For The Masses)

July 15, 2020
by Asher
· Buried Realm · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 15, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of Soilwork, Nevermore, Children of Bodom

Colorado’s Buried Realm Shares Guitar Playthrough “Embodiment of The Divine”

Premiere Playthrough via TechnicalMusicReview

Sophomore Album “Embodiment of The Divine” Out July 24th

ft. guests Andy Gillion (Mors Principium Est), Benjamin Ellis (Scar Symmetry), Bob Katsionis (ex-Firewind),
Dean Arnold (Operus, ex-Vital Remains), Lee McKinney (Born of Osiris), Peter Wichers (ex-Soilwork),
Rafael Trujillo (ex-Obscura), Ryan Strain (Chaos For The Masses)

Buried Realm is a solo studio project, hatched from the mind of Josh Dummer. It is the second album he has put out under that moniker and once again he has written an epic, creative record filled not only with his own talent but also with that of a smorgasbord of special guests from around the world. Dummer comments on the album:

“After nearly three years of creating ‘Embodiment of the Divine,’ I am very pleased to present and share this album with everyone. I’m honored to be joined by a number of guests that have influenced my writing and playing over the years. Their contributions have truly helped bring the album to another level. ‘Embodiment of the Divine’ features guest performances from Andy Gillion, Benjamin Ellis, Bob Katsionis, Dean Arnold, Lee McKinney, Peter Wichers, Rafael Trujillo, and Ryan Strain. Listeners can expect to hear a whole lot of riffs, solos, and melody. The album has its traditional arrangements at times but is also built on technical and chaotic grounds. I think the overall atmosphere of this album is darker compared to the previous one.”

Having already shared three singles off the full length (listed below), Dummer is sharing the playthrough for the album’s title track via its premiere on TechnicalMusicReview HERE.

Dummer adds:

“After recording the rhythm guitars for the album, I considered re-amping with real amps. The first person that popped into my mind was Keith Merrow. We chatted briefly about the project and the tone I was going for. I’ve always dug that classic 5150 sound and was chasing that for this album. After a shootout between several plugins, I decided the TSE X50 sounded great and convincing, so that’s what I went with it in the end. My other guitar tracks/ effects were recorded with a Line 6 Pod HD. I believe most of the album guests used Axe FX.”

Recommended for fans of Soilwork, Nevermore, and Children of Bodom, Buried Realm is progressive melodic death metal.

“Embodiment of the Divine” is out on July 24, 2020.

Album pre-order HERE.

Previous Singles:
Album title track YouTube, Spotify
The Wonder and Terror of Fortune – HERE.
Overlord – HERE.

Track Listing:
1. The Burning Remnants (6:00) ft. guests Dean Arnold (Operus, ex-Vital Remains)
2. Overlord (5:38) ft. guest Andy Gillion (Mors Principium Est)
3. Master Psychosis (4:02) ft. guests Benjamin Ellis (Scar Symmetry), Ryan Strain (Chaos For The Masses)
4. Scales of Queen Dragon (4:19) ft. guests Andy Gillion (Mors Principium Est)
5. Silver Tongue (6:35) ft. guests Bob Katsionis (ex-Firewind), Dean Arnold (Operus, ex-Vital Remains)
6. In The Shallow Light (4:54) ft. guests Peter Wichers (ex-Soilwork), Ryan Strain (Chaos For The Masses)
7. Embodiment of The Divine (4:41) ft. guests Benjamin Ellis (Scar Symmetry), Peter Wichers (ex-Soilwork)
8. Infinite Mutation (7:36) ft. guests Lee McKinney (Born of Osiris), Ryan Strain (Chaos For The Masses)
9. The Wonder and Terror of Fortune (5:05) ft. guests Rafael Trujillo (ex-Obscura), Ryan Strain (Chaos For The Masses)
Album Length: 48:56

More info:
BuriedRealm.com
Facebook.com/BuriedRealm
Instagram.com/BuriedRealm
Twitter.com/BuriedRealm
EPK

About:

A true visionary is a rare thing, but such a man is Josh Dummer exemplified in his solo studio project Buried Realm. Influenced by personal experience and executed through metaphors, the progressive and heavy metal leaves room for interpretation and paints an interesting picture for listeners.

Following up on his long time idea of releasing a solo album, he seized the chance with his first offering “Ichor Carcinoma”. Released in 2017 it features guests such as Christopher Amott (Arch Enemy, Armageddon), Peter Wichers (Soilwork), Teemu Mäntysaari (Wintersun) and Travis Montgomery (Threat Signal, Jeff Loomis band).

Inspired by Opeth, Kreator, Old Man’s Child, Symphony X (and tons of old Hair Metal!), Dummer is a man who is not afraid to gaze into the abyss for music and lyrical inspiration. He describes Buried Realm’s music as ‘fierce, cutting, technical, melodic, and memorable.’ The studio project represents a hidden dimension within himself where the ‘buried disputes’ of his life are confronted only through music; where he can express musical ideas without compromising.

The next chapter in Dummer’s journey is 2020’s “Embodiment of the Divine” due out July 24th and while it is parallel to the first, both musically and lyrically, it is a forward step in a sojourn that will be continuing.

– 30 –

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0 Edmonton Progressive Death OMNIARCH Shares Guitar Playthrough “Ohm Cairn” + New Self-Titled Album Out Now!

July 15, 2020
by Asher
· Music News · Omniarch

(contact info below)

NEWS RELEASE

Montreal, QC -July 15, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Revocation, The Black Dahlia Murder, The Absence, Arsis, Allegaeon

Edmonton Progressive Death OMNIARCH Shares Guitar Playthrough “Ohm Cairn”

Premiere Playthrough via TheProgSpace

Self-Titled Album Out Now!

Unleashing their debut self-titled album earlier this May, Edmonton progressive death metallers Omniarch are sharing with fans their new guitar playthrough for the track “Ohm Cairn”. Guitarists Mason Wilson (playing on a Solar S1.6 FR) and Morgan Lambert (playing an Ibanez RG550 in C standard) showcase the shredding fest via its premiere on TheProgSpace HERE.

The band adds:

“This is definitely our toughest and most fun song to play! It has a little bit of everything: trem picking, string skipping, melodic leads, high-flying solo sections, a classical section, and all at a blistering 250 bpm! Enjoy.”

A unique journey through history, mythology, imagination, and learning through introspection and reflection. Omniarch‘s seven-track debut full-length is a composite of progressive and technical death metal, played by five seasoned musicians that bring an eclectic set of skills to the band. The Canadian quintet is recommended for anyone with an interest in melodic, technical, relentless death metal, especially fans of The Black Dahlia Murder, The Absence, and Arsis.

Commenting on the album, the band had this to say:

“We hope fans of aggressive, progressive, and technical metal music will enjoy this one. We feel it’s something new, but still within the realms of what we know and love. This debut album is our full, headlining set, and plays great in its track listing order. We are already working on an EP of all 7 string songs to follow, as well as working on another EP more indicative of our current sound/tuning. We released what we had up until now, and pride ourselves on our fecundity as a band. We have plenty of music coming down the pipe.”

Omniarch‘s self-titled album is available on Bandcamp, Spotify, and Apple Music.

Music Video – ‘Pathfinder’ HERE.
Lyric Video – ‘Ohm Cairn’ HERE.

Track Listing:
1. Caligula (7:00)
2. A Voracious Awakening (3:57)
3. Humanaut (4:25)
4. Ohm Cairn (6:40)
5. Wrath of Erymanthos (4:06)
6. Pathfinder (3:55)
7. Ursa Major (7:39)
Album Length: 37:45

Album Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye – Vocals
Henry Giesbrecht – Drums

Live Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye vocals, Sean Higgins drums

For more info:
Facebook.com/omniarchmetal780
Instagram.com/omniarchmetal
EPK

About:
Omniarch was formed from the ashes of two former bands, Netherward and This is War. Morgan Lambert (guitar), Mason Wilson (guitar), Jon Hofmann (bass), Mackenzie LaHaye (vocals), and Henry Giesbrecht (drums) who had played gigs together in separate bands, had always entertained the idea of joining forces. Eventually, conditions allowed for the amalgamation of the two bands into a new and wholly different alloy of metal and formed the beginning of Omniarch.

Giesbrecht, the original drummer, added a new dynamic to the band with his fresh approach to metal song structures. Eventually, Giesbrecht moved on and made way for Sean Higgins to step in and make his own indelible mark on the band with his nuanced sense of rhythm and pace. The disparate and yet congruous influences have come together to showcase a truly unique and exciting band, full of opportunity.

Each Omniarch song starts with a collaboration between Wilson and Lambert to determine the riffs, which are then brought to the rhythm section where they are morphed into a cohesive idea that is splattered with aggressive technical death metal vocals with themes surrounding history, fantasy/science fiction, and mythology.

Omniarch is just getting started, as of spring 2020 they have a fresh self-titled release out on May My 8th with plenty more music coming down the pipe. Watch out for them on the live circuit and take your chance to witness a compelling live show that challenges boundaries.

– 30 –

“Omniarch come our way from Edmonton, Alberta, Canada, and they don’t come timidly. Their formulation of technical and progressive death metal absolutely blazes with exuberant spirit, technical virtuosity, and turbocharged energy, while incorporating memorable melodic and atmospheric accents. It’s the kind of music that will likely find welcome among fans of such bands as Revocation, Inferi, and The Black Dahlia Murder. ” – No Clean Singing

“Fire and fury with a really strong technical edge, Omniarch live and breathe their metal, choking all who share the same space…. Ursa Major is one hell of a closer. The drums and guitars taking the mood down to dark places, the vocals the sound of hellish noise in the shadows. Then out of the blue the band throw out an absolute beast of a guitar solo. It’s momentously heavy stuff.” – Games, Brrraaains & A Head-Banging Life

“Ohm Cairn is brutal, death metal with shredding solos, and some cool melodic moments!” – Ghost Cult Mag

“The Canadian crew combines a technical and melodic sound not many newer bands achieve these days and it’s rather impressive.” – Technical Music Review

“Omniarch have furnished us all with an excellent record.” – Wicked Metal Review

“an ambitious Melodic Death Metal act that are clearly reaching for an individual sound on their self-titled debut.” – The Metal Crypt

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0 Raleigh’s WoR Announces Groovy, Violent And Conscious Debut Album “Prisoners” Out August 7th via Bungalo Records / Universal + New Music Video “Predator”

July 13, 2020
by Asher
· Music News · WoR (Bungalo Records)

(contact info below)

NEWS RELEASE

Montreal, QC – July 13, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Pantera, Lamb of God, Machine Head, Sepultura, Gojira

Raleigh’s WoR Announces Groovy, Violent And Conscious Debut Album “Prisoners”

New Music Video “Predator”

Debut Album “Prisoners” Out August 7, 2020

L-R – Phillip Funderburk – Bass, David Nisoff – Guitar, Bobby Demoss – Vocals, Hunter Crews – Drums, Ben Kaiser – Guitar

Photo Credit – Matthew Wonderly

North Carolina’s groove metal outfit WoR is gearing up to release their debut album “Prisoners” on August 7th via Bungalo Records/ Universal. Throwing in elements of thrash, metalcore, and even hardcore punk, everyone in the band has taken a different musical path and the variety of influences shows through in the unique and original sound.

It’s a little bit melodic and a little bit old school, and completely energetic.

The new album “Prisoners” promises to be an extreme journey from start to finish, a metal album through and through. There are no clean guitars on the whole album, just heavy and groovy riffs. WoR shares their excitement for the release:

“This album has been in the works for several years and we finally get to show you what we have been working on nonstop for the last year. From front to back, this album is meant to take you on a heavy metal journey. It features groovy tracks such as Predator, brutal songs such as Caged, and melodic anthems such as VI Kings. While the songs are groovy and meant to give your neck whiplash, the lyrics are deep and thought out. The messages behind these songs are ones of resilience and overcoming. If you enjoy heavy riffs, melodic overtones, and just straight-up angry and in your face METAL, this album is for you!”

Through versatile styles, a wide range of metal awaits the listener. The first single from the album is “Predator”, a song that almost didn’t make the album. It was redone in the studio and WoR has released a video for it that is streaming now.

There is something for metal fans from the entire spectrum to enjoy, especially those who like Pantera, Lamb of God and Machine Head.

“Prisoners” will be available on August 7th, 2020.

Watch the video for “Predator” on YouTube.

Their single “Predator” is available on Spotify, Apple Music, Amazon, Google Play.

Track Listing:
1. Kill You (2:44)
2. Caged (5:13)
3. VI Kings (4:37)
4. Sirens (4:20)
5. A Place To Die (3:07)
6. Predator (3:46)
7. T.G.S.O.A.T (1:35)
8. Come Out and Play (3:12)
9. Hiraeth (4:36)
10. Freedom Suicide (3:57)
Album Length: 37:12

Album Credits:
• All songs performed by: WoR
• All songs written by: WoR
• Produced by: Joe Alonzo Potts
• Mixed by: Shaun Singerling
• Mastered by: Shaun Singerling
• Album Artwork by: Mark De Gruchy and Dan Gore
• Member BMI

Album and Live Band Line Up:
Bobby Demoss – Vocals
Ben Kaiser – Guitar
David Nisoff – Guitar
Phillip Funderburk – Guitar
Hunter Crews – Drums

For more info:
WoRband.com
Facebook.com/WoRBandOfficial
Instagram.com/w.o.r.official
Twitter.com/WoRbandofficial
EPK

About:

WoR is a groove metal quintet from Raleigh, North Carolina. Their music combines aggressive riffs, harmonic leads, and tasteful breakdowns with the infectious anti-authoritarian lyrics of vocalist Bobby DeMoss.

WoR was founded in 2018 by guitarist Ben Kaiser who at the time was finishing up his college football career playing offensive line at NC State. The band was initially an escape from the rigors of the sport, and at the end of his career, he decided to give the band a legitimate go.

After cycling through a variety of members early on, WoR was joined by Bobby Demoss, the charismatic frontman who has the ability to draw in even the toughest crowd; his unique screaming style and passionate lyrics helped shape WoR’s groundbreaking identity from the get-go. In 2019, Phil Funderburk, the glue who keeps the band and the music together, joined on bass; David Nisoff, in charge of mind-blowing solos that capture everyone’s attention, joined as the second guitarist, and Hunter Crews, a consistent timekeeper and a seasoned veteran in the music business solidified the lineup as the bands’ drummer.

By the spring of 2019, WoR had begun to debut their music at live shows throughout the southeast region of the United States and played with the likes of Upon A Burning Body, Atilla, and Warbringer just to name a few.

Working collaboratively, WoR’s music focuses on various different current events using powerful lyrics to offer a unique insight into the things going on in our lives and in the world. After working closely with producer Joe Alonzo Potts and audio engineer Shaun Singerling, they plan to release their debut album “Prisoners” on August 7th, 2020, which features brutal tracks such as ‘Caged’ and ‘Predator’ in addition to melodic anthems such as ‘VI King’s.

In 2020 and 2021, WoR has extensive tours scheduled to support the release of their debut album “Prisoners”. WoR’s live shows are extremely energetic with fan involvement being a common theme. Demoss does a phenomenal job of breaking down the fourth wall and getting the crowd involved at their shows making way for insane mosh pits. It is the band’s credo that they give it their all for whatever time they are on stage whether they are playing to 2,000 people or 200 people.

– 30 –

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0 Montreal Heavy Rockers PARADISE Share 1st Music Video From Quarantine Series “From The Van” – Watch “Away From You”

July 13, 2020
by Asher
· Music News · Paradise

(contact info below)

NEWS RELEASE

Montreal, QC – July 13, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Clutch, Queens of The Stone Age, KYUSS, Volbeat, Foo Fighters

Montreal Heavy Rockers PARADISE Share 1st Music Video From Quarantine Series “From The Van”

Watch “From The Van” Quarantine Video “Away From You”

New Self-Titled Album Out Now! via Vega Musique

L-R – Fred Crew Grr (Guitar), Matt Hias (Drums), Fred Kelly (Bass), R.L. Black (Vocals), Frank Kelly ( Lead Guitar)
Photo Credit – R.L.Black

Like many musicians and bands around the world, members of Montreal’s heavy stoner rockers Paradise have been separated from one another as a precaution to the Covid 19 pandemic. Not able to see each other to have regular jams along with postponements of performances, the band has adapted to the state of the world and continues to promote their heavy and winding arrangements of corrosive rock with the creation of a new quarantine video series entitled “From The Van”.

For the series, the band has recorded two songs from their latest self-titled album released this past March. Today, the band shares their first video for the track “Away From You”.

“Funny enough, we all own our own vans, so we decided to each record ourselves performing our tunes with multi-camera angles. This is Covid 19 style! We couldn’t do it on stage, couldn’t do it for our fans, so we did it in our vans!” says vocalist R.L. Black.

Watch the quarantine van version of “Away From You” on the following platforms:
YouTube
Facebook
IGTV

Back in the summer of 2002, co-founders and fellow guitar players, Frank Kelly and Jet Phil recruited good friends Mike Plant (Sword) and drum god Michel “Away” Langevin (Voivod) to release Paradises 1st album “Rock Anthropologists on the Kon Tiki Voyage”. Summer of 2004, the usual suspects were rounded-up including a collaboration of Voivod’s late but great Denis “Piggy” D’Amour to work on Paradise’s follow-up record “Hotel”. Now in 2020, composed of Frank Kelly (guitars), Fred Kelly (bass), RL Black (vocals), Fred Crew Grrr (guitars) and Mat Hias (drums), Paradise, like a phoenix that is reborn from its ashes, have released a new eponymous album that sways on the line between hard stoner rock and pure heavy metal that was mixed and mastered by Kevin Jardine of Slaves On Dope. From the opening piece and future classic “Straight From Hell” to the album closer “Free in Exile”, Paradise delivers an album where the balance between catchy riffs, attitude, intensity, and melodies is perfect.

Paradise‘s self-titled album is available for stream and download on Spotify, Bandcamp.com, and Apple Music.

Music Video “Straight From Hell” HERE.

Music Video “Hitting On All Sixes” HERE.

Track Listing:
1. Straight From Hell (3:37)
2. Hitting On All Sixes (3:53)
3. Who Do You Wanna Be (3:35)
4. One Of A Kind (4:34)
5. Never Cry Again (3:33)
6. Low Down And Shaking (4:59)
7. Barn Burner (3:37)
8. Long Gone (2:54)
9. Away From You (3:30)
10. Free In Exile (4:03)
Album Length: 38:20

Album and Live Band Line Up:
Fred Crew Grr – Guitar
Fred Kelly – Bass
R.L. Black – Vocals
Matt Hias – Drums
Frank Kelly – Lead Guitar

For more info:
Paradiserockband.com
Facebook.com/paradiserockmtl
Instagram.com/paradiserockmtl
EPK

– 30 –

“Fans of melodic heavy rock, there’s a new sheriff in town!” – Jano Lapin

“Solid, driving Hard Rock from the quagmires of Quebec!” – Reek Of STOOM

“Brilliant from start to finish !” – Stoner Rock Army

“A record that growls like a hungry beast” – ARP Média

“The synergy of this quintet gives the listener a proper kick in the ass needed to remember why we fell in love with the format. They also lend proof as to why heavy metal is the cornerstone of the myriad of hard rock subgenres. Blistering guitar riffs, thundering drums, and of course ample swipes at stuffy establishment rules.” – Boston Rock Radio

“The album opens with “Straight From Hell” and it is an adrenaline high. It is an unmistakable straight forward rock construction of verse-bridge-chorus, repeat, repeat, and the dial is set on stadium anthem. RL Black’s vocals are about as rock and roll as you can get – strong clean singing with a gruff edge. The lead breaks are short to fit in with the song structure, and they are pretty metal. I like the brand they have going here. It is great driving music, great drinking music. I would be stoked to see Paradise on the list of bands at a festival because you can just feel from these songs that they are going to put on a good show on stage.” – Flying Fiddlesticks Music Blog

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0 Okanagan Proggers LAKEMAN Share Visually Atmospheric Live Video “Pandosy”

July 13, 2020
by Asher
· Lakeman · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 13, 2020

For fans of Russian Circles, Mogwai, Godspeed You! Black Emperor, And So I Watch You from Afar

Okanagan Proggers LAKEMAN Share Visually Atmospheric Live Video “Pandosy”

New EP “Progenitor” Out Now!

Visual instrumental prog band Lakeman split up earlier this year, but before they say goodbye to the age of their EP “Progenitor” released this past January, the band is sharing with fans their live video “Pandosy”, which captures footage of the band’s final night of rehearsal and last three sold-out shows in Kelowna and Penticton during November 2019.

Lakeman‘s Robert McLaren explains further:

“We worked really hard to try to get every song we wrote filmed in order to highlight the fact we were exchanging instruments and using more than the standard rock band set up.

We tried to film/record “Pandosy” on multiple occasions and it would never work out for whatever reason: technical difficulties, poor quality recording, bad performances.

When we decided to stop playing live for an indeterminate amount of time, possibly for good, we knew our final shows would be our last chance to film “Pandosy”. All week at rehearsals and even the first show of the weekend we were shaky, I remember my fiddle was out of tune the first night.

“Pandosy” is always our big ender of the night. So we played it for what might be the last time and we captured this beast of a song on film and record.

It was a fitting end if that was the end. At that time we weren’t sure.”

To watch this epic visually atmospheric live video for “Pandosy”, please visit the following platforms:
YouTube
Facebook

“Progenitor” was the second audio-visual release from LAKEMAN. Most of the EP was recorded live off the floor by Kaylub Burke at the Center for Arts and Technology with mixing and mastering by Andy Ashley. Visual elements for the EP were filmed and edited by Jonathan Robinson, and lighting was operated by Joshua Goodwin.

Lakeman‘s Robert McLaren explains the release:

“We all seem drawn to lo-fi expression for this project. I personally love to capture moments rather than reproduce them. 90% of “Progenitor” was live off the floor, recorded as a band playing together in a room. I would not suggest this for most bands, it is a waiting game to find the take that everyone played their best and usually, time is not a luxury when you are in a studio. However, you have to learn to love your blemishes and flaws as a band when you record this way. It is a form of radical self-acceptance.”

“Progenitor” is available for stream and download via Bandcamp.
CD and vinyl versions that feature individual one of a kind acrylic pour artwork are sold out.
(Watch the EP art creation video here.)
Music Video – “Powers Creek” here.
Music Video – “25,000 + Hectares” here.

LAKEMAN had a devoted cult-like following throughout the Okanagan Valley and British Columbia. The band’s long-form instrumental and genre-bending approach beckoned audiences of various musical forms. They reveled in the band’s ability to exchange instruments everything from drums to guitars, bass, keyboards, synthesizers, and even the fiddle and banjo. All this happened on stage while the music continued seamlessly through ambient soundscapes.

The overall theme of the band was a sonic meditation of the veiled and macabre history of the Okanagan valley. The group found their sound in a deeply collaborative approach, very little of the composition was done apart, and there was no “songwriter”. The band started the compositions by first improvising together, the feel of each improvisation being vastly different based on who was playing which instrument. As mentioned earlier the band did not have assigned instrument roles as most other bands traditionally do. You could find any one of the members doing anything from turning knobs on a synthesizer to singing into a violin before they started bowing it. After finding the improvisation the band liked, they would then begin the long process of composing around this initial improvisation. Once a LAKEMAN piece of music started to take form, the band would start considering a local myth or legend to devote the theme to, this deepened the band’s thematic composition. This was when the piece would usually take its final or close to its final form.

Track Listing:
1. Powers Creek (8:08)
2. 25,000 + Hectares (7:12)
3. Pandosy (10:38)
EP Length: 25:59

Band Line Up:
Josh Bissonette: guitar, bass, keys/synth, drums
Josh Pym: guitar, bass, keys/synth, vocals
Warryn Berry: guitar, keys/synth, drums
Robert McLaren: guitar, bass, keys/synths, drums, vocals, fiddle, banjo

For more info:
Facebook.com/lakemanband
Instagram.com/lakemanband

– 30 –

“Experimenting with unique atmospherics, delving deep into concepts that feature tidbits of Okanagan history and relying heavily on intuition, LAKEMAN goes beyond catchy riffs and infectious hooks to create living and breathing art that resonates.” – Kelowna Now

—

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Jon Asher – Music Publicist
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0 Montreal Progressive Death MESSORA Premiere Music Video ‘The Door’

July 10, 2020
by Asher
· Messora · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 10, 2020

For fans of Opeth, Children of Bodom, Lamb of God, Psycroptic, Gojira

Montreal Progressive Death MESSORA Premiere Music Video ‘The Door’

Debut Album ‘The Door’ Out Now!

Photo Credit: Vladim Vilain

Unleashing the debut album “The Door” this past October, Montreal’s Messora are excited to share the new music video for the album’s title track. Produced entirely by the band and a group of friends, the conception and production of the video was a massive undertaking for them.

“It is a collection of imagery and aesthetics meant to reflect and enhance the sounds and themes of “The Door”. We are extremely pleased and proud to be able to share it today.” says vocalist/guitarist Zach Dean.

The music video for “The Door” can be viewed via its premiere on BeheadingTheTraitor HERE.

Formed as a solo recording project in 2016 in Montréal, Québec, Messora has become a band that obscures and challenges genres. To the band, the music comes as what feels best in the moment. To the fans, it is a kaleidoscope of sound that appears different at every glance and to every eye.

Messora has been described as Death Metal, Black Metal, Thrash Metal, Progressive Metal, Melodic Metal, and Doom Metal by fans and showgoers. The elements that make up the music may seem familiar to some, yet the whole remains a challenge to define.

The band knows how to set themselves apart from others musically as well as aesthetically, with showmanship and presentation second only to musical performance during their live show. They demand attention with their presentation, but keep it with the strength of their performance and musicianship. Having shared the stage with bands such as Carach Angren, Mors Principium Est, and Wolfheart, Messora always delivers, visually, aesthetically and musically.

During October 2019, Messora released their debut album “The Door”. The album shifts between genres, and creates a visceral atmosphere that can’t be confined to a single category, be prepared to hear death, melodic, doom, and progressive elements throughout the seven tracks on the album. Looking to challenge listeners, Messora presents an album that requires attention and an open mind, as Zach Dean quotes:

“I am trying to present fans with a record that you listen to front to back and come out of feeling different. Maybe not even different, maybe just more like yourself. The album as a whole is very varied musically while remaining focused and tight. It’s very clearly a metal album but you can hear that we want to go to different places and incorporate different influences throughout the record. Most of the songs are very long and have very complicated structures and changes, but it’s always meant to feel right and musical rather than abrupt and meaningless.”

Any metal lover who craves proggy and dark music especially along the lines of Opeth, Psycroptic, and Gojira will find Messora to their liking.

“The Door” is available on Bandcamp, Spotify, Apple Music.

Track Listing:
1. The Door (6:04)
2. Tethered (1:34)
3. The Veil (9:40)
4. The Falling Star (8:48)
5. The Pond (5:30)
6. Untethered (3:31)
7. The Tide (9:08)
Album Length: 44:19

More info:
Facebook
Instagram
EPK

– 30 –

“When the album is at its fiercest, I get a distinct GOJIRA vibe…those hard as ice riffs, sterile vocals, and punishing sound.” 8/10 – Metal Temple

“Messora constantly find new directions, evolving their music from one side to the other and back. The fact they can do it flawlessly is a joy [8/10] ” – Metal Noise

“The music is technical, brutal, thoughtful, and emotional; taking the listener on a singular journey to the recesses of your mind… This is music for your ears and soul, so purchase and stream the album at the links below.” – Ghost Cult Mag

“The Door is one record you certainly check out if you want nothing but solid tracks all the way through. This record will certainly put Messora on the metal map.” – Metal Utopia

“Promising career start for the Canadian quartet” – Broken Tomb Magazine

“truly exceptionally talented musicianship that is simply a heavy work of art.” – Boston Rock Radio

“Combining a variety of genres, the group made good impressions on those who shows up early with their tight musicianship and ability to change pace on a moment’s notice” – Apt 613

“… Messora was a whirlwind on stage. It was hard to believe that a half hour had passed when they began to play their final song, as each song had layered onto each other leaving viewers with a feeling that the experience was almost surreal.”- Splice Media Group

—

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0 Out Now! OSYRON New Album “Foundations”; Share Behind The Scenes Making Of Video + Announce Endorsement With Solar Guitars

July 10, 2020
by Asher
· Music News · Osyron

(contact info below)

NEWS RELEASE

Montreal, QC – July 10, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Nightwish, Symphony X, Dream Theater, Kamelot, Wintersun

Out Now! OSYRON New Album “Foundations”; Share Behind The Scenes Making Of Video

Announce Endorsement With Solar Guitars

L-R: Krzysztof Stalmach (Guitar) | Cody Anstey (Drums) | Bobby Harley (Guitar) | Reed (Vocals) | Tyler Corbett (Bass)

Photo Credit by Ara Shimoon

Calgary’s Osyron are proud to unleash their new album “Foundations”, out now, as of July 10th. The album is an immersive exploration of Canadian history and identity, speaking on topics on the country’s colonization to the mistreatment and recognition of Aboriginals to the country’s participation in global warfare. Although it is not a conceptual release, it does bear a consistent theme across nearly the entirety of the record. For fans of Nightwish, Dream Theater, and Wintersun; Osyron is progressive, powerful metal with a knack for engaging storytelling.

The band comments:

“We believe that the album will both surprise and challenge our current and new fans while still bringing back the big elements we are most known for (hooks, huge layered sections, melodies, and finger-twisting riffs, etc). This album is meant to be digested as an immersive exploration of Canadian history and identity. Delving into sensitive topics such as cultural genocide, racism, and segregation. It touches on more communal elements of emotion such as loss, pain, hope, and perspective of faith.

Overall, ‘Foundations’ is a view into an unseen and rarely explained/talked about topics; human nature. We wanted to bring to life on the very foundations that Canada as a nation was built; the bloodshed, war, and assimilation of different ethnic groups (mostly First Nations) that cultivated into what we know as Canada today, as well as the very fabric that the complex, diverse culture of Canadians share.

We hope we perfectly blend art with history, expression with emotion, and opinion with reason. ‘Foundations’ is but a chapter in a young nation’s history book, that just completed its prologue.”

Along with the album’s release, Osyron are sharing with fans a personal and very detailed Behind The Scenes documentary video that grants insights into the process of birthing“Foundations”. The band talks about their sound experiences of creating and thereby covers the steps of making an album, all the way from the first ideas and motivations through writing, recording, mixing, and mastering.

Watch the video on YouTube HERE.

And if that’s not enough for making it a perfect release week, guitarists Bobby and Krzysztof proudly announce that they are now officially endorsed Solar Guitars artists. The brand, founded by The Haunted guitarist and YouTube guitar icon Ola Englund, offers high-quality instruments for everyone from amateurs to studio pros and touring musicians – showing a strong focus on innovation and fair pricing while sticking to the highest possible standards. Solar Guitars works with artists such as Marcus Siepen (Blind Guardian), Jonas Wolf (Eluveitie), or Johan Bergebäck (Necrophobic), only to name a few.

Osyron‘s new album “Foundations” is available on Spotify, Apple Music, Tidal, Deezer HERE.

Album CD and digital download via Bandcamp HERE.

Music Video “Ignite” – YouTube, Facebook
Music Video “The Ones Below” – YouTube, Facebook

Track Listing:
1. The Cross (5:01)
2. Ignite (4:33)
3. Battle of The Thames (6:51)
4. The Ones Below (3:54)
5. Foundations (8:20)
Album Length: 28:41

Band Line Up:
Krzysztof Stalmach (Guitar)
Cody Anstey (Drums)
Bobby Harley (Guitar)
Reed (Vocals)
Tyler Corbett (Bass)

Album Credits:
– Producer: Self-produced
– Studio: Studio D (drums), CRM Sound and Tyler Corbett Music (all other instruments and vocals)
– Mixed: Tyler Corbett (Tyler Corbett Music)
– Mastered: Alan Sacha Laskow (Perfect Filth Studios)
– Artwork: Piotr Jamroz
– All music and lyrics written by Osyron

For more info:
Osyron.com
Facebook.com/osyron
Instagram.com/osyronband
EPK

What the press is saying:
“Everything about this band is top quality and one of the most proficient, mature, classy and yet still exciting new bands in this field.” – Metal Rules

“Get close, get warm and listen to the tales told of Canada by Osyron. 8/10” – Games, Brrraaains & A Head-Banging Life

“a very solid entry into one of my favorite genres and I think it will fit right in many people’s playlists – and, more importantly, I think the playlist would be lacking without it. This one is worth picking up. I don’t think you will regret it at all.” – Uber Rock

“From acoustic to symphonic, each song has plenty of twists and turns with potent vocals and compelling arrangements that showcase Osyron’s instrumental prowess.” – Heavy Music Headquarters

“this record is symphonic and proggy in all the right places, and if you like bands such as Nightwish, Symphony X, Dream Theater, Kamelot, and Wintersun, you’re going to like this. But in my opinion, the ace card here is the lyrics, and the way that every member of the band has explored and interpreted the subject matter. They all had a hand in writing the tracks, for the first time in their history, and I think that it has really worked very well. I might not have known Osyron before hearing this record, but I definitely intend to get to know them more now.” – Ever Metal

““Ignite,” a battering ram to the face. A song that merges together two competing elements, the need for speed, and the curious desire for melodical contextualisation.” – The Median Man

About:
Osyron is a symphonic metal band based in Calgary, Alberta. The group consists of vocalist Reed, guitarists Krzysztof Stalmach and Bobby Harley, bassist Tyler Corbett, and drummer Cody Anstey. Bridging the gap between traditional European metal and the music of their homegrown contemporaries, Osyron has a sound all their own.

The band’s origins can be traced back to Ontario, where they began under the name Morbid Theory. After releasing two demos (Chaos Breed in 2006 and Harbinger in 2010), the band underwent some changes in membership, scenery, and identity. Moving to Alberta in 2012, the group, now rechristened Osyron, re-recorded Harbinger in Calgary, and released the album in 2013.

After releasing their sophomore album, “Kingsbane”, in the fall of 2017, the momentum that followed was swift. “Kingsbane” caught the attention of the European metal community – proving a favourite of audiences, critics, and radio programmers.

In 2018, Osyron released a metal cover of the Canadian national anthem, which picked up speed across the country. This patriotic theme continues into the new album “Foundations” (2020). Stemming from a perspective of Canadian identity and culture – both past and present, the new album challenges the global perspective of the great white north by retelling historical moments in an immersive and melodic manner. Speaking on topics of Canada’s colonization to the mistreatment and recognition of Aboriginals to the country’s participation in global warfare.

Performing alongside numerous major acts such as Norther, Protest The Hero, Into Eternity, Threat Signal, and The Agonist, Osyron’s next goal is to take their sound across the Atlantic in the flesh.

”Foundations” is due out July 10, 2020, and will be available on all major digital platforms.

– 30 –

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Jon Asher – Music Publicist
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0 Canadian Thrash Legends ANONYMUS Share Music Video “Máquinas” via GhostCultMag

July 9, 2020
by Asher
· Anonymus · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 9, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Slayer, Testament, Voivod, Lamb Of God

Canadian Thrash Legends ANONYMUS Share Music Video “Máquinas”

Premiere “Máquinas” via GhostCultMag

First Spanish Album “La Bestia” Out Now! via Bam&co Heavy

L-R: Carlos Araya (drums), Daniel Souto (guitars), Oscar Souto (Vocals and Bass) and Jef Fortin (guitars)

Photo Credit: Dani Rod

Canadian thrash legends Anonymus recently unleashed their 12th album “La Bestia” on June 12th via label Bam&co Heavy. Known for their discography of both French and English releases, “La Bestia” is their first full length that is completely in Spanish. You may be asking why a Spanish album? Well since 3/4 of the band speaks Spanish. Drummer Carlos Araya is Chilean born, and Oscar (Lead Vocals and Bass) and Dan Souto (Guitars and Backing Vocals) are sons of Spanish immigrants it was time to make one.

Today, the band shares their new music video recorded live in-studio for their track “Máquinas” via its premiere on GhostCultMag HERE.

The band reveals the story behind the track:

“This song is inspired by all the movies that we saw over the years that related to the machines that are taking over humans. We are not very far away from that, except that it’s not happening in the way that we thought. I mean who can live now without an iPhone or iPad or living without the internet and Google, YouTube, Facebook. Ok maybe it’s not like the movies in which humans were attacked by malefic robots, but it’s a different attack and we are losing the battle.”

The tracks on “La Bestia” were produced mainly by guitarist Jef Fortin as well as Colin Richardson who also produced 1999’s ‘Instinct’ and Jean-Francois Dagenais (Kataklysm) who produced 2006’s ‘Chapter Chaos Begins’. The album also features the bilingual song “Violencia Versus Violence” with the participation of Carlos Maldos of Lethal Creation (MX) and Arno Dhenain Le Bourhis of Black Bomb A (FR) along with a second bilingual track “Tierra” with Marco Calliari singing in Italian.

With over 2.5 million streams on Spotify, Anonymus is showing no signs of slowing down. Fans of thrash metal standbys such as Slayer and Testament will no doubt be intrigued by this new offering.

“La Bestia” album stream and download on Spotify, Apple Music, Deezer HERE.

Videos:
Lyric Video “La Bestia” HERE.
Music Video “Sobrevivir” HERE.
Music Video “Terremoto” HERE.

Track Listing:
1. Bajo Presión (3:31)
2. Bicho Loco (3:58)
3. Sobrevivir (4:11)
4. Violencia Versus Violence (featuring Carlos Maldos of Lethal Creation (MX) and Arno from Black Bomb A) (4:33)
5. La Bestia (5:22)
6. Máquinas (3:32)
7. Cada loco con su tema (5:37)
8. Tierra ( Produced by Colin Richardson and Featuring Marco Calliari) (4:01)
9. Terremoto (Produced by Jef Dagenais (Kataklysm) (3:08)
Album Length: 37:57

Album and Live Band Line Up:
Oscar Souto -Vocals/ Bass
Daniel Souto – Guitar/ Back Vocals
Jef Fortin -Guitar/ Back Vocals
Carlos Araya -Drums/ Back Vocals

For more info:
Bamand.co
Anonymusmetal.com
Facebook.com/anonymusmetal
Instagram.com/anonymusmetal1
Instagram.com/anonymusmetal_es (Spanish/Espagnol)
EPK

About:

Anonymus is a Canadian thrash metal band that explodes on stage with each presence, that pulls you in with its passion and that yells at you with corrosive and violent texts that will not leave anyone indifferent.

Since their first release in 1994, Anonymus has made its mark on the Quebec music scene. From the beginning, the group has been well received while demonstrating its brutal sound and technique that has continually evolved over the years. Oscar Souto (vocals, bass) Daniel Souto (guitar, vocals) Carlos Araya (drums), Jef Fortin (guitar since 2006) and Marco Calliari (vocals, guitar from 1994 to 2006) have since widely traveled the roads of their country, participated in the deprivation of Mononc’Serge and continue today to ignite stages everywhere they go. These veterans of the metal scene continue to proudly carry the torch after 20 years of chaos and barbaric music.

Forever hungry for metal, everyone in Anonymus brings ideas to the table. Sometimes it is a whole song or just the beginnings of one, yet together the band works to create a full thrashy anthem from the pieces, working on it until it is complete. The music always comes first, and when the ambiance is formulated, the lyrics, which come from a personal place and from current events, can be added.

Unstoppable and indestructible, inspired by bands like Metallica, Slayer, Megadeth, and Anthrax; Anonymus is nothing short of the powerful, aggressive and technical thrash metal that they have been refining for decades exemplified on their impressive discography of both French and English releases, which includes: “Ni vu, ni connu” (1994); Stress (1996); Instinct (1999); Daemonium (2002); Academie du Massacre (2003); Chapter Chaos Begins (2006); Musique Barbare (2008); État Brute (2011); Envers et contre tous (2015); P.O.M.M.E (2017); Sacrifices (2019); and their first-ever Spanish album La Bestia (2020) due out June 12 via label Bam&co Heavy.

Today, Anonymus does not need a presentation. This institution of the Quebec metal industry has been offering for twenty-six years, a passion for dark notes and unrivaled power. The offer is still valid. With more than 1500 career shows under their belt, Anonymus is completely in their element when performing in front of fans, they offer only their absolute best ensuring the crowd is moving. Having shared the stage with metal great such as Anthrax, Cannibal Corpse, and Kataklysm at festivals such as Heavy Montreal, Montebello, and through international tours, they are no strangers to a wild show.

ANONYMUS FOLLOWS ITS PATH, AGAINST ALL ODDS!

– 30 –

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ASHER MEDIA RELATIONS

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