Category: Music News

0 Canada’s Without Mercy Are Now Streaming Ambitious New Album “Seismic”, Album Stream Premiere via WeAreThePit

November 17, 2020
by Asher
· Music News · Without Mercy

NEWS RELEASE

Montreal, QC – November 17, 2020

For fans of Cattle Decapitation, Meshuggah, Whitechapel, Pantera, Decapitated

Canada’s Without Mercy Are Now Streaming Ambitious New Album “Seismic”

Album Stream Premiere via WeAreThePit

New Album “Seismic” Due Out November 20th
Featuring guests Jeff Loomis (Arch Enemy, ex-Nevermore), Chris Broderick (Act of Defiance, ex-Megadeth, ex-Jag Panzer)

L-R – Ryan Loewen (Bass) DJ Temple (Guitars) Alex Friis (Vocals) Matt Helie (Drums)
Photo Credit: Shimon Karmel

Without Mercy have been teasing their upcoming album over the past weeks and the time is now for worldwide audiences to bask in the glory that is “Seismic”.

The vast majority of the material for “Seismic” was written and rewritten multiple times. Honed and tightened over tours and live performances, Without Mercy were unwilling to place “filler” to enhance anything. They came at this album with the best of everything they had after our inspirations were doing the same. The band shares their excitement for the release:

“We are beyond stoked to have our new album “Seismic” see the light of day. We couldn’t be more proud to have it out on Bloodblast distribution and powered by Nuclear Blast. These guys really got our album and understood what we were aiming for in style and composition. They get it. They really get it.”

For this album, Without Mercy wrote each song as an individual first and then grouped several songs together. Every inch of these tunes was going to be the best representation they could possibly get, this album represents four years of solid work ethic and unwillingness to compromise even in the slightest.

This is a chance to hear what tenacity can sound like. Lyrics that are an honest take on issues, riffs that have been refined over time, drum parts, and rhythms that are not standard or washed out. Even the mixing team behind it has a resume as long as your arm. The band pushed themselves in every field of this record and now that it’s here, fans can relive those moments.

For fans of Cattle Decapitation, Pantera, and Decapitated, the full stream of “Seismic” can be heard via its premiere on WeAreThePit HERE.

Suitable for every groove-loving metalhead out there, “Seismic” comes out on November 20, 2020, via Bloodblast Distribution.

Album Pre-Save HERE. Physical Pre-Order at Withoutmercyband.com.

Spotify playlist add HERE.

Music Videos:
Uprooted – YouTube
Disinfect The Soul – YouTube

Track Listing:
1. Thunderbird (ft. Jeff Loomis) (4:53)
2. Abysmal (5:42)
3. Left Alone (4:00)
4. Wiindigo (4:55)
5. Disinfect The Soul (ft. Chris Broderick) (7:18)
6. The Disaster (3:52)
7. Possessed (4:04)
8. I Break The Chain (4:44)
9. Uprooted (4:58)
Album Length: 44:29

For more info:
Withoutmercyband.com
Facebook.com/withoutmercyband
Instagram.com/withoutmercyband
EPK

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“The thrash-stomp modes on “Worthless” ring like a head-on collision between DECAPITATED and BIOHAZARD with a dash of power metal thrown into the solo section. Alex Friis wrings his throat to huge extremes, hopefully leaving tissue intact as he hits agonizing squeals while throwing indictments against former band members — guess on your own who that might entail. DJ Temple’s guitar work on “Worthless” is terrific..” (Mouchido EP 2016) – Blabbermouth

“Vancouver’s Without Mercy is a prime example of how putting in a little bit of elbow grease can result in advantageous outcomes. The quartet play their brand of melodic, groove-laden death metal independently, but refuse to remain held back by a lack in the promotional and money machine backing departments. Over the course of a decade or so, the band has experienced the same highs and lows as most others, but their successes – which include a small handful of recordings, a bigger handful of tours, and appearances in video games – have been felt at a deeper clip because they’ve essentially managed everything themselves.” (Mouchido EP 2016) – Decibel Magazine

“In a word, the music rips. And it also thunders, and punches so fast and hard that it’s like a jackhammer-sized nail gun ramming bolts into concrete at high speed while the operator howls and shrieks for all he’s worth, segmented by a start-stop breakdown that will give your skull a good rattling and lit up by swarming guitar flurries that are as fiery as the torches in the video (Burn).” (Mouchido EP 2016) – No Clean Singing

” the band live up to their name with each song on this 4 track EP going for straight for the throat; merciless aural violence and tight, technical proficiency melded with some serious might!” (Mouchido EP 2016) – Worship Metal

“Mouichido might only be a brief four songs and nineteen minutes long but, by the end of it, the Canadian death metal wrecking machine have left you in no doubt as to what they’re about.” (Mouchido EP 2016) – PureGrainAudio

“Right from the beginning you feel the weight and the immensity of Mouichido and one listen just doesn’t do it justice. This is a re-release of previously recorded material with a new vocalist and even so, Without Mercy comes out swinging again and knocks it clear out of the park.” (Mouchido EP 2016) – Cadaver Garden

“possibly the most savage song to ascend from the depths of the west in a good long while.” – Canadian Beats

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0 Rockshots Records: Kult Of The Skull God Shares Video For Album Title Track “The Great Magini”

November 17, 2020
by Asher
· Kult Of The Skull God · Music News

NEWS RELEASE

Montreal, QC – November 17, 2020

For fans of Danzig, The Rolling Stones

Rockshots Records: Kult Of The Skull God Shares Video For Album Title Track “The Great Magini”

Debut Album “The Great Magini” Out Now!

Kult Of The Skull God are sharing with fans their latest lyric video for the title track off their debut album “The Great Magini” released this past May via Rockshots Records. Taking inspiration from the titans of rock including Danzig, The Rolling Stones and Black Sabbath they have combined slick heavy riffs with smooth yet haunting vocals.

The band adds about the video:

“Ladies and gentlemen, boys and girls, and all the people of this enslaved World…Let me raise my top hat high to salute you all. May I introduce myself? I’m The Great Magini, wizard, and demon. Let me guide you through a journey to the forlorn lands of desperation and demise! Fancy a ride?”

The video for “The Great Magini” can be watched HERE.

Seeking a pure rock n’ roll sound away from the electronic elements of their previous band, Army Of The Universe’s vocalist Lord Kalidon and guitarist Davide Tavecchia have returned with Kult of The Skull God. Armed with the drummer Joey Amato they have energized their infrangible attitude, fury, and raw talent to save the world from mumble rappers, auto-tuned pop stars, and rock mediocrity.

Their debut album “The Great Magini”is available on the following links:
Digital http://smarturl.it/thegreatmagini
CD- http://bit.ly/TheGreatMagini_CD
Spotify here
Music Video – Black Magick – here
Music Video – One More Try – here

Track Listing:
1. Black Magick
2. Liar
3. One More Try
4. The Oath
5. Lost And Lonely Ones
6. Lions And Sheep
7. The Great Magini
8. Judas Is My Priest
9. Dead Heroes
10. Bully
11. Vultures

For more info:
Rockshots.eu
Skullgod.com
Facebook.com/KultOfTheSkullGod
Instagram.com/kultoftheskullgod

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ASHER MEDIA RELATIONS

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0 T-Rex Marathon Pay Homage To Canadian Post-Hardcore Pioneers Alexisonfire With Video “A Prison Just For Us”, Video Premiere via PunkNews

November 16, 2020
by Asher
· Music News · T-Rex Marathon

NEWS RELEASE

Montreal, QC – November 16, 2020

For fans of Silverstein, Billy Talent, Alexisonfire, A Day to Remember, Taking Back Sunday

T-Rex Marathon Pay Homage To Canadian Post-Hardcore Pioneers Alexisonfire With Video “A Prison Just For Us”

Video Premiere via PunkNews

Debut Album “Days Without Incident” Out Now!

L-R- Alex Hodges (guitar, vocals), Jeremy Toppings (bass, vocals), Darien Swolfs (drums), Adam Sakauye (lead vocals), Aaron Stafford (guitar, vocals)

Ottawa’s punk/post-hardcore act T-Rex Marathon released their debut album “Days Without Incident” on October 16th. On the full length, the band wrote a love track to one of their collectively favourite Canadian bands Alexisonfire. Entitled “A Prison Just For Us”, the song’s structure and feel pay homage to AoF’s track “Accidents” and if it were to be described in one word, it would be atmosphere for its interesting production techniques and slightly improvisational guitar parts.

Today, the band have teamed up with PunkNews for the premiere of the track’s lyric video, which can be viewed HERE.

The band adds:

“This song was written as an homage of sorts to Canadian post-hardcore pioneers Alexisonfire. AoF was, and still is, a huge influence on this band’s music. This song is a band favourite because it stands apart from the other songs on the album, featuring an emphasis on atmosphere and ambiance rather than punchy energy. This song might sound a little different from the others, but we do think it’s a great song that we think will really resonate with our listeners!”

For fans of Billy Talent, Alexisonfire, and A Day to Remember, T-Rex Marathon is out to prove they aren’t a one-trick pony with their first full length, which serves as a collection of everything they have been, will be, and currently are. The listening experience is a mix of nostalgia, reminiscent of the bands of their youth that they still love, and also intrigue. They have a goal of helping their fans reconcile their love of old bands and a glimpse of several other musical directions to explore, ultimately giving them a safe space to do so.

The band comments:

“We couldn’t be happier with this album. It’s the culmination of many years of growth, and we’re over the moon to finally show it to people. T-Rex Marathon attempted many times to write a full album before. It just never felt quite right, but after years of a shuffling lineup, changes in sound, and other roadblocks, we have a product we are incredibly proud of.

We have been described as many things, but one word kept coming up: Nostalgic. We had people from all over come and tell us that our music reminded them of their high school days. We were reminiscent of the music that introduced them in the communities they’re a part of today. We wanted to make an album that would feel familiar, yet novel. This album is a love letter to the bands that inspired us and a monument to the places we intend to go.

This album has something for everyone. As the five of us in the band, all come from different musical backgrounds, from punk to metal to musical theatre, this album covers a lot of ground, yet doesn’t feel like it’s drawn thin. But at the end of the day, we’re storytellers. We wanted to make a product that asks to be taken seriously, that demands active listening, that deserves your attention.

We hope that everyone else loves listening to it as much as we do.”

T-Rex Marathon‘s new album “Days Without Incident” is available on T-rexmarathon.bandcamp.com, Spotify, Apple Music.

Music Video – Sheltered – YouTube
Music Video – Faux News – YouTube

Track Listing:
1. All For Nothing (2:56)
2. No Words (4:56)
3. Faux News (3:05)
4. A Prison Just For Us (4:08)
5. Turnpike (4:06)
6. Pick Your Poison (4:58)
7. Misfits (4:24)
8. Sheltered (4:01)
9. Futures and Goodbyes (4:32)
10. 5 Centimeters Per Second (5:58)
Album Length: 43:09

For more info:
Facebook.com/TheTRexMarathon
Twitter.com/TRexMarathon
Instagram.com/TRexMarathonofficial
EPK

About:
Starting out on the Ottawa metal/hardcore scene, T-Rex Marathon has adopted a unique sound that comes from a mix of Alternative Rock, Punk, and Post-Hardcore.

Formed by friends in high school, the band began to really take shape almost by accident and through dumb luck. The current lineup consists of Aaron Stafford (guitar/bass/keys/vocals), Adam Sakauye (lead vocals), Alex Hodges (guitar/bass/keys/vocals), Darien Swolfs (drums/percussion), and Jeremy Toppings (bass/vocals).

In a fiercely democratic writing process, every single member has input and a veto, sometimes resulting in a very long but completely organic process resulting in a synthesis of something everyone is happy with. As the band progresses, so does the love and attention that is put into each and everything they produce. The T-Rex Marathon family is and has always been, dedicated to making kick-ass music and leaving a mark in the industry, not only for them, but for their fans.

The boys in T-Rex, as the band is called for short, endlessly value their dedicated fans, affectionately known as Marathoners. After all, it is for them that they continue to write about what they want and play what feels right. T-Rex Marathon’s music is a simple blend of attack and melody that has the main goal of being not only fun to play, but fun to listen and rock out to.

The stage is a performing area, and this band refuses to give anything but their all at every show. They have had the pleasure of sharing the stage with bands such as: Of Burning Empires, Flesh Over Faith, Faithful Unto Death, and Project Mantra. They have also played Wretched Fest 1&3, Unite and Ignite 2012, 2014.

To date, the band has released 2 EPs Aurelia (2017), Eponymous (2016), and are readying to share with fans their first full length ” Days Without Incident ” due out October 16th, 2020.

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“T-REX MARATHON has adopted a unique sound that comes from a mix of Alternative Rock, Punk, and Post-Hardcore… Today, we’re pleased to give you their brand new single “A Prison Just For Us”, exploring various influences, nodding to the classics, and delivering a bracing fusion of high energy and elegance.” – IdiotEQ

“Rising Ottawa-based band T-Rex Marathon will see a release of their first full-length album, Days Without Incident, this year with songs chock full of the bands’ signature mix of melodic punk rock post-hardcore.” – Ghost Cult Mag

“With “Days Without Incident”, T-Rex Marathon have created a mighty debut work. The band has their own sound, plenty to say and enormous talent, the way into the clubs and ultimately stadiums of this world is certainly paved.” – Artnoir

“T-Rex Marathon have put forth a strong, cohesive collection of songs, with enough diversity throughout to keep listeners engaged.” Canadian Scene Cult

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0 Italian Doom Shores of Null Shares Third Excerpt From “Beyond the Shores (On Death and Dying)”

November 13, 2020
by Asher
· Music News · Shores of Null (Spikerot Records)

NEWS RELEASE

Montreal, QC – November 13, 2020

For fans of Swallow The Sun, My Dying Bride, Paradise Lost, Amorphis, Saturnus

Italian Doom Shores of Null Shares Third Excerpt From “Beyond the Shores (On Death and Dying)”

“Beyond the Shores (Excerpt III)” ft. Saturnus’ Thomas A.G. Jensen Premiere via DoomedAndStoned

“Beyond the Shores (On Death and Dying)” Out Nov 27th via Spikerot Records
ft. guests Mikko Kotamäki (Swallow The Sun), Thomas A. G. Jensen (Saturnus), Elisabetta Marchetti (Inno)

L-R – Emiliano Cantiano (Drums) – Gabriele Giaccari (Guitars) – Davide Straccione (Vocals) – Matteo Capozucca (Bass) – Raffaele Colace (Guitars)
Photo Credit – Arianna Savo

Rome’s Shores of Null have a third teaser to preview their upcoming doom record “Beyond the Shores (On Death and Dying)”. Close to forty minutes, the one track album is an epic journey through the process of grieving.

From a lyrical viewpoint “Beyond the Shores (On Death and Dying)” is inspired by the five stages of grief formulated by the Swiss-American psychiatrist Elisabeth Kübler-Ross and explored in her book “On Death And Dying”, hence the title.

Today, the band shares “Beyond the Shores (Excerpt III)”. The third excerpt opens with feeble notes of a grand piano before the unmistakable spoken words of Saturnus’ Thomas A.G. Jensen enters the scene, and his doleful growl finally puts you out of your misery. Saturnus is one of Shores of Null‘s favorite death/doom bands and vocalist Davide Straccione personally has been a fan of them since ‘Veronika Decides To Die’ came out in 2006. They’re truly honored to have him on board for this release.

Shores of Null stands out from its contemporaries with its ability to blend seemingly disparate elements and their ability to sound overwhelmingly heavy and soothing at the same time. Blackened aggression stands alongside gothic-doom sections without either sounding out of place.

Recommended for any and all doom fans, especially fans of My Dying Bride, Paradise Lost, and Amorphis, “Beyond the Shores (Excerpt III)” can be heard via its North American premiere on DoomAndStoned HERE.

“Beyond the Shores (On Death and Dying)” will be released in its entirety on November 27th, 2020.

Album (CD, Vinyl, Digital) pre-order / save HERE.

Video Trailer for “Beyond the Shores (On Death and Dying)” – YouTube

Track Listing:
1. Beyond The Shores (On Death And Dying) [38:24]

Single Credits:
• All songs performed by: Shores Of Null
• All songs written by: Gabriele Giaccari and Raffaele Colace, lyrics and vocal arrangements by Davide Straccione
• Produced by: Shores Of Null and Marco “Cinghio” Mastrobuono
• Mixed by: Marco “Cinghio” Mastrobuono
• Mastered by: Marco “Cinghio” Mastrobuono
• Album Artwork by: Sabrina Caramanico
• Member of SIAE (Italy)

Single and Live Band Line Up:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars
Raffaele Colace – Guitars
Matteo Capozucca – Bass
Emiliano Cantiano – Drums

For more info:
Spikerot.com
Shoresofnull.com
Facebook.com/shoresofnull
Instagram.com/shoresofnull
Twitter.com/shoresofnull
Youtube.com/user/shoresofnull
EPK

About:

Shores Of Null is a Rome-based metal band, an unwavering presence within the metal underground since their musical outset in 2013. They have churned out two impressive records: the melodic and somber “Quiescence” (Candlelight, 2014) and the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), both of which were highly praised by the worldwide music press.

Shores of Null stands out from its contemporaries with its ability to blend seemingly disparate elements and their ability to sound overwhelmingly heavy and soothing at the same time. Blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.

Shores Of Null has performed over 150 shows, including six European tours (with In The Woods, Ereb Altor, Hooded Menace, Mourning Beloveth, Novembre, Harakiri For The Sky, Sylvaine, and more), dozens of shows and tours in their home country (with Primordial, Arcturus, Candlemass, Moonsorrow, Leprous, Saturnus, Negura Bunget, etc.) and many European Festivals (Inferno Festival, Eindhoven Metal Meeting, Winter Days Of Metal, Doom Over London, Metalitalia Fest, Frantic Fest, and more).

Shores Of Null’s third work, “Beyond The Shores (On Death And Dying),” is expected to be released in November 2020 via Spikerot Records, continuing to prove the band’s willingness to go off the beaten path and create their ultimate doom manifesto, a 38 minute-long suite emphasizing their heavier, slower and dramatic side, inspired by the five stages of grief formulated by the Swiss-American psychiatrist Elisabeth Kübler-Ross. The band has collaborated on the dark opus with many special guests, including two doom-titans, Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno). The band is able to present an even more diverse and eclectic sound on the album thanks to the addition of classical instruments like piano and violin, along with the return of the talented Marco “Cinghio” Mastrobuono (Hour Of Penance, Fleshgod Apocalypse) behind the production desk.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Warm Yourself With The Psychedelic Prog Soup Of “Centre Of The 8” Served Up By Dizzy Mystics, Video Premiere via TheProgSpace

November 13, 2020
by Asher
· Dizzy Mystics · Music News

NEWS RELEASE

Montreal, QC – November 13, 2020

For fans of Tool, Primus, Frank Zappa, Steely Dan, Yes, Torche, Pink Floyd

Warm Yourself With The Psychedelic Prog Soup Of “Centre Of The 8” Served Up By Dizzy Mystics

Video Premiere via TheProgSpace

L-R – Robert Schau (drums), Kyle Halldorson (vocals, guitar, mandolin), Alexandre Joyal (guitar, vox), Aaron Bacon (bass, vox).
Photography – Jess Mann Photography

One of Canada’s most versatile and vibrant rock bands along with being the 2020 Western Canadian Music Award winner for “Metal/Hard Music Artist of The Year”, Dizzy Mystics are proud to announce a brand new track, revealing it only with a video showing the live-off-the-floor performance.

This single “Centre of the 8” is a tease of the next Dizzy Mystic’s album, which follows 2019’s groovy and psychedelic “Wanderlost”. The band is certain that the high energy video will captivate listeners, as they comment:

“This song is a small example of things to come on the upcoming album. We’ve upped the ante on heaviness, breathing room, and melodic/emotional depth. Enjoy!”

The video was recorded live at Beyond Boundaries Academy in Winnipeg, Canada, with help from Clint Chaboyer (sound engineer/mixer) and Sean Perrun (cinematographer/director/editor) from Red Tie Productions. It gives listeners a look at what to expect from a live show: a wide range of 70s vocals, funky bass lines, and psychedelic rock riffs that will catapult you into a realm of dreamy, esoteric, progressive rock.

Weird, interesting, and nourishing, fans of Tool, Primus, and Frank Zappa should keep an eye and ear out for the next album from Dizzy Mystics.

The video for “Centre of the 8” can be seen via its premiere on TheProgSpace HERE.

For more info:
https://dizzymystics.com
https://facebook.com/dizzymystics
https://instagram.com/dizzymystics

About:

Dizzy Mystics Soup for the Rocker’s Soul;
2 cups Psychedelic
2 cups Progressive
1 cup Hearty 70’s Metal
3 tbsp. Jazz
3 tbsp. Funk
2 tbsp. Folk
1 tbsp. Soul
A pinch of Celtic Pepper is optional

(Measurements of each ingredient are subject to change for each batch made)

As the recipe implies, rock music is the spoon that stirs the soup, and no genre (or spice) is out of the question for Dizzy Mystics. Climbing out the stock pot in 2015, Dizzy Mystics are a psychedelic rock band based out of Winnipeg, Manitoba, Canada. One can expect a dynamically diverse, tastefully complex, and energetic dose of adventurous hard rock with feet moving rhythmic swagger, and stargazing melodies.

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“It is clear that Dizzy Mystics may be among the most unique of the vibrant Canadian rock scene to be delivering tracks that will leave fans of classic, progressive, and 90’s alternative rock excited for what is to come.” – Canadian Beats

“Mysticism aside, this band certainly got the “dizzy” part right! The Winnipeg rock quartet Dizzy Mystics offer up a staggering musical concoction that, considering its progressive and experimental flair, is surprisingly radio-ready. Think Rush and Primus drinking wine with Tool before dropping acid with Frank Zappa and checking out a jazz club with Steely Dan. Dizzying, right? Jokes aside, frontman Kyle Halldorson, guitarist Alexandre Joyal, drummer Jeffrey Laird and bassist Aaron Bacon have some serious chops and, with the right amount of work, gigging and outside help, this Canadian act has the potential to not only see the end of the tarmac, but to also take off!” – PureGrainAudio

“Diamond Duller moves and groves, in interesting rhythms, changing from one beat to another, shifting and clanging with energy. The vocals bring about high energy and ensure the listener is hooked from the get go.” – The Median Man

“The quartet has crafted a psychedelic and progressive sound upon many others including melodic hard rock and funk. The band takes you through a heavy and psychedelic trip on their latest single.” – Technical Music Review

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0 Streaming Now: Ysgaroth’s Thrashing Black Metal Debut Album “Storm Over a Black Sea”, Album Stream Premiere via NoCleanSinging

November 12, 2020
by Asher
· Music News · Ysgaroth

NEWS RELEASE

Montreal, QC – November 12, 2020

For fans of Skeletonwitch, Enslaved, Wolves in the Throne Room, Death, Morbid Angel

Streaming Now: Ysgaroth’s Thrashing Black Metal Debut Album “Storm Over a Black Sea”

Album Stream Premiere via NoCleanSinging

Debut Album Due Out Nov 13th

L-R: Shawn Hillman (Bass) | Steve Cuddington (Drums) | Kurt Steigleder (Guitar, Vocals) – Photo Credit: Jade Weekes

Now available for streaming is the debut album “Storm Over a Black Sea” from Canada’s Ysgaroth, a progressive and technical metal outfit blending styles of old school death metal, black metal, and sludge.

“Storm Over a Black Sea” is an attempt at creating a work that is greater than the sum of its parts, each track stands alone, but only when put together does something greater emerge. Engrossed in the unique sound, listeners are suffocated with harmonies and taken on a journey. The band comments about the album in their own words:

“The release of Storm Over a Black Sea is so many things for us: validation, relief, excitement, and too many other things to say. This album took far too long for us to record and finally release, but we’re beyond excited to finally have it out. We’re trying to do a lot of things on this record: honour our influences, play some fucking riffs, and push ourselves as musicians technically and compositionally.”

With a slick balance of long songs and short songs, it is an album that people can really come back to, and absorb the small details on repeat listens. The lyrics are the manifestations of the band’s own issues with the world: regret poisoning us, our consumerist society trapped in capitalism poisoning the world, and religions of all kinds being used as another tool to divide and control us.

The mix of black metal roots, classic 80’s death metal, 90’s thrash, and sludge with the long compositions of post-metal and the shifting, churning time signatures of progressive metal is highly recommended for fans of Wolves in the Throne Room, Death, and Morbid Angel.

The album is streaming now via its premiere on NoCleanSinging HERE.

“Storm Over a Black Sea” will be available on November 13, 2020.

Album order here.

Music Video “Sacred” – YouTube. Spotify.

Track Listing:
1. Rain (1:54)
2. Nam Gloria Satanas (feat. Jessie Grace of KOSM) (7:06)
3. Sacred (5:31)
4. Altar of Scars 11:48)
5. Forward Unto Death (feat. Jessie Grace of KOSM) (5:19)
6. Deluge (feat. Erik Leonhard of KOSM) 17:24
Album Length: 49:05

For more info:
Facebook.com/Ysgaroth
Twitter.com/Ysgaroth
Instagram.com/Ysgarothofficial
EPK

About:

Ysgaroth is a progressive extreme metal band conjured in Vancouver, Canada that seamlessly blends elements of various metal subgenres into a vicious hybrid.

Initially, Ysgaroth started as Kurt Steigler’s black metal studio project, a non-serious musical outlet, but over time he grew attached to the songs and wanted to take them live.

With the desire to hit the stage, Steigler (guitar/vocals) was joined by Steve Cuddington (drums) and Shawn Hillman (bass) With these additions, the songs got more structurally ambitious, a sludge influence began to creep into the band. Cuddington brings an absolutely crushing, hardcore-influenced drumming style that gave the songs a new vitality, and Hillman’s exceptionally musical bass playing served as the perfect bridge between the crushing drums and razor-sharp guitars. Ultimately, the sound of the band became a mix of its black metal roots, classic 80’s death metal, 90’s thrash, and sludge with the long compositions of post-metal and the shifting, churning time signatures of progressive metal. Steigler is the main songwriter, but overall the process is hugely democratic.

The debut album from the band “Storm Over a Black Sea” will be unearthed on November 13th, 2020, and considering the growing amount of music they have been writing – fans can expect a lot more from Ysgaroth.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Sadistic Embodiment Vocalist Posts Growling Playthrough Video For “Gallows Hill”, Out Now! New Album “Blood Spell” via CDN Records

November 12, 2020
by Asher
· Music News · Sadistic Embodiment

NEWS RELEASE

Montreal, QC – November 12, 2020

For fans of Gojira, Rotting Christ, Bloodbath, Kataklysm, Strapping Young Lad

Sadistic Embodiment Vocalist Posts Growling Playthrough Video For “Gallows Hill”

Out Now! New Album “Blood Spell” via CDN Records

L-R – Bryan James Newbury (Drums); Jason Cullen (Rhythm Guitar, Vocals); Wally Fischer (Lead Guitar, Vocals); Curtis Vieville (Bass, Vocals)
Photo Credit: Danika Challand AKA Demonika

Canada’s Sadistic Embodiment unleashed their new album “Blood Spell” this past September via CDN Records. The full length follows the band’s three EPs Beloved Imprisonment (2019), Blodörn (2018), and Self-Titled (2018).

Featuring nine beastly tracks, vocalist/guitarist Jason Cullen is sharing with fans a growler of a playthrough for the band’s “Gallows Hills”, which can be viewed via CDN Records‘ Youtube channel HERE.

Cullen adds:

“I deliver a distinct midrange old school thrash voice on this crossover death-thrash banger. The song’s high energy delivery is assisted by our bassist Curtis Vieville and guitarist Wally Fischer’s death screams and growls right off the bat (“BLEH!!”) and during the chorus.”

Sadistic Embodiment continues their sonic onslaught, each of the nine songs on “Blood Spell” has a distinct feel given the variation in vocal and instrumental styles throughout the album. Each track stands out and yet they are all uniquely Sadistic Embodiment. This will please old school death metallers and the new school with a variety of punch-in-your-face hooks, melodic passages, and absolutely brutal anthemic choruses.

The band comments on the album:

“After spitting out three EPs this last couple of years, we were really stoked and kind of nervous settling into a longer writing and recording process for Blood Spell. As per usual, we cranked out the material during bi-monthly jams, but this time we really took our time crafting the music once the main structure of the songs was built. Our sound is still exactly the same, but the listeners may hear more broad musical influences across the nine tracks. There are tracks that sound distinctively Wally and Jason and certain tracks where you really hear Bryan shine as he shows off his technical prowess.

A lot of our songs are longer than your average death metal track, and they are relatively simple in regards to guitar and lyrical work. But with longer playtime, we were able to fit in more ambiance and guitars solos into every nook and cranny.”

“Blood Spell” is available on CD from CDN Records here and digitally on Bandcamp, Spotify, and Apple Music.

Videos:
Lyric Video – Catherine’s Braid – YouTube
Lyric Video – Gallows Hill – YouTube
Lyric Video – Phantom Tormentor – YouTube
Drum Video – Stranger – YouTube – YouTube

Track Listing:
1. Stranger (4:41)
2. Gallows Hill (5:33)
3. Catherine’s Braid (6:03)
4. Phantom Tormentor (4:41)
5. Nebulae (Call of the Void) (2:48)
6. Suicide Ceremony (3:09)
7. Global Enema (4:06)
8. Flesh Deposition (5:37)
9. Cerebral Termination (5:26)
Album Length: 42:08

Sadistic Embodiment is:
Bryan James Newbury (Drums)
Jason Cullen (Rhythm Guitar)
Curtis Vieville (Bass)
Wally Fischer (Lead Guitar)

For more info:
CDNRecords.com
Facebook.com/sedeathmetal
Instagram.com/sadisticembodimentofficial
EPK

– 30 –

“Canadian death metal executioners Sadistic Embodiment have emerged from their quarantine torture chamber to release their first LP, Blood Spell. After establishing their brutality across three EPs, they’re ready to give the world a global enema on their full-length debut… Sadistic Embodiment will appeal to fans who want both mosh-ready slams and razorblade riffing. ” – Decibel Magazine

“The band’s new album, Blood Spell is full of hooks, riffs, blasts, and blends of old and new school death metal. Plus, Sadistic Embodiment shows you can throw Bryan Newbury (Into Eternity, Untimely Demise) behind the kit in any band and make gold out of the drumming… Early on in the album, one of the first songs to come across is “Gallows Hill”. This song probably features the most riffs of any on the album, but one key part of Sadistic Embodiment is the lyrics. This is a band focused on telling a story with each song moreso than just trying to write the heaviest death metal out there. “- Metal Injection

“Edmonton’s Sadistic Embodiment Channel Their Disdain for the Modern World on ‘Blood Spell'” – Exclaim!

“Canadian metal outfit Sadistic Embodiment are gearing up for their new album, Blood Spell, out September 18th via CDN Records. The follow-up to their three consecutive EP’s Beloved Imprisonment (2019), Blodörn (2018), and Self-Titled (2018) is promised to be a continuation of their ruthless death diversity ranging from similarities of Gojira, Rotting Christ, to Bloodbath and Kataklysm.” – Metal Insider

“The album weaves back and forth between thrash and full-on death metal, with surging hooks aplenty and a good deal of genuine catchiness – especially over the album’s front half – topped by the bark, growls and shrieks of bassist Curtis Vieville and guitarists Wally Fischer and Jason Cullen.” – Metal Rules

“Pure and unadulterated death metal is at hand in the band’s assault, but don’t expect it to dull your senses as it continues. There’s a number of dark melodies that weave their way into the sound and craft some catchy moments that keep it brutal but still quite memorable. Not to mention some heavy grooves (see “Flesh Deposition”) that are definitely going to catch some ears. A rather promising debut for extreme music fans to dig into.” – DeadRhetoric

“I can honestly say that SADISTIC EMBODIMENT would rip apart any venue with their music and all the crowd would be screaming along. SADISTIC EMBODIMENT is on the up, and I cannot wait to see what is in store for this powerhouse of a band. 10/10” – Metal Temple

“By the time “Cerebral Termination” hits, “Blood Spell” isn’t a record you want to reach a conclusion. The tracks get better and better as it plays through from high quality starting point and the ideas and nuances just keep coming. Another one with seriously impressive lead work, it fades out all too soon. 8.5/10” – Metal Noise

“this is a meaty chunk of Death Metal… The songs are mostly mid-paced and full of pummeling, grooving riffs and unrelenting heaviness, but what helps set this apart from the masses are the startling tremolo sections and some deeply impressive lead work, which contains a keen sense of melody along with a degree of musicality that you don’t often see in the genre… an enjoyable release from a talented band, and fans of more technical Death Metal will want to give it a listen. 3.75/5” – The Metal Crypt

—

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0 FUCK THE FACTS Shares “An Ending” Off Upcoming Album “Pleine Noirceur”, Song Premiere via NoCleanSinging

November 11, 2020
by Asher
· Fuck The Facts · Music News

NEWS RELEASE

Montreal, QC – November 11, 2020

For fans of Brutal Truth, Napalm Death, Converge, Cephalic Carnage, The Dillinger Escape Plan

FUCK THE FACTS Shares “An Ending” Off Upcoming Album “Pleine Noirceur”

Song Premiere via NoCleanSinging

New Album “Pleine Noirceur” Out Nov 20th via Noise Salvation

L – R: Melanie Mongeon, Mathieu Vilandre, Topon Das
Photo by Anndy Negative

“Pleine Noirceur” is the upcoming album from Canadian grindcore champions Fuck The Facts. Set for release on November 20th via their very own label Noise Salvation, the full length follows their 2015 Juno nominated “Desire Will Rot”. “Pleine Noirceur” continues right where the band left off, offering up another slab of their patented “bastardized” grindcore full of all the twists and turns that fans have come to expect.

Leading up to the record’s deliverance, the trio has previewed songs “Ailleurs”, “Dropping Like Flies”, “Everything I Love Is Ending” and the album’s title track. Today, just days away from “Pleine Noirceur” discharging to headphones and speakers around the globe, the band is sharing their latest single “An Ending”, the second last closer on the album.

Guitarist Topon Das adds:

“This song deviates from the more grindcore and head-bashing tunes on the record to show more of our melodic side. Not referenced as often, but the early days of bands like Paradise Lost, Katatonia, Enchantment & Cemetary definitely had a strong influence on my writing as well. There’s a dark and depressing feel to the song that really embodies the theme of the whole album.”

Listen to “An Ending” via its premiere on NoCleanSinging HERE.

Fuck The Facts has amassed a respectable discography over the years, and this new offering joins the 7 LPs and 6 EPs released to date. The considerable amount of time the band has been working together shows in the natural chemistry that courses through each of the 12 tracks. Fuck The Facts comments on the album:

“We took a long break before working on this album, I feel like it’s a collection of bits and pieces; old and new, short and long. It’s us working back into the groove, just in time for a pandemic. This album also could have easily been 3 EPs, you really have to listen to the whole thing in order to fully enjoy it. It opens the door for what is next.”

What started as a basement recording project in the late 90s has blossomed into one of the most prolific bands in the Canadian extreme underground scene. Fuck The Facts have always been more about making albums than just writing songs, using what’s left over for a separate EP, but this time around they decided to put the extra songs as bonus tracks on the different physical copies of the release, so the vinyl, CD and cassette versions will each have a different bonus track that’s not available on the digital release.

The unapologetic, experimental album probably needs a few listens in order to fully enjoy. Put on some noise-canceling headphones, choose your drug of choice, close your eyes, and enjoy.

Recommended for fans of Cephalic Carnage, Exhumed, and Morbid Angel, “Pleine Noirceur” will be available in several different formats on November 20, 2020.

Album Pre-order HERE.

Spotify playlist add HERE.

Previous Singles:
“Ailleurs” – YouTube (Music Video)
“Pleine Noirceur” – YouTube (Music Video)
“Dropping Like Flies” – YouTube
“Everything I Love Is Ending” – YouTube

Track Listing:
1. Doubt, Fear Neglect (6:47)
2. Ailleurs (1:17)
3. Pleine Noirceur (5:42)
4. Aube (1:24)
5. Sans Lumiere (4:23)
6. Sans Racines (0:38)
7. Everything I Love Is Ending (4:14)
8. A Dying Light (3:41)
9. Dropping Like Flies (4:04)
10. L’abandon (2:07)
11. An Ending (3:27)
12. _cide (3:59)
Album Length: 41:46

For more info:
Fuckthefacts.com
Facebook.com/FuckTheFacts
Twitter.com/fuckthefacts
Instagram.com/fckthefacts
EPK

About:
Started as a recording project in the late ’90s, it wasn’t until 2001 that the work ethic that produced a slew of underground releases drove Fuck The Facts towards full band status and into the live arena. Since then, the Ottawa-based unit has barely stopped for a breath of reconsideration, associating themselves with some of the biggest labels in underground extreme music, as well as continuing a steady output of DIY releases. Having toured hundreds of thousands of kilometers throughout North America and Europe, guitarist/founder Topon Das, vocalist Mel Mongeon and drummer Mathieu Vilandré have performed as some of the biggest festivals and sweated it out in some of the smallest basements. From 2006-2011 Fuck the Facts released three albums via underground powerhouse label, Relapse Records. Upon the completion of their contract, the quintet decided it was time to put the finishing touches on the proverbial full-circle, returning to the world of fierce independence and creative control. Their most recent releases were produced entirely at their own studio, self-released, and shows Fuck The Facts efforts as an entity continuing to grow musically and personally while developing a deeper understanding of what significance their art holds to them. As one of the longest-running and most recognizable names in Canadian Grindcore, FUCK THE FACTS continue to deliver their brand of “Bastardized Grindcore” with no end in sight.

– 30 –

“Fuck the Facts is one of the most prolific grind-based bands in Canada’s big, weird extreme music scene.” – Noisey

“avant-garde grindcore road warriors…boundless chaotic energy and unrestrained sense of experimentation. – Exclaim

“Their formidable discography is speckled with blips and bursts of every shade of extreme metal, hardcore, punk, and noise imaginable, spearheaded by vocalist Mel Mongeon’s razor-edged larynx and mastermind Topon Das’ mad fretboard genius.” – Pitchfork

“FUCK THE FACTS brings a strong collection of extreme metal tunes, often technical and scathing, sometimes grindy and with just enough melody to digest without heartburn.” – Blabbermouth

“explosive and ferocious” – Metal Sucks

“Fuck The Facts aren’t your average grindcore band.” – No Clean Singing

“Canadian grindcore hurricane” – CVLT Nation

“It’s impossible to deny that the grindcore-meets-death-metal hybrid sound they’ve created” – Lambgoat

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 The Reticent’s New Video “Stage 3 – The Palliative Breath” Continues The Tale of A Man’s Battle With Alzheimer’s Disease From Concept Album “The Oubliette”, Lyric Video Premiere via NewFuryMedia

November 11, 2020
by Asher
· Music News · The Reticent

NEWS RELEASE

Montreal, QC – November 11, 2020

For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

The Reticent’s New Video “Stage 3 – The Palliative Breath”
Continues The Tale of A Man’s Battle With Alzheimer’s Disease From Concept Album “The Oubliette”

Lyric Video Premiere via NewFuryMedia

Out Now! New Album “The Oubliette” via Heaven & Hell Records

North Carolina conceptual metal proggers The Reticent released their latest critically acclaimed concept album entitled “The Oubliette” via Heaven & Hell Records this past September. The full length was produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit), and it tells the tale of man’s battle with Alzheimer’s disease.

The record follows the journey of an old man named Henry, which is based upon a relative of songwriter Chris Hathcock who’s real name was Cyrus. The name Henry was chosen as a somewhat more universal name, but also because Henry was one of the Alzheimer’s patients featured prominently in the documentary “Alive Inside”. The concept of the album is to demonstrate Henry’s descent through the seven stages of Alzheimer’s. He doesn’t know where he is or why he’s there. He doesn’t remember his wife is dead. He doesn’t recognize his son. Step by step the disease takes his memories, his ability to speak, his ability to walk, his ability to breathe.

To lyrically visualize the third stage of Alzheimer’s, The Reticent has put together a new lyric video for “Stage 3 – The Palliative Breath”.

Hathcock adds about the track:

“Henry has brief moments of clarity when he realizes that “holes are deepening in his mind” and he vaguely grasps some of what’s happening to him. More calm and reflective the music echoes the patience that the doctors urge. The beautiful thoughtful acoustic opening gives way to powerful progressive rock, calm folk, and driving metal all to the conclusion that Henry’s best is long behind him.“

The video for “Stage 3 – The Palliative Breath” can be watched and heard via its premiere on NewFuryMedia HERE.

The Reticent‘s new album “The Oubliette” follows the band’s2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.

Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time, every recording session began with him taking at least 800 mg of Ibuprofen to make it through.

Chris Hathcock comments on “The Oubliette”:

“As with my previous album, I hope that ‘The Oubliette’ will provide listeners with a rich and emotionally challenging audio experience. This is undoubtedly the most ambitious record The Reticent has attempted to date. The hope is that listeners will be personally affected by the music on a deep level and that it may draw some attention to a disease that is frighteningly prominent but frequently poorly understood. There will be moments that are soothing and there will be moments that are overwhelming. The story I have to tell is not a happy one but it is an important one – and it is often through the pain that we find the most profound reflection and calls to action.”

“The Oubliette” (Heaven & Hell Records) is available on Heavenandhellrecords.com (CD), Bandcamp, Spotify, Apple Music.

Music Video – Stage 2: The Captive – YouTube

Track Listing:
1. Stage 1 – His Name Is Henry (9:46)
2. Stage 2 – The Captive (6:00)
3. Stage 3 – The Palliative Breath (7:13)
4. Stage 4 – The Dream (11:47)
5. Stage 5 – The Nightmare (12:14)
6. Stage 6 – The Oubliette (10:38)
7. Stage 7 – ________ (6:10)
Album Length: 1:03:50

Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars

Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums

For more info:
HeavenandHellRecords.com
TheReticent.net
EPK

– 30 –

“Each time I have listened to this, my rating of it has gone up until it could not go any higher. This album will hit the spot musically, tug at the heart strings and chill you to the bone. 5/5 – The ProgSpace

“Once again The Reticent enlist the aid of Jamie King for production, giving The Oubliette the same quality in sound and balance as its predecessor. The instruments sound fantastic, and Hathcock’s singing is stellar. His blend of clean (often yearning) vocals and harsh moments used to demonstrate the confusion and fury of Henry is perfectly arranged… I can safely say my expectations have been met, and at times exceeded, by The Oubliette. Hathcock has taken yet another personal subject and transformed it into a taut, compelling progressive metal opus” – Angry Metal Guy

“it’s clear that this is a very personal story from Chris Hathcock. He poured his heart and soul into the concept, and the way the tracks flowed, the story is very real and vivid. Alzheimer’s is a terrible disease, because it mostly affects the patient’s loved ones more than the patient himself. It’s a long process of slowly letting go, until the disease claims another victim. This process is carefully matriculated through music here, and it’s something all fans of music will want to experience. Especially considering the number of us who have been affected in one way or another by this ravaging disease. 9/10” – Metal Temple

“Prog’s most emotionally gutwrenching one-man band returns with plenty more feels… The Oubliette is the next album released under The Reticent‘s name, and tells the story of the protagonist Henry’s decline as a result of Alzheimer’s disease, heavy subject matter again inspired by life experience of Hathcock. The Reticent‘s track record for dealing with such serious subject matter was promising, and with The Oubliette they deliver on said promise.” – Metal Storm

“The Reticent have delivered a narrative masterpiece… I give 10 out of 10 bangs” – Rock Magazine.net

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
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0 Autocatalytica Shares Groovy Proggy Chaos In Lyric Video “Zippler” From New Album “Powerclashing Maximalism”, Lyric Video Premiere via NewFuryMedia

November 10, 2020
by Asher
· Autocatalytica · Music News

NEWS RELEASE

Montreal, QC – November 10, 2020

For fans of Devin Townsend, Meshuggah, Protest The Hero, Dillinger Escape Plan

Autocatalytica Shares Groovy Proggy Chaos In Lyric Video “Zippler” From New Album “Powerclashing Maximalism”

Lyric Video Premiere via NewFuryMedia

New Album “Powerclashing Maximalism” Out Now!

Pictured – Guitarist/Vocalist/Producer – Eric Thorfinnson
Photo Credit: Walker Esner

Autocatalytica is a bubbling cauldron of scatter-brained prog-metal insanity helmed by guitarist/vocalist Eric Thorfinnson. The newest release for the band “Powerclashing Maximalism” was recently released last month on October 16th. The LP is the band’s third and it explores all corners of Autocatalytica’s sound in a tight 36-minute runtime over eight tracks, from the Meshuggah-esque stomp of “Borndun” to the Jazzy Math Rock of “Cheggo”. While at this time Autocatalytica exists solely as a recording project, no one knows what the future holds!

Today, in support of the album, the band is sharing their latest lyric video for the track “Zippler”. A song written about the illusion of free will, it splits down the middle in the vein of the likes of Protest the Hero and the Mars Volta, it’s zippy, groovy, and has got some chaos thrown in for good measure.

The lyric video can be viewed and heard via its premiere on NewFuryMedia HERE.

Formed as a solo project in 2009, as an expressive outlet for Thorfinnson’s abstract angst and penchant for everything over the top. Thorfinnson has always drawn inspiration from a vast collage of different artists resulting in a sound that is sure to surprise and intrigue listeners of all persuasions. For fans of Devin Townsend, Meshuggah, and Protest The Hero, Autocatalytica‘s new album “Powerclashing Maximalism” is available on Autocatalytica.bandcamp.com, Spotify, Apple Music.

Previous singles:
Lyric Video – Borndun – YouTube

Track Listing:
1. Borndun (5:18)
2. Zippler (3:33)
3. Trash Serum (5:19)
4. Cheggo (4:35)
5. Dukka Dukka (6:00)
6. Bananas Have Potassium (4:05)
7. Crawboi (6:08)
8. Graveo (2:32)
Album Length: 37:34

For more info:
Facebook.com/Autocatalytica
Instagram.com/autocatband
EPK

– 30 –

“This is an album that’s just on all the time; at its core, it is a progressive metal work, with Protest the Hero as a possible cited influence. But in other places, the album also uses a copious amount of strings, wind instruments, and jazz-inflected time signatures to create a whirlwind of groove, aggression, and, here we go, maximalism. “Cheggo”, which we are proud to premiere here today, has all of that and more. From its nu-prog opening, through the more dreamy middle passages and all the way to its noisy outro, “Cheggo” is everything that’s great about Autocatalytica and Powerclashing Maximalism.” – Heavy Blog Is Heavy

“Powerclashing Maximalism is intricate, varied, and impressive. But above all else, it’s just plain fun. The kind of fun that is contagious. Some people won’t like Powerclashing Maximalism due to the sheer variety of sounds, or due to the somewhat metalcore-y moments scattered throughout. For everyone else, though, Autocatalyctica have delivered a captivating experience that should be given a chance. Their influences inform their sound, but they breathe a new life into all of their steps. 8/10” – Metal Utopia

“I’ve had a hard time tagging this one as well, but I think I’ll stick with the good ol’ catch-all “progressive metal”. Yes, it’s got mathcore; yes, it’s got deathgrind; yes, it’s got djent, so what am I to do? Find the common denominator, I guess! So, you’ll be treated with an incredibly high calibre product for all aforementioned genres (and more!) Fans of heavy music and multiple genres, jump right in and support this awesome artist!” – Can This Even Be Called Music?

“‘Powerclashing Maximalism‘ by Autocatalytica is an album that smashes all preconceived notions of rules you thought existed and brings a unique experience to the listener. There’s something for everyone here. Sure, ‘Powerclashing Maximalism‘ is progressive and heavy but it’s so much more. I don’t think there is anything similar at the moment. Each song has its own distinctive sound which is different from the rest.” – The Music Below

“Overall, this is Progressive Death Metal turned up to 11. The tight instrumentation is un-matched. 8/10” – Metal Temple

“Eric (Thorfinnson) does most of the mixing/production on every release, and with this one he has managed to give us a multitude of rock and metal styles, in eight tracks lasting a total of 37 minutes. 4/5” – The Prog Space

“if you combine the modern, masterful and unpredictable prog of Tesseract with the adventurousness and epic nature of Opeth (and make them both more intense), you get Autocatalytica. In my opinion this is a rarely flawless album and is very strongly recommended listening for all metal heads. I really can’t think of a single thing I’d change.” – The Independent Voice

“If you like complex metal with progressive hints, growl and no boundaries. Check this out.” – Melodic.net

—

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Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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