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Category: EPKs

0 EPK – Ashes of The Sun (2025) – Gods With Machines

  • May 28, 2025
  • by Asher
  • · Ashes of The Sun · EPKs

EPK – Ashes of The Sun (2025) – Gods With Machines

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Band: Ashes of The Sun
Album Title: Gods With Machines  
Release Date: August 1, 2025
Label: Ignorant Tourist Productions LLC
Distribution: Distrokid

“I hope this album brings fans back to the era when metal and hard rock ruled the scene. Headbangers Ball was kicking, and it wasn’t out of the ordinary to turn on MTV and see Metallica’s One cranking. Tasty, heavy metal and hard rock with cool glammed-out solos and a ballad. I think it blends a few genres like grunge and metal at times.  The album flows like some of my playlists, and I would imagine most people’s playlists. I hope that fans will enjoy the mellow acoustic/ballad intros that transition into hard rock/ metal flows. I wanted these songs to reach rock fans and metal fans alike. I’ve been in metal bands for a long time and love the brutality Karl and Dan brought to Freya and The Last Season, but I wanted to reach a broader audience. So I chose to tone the heavy vocals back and sing the album. At times, it reminds me of Dave Mustaine, James Hetfield, and Layne Staley. Every once in a while, I’m like, that kind of sounds like Bon Jovi or Scott Weiland. It’s funny because I never really listened to STP, only in passing. I think ultimately, whether it’s my metal, rock, or grunge influences coming through in these songs, it sounds like the era of music I grew up listening to. Late 90s, early 2000s. I like that about this album.” – Ethan D. Henry

For fans of Megadeth, Metallica, Alice in Chains, Five Finger Death Punch

https://ignoranttouristproductions.com/ | https://www.instagram.com/ethanhenry43/ | https://www.instagram.com/ignorant_tourist_productions_/

“One-man solo band ASHES OF THE SUN is the work of drummer / filmmaker Ethan D. Henry and he’s just dropped his new single, “A New Way To Die” from the forthcoming full length album “Gods With Machines” (Aug. 1st). Razor sharp riffs, heavy duty percussion and an overdrive rhythm section rule on “A New Way To Die” and it’s pretty glorious. We’ve had a chance to preview the entire album and it’s a hard rock juggernaut just waiting to be unleashed that is sure to please. Catch ASHES OF THE SUN on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

[Download Album Cover | Download Album Lyrics]

Band: Ashes of The Sun
Album Title: Gods With Machines  
Release Date: August 1, 2025
Label: Ignorant Tourist Productions LLC
Distribution: Distrokid

Track Listing:
1. Sophisticated Clowns – 5:49
2. Save The World – 4:17
3. Forced To Kill – 5:51
4. The Elephant – 4:34
5. A New Way To Die – 4:26
6. Gods With Machines – 5:15
7. The Lost Ones – 4:07
8. Here To Stay – 6:11
9. They Bleed Just Like You 4:31
Album Length: 45:05

Album Credits:
ALL SONGS PERFORMED BY – Ethan D. Henry
ALL SONGS WRITTEN BY – Ethan D. Henry
PRODUCED BY – Ethen D. Henry
MIXED BY – Jason “Jocko” Randall
MASTERED BY – Jason “Jocko” Randall
ALBUM ARTWORK BY – Ethan D. Henry

LIVE BAND – TBD

========================================================

About The Album Artwork:

Ethan made the artwork for the album to represent not only the story of the album, but also based on stuff he’s interested in. Like the ancient alien God connection. Astral projection and deeper awareness of who we are spiritually.

About The Album:

The album ultimately is about having faith in god and constantly questioning it. Feeling that you’re being lied to by the people you look up to and trust. It’s about being yourself and finding your own spiritual path and god.  

Track Listing:

1. Sophisticated Clowns

Is about People trusting their government and eventually seeing through the lies. Their leadership ultimately pushes its people to question everything and start losing faith in their leadership.

2. Save the World

This track is about one of the planet’s native characters finding a child of the gods. The child communicates with them, asking to be returned to where it came from through telekinesis. Unsure if they want to take the task, the tribe supports the idea of returning the child before it angers the gods, potentially causing problems for the locals and their community.

3. Forced to Kill

Is about the chosen one venturing out to return the child and discovering the truth about their gods. He soon realizes they are not who they appear to be. He is threatened by the gods to keep his mouth shut, and he will live to see another day. They spare him because of his good deed. But leave him deep in the wild to fend for himself on his return home.  

4. The Elephant

The chosen one has a long journey home. He looks to the sky and to the gods for help. But his prayers don’t get answered…they never get answered. He lost and is disappointed with his so-called gods, and his faith is gone. He doesn’t know where to turn and loses his faith and fears that there is no one looking over us.

5.  A New Way to Die

The chosen one is lost and giving up. He has lost his faith and doesn’t have the drive to carry on when he hallucinates a child taunting him. He cannot catch the child and continues to follow deeper into the wild. Eventually, he concludes this is the end and there is no hope. No one will find him. No one will save him. There is no heaven. We live in hell. What’s the point go going on? It’s time to throw in the towel.

6. Gods with Machines

Our hero is rescued by his tribe. tired, weak, Delirious, and malnourished. He tells the story of what he experienced and how the gods aren’t really gods. He drifts in and out and has visions of Gods and angels. They aren’t like the ones who live on their planet. They tell him it’s okay and they do exist. He drifts in and out between reality and his visions.

7. The Lost Ones

The local government seeks to speak with the chosen one and threaten him to keep his mouth shut about what he saw. His tribe and community stand up against the leaders and support their champion. Their aggressive approach to address the hero leads the community to question their leadership and to listen again to the chosen one and his story of False gods and deception.

8. Here to Stay

This song is about the chosen one and his community accepting the reality that the gods are not what they appear, The Leaders are in league with these false gods. As a whole, they decide to take their lives, land, and religion back. It’s time to unite and stand up.

9. They Bleed Just Like You

The people, tribe, and community are led by the chosen one to the gates of paradise, where the gods reside. Once inside, they ravage the communities within the walls. During their cleansing, they soon realize the gods aren’t fighting back and they aren’t special or even much different then they are. In fact, these people have been lied to but their leadership and have been led to believe the tribes and communities were wild savage animals and didn’t have the ability to understand how to be civil, how to work as a community, how to love. Soon, both sides realize they have been lied to by the same people and decide to work together and take back paradise and take back their freedom. Once they overthrow their tyrants, they learn to live in peace in paradise and have the freedom to find their own way of life and find their own version of god.

Ethan D. Henry – Photo Credit – Gidget Photos

ASHES OF THE SUN is the solo project of longtime FREYA contributor Ethan D.  Henry. Freya was formed in 2001 by three members of the legendary straight edge/ Vegan band EARTH CRISIS by bassist Ian Edwards, guitarist Eric Edwards, and vocalist  Karl Buechner. Ethan joined Freya in 2004, touring with the group for their first release on VICTORY RECORDS, AS THE LAST LIGHT DRAINS.  

Since its conception in 2001, Freya has been writing music, making videos, and touring in the metal and hardcore scenes. They have been featured on MTV’s Room Raiders,  Road Rules, and Headbangers Ball. More recently, they have had their music on the hit  Television show Shameless, which airs on Showtime. Freya has also been featured in  Kerrang, Decibel, Amp, and Metal Hammer magazines, to name a few.  

Henry has been working with Freya since 2004 – 2008, 2017-present. He joined Freya as a temp to tour with the band as the last light drains, until becoming a full member in  2004. He co-wrote LIFT THE CURSE ( VICTORY RECORDS), THOUSAND YARD  STARE ( UPSTATE RECORDS) FIGHT AS ONE (UPSTATE RECORDS )  BLOODTHIRST ( UPSTATE RECORDS )  

In 2007, Freya went to Europe for the HELL ON EARTH tour with WALLS OF  JERICHO, ALL SHALL PERISH, BORN FROM PAIN, AND FROM A SECOND  STORY WINDOW. Henry says, “ Going to Europe on the Hell on Earth tour was such an amazing experience for me. I had been touring the States and Canada for years, but doing that tour, with those bands…That was a once-in-a-lifetime event. Very Grateful to have been able to do it. “ 

In addition to his duties with Freya, Ethan also co-wrote and performed on THE LAST album titled CALLED IT CIVILIZATION, released on SURFACE  RECORDS in 2003. The Last season featured frontman Dan Johnson from BLOOD  RUNS BLACK, GODBELOW, and THE UNHOLY based out of Syracuse, N.Y..  GODBELOW later became the hard rock band BRAND NEW SIN. 

 Ethan has worn many hats over the years with his bands. Whether he needed to play bass, guitar, or drums, he was always up for the challenge. “ I was always a bass player with guitar second in my comfort zone. I could always sing, but I wasn’t like great at it. I  don’t know when it happened, like when I became good enough to play any instrument, if we needed a drummer or guitar player, I was like…Okay, I’ll give it a shot. Then one day I was a Drummer, I guess? I think I have impostor syndrome. ha”  

Eventually, Henry had compiled a huge catalog of songs he had written over the years.  Unsure what to do with them, He sat in his studio and started to record them. Not sure what would become of them, He had his friend Jason “Jocko” Randle at  CAPTURE.STUDIO (Syracuse, N.Y.) to take a listen and put his touch on it. After a few mix and master sessions, Ethan decided his eclectic song list was cohesive enough to make an album. Thus, ASHES OF THE SUN was born.  

An alternative, metallic, grungy style of music that spans over a few genres. “If  Metallica, Anthrax, and Megadeth had a baby with Alice in Chains, Queens of the Stone Age, and the Foo Fighters, that’s Ashes of the Sun.” – Ethan D. Henry 

Freyas Discography featuring Ethan
Hoods/Freya Split – Victory Records (2004)
Lift the Curse – Victory Records (2007)  
Thousand Yard Stare – (Single) Upstate Records (2022)
Fight As One – Upstate Records (2023)
Blood Thirst – (Single) Upstate Records (2024)

The Last Season featuring Ethan
Called It Civilization (2003)

Shared Stage with:
Although Ashes of the Sun hasn’t toured yet, through FREYA and THE  LAST SEASON, Ethan has shared the stage with WALLS OF JERICHO,  ALL SHALL PERISH, KILLSWITCH ENGAGE, SWORN ENEMY,  KATAKLYSM, MADBALL, LIFE OF AGONY, MASTODON, SKID ROW,  JAMEY JASTA, RINGWORM, and BURNT BY THE SUN, to name a few.
Festivals Ethan has played.
HELL ON EARTH 2007 (EUROPE)
HELLFEST 2002 SYRACUSE NY
MUDDY ROOTS 2024 COOKEVILLE TN
UPSTAGE FEST 2024 CLEARFIELD
Endorsements: SOULTONE CYMBAL

0 EPK – Z-Cocoon – Angels (2025)

  • May 27, 2025
  • by Asher
  • · EPKs · Z-Cocoon

EPK – Z-Cocoon – Angels (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We are extremely excited to release our new EP, Angels, to the world! It’s the first recordings that were performed as a band, and everything recorded was mixed in-house at Casa Cocoon. Very proud of the outcome. We got a lot more music coming after this EP and can’t wait to keep this cocoon train rolling. If you’re into the classics such as Dio, Sabbath, Deep Purple, or blues guys such as Hendrix, Trower, Stevie Ray, or just dig stoner rock/ doom metal but are looking for something a little different, THEN TAKE A LISTEN AND PUT IT LOUD!”” – Z-Cocoon

For fans of Black Sabbath, Jimi Hendrix, Stevie Ray Vaughan, Pentagram

All Links – https://linktr.ee/zcocoon

EP Pre-save – https://earache.lnk.to/Angels

Facebook.com/ZCocoon | Instagram.com/z_cocoonmusic | Youtube.com/@z-cocoon9351

Spotify | Z-cocoon.bandcamp.com | Apple Music | Soundcloud.com/z-cocoon

“Z-Cocoon is firmly grounded in blues-heavy stoner rock, it also shows an awareness of other sides of rock and hip-hop that often the sub-genre completely walls itself off from. Little things like short interjections from the backing vocals, a willingness to put vocals ahead of guitars, and a thick-as-fuck kick drum sound — tweaks like that combine with the Sabbathian riffs and dynamic vocals for a pretty addictive listen.” – Invisible Oranges

“This EP does a great job of showcasing Zolla’s chops as a songwriter and as a performer. I personally find Zolla to be a great vocalist, and each of the tracks on here allow him to flex his mid-to-high range voice and sort of nasally cadence. I love the way he adds a rasp into his voice.” – Where Strides the Behemoth

Second song – Just Tell Me – has an “Audioslave” quality to it with Marc’s vocals and some of the music that appears at the start. However, Marc switches things up a bit and plays some classic “Hard Rock” melodies and superb vocals for the standout song on the EP. – Outlaws of the Sun Blog

Band: Z-Cocoon
EP Title: Angels
Release Date: June 6, 2025
Label: Self-Release
Distribution: Earache Record Digital Distribution

Track Listing:
1. Dr. Crane – 4:17
2. Truth Don’t Matter – 3:42
3. For My Life – 6:37
Album Length: 14:36

EP Credits:
Recorded and mixed by Marc Zolla.
Mastered by Kent Stump (Crystal Clear Sound/WoFat)
EP artwork by Camille Grenier.
Member of SOCAN
Canadian Content – MAPL

Band Lineup:
Guitar/Vocals: Marc Zolla
Bass: John Burton
Drums: Michel Paradis

=============================================

About The EP Artwork:

I really love collecting comics, so I wanted something similar to Batman. My girlfriend Camille Grenier is very good at drawing and designing tattoos, so I mentioned I wanted a bat/gargoyle looking down on the city with a Fender Strat, sort of like the gargoyle is coming back from the dead to show the city what he’s got waiting to show his music. The dark/gothic aesthetic fits in with how the music feels. A mix of comic/dark/gothic aesthetic and the guitar is put on the cover to pay homage to most blues album covers, where they’re holding their guitar or a Fender Strat that always looked cool.

About The EP:
It’s a mix of heavy blues meets doom metal, meets rock n roll. Heavy grooving riffs and dark vocals with slashing swinging solos. Lyrically inspired by comics and personal experiences.

Track by Track:

1. Dr. Crane: heavy bluesy song about Dr.Crane, aka The Scarecrow (one of the villains in the Batman Universe)

2. Truth Don’t Matter: exactly what the title says. Very Pentagram-inspired riff, but then catchy. I was actually listening to a lot of Biggie Smalls to get the inspiration to cut instruments so the vocals stand out in the “truth don’t matter” hook.

3. For My Life: Fiction about protecting my home from invading demons, spirits, and vampires. I would say inspired by horror movies and comics in general. Long song with a heavy doom metal style riff and a breakdown section to mix it up a little bit, and obviously a nice guitar solo.

L to R: Marc Zolla (Guitar/Vocals), Michel Paradis (Drums), John Burton (Bass)

Z-Cocoon originally started as solo project by Marc Zolla in 2017 with many self released EPs and singles. It is now a power trio mixing elements of stoner rock, heavy blues and classic heavy metal. The new EP Angels recorded by Zolla, Johnny B and Michel in studio features 3 new songs. Electrically-charged heavy music with savage guitar jabs, rockin’ blues and hot solos! 

Discography:
2017 – Alienation – EP – Pink Cocoon
2020 – No Control – single
2021 – Dark – EP
2021 – X Ray Eyes – single
2022 – Fake Smiles/ Sonny Boy – single
2025 – Angels – EP

Shared Stage with: Witch Mountain, Telekinetic Yeti, The Well, Castle, A Pale Horse Named Death

Tours and Festivals
2022 – Summerdaze Festival 2022
2019 – Tour NYC
2019 – 7-day East Coast USA
2018 – Eargasm festival
2018 – Robfest
2018 – 6-day tour East Coast of Canada
2017 – Basin Fest

0 EPK – Augurium – Faith & Death Pt. I. (single) (2025)

  • May 23, 2025
  • by Asher
  • · Augurium · EPKs

EPK – Augurium – Faith & Death Pt. I. (single) (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Lorna Shore, Septicflesh, Belphegor, Decrepit Birth, Cannibal Corpse

Single Title: Faith & Death Pt. 1
Release Date: May 17, 2025
Label: Self-Release
Distribution: Distrokid

Facebook.com/AuguriumSK | Instagram.com/auguriumband

Augurium.bandcamp.com | Spotify | Apple Music

[Download Single Cover | Download Single Lyrics]

Single Recording Credits:
• All songs performed by:
Cejay Carnochan – Rhythm Guitars
Dylan Suppes – Vocals
Logan Barlow – Lead guitars & Orchestra arrangement
Reid Paraszczynec – Bass & Orchestra arrangement
Taylor McDonald – Drums
• All songs written by:
Cejay Carnochan, Dylan Suppes, Logan Barlow, Reid Paraszczynec, Taylor McDonald
• Produced by: Logan Barlow, Reid Paraszczynec, James Ivanie
• Mixed by: Reid Paraszczynec
• Mastered by: Reid Paraszczynec
• Single Artwork by: Mark Erskine – Erskine Design

Single Band Line Up:
Cejay Carnochan – Rhythm Guitars
Dylan Suppes – Vocals
Logan Barlow – Lead guitars & Orchestra arrangement
Reid Paraszczynec – Bass & Orchestra arrangement
Taylor McDonald – Drums

Live Band Line Up:
Cejay Carnochan – Rhythm Guitars
Dylan Suppes – Vocals
Logan Barlow – Lead guitars
Reid Paraszczynec – Bass
Taylor McDonald – Drums

=============================================

About The Single Artwork

The artwork was created by Mark Erskine, who also did the Unearthly Will cover art. It strongly resonates with the track’s concept. The song itself is rooted in the mythological hero’s journey, using Tolkien-like storytelling to explore the duality of good and evil.

About the single as a whole (LYRICALLY & MUSICALLY)

Faith and Death Pt. I is themed around The Lord of the Rings. Part one speaks to the side of evil. This track was written from the perspective of Mordor’s legions. Moreover, it touches on the eternal struggle of light and dark and how both cannot survive without the other. A shadow cannot exist without the light.

Death—the only thing certain for all mortals. If neither side can agree on which god to worship, which philosophy to follow, or what is right and wrong, one thing is undeniably and indiscriminately certain: death.

L-R – Cejay Carnochan (Rhythm Guitars) – Taylor McDonald (Drums) – Logan Barlow (Lead Guitars) – Reid Paraszczynec (Bass) – Dylan Suppes (Vocals)

Photographer: Savannah Bagshaw – Paradox Visuals

Unleashing their third studio release “Unearthly Will” in 2023 and 2024 single / video ​”Morningstar”​, Regina, Canada’s symphonic death metal outfit Augurium returns with their first taste of new music in 2025 for fans in the lead up to their opening support for progressive death masters and hometown heroes Into Eternity on May 17th. (details below).

Fans of the band are in for a positive surprise. It’s still the same Augurium they’ve been listening to since Unearthly Will, but this song taps into a more emotional side.

“For us as a band, it represents a sort of new Augurium, still within the same style we’ve been playing since 2021, yet naturally evolving. The goal was to create a dramatic listening experience—almost like the progression of a film. There are highs and lows, emotionally driven sections, movements that depict scenes in a hero’s journey, and crushing, deafening moments. This is the first half of a sonic saga portraying the struggle between opposing forces,” adds guitarist Cejay Carnochan.

Entitled “Faith & Death Pt. I.”, the track is the first chapter of an epic two-part symphonic death metal series. The song is rooted in the mythological hero’s journey, using Tolkien-like storytelling to explore the duality of good and evil, which resonates in its artwork created by Mark Erskine, who also did Augurium’s Unearthly Will cover art.

“‘Faith and Death Pt. I’ is themed around The Lord of the Rings. Part one speaks to the side of evil. This track was written from the perspective of Mordor’s legions. Moreover, it touches on the eternal struggle of light and dark and how both cannot survive without the other. A shadow cannot exist without the light. Death—the only thing certain for all mortals. If neither side can agree on which god to worship, which philosophy to follow, or what is right and wrong, one thing is undeniably and indiscriminately certain: death,”

Recommended for fans of Shadow of Intent, Septicflesh, and Mental Cruelty.

0 EPK – KRATORNAS – God of the Tribes (2025) (Grathila Records)

  • May 22, 2025
  • by Asher
  • · EPKs · Kratornas

EPK – KRATORNAS – God of the Tribes (2025) (Grathila Records)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I don’t know… If they’re expecting another “superfast brutality” or “sudden excitement,” this album will alienate most of them. Look, Kratornas is done. I’m retired, and I’ve been doing “fast” for the first 15 years, so it’s time to “evolve” and do whatever I want with it now. On this album, I did use instruments that were new to me, like a 7-string guitar for L/R channels, a 6-string fretless bass, and more. It will disappoint them because this one is NOT “fast”, no blast beats, no power chords, no distorted fizzy guitars, all that stuff will not be heard here.

It’s about “BUILD UP” this time. If listened to loud, it’s ENERGY, motivation, and aggressive behavior. If you sit down and listen to, with good headphones, it will bring out a different “experience” because the mix is “moving and breathing” if that makes sense. Kratornas is created by an active person for another active person. It’s not meant to be “experienced” by some lethargic, depressed “dude” with “mental health” issues looking to experience some… “atmosphere”. Kratornas drives “function”: working out, contribute to community, train, fuck some women, etc. I don’t get this “suicidal metal” experience. Never that I encouraged the “fans” to slump inside, watch TV all day, and eat Cheerios. NO! We sleep when we’re dead! If you’re a hyper person, then Kratornas is your jam!” – Kratornas

For fans of Celtic Frost, Suffocation, Cro-Mags, Discharge, Immolation, Mortuary Drape, Varathron, Argentum , ENDVRA, Merzbow, Enigma

Band: Kratornas
Album Title: God of the Tribes
Release Date: August 22, 2025
Label: Grathila Records

Kratornas.com | Facebook.com/officialkratornas | Youtube.com/@KRATORNAS 

Kratornas.bandcamp.com | Spotify| Apple Music

“Kratornas has returned and have taken large steps in progression with their musical maelstrom of violence.” – Canadian Assault (2017 – Human Livestock 7″ EP)

“What’s even better is that the music doesn’t just move in the sense that a rocket moves. The songs are more than sheer exultations in the thrill of speed and violence. They also change course. They veer into hammering grooves; they bolt into bursts of blood-pumping thrash riffing; they pulse like some kind of laser weapon being triggered. Yes, the songs are often deranged — when Kratornas is in full grind mode, you can imagine oceans of blood spray ejected from a fire hose and bodies being atomized in a frenzied butchery — but there’s impressive intricacy and dynamism in the songs, as well as jaw-dropping technical skill and manifest blood lust.” – No Clean Singing (2016 – Devoured by Damnation LP)

“If you like chaotic, blasting Black Metal, then this is a good bet.” (2016 – Devoured by Damnation LP)

“This album is intense. From start to finish Kratornas is absolutely relentless and have put together one hell of an album with a whole lot of everything in the mix without sounding repetitive.” – Metal At The Gates (2016 – Devoured by Damnation LP)

“While its – drum and guitar/voice – format might suggest similarities with the Inquisition, in sound terms are two quite distinct entities. Here there is a greater degree of chaos and a greater departure from the traditional scene (second wave of black metal) than the one we can find ourselves in Inquisition. Basically it is what would happen if we join powerviolence with black metal. It is something that impresses, without a doubt, but that may have a tendency to tire. Fortunately this does not happen much here because all the themes end up having healthy dynamics, mainly a healthy rib of primitive death metal ( plus an element to join the party) and mainly a solo guitar taken from the breca that looks like a bouncing diabolite. Awesome and surprising album.” – World of Metal Mag (2016 – Devoured by Damnation LP)

 

(Explicit Album Cover)
(Non-Explicit Album Cover)
Band: Kratornas
Album Title: God of the Tribes
Release Date: August 22, 2025
Label: Grathila Records
Track Listing:
1. Cursed Sky Serpent (15:00)
2. Evil and Plunder (3:00)
3. Ravaged by Hurakaan (7:00)
4. Novena para Guerra (11:00) 
Album Recording Credits:
• All songs performed by: Bruno Zamora
• All songs written by: Bruno Zamora
• Produced by: Bruno Zamora
• Mixed by: Bruno Zamora
• Mastered by: Dan Swano
• Album Artwork by: Genoicide Artwork
Album Band Line Up:
Bruno Zamora – All instruments, Vocals and Chants
===================================================

About The Album Artwork:

There’s a “slipcase” to conceal the album artwork. It explicitly depicts what is happening now. I call it “comforting” to look at, but anyone can have their own way of “describing” it.

About The Album Artwork:

There’s a “slipcase” to conceal the album artwork. It explicitly depicts what is happening now. I call it “comforting” to look at, but anyone can have their own way of “describing” it.

About the album as a whole (LYRICALLY & MUSICALLY):

Lyrics are thick with metaphors and open to many interpretations. Musically, this album is unlike the usual Kratornas. Anyone expecting it to sound like early Kratornas will be disappointed. It’s all about build-up this time. There are no sudden loud bangs or sudden excitement.

I have the “gears” now and this brings no limitations. It’s time to move forward, and since I can do whatever I want now, I can say this album is the most natural and most honest album I’ve ever done. It’s the start…

Track by Track (LYRICALLY & MUSICALLY):

1. CURSED SKY SERPENT – The world is in ruins, destroyed by massive natural disasters and man-made weapons. Depicts rain of fire, a flood of blood from an ocean of dead bodies, tornadoes, and lava wiping everything out. The “Sky Serpent” (or Green Comet) is an ancient god returning to end humanity. The lyrics mix old myths with modern “doomsday visions”; f.ex “Heeding the prophecy, Beasts from the sea” were how ancient prophets described visions of the future, unable to recognize aircraft carriers, submarines, and destroyers. What they called “beasts” were just modern machines of death.

2. EVIL AND PLUNDER – This is about the world falling apart. Endless creeping of war and violence. “Demons” rise, plague spreads, and the idea of peace is non-existent. The lyrics talk about secret societies and symbols of ownership hidden in plain sight, with people turned into slaves (as seen on the album cover). It shows a world ruled by pure greed and cruelty, where religion and authority become tools for mass murder, and no one is spared from the coming slaughter.

3. RAVAGED BY HURAKAAN – Describing the world being torn apart on purpose by “hidden rulers” who want to create a new order. Once again depicting war, man-made plague, and economic collapse wiping out humanity. The lyrics paint images of burning nations, bodies dragged to boiling waters, and people hunted like animals. It’s meant to show there’s no hope or salvation but only destruction planned by the higher-ups, leading to chaos and death everywhere. Killing yourself is not an option, it’s a reward!

4. NOVENA PARA GUERRA – This song is a twisted prayer calling for war, ending in a nuclear strike. It depicts deluge, drought, poisoned waters, and suffocating heat waves killing everyone. The chanting dance fertilizing the ground by blood, and singing at the end, makes it known that humanity is worshipping violence, not peace. Visualizes dark decades of dust (fallout), mountains of corpses, and endless battlefields. The message here is: There’s nowhere to run! No Hope! No Life! I HOPE YOU DIE!!

=================================================

FUN FACTS – STORY ANGLES:

1. The album features some unusual instruments, but one remains completely unidentifiable. After it was recorded and warped beyond recognition, I can’t fully explain what it sounds like anymore.

2. Seven-string guitars were used for both left and right channels, each playing differently but locking together as one. 6-string fretless bass – channels raw tribal energy, while the drums pulsing African polyrhythms, pushing everything forward. Layered in the background are some “ominous” keyboards, chimes, and a jaw harp. Expect NO to lesser blastbeats!

3. To create unpredictable riffs, I bought a cheap left-handed guitar, even though I’m right-handed, forcing myself to play completely differently. The riffs were then transcribed back for a regular right-handed guitar, making them sound completely unnatural yet intentional.

4. Bruno Zamora was one of the young drummers at tribal festivals, performing six hours under the sun at each annual event for three years. Encounters with indigenous buskers and their improvised instruments added another layer of influence. Unlike many “tribal” on metal, this album draws from firsthand experience rather than just aesthetics.

5. Sustained guitar sounds remained in the album because the notes rang out for a really long time!

extreme metal entity Kratornas has unveiled the official artwork for the highly anticipated full-length album “God of the Tribes” (mastered by Dan Swanö (Edge of Sanity)) set for release on August 22nd, 2025, through Grathila Records. In a dramatic departure from previous works, “God of the Tribes” represents a significant shift in Kratornas‘ approach. The mastermind behind the project explains:

“This album marks a turning point for KRATORNAS. Not because it tries to be “different” but because it couldn’t have come out any other way. Every part of this release came together naturally. The sound, the pacing, the tension… it wrote itself, shaped by instinct and intention. This album is unlike the usual Kratornas so to anyone expecting it to sound like “early Kratornas” will be disappointed.”

The striking album artwork perfectly complements the thematic elements of the record, which draws heavily from apocalyptic imagery and ritualistic concepts. Along with the artwork reveal, Kratornas has released an album teaser, giving fans their first glimpse into the sonic evolution that defines “God of the Tribes”.

Kratornas, formed in 1995, stands as the pioneering one-man extreme metal act originally from the Philippines and now based in Saskatoon, Canada. With roots tracing back to the underground tape trading scene of the late 1980s, Kratornas has forged its own path through extreme metal, evolving from its early Satanic themes to apocalyptic visions and now to a more nuanced, ritualistic approach with this upcoming release that is recommended for fans of all sorts of black metal.

Discography:
2025 – God of the Tribes LP
2025 – Ravaged by Hurakaan 7″ EP
2021 – Age of Wounds LP (remastered)
2020 – Pestilence EP (cassette)
2017 – Human Livestock 7″ EP
2016 – Devoured by Damnation LP

0 EPK – Moniker – Hindsight (single) (2025)

  • May 21, 2025
  • by Asher
  • · EPKs · Moniker

EPK – Moniker – Hindsight (single) (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Instagram.com/monikerband | Youtube.com/@MonikerVancouver 

Digital Single – https://distrokid.com/hyperfollow/moniker7/hindsight 

““Hindsight” embraces the eccentricities of the genre (prog) without getting too caught up in sludge or showmanship. It’s a melodic track that blends, blurs, and bristles, mourning the ever-flowing march of time with a clear-eyed sense of what prog needs to matter now.” – Georgia Straight – Van Jams: New Vancouver music from June 2025

Band: Moniker
Single: Hindsight
Release Date: June 6, 2025
Label: Self-Release
Length 5:52
 
Single Credits
Song Written by Moniker
Produced By: Jade Weekes
Mixed By: Jade Weekes
Mastered By: Railtown Mastering
MAPL – Music is Canadian Content

Band Lineup:
Jonny – Vocals
Ray – Guitar
Jade – Guitar
Alaric – Bass
Dylon – Drums

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FUN FACTS:

1) The band was started just to enter a Battle of the Bands competition

2) The first show we drew a considerable crowd by just the demos on our Myspace.

3) We played that first show with three guitarists and two vocalists on a stage that could barely fit the drums

4) We had a fan from Belgium, travelling to Vancouver for a trip, saw a poster for a show, and ran to see us that night. Entering after our second song and running right to the front and headbanging for the entire set. Afterwards, we thanked him, but he barely spoke any English, and he got a shirt and left with a smile on his face.

5) We encouraged a local bar to put on live music and became the house band for a few weeks, and their booze sales skyrocketed, and they thanked us with a tray full of 12 vodka shots right before our set.

6) one night we had someone breakdancing in the crowd and our singer Jonny (used to be a hiphop rapper), jumped from the stage and they had a whole breakdancing battle in the middle of a mosh pit.

7) Our songs were recorded in an old studio where Nickelback originally did their demos.

Brewed in a basement suite fueled by the lust for bringing their hometown of Vancouver, BC, something it’s never heard of before, the members of progressive collective Moniker, whom all met as students while attending Audio Engineering school, returns with its next taste of new music, “Hindsight” to follow single ​”From The Grave”​ released March 31st of this year and their first self-titled full-length unleashed back in 2021.

“You normally had either brutal death metal or indie rock. Bringing melodic progressive metal to this city was our goal, and we are back to finish it,” adds the band.

Before the digital single for “Hindsight” is officially available on June 6th, 2025, on all platforms, the progressive quintet is unveiling its music video that can be viewed below.

The band comments on the track:

“To those who know us, it will be just as everyone expects, for those who don’t know us, prepare for the unexpected. This single gives a balance between clean melodies and delay-saturated guitar licks, all the way to soul-crushing riffs with gut-wrenching screams. Time flows on and on, whether we want it to or not. Our vision may be clouded, but hindsight is 20/20.”

With its melodic sense, progressive and sizzling heavy riffs, and soaring vocals, Moniker is recommended for fans of Tool, Deftones, Trivium, Leprous, and Killswitch Engage. 

Disography
2011 – Full Length Release – Moniker – Only released with physical copies

Shared the stage with bands such as Iron Kingdom,Quartered, Lungflower, Deathmatch Union, One Life Animal, Kill Matilda, and many more

Tours and Festivals
2010 BC Tour
2010 – Vancity Music Showcase
2010 – The Fox Seeds

0 EPK – Night’s Edge – The World That Never Was (2025)

  • May 20, 2025
  • by Asher
  • · EPKs · Night's Edge

EPK – Night’s Edge – The World That Never Was (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Coheed and Cambria, Avantasia, System of a Down, HIM, Deftones

Nightsedgeband.com | Facebook.com/nightsedgeband | Instagram.com/nights_edge_band |

Youtube.com/nightsedgeband

Nightsedge.bandcamp.com | Spotify | Apple Music

Upcoming Show Dates:​
06/07 – Granny’s – Winchester, VA
06/28 – Cafe 611 – Frederick, MD
07/11 – Union Vapes – Scranton, PA
07/12 – Psychic Garden – Rochester, NY
07/18 – The Depot – Baltimore, MD
07/19 – Century – Philadelphia, PA
08/23 – Roachfest – Hollywood, MD

““Smite” offers a taste of the band’s ever-evolving sound, merging gothic, progressive, and nu metal influences.” – Metal Insider
​
“You’re going for a ride today with the premiere of the music video for “Love Fiction,” the latest single from Night’s Edge. A cool visual accompaniment, the premise of the video, a sped-up night drive of the city and the freeway, complements the song’s intensity well. The single is from the band’s latest record, The World That Never Was. Featuring eleven new tracks, the album is set to be released on August 21st. “Love Fiction” is an introduction to this era of Night’s Edge, their third full-length since first emerging in 2018. The song is a profound reflection on depression and mental health. It romanticizes depression, likening it to a partner who is always there for someone as if the condition itself has become a security blanket.” – V13
​
“Night’s Edge is a dynamic three-piece pushing the boundaries of alternative metal with a sound that straddles gothic melodrama, modern heaviness, and synth-drenched theatrics…. a collection of tracks that fuse headbanging weight with danceable grooves, rich atmospherics, and introspective lyricism. With influences ranging from HIM, System of a Down, Deftones, to Coheed and Cambria, Night’s Edge has carved a uniquely immersive and cinematic sound that evokes both the personal and the fantastical.” – Crannk
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“The best part was how they fused a heavy sense of emotion in the music. You can hear it, and feel it, and they don’t hold back.” – Metal Temple

[Download Album Cover | Download Album Lyrics]

Band: Night’s Edge
Album Title: The World That Never Was
Release Date: August 21, 2025
Label: Self-Release – Unsigned / Independent
Distribution: CDBaby

Track Listing:
1. Someone To Stay (4:11)
2. If You Loved Me (3:51)
3. Man of Many Faces (4:23)
4. Love Fiction (4:14)
5. Wish You Wouldn’t (4:09)
6. Overdue For Destruction (2:50)
7. Smite (3:46)
8. Ataecina (5:08)
9. Shapes In Grey Space I: Reaching (7:43)
10. Shapes In Grey Space II: Soaring (2:41)
11. Shapes In Grey Space III: Separating (5:23)
Total Length: 48:32

Album Credits:
All songs performed, written, produced, and mixed by Night’s Edge
Mastered by Mat Leffler-Schulman
Album Artwork by Eden Wormwood
Member of BMI

Recording and Live Line Up:
Brian Haran – Vocals, Bass, Keys, Programming
Damian Remmell – Guitars
Dan Hunt – Drums

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About The Album Artwork:

The album art depicts a person falling into space as they lose their connection to reality and turn into a disconnected ghostly form.  This evaporation into an astral form is a metaphor for the loss of self-identity.

About the album as a whole (LYRICALLY & MUSICALLY):

LYRICS: The World That Never Was is an exploration of the loss of self-identity into various voids including obsession, rage, and uncertainty.  The final three songs on the album detail a parable where the protagonist awakes in a world suddenly devoid of people and must face their own self in the absence of anyone else, or so it may seem.

MUSICALLY: The World That Never Was is packed with different elements of rock and metal combined with the distinct Night’s Edge sound.  Fans of alternative metal, symphonic metal, and even pop punk will have something to enjoy from this album.

Track by Track (LYRICALLY & MUSICALLY):

1. Someone to Stay: MUSIC:  Ripping guitar leads to start off the album. This song touches a little bit on a lot of the Night’s Edge sound and sets up the listener for what’s to come.  LYRICS: This song sets the stage for the album, exploring the loss of self-identity and the desire to fill it with whatever vice or influence is available.

2. If You Loved Me: MUSIC: Classic 80’s inspired rocker with soaring vocals, a ripping solo, and a bridge section that delivers the gothic doom and gloom Night’s Edge is known for. LYRICS: The Song describes losing oneself in a toxic relationship and the feeling of helplessness when your partner’s self-destruction leads to your own.  Lyrics change point of view between the victim (verse) and the abuser (chorus).

3. Man of Many Faces: MUSIC: Heavy at the start with a pop-punk clap and “Woah” chorus, the song shifts attitudes throughout, matching the LYRICS about hiding behind disposable facades for different occasions before a moment of honesty in the song’s conclusion of wanting to be seen and needed for one’s true self.

4. Love Fiction: MUSIC: Conceptualized as a mix between Deftones alt metal, synthwave, and lo-fi beats, Love Fiction’s wave of music floods the listener in the swell of bouncing rhythms while the vocals take center-stage, delivering complex emotions. LYRICS: A romanticization of depression, viewing one’s mental illness as a safe and secure lover who is there with them through everything, who will never leave, and who one can always return to.

5. Wish You Wouldn’t: MUSIC: An 80’s bop, this is a song to get people dancing and forgetting about all of the melancholy the previous tracks just dug up.  LYRICS: Sike, this is a song for dancing alone, with lyrics describing the inability to relate and connect to others, specifically in being unable to verbalize how you feel, and the frustration felt when others ask what is wrong when one cannot comprehend it themself.

6. Overdue For Destruction: MUSIC: Back to the System of a Down influenced industrial alt-metal with bouncing riffs and an in-your-face chorus.  LYRICS: The Song describes self-destruction and realizing that many of our problems are a product of our own id.

7. Smite: MUSIC: A sinister mid-tempo crusher, Smite is as headbangable as it is danceable. With unpredictable changes, Latin Choirs, and soaring synths, Smite is an invitation to the Night’s Edge cult. LYRICS: The Song describes the desire to be erased by God.

8. Ataecina: MUSIC: A classic Night’s Edge gothy, doomy waltz.  Melodramatic, romantic, and powerful – this song is deeply influenced by Type O Negative. LYRICS: Ataecina is about romantic obsession, specifically from the point of view of a worshipper to their deity.  An unhealthy desire for one’s goddess that consumes all sense of self.

9. Songs In Grey Space I: Reaching: MUSIC:  Coming in at 7:43, Reaching is the longest Night’s Edge song ever written, and the prog rock centerpiece of the album. After the emotional density of Ataecina, the first hit of Reaching is refreshing, and is the first step down a three-song journey of searching for meaning and purpose in an empty world.  LYRICS:  Reaching is the first of three songs telling a parable of a person who wakes up in a world where every other person is suddenly missing.  Despite this, our protagonist feels as if they are being watched by a million eyes. How do you fill the spaces of your identity when there is no one else around and no relationships to define you?

10. Song In Grey Space II: Soaring: Music: Balls out alternative metal, a two and a half minute in-your-face anthem that doesn’t let up.  The perfect refresher after reaching.  LYRICS:  In their empty world, our protagonist challenges the universe, God, or whoever, and is answered.  They were not ready for the response.

11. Songs In Grey Space III: Separating: MUSIC: A haunting keys track leads into a driving, straightforward metal song to close out the album and the three-song suite. It has elements of melodeath, such as harsh vocals and screams, guitar harmonies, breakdowns, and intense drumming that serve to create a song that grabs your attention and doesn’t let go until the album ends. LYRICS: In the conclusion to the three-song suite, the protagonist has realized through their journey that the feeling of not fitting is a shared human experience; it is inescapable. The protagonists take this idea to unhealthy extremes, believing that the universe is made up of only two things: you, the individual, and everything else.

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Fun Facts – Story Angles:

1) “Girl Friend Metal” – Our fans in the Baltimore scene refer to us as Girl Friend Metal, a tag that is starting to stick.

2) “Warning Partial Nudity” – During live shows, Damian has a habit of ripping his pants off and revealing themed booty shorts underneath, and the crowd usually demands Brian take his shirt off.

3) “Eclectic Covers”- We have put out unique covers of “Nights in White Satin” by The Moody Blues, “Touch of Evil” by Judas Priest, “Cry Little Sister” from The Lost Boys Soundtrack, and most recently, “Change in the House of Flies” by Deftones.  We always change the originals dramatically into a new, mutated Night’s Edge form.

4) Glow Boi Era- Prior to 2023, a major part of the Night’s Edge live show was bringing black lights and fluorescent glow paint for the band members and audiences. While we did have fun with this gimmick back in the day, we collectively decided around mid-2022 that it was time to retire the glow paint.

5) Brian, Damian, and Dan have known each other in the music scene since 2016. Dan joined Night’s Edge back in 2019, and Damian joined up in 2023, so we had all developed solid friendships as fans of local metal and each other’s bands prior to playing music together.

Three albums, an EP, and more shows than the band can keep track of – Night’s Edge has been grinding since 2018, sharpening their craft on the stage and in the studio.  Steadily building a following online and in the crowd.  Developing a sound that is inimitably their own.

And now it is time for their newest album “The World that Never Was” to step out from its cradle.  Lead single “If You Loved Me” is a driving, hard rocker with 80’s atmosphere, gothic excess, and bitter, bitter lyrics detailing a rollercoaster relationship.  Dropped on March 27th, the song is just a taste of the songwriting prowess and incisive lyrics that the album is built upon.  

Night’s Edge believes in creating music that has a purpose.  There is no copy-catting of other artists, or following trends here – even the band’s select cover tunes turn the originals on their heads.  This is music that you can’t get anywhere else, that has something to say, that is unique and exciting while still feeling familiar – like a friend finishing your sentences when you run out of words.

Despite falling somewhere under the umbrella of Alternative Metal, Night’s Edge’s sound is hard to pin down.  Incorporating influences from gothic metal, progressive rock, and nu metal, the band’s music is equal parts heavy and poppy, soaked in synthesizers and drama.  Lyrics breach topics including isolation, dissociation, and  the romantic, approaching themes common to the human experience from a cerebral angle that complements the band’s emotionally evocative music.

Night’s Edge has performed throughout the Mid-Atlantic from Richmond to Boston at dive bars, festivals, concert halls, record stores, and convention centers – the band has grinded everywhere.  As Baltimore natives, Night’s Edge has thrilled the stage at venues including Soundstage, Angels Rock Bar, and the Ottobar, and has had multiple festival appearances including Shadow Woods, Fang Around, and Party Like its 793.  This is a band that gets on stage and rocks.  There is no standing around, there is no staring at the floor.  This is a f*cking rock band, and the Night’s Edge live show leaves no doubt about that.

Recording and Live Line Up:
Brian Haran – Vocals, Bass, Keys, Programming
Damian Remmell – Guitars
Dan Hunt – Drums

Discography:
2025 – The World That Never Was – LP
2023 – Strangers – LP
2022 – Night’s Edge 2022 – EP
2020 – The Darkest Side of Dreams – LP
2019 – Shades of Dusk – LP

Shared Stage with: Visions of Atlantis, The Birthday Massacre, Julien – K, A Sound of Thunder, Osi and the Jupiter

Tours and Festivals:
2024 – Party Like it’s 793 at Brimming Horn – Milton DE
2024 – Fang Around – York PA
2024 – Maryland Day – Baltimore MD
2021 – Shadow Woods – Monkton MD

0 EPK – LOVER – Fatal Attraction (EP)

  • May 20, 2025
  • by Asher
  • · EPKs · Lover

EPK – LOVER – Fatal Attraction (EP)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“High energy, vocal harmonies, guitar harmonies, pounding drums. We deliver a full Rock n’ Roll experience. We only had a few songs ready at the time of this recording, so we all decided on our best 2 songs. We have been diligently writing and have more than enough material for a full-length record. We are starting to write a 2nd record already. Most songs are demoed. We are hoping to get some help with the costs of recording our first full-length record.” – Lover

For fans of Scorpions, Riot, Wasp, Judas Priest, Van Halen, Thin Lizzy

Band: Lover
EP Title: Fatal Attraction
Release Dates: Digital – November 15, 2024 | Cassette – June 20, 2025
Label: Self-Release

All Links: https://linktr.ee/loverrock

Facebook.com/loverrockofficial | Instagram.com/loverrockofficial | Youtube.com/@loverrockofficial

Loverrockofficial.bandcamp.com | Spotify

“The next EP that I am mentioning, this is probably one of my all-time favorite bands right now. The band is called Lover and they are from Calgary, and the EP is called Fatal Attraction, that is my number one EP of this year, these two songs are absolutely heavy rock and roll slingers, and you’ve got to check that out.” – Banger TV – Connor Babin – Top EP of 2024

[Download EP Cover | Download EP Lyrics]

Band: Lover
EP title: Fatal Attraction
Release Dates: Digital – November 15, 2024 | Cassette – June 20, 2025
Label: Self-Release

Track Listing:
1- Fatal Attraction – 4:46
2- Bad Love – 5:45

EP Recording Credits:
All songs performed by: Lover
All songs written by: Hunter Raymond, Aidan Desmarais
Composed by: Aidan Desmarais
Produced by: Lover
Mixed By: Aidan Desmarais
Mastered by: Aidan Desmarais
Album artwork: Aidan Desmarais – Logo: Alix Au
SOCAN Member
Canadian Content: Yes

EP and Live Lineup:
Aidan Desmarais – lead vocals, guitar
Hunter Raymond – drums, vocals
Jacob Chase – bass guitar –
Christopher LoNigro – guitar

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About The Album Artwork

The lips are original, our bass player Jacob kept getting kisses from a cutie, so he got her to kiss a Napkin. Aidan then worked some magic on it and the artwork was born. Our friend Alix did a stellar job with designing our logo.

Describe the album as a whole (LYRICALLY & MUSICALLY):

It’s fast, it’s real, and it’s going to kick you in the face! For real though, we used our real life experiences of love, hardship and lust to tell a story, and it just happens to be set to the tune of high energy rock n roll.

Track by Track (LYRICALLY & MUSICALLY):

1. Fatal Attraction: It is an energetic rush of sound that captures the ups and downs of being overwhelmed by desire. The lyrics feed this feeling by talking about lust and substance abuse.

2. Bad Love: Lyrically, a tough and mean reality check. A true story of love gone wrong. Aggressive riffs mean solos; the song captures the strain of a mind in love and turmoil.

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Fun Facts:

1. Both tracks were part of the original 6 demos Aidan had made.

2: We recorded the bed tracks for EP Live off the floor; they are both one full take. Aidan set up our jam space like a studio and did all the recording and mixing/and mastering himself.

3: The lips on the cover are the real lips of a woman who was involved with our bass player.

4: The song “Bad Love” was written about an actual X lover of Hunter

5: The name Lover was coined by “Cale Savy” from Riot City

L- R – Aidan Desmarais – Lead vocals, Guitars – Chris LoNigro – Guitars – Hunter Raymond – Drums, Vocals – Jacob Chase – Bass

Photo Credit: Hunter Raymond (self-timer)

From Calgary, AB, Canada, your time capsule back to when rock n roll ruled supreme, LOVER. A high intensity, no filler Rock Band attacking with soaring vocal harmonies, electrifying solos, and a thunderous, unrelenting rhythm section. Formed in Feb 2024, LOVER has been steadily writing and has since Digitally released their first 2-song EP titled “Fatal Attraction” on Nov 15, 2024. LOVER’s debut EP is only the beginning for the band, and their debut LP is currently in the works.

Discography:
2024 – Fatal Attraction – Demo/EP

Shared Stage with: Bison, La Chinga, Fever Dog, The Getmines, Tower Hill

Festivals: 2025 -The Electric Highway festival, Calgary AB

0 EPK – Harvested – Dysthymia (2025)

  • May 13, 2025
  • by Asher
  • · EPKs · Harvested

EPK – Harvested – Dysthymia (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This album is an evolution of the band’s sound and showcases our musical abilities more than what we presented with the 2022 EP debut. We kept the lyrical theme consistent and touched on the “brutal” realities of mental illness without emphasizing senseless gore as much. It’s a level up in production, songwriting, and musical prowess, so this album will be what Harvested is all about. Heavy, aggressive, in-your-face experience; riffs that hook and engage the listener and keep them wanting more. Lyrically, we wanted to maintain the brutality but with a psychological aspect to it as opposed to exclusively encompassing gore. – Harvested

Band Name: Harvested
Album Title: Dysthymia
Release Date: August 1, 2025
Label: Self-Release

For fans of Cannibal Corpse, Suffocation, Dying Fetus, Cattle Decapitation, Decapitated

Facebook.com/harvested666 | Instagram.com/harvestedband | Youtube.com/@harvested8600

Harvested.bandcamp.com | Spotify | Apple Music

“Canadian death metal band Harvested announce their new album Dysthymia, out August 1. The record will be their first release since their 2022 demo and blends technical, brutal and old-school death metal into a sound all their own.” – Decibel Magazine

“Your muscles are about to reflexively twitch, your head is about to hammer, your pulse is about to accelerate. Audio worms will slither into your ear canals and take up residence there. Some of your cranial neurons may start spinning, creating visions of fast devils and hulking monsters. Those are our predictions of what will happen when you see and hear the playthrough video we’re premiering for the song “Synaptic Confusion” by the Ottawa-based death metal band Harvested. It’s an excellent way to rev up your own motor as Harvested rev up theirs.” – No Clean Singing

“Being a old school metalhead it is quite refreshing to know there are bands like HARVESTED keeping the old school metal torch alive and well. HARVESTED have crafted a record that balances technical proficiency with emotional weight, never straying into sterile territory. Each track has purpose, structure, and venom. This is death metal that bleeds, breathes, and still bites. Absolute Masterpiece/ 10/10” – Metal-Temple

“Dysthymia is an impressive first full-length effort for Harvested. It’s absolutely brutal and groovy in it’s more ’90s death metal approach, but they give it a modern coating of paint that makes it feel more relevant and weaves in some intricacy for the tech-fiends without losing sight that it’s still an aggressive death metal album. There’s something for pretty much anyone who likes extreme music here. A very promising future for these guys.” – Dead Rhetoric

“Lyrically poignant, brutally heavy, and bursting with engagingly twisted, hook-filled instrumentation, Dysthymia is a helluva debut, and one Harvested should be proud of. As poetically as I have waxed, I still believe there’s room for Harvested to grow. God help those who might lay their ears on a sophomore effort from this line-up, should they remain intact. Rest assured, I’ll definitely be watching and waiting. For now, however, I wholeheartedly recommend you spend some long-lasting, quality time with Dysthymia.” – Angry Metal Guy

“If you had the chance to see their video of ‘Harvested’ before the album release, you would be able to see how brutal and technical they sound. Harvested knows how to hit you like a punch in your chest, from their first riffs. By the way, riffs are something that you won’t miss here. Mitchi Dimitriadis and Vitto Oh are responsible machine-gun-like guitar picks. The drum sound also hits you with all blasts, and thankfully it’s not that digitalized soulless recording style that a lot of bands fall into now. It carries good organic production qualities, in good measure. My honourable congratulations also go to all the effort the bassist Eric Forget has made to keep his bass present among all the heaviness of the other instruments, and through the complexity of playing his own parts. The vocalist Adam Semler completes the team with good vocal lines… As always, Heavy Metal Canadian bands never disappoint us! And Harvested is one more band to honour its Heavy Metal scene with this incredible album, “Dysthymia”.8.5/10″ – Ever -Metal

“If you’re into relentless death metal in the vein of CANNIBAL CORPSE and DYING FETUS, HARVESTED from Ontario could be your favorite new band. These guys have churned forth a classic of brutality with “Dysthymia”. The sound is just as clear and professional as those bands and HARVESTED deal crushing riffs and transitions with appalling intensity. One of the best things about this album, which separates it from a lot of “brutal” efforts, is that the songs are easily distinguishable and don’t melt together in a faceless mush.” – Wormwood Chronicles

“Following a demo released in 2022, Dysthymia represents a true validation of the potential of this group from Ottawa (Ontario, Canada), which deserves special attention. Combining brutal death metal with ‘old school’ influences, the quartet brilliantly demonstrates that their music will resonate with crowds during their concerts… With titles like ‘Repressed Neurosis’, ‘Unending Madness’, ‘Designed Dilemma’, ‘Gathered And Deluded’, ‘Unanchored’, or ‘The Infestation’, Harvested sets the tone! The album was produced by the band itself with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound that remains rooted in the fundamental elements of death metal.” – Metallian

“Harvested Delivers 50 Shades of Vicious on ‘Dysthymia’… Dysthymia is one of the year’s best metal records.”-The Rock Father

“If you like brutal death metal with technical elements, this is a great album.” – ZwareMetalen

“HARVESTED deliver flawless death metal with technical sophistication, powerful riffs, gripping vocals and brutal energy.” – MetalUnderground.at 

“HARVESTED debut with “Dysthemia”, nine cuts of technical Death Metal, brutal and uncompromising. Influences from CANNIBAL CORPSE, SUFFOCATION and DECAPITATED are mixed with fast riffs, heavy rhythms and impeccable instrumental execution. An aggressive and wild album that gives no respite. 8/10″ – Necromance Magazine

“HARVESTED come swinging out of Ottawa’s underground with DYSTHYMIA, a death metal record that treats mental illness like a battlefield and riffs like blunt weapons. Their new bass playthrough for “Gathered and Deluded” puts Eric Forget right in the crosshairs — fingers blazing, tone snarling through a wall of blast beats and jagged guitars. It’s under three minutes but feels like a panic attack chewing through its restraints. No triggered sterility, no soft edges — just muscular, old-school brutality sharpened with technical spite. If CANNIBAL CORPSE, DECAPITATED, and DYING FETUS built a pressure cooker in a locked room, HARVESTED are the sound of what claws its way out.” – IDIOTEQ

“Harvested channel the struggles of mental illness within the seedy confines of death metal on their debut album, Dysthymia. The group doesn’t skimp on the gorier details, like the depictions of torture on opener “Harvested,” but much of the lyrical prose isn’t that graphic. It takes the views of mental illness from not only a personal perspective, but globally as well. Their death metal has nods to the classics like Cannibal Corpse and Suffocation, while adding a bit of technical bounce as they do on “Designed Dilemma.” Harvested does well with capturing the genre from every corner. Speed freaks will love “Gathered And Deluded,” those with some head banging in their hearts will get down to “Unending Madness” and “The Infestation” ends Dysthymia with a stark message.” – Heavy Music Headquarters

“After knocking the first three tracks out of the park like a home run into the stratosphere, “Synaptic Confusion” goes harder and faster during an opening onslaught second to none before getting menacing and sinister with a slower churn and burn. A violent delight with a catchy hook and a scream-a-long lyrical narrative in the chorus, its the kind of blunt force trauma that everyone can enjoy without a visit to the hospital. Maintaining the quality levels of both musicianship and song writing throughout the record seems like an impossibility of reason and yet its probably why this record took three years to complete because “Designed Dilemma” is another absolute beast. It’s like the band have taken your favourite Death Groove Thrash cut and adrenalized it by mainlining caffeine until their eyes pop out on stalks. The energy levels are as ridiculous as the poise and precision as the band conjure a Technical Death Metal tune of the highest order.” – Metal Noise

“The Ottawa, Canada-based death metal band’s full-length demo of 2025 does the job. As evidenced by the cover artwork and title – Dysthymia refers to a persistent depression – the theme here is mental illness. Songs like Repressed Neurosis, Unending Madness and Synaptic Confusion tell the tale. One thing remains steadfast: the band’s sound comes across as Cannibal Corpse meets Cryptopsy meets Suffocation. The lyrics mention “human waste” at one point. The aforementioned Synaptic Confusion is a highlight with a gigantic chord and a loud bass. Gathered And Deluded is another good one. It has nifty speed riffing. Designed Dilemma delivers a delicious solo. This is meat and potatoes death metal that is tight and accomplished… this is the type of release death metal fans would cherish.” – Metallian.com 

“It is brutal and in your face from start to finish… These guys know how to deliver a top class album.” – Project Metal Music

‘Dysthymia’ is a very solid album… fans of groovy technical death metal have a new act to keep an eye on.” – Musika

“Nine tracks, 32 minutes. But this album dives really deep into the mental illness and depression, along with the horrifying effects that it has on humanity. You know, it’s not your typical horror and gore-based death metal. This actually makes you think. It’s got some substance to it. And the opening track, Harvest, just grabs you by the throat right away. And it seemed like Adam Semler’s vocals are just more brutal than they ever have been. They’re just visceral. And I love the constant pace change that they have in this album. And the guitar tone is thicker. It’s crunchier. And guys, goes from a mid-tempo crunchy groove to a full-blown assault on the senses. So, with this album being a lean and mean 32 minutes, there’s no filler, and it’s all killer. It’s no wasted space. It’s not full of a bunch of, you know, bloated like intros and outros and things you just don’t need. You get three and a half minutes or so of crushing death metal, and just comes in and does it all over again for nine solid tracks.” – Furious Metal Youtube Reviews

““Dysthymia” is a compact and focused death metal release that balances aggression with detail. It shows a band that is tight in both concept and execution. There are no gimmicks or over-the-top theatrical elements—just well-structured, intense music with a consistent vision. Fans of fast, brutal death metal with a psychological edge will find this to be a strong release. Recommended for fans of Cannibal Corpse, Decapitated, Aborted, and Suffocation.” – Heavy Metal Darkness

“The atmosphere of the album is… unhealthy. It’s very inviting for headbanging. But be careful! There is a risk of pulling your neck.I forgive the Canadian band „Harvested“ 8 out of 10 Hellfire points.” – Hellfire Magazine

“Technical Death Done Right, with Grit and Groove… This is not just a video (Synaptic Confusion Playthrough). It’s a lesson in precision, aggression, and musical chemistry. From the first riff to the last blast beat, it’s clear these guys aren’t here to play games. They’re here to prove they belong in the same room as Cannibal Corpse , Cryptopsy , and Suffocation .” – Radio Papy Jeff

“Canadian technical death metal act Harvested has once again raised the bar for musicianship with the release of their “Synaptic Confusion” playthrough video. As anticipation builds for their upcoming full-length album Dysthymia, dropping August 1st, this video offers fans and industry pros an up-close look at the band’s intricate performance dynamics and creative evolution. Captured with precision and energy, the playthrough reinforces Harvested’s position at the forefront of modern death metal’s technical vanguard.” – See Rock Live


“
When it comes to songwriting, HARVESTED is on the right track and can easily face international competition with its official debut.” – PowerMetal.de

Press from 2022 Self-Titled EP:

MetalSucks – 10 Modern Canadian Death Metal Bands – “Ottawa’s Harvested present mental illness and the sometimes-deplorable actions resulting from it with their debut EP, Harvested. Harvested describe themselves as a modern death metal band with ‘90s and early ‘2000s influences, though what you’ll notice when listening is that Harvested are, probably due to the members’ prior history in the scene, skilled songwriters who don’t sacrifice catchiness for brutality. Songs like “Bludgeoned” skip the pleasantries and grab you by the nuts from the first second, though the torturous massage that follows is one you’ll be coming back to.” – MetalSucks

#11 – Harvested – Top 20 – August 2022 Loud Charts (Earshot)

#13 – Harvested – Top 20 – June 2022 Loud Charts (Earshot)

“From the first notes of first track ‘Apathetic’ you realize that these men are a serious bet to get a place in the death metal scene, with solid riffs and powerful rhythmic base, also melodic but not soft solo… I like this EP very much, it has all parts you need to listen to death metal: brutality, technical, good execution, guttural, screams, and growls, blast beats, double bass drums parts, virtuous parts and most important, good songs, it’s a sample of how to make everything fit correctly.” 4.5/5 – Brutalism

“There are very few things that are more exciting within the world of music than a good debut. A solid start for a band is something that should get every fan of the style of music the group plays jacked for what could hopefully be a long and fruitful career. Proficient debuts give you something to jam out to in the present but also hope for the future. Take my word for it, the self-titled debut EP from Ottawa-based Harvested (out May 7) is just that type of invigorating release.” – Metal Plague

“Thrashing guitars, blasting drums, and intense, chesty vocals start and end each track. Recording quality and production is good, allowing each of the instruments to cut through the mix… there is a tremendous amount of potential in this band, and I’d absolutely love to hear more from them. I certainly hope that in the coming years, the pace doesn’t slow or abate, as this EP ought to be on any tech-death fan’s radar for mid-2022.” – Metal Epidemic

“Each one of these cuts is something of a short, sharp shock at around the 210 second mark, while other bands could trim some fat and loose a chorus and verse, Harvested go straight for the jugular live and direct, leaving you wanting that extra chorus and verse which is testament to how good their debut really is. A clean and crisp high quality recording, if we were wine drinkers we would say it goes down like a glass of Chenin Blanc but chances are that if you had a glass in your hand, it would be smashed on the floor in your rush to get to the pit for this. ” – Metal Noise

“From the way closer ‘Bereavement’ comes to a thunderous close, you can just FEEL the energy of what is still to come. ‘Harvested’ is a good start, but I know this band have more in them and I look forward to what comes next. But if you need your head caved in for sixteen and a half minutes, Harvested can sort you right out.” – The Killchain Blog

“For a record that’s only fifteen minutes, the tracks on Harvested’s self-titled waste no time in establishing their barbarous quality. Among the style of tech, groove and dissonance, Harvested definitely went for the grooves! The members definitely know their roots and aren’t afraid to pay homage to them. The production quality has an old-school touch to it, which adds a raw vicious quality to the overall soundscape the band has painted. The abominable monstrosity that takes birth, mixed in with serious topics of Mental Illness accounts for a remorseless experience. While this might just be the starting point for Harvested, their self-titled EP establishes their grounds in the extreme realm of metal – all we can do now is wait and watch for what Harvested has to offer next! ” – Metal Genesis

“Five tracks in all with not a single entry which disappoints those who wish for their audio to incite movement. With quality like this on offer scouts should be scrambling over themselves in hopes to represent. I’m expecting future releases to propel the act to the lips of an excitable many.” – Cult Metal Flix

“Non-stop heaviness from start to finish. Every song has a different experience yet they all have memorable and catchy riffs that engage the listener” – Eric Morotti (Drummer of Suffocation)

[Download Album Cover | Harvested Dysthymia Lyrics]

Band Name: Harvested
Album Title: Dysthymia
Release Date: August 1, 2025
Label: Self-Release

Track Listing:
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55

Album Credits:
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions

Album Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums

========================================================

About The Album Artwork:

You see an individual from almost a psychedelic perspective. In great mental turmoil, the abstract visualization of the chaos that is the human brain. – Mitchi

The album as a whole (LYRICALLY & MUSICALLY):

Lyrically, we thought of exploring the topics of mental illness as a general theme. The drums have an old-school death metal feel with a modern touch, intricate yet very aggressive drum grooves. Dark Moon Productions did an awesome job providing us with the sound we were looking for, a modern production but rooted in the styles of the bands that founded this genre. Vocally, Adam’s technique and overall projection is a respectful nod to George Fisher from Cannibal Corpse.  Mitchi & Eric

Track by Track (LYRICALLY & MUSICALLY):

1. (Harvested) This is the track and represents what the band is about. The old-school death metal influences and the dark realities of mental illness put someone through a tortured experience

2. (Repressed Neurosis) This is the fastest song on our album, showcasing the technical and extreme prowess of the members behind the instruments. The song is about submitting to your “shadow self” and how it’s been bottled up for years.

3. (Unending Madness) This is a fun track combining the amalgamation of different styles we liked as a band. Ode to CC and Suffocation with a splash of technical death metal & groovy slams. It’s about inevitably falling into madness in a person’s lifetime.

4. (Synaptic Confusion) This is one of our groovier tracks that also really focuses on melody. This one grabs onto you from the beginning till the end. This track describes someone who can’t tell the difference between a dream and reality.

5. (Designed Dilemma) It is one of the more technical tracks on this album. Taking influences from bands like “The Zenith Passage” and “Soreption”. There are lots of goodies in the details. This song is about how a deranged mind can really fabricate adversaries.

6. (Gathered and Deluded) This is the Slamming death metal track of the album, with a slight touch of old-school and guitar influences from bands like “Cattle Decapitation”. This song describes the darker realities of cults and essentially creates a hive mind of the mentally deranged.

7. (Voice of the Void) Musically, this is the track that has a bunch of tempo changes. Showcasing how fast and chaotic we can be, but also how slow and heavy we like to get. Definitely one of our more old-school sounding tracks as a whole. The song paints a picture of someone who questions their thoughts and dissociates from their personality, which can lead to horrific outcomes.

8. (Unanchored) Contains influences from deathcore but molded into a death metal track. It is one of the more brutal tracks on this album. You’ll find a mix between fast and aggressive riffs to heavy breakdowns. The song touches on the greed and gluttony of the human experience, essentially abusing the earth as long as it serves them. We’d argue that it is a form of mental illness.

9 (The Infestation) The final track of the album, we saved one of our best for last. It has been influenced by the Cannibal Corpse and Deicide, among others. It’s also the longest track length in this release. The song describes mental illness on a more political scale and has an influence globally. Which direction is our world heading when being governed by psychopaths? It all pertains to mental illness at the end of the day, which is the recurring theme of this band’s lyrical approach.

==============================================

Fun Facts – Story Angles:

1. Right after an intense rehearsal, Mitchi bent over right behind a sweaty Jacob to unplug his electronics, thinking he was slick enough to get out of there in time. Little did he know that he was going to meet face to face with Jacob’s behind and make contact with it. His reaction to that event is among our favorite memories as a band, and we use it as an inside joke to this day.

2. When we booked studio time to record drums for our album ‘Dysthymia’, our producer Joe Lyko scheduled us for 2 days. Instead, we showed up one evening, set up the drums, plowed through all 9 songs, tore down/loaded out the drums all in one night, leaving our producer speechless and giving him the next day off to himself.

3. Guitars were recorded and performed by Mitchi. He also did the tempo mapping, pre-production/sound design, as well as click tracks, and programmed the live set list for the band. He’s even worked as an assistant engineer for Darkmoon Productions a few times. Assisting him with the client’s drum edits and vocal recording sessions.

4. The band was offered a management deal from EMG around early 2023. We unfortunately couldn’t proceed in that direction because we were going through line-up changes and were working on this album ‘Dysthymia’ to increase our catalogue outside of the 5-track demo from 2022. Safe to say if that opportunity is still available, we’d love to revisit the possibility and stay in touch with them now that we have this release under our belt.

5. Harvested has been mentioned in a “10 Modern Canadian Death Metal Bands” article by MetalSucks 2022-2023. https://www.metalsucks.net/2023/01/05/10-modern-canadian-death-metal-bands/

Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass

Photographer Credit: Kristen Semler

Harvested is a death metal band from Ottawa, Ontario, Canada. Their music is heavily influenced by bands like Suffocation, Dying Fetus, and Deicide, blending elements of slam, brutal, and technical death metal. The band aims to evoke nostalgia from the late ’90s and early 2000s while incorporating a modern touch.

They unleashed their 2022 self-titled debut EP that featured five tracks, all centered around themes of mental illness, with inspiration drawn from horror and thriller movies and shows. One of their singles, Apathetic, explores narcissism and a lack of empathy in society. The band describes it as one of their more brutal tracks, featuring intense double bass-heavy riffs.

Now in 2025, they unravel their first full-length, “Dysthymia”, which explores the psychological aspects of mental illness rather than relying solely on gore. It’s heavier, more aggressive, and showcases the band’s musical abilities in ways they’ve never presented before.
Recorded over nearly three years, “Dysthymia” features the core lineup of Mitchi Dimitriadis (guitars), Adam Semler (vocals), Eric Forget (bass), and Jacob Collins (drums). The album was produced by Harvested with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound while staying rooted in the foundational elements of death metal. 
Harvested remains unsigned and independent, continuing to carve their own path in the metal scene.

Discography:
2025 – Dysthymia (LP)
2022 – Self-Titled (EP)

Shared Stage with: Killitorous, Plaguebringer, Lutharo, First Fragment, Aversed, Augury, Cognitive, BARF, Aeopoch, Carrion Vael, Maggots and more

0 EPK – Crüzer – Look to the Skies (2025)

  • May 12, 2025
  • by Asher
  • · Cruzer · EPKs

EPK – Crüzer – Look to the Skies (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I think this album will be well received by any thrasher who loves a bit of melody with their mosh fodder. While in the studio, we made sure that these songs were honed and shone to perfection, with a good bit of melody and catchiness thrown into the madness. We’re trying to offer a thrash buffet of sorts, a smorgasbord full of different flavours of speed, melody, and attitude.” – Eric Willmott (lead vocals) – Cruzer

For fans of Havok, Exodus (Zetro era), Destruction, Metallica (ride the lightning-era)

Cruzermuzik.carrd.co | Facebook.com/cruzermuzik | Instagram.com/cruzermuzik

X.com/cruzermuzik | Youtube.com/@cruzermuzik | Blusesky | Telegram

Cruzermuzik.bandcamp.com | Spotify | Apple Music

“Canadian band Crüzer are out with the EP “Look to the Skies”, and metal is the style explored on this production. This is a good, old fashioned take on the thrash metal tradition, and one which the band explore in a few different manners. We have blazing fast and firm affairs, revolving around quick and numerous tempo changes and a high degree of momentum for starters. We also get a case of the classic chugging guitar riff variety of thrash metal tossed into the mix, and at the end of the EP the band switch over to a style and orientation a bit closer aligned with the good, old NWoBHM expression. Besides exploring the style in a few different manners, a striking feature of the songs here are the ebb and flow between raspy, slightly distorted lead vocals and clean, controlled and melodic lead vocals. A feature that gives this EP a rather striking identity in itself. An production to seek out by those who enjoy thrash metal explored in a bit of an old school manner and with a fair degree of variation inside of that context.” – the Viking in the Wilderness

[Download EP Cover | Download EP Lyrics]

Band: Cruzer
Album Title: Look To The Skies
Release Date: April 4, 2025
Label: Self-Release

Track Listing:
1. Look to the Skies (4:18)
2. Born to Rise (4:06)
3. Raging Fire (3:51)
4. (I Need) Thrash (2:14)
5. Pit Vyper (4:44)
Length: 19:13

Album Recording Credits:
• All songs written & performed by: Eric Willmott, Ben Higgins, Nico Miraftab, Alex Gain
• Produced, mixed & mastered by Michael Kraushaar
• Album Artwork by Angela Grimmuza
• Member of SOCAN
• MAPL – Canadian Content

Album Band Line Up:
Eric Willmott (lead vocals)
Nico Miraftab (guitar)
Ben Higgins (guitar, bass)
Alex Gain (drums)

Live Band Line Up:
Eric Willmott (lead vocals)
Nico Miraftab (guitar)
Ben Higgins (guitar)
Esteban Lleuful (bass)
Alex Gain (drums)

=======================================================

About The Album Artwork:

In addition to depicting the theme of our title track, i.e, an alien invasion, we also wanted it to incorporate themes from the other songs on the EP. There’s a thrasher dude (I need thrash) rising up against the alien threat, taking revenge (born to rise), lots of “raging fire” in the background, and a couple of people wearing……you guessed it, pit vipers! Haha.

About the album as a whole (LYRICALLY & MUSICALLY)

Listeners can expect a raging, thrashing good time, but with a melodic and humorous twist. Cruzer isn’t afraid to turn thrash on its head and infuse the flavour with all kinds of spices and secret sauces! -Eric

Track by Track (LYRICALLY & MUSICALLY):

1. The title track Look to the Skies deals with the threat of an extraterrestrial invasion force, and the attempts of the world powers to stop it (or maybe they know more than they’re letting on…). The chorus hook on this song might be my favourite of the whole album, love how it just comes in out of nowhere after a whole verse and pre-chorus of harsh blackened thrash vocals.

2. Born to Rise deals with rising up from the ashes, overcoming adversity, and exacting revenge against those who tried to cross you. This song has a very hardcore punk feel compared to the other songs, but still has that melodic edge in the chorus vocals.

3. Raging Fire deals with a topic I’m sure most thrashers will be familiar with: the destruction of the environment! Whether through climate change, nuclear war, or both. This is a mid-paced song compared to the first two, but it contains some of the heaviest vocals on the whole album!

4. On the surface, I Need Thrash is your average Slayer-esque rager about going to a show, moshing, drinking, and partying. But the song actually contains an important message about fighting back against metal stereotypes, mainly the mentality of “killing posers,” which I’ve always hated. I got called a poser when I was younger, it fucking sucked! Who cares what subgenre or microgenre people like? Metal is metal! Leave them alone and let them enjoy things. DON’T BE A DICK!

5. In an almost direct assertion of the previous song’s message, Pit Vyper is by far the most melodic, commercial-friendly, and hair metal-tinged track on the whole album. The song is a classic sounding mix of old school speed metal bands like Exciter and Meliah Rage, 80s Judas Priest, and hair metal bands like Motley Crue. The lyrics deal with the classic subject matter of an evil metal mistress who turns your heart to stone! Now is that old school metal or what?!

-Eric

=====================================================

Fun Facts – Story Angles:

1. The band members all used to attend the same high school! Riverside Secondary School in Port Coquitlam,

2. The guitarist, Ben Higgins, also plays guitar in the southern rock band Cache Creek

3. The lead vocalist, Eric Willmott, is also a voice actor. He has narrated several audiobooks, appeared in the mobile game Jorney Renewed: Fate Fantasy (as Sun Wukong Prime), and lent his voice to several YouTube animated shows, including Mammal Squad, Tamberlane, Supercell, and Lexie.

4. Eric also used to be in a My Little Pony-themed metal band called Equestrian Lord, back when the “brony” phenomenon was at its peak. Ironically, their most popular song on YouTube has nothing to do with My Little Pony, instead being inspired by the animated fantasy film The Thief and the Cobbler.

5. The band’s recording engineer, Michael Kraushaar, had no idea that he was recording a thrash metal band at first. Due to the band’s name, Cruzer, and his familiarity with Ben’s band Cache Creek, he assumed we were “gonna sound like Foghat or something!”

L-R: Nico Miraftab (guitar), Eric Willmott (lead vocals), Alex Gain (drums), Ben Higgins (guitar, bass), New member: Esteban Lleuful (bass; not pictured)

Photos: Caitlin R.D.

THRASHING FROM BEYOND THE STARS

Crüzer is not just a band—it’s a cosmic metal assault from the great white north. From Vancouver, Canada, Crüzer’s sound is as unstoppable as an alien invasion force, tearing through the atmosphere with electrifying solos and unforgettable hooks. 

But it’s not just the power of the riffs and the undeniable stage presence that make Crüzer’s music a celebration of the bizarre and otherworldly wonders of the universe. So strap in, crank it to 11, and prepare for an out-of-this-world heavy metal experience.

Discography:
Look To The Skies (EP, April 2025)
Born To Rise (Single, March 2025)
Pit Vyper (Single, February 2025)

Shared Stage with: Glyph, Tower Hill, Red Cain, Serpent Rider

Tours and Festivals: 2025 – Hyperspace Metal Festival VI – Vancouver

0 EPK – Liminal Spirit – Pathways (2025)

  • May 9, 2025
  • by Asher
  • · EPKs · Liminal Spirit

EPK – Liminal Spirit – Pathways (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I view this as a full-length release despite its 14-minute duration, because due to the nature of its composition of non-repeating passages, it requires multiple listens to fully cement itself within the listener. The first pass will express the story and characters, and repeated listens will bring both to life through digesting the melodies and composition as a whole.” – Liminal Spirit

For fans of Jesu, Swans, Skepticism, Confessor, Anata

Facebook.com/profile.php?id=61575618106702 | Instagram.com/liminal_spirit_mke | Liminalspirit.bandcamp.com | Spotify

Band: Liminal Spirits
Album: Pathways (13:55)

Credits:
All songs written and performed, produced, recorded and mixed by Liminal Spirit
Mastered by Jeff Wojtysiak at Spiral Sound Mastering
Album lineup – Jerry Hauppa-guitars, vocals, bass, drum programming, synthesizer

================================================

About The Album Artwork:

The artwork is an image of the story: five people trapped in a maze of stone with seemingly no escape.

About the album as a whole (LYRICALLY & MUSICALLY)

The album is composed purposely like that of a movie soundtrack, where the score does not repeat, but certain themes may develop or mutate to reflect character growth throughout the duration.  The characters, when speaking (as shown in the lyrics), will accompany a musical shift in tone to reflect their characters and mood as the story develops.

Liminal Spirit, the musical project of multi-instrumentalist Jerry Hauppa, announces the release of “Pathways”, a single-track concept album designed as an immersive journey through spiritual thresholds and interdimensional spaces. Following the 2024 self-titled EP, “Pathways” expands on Liminal Spirit’s signature sound: a rich fusion of doom metal with cinematic atmosphere. Hauppa comments:

“I view this as a full-length release despite its 14-minute duration, because due to the nature of its composition of non-repeating passages, it requires multiple listens to fully cement itself within the listener. The first pass will express the story and characters, and repeated listens will bring both to life through digesting the melodies and composition as a whole.”

Where the debut embraced ritualistic abstraction, “Pathways” introduces a more frenzied, intricate musical approach that perfectly complements its narrative structure. It tells the story of five figures trapped in a maze, chronicling their emotional processing and planned escape. The composition unfolds like a film score, with no repeating parts until the finale. Musical themes develop and mutate to reflect character growth, with distinct tonal shifts accompanying each character’s voice in the narrative.

This thoughtful composition rewards repeat listening, revealing new layers with each experience. The album’s structure mirrors its lyrical themes, all concerning transcendence beyond the physical form and transitions between spiritual planes. “Pathways” represents the second chapter in an ongoing exploration of spiritual passage. A third release, currently in development, promises to continue this cinematic journey through liminal spaces. Liminal Spirit is recommended for fans of Jesu, Swans, and Skepticism.

Discography:
Liminal Spirit-Pathways (2025)
Liminal Spirit- Self-titled EP (2024)

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