EPK – Gravewitch – Self-Titled (2025) (Rock Sun Records)
Publicist – Jon Asher – jon[@]ashermediarelations[.]com
“I believe our fans will really enjoy this album. It is our first professional recordings where you are able to really hear the sound we are trying to convey to the listeners. Every song is a little different than the last and we feel it showcases our sound very well.” (Chris Fleming, Guitar/Vocals)
For fans of Kreator, Dark Funeral, Amon Amarth, Uada, Skeletonwitch
Band: Gravewitch
Album Title: Gravewitch
Release Date: June 18, 2025
Label: Rock Sun Records
Distribution: Virgin Music Group’s Distribution
Genre: Extreme Metal (Thrash/Black/Death/Melodic Death Metal)
Location: Bend, Oregon, USA
Facebook.com/gravewitch | Instagram.com/gravewitchofficial | Youtube.com/@Gravewitch | Concerts & Live Tour Dates – Bandsintown
Gravewitchofficial.bandcamp.com | Spotify | Apple Music
“Turn the ignition on this song (Mistress of Hate) and it will rev up your engine into the red zone damned fast, with drums and bass pumping like high-octane pistons, the guitars going fiery and wild, and the vocals gnashing at your throat.” – No Clean Singing
“Speed and savagery are Gravewitch’s calling cards, with a plethora of sawing guitars and unholy rasping vocals. The combo of thrash riffing and tremolo picking works well and the haunted singing completes the atmosphere of a hellish mosh pit… it will still leave you bruised and battered.” – The Metal Crypt
“Gravewitch have been active for over a decade, and this self-titled second album follows the strong debut The Summoning (2020). The good news is that the Oregon band no longer limits itself to a blackened thrash frenzy, but has enriched its sound with punchy melodies, voracious vocals, and tight percussion, all in a style akin to that of Skeletonwitch. While maintaining a marked raw edge, especially in guitarist Chris Fleming’s sharp growls, the album still showcases a modern sheen; the band does not hide its influences from Aura Noir, Nekromantheon, and Witchery, but deliberately eschews their more primal fury. The grim opening track Damnable Evil outlines a sort of polished blackened thrash that never reaches berserk mode, instead evoking a smooth and groovy sound, neatly sharpened by impeccable production. The songs are well-constructed, concise, and catchy: diabolical riffs slide harmoniously into sharper breakdowns, capable of piercing flesh without breaking bones. In any case, this is not harmless music: there’s plenty of bite in the wicked and mocking Mistress Of Hate, as well as in the death-tinged nuances of the album’s standout track White City Devil, which sounds decidedly sinister, just like the entire work. 8/10″ – Rock Hard Italy
“GRAVEWITCH can deliver some strong metal tunes. I liked the thrash influenced straightforward attack of “Ritual Reanimation” and “Systematic Fallout”, both of which really rage. “Atmospheric Alterations” has a cool kind of black metal melodicism that sticks in the head, a characteristic amplified on “Woodland Trance”. ” – Wormwood Chronicles
“Gravewitch do deliver on every song. Andrew and Chris are master musicians that know to create something special. Thumbs up from me. Do check out the duo and take a listen to the album.” – Project Metal Music
“There’s a lot to savour here as Gravewitch inserts flecks of death and thrash into their already potent formula. I’ve given this album quite a few spins now and I recommend you do too.” – Neil Arnold / Metal Forces Magazine
“A blood-soaked gore-fest, of intense proportions; ‘Gravewitch’ does just as expected; fulfilling its purpose. Brilliant technical precision’s where this is at, though structurally and tonally, it’s not that different to most others in the same genre. So mainly, it just needs to introduce some variation and original signature touches, to add to the already highly skilled craftsmanship. Melodically, there’s room for growth, but all in all, an effective album, with a lot of well showcased musicianship. 9/10” – Rock Queen Reviews
Band: Gravewitch
Album Title: Gravewitch
Release Date: June 18, 2025
Label: Rock Sun Records
Distribution: Virgin Music Group’s Distribution
Genre: Extreme Metal (Thrash/Black/Death/Melodic Death Metal)
Location: Bend, Oregon, USA
Track Listing:
1. Damnable Evil (4:24)
2. Phantasm (4:21)
3. Mistress of Hate (4:13)
4. Ritual Reanimation (4:35)
5. Atmospheric Alterations (4:31)
6. White City Devil (4:00)
7. Woodland Trance (5:09)
8. Systematic Fallout (4:21)
9. Operation Overlord (5:27)
10. The Once Sacred Gift of Life (3:32)
Album Length: 44:38
Album Credits:
All songs performed by: Chris Fleming & Andrew Ingraham
All songs written by: Chris Fleming & Andrew Ingraham
Produced by: Johnny Davis
Mixed by: Johnny Davis
Mastered by: Jay Maas
Artwork by: Agustinsane Iryanto
Band Lineup:
Chris Fleming: Guitar/Vocals/Bass
Andrew Ingraham: Drums
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About The Album Artwork (explained by Chris Fleming, Guitar/Vocals):
We decided to make this a self-titled album. We did this because each of the 10 tracks represents something completely different then each other. We thought it made sense to make this our self-titled album, showcasing how our sound is evolving for future works. With that being said, we decided to go with a witch on the front album cover to go along with the band’s name. As well as a representation of our first album’s (The Summoning) front cover artwork. (Chris Fleming, Guitar/Vocals)
About The Album as a Whole (LYRICALLY & MUSICALLY) (explained by Chris Fleming, Guitar/Vocals):
Despite being written in E Standard, this album is very heavy. The heaviness of this album hits you differently than the traditional Black/Thrash Metal album. It particularly shows the listener how we fuse together different sub-genres of Extreme Metal in each song differently throughout the album. The lyrical themes are all different from each other. I feel that this release shows we are diverse songwriters, and we feel that it shows that we are diverse in what we write our music about. (Chris Fleming, Guitar/Vocals)
Track By Track (explained by Chris Fleming, Guitar/Vocals):
1. Damnable Evil:
Lyrically, this song is about old insane asylums that used to operate in the early 1900s. This song describes what it might have been like inside one of these institutions as a person who was admitted. It describes the different ways people were treated and how they were so-called “cured” for their ailments. Musically, this song is a little different. It still has the elements of Thrash Metal and Black Metal, but it also has a little more groove than most of the songs on the album. I feel the instrumentation captures what the lyrics are explaining very well.
2. Phantasm:
Lyrically, this song describes what it would be like to have sleep paralysis or a sleep demon. This song comes from actual first-hand experience I have had in the past. It describes what it is like to be stuck and not be able to wake yourself, even though you know you’re dreaming or having a nightmare. Musically, this song has many different riffs and parts that flow together very well, but can also almost feel chaotic. This is because I wanted the listener to have a feeling of dread and darkness when listening to this song, and how it correlates with the lyrics.
3. Mistress of Hate:
Lyrically, this song is about a witch being hunted and what happens to them after they have been indicted for their crimes. It describes many ways witches would be sentenced to death, such as hanging or burning at the stake. Musically, this song encapsulates the way that we mix many metal subgenres together. It starts off fast and thrashy, then turns melodic and into our own form of black metal, all while giving the listener a good listening experience despite the genre changes mid-song.
4. Ritual Reanimation:
Lyrically, this song is about the art of Necromancy. It is about raising an undead army to destroy the human race. Musically, this song is a little more simplistic, sticking to a more Melodic Thrash Metal style. With a few changes and the intro, we felt this one could be more simplistic and a straightforward moshing song.
5. Atmospheric Alterations:
Lyrically, this song describes how the seasons change on Earth from winter to spring to summer to fall. It has more of a natural and atmospheric perspective compared to the other songs on the album. Musically, this song is pretty different. Starting with a very heavy melodic intro, it turns into a droning Cascadian black metal piece that takes you on a journey of the seasons changing on earth.
6. White City Devil:
Lyrically, this song is about the infamous serial killer H.H. Holmes and his murder castle located in Chicago, (White City), Illinois. This song is from the perspective of someone who has been lured to the infamous hotel and trapped by the sadistic Holmes. The song’s lyrics go through to describe some of the things and ways Holmes would keep his victims trapped in the hotel and how he would go about murdering them. Musically, this song is still very melodic, but I also feel it has a little more death metal elements than some of the other songs on the album. I feel like the song structure sums up the lyrical context very well. (Chris Fleming, Guitar/Vocals)
7. Woodland Trance:
Lyrically, this song is about the many different supernatural and haunted forests all around the world. It takes the listener on an adventure of grief and darkness just like how these locations would make you feel if you were actually there. These forests would give people very negative thoughts, and many turned to suicide because of how heavy the presence of darkness is. Musically, this song takes on a more Cascadian Black metal sound but is still very melodic. The song starts with a clean intro that captivates the listener and then takes them on a journey, or on a Woodland Trance. It then breaks up with a faster melodic/thrashy bridge. After the bridge, the song revisits the clean guitar intro, followed by the main riff & then the outro. (Chris Fleming, Guitar/Vocals)
8. Systematic Fallout:
Lyrically, this song is about what could or would happen during a nuclear war. It describes some of the things you might hear or feel during such a trying time. Musically, with this song, we decided to keep it straight thrash metal just for the sake of what the song is about. It also features the very first guitar solo ever recorded for a Gravewitch song. (Chris Fleming, Guitar/Vocals)
9. Operation Overlord:
Lyrically, this song is about war, specifically World War II and Operation D-Day. The song describes what it would be like, in my own words and thoughts, to be a part of such a massive battle. It is from the perspective of a soldier who had left the U-boats to go and fight on foot on the shore. The name Operation Overlord comes from the secret name of the mission for D-Day. Musically, this song is very fast and intense. It is written to make you feel like you are on the battlefield and are experiencing what these soldiers felt while being a part of this historic battle. This track is melodic, as well as heavy, and has a clean intro that, after listening to it, will make you want to hear the rest of the song. (Chris Fleming, Guitar/Vocals)
10. The Once Sacred Gift of Life:
Lyrically, this song is about human life and how suddenly it can disappear. Focusing on grief from losing someone and suicide, it has a very ominous, dark feeling. Musically, this song is more on the melodic black metal side. This is the very first song Andrew and I ever wrote as Gravewitch. It has appeared in many live performances and was on one of the very first demos we ever recorded. This is the song that sparked what we are as Gravewitch today.
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Stories/Fun Facts:
1. Our self-titled album’s producer, Johnny Davis, owns one of Bend, Oregon’s best live music bars called “The Volcanic Theatre And Pub”, & he owns his own recording studio. (1988 Recording Studio)
2. Our drummer Andrew’s father, Jeff Ingraham, played drums for Country Music legends: Merle Haggard, Kris Kristofferson, & Marty Stewart. His father, Jeff, currently records drums & tours with Merle Haggard’s son Benny Haggard.
3. Andrew & Chris first met at La Pine, Oregon’s elementary school when they were in 2nd grade. They’ve been best friends ever since, & they’ve been playing music together since they were in 6th grade. They formed Gravewitch when they were 16 & 17 years old, when they were Sophomores in high school. They’ve been going on with the same band, same name, ever since then. Andrew & Chris are now 28 & 29 years old.
4. Chris got his start in music from his grandparents in Ohio, who were Bluegrass musicians. His grandpa, Ron Lay, played the fiddle & his grandma, Donna Lay, played the upright bass. His grandma had the opportunity to open for Alison Krause back in the day & his grandpa ran sound & lights for the entire tour package. Chris is completely self-taught at guitar & Extreme Metal vocals. Never received a lesson in his entire life for guitar or Metal vocals. Andrew & Chris were in a choir class in Middle School, but they didn’t teach them anything about Extreme Metal vocals. Chris learned guitar by listening to his favourite bands and learning how to read & play guitar tabs online. YouTube videos were key for him.
5. Andrew got his start very early in life at 5 years old from his father, Jeff Ingraham. He was never pressured to learn from his father; he naturally developed an interest & love to play on his own terms. His father only introduced him to drumming & only taught him the basic rock beat & a couple of other key drum elements/rudiments. Other than that, Andrew is a completely self-taught drummer. He learned by continuously listening to his favorite bands and mimicking the drummer’s playing. Once Andrew fell in a deep love with drumming, his father gifted him his Renown Maple Golden Gretsch drum kit, along with buying Andrew his first double kick pedal set.
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Bend, Oregon — 2013. Chris Fleming and Andrew Ingraham first raised the banners of Gravewitch in the heart of Oregon’s shadowed high desert; the world of blackened thrash metal wasn’t exactly waiting for them, but it should’ve been. Their unholy alliance would go on to carve a jagged path through a decade of turmoil, triumph, and relentless performance, delivering a brutal fusion of thrash, black, death, and melodic metal that strikes with the fury of an avalanche and the cold precision of a blade through bone.
From the very beginning, Gravewitch, born as a two-piece with Fleming on guitar/vocals and Ingraham on drums, laid the foundation for something far darker than their humble beginnings suggested. Their sound, a storm of buzzing riffs, blast beats, and unyielding growls, evolved with each release and performance, folding in elements from legends like Kreator, Testament, Amon Amarth, Emperor, and Vader. The chemistry between the founding duo is undeniable.
The music, like the band itself, is unrelenting, a blend of old-school thrash’s speed and aggression, black metal’s cold, atmospheric darkness, and the weight of death metal’s hammer. Fleming’s lyrics are just as aggressive, each track an exploration of battle, rebellion, and darkness, all delivered with a razor-sharp edge. “Circle of Power,” their anthemic fan favorite, serves as a testament to their unyielding spirit, always present in their setlists, a grim declaration of their musical fire.
A Decade of Relentless Grind
Gravewitch’s rise through the ranks of the Pacific Northwest’s underground metal scene has been marked by a slew of impressive performances and accomplishments. Local press documented the band’s early days, and by 2015, they were carving their name into the region’s live music circuit, sharing stages with heavyweights like Lord Dying, Castle, Inanimate Existence, and Nervosa.
But their story doesn’t stop there. Gravewitch has long been a fixture on the road, expanding its reach with every tour. In 2017, they booked their own West Coast tour, hitting California, Arizona, & circling back through Southern California, through Northern California, & into Oregon. Later in 2017, they embarked on a much larger tour supporting Voltumna, a blackened death metal band from Italy, on the “Itinere Inferi West Coast Tour.” Their unrelenting performances took them across a wide swath of the U.S, carving a permanent mark in the underground metal scene.
On the Rise
Gravewitch’s first EP, Soul Reaper, released in 2015, was the spark that set it all off, laying the foundation for their towering presence in the scene. Their debut full-length, The Summoning (2020), marked a defining moment in their sound, blending the harsh precision of black metal with the thundering force of thrash. Tracks like “Circle of Power” became staples of their live shows, songs that encapsulate the very soul of Gravewitch: fast, dark, melodic, and utterly crushing.
Through the years, they’ve stood tall alongside legendary acts, opening for the likes of Warbringer, Flotsam and Jetsam, and Goatwhore. Their performances are nothing short of ferocious, a raw assault on the senses that leaves crowds battered, bruised, and begging for more. Whether playing in packed venues like The Domino Room or under the stars at The Capitol in Bend, they know no other way but to play with the intensity of a band determined to rise above.
Unyielding and Uncompromising
Even so, the band’s journey has always been defined by their refusal to conform. Never signing with a major label, Gravewitch has remained fiercely independent, upholding complete creative control over their music. From the start, they’ve chosen the DIY path, with Chris Fleming handling the bulk of the instrumentation on their releases, ensuring that every riff, every growl, and every pounding drumbeat aligns with their unrelenting vision. This independence has been the bedrock of their identity, allowing them to remain true to their sound and uncompromising in their approach.
Their self-titled second full-length album, Gravewitch (released June 18, 2025), is the band’s most ambitious record yet, one that will no doubt expand on their unique fusion of blackened thrash with all the melodic and guttural elements fans have come to expect.
Gravewitch—A Legacy Carved in Steel
Gravewitch’s story is far from over, and their legacy continues to grow with every show, every album, and every fan that sings their dark hymns. For a band that began in the isolation of Bend, Oregon, their music has spread far and wide, building a cult following that grows with each passing year. Gravewitch is the unrelenting storm, the shadow that haunts the edges of the Pacific Northwest, and a band that demands to be heard—whether you want to or not.
The circle of power is just beginning to take shape.
Influences:
Kreator, Testament, Children of Bodom, Amon Amarth, Dark Funeral, Skeletonwitch, Wolves in the Throne Room, Uada, Emperor, Vader, Cannibal Corpse, Iron Maiden, Toxic Holocaust, Goatwhore, Sodom, Destruction, Slayer
Discography:
- Soul Reaper EP (2015)
- Forgotten Demo (2018)
- The Summoning (2020)
- Gravewitch (2025)
Notable Performances:
- 2014 With: Lord Dying and Castle
- 2015 With: Skull Fist, Inanimate Existence, Arsis, Chelsea Grin, From Hell, and Battlecross
- 2016 With: Nervosa, Act of Defiance, Skinned, Castle, Beyond Creation, Rivers of Nihil, The Zenith Passage, and Inanimate Existence
- 2017 With: Condemned, Inanimate Existence, Voltumna, Archspire, Narcotic Wasteland, Reaping Asmodeia, Warbringer, and Exmortus
- 2018 With: Putrid Pile, Arsis, Inanimate Existence, Uada, Wormwitch, Exhumed, Pyrexia, and Internal Bleeding
- 2019 With: Aenimus, Interloper, Wolfheart, and Exmortus
- 2023 With: Uada, Hemlock, and Green Jelly
- 2024 With: Crypta, Narcotic Wasteland, Flotsam & Jetsam, Goatwhore, and Vitriol
With Gravewitch, the infernal fire is never extinguished—only growing hotter with each passing year. The music, the spirit, and the devotion remain the same: thrash hard, blacken the sky, and never look back.
Shared Stage with:
● 2014 With: Lord Dying and Castle
● 2015 With: Skull Fist, Inanimate Existence, Arsis, Chelsea Grin, From Hell, and Battlecross
● 2016 With: Nervosa, Act of Defiance, Skinned, Castle, Beyond Creation, Rivers of Nihil, The Zenith Passage, and Inanimate Existence
● 2017 With: Condemned, Inanimate Existence, Voltumna, Archspire, Narcotic Wasteland, Reaping Asmodeia, Warbringer, and Exmortus
● 2018 With: Putrid Pile, Arsis, Inanimate Existence, Uada, Wormwitch, Exhumed, Pyrexia, and Internal Bleeding
● 2019 With: Aenimus, Interloper, Wolfheart, and Exmortus
● 2023 With: Uada, Hemlock, and Green Jelly
● 2024 With: Crypta, Narcotic Wasteland, Flotsam & Jetsam, Goatwhore, and Vitriol
Tours:
(Solo, most successful tour we’ve ever done so far.) The Circle of Ashes Tour 2025:
9/4/25 With: Vesseles, Bezalial, & Tehmodhjin @ Toot’s Tavern, Crockett, CA.
9/6/25 With: Shadow of the Elk, Gorefetish, & Plague of Malice @ Maker Radio, Chico, CA.
9/7/25 With: Rival Cults, & Berk And the Jerx @ Savage Henry Comedy Club, Eureka, CA.
9/8/25 With: HEMLOCK, Crown of Thorns, & Pitch Black Mass @ The Rosebud Theatre, Roseburg, OR.
9/9/25 With: Achromic & Neon Chrome @ Rockafairy, Medford, OR.
9/10/25 With: HEMLOCK & Damage Overdose @ Silver Moon Brewing, Bend, OR.
9/11/25 With: Pitch Black Mass @ Radness Ensues, Keizer, OR.
9/12/25 With: Paralicyst & Cryptic Divination @ John Henry’s, Eugene, OR.
9/13/25 With: Maggot Sorcerer, Atomic Terror, & Deathnut @ The Hawthorne Hideaway, Portland, OR.
9/14/25 With: Gouged, & City of Reign @ Wild Child, Olympia, WA.
(With support from Salt Lake City, Utah Thrashers Alghoul.) Spring West Coast
Tour 2023:
5/17/23 With: Alghoul, Thy Farewell, When The Broken Burn, In Your Grave, Darkmysticwoods, & Neon Chrome @ Johnny B’s, Medford, OR.
5/18/23 With: Alghoul, Thy Farewell, Darkmysticwoods, Tarantula Trust Fund @ Local 31 Pub, Ashland, OR.
5/19/23 With: Alghoul, Perfect Nightmare, Called To Wake, Suffer The Paradox, & Pretty Kitty @ On The Y, Sacramaneto, CA.
5/20/23 With: Phantom Witch, Alghoul, Frightmare, & Thrash Compactor @ Toot’s Tavern, Crockett, CA.
5/21/23 With: Alghoul, Ostracized, & In Your Grave @ Alturas Bar, Reno, NV.
5/23/23 With: Alghoul, Briar Rose, & The Kingdom @ SIXES, Pocatello, ID.
5/24/23 With: Alghoul, Necrowolf, & Seeking Tragedy @ Kilby Court, Salt Lake City, UT.
5/26/23 With: XSavageX Corvus, & Foes @ The Capitol, Bend, OR.
(Supporting Black/Death quartet Voltumna from Italy.)
The Itinere Inferi West Coast Tour 2017:
6/30/17 With: VOLTUMNA ( Killerpool Records ) @ Bricks Sports Bar, Maywood, CA.
7/01/17 With: VOLTUMNA ( Killerpool Records ) @ The Hub, Colton, CA.
7/03/17 With: VOLTUMNA, ( Killerpool Records ) Desecrated Humanity, Fallen Prophets, & Moscovium @ The Armory, Albuquerque, NM.
7/05/17 With: VOLTUMNA, ( Killerpool Records ) & Ekelhaft @ BAR BAR, Denver, CO.
7/06/17 With: VOLTUMNA, ( Killerpool Records ) Horde of Draugar, & Tierkrieger @ Surfside 7, Fort Collins, CO.
7/08/17 With: VOLTUMNA ( Killerpool Records ) @ Silver Dollar Club, Elko, NV.
7/09/17 With: VOLTUMNA ( Killerpool Records ) @ The Shredder, Boise, ID.
7/11/17 With: VOLTUMNA, ( Killerpool Records ) Xoth, & Noceur @ Highline Bar, Seattle, WA.
7/12/17 With: VOLTUMNA, ( Killerpool Records ) Grim Ritual, & Extinction Threshold @ Rock Hard PDX, Portland, OR.
7/13/17 With: VOLTUMNA, ( Killerpool Records ) Extinction Threshold, & Unto the Plague @ Third Street Pub, Bend, OR.
7/14/17 With: VOLTUMNA, ( Killerpool Records ) & Toxic witch @ Black Forest Bar, Eugene, OR.
7/15/17 With: VOLTUMNA, ( Killerpool Records ) Vicious Wishes, War Troll, & Lychdom @ Red Hat Bar, Concord, CA.
7/16/17 With: VOLTUMNA, ( Killerpool Records ) & Shadows of Apollyon @ The Tavern, Ventura, CA.
(Solo, first tour ever.) Reaping Souls of the West Coast Tour 2017:
3/16/17 With: Systematic Failure, & Chains of Belmont @ The Music Hall, Yreka, CA.
3/18/17 With: Brain Dead, & Misanthropic God @ 4019 Fairmount St, Los Angeles, CA.
3/20/17 With: Brain Dead, & Anti-Hero @ Blacklight District Lounge, Long Beach, CA.
3/21/17 With: Alumni, Violent Revolution, Egregious Act, & Plaguespreader @ The Rogue Bar, Scottsdale, AZ
3/23/17 With: Saul of Tarsus, Apollo On Fire, & We The Fallen @ Characters. Pomona, CA
3/24/17 With: Sculpins @ The Void, San Bernardino, CA
3/25/17 With: CONDEMNED, ( Unique Leader Records ) SPLATTERED, ( Amputated Vein Records ) EUPHORIC, DEFILEMENT ( Unique Leader Records ) Syrebris, HOMOPHOBIC FECALPHELIAC, ( Rotten Music ) Bow Before None, & Asylum of Ashes @ The Hub, Colton, CA.
3/27/17 With: HOLLOW EARTH, ( Good Fight Music ) & Aberrance @ The Fortress of Dude-itude, Paradise, CA.
3/29/17 With: Insanity’s Reign, & Phake, @ The Bamboo Room at King Wah’s, Medford, OR.
3/30/17 With: OMNIHILITY, ( Unique Leader Records ) & Sidewalk Slam @ The Boreal, Eugene, OR.
3/31/17 With: Spawn, Trojan Swamp Monster, & Truculence @ Rock Hard PDX, Portland, OR.
4/03/17 With: SIGNS OF THE SWARM, ( Unique Leader Records ) Existential Depression, & Separating The Seas @ Third Street Pub, Bend, OR.
Festivals:
6/19/25 RIVERAFEST 2K25 “Gravewitch” Album Release Show With: BOUNDLESS JOY, (Featuring original WHITE ZOMBIE drummer: Ivan De Prume) Suckerpunch, Atomic Terror, Chasing Wind, Neon Chrome, & Bullet Train in Myrtle Creek, OR.
9/27/24 Oregon Deathfest Meets Washington Deathfest 2.0 With:Thy Farewell, Back From Death, Dead Nexus, & Within Caskets @ Erebus, Kelso, WA.
7/20/24 Screaming Brain 2024 @ Roosevelt Park, Troy, MT.
1/19/24 Winterfest 2K24 With: Primal Concrete Sledge, (Pantera Tribute) Proven, Innocents Torn, Stoned Phoenix @ The Regent / Original Woodshed, Longview, WA.
10/28/23 Carnival of Slaughter Halloween Fest Tour Edition II With: Mazaroth, Dead Nexus, Chronic Illness, Kryptoxik Mortality, & Primordial Atrocity @ The Hawthorne Hideaway, Portland, OR.
10/27/23 Southern Oregon Hallowfest With: Neon Chrome, The Hollowbodys, Phenom, Disincorporated, Live Evil, The Mandala Effect, & Mirror Fear @ Johnny B’s, Medford, OR.
4/15/23 Medford Metalfest 3 With: STEAKSAUCE MUSTACHE, (Silent Pendulum Records) Saltwound, Lucrecia, Mazaroth, Koningsor, Suckerpunch, Villains In Vain, Oddities, Neon Chrome, & Screaming Apparatus @ Johnny B’s, Medford, OR.
7/16/22 Riverafest 11 With: Dead Animal Assembly Plant, Pitch Black Mass, Othrys, Slobber Knocker, Apophis Theory, Sleeping Faceless, Scumdog Legion, In Your Grave, Hellametal, Iron Circus, Drawn By Knives, & Sweater For An Astronaut @ Dustin Rivera’s Abode, Myrtle Creek, OR.
7/09/22 Idaho Deathfest 3 With: Mutate, Mummy, Mortal Ashes, Atheras, Texas Ketamine, Aterrima, Old Year, & Crimson Divide @ The Shredder, Boise, ID.
6/18/22 Metal In the Mountains 7 With: Pitch Black Mass, Hellametal, Beyond Doubts Shadow, Blasphemous Creation, Thy Farewell, Phake, Phenom, Visidian, & Shrednex @ Dunsmuir Botanical Gardens, Dunsmuir, CA
7/31/21 First Kvlt Mead Fest With: Plague Bearer, Drakul, Kömmand, & Necrowitch @ Kvlt Mead, Tacoma, WA.
8/31/19 Metal In the Mountains 6 With: Ontogeny, Chains of Belmont, Disymbolic, Hellametal, From The Ruins, Aitherios, Unto The Plague, Thy Farewell, Insanity’s Reign, Vomittface, & The Alpha Structure @ Dunsmuir Botanical Gardens, Dunsmuir, CA
7/27/19 The 3rd Annual Death In the Dunes With: Embryonic Devourment, Sadistic Hallucinations, Locust Furnace, Incredulous, Scythe, Nihilist Nation, Infex, Bavmorda, Decayed Existence, Downcypher, Muppet Hunter, & EveryDayFreak @ Manila Community Center, Manila, CA.
5/25/19 The 7th Annual Central Oregon Metalfest With: EXMORTUS, ( Prosthetic Records ) SILVER TALON, ( M-Theory Audio ) OXYGEN DESTROYER, ( Redefining Darkness + Headsplit Records ) Nihilist Nation, Damage Overdose, Abiosis, Blood And Thunder, Morbid Fascination, Toxic Witch, Somewhere Between, Disymbolic, Chains of Belmont, Corvus, Insanity’s Reign, Phytophthora, Trojan Swamp Monster, Teratogen, Dead Thrall, Renascentia, & Life Upon Liars @ Third Street Pub, Bend, OR
2/16/19 The 4th Annual Keep Metal Alive Festival With: Nocturnal Mayhem, Witch Ripper, & Abiosis @ The Charleston, Bremerton, WA.
11/10/18 Bloodletting North America With: ARSIS, ( Nuclear Blast Records ) INTERNAL BLEEDING, ( Unique Leader Records ) PYREXIA, ( Century Media Records, Unique Leader Records ) WITHIN DESTRUCTION, ( Unique Leader Records ) POUND, ( Silent Pendulum ) NECK OF THE WOODS, ( Basick Records ) Foes, Corvus, & Downbound @ Third Street Pub, Bend, OR.
7/28/18 The 1st Annual Death In the Dunes With: Muppet Hunter, EveryDayFreak, Bullet Lobotomy, Lingering Torment, Nothing But Loosers, Blood And Thunder, Nihilist Nation, Burning Hash, Wurm Flesh, Cursed, Decayed Existence, Locust Furnace, & Sadistic Hallucinations @ Manila Community Center, Manila, CA.
5/19/18 The 6th Annual Central Oregon Metalfest With: Mortal Ashes, Violent Hallucinations, Nocturnal Slaughter, Damage Overdose, Spawn, Abiosis, Cruciation, Morbid Fascination, Thonis, Death Illuminate, Insanity’s Reign, Ygnatus, Dead Thrall, Trojan Swamp Monster, & Kastingstone @ Third Street Pub, Bend, OR.
9/30/17 Bend Roots Festival 2017 @ El Sancho Stage, Bend, OR.
9/08/17 Sickness In September 8 With: THE MENTORS, ( Metal Blade Records ) MEAT SHITS, Truculence, Chemical Annihilation, Devour, Mortal Ashes, Nihilist Nation, Abiosis, War Machine, & Taco Ninjas @ Rock Hard PDX, Portland, OR.
8/26/17 Iron Mountain Metal Massacre 2 With: Decayed Existence, Waves of Leviathan, Troposfear, Draild, Civil Outrage, Mad Chemist, & Heed @ Anderson River Park Amphitheatre, Anderson, CA.
8/25/17 Southern Oregon PitFest With: Insanity’s reign, Vial Experiment, & Source of All Sorrows @ Meadowood RV Park, Glendale, OR.
7/29/17 The 5th Annual Metal In the Mountains With: DEATH I AM, Disymbolic, Systematic Failure, Mistaken Existence, Voyeur, Aberrance, Shadow of Crows, God Van Damme, As Death Comes Calling, & The 7th Crow @ Dunsmuir Botanical Park, Dunsmuir, CA.
5/20/17 The 5th Annual Central Oregon Metal Fest With: Disymbolic, Strychnine, Aseitas, Burial Grounds, Nihilist Nation, Cruciation, Arachnid, Abiosis, Chemical Annihilation, Ninth Circle, Damage Overdose, Violent Hallucinations, & Truculence @ Third Street Pub, Bend, OR.
9/24/16 Bend Roots Festival 2016 @ The Four Peaks Stage, Bend, OR
8/06/16 The 4th Annual Metal In the Mountains Festival With: Enslave The Creation, Chains of Belmont, The Kentucky Scarecrow Experiment, Systematic Failure, The Dead Horizon, Decayed Existence, Novus Orsa, Waves of Leviathan, God Van Damme, Mistaken Existence, Visidian, Ashes of Death, Aberrance, The Deprived, & Beyond Doubts Shadow @ Dunsmuir Botanical Gardens, Dunsmuir, CA.
6/27/15: The Third Annual Central Oregon Metalfest With: DRAWN AND QUARTERED ( Nuclear Winter Records ) & more @ Third Street Pub, Bend, OR.
6/13/14 Mompfest 2014 @ Sisters, OR woods. (Random campout generator Fest.)
L-R – Max Lussier, Jesse Brint, Mallika Sundaramurthy, Tommy McKinnon, Eric Burnet, Jeffrey Mac Dermott
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