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Category: EPKs

0 EPK – CAERRIAN – Fathomless Ruin (2026)

  • January 29, 2026
  • by Asher
  • · Caerrian · EPKs

EPK – CAERRIAN – Fathomless Ruin (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Lamb of God, Dissection, Iron Maiden, Megadeth, Opeth

“We are CÆRRIAN. Progressive melodic death metal from Mission, BC, Canada. A unique blend of heaviness, melody & harmony, covered with layers of frost.”

“Fathomless Ruin was a song concept written almost 8 years ago, just a riff idea that never saw the light of day. Resurrected when Warrborn was dissolved. Breakthroughs in my playing led to new parts and transitions that led to feel changes in the song, which influenced the lyrical concept and song structure. The lyrics wrote themselves after the first verse was laid out. The vision for the lyrics became crystal clear to me after writing the bridge section. It started off as a top gun-style theme, I envisioned jet fighters flying through the clouds, etc., but later saw the death of a Viking fleet at the mercy of the kraken. A song with a moral: Set out to rape, pillage, and kill, face your demise, and if you live, expect to be alone with no one, no glory, only sorrow. ” – Caerrian

All Links – https://linktr.ee/caerrian

https://www.facebook.com/profile.php?id=61571108528697 | https://instagram.com/caerrian | https://x.com/caerrian | https://www.youtube.com/@caerrian | https://tiktok.com/@caerrian

Spotify – https://show.co/6yOWAUD

“I’m so stoked Drumeo and Sabian asked us to feature ‘Fathomless Ruin’ in this ad for the new Redlight & Spotlight cymbal lines. It coincides perfectly with the launch of the single and me being picked up as a Sabian Artist. The Sabian sound is one I’ve known and loved all my life. And I can’t wait to showcase that in our live shows.” – Aaron Graham – Drums – Caerrian

[Download Single Cover | Download Single Lyrics]

Band: Caerrian
Single Title: Fathomless Ruin (5:45)
Release Date: Jan 30th 2026
Label: Self-Release
Distribution: CD Baby
Genre: Melodic/Progressive Death metal
Location of Band: Vancouver, BC

Single Recording Credits:
• All songs performed by: Caerrian
• All songs written by: Ken Rothe, Chris Dyck, Justin Gordon, Aaron Graham
• Produced by: Ken Rothe, Chris Dyck, Justin Gordon
• Mixed by: Matt Roach
• Mastered by: Matt Roach
• Album Artwork by: Cimmerian Art
• Member of SOCAN
• Canadian Content (MAPL)

Recording Line Up:
Ken Rothe – Lead Guitar
Justin Gordon – Rhythm Guitar
Josh Erhart – Bass
Aaron Graham – Drums
Tyler Parsons – Vocals

Live Band Line Up:
Ken Rothe – Lead Guitar
Justin Gordon – Rhythm Guitar
Justin Marcil – Bass
Aaron Graham – Drums
Tyler Parsons – Vocals

=====================================================

About Single Artwork:

The single artwork is inspired by a death from above theme, and also an ocean theme, to kind of keep with the lyrical contents, which is about crossing the ocean to pillage and getting decimated along the way.

About the upcoming EP (LYRICALLY & MUSICALLY):

The EP is a heavy melodic journey that crosses genres and tickles the brain. Sonically, crushing with massive guitar tones and pro sound quality. There is something in it for everyone, even calm parts like Opeth would have in their tunes, which lead to heavy parts. Stompy bits, prog bits, and everything in between, super melodic solos that aren’t just shreddy, but suit the moods. Lyrics are mainly based around the topics listed above: power struggles, defeat, control, and manipulation.

About The Track:

Fathomless ruin: uplifting and epic, then dark and evil, then uplifting again. The song is about a fleet of Vikings crossing the sea to pillage, encountering the kraken along the way, which destroys the fleet and all the warriors, leaving one soul survivor washed ashore in a foreign land to tell the tale.

=====================================================

STORY ANGLES / FUN FACTS ABOUT THE BAND:

1) Caerrian’s lyrical concepts and messages are designed to make people think. The current state of the world, the current state of your life, the past decisions you’ve made, and the implications of your actions. It is supposed to bring light to the various shady aspects of govt, finance, social media, influencers, and corporations who are really running the show. Some of our lyrics were written after doing our taxes, the burn of that, the burden of having to do your own work to pay someone else for things they aren’t delivering to us. Other things, such as the manipulation of the masses through social media, also heavily influence our writing, the strengthening of left vs. right, especially during COVID, and then after. We like to try to remain neutral on these things, but to show people that the left and right aren’t so divided, we should be more aligned with one another. To wake up and stop believing everything read on social media and everything delivered to us in the news.

2) This single and the EP were recorded at Raincity recorders by Caerrian, with Matt Roach. Who engineered, mixed, and mastered it all.  

3) We used the Quad Cortex, a Mesa Boogie Mark IV (Rev A), a Diesel VH4, and a Modded 5150 block letter through Mesa, and Marshall cabinets to achieve the guitar tones. Solar and ESP Guitars.  All guitars use Evertune Bridges, fishmann fluence pick ups, and EMG pickups.

4) Drums are all live off the floor, and mic’d up, no triggers or samples used.  

5) Our Drummer Aaron is an instructor with Drumeo and has a Doctorate in percussion from UBC.

=====================================================

L-R – Ken Rothe – Guitar, Tyler Parsons – Vocals, Justin Marcil – Bass, Justin Gordon – Guitar, Aaron Graham – Drums

Launched in December of 2024, CÆRRIAN is a five-piece progressive/melodic death metal band from Mission, BC, Canada.

Drawing influence from many metal sub-genres, the core sound is akin to bands like Amon Amarth, Soilwork, Iced Earth, Arch Enemy, Shadows Fall, Death, and Lamb of God.

Aiming to hit the riffs and grooves of Pantera, Megadeth & Slayer, while layering the progressive elements of Mastodon and the frostiness of Dissection or Witchery.

A unique blend of heaviness, melody, and harmony that we feel has something for every listener’s taste.

Vox: Tyler Parsons
Lead: Ken Rothe
Rhythm: Justin Gordon
Bass: Justin Marcil
Drums: Aaron Graham

Artist Endorsements: Aaron Graham – Sabian Cymbals

Shared Stage with:
•Anciients
•Ashen Pall
•Blackthrone Ascension
•Cryptic Enslavement
•Cultovar
•Dredge the River
•Deathbound
•Edith
•Empress
•Gregorious
•Heathanz Sinz
•Hushed
•Insurrection
•Killing Twins
•Malevolent
•Mortuary Cave
•Mutual Trauma
•Mvlgrave
•No Living Witness
•Omniesia
•PlagueDoctor
•Quasicosm
•Terrifier
•Torrefy
•Vampires and Leeches
•Vision of Verity
•Woke Up Wasted
•Yegg

0 EPK – Eternios – Requiem for the North (2026)

  • January 27, 2026
  • by Asher
  • · EPKs · Eternios

EPK – Eternios – Requiem for the North (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We hope it receives a positive response. We’re very proud of how the single turned out and feel it’s a great representation of what’s to come on the full-length. We want to portray a cold sense of melodic black metal with hopefully enough originality and breadth to appeal to extreme black metal fans as well as extreme melodic metal fans.” – Eternios

For fans of Brymir, Old Man’s Child, Fleshgod Apocalypse, Windir, Dissection

Facebook.com/eterniosmetal | Instagram.com/eterniosmetal | Youtube.com/@Eternios

Spotify | Apple Music

[Download Single Cover | Download Single Lyrics]

Band: Eternios
Single Title: Requiem For The North – 6:23
Release Date: January 27, 2026
Label: Independent
Distribution: Digital Release
Genre: Blackened Symphonic Death Metal
Location of Band: Vancouver, Canada
 
Single Recording Credits:
• All songs performed by: Eternios
• All songs written by: Colin Ryley
• Produced by: Colin Ryley
• Mixed by: Colin Ryley
• Mastered by: Colin Ryley
• Album Artwork by: Mike Hrubovcak (Visual Darkness)
• Member of SOCAN
• Canadian Content (MAPL)
Single Band Line Up:
Marlee Ryley – Vocals
Colin Ryley – Guitars, Bass, Orchestrations, Programming

===============================================

About The Album or Single Artwork:

The single artwork is a rendition of the upcoming full-length artwork, which was done by Mike Hrubovcak of Visual Darkness. He is also the vocalist of many bands, including Imperial Crystalline Entombment, Monstrosity, and Vile. His work on the album cover for Imperial Crystalline Entombment is some of my favourite black metal artwork I’ve ever seen, so when I reached out to him and he expressed interest, it was awesome.

It’s a very winter-heavy artwork with icy-blue tones and whites with music notes and notation flying out of a polar blizzard.

About the single (LYRICALLY & MUSICALLY):

Requiem for the North is my love letter to the vast Canadian wilderness. The feeling you get surrounded by snow and frost with no one around for miles as the sun sets around you is a melancholic and silent feeling that you feel deep in your soul. I intended to create a song that encapsulated this feeling, combining the extreme cold with beautiful harmony. It starts with aggressive blast beats and keeps a fast pace throughout the song, moving into a big, catchy chorus and eventually to a neo-classical style C-Section and chorus. This song also has a dedicated outro with dual guitar harmonies and double kicks over fast-picked legato tremolo rhythms.

BAND STORY ANGLES / FUN FACTS:

1. Eternios was created in late 2025 by guitarist Colin Ryley as a creative project based on his lifelong love of Scandinavian melodic death/black metal.

2. Colin did all the instruments and vocals for the first studio album as well as all the production, mixing, and mastering. But when he started looking forward to playing live shows during the second album recording, Marlee Ryley (Hyperia) hopped on vocal duty to allow him to focus solely on guitar.

3. Colin and Marlee Ryley are married and have toured extensively across Canada and Europe with their melodic thrash metal band “Hyperia”.

4. Eternios is a made-up word based on the word “Eternity”, a concept that heavily inspired the first album’s writing, which was based around evolution and the metaphysical mystery of the universe.

5. Eternios was created as solely a studio project for Colin Ryley, but with growing local interest as well as a wish to take the band further, he started putting together a full line-up while recording the second album.

===============================================

Eternios is a Blackened Symphonic Death Metal band from Vancouver, BC, created by Colin Ryley (Hyperia, Bayonet Dismemberment). Originally starting as a studio-only creative side-project, Eternios created and released their first full-length album “Mysterium” to the world in January 2025, receiving numerous praises and positive responses for the combination of aggressive black metal with melodic symphonic orchestral sections.

In late 2025, composing and recording started for the second full-length “Requiem For The North”, and the decision was made to turn Eternios into a live band. The sophomore album contains 9 originals along with a cover and is set to be released in Spring 2026.

Discography:
2026 – Requiem for the North (Album) – Unreleased
2025 – Mysterium (Album)

0 EPK – Sons of Butcher – Skids (2026) (Infamous Butcher Records )

  • January 17, 2026
  • by Asher
  • · EPKs · Sons of Butcher

EPK – Sons of Butcher – Skids (2026) (Infamous Butcher Records)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of B.A. JOHNSTON, TENACIOUS D, SPINAL TAP, PSYCHOSTICK, STEEL PANTHER

“Our band started as a direct extension of the cartoon series on Teletoon, with the first two albums featuring songs used in the episodes. After the show was cancelled, the band explored themes from not-yet-used episodes they never got to make on the albums Rise of the Steaks and Fall of the Steaks. Since the hiatus, this Ep will mark the first time that the band has written songs that don’t have a direct connection to the cartoon storyline, except for ‘Peppercorn Steak’. Instead, this EP is an honest batch of comedy songs from the grease-clogged hearts of a band of has-been butchers.” – Sons of Butcher – Ricky Butcher – Lead Vocals/Guitar

Sonsofbutcher.ca | Facebook.com/therealsobs | X.com/therealsobs | Youtube.com/sonsofbutcher | Instagram.com/therealsobs/

Sonsofbutcher.bandcamp.com | Apple Music |  Spotify

 

Upcoming Show Dates:
Feb 28 -The Parlour @ Ridiculous, Hamilton, ON
 ‘Makin Bacon’ single release w/ Marty Topps
March 14 – The Bank Arthouse, Welland, ON W/ Monsters of Schlock
April 2 – Honey Dip, London, ON – opening for B. A. Johnston
April 3 – L’Hemisphere Gauche, Montreal, QC –  opening for B. A. Johnston
April 4 – House of Targ, Ottawa, ON –  opening for B. A. Johnston
April 17 – The Corktown, Hamilton, ON –  opening for B. A. Johnston
April 18 – Baby G, Toronto, ON –  opening for B. A. Johnston

“You can have fun with the SONS OF BUTCHER… solid entertainment awaits you.” – PowerMetal.de (Skids – 2026)

““Skids” is a raw, four‑track eruption of cheap‑meat swagger and skid‑life grit” – Music Life Magazine (Skids – 2026)

“Sons of Butcher return meatier than ever… Unlike many novelty acts, Sons of Butcher proved they had the chops to back up the joke. Fronted by Trevor Ziebarth as Ricky Butcher, the band transformed the cartoon’s crude comedy into a live show filled with spandex, shredded guitar riffs, flying pepperettes, and an onstage meat-tray ritual that has become a bizarre but beloved tradition. Musically, their sound lands somewhere between classic metal, power-pop hooks, and full-throttle comedy rock, often compared to acts like Tenacious D, Steel Panther, Spinal Tap, and Psychostick.” – Hamilton City Magazine (Skids – 2026)

“Originally born from a school project and catapulted into the mainstream via their own animated series, the band has spent over two decades crafting what they call “comedic ear-worm riff rock.” – Switching Styles

“The band haven’t lost their touch for “mock rock” absurdity, swinging from the denim-soaked bounce of “Denim Dreamin’” to the gritty swagger of “Steeltown Handy”…. If you’re a fan of Tenacious D, Psychostick, or Steel Panther, you’ll want to get this one on your radar. ” – Moshville Times

“Keeping with the butcher theme, the band played its fair share of meat-themed tunes such as “Beef & the Chicken” and “Makin’ Bacon” during their high energy set, alongside fan favourites like “Fuck the Shit”, “We Fuckin’ Rule,” and of course, “Sons of Butcher Theme,” all of it delivered with the proper big, dumb rock ‘n’ roll attitude and absolutely zero subtlety. Steeltown skids represent!” – Panic Manual (Live Review – Toronto 2026)

“It was quite the shock as the self-proclaimed most fearlessly unwashed rock band to come out of Canada were marking their comeback after a nearly decade-long hiatus with a recently-released new four-song EP titled Skids. Moreso, SONS OF BUTCHER are also a band based on the Teletoon cult adult cartoon of the same name; they’re almost like our own version of DETHKLOK but with greater emphasis on meat products. That wouldn’t make their own appeal any less enduring as the quartet, comprised of Ricky Butcher (vocals/guitar), Doug Borski (vocals/bass), Joey Salami (lead guitar) and Crissy Stixx (drums), spread out a nice and heavy beefed-up buffet of goofy entertaining shock rock. Don’t let the outlandish 70’s wrestling costumes straight out of Nacho Libre fool you, though: SONS OF BUTCHER take their mission to rock hard very seriously. From the thudding punk rock of “Dream Girl” to the fiery onslaught of “Denim Dreams”, “Makin’ Bacon”, “Antimosher”, “We Fuckin’ Rule” and “Love Baster” to the downright heavy yet goofy chaos of “Fuck The Shit” and the theme song, SONS OF BUTCHER were a cholesterol-laden force to be reckoned with, playing with the reckless fury of a band only really making 20 cents off Spotify royalties on their singles “Denim Dreams’” and “Makin’ Bacon” alone. However one slices it, SONS OF BUTCHER’s long-awaited comeback only further prove that good entertainment has no expiry date.” – KNAC (Live Review – Ottawa 2026) 

“After a ten year hiatus, the rock behind Teletoon’s cult animated series, is back as Sons of Butcher release a new 4-track EP, “Skids”. The riffs, thunderous percussion and lyrics are designed to put fun back in rock and that they do. Tracks like ‘Makin’ Bacon’, ‘Steeltown Handy’ and ‘Denim Dreamin” are built for a party and a great reminder that rock should never take itself too seriously. So if you’re lookin’ for a good time listen up for Sons of Butcher on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll (Skids – 2026)

“Be careful, be careful, these Canadians are downright crazy and it starts to show as soon as you look at the cover. They do a crazy ’ Rock n’ Roll fuckin, crazy, humorous, delirious… this EP, well, that’s it, big fuckin’ madness. «Makin’ Bacon», for example, is hilarious, while sending the Caribou to play in the woods. This EP by SONS OF BUTCHER is a big slice of good humor, made by musicians who don’t take themselves seriously. Despite the weather, these guys are still crazy…. A CD for fans of ULTRA VOMIT, NANOWAR OF STEEL and others, in short for fans of joyful Metal. And that gives 4 titles for 4 peaks ! Personally, I’m really a customer.” – WTR Mag (Skids – 2026)

“In its brief runtime, Skids delivers a clear statement: the band hasn’t lost its grit, just sharpened it… Sons of Butcher embraces its original spirit with honesty, energy, and unapologetic attitude… Skids finds meaning in the space between parody and authenticity, where the band has always thrived.” – FirstWave Radio (Skids – 2026)

“Sons Of Butcher prove that after all these years they are still masters at combining sleazy rock, chaos, and pure fun. Anyone who loves dirty guitars, rattling rock, and a hefty dose of self-mockery is in the right place here. The gas pedal stays pressed – and fortunately so.” – Musika (Skids – 2026)

““Skids” stands out as a release with a clear entertainment-driven focus… an immediate and thoroughly enjoyable listening experience.” – MetalWar (Skids – 2026)

“Lockdown In Steeltown is a cheeky account that belongs with all historical records, as a kind of sly reminder when the next pandemic hits. Although it should probably be kept in the same section with Spinal Tap, “Weird” Al Yankovic, and pretty much every Dr. Demento show. I give this EP two Purell-sanitized thumbs up!” – Boston Rock Radio (2020 – Lockdown in Steeltown)

“the EP manages to lift the spirits of one or another rock fan with heavy music and silly jokes when they’re feeling cooped up, it has fulfilled its purpose. In any case, we’re not going to let a virus ruin our good mood.” – PowerMetal.de (2020 – Lockdown in Steeltown)

“Thing is, if there’s a word or a sentiment that could sum up 2020 is there one better than “FUCK!”?. As such, this could well be the album of our times. Crank it up, grab a beer, laugh at the childishness of it all and let twenty minutes or so more of the damn year slip by forever.” – Moshville Times (2020 – Ricky Butcher – Fuck! The Album)

[Download Album Lyrics | Download Album Cover]

Band: Sons of Butcher
EP Title: Skids
Release Date: March 27, 2026
Label: Infamous Butcher Records
Distribution: Indie Pool
Genre: Comedy Rock
Location of Band: Hamilton, Ontario, Canada (A.K.A. Steeltown)

Track Listing:
1. Denim Dreamin’ – (3:05)
2. Makin’ Bacon – (2:37)
3. Steeltown Handy – (2:21)
4. Peppercorn Steak – (1:42)

Album Recording Credits:
• All songs performed by: Sons of Butcher
• All songs written by: Trevor Ziebarth
• Produced by: Jordon Zadorozny
• Mixed by: Jordon Zadorozny
• Mastered by: Bill Hendersen
• Album Artwork by: Jay Ziebarth, Randy Gilbert (front cover), Kidd Gloves Photography (back cover)
• Member of SOCAN
• Canadian Content (MAPL)

EP Line Up:
Ricky Butcher – Lead Vocals, Guitar
Doug Borski – Vocals, Bass
Kellii Scott – Drums
Jordon Zadorozny – Lead Guitar
Brandon Wars – Lead Guitar

Live Band Line Up:
Ricky Butcher – Vocals, Guitar
Doug Borski – Vocals, Bass
Crissy Stixx – Drums
Joey Salami – Lead Guitar

=================================================

About The Album Artwork:

The EP artwork is a photo from a live show, and it has become symbolic to us as it’s a shot from the first show back after our ten-year hiatus. Ricky Butcher and Doug Borski (the two main characters from the cartoon and remaining original band members) are captured in a legendary rock pose on stage – reigniting the flame that propelled us forward to begin with.

About the album as a whole (LYRICALLY & MUSICALLY):

Skids is a four–song earworm assault, written about cheap meat, grunge-stained style, and unapologetic grit—the holy trinity of true skid-life. It’s raw. It’s loud. It’s honest. Every track drips with the undercooked charm of back-alley ambition and the unwashed spirit of rock forged in a butcher shop.

For the first time in decades, Ricky Butcher has sliced himself free from his notorious NSFW impulses, delivering some of the most radio-ready material of the band’s entire career. It’s still filthy at heart—but polished enough to slip onto the airwaves and corrupt the masses one FM signal at a time.

To bring this EP to life, the boys reunited with producer Jordon Zadorozny (Meatlantis, Rise & Fall of the Steaks), returning to Skylark Park in Pembroke, where the cleavers were sharpened, and musical direction was honed following their debut album. With Skids, Sons of Butcher aren’t just back—they’re propelling themselves forward.

Track by Track (LYRICALLY & MUSICALLY):

1. Denim Dreamin’ – This is the first socially acceptable Sons of Butcher track ever written! With a catchy refrain and bouncy riff, this song proudly stakes its claim that denim isn’t just a fashion statement but a whole way of life. This tune is relatable to anybody who has ever bought a patch or a band tee!  

2. Makin’ Bacon – A rare, metal-forward song that almost comes off the rails as it careens through an atypical song structure with busy riffs and catchy melodies. Lyrically, this is an opus dedicated to the universal love of bacon – and a cheeky nod to the inherent dangers therein. This isn’t a typical Sons of Butcher song; this one is shot out of a cannon with a chorus so catchy it may never leave your brain!

3. Steeltown Handy – Although a musically uncharacteristic song from Sons of Butcher, this poppy rocker oozes the type of authentic raunchiness that fans have come to expect from the band.  Showcasing a big chorus with lots of harmonies, this song exposes the underside of the gritty city of Steeltown and the type of deals that are found in desperation. A song about discount sex acts on the street shouldn’t be this catchy, but here we are!

4. Peppercorn Steak – This track is a return to form, an obsession with peppercorns over a simple 80’s riff with a heap of lyrical repetition. The one feels closer to something we would have written at the very beginning of this project. This track was previously featured in a pilot episode for an independently created third season of the cartoon series that is only available on YouTube. On the Ep, the song has been given the full studio treatment, with soaring vocals and chunky riffage and a chorus that’s almost too dumb to scrutinise.

=================================================

STORY ANGLES / FUN FACTS ABOUT THE BAND:

1. The drumming on the Skids EP was done by Ricky Butcher’s all-time favourite drummer, Kellii Scott, most notably from the band Failure! Fun fact– Kellii used to drum in our producer Jordon Zadorozny’s band Blinker the Star. Ricky discovered Jordon Zadorozny as a producer/musician because of Kellii Scott’s drumming, and Jordon has been Sons of Butcher’s long-time friend and producer ever since! It seemed fitting to have Kellii Scott drum on the first new batch of songs we had. Getting them both to perform on this EP brings the loop of fandom full circle!

2. This EP release will be accompanied by a handful of yet-to-be-announced Spring tour dates, with the boys once again hitting the road for 5 dates with Hamilton’s most beloved skid  – B.A. Johnston! *Dates and locations, as well as the date of the actual tour announcement, will be provided soon*

3. On April 24, 2026, Sons of Butcher will put out a very meaty music video for the track Peppercorn Steak, which will be released to coincide with National Steak Day on April 25th.  Finally, a steak-themed song to help you and your friends really capture that perfect Steak Day vibe!

4. FUN BAND HISTORY FACT: Sons of Butcher once walked on stage to perform a show in Sudbury, and the entire bar cleared out! In retrospect, a group of dudes wearing spandex outfits and playing party rock was probably never going to become super popular in the Nickel belt in the year 2008. We used the set to perform all 42 songs that we knew at the time to the handful of actual fans who made the drive to catch our set! Those fans got a rare treat, watching what was essentially a band rehearsal on stage.

5. FUN BAND HISTORY FACT: Back in 2004, when we were still pitching Teletoon, we convinced the network suits to let us perform at a swanky hotel in Niagara-on-the-Lake for a Teletoon Christmas party. Everything went according to plan, except we somehow forgot to load the DRUM KIT! We successfully stalled the party-goers while the show’s Director, Karl, drove back to Hamilton to retrieve the kit. Much like the rest of our career, the beginning was a mixture of total chaos, a steep learning curve, and flying too close to the sun!

=================================================

L-R – Doug Borski – Bass/Vocals, Joey Salami – Guitar, Crissy Stixx – Drums, Ricky Butcher – Lead Vocals/Guitar

Photo Credit – Evan Thompson

Sons of Butcher is a Canadian rock band consisting of Ricky Butcher (vocals/guitar), Doug Borski (vocals, bass), Joey Salami (guitar), and Crissy Stixx (drums).

Their music fuses vulgar absurdist comedy with hard‑hitting rock in a style proudly known as “mock rock.”

The band’s alter‑egos are the stars of an animated television series developed by S&S Productions and aired on Teletoon, following two brothers who run a butcher shop by day and shred stages by night. The name Sons of Butcher is literal; Ricky and Sol’s father was, in fact, a butcher.

Inspired by comedy‑rock icons like Tenacious D and Spinal Tap, the brothers conceived the idea in college around 2000. A script passed to a producer from the classic Canadian sitcom Red Green helped bring the show to life. After the first season aired, it became clear the fictional band needed to exist in the real world. Soon, Sons of Butcher were performing live and releasing albums.

The band has released five full‑length albums: Self‑Titled (2005), Meatlantis (2007), Rise of the Steaks (2010), Fall of the Steaks (2010), and C Sections (2016).

Onstage, Sons of Butcher brings the cartoon to life, spandex, raunchy lyrics, chaotic antics, pepperette‑throwing, and the infamous roaming meat tray all make their appearances, backed by ferociously heavy riffs.

The comedic rock party shows no signs of slowing down. After dropping their timely 2020 EP Lockdown in Steeltown, the band continues to carve new paths in mock‑rock. In 2026, Sons of Butcher returns with Skids, a brand‑new EP that pushes their signature blend of absurdity and heavy rock into fresh territory.

Discography:
2026 – Skids – EP
2020 – Lockdown in Steeltown – EP
2019 – Moppin’ the Mod Club: Live in Toronto
2016 – C Sections – Album
2010 – Fall of the Steaks – Album
2010 – Rise of the Steaks – Album
2006 – Left Behind Vol. 2
2006 – Meatlantis – Album
2005 – Left Behind Vol. 1
2005 – Sons of Butcher – Album

Shared Stage with:
Priestess, B.A. Johnston, Blood Opera, Thunderkok, Wildstreet, The Monsters of Schlock, Gene Champagne, Shockwire, Live Animals

Tours and Festivals:
2024 – NXNE – Toronto, ON
2021 – Bar Down Beer Fest – Niagara Falls, ON

 

0 EPK – DOLL – Bear Claw (2026)

  • January 17, 2026
  • by Asher
  • · DOLL · EPKs

EPK – DOLL – Bear Claw (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We had such an amazing response to our first “Animal Crackers” concept with our earlier release this year for “Shark Bait”.  We had always envisioned releasing three animal-themed songs as part of our original plan, but the positive feedback really propelled us to finalize the product with our next song in the trilogy, Bear Claw. We think it’s safe to say this is our best effort yet, when it comes to bringing back some of that legacy Doll riffing, mixed with the hardcore element that we toyed with in Shark Bait, and really getting creative with the vocals and lyrics. We hope that this one is just as well received as Shark Bait, if not better. I guess it depends if you’re more of a land or sea animal lover.” – DOLL

For fans of SoftCult, Amyl and the Sniffers, Scowl, Nobro, The Pretty Reckless

Doll.bandcamp.com | Facebook.com/dollband | Spotify | Youtube.com/@insidethedollhouse

What the press has said about DOLL:

!earshot – August 2025 – Top 20 Loud – #5 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

!earshot – August 2025 – Top 200 – #55 – DOLL – Canadian Campus Radio Charts (2025 – Better Days, Better Times)

“#1 Doll – Zach’s Picks of the Week – July 7 – 12, 2025 – Canadian Beats (2025 – Better Days, Better Times)

“In one of the best comeback stories in music in 2025, Canadian Alt-Rock duo DOLL will release their first new collection of material since 2011’s The Ragdoll Diaries… In addition to five slamming originals, DOLL chips in an inspired take on the Deep Purple classic rock anthem – “Smoke On the Water!” “- Ghost Cult Magazine (2025 – Better Days, Better Times)

“Doll sharpens their grit with new muscle and melody. Their return after more than a decade is not a nostalgia trip but a rebirth. The Ottawa band’s forthcoming EP Better Days, Different Times (July 18th) expands their core formula of raw energy and no-frills honesty by inviting new players and broader sonic choices into the mix. But even with cello flourishes and genre jumps, their identity remains firmly intact.” – Amplify The Noise (2025 – Better Days, Better Times)

“The new track ‘Shark Bait’ from Doll is a blast! The world has been celebrating the 50th anniversary of “JAWS” and now we have a brand new punk-fueled bite in the pants to go along with all of the bloody hoopla. ‘Shark Bait’ is basically straight ahead hardcore riffage with razor sharp teeth, fun lyrics and a precursor to their new EP, ‘Better Days, Different Times’ set for a July 18th release. Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll (2025 – Better Days, Better Times)

“DOLL has returned as potent and as impressive as they were before but with greater impact we suggest, Better Days, Better Times quite simply a must exploration for punk and feral rock hearts.” – The Ring Master Review (2025 – Better Days, Better Times)

“Christina Kasper’s changeable voice is impressive.” – Keep On Rocking (2025 – Better Days, Better Times)

“‘Bleeding’ is a colourful mixture of Hard and Alternative Rock, paired with influences from Punk and Gothic, in a very melancholic sounding melody. The powerful voice of singer Christina Kasper dominates like a siren. ” – Metal Heads Forever Magazine (2025 – Better Days, Better Times)

“The Rag Doll Diaries” is the story of a road weary/world weary band with so much to say and share. Its the combination on heartache and despair offered with a hand meant for holding. In other words here is real music for the real world.” – Heavy Metal Time Machine (2013 – The Ragdoll Diaries)

“Doll was conceived as a bridge between punk and rock, a bridge that was fulfilled in the early ’90s by bands like Nirvana and the mid-’90s by Foo Fighters… A good punk band doesn’t write about the joys of picking daisies and Doll is no exception.” – The Whig Standard (Kingston, ON) (2013)

“Doll provides a missing link between punk and rock.” – The Intelligencer (Belleville, ON) (2013)

“The four-piece are definitely reminiscent of the grunge era and have provided a concise four-word biography of the band: “Rock N’ Fucking Roll.” – Exclaim! (2011 – The Ragdoll Diaries)

“One of the most striking aspects of Inside The Dollhouse, after Christina’s whiskey-and-hell voice, is a fictional character by the name of Sally created to carry the songs. A concept completely unexpected given the band’s twentysomething youth, immediately reminiscent of Alice Cooper’s infamous character Steven, introduced on Welcome To My Nightmare in 1975.” – Bravewords (2010 – Inside the Dollhouse)

“The debut from Ottawa’s Doll caught me instantly like a fish on a hook. This is serious music. Dark, intense and magnetic, this is the kind of gritty ’90s grunge that doesn’t fuck around. Fronted by the vocally vicious Christina Kasper, Doll recall an angry and confused era of music devoid of pop but not catchiness. Kasper howls in the vein of Courtney Love and Brodi Dalle, and while the lyrics are simple and not exactly fresh, they are impacting. Songs like “Perfect” deal with trying to live up to society’s standards, while “Sally Lost Her Shoelaces” and “Daddy’s Little Girl” deal with hurt, confusion and heroin against a backdrop of chunky guitars, assaulting drums and badass attitude. Julie-Anne Madore’s backing vocals add a whispered, haunting feel to this record. If the dirty rock’n’roll alone doesn’t reel you in, nothing will.” – Exclaim (2009 – Inside the Dollhouse)

[Download Single Cover | Download Single Lyrics]

Band: DOLL
Single Title: Bear Claw – 2:44
Release Date: January 16, 2026
Label: Grunge Never Died, You Did Records
Distribution: DistroKid
Genre: Hard Rock, Punk, Grunge
Location of Band: Ottawa, Ontario

Single Recording Credits:
• All songs performed by: Doll
• All songs written by: Doll
• Produced by: Josh Hart
• Mixed by: Josh Hart
• Mastered by: Josh Hart
• Single Artwork by: Mark Kidd
• Member of SOCAN
• Canadian Content (MAPL)

Single Band Line Up: Pete Kasper, Christina Kasper, Josh Hart

=============================

About The Single Artwork:

With Bear Claw, we really wanted to revive some of the artwork that we were used to seeing as kids, with the Smokey the Bear posters, so we definitely went heavy on that look and feel, but then bringing in our own comedic elements with having Doll on the hat, and rebranding Smokey as Grungey, and Grungey having a chip on his shoulder, giving him some attitude. Mark Kidd once again shines with the concept and brought the end result to life.

About the single (LYRICALLY & MUSICALLY):

Musically, we aimed to revive some of the classic Doll sound, featuring leads, heavy wah-wah pedal usage, Christina’s signature bends, and pushing it to the max with some nifty quick strumming, all while bringing the heat with the hardcore-infused chorus from Pete, courtesy of the drop tuning.

We definitely wanted to create a sense of danger and suspense, with the breakdown in the middle or so, recording through a very low-fi head and amp combination, giving that spooky feel, and then coming in with the crunch from the PRS MT100, giving that symbiotic mix of old and new. Driving as much atmosphere and emotion without introducing keyboards.

Vocally, this song is definitely our most creative, and while true to form, Christina did a wicked job at changing up the delivery and bringing in some aspects that we haven’t done before. It was important for us to make the song fun, introducing some light-hearted lyrics in the process, but still keeping with that raw and rock vocal and lyric that Doll has always been about.

======================================

Fun Facts:

1. Christina and Pete are married.

2. They have been supporting and pioneering the Ottawa local scene by organizing shows in the area for over 20 years.

3. On tour, we always had hot and sour soup in every city.

4. Our first out-of-town runs of shows, we didn’t even have a band van, which we ended up finding late night the day before, purchased off someone privately, and had insured and plated the next morning before driving off in our amazing two-tone brown GMC Safari (RIP), the best van ever created.

5. Everyone was a huge fan of Sonic Youth

After a long hiatus, Doll returned in 2025 with a brand‑new album—and they’re keeping the momentum going with a follow‑up 2026 single, “Bear Claw,” releasing January 16th.

Doll is a Canadian alternative rock band from Ottawa, Ontario.

In 2009, Doll released their first album, Inside The Dollhouse. A video was filmed for their debut single, “Daddy’s Little Girl,” which aired on MuchMusic and MusiquePlus. A second video was filmed for their next single, “Sally Lost Her Shoelaces.” Madore left the band a few years later, with Paquette returning to take her place.

In 2011, they released their second album, The Ragdoll Diaries. Two singles and videos emerged from this release: “FMO” and “Youth of Today, Hope for Tomorrow.” The album was issued on both CD and vinyl. Soon after, Alex Vance joined the lineup as the new bassist.

Over the years, Doll has shared the stage with an impressive roster of artists, opening for Three Days Grace, Lacuna Coil, Danko Jones, Spinnerette, Protest the Hero, Band of Skulls, Anvil, Halestorm, SNFU, Hanzel Und Gretyl, Civet, The Creepshow, Die Mannequin, and many more.

Discography:
2025 – Better Days, Different Times
2011 – The Ragdoll Diaries
2009 – Inside the Dollhouse

Tours and Festivals:
2011 – Ottawa Bluesfest
2011 – IndieWeek
2011 – NXNE
2011 – Montebello Rockfest

0 EPK – Conflux Collective – In the Wake of Saturn (2026)

  • January 15, 2026
  • by Asher
  • · Conflux Collective · EPKs

EPK – Conflux Collective – In the Wake of Saturn (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“In the Wake of Saturn is a journey through pain, fear, defeat, survival, and finally rebirth. It’s a transformative experience that was created out of the necessity for change. It’s a complex album that took a tremendous amount of effort to bring to light. Jeanne Comateuse did a fantastic job at bringing it to life with a brilliant mix. Many obstacles impeded the production, and it’s only out of sheer will and the refusal to quit that it is now complete and available for the audience. This is a DIY album. It’s not perfect, but it’s unique. A true underground monster, made for those who appreciate and seek the unusual. It features a great mix of vocals. Brutal, but very clear and purposeful. It has a bit of everything, some grooving parts, brutal parts, and melodic parts. It’s a journey, and the last song is the perfect closer.” – Tommy McKinnon – Conflux Collective

For fans of Cryptopsy, Necrophagist, Decrepit Birth, Augury, Beyond Creation

Band: Conflux Collective
Album or Single Title: In the Wake of Saturn
Release Date: June 19, 2026
Label: Self-Release
Distribution: CD Baby
Genre: Death Metal
Location of Band: Canada

Facebook.com/confluxcollective | Youtube.com/@conflux2651 | Instagram.com/confluxco

Confluxcollective.bandcamp.com

“this maddening musical force comprised of  many of today’s best death metal musicians. – Austin Weber, No Clean Singing (EP The Inception, 2016)

“The Conflux Collective deliver their first song unto us, a brain scrambling ditty called “Lucid Hallucinations”. This new multi-national death metal group is definitely a band you’ll want to keep an eye on!” – Metal Injection (EP The Inception, 2016)

“Each song features a rotating cast of different vocalists and bassist on each song, with the only members on all three being guitarist/composer Chase Frasier (Continuum, ex-Decrepit Birth, ex-Son Of Aurelius, ex- Animosity, etc) and highly skilled drummer Tommy McKinnon (Akurion/Neuraxis as the only constants in this maddening musical force comprised of  many of today’s best death metal musicians. The three vocalists on The Inception are: Mike Disalvo (Akurion/Coma Cluster Void/ex-Cryptopsy) on track one, Matt McGachy (Cryptopsy) on track two, and Beneath The Massacre vocalist Elliot Desgagnes on track three. All three songs on The Inception sound and unfold differently than each other, which bodes well for the groups future moving forwards! Jam below  for some high-octane shred heavy tech-death that’ll bore a hole through your head. But do so in a finessed way of course!” – Metal Injection (EP The Inception, 2016)

“At just about 10-minutes in length, The Inception feels more like a teaser than anything else. But that’s just a consequence of how strong it sounds. If they continue to enlist the best of the best as they move forward with more material, Conflux could really be something special. A must-hear if you prefer your death metal on the tech-ier side of things (or you dig any of the members involved).” – Dead Rhetoric (EP The Inception, 2016)

“Helmed by guitarist/songwriter Chase Fraser (Continuum, ex Animosity, Decrepit Birth) and drummer Tommy Mckinnon (Akurion/Neuraxis), Conflux Collective is a new collaborative death metal project bent on both pushing the bounds of creativity within the genre and the culminating of ideas with other artists in the community.” – New Noise Magazine (EP The Inception, 2016)

Band: Conflux Collective
Album or Single Title: In the Wake of Saturn
Release Date: June 19, 2026
Label: Self-Release
Distribution: CD Baby
Genre: Death Metal
Location of Band: Canada

Track Listing:
1. The Antidote – 3:02
2. Devoid of True Form – 2:39
3. Ethereal Executioner – 4:45
4. Devouring Light – 4:59
5. Blood from a Rock 4:18
6. Reincarnation – 3:20
7. In the Wake of Saturn – 2:29
8. Desperate Post-Humanist – 5:18
Album Length: 30:53

Album Recording Credits:
• All songs performed by: Conflux Collective
• All songs written by: Conflux Collective
• Produced by: Tommy McKinnon
• Mixed by: Jeanne Comateuse at Magma Art & Sound
• Mastered by: Jeanne Comateuse at Magma Art & Sound
• Album Artwork by: Filip Ivanovic
• Member of SOCAN

Album Band Line Up:
Guitar: Chase Fraser (Continuum)
Vocals; Eric Burnet (Derelict), Max Lussier (Derelict), Jesse Brint (Gross Misconduct), Mallika Sundaramurthy (Emasculator), Jeff Mott (Hollow, Monster Factory)
Additional guitar, bass and drums: Tommy McKinnon
Track 1,2, 3, 6. Music: Chase Fraser. Lyrics: Tommy McKinnon
Track 4. Music: Chase Fraser. Lyrics: Jesse Brint
Track 5, 7. Music & Lyrics: Tommy McKinnon
Track 8. Music: Tommy McKinnon. Lyrics: Eric Burnet

================================================

About The Album Artwork:

Filip Ivanovic created something truly powerful. I wanted something that evokes rebirth, awakening and power. The image shows a giant creature emerging from the depths, as if from a deep sleep. One can see fragments of shattered stone falling from the walls of a cavern. It’s a vision of nightmares, but also one that inspires awe and humility.



About the album as a whole (LYRICALLY & MUSICALLY):

Through the 8 songs, one will be revolted, repulsed, empowered and inspired. It tells a story of loss, but also renewal. Songs are not structured in the traditional “pop rock” verse/chorus fashion, yet there are certainly strong parts that sound like choruses. Expect climaxes, heavy grooves, blast beats, solos… All with the vocals leading the way between the different sections. Jesse said it best: “… it’s a journey”.

Track by Track (LYRICALLY & MUSICALLY):

1. The Antidote 03:02 – Music: Chase Fraser. Lyrics: Tommy McKinnon
The opening track is all-out brutal/melodic nastiness. It talks about being complacent in the face of ignorance and prejudice, and is a reminder that self-discipline is the way to counter the pressure of a civilization where valour is ridiculed, and sloth is celebrated.

2. Devoid of True Form 02:39 – Music: Chase Fraser. Lyrics: Tommy McKinnon
Based on the Buddhist concept of Emptyness, or my understanding of it. My first real attempt at making this into a full-on death metal song. Like the first song, it’s balls out, but a bit more straightforward.

3. Ethereal Executioner 04:45 – Music: Chase Fraser. Lyrics: Tommy McKinnon
Some of the craziest and most daring drum parts I’ve ever recorded. This truly progressive song talks about the severe consequences of addiction, and the bottom of the pit from which one may perish, or rise to reinvent oneself.

4. Devouring Light 04:59 – Music: Chase Fraser. Lyrics: Jesse Brint
This doom-leaning, torturous piece is a groove-filled and crafty maelstrom of heavy riffs and open chords. The bass line is rich with attitude. The words talk about witnessing an ecological disaster of epic magnitude.

5. Blood from a Rock 04:18 – Music & Lyrics: Tommy McKinnon
A two-fold song that starts with a brutal assault and resolves in a labyrinth of heavy old school breakdowns. The lyrics are about arrogance and greed.

6. Reincarnation 03:20 – Music: Chase Fraser. Lyrics: Tommy McKinnon
Another one of Chase’s brilliant, brutal, progressive death metal offerings. It speaks of overcoming desire.

7. In the Wake of Saturn 02:29 – Music & Lyrics: Tommy McKinnon
The eponymous song of the album. The fastest song on the whole album. Meant to be a straightforward assault with memorable melodies. In the Wake of Saturn, literally, this album was forged…

8. Desperate Post-Humanist 05:18 – Music: Tommy McKinnon. Lyrics: Eric Burnet
The closer of the album. An unexpected and risky fresco, highlighting the dialogue between a man and a machine. It is the most layered song on the whole album. It has upward of 55 audio tracks.

================================================

BAND STORY ANGLES / FUN FACTS:


1. Max:
I really appreciated the challenge and was honoured to get the call. The guitar solo on Blood From a Rock is completely insane and took me out of my comfort zone. As for the vocals, I was pleasantly surprised that the cleans made it to the final cut. I think it showcases the project’s diversity and open-mindedness.

2. Jeff:
The only thing I could add is a huge thank you, @Tommy, for thinking of me on this! I love challenging myself, and you put me in the best position to do so. And to work with you again is a genuine pleasure, buddy!

3. Tommy:
When I finally came to the realisation that this band would never see the light of day unless I finished it up, my first step was to record the bass. This is the first album I ever recorded on bass guitar, kind of a rough first step for a guy who can barely find his way through a blues. I had some tabs, but I realised real quick that the tabs were outdated, and what was written down wasn’t the music that was recorded in the guitar tracks. So I had to figure out every note: I did so by looping each note and finding them on the bass, then figuring out which phrase was tonal and could be summed up as chords, and which ones needed note-for-note support. In the end, I’m happy with the bass on the album. It was great that I didn’t have tabs; it forced me to use my ears and think “out of the box”.

================================================

L-R – Max Lussier, Jesse Brint, Mallika Sundaramurthy, Tommy McKinnon, Eric Burnet, Jeffrey Mac Dermott

PHOTOGRAPHER CREDITS: Joe Diaz, Derek Carr of Visionsinpixels, Mat Barbeau, Tania Hébert

Born from a chance reunion in a Montreal fast‑food joint after a King Diamond show, Conflux Collective emerged as a spontaneous spark between guitarist Chase Fraser (Continuum, ex‑Decrepit Birth, ex‑Animosity) and drummer Tommy McKinnon (Derelict, Akurion, ex‑Neuraxis, ex‑Augury). What began as two musicians rediscovering each other after years apart quickly transformed into a creative eruption. Within their first hour of jamming, a full song had taken shape; within six weeks, they had written and recorded their debut EP, The Inception (2016).

From the beginning, Conflux was never meant to be a traditional band. It was conceived as a true collective, a space where multiple voices, styles, and creative minds could collide. The project’s identity was built on the idea of bringing together diverse extreme vocalists and pushing progressive technical death metal into new emotional and sonic territory.

After an extended dormancy brought on by life’s unpredictability, McKinnon resurrected the project with renewed purpose. Armed with five unreleased tracks from Fraser, one from a former collaborator, and a determination to finally bring the album to life, he rebuilt Conflux Collective from the ground up. McKinnon composed additional material, rewrote entire songs, recorded all bass tracks by ear, and crafted lyrics drawn from deeply personal experiences, dark, cathartic, and unflinchingly honest.

To complete the vision, he assembled a powerhouse roster of vocalists whose performances became the beating heart of the record: Jesse Brint (Gross Misconduct), Mallika Sundaramurthy (Emasculator, ex‑Abnormality), Jeffrey Mac Dermott (The Monster Factory, Growlers Choir), Eric Burnet (Derelict, Samskaras), and Max (Derelict), who also contributed a blistering guitar solo.

Each vocalist brought their own identity, technique, and emotional weight, transforming the album into a multi‑dimensional journey.

The result is the band’s long‑awaited full‑length album, “In the Wake of Saturn” (2026), a progressive, brutal, melodic, and uncompromising exploration of loss, transformation, and inner strength. Musically, it bridges the raw ferocity of ’90s death metal with the precision and ambition of modern tech‑death. Lyrically, it channels personal upheaval, existential reflection, and the power of self‑reinvention.

Across eight tracks, listeners are pulled through blast‑driven chaos, atmospheric tension, crushing grooves, and climactic melodic peaks. The songs defy traditional structures, instead unfolding like chapters in a narrative—guided by the shifting voices of the collective. As vocalist Jesse Brint put it, “It’s a journey.”

Though Conflux Collective has no plans for live performances, the project stands as a testament to collaboration without boundaries. It is the convergence of past and present, chaos and craft, instinct and intention.

Conflux Collective is not just a band; it is a meeting point for extreme music’s most creative forces, united in the pursuit of something powerful, transformative, and unforgettable.

Discography:
2026 – LP – In the Wake of Saturn
2016 – EP – The Inception

Artist Endorsements:
Chase Fraser plays ESP guitars
Tommy McKinnon plays TAMA drums
Mallika Sundaramurthy uses Cosmic Ears in-ear monitors

0 EPK – Ravenmocker – Infallible (2026)

  • January 13, 2026
  • by Asher
  • · EPKs · Ravenmocker

EPK – Ravenmocker – Infallible (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Infallible was the song that really made me decide to put my full focus into Ravenmocker and leave a chunk of my life behind me that was harming me more than helping me. I think the guys heard the potential behind the song immediately, and that’s what we started working on first. I think the point in time where I was in life really helped me to go into this song and into the project headfirst. The song really helped us get into a good headspace with this sound and style, and a small clip of it on YouTube garnered over 80k views, so we really have a connection with this song. The intensity of the interest was validating and we felt like we were onto something. We can’t express our appreciation for everyone who heard it and felt compelled to even comment that they enjoyed it. We hope you’ll like the studio version even better!” – Tom Tierney – Guitar and Vocals – Ravenmocker

For fans of Children Of Bodom, Kalmah, Insomnium, Amon Amarth

Ravenmocker.net | Instagram.com/ravenmockerofficial | Youtube.com/@Ravenmockerofficial | Facebook.com/ravenmockerofficial | Tiktok.com/ravenmockerofficial

Ravenmockerofficial.bandcamp.com

“In this song Ravenmocker set the hook immediately with a vibrantly darting melody that will quickly remind listeners of Finnish melodic death metal greats, and every time that high-flying (and very catchy) melody line reappears it’s an electrifying experience. But so’s the rest of the song. It’s driven by hard-charging, head-hammering drums and nimble bass lines, and by riffing that both channels a feverish pulse (one that’s a variation on that opening melodic motif) and delivers slashing savagery. The vocals magnify the song’s ferocious intensity, venting the words in an intersection of cutthroat snarls and raging screams. This will get your blood pumping, and to repeat: it’s damned catchy too.” – No Clean Singing

Band: Ravenmocker
Single Title: Infallible (3:13)
Release Date: Jan 12, 2026
Label: Self-Release
Genre: Melodic Death Metal
Location: Long Beach, CA, USA

Single Credits:
Performed by Ravenmocker
Written by Tom Tierney
Produced by Tom Tierney, Alex Nasla
Mixed and Mastered by Alex Nasla – Waveform Studios
Single Artwork by Tullius Heuer
ASCAP Member

Ravenmocker is:
Tom Tierney – Guitar and Vocals
George Patmas – Guitars
Will Buckley – Bass
Dylan Suierveld – Drums and Percussion

====================================================

About The Single Artwork:

A figure stands in the ruins of destruction in the aftermath of a massive war – buildings and towers that once stood tall crumbled to dust as a city was reduced to its ground level. All that’s left standing is the statue of the Raven; wings spread wide and ready to fly in the midst of the ruin, symbolizing new opportunities, resilience, and hope for a new future. 

About The Single:

– Infallible is the turning point of a man who’s been in the dark for long enough, always giving whatever he can to an entity that never gives back. He’s fed up with giving himself to this darkened space and chose to walk away from something that looks perfect from the outside but on the inside is just turmoil. The chorus is the statement that he’s longed to give, accepting that there’s always going to be strife now, but while the entity was just standing around watching life unfold, the man taught himself how to thrive and survive. Now it’s his time to take an adventure and walk away, make sure the past stays dead and gone, and is on to his own journey. Infallible has a very almost cheerful feeling while the lyrics are cold and rigid, expressing the duality of the brightness of a new sun and possibilities, while resentment, anger, and frustration are things that never just go away. It’s a very energetic song, highlighting the adrenaline and almost scary nature that comes over us when it’s time to make a big decision, but ultimately, knowing it’ll take us to where we have to go.

================================================

Stories and Fun Facts:

– Most of the band are avid gamers. Tom, Dylan, and Will all heavily enjoy video games and can be found unwinding with Diablo, God of War, Skyrim, Elden Ring, and Starcraft.

– When filming the video for Where the Raven Flies, the band and crew got stuck on the mountain after dark because of an unrelated accident on the way down. They were rerouted, and all got lost, and most of the band found themselves over 50 miles away from the freeway, and all got home over two hours later. All GPS, cell phone service, and communication were lost in the mountains, and there was a period of uncertainty where no one knew where they were or how to get home.

– When recording the first material, the band had started off with a selection of songs that were eventually pushed to be released down the road. The band wanted to showcase the more melodic material, and even though most of the music had been tracked and started to be mixed, a general consensus was that the music didn’t capture the vibe that the band wanted to bring to the table as a first impression. The songs were put on the back burner for release down the road, and an entirely new set of songs was decided on and tracked from the top.

– Most of the band derives its influences from very different sources. George is a huge country and jazz fusion listener, and has spent years on the saxophone playing jazz. He loves to listen to artists such as Karizma, Allan Holdsworth, and BlackHawk. Dylan is about as big a country fan as they come, and in addition to his blistering drums, enjoys artists such as Whelan Jennings, Kieth Whitley, Colter Wall, and Charlie Pride. Will loves some classic pop punk like Paramore, AFI, Taylor Acorn, and Honey Revenge. And Tom pulls some of his ambient writing and orchestration from classical choral music, but also EDM artists like Infected Mushroom, Tiesto, and Above and Beyond.

================================================

From L – R – Dylan Suierveld – Drums, George Patmas – Guitar, Tom Tierney – Guitar and Vocals,  Will Buckley – Bass

Photo Credits – Kim Moran – Photographer

Formed in Southern California in 2025, Ravenmocker is a melodic death metal band founded by guitarist/vocalist Tom Tierney (formerly of Thrown Into Exile) to channel songs inspired by Native American lore and personal experience. Joined by seasoned musicians from across the local scene, George Patmas (guitar), previously with goth rock act Dianthus, Dylan Suierveld (drums), also active in Levinia, and Will Buckley (bass), known for his work in Levinia and Anubis. Together, the group blends soaring melody with raw aggression, creating music that is both nostalgic and fresh.

Their sound has evolved from Tierney’s early thrash/death roots into a refined style influenced by Children of Bodom, Insomnium, Amon Amarth, Kalmah, and Dark Tranquillity. Each member brings unique influences, country, prog, blues, and funk that enrich Ravenmocker’s dynamic arrangements and powerful live performances.

In 2026, Ravenmocker will introduce themselves to the global metal community with two singles: “Infallible” and “Where the Raven Flies.” These tracks showcase the band’s melodic strength, emotional depth, and cultural vision, setting the stage for their debut EP and a bold new chapter in melodic death metal.

Discography:
2026 – Infallible (Single)
2026 – Where The Raven Flies (Single)

Artist Endorsements: Dylan – Agean Cymbals, Trick Dums, Los Cabos Drumsticks, Randall May Internal Mics, HHG Drums

0 EPK – Nightwraith – The Candlelight (2025)

  • December 19, 2025
  • by Asher
  • · EPKs · Nightwraith

EPK – Nightwraith – The Candlelight (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Band: Nightwraith
Single Title: The Candlelight
Release Date: December 19, 2025
Label/Distribution: Self-Release
Location: Denver, CO, USA
Genre: Blackened Progressive Death

“‘The Candlelight’ has a straightforward black n roll sound, and is extremely catchy. While it lives in a space closer to ‘classic heavy metal’ than ‘death metal’, we think our fans will appreciate the hooky songwriting and abundance of harmonized guitar riffs. We wanted this single to be something that is revisited multiple times, rather than something that is listened to once and moved on from. To accomplish this, we took great care in crafting a song that has somewhat of a pop-structure, but blackening it enough that it can be regarded as a great standalone heavy metal track.” – Nightwraith

For fans of Tribulation, Kvelertak, Mastodon, Enslaved, Judas Priest

Nightwraithband.com | Facebook.com/nightwraithband | Instagram.com/nightwraithband | Youtube.com/@nightwraithband5142 | Twitter.com/nightwraithband

Nightwraith.bandcamp.com | Spotify | Apple Music | Soundcloud.com/nightwraithband

Band: Nightwraith
Single Title: The Candlelight
Release Date: December 19, 2025
Label/Distribution: Self-Release
Location: Denver, CO, USA
Genre: Blackened Progressive Death

Single Recording Credits:
• All songs performed by NightWraith
• All songs written by Benjamin Pitts and NightWraith
• Produced/Engineered by: Jacob St. Amand
• Additional production by Van Labrakis at 210 Studios, San Francisco
• Mixed/Mastered by: Van Labrakis at 210 Studios, San Francisco
• Album Artwork by: Nate Burns
• Layout by: Rob Burelson

Band Line Up:
Benjamin Pitts: Vocals/Guitar
Isidro ‘Spy’ Soto: Drums
Igor Panasewicz: Guitar
Lauren Vieira: Keyboards/Synthesizer
Jacob St. Amand: Bass

==============================================================

About The Single Artwork:

The artwork was created by Nate Burns (@revoltingworship), a talented tattoo artist and illustrator based in Columbus, OH. For ‘The Candlelight’, he drew an other-worldly woman who is conjuring some Bacchanalian ‘party’ magic. The piece is done all in pen and looks incredible, especially in the details of the hands and dagger. Then our friend Rob Burelson put the finishing touches on the layout, making it really stand out as a dark and engaging piece of art.

About the single as a whole (LYRICALLY & MUSICALLY):

“The Candlelight” showcases a different side of NightWraith. It’s lean and hook-forward, but still carries the ‘blackened’ sound that they’re known for. Lyrically, it’s a snapshot from a wild and carefree era in Ben’s life, when he lived in DIY punk houses. Instead of nostalgia for nostalgia’s sake, the song treats his memories like honest postcards, so the emotion still lands even if the listener doesn’t carry the same experiences.

Musically, it moves with a confident, mid-tempo swing. The drums are driving and heavy with lots of double bass, the guitars deliver ear-grabbing harmonies, and there’s a melodic theme you’ll find yourself humming for hours later. There’s some grit around the edges, too, namely in the vocal lines that cut through with some bite. The arrangement carries momentum with evolving keyboard melodies in the verses, a chorus that really sticks, and an ending that crescendoes into an instrumental 3-part harmony.

Born in Ben’s memories and sharpened in a room with the full band, “The Candlelight” stands on its own as a sing-along ripper, with a payoff that will call for multiple spins.

===================================================

STORY ANGLES / FUN FACTS ABOUT THE BAND:

1: NightWraith has over 100 years of combined musical experience, because we’re all old, haha!

2: One time, someone tried to break into our van through the side window, but the joke was on them because the door was busted and did not open! Unfortunately, we had an out-of-town show a few days later, and the exhaust system clogged up on our way home. So we were moving at a max speed of 35 mph all the way home, with a broken window, at night, in the dead of winter. It was so cold that Igor and Caleb had to pull out the emergency blanket to stay warm, which was actually kind of adorable.

3: Ben and Spy used to play together in a legit Dethklok tribute band! And Joey (Wayfarer), who did the guitar solo on our song ‘Invocation’, was the ‘Swisgaar’ of the band and executed all of those leads note-for-note – super impressive!

4: Lauren has perfect pitch. It can be argued that this is a meaningless talent, but it is impressive nonetheless!

5: Igor runs several restaurants around Denver/Boulder named Quiero Aerepas, and serves authentic Venezuelan street food. Igor is also the only member who previously made a living as a professional musician – in South America!

===================================================

L-R – Benjamin Pitts – Vocals/Guitar, Lauren Vieira – Keyboard/Synth, Jacob St. Amand – Bass, Igor Panasewicz – Guitar, Isidro “Spy” Soto – Drums

Photo Credit – Josh Massara – @permanent_ephemera_photo

NightWraith is a melodic death metal band from Denver, CO that explores the genre with an eclectic and intuitive approach. Their music encompasses poignant themes: seeking the sublime in nature, being genuine in a deceptive world, and living with the idea of death – concepts that unite us all as people. Using haunting melodies and triumphant anthems, NightWraith offers listeners a sonic pilgrimage into the heart of being human.

The band was formed in 2016 (Benjamin Pitts, Isidro Soto, and Igor Panasewicz) without any preconceived notion of genre, allowing them to develop their sound organically. The members of NightWraith had already been musical companions for over a decade in the Denver scene, but their lineup achieved its own unique approach to aggressive music – inspired by, but not limited to, the past. After releasing a self-titled album in 2019, Nightwraith gained notoriety but were still developing their sound and being called to a new musical frontier.

Pulling inspiration from a wide array of bands and genres, NightWraith refined their sound into something unique by adding a full-time keyboard player (Caleb Jose Tardio). “Writing new material with keys in mind made us want to sound like we were taking all the heavy parts from bands like Carcass and Enslaved, and combining it with the warmth of classic bands like Thin Lizzy and Blue Oyster Cult”, explains Ben. NightWraith released their sophomore album, Offering, in the spring of 2022, which received praise from critics and was supported by a number of live performances.

As NightWraith continued to evolve, the engineer for Offering (Jacob St. Amand) entered the band on bass, and they refined their sound even further. Fall of 2024 saw the release of their 3rd full-length studio album, ‘Divergence’. This new iteration of songs captured their vision more closely and cleverly used analog synthesizer tones to give the album a ‘film score’ type of quality. Ben explains: “Musically, the songs on Divergence are melodic and emotional. But the drums are fast with lots of big rock fills, double bass, and blast beats, so it has a driving pace and ‘classic’ metal tone. The keyboards and synths are the icing on the cake, though, and really color the album in a nostalgic, 80s type of way.”

With the addition of keyboard player Lauren Viera (Dreadnought) in 2025, NightWraith is excited to be releasing their new single “The Candlelight”, capturing a sound that is melodic black ‘n roll with a classic heavy metal nod. They are currently writing their 4th full-length album, which is being described as the most mature writing and darkest songs of their almost decade-long career.

Discography:
2025 – The Candlelight (single)
2024 – Divergence – LP
2022 – Offering – LP
2019 – Self-Titled – LP
2017 – Demo – cassette

Shared the stage with:
Allegeon, Khemmis, Venom Inc., Orbit Culture, Abigail Williams, Warbringer, Nite, Vale of Pnath, Bewitcher, Glacial Tomb, Xoth, Of Feather and Bone, Green Druid, Cyborg Octopus

What the press has said about Nightwraith:

“Striking a delicate balance between the baroque stylings of a band like Dimmu Borgir and the more grandiose melodies of Inexorum, Denver’s NightWraith brilliantly capture the majesty of black metal on new single Perpetual Night. Drawing lyrical inspiration from 1927 sci-fi movie Metropolis – clips of which pop up in the music video – the track is a showcase of bald ambition and songwriting craft, playing up to the underground’s most aspirational aspects, hinting at bigger things to come on new album Divergence, out September 13.” – Metal Hammer (Perpetual Night off album Divergence 2024)

“ Few American melodeath bands can hang their hats on a record that’s as creative, engaging, and just plain fucking fun as Nightwraith has done with Divergence. These guys are going places.”  – NoCleanSinging (Album Divergence 2024)

“As you’ll quickly discover, in its opening phase it (Whispers of Dragonflies) presents an unusual amalgam of futuristic swirling keyboards and full-throttle blackened ferocity replete with raking chords, hammering drums, and scalding vocals. But it does begin changing, like a musical chameleon. Those changes include a beautifully ringing guitar melody backed by shimmering synths, musing bass tones, and gripping drum fills, and fronted by somber and melancholy singing with a bit of grit in the gears. That phase is a sublime experience, made even more sublime by a guitar solo that sounds like a beguiling prog-rock throwback. The intensity builds again, but without sacrificing the music’s increasingly head-spinning beauty, and that paves the way for the afore-mentioned concert-flute solo, which is flat-out mesmerizing. As also mentioned, the song then loops back to its beginning — hammering, slashing, scalding, and swirling once more, fierce but also glorious. The song is presented with a beautifully filmed video of the band performing the music. Enjoy!” – NoCleanSinging (Whispers of Dragonflies off album Divergence 2024)

“One thing that has done better than nearly all of their musical peers was throwing convention out the window and running it over a few times with their truck. This album stands out as one of the most unusual I’ve ever heard. It masterfully blends the raw intensity of fierce Black Metal with the soothing presence of smooth keyboards and intricate guitar harmonies. The contrast between the harsh vocals and the melodic, atmospheric layers creates a unique listening experience that feels both powerful and unexpectedly harmonious, pushing the boundaries of what music can offer. 10/10″ – Metal Temple – Album – Divergence 2024)

“The tracks from the band’s upcoming album, Divergence, which What’s Left Records is releasing on September 13, are a mix of blackened death metal and prog. Caleb Jose Tardio’s (keyboards and synthesizer), Igor Panasewicz (guitar), Isidro “Spy” Soto (drums), Jacob St. Amand (bass) and Benjamin Pitts (vocals and guitar) have been at it since 2016 and call what they do “blackened dad rock.” But NightWraith isn’t your father’s metal.” – Denver’s Westword (Album – Divergence 2024)

“Denver’s Nightwraith seems to get labeled as a melodic death metal band everywhere, but the sounds you’ll find on their third album “Divergence” are so much more diverse and bountiful, with proggy dashes of synths alongside a healthy dose of black metal in a rather folky, airy Enslaved-style. Add to that some cool guest parts like the baritone sax in ‘One Flower’ or Dreadnought’s Kelly Schilling adding a mesmerizing touch to ‘Whispers of Dragonflies’ with her flute, and you’ve got a diverse and unique cocktail that’s inherently Nightwraith. Don’t miss out on the Bandcamp/CD only bonus track either – a very surprising rendition of Pink Floyd’s ‘Us and Them’. ” – The ProgSpace (Album – Divergence 2024)

“As far as melodic death metal goes, NightWraith have to be one of the nerdiest bands on the block. Granted, the subgenre is already the geeky nephew of the acne-ridden linebacker that is death metal, but Divergence takes it even further by embracing progressive rock and heavy metal. It gets to the point that songs like “Whispers of Dragonflies” and the title track edge closer to the melodic and emotive progressive rock of the ’70s, albeit with tighter runtimes and the looming promise that NightWraith can crank up the aggression at any moment. They adopt the mindset that jam sessions can happen whenever and build their tracks around that potential. Therefore, songs tend to begin slowly and unspectacularly, but then venture down the tri-forked path of harmonic noodling, death metal riffing, and big metal energy without a compass. Divergence is September’s most unassuming album, easily.” – Consequence Heavy (Album – Divergence 2024)

“An album to seek out if you are curious about a band that ebb and flow between extreme metal oriented passages and a variety of what might be described as atmospheric laden and highly melodic progressive rock.” – Progressor (Album – Divergence 2024)

“‘Divergence’ is a smorgasbord of musical influences that takes a core of black metal and shapes into something melodic and progressive. It’s great for sitting down and listening to in full, but if you don’t have the time (or the patience) for that, there’s still tracks that you can dip into without losing the magic that NightWraith have worked hard to create here. For me, I can see myself coming back to this for more listens in the future and ‘Perpetual Night’ in particular is likely to get played to death over the next few weeks for sure!” – Uber Rock (Album – Divergence 2024)

“Faster than a speeding bullet, more powerful than a locomotive and able to leap tall buildings in a single bound, NightWraith cross Metal sub-genres with consummate ease. 8.5/10″ – Metal Noise (Album – Divergence 2024)

“Hailing from the Mile High City, Colorado natives Nightwraith have returned with their third death metal masterpiece Divergence. Even with the addition of more melodic elements and themes than their 2022 album Offering, Nightwraith have still kept to their simplistic yet brutal nature. When it comes to the genre, we know what to expect: heavy guitars, fast drums and a melting bass line. Nightwraith have managed to break these expectations very subtly such as having a saxophone solo in “One Flower,” or having a John Carpenter-style synth intro in “Whispers of Dragonflies.” The musical range in Divergence is vast enough to keep things fresh and interesting all while still keeping the classic elements of the genre. 4/5” – Heavy Music HQ (Album – Divergence 2024)

““Divergence” displays everything you’d want from a really pleasurable easy listening, Proggy rock album. Lovely rhythms, guitars that tell a story, harmonies, easy does it on the overdrive, and just generally satisfying music, in The Allman Brothers Band style… but with thundering drums, and Death Metal growls straight out of the “How To Sing Like David Vincent” handbook!” – Ever Metal (Album – Divergence 2024)

“Fruitless let us know immediately what this technically very knowledgeable band has to offer. Light experimental guitar work, nice soloing, well-thought-out rhythm parts, ugly screams, clean vocals and virile keyboard playing already culminate on this opening track. It strengthens my mind and it is also my firm belief that this band will still be recorded by a (groter) label. Listen to the opening measures of the very good Perpetual Night. It does something to me Borknagar in their heyday thinking. What a solitary work too, wonderful to see that blast in between. Great!’ – Zware Metalen (Album – Divergence 2024)

“When you think of melodeath and meloblack, you normally think of Scandinavia, right? You don’t normally think of…Denver? Well, the 3rd album from this Colorado outfit is some of the best I’ve heard in those genres in 2024. Featuring past and present members of In The Company of Serpents, Primitive Man, and Ashen Horde; the band takes their influences and creates an album unlike what you’ve heard before. I can hear the likes of Dissection, Insomnium, Novembers Doom, Nightingale, and much more throughout all while feeling like this was the album they wanted to create. It’s a journey of an album that you never know what direction it is going to take and those are always my favorite kinds of albums. This is one of those albums that could easily stand the test of time. Give it a shot now to make sure it will be remembered as it should, a groundbreaking masterpiece.” – Heavy Debriefings (Album – Divergence 2024)

“Please, do not take the shrill album cover as a one-to-one representation of NightWraith’s music. The painted satyr in an post-apocalyptic city speaks nothing of the expansive and precise metal on Divergence. Layered between blackened death metal passages are melodic, synth-heavy segues that form a mature offering from the Denver group.” – Invisible Oranges  (Album – Divergence 2024)

“The ringing guitar and keyboard instrumental that opens the song (Beguiler) is magically inviting, but only one feature of a richly tapestried piece that moves through many moods and musical variations. As the song ebbs and flows, twists and turns, it crosses through shade and sun, traversing the gloom of sorrow, seething with tension, and spinning the mind with extended guitar jams that dart and dance, slither and swirl, and become trippy, bluesy, and occult. While all that happens, the rhythm section are putting on their own show. The bass hums and pulses, meanders and invigorates, and the drumming ranges from neck-snapping back-beats to open-handed blasts, with plenty of electrifying fills in the spaces between. Variations mark the vocals as well, which veer from rasping blackened snarls to guttural growls.” – No Clean Singing (Nightwraith – Offering 2022)

“Nightwraith brings their own unique blackened heavy metal to the table with their new record Offering. It’s an extremely cool listened rife with throat-shredding vocals, classic rock organs, and of course dizzying stringwork.” – Metal Injection (Nightwraith – Offering 2022)

““Genesthai” opens with quiet echoey guitar picking and synth washes before gradually building in intensity and reaching full blast-beat fury. Throughout the six-minute track, NightWraith—vocalist/guitarist Benjamin Pitts, drummer Isidro Soto, guitarist Igor Panasewicz, keyboardist Caleb Jose Tardio and bassist Jerry Hilger—shift comfortably between more extreme death- and black metal-influenced passages and a more classic metal gallop, all while maintaining a strong melodic sensibility. It’s dynamic, intricate and, well, it flows.” – Decibel Magazine (Nightwraith – Offering 2022)

“The ‘Blackened Dad Rock’ of Denver’s NightWraith A new metal subgenre.” Westword (Denver) (Nightwraith – Offering 2022)

0 EPK – Thunderor – Pump Up The Volume (2025) (single)

  • December 9, 2025
  • by Asher
  • · EPKs · Thunderor

EPK – Thunderor – Pump Up The Volume (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This one is a lot of fun. Turn up the music, pump up your life, Pump Up The Volume! It’s also the opening number for the Musical, sets the mood nicely. Although the rest of the album ventures to many different places. Special thanks to Olivia Chow and the City of Toronto for her cameo in the promo clip, super cool.” – JJ Tartaglia – Thunderor

For fans of The Darkness, Skull Fist, Saxon, Night Flight Orchestra

Boonsdalerecords.com/thunderor | Facebook.com/ThunderorOfficial | Instagram.com/thunderor_official | Youtube.com/@BOONSDALE | Musicnovascotia.ca/artist/thunderor/

Thunderor.bandcamp.com | Spotify | Apple Music 

“Thunderor are back with a new fist pumping anthem, the single ‘Pump Up The Volume’ is here and it’s the first track from their forthcoming album “Bleed For It” coming in March. Speedy riffs with plenty of energy to match, ‘Pump Up The Volume’ also pulls in those classic metal vibes and you can almost smell the studded leather. Mix in a blistering 6-string solo and what more could you ask for? Catch it right here on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“The spirit of the glorious 80’s is omnipresent on the debut, those who like authentic 80’s sound should definitely check out.” 8/10” – Rock It!

“The good mood album of the season comes from Canada. Crisp, consistently catchy songs with excellent guitar work, sometimes enhanced with appropriate keyboard sounds.” 8,5/10” – Deaf Forever

“There must be room somewhere between Steel Panther, The Darkness and The Night Flight Orchestra!” – Metal Hammer

“Thunderor the Musical is infectious, hard-rocking comic book fun that blows the roof off the place – I smiled my way through the whole show – I bet you will, too.” – Sesaya Arts Magazine

“Thunderor the Musical is raucous fun with shredding guitars and driving drums… filled with catchy anthems, flawlessly performed by powerhouse musicians.” – Grind Mag

“I’m always impressed when a drummer handles lead vocals, especially in metal, where the physical demands of drumming are intense. JJ Tartaglia nailed it, delivering flawless vocals without missing a drum beat.” – Allfather Metal

 

[Download Single Cover | Download Single Lyrics]

Band: Thunderor
Single Title: Pump Up The Volume (3:43)
Release Date: December 9, 2025
Label: Boonsdale Records
Genre: Heavy Metal
Location: Toronto, ON, Canada

Single Recording Credits:
• Song performed by: JJ Tartaglia, Jonny Nesta, Brycen Gunn
• Song written by: JJ Tartaglia / Jonny Nesta
• Produced by: JJ Tartaglia
• Mixed by: Chris Snow
• Mastered by: Kristian Montano
• Single Artwork by: Photo by JJ Tartaglia
• Member of SOCAN
• Canadian Content (MAPL)

Band Line Up:
JJ Tartaglia – Vocals, Drums, Keys
Jonny Nesta – Guitar
Brycen Gunn – Bass

Thunderor L-R: Jonny Nesta (Guitar) | JJ Tartaglia (Vocals, Drums) | Brycen Gunn (Bass)

Photo Credit – Rae Chatten

Formed in 2020 by multi-JUNO-nominated musicians JJ Tartaglia and Jonny Nesta (also known for their work in Skull Fist), THUNDEROR delivers hook-driven anthems to the caliber set by their arena-rock predecessors, infused with elements of heavy metal, hair metal, and rock opera.

Their debut album, FIRE IT UP (2022), charted at #1 on Earshot’s National Loud Chart in Canada, quickly establishing the band as a rising force in the global metal scene. Extensive tours across Europe, Canada, Mexico, and South America followed, with Thunderor sharing stages alongside major acts such as Airbourne, U.D.O., Enforcer, and Night Demon.

In May 2024, the single “Get ‘Em Counted” amassed over 230K views on YouTube, further fueling anticipation for the band’s next chapter. In the summer of 2025, Thunderor unveiled Thunderor the Musical at the Toronto Fringe Festival—a bold rock opera production featuring a full cast and unreleased material that now forms the backbone of their forthcoming sophomore album.

Set for release in March 2026, the new album will feature the high-energy single “Pump Up The Volume”, a track that embodies the band’s uplifting spirit and theatrical flair. With improved vocals, bigger anthem choruses, and a concept-driven narrative, the record promises to be both a soundtrack to the musical and a standalone heavy metal experience.

If you’ve ever felt a longing for escape, a thirst for adventure, wrapped in romance and danger, allow THUNDEROR to be your soundtrack!

Artitst Endorsements: Pearl Drums, Ahead Drumsticks

Shared Stage with: Airbourne, Enforcer, Night Demon

Festival Performances:
July 3-12, 2025 – Toronto Fringe Festival
May 4, 2024 – Gladbeck Metal Bash, DE
Jun 9, 2023 – NADA Fest, PT
July 31, 2022 – Loud As Hell, CA
June 5, 2022 – Muskelrock, SE
May 27, 2022 – Metalheadz Open Air, DEEurope Tour 2024 w/ Tytus
01.05.24 Putzer Bikerfest – Natz-Schabs, IT
02.05.24 Schwarzer Keiler – Stuttgart, DE
03.05.24 South of Heaven – Bilzen, BE
04.05.24 Gladbeck Metal Bash Open Air, DE
05.05.24 Sound Dog – Breda, NL
06.05.24 Logo – Hamburg, DE
07.05.24 Reset Club – Berlin, DE
08.05.24 Black Label – Leipzig, DE
09.05.24 Paunchy Cats – Lichtenfels, DE
10.05.24 Escape – Vienna, AT
11.05.24 Gustaf Pekarna- Maribor, SI
12.05.24 Meskio Bar – Caneva, ITEurope Tour 2023 w/ Kryptos
04.06.23 Fredagsmangel – Stockholm, SE
05.06.23 HM Army Rockclub – Sandviken, SE
06.06.23 Oceanen – Gothenburg, SE
07.06.23 Bastard Club – Osnabrück, DE
08.06.23 Bambi Galore – Hamburg, DE
09.06.23 NADA Fest – Beja, PT
10.06.23 Sala Silikona – Madrid, ES
11.06.23 Razzmatazz 3 – Barcelona, ESCanada Tour 2022 w/ Night Demon
20.09.22 – Montreal, QC @ Piranha Bar
21.09.22 – Ottawa , ON @ Brass Monkey
22.09.22 – Toronto, ON @ Rockpile
23.09.22 – St. John’s, NL @ Columbus HallEurope Tour 2022 w/ Traveler
27.05.22 – Metalheadz Open Air [DE]
28.05.22 – MKNZ – Ilirska Bistrica [SI]
05.06.22 – Muskelrock Festival [SE]
07.06.22 – Copenhagen – Stengade [DK]
08.06.22 – Weimar – Kasseturm [DE]
09.06.22 – Kassel – Goldgrube [DE]
10.06.22 – Oberhausen – Emscherdamm [DE]
11.06.22 – De Verlichte Geest – Roeselare [BE]
12.06.22 – Hamburg – Bambi Galore [DE]
13.06.22 – Pisek – Divadlo Pod Carou [CZ]
14.06.22 – Vienna – Escape [AT]
15.06.22 – Selb – Rockclub Nordbayern [DE]

0 EPK – Silas Fernandes – Carbon Purge Acceleration (2025)

  • December 6, 2025
  • by Asher
  • · EPKs · Silas Fernandes

EPK – Silas Fernandes – Carbon Purge Acceleration (2025)

Jon Asher – Publicist – jon[@]ashermediarelations[.]com

“Even without lyrics, each track carries a narrative that mixes the future, technology, and chaos. It is an invitation to reflect, while intense riffs and solos draw highly unconventional soundscapes. Musically, I do not follow ready-made formulas. The album blends fusion, modern prog metal, and eighties references in a sound that reinvents itself with every track. Instead of compartmentalized styles, the result is a true creative cauldron. The great thing about the work is precisely not being constrained by labels. Everything is mixed all the time.” – Silas Fernandes

For fans of Steve Vai, Fear Factory, Meshuggah, Devin Townsend, Periphery

All streaming platforms – https://silasfernandes.hearnow.com/ 

Silascf.com.br | YouTube (English) Youtube.com/channel/UCGOXHIKEuMZ-Rodj21Z3CgA | YouTube (Portuguese) Youtube.com/@silascf 

Facebook.com/silas.fernandes.165 | Instagram.com/silasfernandesguitar

Silasfernandes.bandcamp.com | Online Store – https://www.silascf.com.br/en/services-5

Album Title: Carbon Purge Acceleration
Release Date: Sept 21, 2025
Label: SelfRelease
Genre: Instrumental Metal
Location of Band: Charlottesville, VA

Album Title: Carbon Purge Acceleration
Release Date: Sept 21, 2025
Label: SelfRelease
Genre: Instrumental Metal
Location of Band: Charlottesville, VA

Track Listing:
1. Earth Was Boring – 4:21
2. Escape the Reality Room – 3:47
3. Heavy Droids – 4:09
4. Flight Of The Navigator – 3:39
5. John Hughes Didn’t Direct My Life – 5:19
6. The Death of Synthetic Curation – 5:05
Album Length: 26:20

Album Recording Credits:
• All songs performed by: Silas Fernandes
• All songs written by: Silas Fernandes
• Produced by: Silas Fernandes
• Mixed by: Silas Fernandes
• Mastered by: Adair Daufembach
• Album Artwork by: Jukka Nieminen from Grandio design.

Album Band Line Up:
Silas Fernandes: Guitars, bass, programming of drums, Production, Mix

 

Live Band Line Up:
Silas Fernandes – Guitars
Raphael Arruda – Drums
Nikolai Ck – Bass

======================================================

About The Album Artwork:

It’s a digital/ divine being worshiped by people who didn’t realize this creature is destroying everyone.

About the album as a whole:

Musically, the album is a palette of aggressive to sweet and pensive music.

Track by Track:

1. Earth was Boring: Heavy and aggressive song that mixes modern metal with some metalcore vibes, ending with a melodic shred solo.

2. Escape the Reality Room: Alternate thrashy modern metal riffs with calm and melodic moments a la Joe Satriani.

3. John Hughes Didn’t Direct my Life: This one is super 80s vibe, with lots of melodic ideas, like a mixture of Steve Vai and Joe Satriani.

4. Flight of the Navigator: It’s an intense and fast prog metal with harmonically fusion ideas mixed with aggressive and melodic solos and ending with weird tempo signatures.

5. Heavy Droids: It is a 7/4 prog metal with melodic slow tempo moments.

6. The Death of Synthetic Curation: This is an ethereal song played just with one guitar, interacting beautifully with some special ambient effects.

======================================================

BAND STORY ANGLES / FUN FACTS:

1. Before social media, I released an instructional video about licks and riffs on VHS. In the video, I told the audience that I have a broken pinky finger on my left hand. After that, “fake news” was spread that I didn’t have the pinky finger on my left hand.

2. At the beginning of the song “The demon called algorithm”, from the album “Improve”, there is a choir of Buddhist monks vocalizing on a very low tone, which matches the tonality of the song.

3. The voice of the robot on “Heavy Droids” and “Earth was Boring” was sampled from “Fulgor”, a character from the game “Killer Instinct”, and reversed to produce a distinct tone.

4. My first album, “Silas Fernandes” from 1995, was recorded at a studio that belongs to a corny Christian record label. The owner, who was my dad’s friend, allowed me to use the studio for free in the middle of the night. I just had to pay for the sound engineer.

5. In addition to being a guitarist, a music producer, content creator, I am the owner of Electric Eye Audio, a company that makes guitar pedals and digital files for metal guitar.

Photo Credit – Marisa Terra Fernandes

Silas Fernandes began in music as a teenager, playing in the heavy metal band of the legendary “metal” scene in the ABC region in São Paulo (Brazil) in a band named Esfinge, along with Andreas Kisser, who would later become the guitarist for Sepultura.

During his 35-year career, Silas had the opportunity to develop his skills through various opportunities, which included positions as a guitar instructor at IG&T (Guitar Institute of Technology Brazil), producer, business consultant, and finally, as a guitarist who has worked with many names on the Brazilian Music business, including your solo career with more than 5 releases already.

He began his solo career, releasing instructional videos and teaching, in addition to playing with several different bands and artists as a  hired gun

As a producer, Silas always kept up to date concerning the styles of bands and tricks involving music production by working as a “guitar tech” for renowned artists in Brazil as well he writing The Book “Set Up” and later becoming a course in EM&T (School of music and technology).

He kept his solo career in workshops and clinics throughout Brazil, parallel to his work as a music producer and guitar instructor.

In 2014,  he started his own YouTube channel, which shows another characteristic of Silas Fernandes: a humorous, relaxed, and most importantly, an expert in technological content related to electric guitar equipment and music production tips.

In 2015, Silas moved to Virginia in the US, where he delivers his own successful YouTube show called Rig on Fire every Thursday.

In 2020 started an English version of his Rig on Fire Show on a new channel on Youtube.

Now sponsored by  EMG pickups, Solar guitars, Black Smith strings, and Electric Eye Audio.

In July of 2024 Solar guitars team up with him to release his first Signature Model the A1.6 Silas Canibalismo!

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Released Albums:
2025 – Carbon Purge Acceleration – EP
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2013 – Must Be the Wrong Year – LP
2011 – Live for Real – DVD
1999 – No Apologies – LP
1995 – Silas Fernandes – LP

0 EPK – Insect Inside – Reborn in Blight – Gore House Productions

  • December 3, 2025
  • by Asher
  • · EPKs · Insect Inside (Gore House Productions)

EPK – Insect Inside – Reborn in Blight – Gore House Productions

Publicist – Jon Asher – gorehouse[@]ashermediarelations[.]com

“We’re excited to bring our music fans a new album packed with groove and rich atmosphere. It evokes a dark, moody vibe with an intense, aggressive energy, perfect for hitting the gym or getting into fight mode.” – Insect Inside

For fans of Relics Of Humanity, Internal Bleeding, Stabbing, Devourment, Disfigurement Of Flesh

Band: Insect Inside
Album Title: Reborn In Blight
Release Date: March 6, 2026
Label: Gore Hose Productions

https://gorehouseproductions.com | https://www.facebook.com/insectinsideslam | https://www.instagram.com/insect_inside | https://vk.com/insectinside | https://www.youtube.com/@InsectInsideBrutality

Digital / Physical Album – https://orcd.co/reborn-in-blight

“If you like your death metal rough, tough and inspirational enough to make you want to go out and punch cops, and you’re a fan of Devourment, Internal Bleeding, Cryptopsy, Stabbing and Defeated Sanity (whose Josh Welshman makes a guest appearance) why not take the below stream of the album for a whirl? ” – Decibel Magazine (Album Stream Premiere)

“If you want something that’s just as bludgeoning and over-the-top brutal as the next death metal band, but keeps it more memorable while doing so, Insect Inside are quite worthy of your time. Reborn in Blight delivers all the hallmarks you seek, while giving you just a bit more in return – be it melody, technicality, or sheer darkness.” – Dead Rhetoric

“bangers like ‘Parasite Messiah’, ‘Abhorrent Landscape’ or ‘Putrid Lament’ are packed with sick riffs and sledgehammer breaks, and the head will uncontrollably crash against the wall until it turns to bloody pulp. A must-have for fans of slam and brutal death metal with barbs and a few sharp edges removed!” – Musika

“Without expecting poetry or any kind of delicacy, I must admit that I was really expecting better! Although showing rather obvious technical skill, this Insect Inside album cruelly lacks rhythmic hooks and truly committed slam parts. With songs rarely exceeding three minutes, bringing a bit of ‘groove’ is a challenge, I am fully aware of that, but moving away from the repetition of clichéd and overused patterns remains a minimum.” – Metallian

“The new track, “Fragments,” arrives as the band’s most concise and chaotic offering yet, an explosive preview of the raw, atmospheric brutality that defines the album.” – Acta Infernalis

“Insect Inside knows a lot about violence, and the group came back to show us on Reborn in Blight, a fairly complex album to understand between Brutal Death and Prog touches, but which has its devastating moments as we like them.” – Acta Infernalis

“On Reborn In Blight (March 6th), the Eastern European collective Insect Inside delivers a parasitic takeover of the senses. Moving away from the polished production of their earlier work, the band settles into a rawer and more visceral sound that mirrors their lyrical obsession with an insectoid uprising. It is a record that functions as a dark symbiosis by balancing the physical weight of slam with the cold and suffocating atmosphere of brutal death metal… Reborn In Blight is a record that starts in the soil and ends with the complete and grotesque domination of the swarm.” – Amplify The Noise

“In a world of –ments, –itys, and –ectomys, Insect Inside have taken the bold step of using words known outside medical journals for both band name and album title; you may feel this bodes ill for the quality of slams to come, but don’t hurt yourself rubbing those 2 neurons together, honey the preview tracks from Reborn in Blight will quickly burrow in and hollow out all doubt. From the protuberant basslines of “Fragments” to the heartworming duet between Ivan Tyulkin and guest vocalist Josh Welshman (Defeated Sanity) in “Hiveborn Abomination,” the band has a knack for creating standout moments within a genre not typically known for memorability. Make sure to check out the rest on Friday for some good, blight-hearted fun! -Roldy” – Toilet Ov Hell

“We liked it and turned the volume knob, even before we heard the first note, al flink upwards. Opener ‘Echoes Of The Swallowed Sinners’ was an immediate hit. It’s a nicely constructed, brutal death metal song that doesn’t immediately pull everything out of the box, but tries to avoid the well-trodden paths and attempts to embark on an adventurous journey. Our attention was sharp. Even the subsequent mid-tempo ‘Abhorrent Landscape’ manages to knead mixed tempos into an interesting piece. That’s where the oft-hooked drumwork and vocalist Ivan Tyulkin’s super-brutal grunt really stand out. The volume knob is still high. For the first time, ‘Fragments’ pulls open all the registers and shows what these Russians have in place technically. However, they choose not to let that technique get in the way of the compositions and that is strong. For example, ‘Obscuration Worship’ is a lovely and atypical intermezzo that transitions smoothly into the grooving riff of ‘Carnal Ruins’. The ‘slam’ in brute death metal finally proves to be the primary element on the second album of this inventive quartet. After the extinction of the last note of the title number-but we notice that the volume is still set unreduced and we must come to the conclusion that this record with strong compositions within this otherwise close genre knows how to hold our attention all the time. 8/10” – Rock Tribune

“No tracks on this release get old, or overstay their welcome, many of the songs are reasonably short and honestly, before you know it the album is finished. This is a testament to the quality of the song writing; Insect Inside establishes an atmosphere and pulverizes your skull, but the album as a whole develops and changes track-to-track enough to fully capture the listener’s attention. This is really showcased in the final track which closes out with the most moody and melodic section of the whole release which, to me, is reminiscent of brutal death metal heavy hitters Pathology.

Each track off Reborn in Blight offers crushing groovy riffs, which are so essential to creating a memorable brutal death release. The mix of the album as a whole exhibits each instrument clearly while keeping a modern brutal sound. I want to especially mention the bass which is placed clearly audible in the mix and often shines through in passages, purposefully capturing the listeners attention. The effect of this is what I have tried to explain above: that this release captures the diverse sounds of brutal music and maintains a listener’s interest throughout.

From the opening of the album to the final faded-out note, this album felt like a complete story. I highly recommend this upcoming release and will be digging back through their previous work myself. Off for now to praise the insectoid overlords, Metal Cult 666″ – Heavy Magazine”

“A visceral and raw album that keeps punching has just been released by Insect Inside. It’s intense and might be exactly what you are looking for. The first track has this slow almost menacing build but from then you keep getting hit by the heavy and aggressive tone that persists through out the rest of the album. Now sure, this might not be everyone’s cup of tea, lets be honest here this kind of music can be a bit too much, but I love this stuff. I won’t lie I did have to look at the lyrics to know what was being said but the vocal tone is nuts. Setup you speakers well and put this on full volume, because this is expertly well done but on the bands side and the production as well, it is crisp. Now I know I say this a lot, but this one really should be given a go, because everyone in this band is very and I mean very talented. Its a certified Max recommendation. 8.5/10” – Overtone Magazine

“Insect Inside release REBORN IN BLIGHT on 26 March. This is ‘Carnal Ruins,’ a dark, bleak and discordant piece of slam where the guitars grind low and menacing, the drums bring relentless, driving beats and the vocals have crawled from the festering bowls of some kind of hellspawn. Nice!” – Loud Enough Magazine

“If the downfall of humaity and rise of insect kind comes to pass, you can bet the oppressive, suffocating swarm will sound like this record. It isn’t often you find a brutal death metal record, laden with slam, that has such an atmospheric strength to it, but ‘Reborn in Blight’ hits the mark just right and really makes it stand out amongst its peers. Insect Inside are doing the great work, giving a sometimes stale and repetitive genre new life and evolution, and I love it. ‘Reborn in Blight’ is a record that you’ve got to seek out if you are in the mood for something disgustingly heavy.” The Killchain Blog

“The production on Reborn in Blight has this raw, visceral grit that feels like it’s physically eroding your eardrums. I was actually just settling in for the evening when “Fragments” came on, and within twenty seconds, I’d forgotten all about my plans. The chaotic, atmospheric intensity of that track is so thick you could practically cut it with a rusted blade… If you’re a fan of Disentomb, Devourment, or the raw precision of Internal Bleeding, this is a mandatory listen for 2026. The insectoid domination hasn’t just begun; it’s already winning. No joke.” – Papy Jeff Metal

“This Brutal Death Metal brigade will crush you with their sophomore album, continuing their apocalyptic storytelling, chronicling humanity’s downfall and the rise of the insectoid race.” The Headbanging Moose

“Another good album from the band. While the Dying Fetus element is still there, I’d almost say this has more in common with Broken Hope’s first album, done with modern production of course, and just a touch of modern Gorguts. I feel the vocals have gone even deeper than before, and mix wise we have a really powerful sound, with more treble this time without sacrificing the big bass. Nice step up. Best song is ‘Flesh Catherdal’, it has a nice groovy opening riff with some nice mid-fast double bass. Good solid album!” – Soul Killer Webzine

“The band’s chemistry is undeniable. This is not refinement for accessibility’s sake — it’s refinement for maximum impact.” – Metal Rager 6666

“Insect Inside relies on unpredictability to elevate beyond the brutal stereotype. Shifting tempos, groovy rhythms, technical leads, pinch harmonics, and flashes of dissonance keep its grinding slams and beatdown sections from growing too stagnant… Insect Inside’s The First Shining of New Genus offers concussive slam that will get you buzzing.” – Angry Metal Guy

“A surprisingly level of hookiness invades Insect Inside, while they still deliver on all of the body-crippling violence you would expect from such an act. The First Shining of New Genus is a release that you can groove along with in addition to getting your daily dose of utter brutality.” – Dead Rhetoric

Band: Insect Inside
Album Title: Reborn In Blight
Release Date: March 6, 2026
Label: Gore Hose Productions

Track Listing:
1. Echoes Of The Swallowed Sinners – 3:31
2. Abhorrent Landscape (feat. Cephalotripsy) – 2:54
3. Fragments – 2:18
4. Putrid Lament – 3:35
5. Hiveborn Abomination (feat. Defeated Sanity) – 2:51
6. Flesh Cathedral – 3:00
7. Obscuration Worship – 1:20
8. Carnal Ruins – 2:45
9. Parasite Messiah (feat. Pestilectomy) – 3:29
10. Reborn In Blight – 5:22
Album Length:

Album Credits:
• All songs performed by: Insect Inside
• All songs written by: Insect Inside
• Produced by: Insect Inside
• Mixed by: TsunTsun Productions
• Mastered by: TsunTsun Productions
• Album Artwork by: John Zig

Album and Live Band Line Up:
Daniel Sementsov – Drums
Bogdan Pisavnin – Bass
Pavel Pleshkov – Guitar
Ivan Tyulkin – Vocals

============================================================

About The Album Artwork:

Gloomy and disgusting

About the album as a whole (LYRICALLY & MUSICALLY):

In this album, we managed to create a symbiosis of groove-based slamming and dark brutal death metal. The lyrics are about the domination of the insectoid race

Track by Track (LYRICALLY & MUSICALLY):

1. Echoes of the swallowed sinners
Most darkest song on the album. Lyrically, it is a look into the abyss of the human world’s disfigured souls.

2. Abhorrent Landscape
One of the upcoming singles from this LP and one of the best songs. Guttural maestro Mr. Ochoa from Cephalotripsy added slam weight to this track.

3. Fragments
Short song, but it’s for the better. Here we organically fit everything we like in death metal, chaos, groove, and sinister atmosphere.

4. Putrid Lament
Nothing extra, but really god damn slam song

5. Hiveborn Abomination
The most striking songs from the album. Killing part of Mr. Welshman makes this track even more valuable and unique.

6. Flesh Cathedral
One of the slowed songs on this album, more slam grooves, less blastbeats

7. Obscuration Worship
The first track we wrote for this album. It set the mood of overwhelming darkness and heaviness for the entire next release

8. Carnal Ruins
The main brawler of this album, hardcore groove, blastbeats, and nothing extra

9. Parasite Messiah
The single we released two years ago has been slightly revised and elevated to an absolute.

10. Reborn In Blight
Final song on this monolith. There we are, trying to play with groovy classic, speed, and guitar solo for the first time, by the way. In this track, you will find everything you love in death metal.

====================================================

Emerging from the depths of the Eastern European death metal underground, Insect Inside was born out of a shared obsession with slamming brutality and the raw energy of the local scene. What began as casual jam sessions and cover experiments quickly evolved into a full-fledged sonic assault. Fueled by a desire to carve their own path in the brutal death metal realm, the band forged their identity with a sound that’s unapologetically tight and aggressive.

Their upcoming second full-length album, Reborn in Blight, drops January 2026 via Gore House Productions, marking their return with a vengeance. This release is a grotesque symbiosis of groove-heavy slam and dark, atmospheric brutality. From the guttural depths of “Abhorrent Landscape” featuring Mr. Ochoa of Cephalotripsy, to the chaotic precision of “Fragments,” the album delivers a listening experience drenched in gloom and aggression, perfect for gym warriors or those ready to throw down in the pit.

Lyrically, Insect Inside crafts short, apocalyptic tales of humanity’s demise and the rise of the insectoid race. The band’s writing process is a collaborative ritual: members live in different cities, composing riffs and ideas remotely before refining them together. Daniel leads the songwriting charge, with Ivan and Daniel penning most of the lyrics, often shaped by the mood and atmosphere of the music itself.

The lineup boasts a roster of seasoned scene veterans:

  • Bogdan (bass) – Cold Blooded Murder, Traumatomy
  • Pavel (guitar) – Ocean In My Bath
  • Daniel (vocals) – Nauseating, Morphogenetic Malformation, светлеет
  • Ivan (drums) – Nauseating

Live, Insect Inside is a force of nature. Expect relentless mosh pits, slams, and headbanging, sometimes even fans in dinosaur costumes. Their shows are as chaotic and primal as their music.

Influenced by titans like Ulcerate, Relics Of Humanity, Cryptopsy, Defeated Sanity, and Vulvectomy, Insect Inside draws from brutal death metal and black metal to craft their evolving sound. Over time, they’ve shifted from a polished, “plastic” production to a rawer, more visceral tone that better reflects their lyrical themes and sonic violence.

The album artwork for Reborn in Blight is as grotesque as the music itself, gloomy, disgusting, and perfectly suited to the band’s apocalyptic vision. With tracks like “Echoes of the Swallowed Sinners,” “Hiveborn Abomination,” and the title track “Reborn in Blight,” fans can expect a relentless barrage of slam, blastbeats, and suffocating atmosphere.

And this is just the beginning. With more material already brewing, Insect Inside promises to keep the brutality coming in the years ahead.

 

Discography:
2017 – Intracranial Infection – Single (RUMF Productions)
2019 – For The Glory Of Swarm – Promo (Disfigured Productions)
2021 – The First Shining Of New Genus – LP (Gore House Productions)
2022 – Into Impending Apotheosis – EP (Gore House Productions)
2023 – Parasite Messiah – Single
2026 – Reborn in Blight – LP (Gore House Productions)

Shared Stage with: Traumatomy, Cephalic Impurity, Nauseating, Cold Blooded Murder, 7.H.Target, Ocean In My Bath

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