Category: EPKs

0 EPK – Eternal Drak – The Warrior Order (2025)

June 13, 2025
by Asher
· EPKs · Eternal Drak · Uncategorized

EPK – Eternal Drak – The Warrior Order (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This EP serves as a heartfelt homage to our journey, a way to honor the memories we’ve created and express our immense gratitude to the fans who have stood by us through the years. By revisiting and reimagining these older tracks, we aim to rekindle the connection with our long-time listeners while simultaneously inviting new fans to discover and embrace our unique sound. “The Warrior Order” aims to bridge the gap between old-school metal and modern sounds, blending the raw, nostalgic vibes of classic metal with the refined production and innovation of contemporary music. By doing so, the album seeks to evoke powerful memories and untold stories from the past while offering a renewed, enriched auditory experience that resonates with both long-time metal enthusiasts and newer audiences. We hope to strike a balance that not only honors the genre’s roots but also pushes its boundaries forward.” – Eternal Drak

Band: Eternal Drak
EP Title: The Warrior Order
Release Date: July 17, 2025
Label: FirstWave Canada

EternalDrak.com | Facebook.com/EternalDrak | Instagram.com/eternaldrak | Youtube.com/@eternaldrak1684

Spotify

“A fine collection from the masters of ancient evil” – Metal Noise (The Warrior Order – 2025)

“There’s evil intent at the start of next song “Eternal Drak” something I’d expect as it’s named after the band. Again, the trio are delving into themes of dark forces and mythical battles, but they have upped the intensity on this one as it sounds more powerful. It’s hard not to imagine a town or castle besieged by dragon’s fire and the hellish earth that awaits any survivors.” – The Razor’s Edge (The Warrior Order – 2025)

“another great sounding recording from Eternal Drak and if you are a fan of blackened thrash metal, you should check out this ep. RECOMMENDED TRACKS INCLUDE “Oda A La Luna” and “La Nueva Orden”. 8 out of 10.” – Bringer of Death Zine (The Warrior Order – 2025)

“„Eternal Drak“ is a small grab bag. Here they use different tempos that fit into the fast, rhythmic sound. With an extremely thrashy and vocally aggressive sound, you always have to be prepared for changing rhythms and moods. An extremely brutal melody blows with us „La nueva Order“ counter. At the end of the „EP“ they take a Metallica song from the album „Master of Puppets“ before. „Leper Messiah“ rewound in a radical version. Just as the album title says: they implement the warrior code musically.” – Hellfire Magazin (The Warrior Order – 2025)

“The Warrior Order is a real surprise and shows a completely new face of ETERNAL DRAK,” – PowerMetal.de (The Warrior Order – 2025)

““Oda A La Luna” sees a powerful drum at the beginning, before the rhythm settles in this dark ode. The lyrical theme is one of rebellion and ritual, and you can feel the intensity with each slap on the snare. The middle section has a sudden tempo change, with a riff that will get your head moving and the intensity follows through.” – The Razor’s Edge (The Warrior Order – 2025)

“This is a pretty good EP that’s got plenty of thrashy riffs, grooves and black metal harmonies and tremolos, give this a spin. ” – Drako’s Metal Reviews (The Warrior Order – 2025)

“”Drak Metal” is an excellent album, a deserving addition to any metalhead’s collection. With a few specific focuses here and there, the combination of Black and Thrash and Groove metals is done with near perfect balance, so there should be a wide appeal. ” – Metal Temple (2024 – Imprisoned Souls)

“the album comes with a sharp and grim expression set to an appropriately dark mood and mode, and in terms of mood and atmosphere this album did remind me ever so slightly of Celtic Frost, even if the music itself is rather different. That being said, I would imagine that quite a few thrash metal fans that also enjoy a little bit extreme metal as well as a band like aforementioned Celtic Frost would feel right at home with the landscapes explored on this production.” – The Viking in the Wilderness (2024 – Imprisoned Souls)

“‘Drak Metal’ is actually very enjoyable… it has a supreme raw quality to it which gives the album a sense honest integrity that just means that the listener cannot get enough of it, that passion is infectious and is more than enough to say, more of the same guys… more of the same.” – Metal Digest (2021 – Drak Metal)

[Download EP Cover | Download EP Lyrics]

Band: Eternal Drak
EP Title: The Warrior Order
Release Date: July 17, 2025
Label: FirstWave Canada

Track Listing:
1. Oda a la luna – 4:22
2. Contra Viento – 5:16
3. Eternal Drak – 5:50
4. La Nueva Orden – 5:51
5. Leper Messiah (Cover) – 5:29
EP Length: 26:48

EP Recording Credits:
• Tracks 1-4 performed by: Eternal Drak
• Written by: Andres Martinez
• Metallica Cover – Leper Messiah
Written by James Hetfield and Lars Ulrich
• Performed by: Eternal Drak
• All songs produced by: Andres Martinez
• All songs mixed by: Andres Martinez
• All songs mastered by: Andres Martinez
• EP Artwork by: FirstWave Canada
• SOCAN member
• Canadian Content (MAPL)Album and Live Band Line Up:
Eternal Drak Line Up 2025
Andres Martinez (Drakar) – Vocals, Guitar
Mike Amyot – Guitar
Patrick Auger (PPO) – Drums

==================================================

About The Album Artwork:

The album represents a complete revitalization of the band’s debut, breathing new life into its legacy with four tracks meticulously re-recorded from scratch. This bold step not only enhances the sonic quality but also redefines the essence of the original work for contemporary audiences. The iconic cover art, an integral part of the album’s identity, has also undergone a transformation. The 2002 design has been entirely digitalized, showcasing a masterful depiction of Lucifer commanding his troops into battle. This striking visual not only complements the album’s themes of struggle and supernatural horror but also serves as a symbol of the band’s unyielding evolution and creative ambition.

About the album as a whole (LYRICALLY & MUSICALLY):

This album bridges two distinct eras in the journey of Eternal Drak: the energetic creativity of the 1990s and the refined artistry of the present day. It represents a homage to the band’s origins, where young minds passionately crafted what is now revered as old-school metal. These early works have been revisited and revitalized, bringing their raw spirit into the modern soundscape with enhanced production quality that respects the authenticity of the era while ensuring it resonates with contemporary audiences. Through meticulously re-recording the four original tracks, Eternal Drak breathes new life into their debut, preserving the integrity of black thrash metal while making it accessible to a new generation of listeners. To complement this effort, the album includes a cover of one of the most iconic and influential bands in metal history, serving as both a tribute and a testament to the enduring inspiration these legends have provided. This project encapsulates the band’s unwavering dedication to their craft, blending nostalgia with innovation to create a sound that is timeless yet refreshingly current.

Track By Track:

1. Oda A La Luna
“Oda a la Luna” is a dark ode. The song narrates the exile of celestial beings who, through magic and sacrifice, were banished to a neutral dimension. It delves into themes of paganism, immortality, and the essence of evil inherited by humanity. The lyrics weave a tale of rebellion, ritual, and the eternal connection to the moon as a symbol of power and transcendence. It’s a powerful anthem that combines the relentless energy of black metal with haunting imagery of supernatural struggle and legacy.

2. Contra Viento
“Contra Viento” is a fierce and evocative. The song explores themes of rebellion against religious oppression, the fall of institutions, and the dark forces that reign over humanity. Through chilling imagery of witches, druids, and cursed thrones, the lyrics paint a world consumed by shadows and cruelty. The track’s relentless energy and visceral narrative reflect a mythical struggle against conformity, highlighting the destructive yet liberating power of chaos and darkness. This song includes a lot of orchestral instrumentation and clean vocals.

3. Eternal Drak
“Eternal Drak” is a powerful thrash black metal song. delves into themes of eternal life, dark forces, and mythical battles. The lyrics narrate a cosmic struggle where beings like witches and spirits unite under the power of “ReficuL,” a malevolent entity seeking dominion. The song conjures vivid imagery of blood-soaked rituals, fallen orders, and the eternal flame of life purified from evil. With relentless energy and haunting narratives, “Eternal Drak” captures a tale of chaos and dominance, echoing the raw and unyielding essence of the genre itself.

4. La Nueva Orden
“La Nueva Orden” explores themes of transformation, power, and the rejection of traditional deities. The lyrics depict a narrative where warriors rise against supernatural forces, embracing a new era of enlightenment and dominance. Through vivid imagery, the song portrays a world where individuals transcend ancestral beliefs, mastering both the elements and their own mental strength to create a harmonious existence devoid of divine intervention. The battle against oppressive forces, symbolized by “HavoheJ,” showcases an unrelenting quest for freedom and control over destiny. With its fusion of mysticism and rebellion, the song captures the essence of bridging science and magic, pushing boundaries, and challenging the constraints imposed by ancient traditions. “La Nueva Orden” stands as a compelling declaration of evolution and resistance. Musically, the song moves in a fairly flamenco harmony and in the middle, an interlude of acoustic guitars gives it depth.

5. Leper Messiah
This is a powerful reimagining of Metallica’s legendary song, crafted to honor the iconic energy of the original while seamlessly incorporating the intense and unique style of Eternal Drak. With vocals adapted to resonate with the band’s distinctive sound, this cover transforms the classic track into an electrifying experience that fans of Metallica and Eternal Drak alike will find unforgettable. A bold experiment worth every listen.

Eternal Drak’s current lineup – Left, Andres Martinez “Drakar” (Vocal/Guitar) – Center, Patrick Auger “PPO”(Drum) – Right, Mike Amyot (Guitar)

Photo credit: Caroline Juneau

Eternal Drak is a band based in Quebec, Canada, but originally formed in Latin America during the 1990s. Thrash Black Metal has always defined their core sound, though it has evolved over time with various influences enriching their musical style. Thematically, their lyrics delve into darkness, both human and inhuman, expressed diversely across their seven official releases. They are currently signed with the Canadian label FirstWave.

In 1997, the Martínez brothers—Drakar and Warhammer—laid the foundation for Eternal Drak at the ages of 17 and 15, respectively. The following year, rhythm guitarist Oscar Layton (Reijav) joined the band.

In the early 2000s, Eternal Drak achieved recognition by winning the City TV network award for Best Metal Video with their song “Eternal Drak.”

Their first EP, *La Resurrección de la Orden Guerrera*, was released in 2002, followed by their first full-length album, *Eternal Drak*, which was recorded in 2005 but officially released in 2012.

In 2007, the band disbanded temporarily.

In 2020, the band regrouped in Quebec, Canada, with Drakar, Warmessiah, and Reijav joining forces to create the album *The Past is Gone, A New One is Coming*. This album was dedicated to the memory of Eduardo Martínez (Warhammer), the band’s co-founder, eternal drummer, and beloved friend.

In 2021, the band released their third full-length album, *Drak Metal*, featuring 12 original tracks and one cover. That same year, the lineup was restructured with the addition of drummer Juan Francisco Avella. They also signed a contract with the Italian label Wormhole Death for the physical release of *Drak Metal*.

In 2022, Eternal Drak released their fourth studio album, *Shadow Storm*, accompanied by the music video *Hide Your Madness*, filmed on Orleans Island in Quebec, Canada.

In 2023, the band released their second EP, *Interdimensional War of Satan*, which includes five tracks.

In 2024, they released their fifth full-length album, *Imprisoned Souls*, featuring 10 tracks. The lineup was further strengthened with the addition of Mike Amyot (lead guitar) and Patrick Auger (drums).

In 2025, the band will release *The Warrior Order*, a complete reimagining of their 2022 debut EP “La Resurreccion De La Orden Guerrera”. This newly recorded EP pays respectful homage to their origins while presenting a modernized sound.

Today, Eternal Drak continues to thrive, staying true to its name by delivering powerful riffs, thunderous drums, and commanding vocals. With more metal, melody, and harmony than ever before, the band remains as dynamic and determined as ever.

Discography:
2025 – The Warrior Order – EP
2024 – Imprisoned Souls – LP
2023 – Interdimensional War Of Satan – EP
2022 – Shadow Storm – LP
2021 – Drak Metal – LP
2021 – My God Is The Sun – Single
2020 – Lets Get Rude – Single
2020 – The True Meaning Of Life – Single
2020 – The Past Is Gone, A New One Is Coming – LP
2012 – Eternal Drak – LP
2002 – La Resurreccion De La Orden Guerrera – EP

Shared Stage with: Inquisition, La Corriveau, Lancaster

0 EPK – DOLL – Better Days, Better Times (2025)

June 11, 2025
by Asher
· DOLL · EPKs

EPK – DOLL – Better Days, Better Times (2025)

Publicist – Jon Asher – jon[@]ashermediarelaitons[.]com

“This release marks a shift—more collaborators, new instruments, fresh energy running through the tracks. We’ve moved beyond the borders of the last two records, drawn from new experiences, and let the songs grow without constraint. It’s more honest, more personal. Still dark. Still unmistakably Doll. Just with a few more layers in the songs. With this album, we wanted to pull listeners in closer to what’s top of mind to us, our values, our experiences. It’s not just something to hear; it’s something to sit and listen to. It’s less about the volume this time, more about the weight behind the lyrics.” – DOLL

Band: Doll
Album Title: Better Days, Different Times
Release Date: July 18, 2025
Label: Self-Release

For fans of SoftCult, Amyl and the Sniffers, Scowl, Nobro, The Pretty Reckless

Doll.bandcamp.com | Facebook.com/dollband | Spotify | Youtube.com/@insidethedollhouse

“#1 Doll – Zach’s Picks of the Week – July 7 – 12, 2025 – Canadian Beats

“In one of the best comeback stories in music in 2025, Canadian Alt-Rock duo DOLL will release their first new collection of material since 2011’s The Ragdoll Diaries… In addition to five slamming originals, DOLL chips in an inspired take on the Deep Purple classic rock anthem – “Smoke On the Water!” “- Ghost Cult Magazine

“Doll sharpens their grit with new muscle and melody. Their return after more than a decade is not a nostalgia trip but a rebirth. The Ottawa band’s forthcoming EP Better Days, Different Times (July 18th) expands their core formula of raw energy and no-frills honesty by inviting new players and broader sonic choices into the mix. But even with cello flourishes and genre jumps, their identity remains firmly intact.” – Amplify The Noise

“The new track ‘Shark Bait’ from Doll is a blast! The world has been celebrating the 50th anniversary of “JAWS” and now we have a brand new punk-fueled bite in the pants to go along with all of the bloody hoopla. ‘Shark Bait’ is basically straight ahead hardcore riffage with razor sharp teeth, fun lyrics and a precursor to their new EP, ‘Better Days, Different Times’ set for a July 18th release. Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“DOLL has returned as potent and as impressive as they were before but with greater impact we suggest, Better Days, Better Times quite simply a must exploration for punk and feral rock hearts.” – The Ring Master Review

“Christina Kasper’s changeable voice is impressive.” – Keep On Rocking

“‘Bleeding’ is a colourful mixture of Hard and Alternative Rock, paired with influences from Punk and Gothic, in a very melancholic sounding melody. The powerful voice of singer Christina Kasper dominates like a siren. ” – Metal Heads Forever Magazine

“The Rag Doll Diaries” is the story of a road weary/world weary band with so much to say and share. Its the combination on heartache and despair offered with a hand meant for holding. In other words here is real music for the real world.” – Heavy Metal Time Machine (2013 – The Ragdoll Diaries)

“Doll was conceived as a bridge between punk and rock, a bridge that was fulfilled in the early ’90s by bands like Nirvana and the mid-’90s by Foo Fighters… A good punk band doesn’t write about the joys of picking daisies and Doll is no exception.” – The Whig Standard (Kingston, ON) (2013)

“Doll provides a missing link between punk and rock.” – The Intelligencer (Belleville, ON) (2013)

“The four-piece are definitely reminiscent of the grunge era and have provided a concise four-word biography of the band: “Rock N’ Fucking Roll.” – Exclaim! (2011 – The Ragdoll Diaries)
“One of the most striking aspects of Inside The Dollhouse, after Christina’s whiskey-and-hell voice, is a fictional character by the name of Sally created to carry the songs. A concept completely unexpected given the band’s twentysomething youth, immediately reminiscent of Alice Cooper’s infamous character Steven, introduced on Welcome To My Nightmare in 1975.” – Bravewords (2010 – Inside the Dollhouse)

“The debut from Ottawa’s Doll caught me instantly like a fish on a hook. This is serious music. Dark, intense and magnetic, this is the kind of gritty ’90s grunge that doesn’t fuck around. Fronted by the vocally vicious Christina Kasper, Doll recall an angry and confused era of music devoid of pop but not catchiness. Kasper howls in the vein of Courtney Love and Brodi Dalle, and while the lyrics are simple and not exactly fresh, they are impacting. Songs like “Perfect” deal with trying to live up to society’s standards, while “Sally Lost Her Shoelaces” and “Daddy’s Little Girl” deal with hurt, confusion and heroin against a backdrop of chunky guitars, assaulting drums and badass attitude. Julie-Anne Madore’s backing vocals add a whispered, haunting feel to this record. If the dirty rock’n’roll alone doesn’t reel you in, nothing will.” – Exclaim (2009 – Inside the Dollhouse)

Band: Doll
Album Title: Better Days, Different Times
Release Date: July 18, 2025

Track Listing:
1. Bleeding – 4:32
2. Shark Bait – 3:07
3. Smoke on the Water – 4:26
4. Scene Dream – 4:28
5. Ends Like This – 3:24
6. Goodbye – 3:27
Album Length: 23:29

Album Credits:
All songs performed by: Doll
All songs written by: Doll
Produced by: Josh Hart, Jason Jaknunas
Mixed by: Josh Hart
Mastered by: Josh Hart
Album Artwork by: Mark KiddAlbum Lineup
Guitar: Pete Kasper
Guitar, Vocals, Bass: Christina
Drums: Chris Zimmerman – Smoke on the Water,
Josh Hart – All the Rest
Cello: Raphael Weinroth-Browne
Keys: Phil Campbell
Extra Guitars : Athanasios Maravelis

==================================================

About The Album Artwork:

The album’s artwork is a throwback to our childhood, and how BMX was king, and really focusing on what really matters, it is having fun, exploring, living life in real time, not on devices. We wanted to highlight that raw emotion with the bike under the street light, slightly ominous and mysterious.

About the album as a whole (LYRICALLY & MUSICALLY):

The new album takes you on a journey of different musical genres that we enjoy.

Track by Track (LYRICALLY & MUSICALLY):

1. Bleeding
The Bleeding is one that came out of watching True Detective, actually, the last season, we were huge fans of the season, and that influenced us lyrics and musically, making it that darker feel but with lots of single notes, which is more than we used to ever do before. There is homage to the trauma that the Indigenous People went through in Canada.

2. Shark Bait
Shark Bait was a fun some that we had come up with after playing around with some hardcore style riffing and our passion for the Jaws movies. We have always had a strong attraction to shark movies, and when Pete came up with the riff for the chorus, it just felt so right with the “Shark Bait” vocals, everything was clicking, and we just went for it.

3. Smoke on the Water
We have always done a cover version with each release of Doll, with White Wedding ,and JailBreak,

Smoke was another one that came together really quickly. We loved the original, but after seeing all the fires and the destruction that happened in 2024, there was this need to bring forward our own version of the song. We updated the lyrics to match how the disasters had made us feel, and musically, we have always wanted to try a more doom-inspired vibe, and this song let us express ourselves in a raw and emotional way.

4. Scene Dream
I think every band has been here, where the goal is always the same: to become “big”, whatever that means or looks like to you and whatever music you’re playing. As much as everyone says that they are playing for fun, there is always that hope that you “make it” and connect with an audience, if that means playing to 10 people to some or playing arenas to others. As much as we are playing for ourselves, the feeling you feel that someone else wants to hear your songs is amazing. This song talks to the pressures of others in the pursuit of making it in your scene.

5. Ends Like This
This song is about the struggles of being in a relationship. No matter how hard you try, and the promises made on both sides, sometimes all of that is moot, and nothing you do can prepare you for the outcome.

6. Goodbye
This is a personal song for Christina about losing her mom early on in life, with her own personal battles with pain. The hope is that this one may help others who may be going through similar circumstances.

======================================

Fun Facts:

1. Christina and Pete are married.

2. They have been supporting and pioneering the Ottawa local scene by organizing shows in the area for over 20 years.

3. On tour, we always had hot and sour soup in every city.

4. Our first out of town runs of shows, we didn’t even have a band van, which we ended up finding late night the day before, purchased off someone privately, and had insured and plated the next morning before driving off in our amazing two tone brown GMC Safari (RIP), the best van ever created.

5. Everyone was a huge fan of Sonic Youth

After a long hiatus, Doll is back from the dead with a new album.

Doll is a Canadian alternative rock band from Ottawa, Ontario.

In 2009, Doll released their first album, Inside The Dollhouse. A video was also filmed for “Daddy’s Little Girl”, their first single, which played on MuchMusic and MusiquePlus. A second video was created for their second single, “Sally Lost Her Shoelaces”. Madore left the band a few years after,r and Paquette returned in her place.

In 2011, they released their second album, The Ragdoll Diaries.[5][6] Two singles/videos came out of this: “FMO” and “Youth of Today, Hope for Tomorrow”. This album was not only released in CD format, but also on vinyl. Soon after, Alex Vance was recruited to fill the bass position.[7]

Doll has been opening support for Three Days Grace, Lacuna Coil,[8] Danko Jones, Spinnerette, Protest the Hero, Band of Skulls, Anvil, Halestorm, SNFU, Hanzel Und Gretyl, Civet, The Creepshow, Die Mannequin, and many more.

Discography:
2025 – Better Days, Different Times
2011 – The Ragdoll Diaries
2009 – Inside the Dollhouse

Tours and Festivals:
2011 – Ottawa Bluesfest
2011 – IndieWeek
2011 – NXNE
2011 – Montebello Rockfest

0 EPK – Tangents – Molt (2025)

June 2, 2025
by Asher
· EPKs · Tangents

EPK – Tangents – Molt (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“So stoked and proud to release Molt. So much growth, so much change, evolution. Yet somehow we make it all make sense. Definitely our most focused effort, we present to you a multitude of experiences in a compact timeframe. This offering allowed us to open and embrace challenges and overcome the obstacles that come with growth” – Tangents

For Fans of The Dillinger Escape Plan, Every Time I Die, Dog Fashion Disco, Mr Bungle, Better Lovers

Band: Tangents:
EP Title: Molt
Release Date: April 11, 2025
Label: Self-Release

All Links: https://linktr.ee/Tangents705

Facebook.com/TangentsBand705 | Instagram.com/tangentsofficial

Tangents1.bandcamp.com | Spotify

“If you can imagine a Mike Patton era Faith No More creating bombastic and dramatic metal with a bit of a grunge undercurrent, then that may perhaps be a little bit of an indication about the type of music you will find on this EP. And if that notion strikes you as an intriguing one, chances are good for you to find this EP to be a rewarding one I’d suspect.” – The Viking in the Wilderness

Tangents – “No Dragons, No Lasers, Just LobsTour”
July 16 – Montreal, QC – Bar L’Hemisphere Gauche
July 18 – Windsor, NS – (Gutterfest) – Avon Valley Lanes
July 19 – Yarmouth, NS – The Red Knight
July 20 – Halifax, NS – Gus’ Pub
July 22 – Woodstock, NB – Monteith Manor
July 23 – Bathurst, NB – Bathurst Southside Lounge
July 24 – One Star Studio (secret location)
July 25 – Edmundston, NB – Microbrasserie Ateepic
July 26 – Lachute, QC – Royal Canadian Legion

Band: Tangents:
EP Title: Molt
Release Date: April 11, 2025
Label: Self-Release

Track Listing:
1. Assimilate (3:01)
2. Mass Delusion (3:33)
3. Forge (3:59)
EP Length: 10:34

EP Recording Credits:
• All songs performed by: Tangents
• All songs written by: Tangents
• Produced by: Chris Dimas
• Mixed by: Chris Dimas
• Mastered by: Chris Dimas
• Album Artwork by: Marc Lambert
• Canadian Content (MAPL)

EP Band Line Up:
Will Tennant – Guitars/Backing vocals
Nathan Chechock – Guitars/Backing Vocals
Rob Barnes – Bass
Matt Williams – Vocals/effects/samples
Simon Oliver – Drums/Backing Vocals

Discography:
2025 – Molt – EP
2022 -Tangents – EP
2020 – Sit Still – EP
2019 – Untitled – EP

=====================================================

About EP Album Artwork

We wanted the artwork to reflect where we were as a band and what was happening to our band at the time. The album is about growth, rebirth, change……

Naturally, the human vs AI/computer was a good reflection of the current times,

About the EP as a whole (LYRICALLY & MUSICALLY):

It’s definitely the best representation of our true selves. The themes are very broad and open-ended.. You could, in theory, write entire catalogues of music around any one of them, so it leaves a ton of possibilities open for future directions we could take. The EP has recorded appearances from every member who had been in Tangents during the self-titled period as well as the current era. This informed the idea of calling the record “Molt”. It fits lyrically as well because each song explores a different instance of major change. Technology, political, and personal change.

Track by Track (LYRICALLY & MUSICALLY):

1. Assimilate
Lyrically, we decided to go with themes that are likely to be commonly felt by many people of the current generation and are yet deeply personal at the same time. Assimilate depicts the fears of someone like a Ted Kazinski kind of character who sees the evolution of technology as an inherent existential threat to humanity. The song takes themes from the movie Terminator 2 and compares them to the modern state of AI and the dark predictions for the near future.\

2. Mass Delusion
Mass Delusion takes inspiration from the story by George Orwell called 1984. It presents themes like displeasure with the state of the current political climate and the importance of keeping a conscious and critically thinking mind. The tune sends the message that one shouldn’t believe everything they hear, especially when it comes to mass media.

3. Forge
Forge is a much more personal and frankly angry song that comes from a place of feeling rented and undervalued as a human being. It paints a picture of the moment when after a long build up of frustration and deep sorrow the damn finally breaks and the feeling evolves into all out rage. Matt says, “ It was a dark period in my life. I had suffered several major personal losses, the biggest of which was losing my father to brain cancer. I had thrust myself into Deejaying weddings full time, but that also came with the feeling like I was everyone’s dancing monkey. I only got to entertain people who have these seemingly beautiful lives, which I just watched from the outside rather than ever getting to be a part of. I had also been through not one but two major break-ups, which had kinda crushed the only light I had seen at the end of the tunnel. Forge is about having to scratch and claw my way out of that hole of depression and dealing with the trials of gaining back my happiness. It’s not directed towards a person, but more so the force in life that seemed to keep slinging so much mud at me during that period. This song is for those who have faced major traumas and to let them know they AREN’T alone.”

========================================

Fun Facts:

1. On tour through Ontario, we were once gifted a huge jar of pickled turnips. Every show, we encouraged people to drink out of it, and it became a viral thing. Haha,h it got stolen and there was a worldwide manhunt for the jar of turnips.

2. Tangents live by the motto “No dragons, no lasers,” which basically means nothing fancy, just give us electricity and we can play our stuff. No relying on gizmos and gadgets

3. Each member of the band is a multi-instrumentalist, which leads to really interesting ideas coming from all of the instruments

L-R – Will Tennant – Guitars/Backing vocals, Nathan Chechock- Guitars/Backing Vocals, Rob Barnes- Bass, Matt Williams – Vocals/effects/samples, Simon Oliver- Drums/Backing Vocals

Photo Credit – Rory P

Formed simply as a creative outlet in which there are no rules, Orillia, ON’s TANGENTS plays music with the idea of no constraints, no guidelines, and producing what they would want to hear. With elements of mathcore, prog, and post-hardcore, Tangents take you on a brutally honest journey with nothing to hide during an emotional and heavy 10 minutes on their latest EP, “Molt,” released on April 11, 2025. The band’s goal is to keep the listener on their toes, along with themselves as musicians. Keeping things fresh and ever evolving.

“For this EP, we decided on the 3 songs simply to capture that specific moment in time. I feel that there’s always room for growth, so we constantly keep evolving, we’re stoked and proud to release Molt. With our most focused effort, we present to fans a multitude of experiences in a compact timeframe. This offering allowed us to open and embrace challenges and overcome the obstacles that come with growth,” adds guitarist Will Tennant.

Taking pride that each member of the band is a multi-instrumentalist, Tangents are a bare bones heavy band, and at the end of the day, they get up there and rock out live to showcase very visceral songs. It’s a roller coaster of emotions throughout each track.

Recommended for fans of avant-garde mathy metal and bands such as The Dillinger Escape Plan, Mr Bungle, Every Time I Die, Dog Fashion Disco, and Better Lovers.

Bandcamp – https://tangents1.bandcamp.com

Spotify – https://spoti.fi/4knPCPM

YouTube – https://youtube.com/playlist?list=OLAK5uy_lbqCZ2QJmSbse8S6jgMo8AsgHKm7Gx-H0

Tangents live by the motto “No dragons, no Lasers,” which basically means nothing fancy, just give them electricity and they can play their tunes! No relying on gizmos and gadgets. Check them out live on the “No Dragons, No Lasers, Just LobsTour”.

Shared Stage with:
Cancer Bats, Comeback Kid, Teeth, Auras, Dog Fashion Disco, Captured!By Robots

Tour and Festivals:
Hundreds of Ontario Shows
2022- East Coast Tour
2023- Ontario Tour
2025- Ontario Tour
2025- East Coast Tour

0 EPK – Tigguo Cobauc – Ascended Deliverance (single) (2025)

May 30, 2025
by Asher
· EPKs · Tigguo Cobauc (Exitus Stratagem Records)

EPK – Tigguo Cobauc – Ascended Deliverance (single) (2025)

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | Twitter.com/exsrm | Youtube.com/@Exitusstratagemrecords9577

Tigguocobauc.mystrikingly.com | Instagram.com/tigguocobauc | Facebook.com/tigguocobaucband | Tiktok.com/@tigguocobauc

Tigguocobauc.bandcamp.com | Spotify

Single (all Digital Platforms) – https://hypeddit.com/tigguocobauc/ascendeddeliverance

Single Recording Credits:
• All songs performed by: Tigguo Cobauc
• All songs written by: Luca Martello
• Produced by: Tigguo Cobauc
• Mixed by: Luca Martello at Three Squires Recordings (Nottingham, UK)
• Mastered by: Luca Martello at MajorOak Audio Mastering (Nottingham, UK)
• Single Artwork by: H-Sound Records

Single Band Line Up:
Luca Martello – Guitars
Antoine Mouquod – Drums
Wayne Turton – Bass, Synth, Keyboards
Craig Phillips – Vocals
*guest vocalists – Chelsea Marrow (Voraath, Visitant)

Live Lineup:
Luca Martello – Guitars
Antoine Mouquod – Drums
Craig Phillips – Vocals

================================================

Describe The Single Artwork:

This is a photo I took in Belfast of ‘Soundyard,’ an installation and musical instrument activated by motion sensors. I think the image expresses the intricacy of ‘Ascended Deliverance,’ with its different layers coming together to form an unusual song.

About the single as a whole (LYRICALLY & MUSICALLY):

The track opens with the haunting pulse of a heartbeat, accompanied by the creeping distortion of industrial noise, drawing the listener into a space of tension and unease. As the first notes of the story unfold, the listener is already submerged in a melodic nightmare—a dreamscape that’s as surreal as it is sinister. The narrative follows a man, lost in his disillusionment with the world, burdened by the weight of life’s cruelty and suffering. Desperate for answers, he becomes obsessed with confronting God directly, seeking retribution for the pain he’s endured. When the conventional means of prayer, the church, and the promises of faith offer no solace, he grows increasingly frustrated and turns to darker paths.

His search leads him to a witch, a figure said to possess the ability to commune with angels—beings who might offer the answers he seeks. The witch, aware of the risks, warns him that the power to speak with such celestial beings is not to be taken lightly; without proper guidance, the consequences could be catastrophic. But driven by desperation and a growing sense of arrogance, the man dismisses the warning. He murders the witch in cold blood, seizing the book of forbidden spells she possessed. With reckless abandon, he chants the incantation, his voice trembling with anticipation and fear.

In that moment, an angel appears—not a being of divine grace, but one of wrath and inevitability. The angel, sensing the man’s hubris and defiance, consumes him entirely. The track climaxes with a surge of chaos and intensity as the angel’s judgment is carried out. The heartbeat, which has been a steady rhythm throughout, begins to slow, fading as the man succumbs to his fate.

The track closes with the silence that follows his death—a chilling, final echo that serves as both a literal and metaphorical end. This tale, woven into the fabric of the music, is a cautionary one—a stark reminder of the dangers of unchecked ambition and the folly of trying to command forces beyond one’s understanding. It is a warning against acting without caution, against chasing something that may not be meant for you. And, above all, it underscores the truth that sometimes, when you wish for something too fervently, you may just get it—and the consequences may be far worse than you ever imagined.

L-R – Luca Martello – Guitars, Craig Phillips – Vocals, Antoine Mouquod – Drums

UK-blackened doom trio Tigguo Cobauc are unleashing their latest music video “Ascended Deliverance” featuring guest vocals from Chelsea Marrow (Voraath, Visitant). The song itself is a reworked version of the album track from 2024’s “Fountains of Anguish,” released via Exitus Stratagem Records.

With a focus on always giving the listener the most intense and emotional experience, no more so than on the live stage. Tigguo Cobauc is the soundtrack to your darkest desires, as they explain the concept of the song and video:

“The track opens with the haunting pulse of a heartbeat, accompanied by the creeping distortion of industrial noise, drawing the listener into a space of tension and unease. As the first notes of the story unfold, the listener is already submerged in a melodic nightmare—a dreamscape that’s as surreal as it is sinister. The narrative follows a man, lost in his disillusionment with the world, burdened by the weight of life’s cruelty and suffering. Desperate for answers, he becomes obsessed with confronting God directly, seeking retribution for the pain he’s endured. When the conventional means of prayer, the church, and the promises of faith offer no solace, he grows increasingly frustrated and turns to darker paths.

His search leads him to a witch, a figure said to possess the ability to commune with angels, beings who might offer the answers he seeks. The witch, aware of the risks, warns him that the power to speak with such celestial beings is not to be taken lightly; without proper guidance, the consequences could be catastrophic. But driven by desperation and a growing sense of arrogance, the man dismisses the warning. He murders the witch in cold blood, seizing the book of forbidden spells she possessed. With reckless abandon, he chants the incantation, his voice trembling with anticipation and fear.

Single Band Line Up:
Luca Martello – Guitars
Antoine Mouquod – Drums
Wayne Turton – Bass, Synth, Keyboards
Craig Phillips – Vocals
*guest vocalists – Chelsea Marrow (Voraath, Visitant)

0 EPK – Dead Fields of Woolwich – Cult of The Cemetery (2025) (single) off upcoming album “Monarch Of The Grave”

May 29, 2025
by Asher
· Dead Fields of Woolwich · EPKs

EPK – Dead Fields of Woolwich – Cult of The Cemetery (2025) (single) off upcoming album “Monarch Of The Grave”

For fans of Paradise Lost, Type O Negative, Woods Of Ypres, A Pale Horse Named Death, Katatonia

Single Title – Cult of The Cemetery off upcoming album “Monarch Of The Grave”
Single Release – May 9, 2025
Label – Self-Release

Facebook.com/DeadFieldsOfWoolwich | Instagram.com/deadfieldsofwoolwich | Youtube.com/@deadfieldsofwoolwich6370

Deadfieldsofwoolwich.bandcamp.com | Spotify

“Jolting chugs and booming drums will get heads moving as the vocals crackle with passion way up in the stratosphere, and near the end the music receives a surge of energy, through a rapid riff-pulse and bombastic percussion, as a prelude to a blazing finale in which all the song’s ingredients, including Alyssa‘s intense, spine-tingling voice, unite in a display of tragic magnificence. (You’ll probably find by then that the song has also gotten well and truly stuck in your head.)” – No Clean Singing (single – I’ve Made It To Hell) (2023)

Single Recording Credits:
• All songs performed by: Kye Bell
• All songs written by: Kye Bell
• Produced by: Dave Strba @Chainsaw Media
• Mixed by: Dead Fields Of Woolwich
• Mastered by: Dave Strba @Chainsaw Media
• Single Artwork by Joshua Brown

Single Band Line Up: Kye Bell, Alyssa Broere
Name – Instrument Kye Bell (All Instruments) Alyssa Broere (Vocals)
Live Band Line Up: Kye Bell, Alyssa Broere, Dave Strba, Greg Meir, Kyle Taylor
Name – Instrument Kye Bell (Lead Guitar), Alyssa Broere (Vocals), Dave Strba (Guitar), Greg Meir (Bass), Kyle Taylor (Drums)

================================================

About The Single Artwork:

The artwork has a very gothic atmosphere and hand-drawn feel with an emphasis on bringing some mystery to the music while still relating directly to the lyrics themselves. It really captures the vibe of the album as a whole. Its meant to suck you into the cemetery leaving you feeling like you’re not quite alone and the green color really makes it feel creepier rather than desolate.

About the single as a whole:
The track is faster paced than songs we’ve done in the past, but still keeps the dark lyrical themes, giving it an interesting contrast between music and words. Once the song has built up, the chorus unleashes an incredibly catchy melody that really sticks with you. It’s heavy, dark, and movable all in one.

L-R – (Vocals) Alyssa Broere, (Guitar) Dave Strba, (Lead Guitar) Kye Bell, (Bass)Greg Meir, (Drums) Kyle Taylor

Photo Credit – Nathan Shore

Unleashing their self-titled debut album in 2023, Dead Fields Of Woolwich unveils their first single “Cult of The Cemetery” off their forthcoming sophomore album “Monarch of The Grave” due out late this year.

Dead Fields Of Woolwich has its beginnings going back to the autumn of 2020 in North Bay, Ontario, Canada, when multi-instrumentalist Kye Bell (Withing Nostalgia, Falamh) created a gloomy, doom metal project focused on dreary lyrics and a gothic-laden sound. Recruiting Alyssa Broere on vocals, the dark twosome began their musical journey. Now, for their next follow-up and second album, the duo has grown to a full-fledged band with the addition of guitarist Dave Strba, bassist Greg Meir, and drummer Kyle Taylor.

Band founder and guitarist Kye Bell explains further on the band’s evolution:

“The sound has evolved since the first release. When writing the first album, the focus was more on powerful chords and drudging riffs. Those things are still there in small doses, but this album is full of harder-hitting songs and much more memorable parts that stick with you after the listen is done. This album breaks away from the typical Doom formula and kind of takes on its own shape. The songwriting has become more refined over time as well, lyrics are more concrete with well-defined concepts. I feel like this particular single, Cult of the Cemetery, will be very well received due to the more rock-rounded nature of the song while still maintaining its heaviness and its foot firmly planted in the metal realm. It opens the doors to a different audience, yet still stays true to the dark nature of the band.”

With its very memorable riffs, this new single is catchy hell and dark as the grave it speaks of. Melodic and melancholic, it is recommended for fans of Paradise Lost, Type O Negative, and Katatonia.

0 EPK – Ashes of The Sun (2025) – Gods With Machines

May 28, 2025
by Asher
· Ashes of The Sun · EPKs

EPK – Ashes of The Sun (2025) – Gods With Machines

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Band: Ashes of The Sun
Album Title: Gods With Machines
Release Date: August 1, 2025
Label: Ignorant Tourist Productions LLC
Distribution: Distrokid

“I hope this album brings fans back to the era when metal and hard rock ruled the scene. Headbangers Ball was kicking, and it wasn’t out of the ordinary to turn on MTV and see Metallica’s One cranking. Tasty, heavy metal and hard rock with cool glammed-out solos and a ballad. I think it blends a few genres like grunge and metal at times. The album flows like some of my playlists, and I would imagine most people’s playlists. I hope that fans will enjoy the mellow acoustic/ballad intros that transition into hard rock/ metal flows. I wanted these songs to reach rock fans and metal fans alike. I’ve been in metal bands for a long time and love the brutality Karl and Dan brought to Freya and The Last Season, but I wanted to reach a broader audience. So I chose to tone the heavy vocals back and sing the album. At times, it reminds me of Dave Mustaine, James Hetfield, and Layne Staley. Every once in a while, I’m like, that kind of sounds like Bon Jovi or Scott Weiland. It’s funny because I never really listened to STP, only in passing. I think ultimately, whether it’s my metal, rock, or grunge influences coming through in these songs, it sounds like the era of music I grew up listening to. Late 90s, early 2000s. I like that about this album.” – Ethan D. Henry

For fans of Megadeth, Metallica, Alice in Chains, Five Finger Death Punch

https://ignoranttouristproductions.com/ | https://www.instagram.com/ethanhenry43/ | https://www.instagram.com/ignorant_tourist_productions_/

“One-man solo band ASHES OF THE SUN is the work of drummer / filmmaker Ethan D. Henry and he’s just dropped his new single, “A New Way To Die” from the forthcoming full length album “Gods With Machines” (Aug. 1st). Razor sharp riffs, heavy duty percussion and an overdrive rhythm section rule on “A New Way To Die” and it’s pretty glorious. We’ve had a chance to preview the entire album and it’s a hard rock juggernaut just waiting to be unleashed that is sure to please. Catch ASHES OF THE SUN on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

[Download Album Cover | Download Album Lyrics]

Band: Ashes of The Sun
Album Title: Gods With Machines
Release Date: August 1, 2025
Label: Ignorant Tourist Productions LLC
Distribution: Distrokid

Track Listing:
1. Sophisticated Clowns – 5:49
2. Save The World – 4:17
3. Forced To Kill – 5:51
4. The Elephant – 4:34
5. A New Way To Die – 4:26
6. Gods With Machines – 5:15
7. The Lost Ones – 4:07
8. Here To Stay – 6:11
9. They Bleed Just Like You 4:31
Album Length: 45:05

Album Credits:
ALL SONGS PERFORMED BY – Ethan D. Henry
ALL SONGS WRITTEN BY – Ethan D. Henry
PRODUCED BY – Ethen D. Henry
MIXED BY – Jason “Jocko” Randall
MASTERED BY – Jason “Jocko” Randall
ALBUM ARTWORK BY – Ethan D. Henry

LIVE BAND – TBD

========================================================

About The Album Artwork:

Ethan made the artwork for the album to represent not only the story of the album, but also based on stuff he’s interested in. Like the ancient alien God connection. Astral projection and deeper awareness of who we are spiritually.

About The Album:

The album ultimately is about having faith in god and constantly questioning it. Feeling that you’re being lied to by the people you look up to and trust. It’s about being yourself and finding your own spiritual path and god.

Track Listing:

1. Sophisticated Clowns

Is about People trusting their government and eventually seeing through the lies. Their leadership ultimately pushes its people to question everything and start losing faith in their leadership.

2. Save the World

This track is about one of the planet’s native characters finding a child of the gods. The child communicates with them, asking to be returned to where it came from through telekinesis. Unsure if they want to take the task, the tribe supports the idea of returning the child before it angers the gods, potentially causing problems for the locals and their community.

3. Forced to Kill

Is about the chosen one venturing out to return the child and discovering the truth about their gods. He soon realizes they are not who they appear to be. He is threatened by the gods to keep his mouth shut, and he will live to see another day. They spare him because of his good deed. But leave him deep in the wild to fend for himself on his return home.

4. The Elephant

The chosen one has a long journey home. He looks to the sky and to the gods for help. But his prayers don’t get answered…they never get answered. He lost and is disappointed with his so-called gods, and his faith is gone. He doesn’t know where to turn and loses his faith and fears that there is no one looking over us.

5. A New Way to Die

The chosen one is lost and giving up. He has lost his faith and doesn’t have the drive to carry on when he hallucinates a child taunting him. He cannot catch the child and continues to follow deeper into the wild. Eventually, he concludes this is the end and there is no hope. No one will find him. No one will save him. There is no heaven. We live in hell. What’s the point go going on? It’s time to throw in the towel.

6. Gods with Machines

Our hero is rescued by his tribe. tired, weak, Delirious, and malnourished. He tells the story of what he experienced and how the gods aren’t really gods. He drifts in and out and has visions of Gods and angels. They aren’t like the ones who live on their planet. They tell him it’s okay and they do exist. He drifts in and out between reality and his visions.

7. The Lost Ones

The local government seeks to speak with the chosen one and threaten him to keep his mouth shut about what he saw. His tribe and community stand up against the leaders and support their champion. Their aggressive approach to address the hero leads the community to question their leadership and to listen again to the chosen one and his story of False gods and deception.

8. Here to Stay

This song is about the chosen one and his community accepting the reality that the gods are not what they appear, The Leaders are in league with these false gods. As a whole, they decide to take their lives, land, and religion back. It’s time to unite and stand up.

9. They Bleed Just Like You

The people, tribe, and community are led by the chosen one to the gates of paradise, where the gods reside. Once inside, they ravage the communities within the walls. During their cleansing, they soon realize the gods aren’t fighting back and they aren’t special or even much different then they are. In fact, these people have been lied to but their leadership and have been led to believe the tribes and communities were wild savage animals and didn’t have the ability to understand how to be civil, how to work as a community, how to love. Soon, both sides realize they have been lied to by the same people and decide to work together and take back paradise and take back their freedom. Once they overthrow their tyrants, they learn to live in peace in paradise and have the freedom to find their own way of life and find their own version of god.

Ethan D. Henry – Photo Credit – Gidget Photos

ASHES OF THE SUN is the solo project of longtime FREYA contributor Ethan D. Henry. Freya was formed in 2001 by three members of the legendary straight edge/ Vegan band EARTH CRISIS by bassist Ian Edwards, guitarist Eric Edwards, and vocalist Karl Buechner. Ethan joined Freya in 2004, touring with the group for their first release on VICTORY RECORDS, AS THE LAST LIGHT DRAINS.

Since its conception in 2001, Freya has been writing music, making videos, and touring in the metal and hardcore scenes. They have been featured on MTV’s Room Raiders, Road Rules, and Headbangers Ball. More recently, they have had their music on the hit Television show Shameless, which airs on Showtime. Freya has also been featured in Kerrang, Decibel, Amp, and Metal Hammer magazines, to name a few.

Henry has been working with Freya since 2004 – 2008, 2017-present. He joined Freya as a temp to tour with the band as the last light drains, until becoming a full member in 2004. He co-wrote LIFT THE CURSE ( VICTORY RECORDS), THOUSAND YARD STARE ( UPSTATE RECORDS) FIGHT AS ONE (UPSTATE RECORDS ) BLOODTHIRST ( UPSTATE RECORDS )

In 2007, Freya went to Europe for the HELL ON EARTH tour with WALLS OF JERICHO, ALL SHALL PERISH, BORN FROM PAIN, AND FROM A SECOND STORY WINDOW. Henry says, “ Going to Europe on the Hell on Earth tour was such an amazing experience for me. I had been touring the States and Canada for years, but doing that tour, with those bands…That was a once-in-a-lifetime event. Very Grateful to have been able to do it. “

In addition to his duties with Freya, Ethan also co-wrote and performed on THE LAST album titled CALLED IT CIVILIZATION, released on SURFACE RECORDS in 2003. The Last season featured frontman Dan Johnson from BLOOD RUNS BLACK, GODBELOW, and THE UNHOLY based out of Syracuse, N.Y.. GODBELOW later became the hard rock band BRAND NEW SIN.

Ethan has worn many hats over the years with his bands. Whether he needed to play bass, guitar, or drums, he was always up for the challenge. “ I was always a bass player with guitar second in my comfort zone. I could always sing, but I wasn’t like great at it. I don’t know when it happened, like when I became good enough to play any instrument, if we needed a drummer or guitar player, I was like…Okay, I’ll give it a shot. Then one day I was a Drummer, I guess? I think I have impostor syndrome. ha”

Eventually, Henry had compiled a huge catalog of songs he had written over the years. Unsure what to do with them, He sat in his studio and started to record them. Not sure what would become of them, He had his friend Jason “Jocko” Randle at CAPTURE.STUDIO (Syracuse, N.Y.) to take a listen and put his touch on it. After a few mix and master sessions, Ethan decided his eclectic song list was cohesive enough to make an album. Thus, ASHES OF THE SUN was born.

An alternative, metallic, grungy style of music that spans over a few genres. “If Metallica, Anthrax, and Megadeth had a baby with Alice in Chains, Queens of the Stone Age, and the Foo Fighters, that’s Ashes of the Sun.” – Ethan D. Henry

Freyas Discography featuring Ethan
Hoods/Freya Split – Victory Records (2004)
Lift the Curse – Victory Records (2007)
Thousand Yard Stare – (Single) Upstate Records (2022)
Fight As One – Upstate Records (2023)
Blood Thirst – (Single) Upstate Records (2024)

The Last Season featuring Ethan
Called It Civilization (2003)

Shared Stage with:
Although Ashes of the Sun hasn’t toured yet, through FREYA and THE LAST SEASON, Ethan has shared the stage with WALLS OF JERICHO, ALL SHALL PERISH, KILLSWITCH ENGAGE, SWORN ENEMY, KATAKLYSM, MADBALL, LIFE OF AGONY, MASTODON, SKID ROW, JAMEY JASTA, RINGWORM, and BURNT BY THE SUN, to name a few.

Festivals Ethan has played.
HELL ON EARTH 2007 (EUROPE)
HELLFEST 2002 SYRACUSE NY
MUDDY ROOTS 2024 COOKEVILLE TN
UPSTAGE FEST 2024 CLEARFIELD

Endorsements: SOULTONE CYMBAL

0 EPK – Z-Cocoon – Angels (2025)

May 27, 2025
by Asher
· EPKs · Z-Cocoon

EPK – Z-Cocoon – Angels (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We are extremely excited to release our new EP, Angels, to the world! It’s the first recordings that were performed as a band, and everything recorded was mixed in-house at Casa Cocoon. Very proud of the outcome. We got a lot more music coming after this EP and can’t wait to keep this cocoon train rolling. If you’re into the classics such as Dio, Sabbath, Deep Purple, or blues guys such as Hendrix, Trower, Stevie Ray, or just dig stoner rock/ doom metal but are looking for something a little different, THEN TAKE A LISTEN AND PUT IT LOUD!”” – Z-Cocoon

For fans of Black Sabbath, Jimi Hendrix, Stevie Ray Vaughan, Pentagram

All Links – https://linktr.ee/zcocoon

EP Pre-save – https://earache.lnk.to/Angels

Facebook.com/ZCocoon | Instagram.com/z_cocoonmusic | Youtube.com/@z-cocoon9351

Spotify | Z-cocoon.bandcamp.com | Apple Music | Soundcloud.com/z-cocoon

“Z-Cocoon is firmly grounded in blues-heavy stoner rock, it also shows an awareness of other sides of rock and hip-hop that often the sub-genre completely walls itself off from. Little things like short interjections from the backing vocals, a willingness to put vocals ahead of guitars, and a thick-as-fuck kick drum sound — tweaks like that combine with the Sabbathian riffs and dynamic vocals for a pretty addictive listen.” – Invisible Oranges

“This EP does a great job of showcasing Zolla’s chops as a songwriter and as a performer. I personally find Zolla to be a great vocalist, and each of the tracks on here allow him to flex his mid-to-high range voice and sort of nasally cadence. I love the way he adds a rasp into his voice.” – Where Strides the Behemoth

Second song – Just Tell Me – has an “Audioslave” quality to it with Marc’s vocals and some of the music that appears at the start. However, Marc switches things up a bit and plays some classic “Hard Rock” melodies and superb vocals for the standout song on the EP. – Outlaws of the Sun Blog

Band: Z-Cocoon
EP Title: Angels
Release Date: June 6, 2025
Label: Self-Release
Distribution: Earache Record Digital Distribution

Track Listing:
1. Dr. Crane – 4:17
2. Truth Don’t Matter – 3:42
3. For My Life – 6:37
Album Length: 14:36

EP Credits:
Recorded and mixed by Marc Zolla.
Mastered by Kent Stump (Crystal Clear Sound/WoFat)
EP artwork by Camille Grenier.
Member of SOCAN
Canadian Content – MAPL

Band Lineup:
Guitar/Vocals: Marc Zolla
Bass: John Burton
Drums: Michel Paradis

=============================================

About The EP Artwork:

I really love collecting comics, so I wanted something similar to Batman. My girlfriend Camille Grenier is very good at drawing and designing tattoos, so I mentioned I wanted a bat/gargoyle looking down on the city with a Fender Strat, sort of like the gargoyle is coming back from the dead to show the city what he’s got waiting to show his music. The dark/gothic aesthetic fits in with how the music feels. A mix of comic/dark/gothic aesthetic and the guitar is put on the cover to pay homage to most blues album covers, where they’re holding their guitar or a Fender Strat that always looked cool.

About The EP:
It’s a mix of heavy blues meets doom metal, meets rock n roll. Heavy grooving riffs and dark vocals with slashing swinging solos. Lyrically inspired by comics and personal experiences.

Track by Track:

1. Dr. Crane: heavy bluesy song about Dr.Crane, aka The Scarecrow (one of the villains in the Batman Universe)

2. Truth Don’t Matter: exactly what the title says. Very Pentagram-inspired riff, but then catchy. I was actually listening to a lot of Biggie Smalls to get the inspiration to cut instruments so the vocals stand out in the “truth don’t matter” hook.

3. For My Life: Fiction about protecting my home from invading demons, spirits, and vampires. I would say inspired by horror movies and comics in general. Long song with a heavy doom metal style riff and a breakdown section to mix it up a little bit, and obviously a nice guitar solo.

L to R: Marc Zolla (Guitar/Vocals), Michel Paradis (Drums), John Burton (Bass)

Z-Cocoon originally started as solo project by Marc Zolla in 2017 with many self released EPs and singles. It is now a power trio mixing elements of stoner rock, heavy blues and classic heavy metal. The new EP Angels recorded by Zolla, Johnny B and Michel in studio features 3 new songs. Electrically-charged heavy music with savage guitar jabs, rockin’ blues and hot solos!

Discography:
2017 – Alienation – EP – Pink Cocoon
2020 – No Control – single
2021 – Dark – EP
2021 – X Ray Eyes – single
2022 – Fake Smiles/ Sonny Boy – single
2025 – Angels – EP

Shared Stage with: Witch Mountain, Telekinetic Yeti, The Well, Castle, A Pale Horse Named Death

Tours and Festivals
2022 – Summerdaze Festival 2022
2019 – Tour NYC
2019 – 7-day East Coast USA
2018 – Eargasm festival
2018 – Robfest
2018 – 6-day tour East Coast of Canada
2017 – Basin Fest

0 EPK – Augurium – Faith & Death Pt. I. (single) (2025)

May 23, 2025
by Asher
· Augurium · EPKs

EPK – Augurium – Faith & Death Pt. I. (single) (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Lorna Shore, Septicflesh, Belphegor, Decrepit Birth, Cannibal Corpse

Single Title: Faith & Death Pt. 1
Release Date: May 17, 2025
Label: Self-Release
Distribution: Distrokid

Facebook.com/AuguriumSK | Instagram.com/auguriumband

Augurium.bandcamp.com | Spotify | Apple Music

[Download Single Cover | Download Single Lyrics]

Single Recording Credits:
• All songs performed by:
Cejay Carnochan – Rhythm Guitars
Dylan Suppes – Vocals
Logan Barlow – Lead guitars & Orchestra arrangement
Reid Paraszczynec – Bass & Orchestra arrangement
Taylor McDonald – Drums
• All songs written by:
Cejay Carnochan, Dylan Suppes, Logan Barlow, Reid Paraszczynec, Taylor McDonald
• Produced by: Logan Barlow, Reid Paraszczynec, James Ivanie
• Mixed by: Reid Paraszczynec
• Mastered by: Reid Paraszczynec
• Single Artwork by: Mark Erskine – Erskine Design

Single Band Line Up:
Cejay Carnochan – Rhythm Guitars
Dylan Suppes – Vocals
Logan Barlow – Lead guitars & Orchestra arrangement
Reid Paraszczynec – Bass & Orchestra arrangement
Taylor McDonald – Drums

Live Band Line Up:
Cejay Carnochan – Rhythm Guitars
Dylan Suppes – Vocals
Logan Barlow – Lead guitars
Reid Paraszczynec – Bass
Taylor McDonald – Drums

=============================================

About The Single Artwork

The artwork was created by Mark Erskine, who also did the Unearthly Will cover art. It strongly resonates with the track’s concept. The song itself is rooted in the mythological hero’s journey, using Tolkien-like storytelling to explore the duality of good and evil.

About the single as a whole (LYRICALLY & MUSICALLY)

Faith and Death Pt. I is themed around The Lord of the Rings. Part one speaks to the side of evil. This track was written from the perspective of Mordor’s legions. Moreover, it touches on the eternal struggle of light and dark and how both cannot survive without the other. A shadow cannot exist without the light.

Death—the only thing certain for all mortals. If neither side can agree on which god to worship, which philosophy to follow, or what is right and wrong, one thing is undeniably and indiscriminately certain: death.

L-R – Cejay Carnochan (Rhythm Guitars) – Taylor McDonald (Drums) – Logan Barlow (Lead Guitars) – Reid Paraszczynec (Bass) – Dylan Suppes (Vocals)

Photographer: Savannah Bagshaw – Paradox Visuals

Unleashing their third studio release “Unearthly Will” in 2023 and 2024 single / video ”Morningstar”, Regina, Canada’s symphonic death metal outfit Augurium returns with their first taste of new music in 2025 for fans in the lead up to their opening support for progressive death masters and hometown heroes Into Eternity on May 17th. (details below).

Fans of the band are in for a positive surprise. It’s still the same Augurium they’ve been listening to since Unearthly Will, but this song taps into a more emotional side.

“For us as a band, it represents a sort of new Augurium, still within the same style we’ve been playing since 2021, yet naturally evolving. The goal was to create a dramatic listening experience—almost like the progression of a film. There are highs and lows, emotionally driven sections, movements that depict scenes in a hero’s journey, and crushing, deafening moments. This is the first half of a sonic saga portraying the struggle between opposing forces,” adds guitarist Cejay Carnochan.

Entitled “Faith & Death Pt. I.”, the track is the first chapter of an epic two-part symphonic death metal series. The song is rooted in the mythological hero’s journey, using Tolkien-like storytelling to explore the duality of good and evil, which resonates in its artwork created by Mark Erskine, who also did Augurium’s Unearthly Will cover art.

“‘Faith and Death Pt. I’ is themed around The Lord of the Rings. Part one speaks to the side of evil. This track was written from the perspective of Mordor’s legions. Moreover, it touches on the eternal struggle of light and dark and how both cannot survive without the other. A shadow cannot exist without the light. Death—the only thing certain for all mortals. If neither side can agree on which god to worship, which philosophy to follow, or what is right and wrong, one thing is undeniably and indiscriminately certain: death,”

Recommended for fans of Shadow of Intent, Septicflesh, and Mental Cruelty.

0 EPK – KRATORNAS – God of the Tribes (2025) (Grathila Records)

May 22, 2025
by Asher
· EPKs · Kratornas

EPK – KRATORNAS – God of the Tribes (2025) (Grathila Records)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I don’t know… If they’re expecting another “superfast brutality” or “sudden excitement,” this album will alienate most of them. Look, Kratornas is done. I’m retired, and I’ve been doing “fast” for the first 15 years, so it’s time to “evolve” and do whatever I want with it now. On this album, I did use instruments that were new to me, like a 7-string guitar for L/R channels, a 6-string fretless bass, and more. It will disappoint them because this one is NOT “fast”, no blast beats, no power chords, no distorted fizzy guitars, all that stuff will not be heard here.

It’s about “BUILD UP” this time. If listened to loud, it’s ENERGY, motivation, and aggressive behavior. If you sit down and listen to, with good headphones, it will bring out a different “experience” because the mix is “moving and breathing” if that makes sense. Kratornas is created by an active person for another active person. It’s not meant to be “experienced” by some lethargic, depressed “dude” with “mental health” issues looking to experience some… “atmosphere”. Kratornas drives “function”: working out, contribute to community, train, fuck some women, etc. I don’t get this “suicidal metal” experience. Never that I encouraged the “fans” to slump inside, watch TV all day, and eat Cheerios. NO! We sleep when we’re dead! If you’re a hyper person, then Kratornas is your jam!” – Kratornas

For fans of Celtic Frost, Suffocation, Cro-Mags, Discharge, Immolation, Mortuary Drape, Varathron, Argentum , ENDVRA, Merzbow, Enigma

Band: Kratornas
Album Title: God of the Tribes
Release Date: August 22, 2025
Label: Grathila Records

Kratornas.com | Facebook.com/officialkratornas | Youtube.com/@KRATORNAS

Kratornas.bandcamp.com | Spotify| Apple Music

“Kratornas has returned and have taken large steps in progression with their musical maelstrom of violence.” – Canadian Assault (2017 – Human Livestock 7″ EP)

“What’s even better is that the music doesn’t just move in the sense that a rocket moves. The songs are more than sheer exultations in the thrill of speed and violence. They also change course. They veer into hammering grooves; they bolt into bursts of blood-pumping thrash riffing; they pulse like some kind of laser weapon being triggered. Yes, the songs are often deranged — when Kratornas is in full grind mode, you can imagine oceans of blood spray ejected from a fire hose and bodies being atomized in a frenzied butchery — but there’s impressive intricacy and dynamism in the songs, as well as jaw-dropping technical skill and manifest blood lust.” – No Clean Singing (2016 – Devoured by Damnation LP)

“If you like chaotic, blasting Black Metal, then this is a good bet.” (2016 – Devoured by Damnation LP)

“This album is intense. From start to finish Kratornas is absolutely relentless and have put together one hell of an album with a whole lot of everything in the mix without sounding repetitive.” – Metal At The Gates (2016 – Devoured by Damnation LP)

“While its – drum and guitar/voice – format might suggest similarities with the Inquisition, in sound terms are two quite distinct entities. Here there is a greater degree of chaos and a greater departure from the traditional scene (second wave of black metal) than the one we can find ourselves in Inquisition. Basically it is what would happen if we join powerviolence with black metal. It is something that impresses, without a doubt, but that may have a tendency to tire. Fortunately this does not happen much here because all the themes end up having healthy dynamics, mainly a healthy rib of primitive death metal ( plus an element to join the party) and mainly a solo guitar taken from the breca that looks like a bouncing diabolite. Awesome and surprising album.” – World of Metal Mag (2016 – Devoured by Damnation LP)

Band: Kratornas
Album Title: God of the Tribes
Release Date: August 22, 2025
Label: Grathila Records

Track Listing:
1. Cursed Sky Serpent (15:00)
2. Evil and Plunder (3:00)
3. Ravaged by Hurakaan (7:00)
4. Novena para Guerra (11:00)

Album Recording Credits:
• All songs performed by: Bruno Zamora
• All songs written by: Bruno Zamora
• Produced by: Bruno Zamora
• Mixed by: Bruno Zamora
• Mastered by: Dan Swano
• Album Artwork by: Genoicide Artwork

Album Band Line Up:
Bruno Zamora – All instruments, Vocals and Chants

===================================================

About The Album Artwork:

There’s a “slipcase” to conceal the album artwork. It explicitly depicts what is happening now. I call it “comforting” to look at, but anyone can have their own way of “describing” it.

About The Album Artwork:

About the album as a whole (LYRICALLY & MUSICALLY):

Lyrics are thick with metaphors and open to many interpretations. Musically, this album is unlike the usual Kratornas. Anyone expecting it to sound like early Kratornas will be disappointed. It’s all about build-up this time. There are no sudden loud bangs or sudden excitement.

I have the “gears” now and this brings no limitations. It’s time to move forward, and since I can do whatever I want now, I can say this album is the most natural and most honest album I’ve ever done. It’s the start…

Track by Track (LYRICALLY & MUSICALLY):

1. CURSED SKY SERPENT – The world is in ruins, destroyed by massive natural disasters and man-made weapons. Depicts rain of fire, a flood of blood from an ocean of dead bodies, tornadoes, and lava wiping everything out. The “Sky Serpent” (or Green Comet) is an ancient god returning to end humanity. The lyrics mix old myths with modern “doomsday visions”; f.ex “Heeding the prophecy, Beasts from the sea” were how ancient prophets described visions of the future, unable to recognize aircraft carriers, submarines, and destroyers. What they called “beasts” were just modern machines of death.

2. EVIL AND PLUNDER – This is about the world falling apart. Endless creeping of war and violence. “Demons” rise, plague spreads, and the idea of peace is non-existent. The lyrics talk about secret societies and symbols of ownership hidden in plain sight, with people turned into slaves (as seen on the album cover). It shows a world ruled by pure greed and cruelty, where religion and authority become tools for mass murder, and no one is spared from the coming slaughter.

3. RAVAGED BY HURAKAAN – Describing the world being torn apart on purpose by “hidden rulers” who want to create a new order. Once again depicting war, man-made plague, and economic collapse wiping out humanity. The lyrics paint images of burning nations, bodies dragged to boiling waters, and people hunted like animals. It’s meant to show there’s no hope or salvation but only destruction planned by the higher-ups, leading to chaos and death everywhere. Killing yourself is not an option, it’s a reward!

4. NOVENA PARA GUERRA – This song is a twisted prayer calling for war, ending in a nuclear strike. It depicts deluge, drought, poisoned waters, and suffocating heat waves killing everyone. The chanting dance fertilizing the ground by blood, and singing at the end, makes it known that humanity is worshipping violence, not peace. Visualizes dark decades of dust (fallout), mountains of corpses, and endless battlefields. The message here is: There’s nowhere to run! No Hope! No Life! I HOPE YOU DIE!!

=================================================

FUN FACTS – STORY ANGLES:

1. The album features some unusual instruments, but one remains completely unidentifiable. After it was recorded and warped beyond recognition, I can’t fully explain what it sounds like anymore.

2. Seven-string guitars were used for both left and right channels, each playing differently but locking together as one. 6-string fretless bass – channels raw tribal energy, while the drums pulsing African polyrhythms, pushing everything forward. Layered in the background are some “ominous” keyboards, chimes, and a jaw harp. Expect NO to lesser blastbeats!

3. To create unpredictable riffs, I bought a cheap left-handed guitar, even though I’m right-handed, forcing myself to play completely differently. The riffs were then transcribed back for a regular right-handed guitar, making them sound completely unnatural yet intentional.

4. Bruno Zamora was one of the young drummers at tribal festivals, performing six hours under the sun at each annual event for three years. Encounters with indigenous buskers and their improvised instruments added another layer of influence. Unlike many “tribal” on metal, this album draws from firsthand experience rather than just aesthetics.

5. Sustained guitar sounds remained in the album because the notes rang out for a really long time!

extreme metal entity Kratornas has unveiled the official artwork for the highly anticipated full-length album “God of the Tribes” (mastered by Dan Swanö (Edge of Sanity)) set for release on August 22nd, 2025, through Grathila Records. In a dramatic departure from previous works, “God of the Tribes” represents a significant shift in Kratornas‘ approach. The mastermind behind the project explains:

“This album marks a turning point for KRATORNAS. Not because it tries to be “different” but because it couldn’t have come out any other way. Every part of this release came together naturally. The sound, the pacing, the tension… it wrote itself, shaped by instinct and intention. This album is unlike the usual Kratornas so to anyone expecting it to sound like “early Kratornas” will be disappointed.”

The striking album artwork perfectly complements the thematic elements of the record, which draws heavily from apocalyptic imagery and ritualistic concepts. Along with the artwork reveal, Kratornas has released an album teaser, giving fans their first glimpse into the sonic evolution that defines “God of the Tribes”.

Kratornas, formed in 1995, stands as the pioneering one-man extreme metal act originally from the Philippines and now based in Saskatoon, Canada. With roots tracing back to the underground tape trading scene of the late 1980s, Kratornas has forged its own path through extreme metal, evolving from its early Satanic themes to apocalyptic visions and now to a more nuanced, ritualistic approach with this upcoming release that is recommended for fans of all sorts of black metal.

Discography:
2025 – God of the Tribes LP
2025 – Ravaged by Hurakaan 7″ EP
2021 – Age of Wounds LP (remastered)
2020 – Pestilence EP (cassette)
2017 – Human Livestock 7″ EP
2016 – Devoured by Damnation LP

0 EPK – Moniker – Hindsight (single) (2025)

May 21, 2025
by Asher
· EPKs · Moniker

EPK – Moniker – Hindsight (single) (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Instagram.com/monikerband | Youtube.com/@MonikerVancouver

Digital Single – https://distrokid.com/hyperfollow/moniker7/hindsight

““Hindsight” embraces the eccentricities of the genre (prog) without getting too caught up in sludge or showmanship. It’s a melodic track that blends, blurs, and bristles, mourning the ever-flowing march of time with a clear-eyed sense of what prog needs to matter now.” – Georgia Straight – Van Jams: New Vancouver music from June 2025

Band: Moniker
Single: Hindsight
Release Date: June 6, 2025
Label: Self-Release
Length 5:52

Single Credits
Song Written by Moniker
Produced By: Jade Weekes
Mixed By: Jade Weekes
Mastered By: Railtown Mastering
MAPL – Music is Canadian Content

Band Lineup:
Jonny – Vocals
Ray – Guitar
Jade – Guitar
Alaric – Bass
Dylon – Drums

======================================

FUN FACTS:

1) The band was started just to enter a Battle of the Bands competition

2) The first show we drew a considerable crowd by just the demos on our Myspace.

3) We played that first show with three guitarists and two vocalists on a stage that could barely fit the drums

4) We had a fan from Belgium, travelling to Vancouver for a trip, saw a poster for a show, and ran to see us that night. Entering after our second song and running right to the front and headbanging for the entire set. Afterwards, we thanked him, but he barely spoke any English, and he got a shirt and left with a smile on his face.

5) We encouraged a local bar to put on live music and became the house band for a few weeks, and their booze sales skyrocketed, and they thanked us with a tray full of 12 vodka shots right before our set.

6) one night we had someone breakdancing in the crowd and our singer Jonny (used to be a hiphop rapper), jumped from the stage and they had a whole breakdancing battle in the middle of a mosh pit.

7) Our songs were recorded in an old studio where Nickelback originally did their demos.

Brewed in a basement suite fueled by the lust for bringing their hometown of Vancouver, BC, something it’s never heard of before, the members of progressive collective Moniker, whom all met as students while attending Audio Engineering school, returns with its next taste of new music, “Hindsight” to follow single ”From The Grave” released March 31st of this year and their first self-titled full-length unleashed back in 2021.

“You normally had either brutal death metal or indie rock. Bringing melodic progressive metal to this city was our goal, and we are back to finish it,” adds the band.

Before the digital single for “Hindsight” is officially available on June 6th, 2025, on all platforms, the progressive quintet is unveiling its music video that can be viewed below.

The band comments on the track:

“To those who know us, it will be just as everyone expects, for those who don’t know us, prepare for the unexpected. This single gives a balance between clean melodies and delay-saturated guitar licks, all the way to soul-crushing riffs with gut-wrenching screams. Time flows on and on, whether we want it to or not. Our vision may be clouded, but hindsight is 20/20.”

With its melodic sense, progressive and sizzling heavy riffs, and soaring vocals, Moniker is recommended for fans of Tool, Deftones, Trivium, Leprous, and Killswitch Engage.

Disography
2011 – Full Length Release – Moniker – Only released with physical copies

Shared the stage with bands such as Iron Kingdom,Quartered, Lungflower, Deathmatch Union, One Life Animal, Kill Matilda, and many more

Tours and Festivals
2010 BC Tour
2010 – Vancity Music Showcase
2010 – The Fox Seeds

Page 9 of 75

Asher Media Relations Tweets

Tweets by AsherMedia

Asher Media Email Subscription

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Email Address:

Join 2,163 other subscribers