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Category: EPKs

0 EPK – Night’s Edge – The World That Never Was (2025)

  • May 20, 2025
  • by Asher
  • · EPKs · Night's Edge

EPK – Night’s Edge – The World That Never Was (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Coheed and Cambria, Avantasia, System of a Down, HIM, Deftones

Nightsedgeband.com | Facebook.com/nightsedgeband | Instagram.com/nights_edge_band |

Youtube.com/nightsedgeband

Nightsedge.bandcamp.com | Spotify | Apple Music

Upcoming Show Dates:​
06/07 – Granny’s – Winchester, VA
06/28 – Cafe 611 – Frederick, MD
07/11 – Union Vapes – Scranton, PA
07/12 – Psychic Garden – Rochester, NY
07/18 – The Depot – Baltimore, MD
07/19 – Century – Philadelphia, PA
08/23 – Roachfest – Hollywood, MD

““Smite” offers a taste of the band’s ever-evolving sound, merging gothic, progressive, and nu metal influences.” – Metal Insider
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“You’re going for a ride today with the premiere of the music video for “Love Fiction,” the latest single from Night’s Edge. A cool visual accompaniment, the premise of the video, a sped-up night drive of the city and the freeway, complements the song’s intensity well. The single is from the band’s latest record, The World That Never Was. Featuring eleven new tracks, the album is set to be released on August 21st. “Love Fiction” is an introduction to this era of Night’s Edge, their third full-length since first emerging in 2018. The song is a profound reflection on depression and mental health. It romanticizes depression, likening it to a partner who is always there for someone as if the condition itself has become a security blanket.” – V13
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“Night’s Edge is a dynamic three-piece pushing the boundaries of alternative metal with a sound that straddles gothic melodrama, modern heaviness, and synth-drenched theatrics…. a collection of tracks that fuse headbanging weight with danceable grooves, rich atmospherics, and introspective lyricism. With influences ranging from HIM, System of a Down, Deftones, to Coheed and Cambria, Night’s Edge has carved a uniquely immersive and cinematic sound that evokes both the personal and the fantastical.” – Crannk
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“The best part was how they fused a heavy sense of emotion in the music. You can hear it, and feel it, and they don’t hold back.” – Metal Temple

[Download Album Cover | Download Album Lyrics]

Band: Night’s Edge
Album Title: The World That Never Was
Release Date: August 21, 2025
Label: Self-Release – Unsigned / Independent
Distribution: CDBaby

Track Listing:
1. Someone To Stay (4:11)
2. If You Loved Me (3:51)
3. Man of Many Faces (4:23)
4. Love Fiction (4:14)
5. Wish You Wouldn’t (4:09)
6. Overdue For Destruction (2:50)
7. Smite (3:46)
8. Ataecina (5:08)
9. Shapes In Grey Space I: Reaching (7:43)
10. Shapes In Grey Space II: Soaring (2:41)
11. Shapes In Grey Space III: Separating (5:23)
Total Length: 48:32

Album Credits:
All songs performed, written, produced, and mixed by Night’s Edge
Mastered by Mat Leffler-Schulman
Album Artwork by Eden Wormwood
Member of BMI

Recording and Live Line Up:
Brian Haran – Vocals, Bass, Keys, Programming
Damian Remmell – Guitars
Dan Hunt – Drums

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About The Album Artwork:

The album art depicts a person falling into space as they lose their connection to reality and turn into a disconnected ghostly form.  This evaporation into an astral form is a metaphor for the loss of self-identity.

About the album as a whole (LYRICALLY & MUSICALLY):

LYRICS: The World That Never Was is an exploration of the loss of self-identity into various voids including obsession, rage, and uncertainty.  The final three songs on the album detail a parable where the protagonist awakes in a world suddenly devoid of people and must face their own self in the absence of anyone else, or so it may seem.

MUSICALLY: The World That Never Was is packed with different elements of rock and metal combined with the distinct Night’s Edge sound.  Fans of alternative metal, symphonic metal, and even pop punk will have something to enjoy from this album.

Track by Track (LYRICALLY & MUSICALLY):

1. Someone to Stay: MUSIC:  Ripping guitar leads to start off the album. This song touches a little bit on a lot of the Night’s Edge sound and sets up the listener for what’s to come.  LYRICS: This song sets the stage for the album, exploring the loss of self-identity and the desire to fill it with whatever vice or influence is available.

2. If You Loved Me: MUSIC: Classic 80’s inspired rocker with soaring vocals, a ripping solo, and a bridge section that delivers the gothic doom and gloom Night’s Edge is known for. LYRICS: The Song describes losing oneself in a toxic relationship and the feeling of helplessness when your partner’s self-destruction leads to your own.  Lyrics change point of view between the victim (verse) and the abuser (chorus).

3. Man of Many Faces: MUSIC: Heavy at the start with a pop-punk clap and “Woah” chorus, the song shifts attitudes throughout, matching the LYRICS about hiding behind disposable facades for different occasions before a moment of honesty in the song’s conclusion of wanting to be seen and needed for one’s true self.

4. Love Fiction: MUSIC: Conceptualized as a mix between Deftones alt metal, synthwave, and lo-fi beats, Love Fiction’s wave of music floods the listener in the swell of bouncing rhythms while the vocals take center-stage, delivering complex emotions. LYRICS: A romanticization of depression, viewing one’s mental illness as a safe and secure lover who is there with them through everything, who will never leave, and who one can always return to.

5. Wish You Wouldn’t: MUSIC: An 80’s bop, this is a song to get people dancing and forgetting about all of the melancholy the previous tracks just dug up.  LYRICS: Sike, this is a song for dancing alone, with lyrics describing the inability to relate and connect to others, specifically in being unable to verbalize how you feel, and the frustration felt when others ask what is wrong when one cannot comprehend it themself.

6. Overdue For Destruction: MUSIC: Back to the System of a Down influenced industrial alt-metal with bouncing riffs and an in-your-face chorus.  LYRICS: The Song describes self-destruction and realizing that many of our problems are a product of our own id.

7. Smite: MUSIC: A sinister mid-tempo crusher, Smite is as headbangable as it is danceable. With unpredictable changes, Latin Choirs, and soaring synths, Smite is an invitation to the Night’s Edge cult. LYRICS: The Song describes the desire to be erased by God.

8. Ataecina: MUSIC: A classic Night’s Edge gothy, doomy waltz.  Melodramatic, romantic, and powerful – this song is deeply influenced by Type O Negative. LYRICS: Ataecina is about romantic obsession, specifically from the point of view of a worshipper to their deity.  An unhealthy desire for one’s goddess that consumes all sense of self.

9. Songs In Grey Space I: Reaching: MUSIC:  Coming in at 7:43, Reaching is the longest Night’s Edge song ever written, and the prog rock centerpiece of the album. After the emotional density of Ataecina, the first hit of Reaching is refreshing, and is the first step down a three-song journey of searching for meaning and purpose in an empty world.  LYRICS:  Reaching is the first of three songs telling a parable of a person who wakes up in a world where every other person is suddenly missing.  Despite this, our protagonist feels as if they are being watched by a million eyes. How do you fill the spaces of your identity when there is no one else around and no relationships to define you?

10. Song In Grey Space II: Soaring: Music: Balls out alternative metal, a two and a half minute in-your-face anthem that doesn’t let up.  The perfect refresher after reaching.  LYRICS:  In their empty world, our protagonist challenges the universe, God, or whoever, and is answered.  They were not ready for the response.

11. Songs In Grey Space III: Separating: MUSIC: A haunting keys track leads into a driving, straightforward metal song to close out the album and the three-song suite. It has elements of melodeath, such as harsh vocals and screams, guitar harmonies, breakdowns, and intense drumming that serve to create a song that grabs your attention and doesn’t let go until the album ends. LYRICS: In the conclusion to the three-song suite, the protagonist has realized through their journey that the feeling of not fitting is a shared human experience; it is inescapable. The protagonists take this idea to unhealthy extremes, believing that the universe is made up of only two things: you, the individual, and everything else.

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Fun Facts – Story Angles:

1) “Girl Friend Metal” – Our fans in the Baltimore scene refer to us as Girl Friend Metal, a tag that is starting to stick.

2) “Warning Partial Nudity” – During live shows, Damian has a habit of ripping his pants off and revealing themed booty shorts underneath, and the crowd usually demands Brian take his shirt off.

3) “Eclectic Covers”- We have put out unique covers of “Nights in White Satin” by The Moody Blues, “Touch of Evil” by Judas Priest, “Cry Little Sister” from The Lost Boys Soundtrack, and most recently, “Change in the House of Flies” by Deftones.  We always change the originals dramatically into a new, mutated Night’s Edge form.

4) Glow Boi Era- Prior to 2023, a major part of the Night’s Edge live show was bringing black lights and fluorescent glow paint for the band members and audiences. While we did have fun with this gimmick back in the day, we collectively decided around mid-2022 that it was time to retire the glow paint.

5) Brian, Damian, and Dan have known each other in the music scene since 2016. Dan joined Night’s Edge back in 2019, and Damian joined up in 2023, so we had all developed solid friendships as fans of local metal and each other’s bands prior to playing music together.

Three albums, an EP, and more shows than the band can keep track of – Night’s Edge has been grinding since 2018, sharpening their craft on the stage and in the studio.  Steadily building a following online and in the crowd.  Developing a sound that is inimitably their own.

And now it is time for their newest album “The World that Never Was” to step out from its cradle.  Lead single “If You Loved Me” is a driving, hard rocker with 80’s atmosphere, gothic excess, and bitter, bitter lyrics detailing a rollercoaster relationship.  Dropped on March 27th, the song is just a taste of the songwriting prowess and incisive lyrics that the album is built upon.  

Night’s Edge believes in creating music that has a purpose.  There is no copy-catting of other artists, or following trends here – even the band’s select cover tunes turn the originals on their heads.  This is music that you can’t get anywhere else, that has something to say, that is unique and exciting while still feeling familiar – like a friend finishing your sentences when you run out of words.

Despite falling somewhere under the umbrella of Alternative Metal, Night’s Edge’s sound is hard to pin down.  Incorporating influences from gothic metal, progressive rock, and nu metal, the band’s music is equal parts heavy and poppy, soaked in synthesizers and drama.  Lyrics breach topics including isolation, dissociation, and  the romantic, approaching themes common to the human experience from a cerebral angle that complements the band’s emotionally evocative music.

Night’s Edge has performed throughout the Mid-Atlantic from Richmond to Boston at dive bars, festivals, concert halls, record stores, and convention centers – the band has grinded everywhere.  As Baltimore natives, Night’s Edge has thrilled the stage at venues including Soundstage, Angels Rock Bar, and the Ottobar, and has had multiple festival appearances including Shadow Woods, Fang Around, and Party Like its 793.  This is a band that gets on stage and rocks.  There is no standing around, there is no staring at the floor.  This is a f*cking rock band, and the Night’s Edge live show leaves no doubt about that.

Recording and Live Line Up:
Brian Haran – Vocals, Bass, Keys, Programming
Damian Remmell – Guitars
Dan Hunt – Drums

Discography:
2025 – The World That Never Was – LP
2023 – Strangers – LP
2022 – Night’s Edge 2022 – EP
2020 – The Darkest Side of Dreams – LP
2019 – Shades of Dusk – LP

Shared Stage with: Visions of Atlantis, The Birthday Massacre, Julien – K, A Sound of Thunder, Osi and the Jupiter

Tours and Festivals:
2024 – Party Like it’s 793 at Brimming Horn – Milton DE
2024 – Fang Around – York PA
2024 – Maryland Day – Baltimore MD
2021 – Shadow Woods – Monkton MD

0 EPK – LOVER – Fatal Attraction (EP)

  • May 20, 2025
  • by Asher
  • · EPKs · Lover

EPK – LOVER – Fatal Attraction (EP)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“High energy, vocal harmonies, guitar harmonies, pounding drums. We deliver a full Rock n’ Roll experience. We only had a few songs ready at the time of this recording, so we all decided on our best 2 songs. We have been diligently writing and have more than enough material for a full-length record. We are starting to write a 2nd record already. Most songs are demoed. We are hoping to get some help with the costs of recording our first full-length record.” – Lover

For fans of Scorpions, Riot, Wasp, Judas Priest, Van Halen, Thin Lizzy

Band: Lover
EP Title: Fatal Attraction
Release Dates: Digital – November 15, 2024 | Cassette – June 20, 2025
Label: Self-Release

All Links: https://linktr.ee/loverrock

Facebook.com/loverrockofficial | Instagram.com/loverrockofficial | Youtube.com/@loverrockofficial

Loverrockofficial.bandcamp.com | Spotify

“The next EP that I am mentioning, this is probably one of my all-time favorite bands right now. The band is called Lover and they are from Calgary, and the EP is called Fatal Attraction, that is my number one EP of this year, these two songs are absolutely heavy rock and roll slingers, and you’ve got to check that out.” – Banger TV – Connor Babin – Top EP of 2024

[Download EP Cover | Download EP Lyrics]

Band: Lover
EP title: Fatal Attraction
Release Dates: Digital – November 15, 2024 | Cassette – June 20, 2025
Label: Self-Release

Track Listing:
1- Fatal Attraction – 4:46
2- Bad Love – 5:45

EP Recording Credits:
All songs performed by: Lover
All songs written by: Hunter Raymond, Aidan Desmarais
Composed by: Aidan Desmarais
Produced by: Lover
Mixed By: Aidan Desmarais
Mastered by: Aidan Desmarais
Album artwork: Aidan Desmarais – Logo: Alix Au
SOCAN Member
Canadian Content: Yes

EP and Live Lineup:
Aidan Desmarais – lead vocals, guitar
Hunter Raymond – drums, vocals
Jacob Chase – bass guitar –
Christopher LoNigro – guitar

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About The Album Artwork

The lips are original, our bass player Jacob kept getting kisses from a cutie, so he got her to kiss a Napkin. Aidan then worked some magic on it and the artwork was born. Our friend Alix did a stellar job with designing our logo.

Describe the album as a whole (LYRICALLY & MUSICALLY):

It’s fast, it’s real, and it’s going to kick you in the face! For real though, we used our real life experiences of love, hardship and lust to tell a story, and it just happens to be set to the tune of high energy rock n roll.

Track by Track (LYRICALLY & MUSICALLY):

1. Fatal Attraction: It is an energetic rush of sound that captures the ups and downs of being overwhelmed by desire. The lyrics feed this feeling by talking about lust and substance abuse.

2. Bad Love: Lyrically, a tough and mean reality check. A true story of love gone wrong. Aggressive riffs mean solos; the song captures the strain of a mind in love and turmoil.

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Fun Facts:

1. Both tracks were part of the original 6 demos Aidan had made.

2: We recorded the bed tracks for EP Live off the floor; they are both one full take. Aidan set up our jam space like a studio and did all the recording and mixing/and mastering himself.

3: The lips on the cover are the real lips of a woman who was involved with our bass player.

4: The song “Bad Love” was written about an actual X lover of Hunter

5: The name Lover was coined by “Cale Savy” from Riot City

L- R – Aidan Desmarais – Lead vocals, Guitars – Chris LoNigro – Guitars – Hunter Raymond – Drums, Vocals – Jacob Chase – Bass

Photo Credit: Hunter Raymond (self-timer)

From Calgary, AB, Canada, your time capsule back to when rock n roll ruled supreme, LOVER. A high intensity, no filler Rock Band attacking with soaring vocal harmonies, electrifying solos, and a thunderous, unrelenting rhythm section. Formed in Feb 2024, LOVER has been steadily writing and has since Digitally released their first 2-song EP titled “Fatal Attraction” on Nov 15, 2024. LOVER’s debut EP is only the beginning for the band, and their debut LP is currently in the works.

Discography:
2024 – Fatal Attraction – Demo/EP

Shared Stage with: Bison, La Chinga, Fever Dog, The Getmines, Tower Hill

Festivals: 2025 -The Electric Highway festival, Calgary AB

0 EPK – Harvested – Dysthymia (2025)

  • May 13, 2025
  • by Asher
  • · EPKs · Harvested

EPK – Harvested – Dysthymia (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This album is an evolution of the band’s sound and showcases our musical abilities more than what we presented with the 2022 EP debut. We kept the lyrical theme consistent and touched on the “brutal” realities of mental illness without emphasizing senseless gore as much. It’s a level up in production, songwriting, and musical prowess, so this album will be what Harvested is all about. Heavy, aggressive, in-your-face experience; riffs that hook and engage the listener and keep them wanting more. Lyrically, we wanted to maintain the brutality but with a psychological aspect to it as opposed to exclusively encompassing gore. – Harvested

Band Name: Harvested
Album Title: Dysthymia
Release Date: August 1, 2025
Label: Self-Release

For fans of Cannibal Corpse, Suffocation, Dying Fetus, Cattle Decapitation, Decapitated

Facebook.com/harvested666 | Instagram.com/harvestedband | Youtube.com/@harvested8600

Harvested.bandcamp.com | Spotify | Apple Music

“Canadian death metal band Harvested announce their new album Dysthymia, out August 1. The record will be their first release since their 2022 demo and blends technical, brutal and old-school death metal into a sound all their own.” – Decibel Magazine

“Your muscles are about to reflexively twitch, your head is about to hammer, your pulse is about to accelerate. Audio worms will slither into your ear canals and take up residence there. Some of your cranial neurons may start spinning, creating visions of fast devils and hulking monsters. Those are our predictions of what will happen when you see and hear the playthrough video we’re premiering for the song “Synaptic Confusion” by the Ottawa-based death metal band Harvested. It’s an excellent way to rev up your own motor as Harvested rev up theirs.” – No Clean Singing

“Being a old school metalhead it is quite refreshing to know there are bands like HARVESTED keeping the old school metal torch alive and well. HARVESTED have crafted a record that balances technical proficiency with emotional weight, never straying into sterile territory. Each track has purpose, structure, and venom. This is death metal that bleeds, breathes, and still bites. Absolute Masterpiece/ 10/10” – Metal-Temple

“Dysthymia is an impressive first full-length effort for Harvested. It’s absolutely brutal and groovy in it’s more ’90s death metal approach, but they give it a modern coating of paint that makes it feel more relevant and weaves in some intricacy for the tech-fiends without losing sight that it’s still an aggressive death metal album. There’s something for pretty much anyone who likes extreme music here. A very promising future for these guys.” – Dead Rhetoric

“Lyrically poignant, brutally heavy, and bursting with engagingly twisted, hook-filled instrumentation, Dysthymia is a helluva debut, and one Harvested should be proud of. As poetically as I have waxed, I still believe there’s room for Harvested to grow. God help those who might lay their ears on a sophomore effort from this line-up, should they remain intact. Rest assured, I’ll definitely be watching and waiting. For now, however, I wholeheartedly recommend you spend some long-lasting, quality time with Dysthymia.” – Angry Metal Guy

“If you had the chance to see their video of ‘Harvested’ before the album release, you would be able to see how brutal and technical they sound. Harvested knows how to hit you like a punch in your chest, from their first riffs. By the way, riffs are something that you won’t miss here. Mitchi Dimitriadis and Vitto Oh are responsible machine-gun-like guitar picks. The drum sound also hits you with all blasts, and thankfully it’s not that digitalized soulless recording style that a lot of bands fall into now. It carries good organic production qualities, in good measure. My honourable congratulations also go to all the effort the bassist Eric Forget has made to keep his bass present among all the heaviness of the other instruments, and through the complexity of playing his own parts. The vocalist Adam Semler completes the team with good vocal lines… As always, Heavy Metal Canadian bands never disappoint us! And Harvested is one more band to honour its Heavy Metal scene with this incredible album, “Dysthymia”.8.5/10″ – Ever -Metal

“If you’re into relentless death metal in the vein of CANNIBAL CORPSE and DYING FETUS, HARVESTED from Ontario could be your favorite new band. These guys have churned forth a classic of brutality with “Dysthymia”. The sound is just as clear and professional as those bands and HARVESTED deal crushing riffs and transitions with appalling intensity. One of the best things about this album, which separates it from a lot of “brutal” efforts, is that the songs are easily distinguishable and don’t melt together in a faceless mush.” – Wormwood Chronicles

“Following a demo released in 2022, Dysthymia represents a true validation of the potential of this group from Ottawa (Ontario, Canada), which deserves special attention. Combining brutal death metal with ‘old school’ influences, the quartet brilliantly demonstrates that their music will resonate with crowds during their concerts… With titles like ‘Repressed Neurosis’, ‘Unending Madness’, ‘Designed Dilemma’, ‘Gathered And Deluded’, ‘Unanchored’, or ‘The Infestation’, Harvested sets the tone! The album was produced by the band itself with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound that remains rooted in the fundamental elements of death metal.” – Metallian

“Harvested Delivers 50 Shades of Vicious on ‘Dysthymia’… Dysthymia is one of the year’s best metal records.”-The Rock Father

“If you like brutal death metal with technical elements, this is a great album.” – ZwareMetalen

“HARVESTED deliver flawless death metal with technical sophistication, powerful riffs, gripping vocals and brutal energy.” – MetalUnderground.at 

“HARVESTED debut with “Dysthemia”, nine cuts of technical Death Metal, brutal and uncompromising. Influences from CANNIBAL CORPSE, SUFFOCATION and DECAPITATED are mixed with fast riffs, heavy rhythms and impeccable instrumental execution. An aggressive and wild album that gives no respite. 8/10″ – Necromance Magazine

“HARVESTED come swinging out of Ottawa’s underground with DYSTHYMIA, a death metal record that treats mental illness like a battlefield and riffs like blunt weapons. Their new bass playthrough for “Gathered and Deluded” puts Eric Forget right in the crosshairs — fingers blazing, tone snarling through a wall of blast beats and jagged guitars. It’s under three minutes but feels like a panic attack chewing through its restraints. No triggered sterility, no soft edges — just muscular, old-school brutality sharpened with technical spite. If CANNIBAL CORPSE, DECAPITATED, and DYING FETUS built a pressure cooker in a locked room, HARVESTED are the sound of what claws its way out.” – IDIOTEQ

“Harvested channel the struggles of mental illness within the seedy confines of death metal on their debut album, Dysthymia. The group doesn’t skimp on the gorier details, like the depictions of torture on opener “Harvested,” but much of the lyrical prose isn’t that graphic. It takes the views of mental illness from not only a personal perspective, but globally as well. Their death metal has nods to the classics like Cannibal Corpse and Suffocation, while adding a bit of technical bounce as they do on “Designed Dilemma.” Harvested does well with capturing the genre from every corner. Speed freaks will love “Gathered And Deluded,” those with some head banging in their hearts will get down to “Unending Madness” and “The Infestation” ends Dysthymia with a stark message.” – Heavy Music Headquarters

“After knocking the first three tracks out of the park like a home run into the stratosphere, “Synaptic Confusion” goes harder and faster during an opening onslaught second to none before getting menacing and sinister with a slower churn and burn. A violent delight with a catchy hook and a scream-a-long lyrical narrative in the chorus, its the kind of blunt force trauma that everyone can enjoy without a visit to the hospital. Maintaining the quality levels of both musicianship and song writing throughout the record seems like an impossibility of reason and yet its probably why this record took three years to complete because “Designed Dilemma” is another absolute beast. It’s like the band have taken your favourite Death Groove Thrash cut and adrenalized it by mainlining caffeine until their eyes pop out on stalks. The energy levels are as ridiculous as the poise and precision as the band conjure a Technical Death Metal tune of the highest order.” – Metal Noise

“The Ottawa, Canada-based death metal band’s full-length demo of 2025 does the job. As evidenced by the cover artwork and title – Dysthymia refers to a persistent depression – the theme here is mental illness. Songs like Repressed Neurosis, Unending Madness and Synaptic Confusion tell the tale. One thing remains steadfast: the band’s sound comes across as Cannibal Corpse meets Cryptopsy meets Suffocation. The lyrics mention “human waste” at one point. The aforementioned Synaptic Confusion is a highlight with a gigantic chord and a loud bass. Gathered And Deluded is another good one. It has nifty speed riffing. Designed Dilemma delivers a delicious solo. This is meat and potatoes death metal that is tight and accomplished… this is the type of release death metal fans would cherish.” – Metallian.com 

“It is brutal and in your face from start to finish… These guys know how to deliver a top class album.” – Project Metal Music

‘Dysthymia’ is a very solid album… fans of groovy technical death metal have a new act to keep an eye on.” – Musika

“Nine tracks, 32 minutes. But this album dives really deep into the mental illness and depression, along with the horrifying effects that it has on humanity. You know, it’s not your typical horror and gore-based death metal. This actually makes you think. It’s got some substance to it. And the opening track, Harvest, just grabs you by the throat right away. And it seemed like Adam Semler’s vocals are just more brutal than they ever have been. They’re just visceral. And I love the constant pace change that they have in this album. And the guitar tone is thicker. It’s crunchier. And guys, goes from a mid-tempo crunchy groove to a full-blown assault on the senses. So, with this album being a lean and mean 32 minutes, there’s no filler, and it’s all killer. It’s no wasted space. It’s not full of a bunch of, you know, bloated like intros and outros and things you just don’t need. You get three and a half minutes or so of crushing death metal, and just comes in and does it all over again for nine solid tracks.” – Furious Metal Youtube Reviews

““Dysthymia” is a compact and focused death metal release that balances aggression with detail. It shows a band that is tight in both concept and execution. There are no gimmicks or over-the-top theatrical elements—just well-structured, intense music with a consistent vision. Fans of fast, brutal death metal with a psychological edge will find this to be a strong release. Recommended for fans of Cannibal Corpse, Decapitated, Aborted, and Suffocation.” – Heavy Metal Darkness

“The atmosphere of the album is… unhealthy. It’s very inviting for headbanging. But be careful! There is a risk of pulling your neck.I forgive the Canadian band „Harvested“ 8 out of 10 Hellfire points.” – Hellfire Magazine

“Technical Death Done Right, with Grit and Groove… This is not just a video (Synaptic Confusion Playthrough). It’s a lesson in precision, aggression, and musical chemistry. From the first riff to the last blast beat, it’s clear these guys aren’t here to play games. They’re here to prove they belong in the same room as Cannibal Corpse , Cryptopsy , and Suffocation .” – Radio Papy Jeff

“Canadian technical death metal act Harvested has once again raised the bar for musicianship with the release of their “Synaptic Confusion” playthrough video. As anticipation builds for their upcoming full-length album Dysthymia, dropping August 1st, this video offers fans and industry pros an up-close look at the band’s intricate performance dynamics and creative evolution. Captured with precision and energy, the playthrough reinforces Harvested’s position at the forefront of modern death metal’s technical vanguard.” – See Rock Live


“
When it comes to songwriting, HARVESTED is on the right track and can easily face international competition with its official debut.” – PowerMetal.de

Press from 2022 Self-Titled EP:

MetalSucks – 10 Modern Canadian Death Metal Bands – “Ottawa’s Harvested present mental illness and the sometimes-deplorable actions resulting from it with their debut EP, Harvested. Harvested describe themselves as a modern death metal band with ‘90s and early ‘2000s influences, though what you’ll notice when listening is that Harvested are, probably due to the members’ prior history in the scene, skilled songwriters who don’t sacrifice catchiness for brutality. Songs like “Bludgeoned” skip the pleasantries and grab you by the nuts from the first second, though the torturous massage that follows is one you’ll be coming back to.” – MetalSucks

#11 – Harvested – Top 20 – August 2022 Loud Charts (Earshot)

#13 – Harvested – Top 20 – June 2022 Loud Charts (Earshot)

“From the first notes of first track ‘Apathetic’ you realize that these men are a serious bet to get a place in the death metal scene, with solid riffs and powerful rhythmic base, also melodic but not soft solo… I like this EP very much, it has all parts you need to listen to death metal: brutality, technical, good execution, guttural, screams, and growls, blast beats, double bass drums parts, virtuous parts and most important, good songs, it’s a sample of how to make everything fit correctly.” 4.5/5 – Brutalism

“There are very few things that are more exciting within the world of music than a good debut. A solid start for a band is something that should get every fan of the style of music the group plays jacked for what could hopefully be a long and fruitful career. Proficient debuts give you something to jam out to in the present but also hope for the future. Take my word for it, the self-titled debut EP from Ottawa-based Harvested (out May 7) is just that type of invigorating release.” – Metal Plague

“Thrashing guitars, blasting drums, and intense, chesty vocals start and end each track. Recording quality and production is good, allowing each of the instruments to cut through the mix… there is a tremendous amount of potential in this band, and I’d absolutely love to hear more from them. I certainly hope that in the coming years, the pace doesn’t slow or abate, as this EP ought to be on any tech-death fan’s radar for mid-2022.” – Metal Epidemic

“Each one of these cuts is something of a short, sharp shock at around the 210 second mark, while other bands could trim some fat and loose a chorus and verse, Harvested go straight for the jugular live and direct, leaving you wanting that extra chorus and verse which is testament to how good their debut really is. A clean and crisp high quality recording, if we were wine drinkers we would say it goes down like a glass of Chenin Blanc but chances are that if you had a glass in your hand, it would be smashed on the floor in your rush to get to the pit for this. ” – Metal Noise

“From the way closer ‘Bereavement’ comes to a thunderous close, you can just FEEL the energy of what is still to come. ‘Harvested’ is a good start, but I know this band have more in them and I look forward to what comes next. But if you need your head caved in for sixteen and a half minutes, Harvested can sort you right out.” – The Killchain Blog

“For a record that’s only fifteen minutes, the tracks on Harvested’s self-titled waste no time in establishing their barbarous quality. Among the style of tech, groove and dissonance, Harvested definitely went for the grooves! The members definitely know their roots and aren’t afraid to pay homage to them. The production quality has an old-school touch to it, which adds a raw vicious quality to the overall soundscape the band has painted. The abominable monstrosity that takes birth, mixed in with serious topics of Mental Illness accounts for a remorseless experience. While this might just be the starting point for Harvested, their self-titled EP establishes their grounds in the extreme realm of metal – all we can do now is wait and watch for what Harvested has to offer next! ” – Metal Genesis

“Five tracks in all with not a single entry which disappoints those who wish for their audio to incite movement. With quality like this on offer scouts should be scrambling over themselves in hopes to represent. I’m expecting future releases to propel the act to the lips of an excitable many.” – Cult Metal Flix

“Non-stop heaviness from start to finish. Every song has a different experience yet they all have memorable and catchy riffs that engage the listener” – Eric Morotti (Drummer of Suffocation)

[Download Album Cover | Harvested Dysthymia Lyrics]

Band Name: Harvested
Album Title: Dysthymia
Release Date: August 1, 2025
Label: Self-Release

Track Listing:
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55

Album Credits:
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions

Album Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums

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About The Album Artwork:

You see an individual from almost a psychedelic perspective. In great mental turmoil, the abstract visualization of the chaos that is the human brain. – Mitchi

The album as a whole (LYRICALLY & MUSICALLY):

Lyrically, we thought of exploring the topics of mental illness as a general theme. The drums have an old-school death metal feel with a modern touch, intricate yet very aggressive drum grooves. Dark Moon Productions did an awesome job providing us with the sound we were looking for, a modern production but rooted in the styles of the bands that founded this genre. Vocally, Adam’s technique and overall projection is a respectful nod to George Fisher from Cannibal Corpse.  Mitchi & Eric

Track by Track (LYRICALLY & MUSICALLY):

1. (Harvested) This is the track and represents what the band is about. The old-school death metal influences and the dark realities of mental illness put someone through a tortured experience

2. (Repressed Neurosis) This is the fastest song on our album, showcasing the technical and extreme prowess of the members behind the instruments. The song is about submitting to your “shadow self” and how it’s been bottled up for years.

3. (Unending Madness) This is a fun track combining the amalgamation of different styles we liked as a band. Ode to CC and Suffocation with a splash of technical death metal & groovy slams. It’s about inevitably falling into madness in a person’s lifetime.

4. (Synaptic Confusion) This is one of our groovier tracks that also really focuses on melody. This one grabs onto you from the beginning till the end. This track describes someone who can’t tell the difference between a dream and reality.

5. (Designed Dilemma) It is one of the more technical tracks on this album. Taking influences from bands like “The Zenith Passage” and “Soreption”. There are lots of goodies in the details. This song is about how a deranged mind can really fabricate adversaries.

6. (Gathered and Deluded) This is the Slamming death metal track of the album, with a slight touch of old-school and guitar influences from bands like “Cattle Decapitation”. This song describes the darker realities of cults and essentially creates a hive mind of the mentally deranged.

7. (Voice of the Void) Musically, this is the track that has a bunch of tempo changes. Showcasing how fast and chaotic we can be, but also how slow and heavy we like to get. Definitely one of our more old-school sounding tracks as a whole. The song paints a picture of someone who questions their thoughts and dissociates from their personality, which can lead to horrific outcomes.

8. (Unanchored) Contains influences from deathcore but molded into a death metal track. It is one of the more brutal tracks on this album. You’ll find a mix between fast and aggressive riffs to heavy breakdowns. The song touches on the greed and gluttony of the human experience, essentially abusing the earth as long as it serves them. We’d argue that it is a form of mental illness.

9 (The Infestation) The final track of the album, we saved one of our best for last. It has been influenced by the Cannibal Corpse and Deicide, among others. It’s also the longest track length in this release. The song describes mental illness on a more political scale and has an influence globally. Which direction is our world heading when being governed by psychopaths? It all pertains to mental illness at the end of the day, which is the recurring theme of this band’s lyrical approach.

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Fun Facts – Story Angles:

1. Right after an intense rehearsal, Mitchi bent over right behind a sweaty Jacob to unplug his electronics, thinking he was slick enough to get out of there in time. Little did he know that he was going to meet face to face with Jacob’s behind and make contact with it. His reaction to that event is among our favorite memories as a band, and we use it as an inside joke to this day.

2. When we booked studio time to record drums for our album ‘Dysthymia’, our producer Joe Lyko scheduled us for 2 days. Instead, we showed up one evening, set up the drums, plowed through all 9 songs, tore down/loaded out the drums all in one night, leaving our producer speechless and giving him the next day off to himself.

3. Guitars were recorded and performed by Mitchi. He also did the tempo mapping, pre-production/sound design, as well as click tracks, and programmed the live set list for the band. He’s even worked as an assistant engineer for Darkmoon Productions a few times. Assisting him with the client’s drum edits and vocal recording sessions.

4. The band was offered a management deal from EMG around early 2023. We unfortunately couldn’t proceed in that direction because we were going through line-up changes and were working on this album ‘Dysthymia’ to increase our catalogue outside of the 5-track demo from 2022. Safe to say if that opportunity is still available, we’d love to revisit the possibility and stay in touch with them now that we have this release under our belt.

5. Harvested has been mentioned in a “10 Modern Canadian Death Metal Bands” article by MetalSucks 2022-2023. https://www.metalsucks.net/2023/01/05/10-modern-canadian-death-metal-bands/

Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass

Photographer Credit: Kristen Semler

Harvested is a death metal band from Ottawa, Ontario, Canada. Their music is heavily influenced by bands like Suffocation, Dying Fetus, and Deicide, blending elements of slam, brutal, and technical death metal. The band aims to evoke nostalgia from the late ’90s and early 2000s while incorporating a modern touch.

They unleashed their 2022 self-titled debut EP that featured five tracks, all centered around themes of mental illness, with inspiration drawn from horror and thriller movies and shows. One of their singles, Apathetic, explores narcissism and a lack of empathy in society. The band describes it as one of their more brutal tracks, featuring intense double bass-heavy riffs.

Now in 2025, they unravel their first full-length, “Dysthymia”, which explores the psychological aspects of mental illness rather than relying solely on gore. It’s heavier, more aggressive, and showcases the band’s musical abilities in ways they’ve never presented before.
Recorded over nearly three years, “Dysthymia” features the core lineup of Mitchi Dimitriadis (guitars), Adam Semler (vocals), Eric Forget (bass), and Jacob Collins (drums). The album was produced by Harvested with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound while staying rooted in the foundational elements of death metal. 
Harvested remains unsigned and independent, continuing to carve their own path in the metal scene.

Discography:
2025 – Dysthymia (LP)
2022 – Self-Titled (EP)

Shared Stage with: Killitorous, Plaguebringer, Lutharo, First Fragment, Aversed, Augury, Cognitive, BARF, Aeopoch, Carrion Vael, Maggots and more

0 EPK – Crüzer – Look to the Skies (2025)

  • May 12, 2025
  • by Asher
  • · Cruzer · EPKs

EPK – Crüzer – Look to the Skies (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I think this album will be well received by any thrasher who loves a bit of melody with their mosh fodder. While in the studio, we made sure that these songs were honed and shone to perfection, with a good bit of melody and catchiness thrown into the madness. We’re trying to offer a thrash buffet of sorts, a smorgasbord full of different flavours of speed, melody, and attitude.” – Eric Willmott (lead vocals) – Cruzer

For fans of Havok, Exodus (Zetro era), Destruction, Metallica (ride the lightning-era)

Cruzermuzik.carrd.co | Facebook.com/cruzermuzik | Instagram.com/cruzermuzik

X.com/cruzermuzik | Youtube.com/@cruzermuzik | Blusesky | Telegram

Cruzermuzik.bandcamp.com | Spotify | Apple Music

“Canadian band Crüzer are out with the EP “Look to the Skies”, and metal is the style explored on this production. This is a good, old fashioned take on the thrash metal tradition, and one which the band explore in a few different manners. We have blazing fast and firm affairs, revolving around quick and numerous tempo changes and a high degree of momentum for starters. We also get a case of the classic chugging guitar riff variety of thrash metal tossed into the mix, and at the end of the EP the band switch over to a style and orientation a bit closer aligned with the good, old NWoBHM expression. Besides exploring the style in a few different manners, a striking feature of the songs here are the ebb and flow between raspy, slightly distorted lead vocals and clean, controlled and melodic lead vocals. A feature that gives this EP a rather striking identity in itself. An production to seek out by those who enjoy thrash metal explored in a bit of an old school manner and with a fair degree of variation inside of that context.” – the Viking in the Wilderness

[Download EP Cover | Download EP Lyrics]

Band: Cruzer
Album Title: Look To The Skies
Release Date: April 4, 2025
Label: Self-Release

Track Listing:
1. Look to the Skies (4:18)
2. Born to Rise (4:06)
3. Raging Fire (3:51)
4. (I Need) Thrash (2:14)
5. Pit Vyper (4:44)
Length: 19:13

Album Recording Credits:
• All songs written & performed by: Eric Willmott, Ben Higgins, Nico Miraftab, Alex Gain
• Produced, mixed & mastered by Michael Kraushaar
• Album Artwork by Angela Grimmuza
• Member of SOCAN
• MAPL – Canadian Content

Album Band Line Up:
Eric Willmott (lead vocals)
Nico Miraftab (guitar)
Ben Higgins (guitar, bass)
Alex Gain (drums)

Live Band Line Up:
Eric Willmott (lead vocals)
Nico Miraftab (guitar)
Ben Higgins (guitar)
Esteban Lleuful (bass)
Alex Gain (drums)

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About The Album Artwork:

In addition to depicting the theme of our title track, i.e, an alien invasion, we also wanted it to incorporate themes from the other songs on the EP. There’s a thrasher dude (I need thrash) rising up against the alien threat, taking revenge (born to rise), lots of “raging fire” in the background, and a couple of people wearing……you guessed it, pit vipers! Haha.

About the album as a whole (LYRICALLY & MUSICALLY)

Listeners can expect a raging, thrashing good time, but with a melodic and humorous twist. Cruzer isn’t afraid to turn thrash on its head and infuse the flavour with all kinds of spices and secret sauces! -Eric

Track by Track (LYRICALLY & MUSICALLY):

1. The title track Look to the Skies deals with the threat of an extraterrestrial invasion force, and the attempts of the world powers to stop it (or maybe they know more than they’re letting on…). The chorus hook on this song might be my favourite of the whole album, love how it just comes in out of nowhere after a whole verse and pre-chorus of harsh blackened thrash vocals.

2. Born to Rise deals with rising up from the ashes, overcoming adversity, and exacting revenge against those who tried to cross you. This song has a very hardcore punk feel compared to the other songs, but still has that melodic edge in the chorus vocals.

3. Raging Fire deals with a topic I’m sure most thrashers will be familiar with: the destruction of the environment! Whether through climate change, nuclear war, or both. This is a mid-paced song compared to the first two, but it contains some of the heaviest vocals on the whole album!

4. On the surface, I Need Thrash is your average Slayer-esque rager about going to a show, moshing, drinking, and partying. But the song actually contains an important message about fighting back against metal stereotypes, mainly the mentality of “killing posers,” which I’ve always hated. I got called a poser when I was younger, it fucking sucked! Who cares what subgenre or microgenre people like? Metal is metal! Leave them alone and let them enjoy things. DON’T BE A DICK!

5. In an almost direct assertion of the previous song’s message, Pit Vyper is by far the most melodic, commercial-friendly, and hair metal-tinged track on the whole album. The song is a classic sounding mix of old school speed metal bands like Exciter and Meliah Rage, 80s Judas Priest, and hair metal bands like Motley Crue. The lyrics deal with the classic subject matter of an evil metal mistress who turns your heart to stone! Now is that old school metal or what?!

-Eric

=====================================================

Fun Facts – Story Angles:

1. The band members all used to attend the same high school! Riverside Secondary School in Port Coquitlam,

2. The guitarist, Ben Higgins, also plays guitar in the southern rock band Cache Creek

3. The lead vocalist, Eric Willmott, is also a voice actor. He has narrated several audiobooks, appeared in the mobile game Jorney Renewed: Fate Fantasy (as Sun Wukong Prime), and lent his voice to several YouTube animated shows, including Mammal Squad, Tamberlane, Supercell, and Lexie.

4. Eric also used to be in a My Little Pony-themed metal band called Equestrian Lord, back when the “brony” phenomenon was at its peak. Ironically, their most popular song on YouTube has nothing to do with My Little Pony, instead being inspired by the animated fantasy film The Thief and the Cobbler.

5. The band’s recording engineer, Michael Kraushaar, had no idea that he was recording a thrash metal band at first. Due to the band’s name, Cruzer, and his familiarity with Ben’s band Cache Creek, he assumed we were “gonna sound like Foghat or something!”

L-R: Nico Miraftab (guitar), Eric Willmott (lead vocals), Alex Gain (drums), Ben Higgins (guitar, bass), New member: Esteban Lleuful (bass; not pictured)

Photos: Caitlin R.D.

THRASHING FROM BEYOND THE STARS

Crüzer is not just a band—it’s a cosmic metal assault from the great white north. From Vancouver, Canada, Crüzer’s sound is as unstoppable as an alien invasion force, tearing through the atmosphere with electrifying solos and unforgettable hooks. 

But it’s not just the power of the riffs and the undeniable stage presence that make Crüzer’s music a celebration of the bizarre and otherworldly wonders of the universe. So strap in, crank it to 11, and prepare for an out-of-this-world heavy metal experience.

Discography:
Look To The Skies (EP, April 2025)
Born To Rise (Single, March 2025)
Pit Vyper (Single, February 2025)

Shared Stage with: Glyph, Tower Hill, Red Cain, Serpent Rider

Tours and Festivals: 2025 – Hyperspace Metal Festival VI – Vancouver

0 EPK – Liminal Spirit – Pathways (2025)

  • May 9, 2025
  • by Asher
  • · EPKs · Liminal Spirit

EPK – Liminal Spirit – Pathways (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I view this as a full-length release despite its 14-minute duration, because due to the nature of its composition of non-repeating passages, it requires multiple listens to fully cement itself within the listener. The first pass will express the story and characters, and repeated listens will bring both to life through digesting the melodies and composition as a whole.” – Liminal Spirit

For fans of Jesu, Swans, Skepticism, Confessor, Anata

Facebook.com/profile.php?id=61575618106702 | Instagram.com/liminal_spirit_mke | Liminalspirit.bandcamp.com | Spotify

Band: Liminal Spirits
Album: Pathways (13:55)

Credits:
All songs written and performed, produced, recorded and mixed by Liminal Spirit
Mastered by Jeff Wojtysiak at Spiral Sound Mastering
Album lineup – Jerry Hauppa-guitars, vocals, bass, drum programming, synthesizer

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About The Album Artwork:

The artwork is an image of the story: five people trapped in a maze of stone with seemingly no escape.

About the album as a whole (LYRICALLY & MUSICALLY)

The album is composed purposely like that of a movie soundtrack, where the score does not repeat, but certain themes may develop or mutate to reflect character growth throughout the duration.  The characters, when speaking (as shown in the lyrics), will accompany a musical shift in tone to reflect their characters and mood as the story develops.

Liminal Spirit, the musical project of multi-instrumentalist Jerry Hauppa, announces the release of “Pathways”, a single-track concept album designed as an immersive journey through spiritual thresholds and interdimensional spaces. Following the 2024 self-titled EP, “Pathways” expands on Liminal Spirit’s signature sound: a rich fusion of doom metal with cinematic atmosphere. Hauppa comments:

“I view this as a full-length release despite its 14-minute duration, because due to the nature of its composition of non-repeating passages, it requires multiple listens to fully cement itself within the listener. The first pass will express the story and characters, and repeated listens will bring both to life through digesting the melodies and composition as a whole.”

Where the debut embraced ritualistic abstraction, “Pathways” introduces a more frenzied, intricate musical approach that perfectly complements its narrative structure. It tells the story of five figures trapped in a maze, chronicling their emotional processing and planned escape. The composition unfolds like a film score, with no repeating parts until the finale. Musical themes develop and mutate to reflect character growth, with distinct tonal shifts accompanying each character’s voice in the narrative.

This thoughtful composition rewards repeat listening, revealing new layers with each experience. The album’s structure mirrors its lyrical themes, all concerning transcendence beyond the physical form and transitions between spiritual planes. “Pathways” represents the second chapter in an ongoing exploration of spiritual passage. A third release, currently in development, promises to continue this cinematic journey through liminal spaces. Liminal Spirit is recommended for fans of Jesu, Swans, and Skepticism.

Discography:
Liminal Spirit-Pathways (2025)
Liminal Spirit- Self-titled EP (2024)

0 EPK – Sith’ari – Before The Dawn (EP) (2025) (Ethanol Studio)

  • April 27, 2025
  • by Asher
  • · EPKs · Sithari

EPK – Sith’ari – Before The Dawn (EP) (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“From beginning to end, this EP will leave you wanting more. It’s a truly fantastic album that caters to all fans of black metal who want something melodic, fast, and relentless.” – Sith’ari

For fans of Gorgoroth, Immortal, FIN, Sargeist

Band: Sith’ari
EP Title: Before The Dawn
Release Date: Digital – April 23, 2025 | CD – May 30, 2025
Label: Ethanol Studio

Facebook.com/profile.php?id=61575179925163 | Instagram.com/sitharimetal

Ethanolstudio.bandcamp.com | Spotify

“Overall, this was a solid album. Although it was relatively short, many of the aggressive passages were also coupled with somber melodies, creating an unforgettable listening experience.” – Metal Temple

[Download EP Cover | Download EP Lyrics]

Band: Sith’ari
EP Title: Before The Dawn
Release Date: Digital – April 23, 2025 | CD – May 30, 2025
Label: Ethanol Studio

Track Listing:
1. Chaos In The Skies 4:13
2. Before The Dawn 4:49
3. Conquer The Wild 6:37
4. Hail Victory 6:49
5. The Everlasting Hunt 8:18
EP Length: 30:47

EP Credits:
Written, produced, mixed and mastered by Lord Kafir
Artwork – Matt Priso
 
Band Lineup
Lord Kafir – Guitars, Bass, Vocals
Pathos – Drums

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About The Album Artwork:

An angel blesses fallen soldiers in a Nordic fantasy battle that is used in the song “Hail Victory.”

Abum as a whole (LYRICALLY & MUSICALLY):

If you wish your black metal was a bit darker, add a dash of Gorgoroth with just a dash of Immortal, that describes the sounds. The themes are much more in touch with fans of later-day Bathory and Immortal.

Track by Track (LYRICALLY & MUSICALLY):

1. Chaos in the Skies is a punishing, melancholic song for Gorgoth fans that sings about a Blizzard in Iowa that devastated the entire western part of the state

2. A scorching song that is uplifting in a way. To describe a soldier who was thought to be dead on a battlefield retreats to safer sights.

3. Conquer the Wild is a much more black and roll song with a melancholic feel to impersonate the theme of a lone man surviving in the wilderness during the wintertime and his mindset at that time.

4. Hail Victory is the fastest song of the EP and epic to bring the theme of a fantasy raid that is a precursor to the themes in the track Before the Dawn.

5. The everlasting hunt is the slowest and most atmospheric track that revolves around a boy who is receiving his first taste of hunting in a Nordic timescape.

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Fun Facts – Story Angles:

1. Kafir plays in Nedakh and Pathos plays for Symphony of Heaven.

2. The band is made of engineers. Kafir Records, produces, mixes and masters everything at his own make shift studio inside his own house and lets other bands in the local Iowa scene record their songs if they hire him. Pathos records, produces, mixes, and masters symphony of heaven releases since 2020 to current.

3. Kafir is the audio engineering student of the former FIN drummer.

L-R – Pathos – Drums, Lord Kafir – Guitars, Bass, Vocals

Sith’ari, the black metal side project for both Lord Kafir of Nedakh and Pathos of Symphony of Heaven and Satan Destroyer announces the release of their debut EP” Before The Dawn”, unleashed digitally on April 23rd, with physical release on CD on May 30th, 2025 via their indie label Ethanol Studio.

Melancholic but uplifting, fast, and atmospheric, the EP is a more riff-oriented sound usually associated with most black metal. Lord Kafir writes the riffs on guitar and a drum machine then sends them to Pathos to get his interpretation to create a record that’s a mish-mash of influences from different readings from history books, experiencing harsh winters in Iowa and Indiana and fantasy stories, games and movies.

Lord Kafir had other music in him that wasn’t just typical death metal and Pathos was brought in because he wanted to play in a specific black metal band that didn’t deny him from his religious point of view.

The band comments:

“If you wish your black metal was a bit darker, add a dash of Gorgoroth with just a dash of Immortal, that describes the sounds. The themes are much more in touch with fans of later-day Bathory and Immortal. From beginning to end, this EP will leave you wanting more. It’s a fantastic record that caters to all fans of black metal who want something melodic, fast, and relentless.”

Recommended for fans of Gorgoroth, Immortal, FIN, and Sargeist.

0 EPK – Jawfane – Me and All My Demons (2025 ) (Exitus Stratagem Records)

  • April 23, 2025
  • by Asher
  • · EPKs · Jawfane (Exitus Stratagem Records)

EPK – Jawfane – Me and All My Demons (2025 ) (Exitus Stratagem Records)

Publicist – Jon Asher – exsr[@]ashermediarelations[.]com

“I hope it is received with an open mind to metal and what it can be when you are angry, but also determined to find the beautiful things in this life. But also, I hope they find hope in the record somewhere. In the form of “He sounds like how I feel” or “yeah, bro been there too” there is hope in being relatable and honest with that relatability, and I think the band really brings those themes of “Despair, Angry and Betrayal” into a place where people can talk about it. Which, for us, is therapeutic, and I hope that translates for the listener as much as it can” – Cory

“Hopefully, the things we say and the movements we go through are something that our audience can not just relate to, but can feel in their bones. Words they couldn’t say, heard. Feelings they couldn’t define, now clear. That fire inside, recognized and set free.” – Jesse

For fans of The Ghost Inside, The Amity Affliction, Boundaries, King 810, and Norma Jean

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | X.com/exsrmusic

Facebook.com/Jawfane | Instagram.com/jawfane | Youtube.com/@jawfane

Jawfane.bandcamp.com | Spotify | Amazon

EP – Pre-Save – https://hypeddit.com/jawfane/meandallmydemons

Single pre-save – https://hypeddit.com/jawfane/cataclysmnightmare

Single pre-save – https://hypeddit.com/jawfane/timehuntsusall

[Download EP Cover | Download EP Lyrics]

EP Title: Me and All My Demons
Release Date: June 26, 2025
Label: Exitus Stratagem Records

Track Listing:
1. Damaged Goods – 3:48
2. Cataclysm (Nightmare) – 2:42
3. Me and All My Demons – 3:46
4.  Friends and Enemies – 3:20
5. Time Hunts Us All – 4:01
EP Length: 17:39

Album Credits:
• All songs performed by: Jawfane
• All songs written by: Jawfane
• Produced by: Jawfane
• Mixed by: Exitus Stratagem Records
• Mastered by: Exitus Stratagem Records
• Album Artwork by: Austin Heipp
• ASCAP MembersJawfane Album and Live Band Line Up:
Cory Pack (guitar)
Jesse Marquez (keyboard)
Austin Heipp (vocals)
AJ Chacon (drums)
Chase Shumann (bass)

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About The Album Artwork

“I took the pictures for the album and single artwork in Seattle, Washington. I wanted something extremely somber with an extreme darkness around it, but still have the ability to be beautiful in its own way.” – Austin

The album as a whole (LYRICALLY & MUSICALLY):

“The majority of the material on the album is new, written when we acquired our vocalist, Austin. Heading into unknown territory, we found ourselves free to grow in whatever direction we wished. It was freeing. We experimented with a few new directions before agreeing on a group of songs that we felt could stand together as its own thing. The writing itself came organically and quickly. We were thrilled to be working together, and the fact that it came about so naturally always shocks me. Everyone contributed lyrically, as it should be. Anything anyone had to offer was taken seriously because if it worked, it worked. Lyrically, we wanted to focus on what churns below. I want to relate to that struggle of being unable to say what was really on your mind when you absolutely had to. Conflicting thoughts, spiraling, splitting into different uncertainties, polluting what could be the right thoughts for the moment. That there’s still room in the world for you, that there are things out there in the world for you. That the things you’ve prayed for, intentionally or in vain, are within your grasp despite whatever you’ve gone through. Concerning the direction of the music, we came together as a team and talked about the music we love, and what we’d love to make. Not just for ourselves, but that could take an audience captive as we swung you around the room by your legs. It’s a lot of fun coordinating vocals among the band with the variety of ideas that get thrown at the wall. We hope to push ourselves to find something deeper, more refined, as we have fun along the way on this path we chose,” – Jesse

Track by Track (LYRICALLY & MUSICALLY):

1. Damaged Goods
“ I wrote about being abused by people who were supposed to unconditionally love you. In this case, I wrote about my family. Lyrically, this song is for the children that made it out and made it better, or for the ones that will make it out and will make it better, or even if it hurts. The key is that I just wanted to have early 2010s metal-core vibes with a knock-you-in-the-mouth aggression. Well also talking about resident evil shit such as how our government is turning us into monsters and using us as weapons so we steal from the facility, changing us to save everyone”.- Austin

2. Cataclysm (Nightmares)
“We wanted to break things. The opening riff is a kinda call back style old school Norma Jean thing, and I really dig that groove, but once Chase got hold of it, we went straight in to old-school triplet city, the song for me is a sprint through chaos, playing this song is the most fun one from the record easy peasy. Lyrically, I didn’t put in a whole lot, but Chase really landed with a lot of how we all feel about people as a whole: unseen, unheard, and betrayed. The directness of the lyrics is intentional, I don’t think you can confuse this for a happy song.” -Cory

3. Me and all My Demons
“This one was a joy to arrange. We only had the pieces and had to stitch them together into a haunting, lumbering beast. Figuring out how the beast would walk and bite was a lot of fun for everyone. I personally feel that this song is a strong example of where we’re headed as a band. Atmospheric, rich in story and interpretation.

There’s something inside all of us. A calling. A sign in the right direction, no matter how perilous the path. Something that pushes you to persevere through adversity, be it through the lands you travel, the things you experience, the people you meet. Something primordial, capable of crushing every obstacle in your way, the instinct to fight death and decay by any means necessary.” – Jesse

4. Friends And Enemies

“The last song was completed for the EP. Chase and I wrote the chorus for the song, and this one is the “strange one” sonically, story-wise, and lyrically on the record. Instrumentally, it is the oldest Jawfane song, one of the first brought to the table back in 2021 when we started the band. The original recording we sent over to EXSR is the version of “Carry On” from 2024 with fellow artists, Panda Forces, Hollow Wake, and Brylew. We wanted to take the song and give it a “redo” for our debut EP, for mostly personal reasons. We wanted to bring something to contrast the dark, despair, and anger the rest of the record brings with something a little more positive. Austin wrote the first verse, in a repetitive fashion, over and over again, a lib fashion until it sounded natural. I don’t think anyone wrote it down until after we were happy with the take itself” – Cory

5. Time Hunts Us All:
Time Hunts Us All” is my personal favorite song from the record. It was second to be written and really push out technical ability, both instrumentally and vocally. While the guitar part over the faster sections isn’t all that difficult on its own, getting that riff to sit inside the chaos of the drums and bass, and vocals is really challenging live; it’s a no-mistakes, not even a little moment. It’s the first time I ever did vocals for a Jawfane song. As the band has evolved, one thing that has been a constant is that we are all songwriters and vocalists in our own right. I just generally don’t have the voice for the style we do. Gordon (Producer) called me in to do some vocals for this song. I knew I was going to do the singing sections at the front so Chase could get the backing part in without having to switch styles. What I didn’t expect was to sing the tenor part at the big ending. It was super cool and fun to get to leave my mark on one of our songs in that way. Proud of the guys as a whole for how well vocals tracking went for the EP.” -Cory

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FUN FACTS:
1. For Jesse and Aj, it’s their first band.

2. We drove a 30-hour round trip without sleep to play in Chicago.

3. Aj joined the band, then learned the entire set for his first show ever on 15 days’ notice.

4. We have genre-flipped our band.

5. Favorite Anime by Member:
Austin: Tokyo Ghoul
Cory: Attack On Titan
Chase: Intial D.
Aj: Jojo’s Bizarre Adventure
Jesse: Gurren Lagan

6. Jesse didn’t start playing keyboard until after Jawfane formed

7. All the instruments for the record were tracked by the band

8. We hold the record longest featured artist on Z-97.5 (Clarksville Tn Radio) (8 Weeks)

9. Our band agreement hasn’t changed since first signed in July 2021.

10,  “We are not always together, but we are always in this together” is the band’s motto

STORY TIME:

1. “On the drive home from Chicago we were in two difference cars, Chase and Cory in one car, took turns driving every two hours so we didn’t have to stop to get a hotel, I’m not going to say it was the safest thing we ever tried, but pushing our limits to get to where people want the music is something we are proud of, Cory has the photo of Chase when they arrived home, ragged, dirty, and just gross saved to his favorites in my photo to this day.”

2. “When Austin auditioned, no one knew what to expect. He had no resume, we (the band) had met him once at a previous show that he took photos for, and that much we know he could do, but vocals, no idea what to expect.

He shows up in One Piece gear head to toe, and wrecks shop on an unused track, after hearing the rough version of “Time Hunts Us All,” he said the now famous line in our camp…

“Put me in, coach.”

And that’s when we all kinda knew he was the guy we needed.”

L-R – Cory Pack (guitar), Jesse Marquez (keyboard), Austin Heipp (vocals), AJ Chacon (drums), Chase Shumann (bass)

Photo Credit – Megan Rose // Instagram @mrosedesigner

USA’s post-hardcore outfit Jawfane is proud to announce their debut EP “Me and All My Demons” set for release on June 26th through Exitus Stratagem Records.

Born from a desire to create without judgment or barriers, Jawfane has spent the last four years building their sound from the ground up. What began as a group of friends secretly writing together has evolved into an immersive musical force that defies easy categorization. Though rooted in metal-core and hardcore sensibilities, the band refuses to be pigeonhole into a single genre.

“Me and All My Demons” represents a collection of real-life experiences transformed into raw, cathartic expressions. All Jawfane songs are based in reality for at least one of the members, someone they know personally, or something they needed to say that they couldn’t say any other way”. 

The EP was initially self-produced before catching the attention of Exitus Stratagem Records, who worked with the band to rework and re-record the entire collection. Jawfane will be supporting the release with shows throughout the summer. They are recommended for fans of Misery Signals, Cane Hill, and King 810.

Discography:
2021 – Apparition – Single
2022 – Amber Tokens – Single
2022 – Witness Marks – Single
2022- Shapeshifter – Single
2023 – Eurydice – Single
2024 – Carry On – Single
2024 – Damaged Goods – Single
2025 – Me and All My Demons (EP)

Shared Stage with: Dropout Kings, Outline in Color, VRSTY, Convictions, Earth Groans, Bit Brigade, Southpaw FLHC, and Autumn Lies Buried

Tours and Festivals:
Fish Fest 3 (2021) Lebanon TN
Mule Fest (2023) Columbia TN
Boogie Bottoms (2023) Cleveland AL
Shuttle Mania (2024) Nashville TN

Artists Endorsements: My Merch Guy, Vile Apparel

0 EPK – Vultures At Dawn – Outlaws (single) (2025)

  • April 18, 2025
  • by Asher
  • · EPKs · Vultures At Dawn

EPK – Vultures At Dawn – Outlaws (single) (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I think what draws people to us as a band is our commitment to staying alive and documenting our story. With each song that comes out, the Vultures’ world broadens. We want people to see what we see.” – Vultures At Dawn

For fans of Kyuss, Black Sabbath, Queen, Dozer, Monster Truck

https://www.facebook.com/VulturesAtDawn

https://www.instagram.com/vulturesatdawn

Single – https://distrokid.com/hyperfollow/vulturesatdawn/outlaws-texas-chainsaw-marigold

Band: Vultures At Dawn
Single Title: Outlaws (Texas Chainsaw Marigold)
Length (5:01)

Single Credits:
Performed by Vultures At Dawn
Recorded by Anton Schindler
Mixed by Jade Weekes
Mastered by Railtown Mastering
Single Artwork by: Anna Zoza
Music is Canadian Content

Band Lineup:  
Buck Summers: Vocals
Raven Steel: Guitar
Sebastian Black: Bass
Dallas McCoy: Oboe
Doc: Drums

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About The Single Artwork

We collected some of our “Wanted” posters and had the witch who lives in the tower (a dear friend of Buck’s) use them to craft our single art. You can find the witch at ______

About the track:

Outlaws was the 2nd song that we wrote. Buck wrote the lyrics after escaping from the cops while on horseback, barely making it out alive. They wrote the song the night they got back, and turned the exhilaration of surviving into a song.

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Fun Facts

1. This is the first recording ever of Buck’s voice, even though they’ve been singing for as long as anyone can remember.

2. All main vocals were recorded in a historic church that the Vultures broke into.

3. Buck was not the original vocalist in Vultures at Dawn.

Left to Right: Doc (Drums), Dallas McCoy (Oboe), Buck Summers: Vocals, Sebastian Black (Bass), Raven Steel (Guitar)

Photo Credit: Shimon Photography

Vultures At Dawn is a desert rock band from Vancouver, BC aimed at whispering dark secrets and shaking boots with our heavy riffs. Being a queer lead band, we gather all walks of life, all outcasts, desperados of all kinds to join our volt.

Band Lineup:
Buck Summers: Vocals
Raven Steel: Guitar
Sebastian Black: Bass
Dallas McCoy: Oboe
Doc: Drums

Shared Stage with: Forsaken Rite (Alberta), Ophelia Falling, Medevil

0 EPK – SPHERES – Underworld (single) (2025) (off Album ‘Shadows of Despair’ Out Oct 2025)

  • April 18, 2025
  • by Asher
  • · EPKs · SPHERES

EPK – SPHERES – Underworld (single) (2025) (off Album ‘Shadows of Despair’ Out Oct 2025)

For fans of Gojira, Tool, Opeth, Mastodon, The Ocean, Devin Townsend

Digital Single – https://distrokid.com/hyperfollow/spheres7/underworld

All Links: https://linktr.ee/spheres.band

Facebook.com/bandspheres | Instagram.com/spheres.band | Youtube.com/@SPHERESOFFICIAL | Tiktok.com/@spheresband

Spheresofficial.bandcamp.com | Spotify | Apple Music

[Download Single Lyrics]

Band: Spheres
Single Title: Underworld
Release Date: April 18, 2025
Label: Self-Release
Distribution: Distrokid
Track Length : (4:45)

Single Recording Credits:
• All songs performed by: SPHERES
• All songs written by: SPHERES
• Produced by: SPHERES
• Mixed by: Cris Edrich
• Mastered by: Pierrick Noel
• Album Artwork by: Julien Grellet
• Member of SACEM ( France )

Band Line Up:
Jonathan Lino: Vocals, Guitars, Producer
Marco Walczak: Lead Guitars, Keyboards
Clémence Santé: Bass
Jesse Haddad: Drums

SPHERES will release their new single Underworld on April 18 and their new album Shadows of Despair in October 2025, recorded and mixed by Chris Edrich (Devin Townsend, Tesseract, Leprous…) After receiving fantastic support from the metal media for their previous album Helios, including a glowing review from Rock Hard, they’re gearing up to defend this single on their 2025 European Tour. 

Spheres  performed, among others, at Malmöfestivalen in Sweden, Hellfest and Ready For Prog in France, as part of their previous European tour in Germany, Denmark, Sweden, Belgium, Switzerland and France. They opened for band such as Angra, Threshold, Hangman’s Chair, Angelus Apatrida …

If the invitation to spiritual journey and dystopia seems to be the main dimensions of SPHERES, what strikes the listener is the multitude of contrasts and textures that inhabit their music: From sharp riffs to ethereal melodies, from clean singing to growls and screams, the atmosphere oscillates between dream and frenzy… Everything is designed to push the listener’s boundaries and invite them to take part in this journey.

SPHERES is:
Jonathan Lino: Vocals, Guitars, Producer
Marco Walczak: Lead Guitars, Keyboards
Clémence Santé: Bass
Jesse Haddad: Drums

Discography:
2025 – SHADOWS OF DESPAIR (LP) (October)
2025 – UNDERWORLD (single)
2022 – HELIOS (LP)
2019 – IONO (LP)

0 EPK – Woodhawk – Love Finds A Way (2025)

  • April 11, 2025
  • by Asher
  • · EPKs · Woodhawk

EPK – Woodhawk – Love Finds A Way (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We are over the moon to get this album out. Love Finds a Way is easily the hardest we have worked on an album to date. We poured our heart and soul into this one. It really is a journey of getting out of the darkness and into the light. Check in with your friends and loved ones. Hug the ones you love. Be nicer to each other. Love will always prevail and be stronger than anything else. After 10 years of being a band, I feel like we are still just getting started!” – Woodhawk

For fans of Black Sabbath, The Sword, Red Fang, Thin Lizzy, Priestess

Band: Woodhawk
Album Title: Love Finds a Way
Release Date: June 6, 2025
Label: Grand Hand Records

Woodhawkriffs.com​​ | Instagram.com/woodhawkriffs​​ | Facebook.com/woodhawkriffs | X.com/woodhawkriffs | Youtube.com/@woodhawkriffs

Woodhawk.bandcamp.com | Spotify

“Calgary’s Woodhawk returns after five years with new album” – Calgary Herald 

Top 30 Chart: Aug 8 – 14, 2025 – #16 – Woodhawk – CKUA Radio Alberta

“Love Finds A Way is a moving, introspective, and incredibly honest trek. Doubts and regrets are aired like candid confessions… The music moves the sentiment of these nine songs with a crisp, stalwart beat from drummer Kevin Nelson and robust bass rhythms from Mike Badmington (who also shares vocals throughout the album).The flow is undeniable in the closing number “Killing Time,” which is to me the gem of the collection. It’s about being gaslit in a relationship, waking up, and rediscovering a sense of self and is just so thoughtfully written from the catchy beat to the vocal phrasing and the guitar solo and addition of the piano… While I’ve made much to-do about the lyrical force of the album, it takes every member of the band to really pull it off and make us believers. Woodhawk is working like a well-oiled machine one EP and three albums into their career, making this a wholly convincing spin track after track.” – Doomed and Stoned 

“Woodhawk built a reputation for themselves in the stoner scene, however you wouldn’t necessarily call Love Finds A Way a generic stoner record. There are certainly some fuzzy riffs, however the sound is more of a conglomeration of classic blues rock, some old-fashioned NWOBHM energy and a liberal sprinkling of 90s hard rock (especially in the vocals). But, the main thing that dominates is the GROOVE. With some frenetic guitars, an intense rhythm section and some funky keyboard action, groove is not only in the heart, it’s in the lungs, the kidneys, and the reproductive organs. Hell, it’s running more rampant through the body than a particularly virulent dose of the clap. With all but 3 of the songs clocking in over 5 minutes, these guys have the time and space to track down a killer groove and nail the little bastard down tight. A great album that gets better with each listen. As Haddaway once asked, ‘What is Love?’ …this is! 4.5/5″ – Metal Epidemic

“Love Finds A Way is so damn catchy. Some of these songs will get very stuck in your head, and these guys understand melody, combined with hard rock, as well as any of the best bands out there. There is a bluesy feel at some points and a grunge vibe during others, but regardless of what you label it, this is some killer heavy rock… Love Finds A Way is some next level heavy rock. I hesitate to call it stoner rock, just like I would not call Valley Of The Sun stoner rock, but Woodhawk have created something special with the nine songs on their third, and best record to date. Love the vocals, love the riffs, love the organ, love the emotion, and love Love Finds A Way. 9/10″ – Musipedia of Metal

“One of Canada’s best Stoner Rock bands WoodHawk make a welcome return with Love Finds A Way where the band play a more amplified style of Heavy Rock music with focus primarily on melody and aggression. Taking up the LOUD RAWK mantle of bands such as THIN LIZZY, THE SWORD, BLACK SABBATH and LED ZEPP. WoodHawk bring a soulful and highly energetic style of Classic Blues Rock into the mix… WoodHawk impresses on every level with Love Finds A Way which allows this record to be their best album yet which you will be listening to for a very long time to come. Add this record to your collection and if you’re a fan of Old School Heavy Rock then this is the place to be. Outstanding. End Of.” – Outlaws of the Sun

“From the raucous energy of  trangers Ever After  to the moody, keyboard-tinged doom of  The Unholy Hand,  the album is consistently engaging. It’s a banger from start to finish, successfully blending hard rock thunder with a sense of tender vulnerability. Love Finds A Way is a highly recommended listen for any fan of heavy, melodic rock. It captures Woodhawk not just as skilled musicians, but as evolved songwriters who have crafted their finest and most relatable album yet.” – Alt Yeg Music Magazine

“Love Finds A Way is an album that cements the trio as first-class songwriters. The doom/stoner elements of the band’s earlier outings remain infused in their DNA, but they’ve been augmented with a genuinely striking ability to pen tunes that sink into your brain. These songs straddle the worlds between biting hard rock and heavy metal thunder, while carrying an almost poppy sense of tender vulnerability. The long wait was absolutely worth it. This album is a banger.” – The Sleeping Shaman

“Stoner rockers’ Woodhawk have just dropped their new single “Strangers Ever After” and it ROCKS! Heavy, driving and just spot-on as a great selection for the first single from their forthcoming 3rd album “Love Finds A Way” which is slated for a June 6th release (we’ve also had the opportunity to preview the new album and it’s pretty amazing). In the meanwhile, you can catch “Strangers Ever After” on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“Even though “Love Finds A Way” opens up energetically as usual with ‘Grave Shaker’ and ‘Strangers Ever After’, the tension between the tried and tested band sound and further development soon becomes audible. On the one hand, the album sounds typically like WOODHAWK, we listen to heavy rock with a clear stoner side and rich guitar riffs, but on the other hand, the record seems more mature and serious. 8/10″ – PowerMetal.de

“Calgary trio Woodhawk have got that swing on their new single “Strangers Ever After,” which is the first single to come from their aspirationally-titled new album, Love Finds a Way, due out June 6 on Grand Hand Records. There’s classic-style, organ-enhanced boogie meeting with a modern production and tonal fullness, all aligned around a central push and tense sections of chug — skillfully wrought, melodic, clear in its intention to engage but not without expressive purpose either. It keeps its balance after spinning around in a few circles, and the solo is class before the bluesy verse returns to round out. Been six years, but that happens sometimes. Cool to have a new one coming from these guys either way. ” – The Obelisk (2025)

“Psychedelic Stoner Rockers WOODHAWK return from a six year slumber with their upcoming and absolutely stunning new album Love Finds A Way. With swirling Psychedelic melodies married with Grunge, Doom and heavy groovy soundscapes, this sees the band in inspired form.” – Outlaws of The Sun (2025)

“Woodhawk from Canada immediately conjures up appealing associations, with both stoner and seventies hard rock. It is catchy, can hold the tension quite well, and is skillfully performed… The songs themselves are often really strong as a whole; beautiful lines, catchy hooks and just enough variation in the arrangements, with a very fine sense of timing. An album that certainly deserves a serious listen.” – Rockportaal (2025)

“THE ÜBER ROCK SINGLES CLUB DAILY PICK – WOODHAWK – STRANGERS EVER AFTER” – Uber Rock (2025)

“Love Finds A Way is a ravishing and excellent album from start to finish. The three-piece band joins a list of fantastic bands emerging from the Great White North. Woodhawk are in the top tier of quality for hard rock bands from Canada.” – Jam Yeti Music Blog

“Their brand of this style sounds far more refreshing and has a modern rock ‘n roll kind of aura to go along, slightly ringing in signs of alternative influence. The end result is as if Black Sabbath and Thin Lizzy had a child born in the age of Chevelle. With that said, this is immaculate. ” – Indy Metal Vault (Violent Nature – 2019)​
​
​“this is really the kind of rock that fans of classic U.K. metal in the ’70s will be instantly taken with. Sounds really good turned-up really loud, which is always a good test.” – Vancouver Sun (Violent Nature – 2019)​
​
​“Violent Nature kicks off with the slithering riffs of “Snake in the Grass,” which comes crawling up slowly before striking with a venomous fuzz-riffy attack, and a soaring, fist-raising chorus. “Weightless Light” gets my head nodding right away with a solid stoner rock riff, while giving off a pretty decent Monster Truck vibe in the chorus – I can see why they made it the pre-release single.” – Hellbound (Violent Nature – 2019)​
​
​“This is what music is about. When you put yourself out there, you connect with others on a deeper level and that’s always a win.” – The Music Below (Violent Nature – 2019)​
​
​“Violent Nature surpasses their debut and then some; the Rocky Mountain trio have harnessed the best of the past, given it a fresh coat of paint, made me smile and just enjoy rock and roll in its purest form…” – The Sleeping Shaman (Violent Nature – 2019)​
​
​“going by the lead single “Weightless Light” it seems like whatever they’re making the songs about, Woodhawk still bring the same sense of songcraft to their material, which is always good to know.” – The Obelisk (Violent Nature – 2019)

[Download Album Cover | Download Album Lyrics]

Band: Woodhawk
Album Title: Love Finds A Way
Release Date: June 6, 2025
Label: Grand Hand Records

Track Listing
1. Grave Shaker – 4:41
2. Strangers Ever After – 4:24
3. Truth Be Told – 7:21
4. White Crosses – 6:10
5. The Unholy Hand – 5:21
6. No Place For Hate – 5:18
7. Love Finds a Way – 6:16
8. Relapser – 4:52
9. Killing Time – 8:37

Album Credits:
All songs performed by: Woodhawk
All songs written by: Woodhawk
Produced by: Jesse Gander
Mixed by: Jesse Gander
Mastered by: Jason Livermore
Album Artwork by: Mark Kowalchuk
SOCAN MAPLWoodhawk is:Turner Midzain – Guitar & Vocals
Mike Badmington – Bass & Vocals
Kevin Nelson – Drums

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About The Album Artwork:

It was the concept of how small we all can be in the grand scheme. This hand is holding an orb, inside which is a guy who appears lost, just holding a lantern as he gazes upon this vast landscape. Just finding his way through. Isn’t that true of all of us in life?

But through all this, being in the orb, bubble, world, whatever..love finds a way. Love always prevails and wins. It’s what keeps us driven and what we work the hardest for. Love.

About the album as a whole (LYRICALLY & MUSICALLY):

It’s a journey through the last couple years. All of us went through some hard times and to no surprise the pandemic wasn’t much better! We weren’t really sure if we would continue being a band or not. But we prevailed and are stronger than ever. It’s about love and friendship. And getting through things together. Checking in on your loved ones and friends.

Track by Track (LYRICALLY & MUSICALLY):

1. Grave Shaker – This one is about change. Growth through the years. And sometimes you outgrow the patterns you were in, the people you surrounded yourself and the habits you had. It’s an evolution. It can be very uncomfortable to change who you are. It’s a huge leap of vulnerability. But being true to yourself and keeping your head up.

2. Stranger Ever After – Through changes and growth, sometimes you lose people along the way that were once very close to you. Be it a partner, spouse, friend etc. Someone who was once your closest person can become the opposite if you grow in different directions. And maybe after all, we were just better off being Strangers.

3. Truth Be Told – This was a breakthrough of just saying how I felt. Up until this point, I wasn’t being honest with myself on how I felt, who I was, and who I wanted to be. This is kind of a farewell to the past and welcome to the future. Sometimes the truth hurts.

4. White Crosses – This is the death of a friend, relationship or even marriage. ‘How did we end up here? Is this what we hoped for?’
No one ever expects to go their separate ways. No one gets into something with the plan to get out. And through any separation or grief, you pass these moments and memories along the way. Sort of like the little white crosses we see planted along the roadside where someone lost their life. Little reminders of what was. Gone but not forgotten.

5. The Unholy Hand – The remnants of something fallen and destroyed, only to be built back up again. This higher power, that yields good or bad. All within and without our control.

6. No Place For Hate – This one is a little more on the nose. The world we live in feels like it has just become more filled with hate, homophobia, transphobia, racism and bigotry. We all have 0 tolerance for this. We try to not ever be a political band, but this just felt really important to us and flowed naturally. Love one another. It’s way harder to hate than it is to love.

7. Love Finds a Way – This was a triumphant song that was a coming of age for us. Love is at the heart of everything. And if you love something, set it free. It will come back to you if it’s meant to be. This really embodied so much of how I felt and how we as a band felt. We had to hit a bit of a pause on our band to see if we still wanted to do it. Lots had changed and were still changing. But at the end of the day, we are 3 very close friends, and that is so important to us. We felt like our love for each other really kept us together, and found a way for all of us. We are genuinely closer as friends than ever before.

8. Relapser – This was an honest take on feeling like you have grown up and evolved and become better. Only at the same time to feel like you easily fall into old habits and patterns again that you tried so hard to escape. It drags you back down, and it feels like you must start all over again.

9. Killing Time – It started as a lot of self-reflection and feeling quite lost. I felt really gaslit in a previous relationship, and it took me a while to really snap out of it and see what was going on. But also trying to navigate my way back to who I am and who we are as people. Does anyone care? Do I still care? Or are we just killing time? I really wanted this to be a farewell to the old and a door opening to what was ahead. And if it was the last song people ever heard of our band, then I felt it was the best way to possibly say goodbye.

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Fun Facts – Story Angles

1. In 2016, when we were recording our first LP, Beyond The Sun, we were in Vancouver at Rain City Recorders. We were maybe a couple days into it, and our producer stops after one of the takes and says, ‘Turner, you need to check your phone. Someone is trying to get a hold of you to open for Airbourne tomorrow night!’ So I checked my phone and he was right. And within a couple of phone calls, we were set up to play the Commodore Ballroom the next night to open up a sold-out show for Airbourne. We still tracked all day and the next day. Then loaded up, played the coolest show ever, and went back the next day to the studio to keep tracking like that blur of a gig hadn’t even happened.

2. We were touring Canada in Spring 2018 and made our way out to Ontario. Most of the weather thus far had been fine. Mild spring weather. On our way back around the Canadian shield to head to Thunder Bay and make our trek home, we stopped by Turner’s grandmother’s house in Barrie, ON. We had to have only been there for 45 minutes. At this time, a wild snowstorm blew in, and we got stuck at the bottom of a large hill near the lake. We had to get towed up to the top, drive through what felt like a foot of snow in our not-so-great van and trailer. Only to get to the highway…to find out it was closed due to the storm and an accident. From there, not wanting to miss any shows, we detoured back south, then over to North Bay. All the while, our heat in the van dies. We bundled up in sleeping bags and ponchos to get through it. This was the WORST drive we have ever taken to date.

3. In 2020, we all either quit our jobs, got fired, or took an indefinite leave of absence to spend our time on the road touring our album, Violent Nature. We were booked for all of Canada, Europe, and the USA to follow. Within days of paying our gear deposit for Europe, about to book flights and leave the next day for the Canadian tour, the pandemic fully shut everything down. Somehow, 2 of us managed to save our jobs. One of us is not so lucky. We saw so many of our friends and peers get stuck out on tours and have to travel home safely during the pandemic. We were so lucky that it could have happened to us, but we avoided it by a little over 24 hours.

L to R: Kevin Nelson (Drums), Turner Midzain (Vocals/ Guitar), Mike Badmington (Bass/ Vocals)

Portrait by Mark Kowalchuk

Formed in Calgary, Alberta, in 2014, Woodhawk swiftly emerged as a formidable presence in the Canadian rock scene. With their debut album Beyond the Sun dropping in 2017, the trio—comprising Turner Midzain on guitar and vocals, Mike Badmington on bass, and Kevin Nelson on drums—immediately garnered attention with their distinctive fusion of classic hard rock and modern stoner metal.

Their music, characterized by infectious grooves and memorable hooks, captivates audiences and has earned them a devoted fanbase. Following the success of their sophomore release, ‘Violent Nature,’ in 2019, Woodhawk continues to push boundaries and captivate listeners with their upcoming 2025 album, ‘Love Finds a Way,’ set to further solidify their status as one of Canada’s most exciting rock acts. With electrifying performances and a sound that marries nostalgia with innovation, Woodhawk remains a force to be reckoned with, poised to leave a lasting mark on the music landscape.

Discography:
2025 – Love Finds a Way
2019 – Violent Nature
2017 – Beyond The Sun
2014 – Self Titled EP

Shared Stage with: Airbourne, In Flames, Elder, Truckfighters, Metz, The Shrine, Sandrider

Tours and Festivals:
2017, 2018, 2019, 2022 – Sled Island Calgary
UP+DT – 2016 + 2017 (Edmonton)

Endorsements:
Los Cabso Drum Sticks 2014-Current
Heartbeat Hotsauce 2017-2022
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